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35 6 x 25 6 cm Stock Photos and Images
Art inspired by The Trinity, 18th century, Possibly made in Mexico, Spanish Colonial, Oil on tin (?), Overall: 14 x 10 1/16 in. (35.6 x 25.6 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-trinity-18th-century-possibly-made-in-mexico-spanish-colonial-oil-on-tin-overall-14-x-10-116-in-356-x-256-cm-paintings-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462778874.htmlRF2HTWB4X–Art inspired by The Trinity, 18th century, Possibly made in Mexico, Spanish Colonial, Oil on tin (?), Overall: 14 x 10 1/16 in. (35.6 x 25.6 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of a Man, Seated in Front of a Writing Desk. Artist: Henry Edridge (British, Paddington, Middlesex 1769-1821 London). Dimensions: sheet: 14 x 10 1/16 in. (35.6 x 25.6 cm). Sitter: Probably Henry Duncombe (British, 1728-1818). Date: 1795-1800. In the 1790s Edridge was a proponent of a new type of small-scale full-length portrait drawn in graphite and finished using ink and watercolor washes. This striking example depicts a country gentleman at work in his study; the artist emphasized his bookcase by adding a strip of paper at the top. A small vase near the sitter's shoulder suggests h Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-man-seated-in-front-of-a-writing-desk-artist-henry-edridge-british-paddington-middlesex-1769-1821-london-dimensions-sheet-14-x-10-116-in-356-x-256-cm-sitter-probably-henry-duncombe-british-1728-1818-date-1795-1800-in-the-1790s-edridge-was-a-proponent-of-a-new-type-of-small-scale-full-length-portrait-drawn-in-graphite-and-finished-using-ink-and-watercolor-washes-this-striking-example-depicts-a-country-gentleman-at-work-in-his-study-the-artist-emphasized-his-bookcase-by-adding-a-strip-of-paper-at-the-top-a-small-vase-near-the-sitters-shoulder-suggests-h-image212855809.htmlRMPA8BN5–Portrait of a Man, Seated in Front of a Writing Desk. Artist: Henry Edridge (British, Paddington, Middlesex 1769-1821 London). Dimensions: sheet: 14 x 10 1/16 in. (35.6 x 25.6 cm). Sitter: Probably Henry Duncombe (British, 1728-1818). Date: 1795-1800. In the 1790s Edridge was a proponent of a new type of small-scale full-length portrait drawn in graphite and finished using ink and watercolor washes. This striking example depicts a country gentleman at work in his study; the artist emphasized his bookcase by adding a strip of paper at the top. A small vase near the sitter's shoulder suggests h
Wisteria on a Wall, Fidelia Bridges, American, 1834-1923, Watercolor over graphite on paper, 1870s, 14 x 10 1/16 in., 35.6 x 25.6 cm, buds, female artist, flower, spring, vine, watercolor, woman artist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wisteria-on-a-wall-fidelia-bridges-american-1834-1923-watercolor-over-graphite-on-paper-1870s-14-x-10-116-in-356-x-256-cm-buds-female-artist-flower-spring-vine-watercolor-woman-artist-image454281595.htmlRM2HB28PK–Wisteria on a Wall, Fidelia Bridges, American, 1834-1923, Watercolor over graphite on paper, 1870s, 14 x 10 1/16 in., 35.6 x 25.6 cm, buds, female artist, flower, spring, vine, watercolor, woman artist
Inspired by Wisteria on a Wall, Fidelia Bridges, American, 1834-1923, Watercolor over graphite on paper, 1870s, 14 x 10 1/16 in., 35.6 x 25.6 cm, buds, female artist, flower, spring, vine, watercolor, woman artist, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-wisteria-on-a-wall-fidelia-bridges-american-1834-1923-watercolor-over-graphite-on-paper-1870s-14-x-10-116-in-356-x-256-cm-buds-female-artist-flower-spring-vine-watercolor-woman-artist-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459262704.htmlRF2HK567C–Inspired by Wisteria on a Wall, Fidelia Bridges, American, 1834-1923, Watercolor over graphite on paper, 1870s, 14 x 10 1/16 in., 35.6 x 25.6 cm, buds, female artist, flower, spring, vine, watercolor, woman artist, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Böhmer Franz (1907-1943), Villa von der Heydt in Berlin-Tiergarten. Conversion (1938-1938): Wall lamp in the porch: Views 1: 5. Light break on paper, 35.6 x 25.6 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bhmer-franz-1907-1943-villa-von-der-heydt-in-berlin-tiergarten-conversion-1938-1938-wall-lamp-in-the-porch-views-1-5-light-break-on-paper-356-x-256-cm-including-scan-edges-image477580959.htmlRM2JMYKAR–Böhmer Franz (1907-1943), Villa von der Heydt in Berlin-Tiergarten. Conversion (1938-1938): Wall lamp in the porch: Views 1: 5. Light break on paper, 35.6 x 25.6 cm (including scan edges)
. English: Series Title: Rama's Journey Creation Date: ca. 1800 Display Dimensions: 10 1/8 in. x 13 29/32 in. (25.7 cm x 35.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1282 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:09:00. English: thesandiegomuseumofartcollection 1172 The Demon Kumbhkaran finally wakes up and eats (6125069010) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-ramas-journey-creation-date-ca-1800-display-dimensions-10-18-in-x-13-2932-in-257-cm-x-353-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901282-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140900-english-thesandiegomuseumofartcollection-1172-the-demon-kumbhkaran-finally-wakes-up-and-eats-6125069010-image185706279.htmlRMMP3J73–. English: Series Title: Rama's Journey Creation Date: ca. 1800 Display Dimensions: 10 1/8 in. x 13 29/32 in. (25.7 cm x 35.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1282 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:09:00. English: thesandiegomuseumofartcollection 1172 The Demon Kumbhkaran finally wakes up and eats (6125069010)
Wisteria on a Wall Fidelia Bridges (American, 1834-1923). Wisteria on a Wall, 1870s. Watercolor over graphite on paper, 14 x 10 1/16 in. (35.6 x 25.6 cm). The practice of drawing and painting in watercolor was an important part of genteel female culture in the nineteenth century. Fidelia Bridges, a Brooklynite, achieved uncommon success as a professional artist, becoming well known for her detailed and decorative watercolors of flowers and birds. Bridges’s close observation of plant life—a subject especially favored by the American Ruskinians—is demonstrated in this carefully articulated stud Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wisteria-on-a-wall-fidelia-bridges-american-1834-1923-wisteria-on-a-wall-1870s-watercolor-over-graphite-on-paper-14-x-10-116-in-356-x-256-cm-the-practice-of-drawing-and-painting-in-watercolor-was-an-important-part-of-genteel-female-culture-in-the-nineteenth-century-fidelia-bridges-a-brooklynite-achieved-uncommon-success-as-a-professional-artist-becoming-well-known-for-her-detailed-and-decorative-watercolors-of-flowers-and-birds-bridgess-close-observation-of-plant-lifea-subject-especially-favored-by-the-american-ruskiniansis-demonstrated-in-this-carefully-articulated-stud-image504688315.htmlRM2M92F2K–Wisteria on a Wall Fidelia Bridges (American, 1834-1923). Wisteria on a Wall, 1870s. Watercolor over graphite on paper, 14 x 10 1/16 in. (35.6 x 25.6 cm). The practice of drawing and painting in watercolor was an important part of genteel female culture in the nineteenth century. Fidelia Bridges, a Brooklynite, achieved uncommon success as a professional artist, becoming well known for her detailed and decorative watercolors of flowers and birds. Bridges’s close observation of plant life—a subject especially favored by the American Ruskinians—is demonstrated in this carefully articulated stud
. English: Creation Date: ca. 1865 Display Dimensions: 14 3/32 in. x 9 7/8 in. (35.8 cm x 25.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.738 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:12. English: thesandiegomuseumofartcollection 1041 Ram Singh in armor, riding with a group of retainers (6125103536) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1865-display-dimensions-14-332-in-x-9-78-in-358-cm-x-251-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990738-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-142912-english-thesandiegomuseumofartcollection-1041-ram-singh-in-armor-riding-with-a-group-of-retainers-6125103536-image185555229.htmlRMMNTNGD–. English: Creation Date: ca. 1865 Display Dimensions: 14 3/32 in. x 9 7/8 in. (35.8 cm x 25.1 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.738 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:12. English: thesandiegomuseumofartcollection 1041 Ram Singh in armor, riding with a group of retainers (6125103536)
Wisteria on a Wall Fidelia Bridges (American, 1834-1923). Wisteria on a Wall, 1870s. Watercolor over graphite on paper, 14 x 10 1/16 in. (35.6 x 25.6 cm). The practice of drawing and painting in watercolor was an important part of genteel female culture in the nineteenth century. Fidelia Bridges, a Brooklynite, achieved uncommon success as a professional artist, becoming well known for her detailed and decorative watercolors of flowers and birds. Bridges’s close observation of plant life—a subject especially favored by the American Ruskinians—is demonstrated in this carefully articulated stud Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wisteria-on-a-wall-fidelia-bridges-american-1834-1923-wisteria-on-a-wall-1870s-watercolor-over-graphite-on-paper-14-x-10-116-in-356-x-256-cm-the-practice-of-drawing-and-painting-in-watercolor-was-an-important-part-of-genteel-female-culture-in-the-nineteenth-century-fidelia-bridges-a-brooklynite-achieved-uncommon-success-as-a-professional-artist-becoming-well-known-for-her-detailed-and-decorative-watercolors-of-flowers-and-birds-bridgess-close-observation-of-plant-lifea-subject-especially-favored-by-the-american-ruskiniansis-demonstrated-in-this-carefully-articulated-stud-image504688326.htmlRM2M92F32–Wisteria on a Wall Fidelia Bridges (American, 1834-1923). Wisteria on a Wall, 1870s. Watercolor over graphite on paper, 14 x 10 1/16 in. (35.6 x 25.6 cm). The practice of drawing and painting in watercolor was an important part of genteel female culture in the nineteenth century. Fidelia Bridges, a Brooklynite, achieved uncommon success as a professional artist, becoming well known for her detailed and decorative watercolors of flowers and birds. Bridges’s close observation of plant life—a subject especially favored by the American Ruskinians—is demonstrated in this carefully articulated stud
Fukagawa mannenbashi sita Abstract/medium: 1 print : woodcut, color ; 25.4 x 35.6 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fukagawa-mannenbashi-sita-abstractmedium-1-print-woodcut-color-254-x-356-cm-image265237037.htmlRMWBEGF9–Fukagawa mannenbashi sita Abstract/medium: 1 print : woodcut, color ; 25.4 x 35.6 cm.
MEMLING, Hans (b. ca. 1440, Seligenstadt, d. 1494, Bruges) St Ursula Shrine: Martyrdom (scene 5) 1489 Oil on panel, 35 x 25,3 cm Memlingmuseum, Sint-Janshospitaal, Bruges 5. Martyrdom in Cologne Scenes 5 and 6 form a continuous whole, and are enacted upon the eastern bank of the Rhine. The Roman rulers, who wished to snuff out this escalation in the practice of the Christian faith, called upon their relative Julius, leader of the Huns, to await the pilgrims in Cologne and to put them to death. The attack begins in the distance on the opposite bank, shown on the extreme left (the sh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/memling-hans-b-ca-1440-seligenstadt-d-1494-bruges-st-ursula-shrine-martyrdom-scene-5-1489-oil-on-panel-35-x-253-cm-memlingmuseum-sint-janshospitaal-bruges-5-martyrdom-in-cologne-scenes-5-and-6-form-a-continuous-whole-and-are-enacted-upon-the-eastern-bank-of-the-rhine-the-roman-rulers-who-wished-to-snuff-out-this-escalation-in-the-practice-of-the-christian-faith-called-upon-their-relative-julius-leader-of-the-huns-to-await-the-pilgrims-in-cologne-and-to-put-them-to-death-the-attack-begins-in-the-distance-on-the-opposite-bank-shown-on-the-extreme-left-the-sh-image625404323.htmlRM2Y9DHGK–MEMLING, Hans (b. ca. 1440, Seligenstadt, d. 1494, Bruges) St Ursula Shrine: Martyrdom (scene 5) 1489 Oil on panel, 35 x 25,3 cm Memlingmuseum, Sint-Janshospitaal, Bruges 5. Martyrdom in Cologne Scenes 5 and 6 form a continuous whole, and are enacted upon the eastern bank of the Rhine. The Roman rulers, who wished to snuff out this escalation in the practice of the Christian faith, called upon their relative Julius, leader of the Huns, to await the pilgrims in Cologne and to put them to death. The attack begins in the distance on the opposite bank, shown on the extreme left (the sh
Leighton Edmund Blair - Private Collection - The Trysting Place - 1901 - oil on wood 35,6 x 25,4 cm - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leighton-edmund-blair-private-collection-the-trysting-place-1901-oil-on-wood-356-x-254-cm-image457720875.htmlRF2HGJYJ3–Leighton Edmund Blair - Private Collection - The Trysting Place - 1901 - oil on wood 35,6 x 25,4 cm -
Drawing, Schooner and Three Dinghies; Winslow Homer (American, 1836–1910); England; graphite on cold pressed paper ; 35.6 x 25.5 cm (14 x 10 1/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-schooner-and-three-dinghies-winslow-homer-american-18361910-england-graphite-on-cold-pressed-paper-356-x-255-cm-14-x-10-116-in-image546232780.htmlRM2PMK1DG–Drawing, Schooner and Three Dinghies; Winslow Homer (American, 1836–1910); England; graphite on cold pressed paper ; 35.6 x 25.5 cm (14 x 10 1/16 in.)
Hassam Childe - Private Collection - La Fruitière - 1887 89c. - oil on wood 35,6 x 25,4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hassam-childe-private-collection-la-fruitiere-1887-89c-oil-on-wood-356-x-254-cm-image454768484.htmlRF2HBTDRG–Hassam Childe - Private Collection - La Fruitière - 1887 89c. - oil on wood 35,6 x 25,4 cm
Drawing, Possibly Mt. Desert, Island, rock; Frederic Edwin Church (American, 1826–1900); USA; brush and oil on paper.; 25.5 x 35.6 cm (10 1/16 in. x 14 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-possibly-mt-desert-island-rock-frederic-edwin-church-american-18261900-usa-brush-and-oil-on-paper-255-x-356-cm-10-116-in-x-14-in-image546262062.htmlRM2PMMARA–Drawing, Possibly Mt. Desert, Island, rock; Frederic Edwin Church (American, 1826–1900); USA; brush and oil on paper.; 25.5 x 35.6 cm (10 1/16 in. x 14 in.)
Portrait of a Man - 1475 76 - olio su legno di pioppo 35.6 x 25.4 cm - Da Messina Antonello Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-man-1475-76-olio-su-legno-di-pioppo-356-x-254-cm-da-messina-antonello-image457722779.htmlRF2HGK223–Portrait of a Man - 1475 76 - olio su legno di pioppo 35.6 x 25.4 cm - Da Messina Antonello
Drawing, Two Schooners; Winslow Homer (American, 1836–1910); USA; graphite, brush and white gouache on neutral yellow paper ; Sheet: 25.3 x 35.6 cm (9 15/16 x 14 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-two-schooners-winslow-homer-american-18361910-usa-graphite-brush-and-white-gouache-on-neutral-yellow-paper-sheet-253-x-356-cm-9-1516-x-14-in-image546065345.htmlRM2PMBBWN–Drawing, Two Schooners; Winslow Homer (American, 1836–1910); USA; graphite, brush and white gouache on neutral yellow paper ; Sheet: 25.3 x 35.6 cm (9 15/16 x 14 in.)
'Sir George Hayter, Freshwater Bay, Isle of Wight, 1839, watercolor, gouache, and graphite with red and white chalks on blue wove paper, overall: 25.6 x 35.2 cm (10 1/16 x 13 7/8 in.), Gift of William B. O'Neal, 1995.52.74' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-george-hayter-freshwater-bay-isle-of-wight-1839-watercolor-gouache-and-graphite-with-red-and-white-chalks-on-blue-wove-paper-overall-256-x-352-cm-10-116-x-13-78-in-gift-of-william-b-oneal-19955274-image559650427.htmlRM2REE7R7–'Sir George Hayter, Freshwater Bay, Isle of Wight, 1839, watercolor, gouache, and graphite with red and white chalks on blue wove paper, overall: 25.6 x 35.2 cm (10 1/16 x 13 7/8 in.), Gift of William B. O'Neal, 1995.52.74'
Cut-out Decorative Foil (India); Designed by Lockwood de Forest (American, 1850–1932); pierced and cut-out sheet brass foil; L x W: 35.6 × 25.4 cm (14 × 10 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cut-out-decorative-foil-india-designed-by-lockwood-de-forest-american-18501932-pierced-and-cut-out-sheet-brass-foil-l-x-w-356-254-cm-14-10-in-image546265058.htmlRM2PMMEJA–Cut-out Decorative Foil (India); Designed by Lockwood de Forest (American, 1850–1932); pierced and cut-out sheet brass foil; L x W: 35.6 × 25.4 cm (14 × 10 in.)
![View of All Hallows' Church in Tottenham; the churchyard and tombstones in the foreground; a tree to the right. Inscribed 'Latitude 51 35 59 North' in the lower left-hand corner and 'Longitude 0 431 West from Greenwich, I Adams Edmonton' in the lower right-hand corner. . Tottenham. Middx : To John Snell Esqr this Plate is humbly dedicated by his obliged servant John Thomas Smith. [London] : Drawn & Etch'd by I. T. Smith & Pubd. April 5, 1793 by Nathl. Smith Ancient Printseller Rembrandts Head Gt. Mays Buildings, St. Martins L.,. 1 print : Etching with hand-colouring ; sheet 18.8 x 25.6 cm. So Stock Photo](https://c8.alamy.com/comp/R52TGF/view-of-all-hallows-church-in-tottenham-the-churchyard-and-tombstones-in-the-foreground-a-tree-to-the-right-inscribed-latitude-51-35-59-north-in-the-lower-left-hand-corner-and-longitude-0-431-west-from-greenwich-i-adams-edmonton-in-the-lower-right-hand-corner-tottenham-middx-to-john-snell-esqr-this-plate-is-humbly-dedicated-by-his-obliged-servant-john-thomas-smith-london-drawn-etchd-by-i-t-smith-pubd-april-5-1793-by-nathl-smith-ancient-printseller-rembrandts-head-gt-mays-buildings-st-martins-l-1-print-etching-with-hand-colouring-sheet-188-x-256-cm-so-R52TGF.jpg "View of All Hallows' Church in Tottenham; the churchyard and tombstones in the foreground; a tree to the right. Inscribed 'Latitude 51 35 59 North' in the lower left-hand corner and 'Longitude 0 431 West from Greenwich, I Adams Edmonton' in the lower right-hand corner. . Tottenham. Middx : To John Snell Esqr this Plate is humbly dedicated by his obliged servant John Thomas Smith. [London] : Drawn & Etch'd by I. T. Smith & Pubd. April 5, 1793 by Nathl. Smith Ancient Printseller Rembrandts Head Gt. Mays Buildings, St. Martins L.,. 1 print : Etching with hand-colouring ; sheet 18.8 x 25.6 cm. So Stock Photo")
View of All Hallows' Church in Tottenham; the churchyard and tombstones in the foreground; a tree to the right. Inscribed 'Latitude 51 35 59 North' in the lower left-hand corner and 'Longitude 0 431 West from Greenwich, I Adams Edmonton' in the lower right-hand corner. . Tottenham. Middx : To John Snell Esqr this Plate is humbly dedicated by his obliged servant John Thomas Smith. [London] : Drawn & Etch'd by I. T. Smith & Pubd. April 5, 1793 by Nathl. Smith Ancient Printseller Rembrandts Head Gt. Mays Buildings, St. Martins L.,. 1 print : Etching with hand-colouring ; sheet 18.8 x 25.6 cm. So Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-all-hallows-church-in-tottenham-the-churchyard-and-tombstones-in-the-foreground-a-tree-to-the-right-inscribed-latitude-51-35-59-north-in-the-lower-left-hand-corner-and-longitude-0-431-west-from-greenwich-i-adams-edmonton-in-the-lower-right-hand-corner-tottenham-middx-to-john-snell-esqr-this-plate-is-humbly-dedicated-by-his-obliged-servant-john-thomas-smith-london-drawn-etchd-by-i-t-smith-pubd-april-5-1793-by-nathl-smith-ancient-printseller-rembrandts-head-gt-mays-buildings-st-martins-l-1-print-etching-with-hand-colouring-sheet-188-x-256-cm-so-image226871247.htmlRMR52TGF–View of All Hallows' Church in Tottenham; the churchyard and tombstones in the foreground; a tree to the right. Inscribed 'Latitude 51 35 59 North' in the lower left-hand corner and 'Longitude 0 431 West from Greenwich, I Adams Edmonton' in the lower right-hand corner. . Tottenham. Middx : To John Snell Esqr this Plate is humbly dedicated by his obliged servant John Thomas Smith. [London] : Drawn & Etch'd by I. T. Smith & Pubd. April 5, 1793 by Nathl. Smith Ancient Printseller Rembrandts Head Gt. Mays Buildings, St. Martins L.,. 1 print : Etching with hand-colouring ; sheet 18.8 x 25.6 cm. So
Bag. Dated: c. 1937. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eugene Bartz. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bag-dated-c-1937-dimensions-overall-356-x-256-cm-14-x-10-116-in-medium-watercolor-graphite-and-gouache-on-paperboard-museum-national-gallery-of-art-washington-dc-author-eugene-bartz-image218817748.htmlRMPM007G–Bag. Dated: c. 1937. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eugene Bartz.
Marine, American, ca. 1850, American, Oil on wood, 10 x 14 in. (25.4 x 35.6 cm), Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marine-american-ca-1850-american-oil-on-wood-10-x-14-in-254-x-356-cm-paintings-image344609237.htmlRM2B0J8GN–Marine, American, ca. 1850, American, Oil on wood, 10 x 14 in. (25.4 x 35.6 cm), Paintings
Art inspired by Wisteria on a Wall, Fidelia Bridges, American, 1834-1923, Watercolor over graphite on paper, 1870s, 14 x 10 1/16 in., 35.6 x 25.6 cm, buds, female artist, flower, spring, vine, watercolor, woman artist, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-wisteria-on-a-wall-fidelia-bridges-american-1834-1923-watercolor-over-graphite-on-paper-1870s-14-x-10-116-in-356-x-256-cm-buds-female-artist-flower-spring-vine-watercolor-woman-artist-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459572677.htmlRF2HKK9HW–Art inspired by Wisteria on a Wall, Fidelia Bridges, American, 1834-1923, Watercolor over graphite on paper, 1870s, 14 x 10 1/16 in., 35.6 x 25.6 cm, buds, female artist, flower, spring, vine, watercolor, woman artist, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing, Study of a Man's Hand for 'Tribute Money'; Daniel Huntington (American, 1816–1906); USA; graphite, white chalk on grey wove paper; 25.4 x 35.6 cm (10 x 14 in.); Bequest of Erskine Hewitt; 1942-50-142 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-study-of-a-mans-hand-for-tribute-money-daniel-huntington-american-18161906-usa-graphite-white-chalk-on-grey-wove-paper-254-x-356-cm-10-x-14-in-bequest-of-erskine-hewitt-1942-50-142-image546147720.htmlRM2PMF4YM–Drawing, Study of a Man's Hand for 'Tribute Money'; Daniel Huntington (American, 1816–1906); USA; graphite, white chalk on grey wove paper; 25.4 x 35.6 cm (10 x 14 in.); Bequest of Erskine Hewitt; 1942-50-142
Casimir le Conte, after Boulanger MET DP813238 377896 Artist: Charles Meryon, French, 1821?1868, Artist: After Gustave Boulanger, French, Paris 1824?1888 Paris, Casimir le Conte, after Boulanger, 1856, Etching on laid paper, plate: 13 7/8 x 10 1/16 in. (35.2 x 25.6 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1919 (19.14.1) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-casimir-le-conte-after-boulanger-met-dp813238-377896-artist-charles-168493948.htmlRMKP3FN0–Casimir le Conte, after Boulanger MET DP813238 377896 Artist: Charles Meryon, French, 1821?1868, Artist: After Gustave Boulanger, French, Paris 1824?1888 Paris, Casimir le Conte, after Boulanger, 1856, Etching on laid paper, plate: 13 7/8 x 10 1/16 in. (35.2 x 25.6 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1919 (19.14.1)
![. Deutsche entomologische National-Bibliothek : [Rundschau im Gebiete der Insektenkunde mit besonderer Berücksichtigung der Literatur]. Insects; Entomology. Doubletteii- P.g. 4. Fig. 5. LH aus Pappe mit Aus- lage. (Fig. 5.) Gr. 3 20 x 30 cm M. â.75 Gr. 4 24 x 36 cm M. 1.â.. Fig. 6. VerSandkästen aus Holz mit Torfauslage und an- hängendem Deckel, ca. 5 â 6 cm hoch. (Fig. 6.) Gr. 10x14, 10x15, 13x17, 17x19, 14x25, 17x29 cm W. â.25 ^T3à â.35 â.40 â.45 â.50 Postkästchen für Tütenfalter, Puppen usw. Gr. a 5x7x14 Gr. b 5x8x15 Gr. c 7x8'/2Xl6 cm W. â.10 â.10 " â.15 Andere GröÃen werden pr Stock Photo](https://c8.alamy.com/comp/PFAHF5/deutsche-entomologische-national-bibliothek-rundschau-im-gebiete-der-insektenkunde-mit-besonderer-bercksichtigung-der-literatur-insects-entomology-doubletteii-pg-4-fig-5-lh-aus-pappe-mit-aus-lage-fig-5-gr-3-20-x-30-cm-m-75-gr-4-24-x-36-cm-m-1-fig-6-versandksten-aus-holz-mit-torfauslage-und-an-hngendem-deckel-ca-5-6-cm-hoch-fig-6-gr-10x14-10x15-13x17-17x19-14x25-17x29-cm-w-25-t3-35-40-45-50-postkstchen-fr-ttenfalter-puppen-usw-gr-a-5x7x14-gr-b-5x8x15-gr-c-7x82xl6-cm-w-10-10-quot-15-andere-gren-werden-pr-PFAHF5.jpg ". Deutsche entomologische National-Bibliothek : [Rundschau im Gebiete der Insektenkunde mit besonderer Berücksichtigung der Literatur]. Insects; Entomology. Doubletteii- P.g. 4. Fig. 5. LH aus Pappe mit Aus- lage. (Fig. 5.) Gr. 3 20 x 30 cm M. â.75 Gr. 4 24 x 36 cm M. 1.â.. Fig. 6. VerSandkästen aus Holz mit Torfauslage und an- hängendem Deckel, ca. 5 â 6 cm hoch. (Fig. 6.) Gr. 10x14, 10x15, 13x17, 17x19, 14x25, 17x29 cm W. â.25 ^T3à â.35 â.40 â.45 â.50 Postkästchen für Tütenfalter, Puppen usw. Gr. a 5x7x14 Gr. b 5x8x15 Gr. c 7x8'/2Xl6 cm W. â.10 â.10 " â.15 Andere GröÃen werden pr Stock Photo")
. Deutsche entomologische National-Bibliothek : [Rundschau im Gebiete der Insektenkunde mit besonderer Berücksichtigung der Literatur]. Insects; Entomology. Doubletteii- P.g. 4. Fig. 5. LH aus Pappe mit Aus- lage. (Fig. 5.) Gr. 3 20 x 30 cm M. â.75 Gr. 4 24 x 36 cm M. 1.â.. Fig. 6. VerSandkästen aus Holz mit Torfauslage und an- hängendem Deckel, ca. 5 â 6 cm hoch. (Fig. 6.) Gr. 10x14, 10x15, 13x17, 17x19, 14x25, 17x29 cm W. â.25 ^T3à â.35 â.40 â.45 â.50 Postkästchen für Tütenfalter, Puppen usw. Gr. a 5x7x14 Gr. b 5x8x15 Gr. c 7x8'/2Xl6 cm W. â.10 â.10 " â.15 Andere GröÃen werden pr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsche-entomologische-national-bibliothek-rundschau-im-gebiete-der-insektenkunde-mit-besonderer-bercksichtigung-der-literatur-insects-entomology-doubletteii-pg-4-fig-5-lh-aus-pappe-mit-aus-lage-fig-5-gr-3-20-x-30-cm-m-75-gr-4-24-x-36-cm-m-1-fig-6-versandksten-aus-holz-mit-torfauslage-und-an-hngendem-deckel-ca-5-6-cm-hoch-fig-6-gr-10x14-10x15-13x17-17x19-14x25-17x29-cm-w-25-t3-35-40-45-50-postkstchen-fr-ttenfalter-puppen-usw-gr-a-5x7x14-gr-b-5x8x15-gr-c-7x82xl6-cm-w-10-10-quot-15-andere-gren-werden-pr-image215977529.htmlRMPFAHF5–. Deutsche entomologische National-Bibliothek : [Rundschau im Gebiete der Insektenkunde mit besonderer Berücksichtigung der Literatur]. Insects; Entomology. Doubletteii- P.g. 4. Fig. 5. LH aus Pappe mit Aus- lage. (Fig. 5.) Gr. 3 20 x 30 cm M. â.75 Gr. 4 24 x 36 cm M. 1.â.. Fig. 6. VerSandkästen aus Holz mit Torfauslage und an- hängendem Deckel, ca. 5 â 6 cm hoch. (Fig. 6.) Gr. 10x14, 10x15, 13x17, 17x19, 14x25, 17x29 cm W. â.25 ^T3à â.35 â.40 â.45 â.50 Postkästchen für Tütenfalter, Puppen usw. Gr. a 5x7x14 Gr. b 5x8x15 Gr. c 7x8'/2Xl6 cm W. â.10 â.10 " â.15 Andere GröÃen werden pr
. English: Display Artist: Ram Charan Creation Date: ca. 1825 Display Dimensions: 13 25/32 in. x 20 15/32 in. (35 cm x 52 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.995 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:28:10. English: thesandiegomuseumofartcollection 1041 Raja Sinha with his son Bhagat Raj Bahadur seated in a carriage (6125118870) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-display-artist-ram-charan-creation-date-ca-1825-display-dimensions-13-2532-in-x-20-1532-in-35-cm-x-52-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990995-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-142810-english-thesandiegomuseumofartcollection-1041-raja-sinha-with-his-son-bhagat-raj-bahadur-seated-in-a-carriage-6125118870-image185555186.htmlRMMNTNEX–. English: Display Artist: Ram Charan Creation Date: ca. 1825 Display Dimensions: 13 25/32 in. x 20 15/32 in. (35 cm x 52 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.995 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:28:10. English: thesandiegomuseumofartcollection 1041 Raja Sinha with his son Bhagat Raj Bahadur seated in a carriage (6125118870)
![A View of Chepstow Town and Castle Gloucester. Author Lens, Andrew Benjamin 31.6.a. Date of publication: [around 1730-1750] Item type: 1 drawing Medium: pen and black ink with monochrome wash Dimensions: sheet 25.1 x 35.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HM07/a-view-of-chepstow-town-and-castle-gloucester-author-lens-andrew-benjamin-316a-date-of-publication-around-1730-1750-item-type-1-drawing-medium-pen-and-black-ink-with-monochrome-wash-dimensions-sheet-251-x-358-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HM07.jpg "A View of Chepstow Town and Castle Gloucester. Author Lens, Andrew Benjamin 31.6.a. Date of publication: [around 1730-1750] Item type: 1 drawing Medium: pen and black ink with monochrome wash Dimensions: sheet 25.1 x 35.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A View of Chepstow Town and Castle Gloucester. Author Lens, Andrew Benjamin 31.6.a. Date of publication: [around 1730-1750] Item type: 1 drawing Medium: pen and black ink with monochrome wash Dimensions: sheet 25.1 x 35.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-chepstow-town-and-castle-gloucester-author-lens-andrew-benjamin-316a-date-of-publication-around-1730-1750-item-type-1-drawing-medium-pen-and-black-ink-with-monochrome-wash-dimensions-sheet-251-x-358-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401759239.htmlRM2E9HM07–A View of Chepstow Town and Castle Gloucester. Author Lens, Andrew Benjamin 31.6.a. Date of publication: [around 1730-1750] Item type: 1 drawing Medium: pen and black ink with monochrome wash Dimensions: sheet 25.1 x 35.8 cm Former owner: George III, King of Great Britain, 1738-1820
. English: Creation Date: ca. 1846 Display Dimensions: 6 31/32 in. x 9 27/32 in. (17.7 cm x 25 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1349 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 15 October 2001, 13:35:45. English: thesandiegomuseumofartcollection 1040 Raja Gulab Singh and His Son Ranbir Singh (6125139262) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1846-display-dimensions-6-3132-in-x-9-2732-in-177-cm-x-25-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901349-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-15-october-2001-133545-english-thesandiegomuseumofartcollection-1040-raja-gulab-singh-and-his-son-ranbir-singh-6125139262-image185865731.htmlRMMPAWHR–. English: Creation Date: ca. 1846 Display Dimensions: 6 31/32 in. x 9 27/32 in. (17.7 cm x 25 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1349 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 15 October 2001, 13:35:45. English: thesandiegomuseumofartcollection 1040 Raja Gulab Singh and His Son Ranbir Singh (6125139262)
Grant in citizens clothes Abstract/medium: 1 print : chromolithograph sheet 30.6 x 25.3 cm, on card mount 45.8 x 35.6 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grant-in-citizens-clothes-abstractmedium-1-print-chromolithograph-sheet-306-x-253-cm-on-card-mount-458-x-356-cm-image266638197.htmlRMWDPBMN–Grant in citizens clothes Abstract/medium: 1 print : chromolithograph sheet 30.6 x 25.3 cm, on card mount 45.8 x 35.6 cm.
. English: Display Artist: Artist Unknown Creation Date: 18th century Display Dimensions: 6 25/32 in. x 4 11/32 in. (17.2 cm x 11 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.447 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 16 October 2001, 10:35:13. English: thesandiegomuseumofartcollection 789 Lady Praying at a Shrine (6124541723) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-display-artist-artist-unknown-creation-date-18th-century-display-dimensions-6-2532-in-x-4-1132-in-172-cm-x-11-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990447-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-16-october-2001-103513-english-thesandiegomuseumofartcollection-789-lady-praying-at-a-shrine-6124541723-image185867765.htmlRMMPB06D–. English: Display Artist: Artist Unknown Creation Date: 18th century Display Dimensions: 6 25/32 in. x 4 11/32 in. (17.2 cm x 11 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.447 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 16 October 2001, 10:35:13. English: thesandiegomuseumofartcollection 789 Lady Praying at a Shrine (6124541723)
MEMLING, Hans (b. ca. 1440, Seligenstadt, d. 1494, Bruges) St Ursula Shrine: Martyrdom (scene 6) 1489 Oil on panel, 35 x 25,3 cm Memlingmuseum, Sint-Janshospitaal, Bruges 6. Martyrdom in Cologne Scenes 5 and 6 form a continuous whole, and are enacted upon the eastern bank of the Rhine. The Roman rulers, who wished to snuff out this escalation in the practice of the Christian faith, called upon their relative Julius, leader of the Huns, to await the pilgrims in Cologne and to put them to death. The attack begins in the distance on the opposite bank, shown on the extreme left (the sh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/memling-hans-b-ca-1440-seligenstadt-d-1494-bruges-st-ursula-shrine-martyrdom-scene-6-1489-oil-on-panel-35-x-253-cm-memlingmuseum-sint-janshospitaal-bruges-6-martyrdom-in-cologne-scenes-5-and-6-form-a-continuous-whole-and-are-enacted-upon-the-eastern-bank-of-the-rhine-the-roman-rulers-who-wished-to-snuff-out-this-escalation-in-the-practice-of-the-christian-faith-called-upon-their-relative-julius-leader-of-the-huns-to-await-the-pilgrims-in-cologne-and-to-put-them-to-death-the-attack-begins-in-the-distance-on-the-opposite-bank-shown-on-the-extreme-left-the-sh-image625404147.htmlRM2Y9DHAB–MEMLING, Hans (b. ca. 1440, Seligenstadt, d. 1494, Bruges) St Ursula Shrine: Martyrdom (scene 6) 1489 Oil on panel, 35 x 25,3 cm Memlingmuseum, Sint-Janshospitaal, Bruges 6. Martyrdom in Cologne Scenes 5 and 6 form a continuous whole, and are enacted upon the eastern bank of the Rhine. The Roman rulers, who wished to snuff out this escalation in the practice of the Christian faith, called upon their relative Julius, leader of the Huns, to await the pilgrims in Cologne and to put them to death. The attack begins in the distance on the opposite bank, shown on the extreme left (the sh
. English: The Grand Canal. (Venice). Oil on board, 25.4 x 35.6 cm . by 1894. Edward Pritchett (1808-1894) Edward Pritchett Canal Grande Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-grand-canal-venice-oil-on-board-254-x-356-cm-by-1894-edward-pritchett-1808-1894-edward-pritchett-canal-grande-image184973956.htmlRMMMX84M–. English: The Grand Canal. (Venice). Oil on board, 25.4 x 35.6 cm . by 1894. Edward Pritchett (1808-1894) Edward Pritchett Canal Grande
'Abraham Blooteling, Hendrik Casimir II, Count of Nassau-Dietz, mezzotint on laid paper, plate: 35.1 x 25.5 cm (13 13/16 x 10 1/16 in.) sheet: 37.6 x 26.6 cm (14 13/16 x 10 1/2 in.), Gift of Henry and Judith Rice Millon, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.203.10' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abraham-blooteling-hendrik-casimir-ii-count-of-nassau-dietz-mezzotint-on-laid-paper-plate-351-x-255-cm-13-1316-x-10-116-in-sheet-376-x-266-cm-14-1316-x-10-12-in-gift-of-henry-and-judith-rice-millon-in-honor-of-the-50th-anniversary-of-the-national-gallery-of-art-199120310-image559648821.htmlRM2REE5NW–'Abraham Blooteling, Hendrik Casimir II, Count of Nassau-Dietz, mezzotint on laid paper, plate: 35.1 x 25.5 cm (13 13/16 x 10 1/16 in.) sheet: 37.6 x 26.6 cm (14 13/16 x 10 1/2 in.), Gift of Henry and Judith Rice Millon, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.203.10'
Flint Glass Bottles. Dated: c. 1936. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Ella Josephine Sterling. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flint-glass-bottles-dated-c-1936-dimensions-overall-356-x-256-cm-14-x-10-116-in-medium-watercolor-gouache-and-graphite-on-paperboard-museum-national-gallery-of-art-washington-dc-author-ella-josephine-sterling-image225634744.htmlRMR32FBM–Flint Glass Bottles. Dated: c. 1936. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Ella Josephine Sterling.
Piece, Japan, 18th–19th century, Japan, Silk, 10 x 2 1/2 in. (25.40 x 6.35 cm), Textiles-Woven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piece-japan-18th19th-century-japan-silk-10-x-2-12-in-2540-x-635-cm-textiles-woven-image344612750.htmlRM2B0JD26–Piece, Japan, 18th–19th century, Japan, Silk, 10 x 2 1/2 in. (25.40 x 6.35 cm), Textiles-Woven
Inspired by Oshi-e, Daikoku, Cloth and, Japan, 19th century, Meiji Period, 14 x 10 in., 35.6 x 25.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-oshi-e-daikoku-cloth-and-japan-19th-century-meiji-period-14-x-10-in-356-x-254-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459262188.htmlRF2HK55H0–Inspired by Oshi-e, Daikoku, Cloth and, Japan, 19th century, Meiji Period, 14 x 10 in., 35.6 x 25.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Textile; cotton, glazed; Warp x Weft: 85 x 21.5 cm (33 7/16 x 8 7/16 in.) Repeat H x W: 35.6 x 22.9 cm (14 x 9 in.); 1973-25-8 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-cotton-glazed-warp-x-weft-85-x-215-cm-33-716-x-8-716-in-repeat-h-x-w-356-x-229-cm-14-x-9-in-1973-25-8-image546109450.htmlRM2PMDC4X–Textile; cotton, glazed; Warp x Weft: 85 x 21.5 cm (33 7/16 x 8 7/16 in.) Repeat H x W: 35.6 x 22.9 cm (14 x 9 in.); 1973-25-8
Casimir le Conte, after Boulanger MET DP813238 377896 Artist: Charles Meryon, French, 1821?1868, Artist: After Gustave Boulanger, French, Paris 1824?1888 Paris, Casimir le Conte, after Boulanger, 1856, Etching on laid paper, plate: 13 7/8 x 10 1/16 in. (35.2 x 25.6 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1919 (19.14.1) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-casimir-le-conte-after-boulanger-met-dp813238-377896-artist-charles-168349656.htmlRMKNTYKM–Casimir le Conte, after Boulanger MET DP813238 377896 Artist: Charles Meryon, French, 1821?1868, Artist: After Gustave Boulanger, French, Paris 1824?1888 Paris, Casimir le Conte, after Boulanger, 1856, Etching on laid paper, plate: 13 7/8 x 10 1/16 in. (35.2 x 25.6 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1919 (19.14.1)
![Lew. Author Prout, Samuel 11.119. Place of publication: [England] Publisher: [publisher not identified] Date of publication: [about 1815] Item type: 1 print Medium: soft-ground etching Dimensions: platemark 25 x 35 cm, on sheet 27.6 x 38.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G0R4/lew-author-prout-samuel-11119-place-of-publication-england-publisher-publisher-not-identified-date-of-publication-about-1815-item-type-1-print-medium-soft-ground-etching-dimensions-platemark-25-x-35-cm-on-sheet-276-x-388-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G0R4.jpg "Lew. Author Prout, Samuel 11.119. Place of publication: [England] Publisher: [publisher not identified] Date of publication: [about 1815] Item type: 1 print Medium: soft-ground etching Dimensions: platemark 25 x 35 cm, on sheet 27.6 x 38.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Lew. Author Prout, Samuel 11.119. Place of publication: [England] Publisher: [publisher not identified] Date of publication: [about 1815] Item type: 1 print Medium: soft-ground etching Dimensions: platemark 25 x 35 cm, on sheet 27.6 x 38.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lew-author-prout-samuel-11119-place-of-publication-england-publisher-publisher-not-identified-date-of-publication-about-1815-item-type-1-print-medium-soft-ground-etching-dimensions-platemark-25-x-35-cm-on-sheet-276-x-388-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401722248.htmlRM2E9G0R4–Lew. Author Prout, Samuel 11.119. Place of publication: [England] Publisher: [publisher not identified] Date of publication: [about 1815] Item type: 1 print Medium: soft-ground etching Dimensions: platemark 25 x 35 cm, on sheet 27.6 x 38.8 cm Former owner: George III, King of Great Britain, 1738-1820
Painting; oil on canvas; overall: 81.5 x 65.7 cm (32 1/16 x 25 7/8 in.) framed: 115.6 x 89.5 cm (45 1/2 x 35 1/4 in.); Elizabeth Throckmorton Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-815-x-657-cm-32-116-x-25-78-in-framed-1156-x-895-cm-45-12-x-35-14-in-elizabeth-throckmorton-image184872551.htmlRMMMNJR3–Painting; oil on canvas; overall: 81.5 x 65.7 cm (32 1/16 x 25 7/8 in.) framed: 115.6 x 89.5 cm (45 1/2 x 35 1/4 in.); Elizabeth Throckmorton
Shaving Mirror. Dated: 1936. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.) Original IAD Object: 2/3 actual size: 18'. Medium: watercolor, colored pencil, graphite, and heightening on paper. Museum: National Gallery of Art, Washington DC. Author: Dana Bartlett. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shaving-mirror-dated-1936-dimensions-overall-356-x-256-cm-14-x-10-116-in-original-iad-object-23-actual-size-18-medium-watercolor-colored-pencil-graphite-and-heightening-on-paper-museum-national-gallery-of-art-washington-dc-author-dana-bartlett-image225613759.htmlRMR31GJ7–Shaving Mirror. Dated: 1936. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.) Original IAD Object: 2/3 actual size: 18'. Medium: watercolor, colored pencil, graphite, and heightening on paper. Museum: National Gallery of Art, Washington DC. Author: Dana Bartlett.
Piece, possibly French, 18th century, possibly French, Cotton, L. 14 X W. 10 in., 35.6 x 25.4 cm, Textiles-Printed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piece-possibly-french-18th-century-possibly-french-cotton-l-14-x-w-10-in-356-x-254-cm-textiles-printed-image344616724.htmlRM2B0JJ44–Piece, possibly French, 18th century, possibly French, Cotton, L. 14 X W. 10 in., 35.6 x 25.4 cm, Textiles-Printed
Inspired by La Garde - Malade, Honoré Daumier, French, 1808-1879, Lithograph on newsprint, Sheet: 13 3/4 x 10 1/16 in., 35 x 25.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-la-garde-malade-honor-daumier-french-1808-1879-lithograph-on-newsprint-sheet-13-34-x-10-116-in-35-x-256-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459246920.htmlRF2HK4E3M–Inspired by La Garde - Malade, Honoré Daumier, French, 1808-1879, Lithograph on newsprint, Sheet: 13 3/4 x 10 1/16 in., 35 x 25.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Drawing, Designs for Two Chairs in; England; watercolor, graphite support: white wove paper; 14.5 x 25 cm (5 11/16 x 9 13/16 in.) dims. = widest point Mat: 45.7 x 35.6 cm (18 x 14 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-designs-for-two-chairs-in-england-watercolor-graphite-support-white-wove-paper-145-x-25-cm-5-1116-x-9-1316-in-dims-=-widest-point-mat-457-x-356-cm-18-x-14-in-image546100546.htmlRM2PMD0PX–Drawing, Designs for Two Chairs in; England; watercolor, graphite support: white wove paper; 14.5 x 25 cm (5 11/16 x 9 13/16 in.) dims. = widest point Mat: 45.7 x 35.6 cm (18 x 14 in.)
![A Plan of the town & Harbour of Aberdeen Author Paterson, Daniel 49.9. Place of publication: [Place of production not identified] Publisher: survayed and drawn by Daniel Paterson 1745/6, Date of publication: [about 1746?] Item type: 1 map Medium: manuscript pen and ink Dimensions: 25 x 35 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9F42P/a-plan-of-the-town-harbour-of-aberdeen-author-paterson-daniel-499-place-of-publication-place-of-production-not-identified-publisher-survayed-and-drawn-by-daniel-paterson-17456-date-of-publication-about-1746-item-type-1-map-medium-manuscript-pen-and-ink-dimensions-25-x-35-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9F42P.jpg "A Plan of the town & Harbour of Aberdeen Author Paterson, Daniel 49.9. Place of publication: [Place of production not identified] Publisher: survayed and drawn by Daniel Paterson 1745/6, Date of publication: [about 1746?] Item type: 1 map Medium: manuscript pen and ink Dimensions: 25 x 35 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A Plan of the town & Harbour of Aberdeen Author Paterson, Daniel 49.9. Place of publication: [Place of production not identified] Publisher: survayed and drawn by Daniel Paterson 1745/6, Date of publication: [about 1746?] Item type: 1 map Medium: manuscript pen and ink Dimensions: 25 x 35 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-plan-of-the-town-harbour-of-aberdeen-author-paterson-daniel-499-place-of-publication-place-of-production-not-identified-publisher-survayed-and-drawn-by-daniel-paterson-17456-date-of-publication-about-1746-item-type-1-map-medium-manuscript-pen-and-ink-dimensions-25-x-35-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401702862.htmlRM2E9F42P–A Plan of the town & Harbour of Aberdeen Author Paterson, Daniel 49.9. Place of publication: [Place of production not identified] Publisher: survayed and drawn by Daniel Paterson 1745/6, Date of publication: [about 1746?] Item type: 1 map Medium: manuscript pen and ink Dimensions: 25 x 35 cm Former owner: George III, King of Great Britain, 1738-1820
. English: Creation Date: ca. 1820-1845 Display Dimensions: 9 27/32 in. x 13 29/32 in. (25 cm x 35.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.822 Collection: The San Diego Museum of Art . 6 September 2011, 14:28:51. English: thesandiegomuseumofartcollection A thakur fighting Europeans (6125108326) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1820-1845-display-dimensions-9-2732-in-x-13-2932-in-25-cm-x-353-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990822-collection-the-san-diego-museum-of-art-6-september-2011-142851-english-thesandiegomuseumofartcollection-a-thakur-fighting-europeans-6125108326-image184998458.htmlRMMMYBBP–. English: Creation Date: ca. 1820-1845 Display Dimensions: 9 27/32 in. x 13 29/32 in. (25 cm x 35.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.822 Collection: The San Diego Museum of Art . 6 September 2011, 14:28:51. English: thesandiegomuseumofartcollection A thakur fighting Europeans (6125108326)
. English: Creation Date: ca. 1870 Display Dimensions: 10 15/32 in. x 13 25/32 in. (26.6 cm x 35 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.646 Collection: The San Diego Museum of Art . 27 July 2001, 09:30:31. English: thesandiegomuseumofartcollection A maharana smoking his hookah in durbar (6124556467) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1870-display-dimensions-10-1532-in-x-13-2532-in-266-cm-x-35-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990646-collection-the-san-diego-museum-of-art-27-july-2001-093031-english-thesandiegomuseumofartcollection-a-maharana-smoking-his-hookah-in-durbar-6124556467-image184771210.htmlRMMMH1FP–. English: Creation Date: ca. 1870 Display Dimensions: 10 15/32 in. x 13 25/32 in. (26.6 cm x 35 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.646 Collection: The San Diego Museum of Art . 27 July 2001, 09:30:31. English: thesandiegomuseumofartcollection A maharana smoking his hookah in durbar (6124556467)
. Family Portrait. 1848–50. By John A. Whipple, American, 1822–1891. Sight: 9 7/8 x 11 7/8 in. (25.1 x 30.2 cm). Framed: 12 x 14 in. (30.5 x 35.6 cm). Photograph, daguerreotype. Classification: Photographs. Museum of Fine Arts, Boston . between 1848 and 1850. Whipple 174 FamilyPortrait ca1848 byJohnAWhipple MFABoston Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/family-portrait-184850-by-john-a-whipple-american-18221891-sight-9-78-x-11-78-in-251-x-302-cm-framed-12-x-14-in-305-x-356-cm-photograph-daguerreotype-classification-photographs-museum-of-fine-arts-boston-between-1848-and-1850-whipple-174-familyportrait-ca1848-byjohnawhipple-mfaboston-image189019111.htmlRMMYEFPF–. Family Portrait. 1848–50. By John A. Whipple, American, 1822–1891. Sight: 9 7/8 x 11 7/8 in. (25.1 x 30.2 cm). Framed: 12 x 14 in. (30.5 x 35.6 cm). Photograph, daguerreotype. Classification: Photographs. Museum of Fine Arts, Boston . between 1848 and 1850. Whipple 174 FamilyPortrait ca1848 byJohnAWhipple MFABoston
Doll - 'Retta Hervey'. Dated: c. 1937. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.) Original IAD Object: 13 1/2' high. Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Edith Towner. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doll-retta-hervey-dated-c-1937-dimensions-overall-356-x-256-cm-14-x-10-116-in-original-iad-object-13-12-high-medium-watercolor-graphite-and-gouache-on-paper-museum-national-gallery-of-art-washington-dc-author-edith-towner-image225556542.htmlRMR2XYJP–Doll - 'Retta Hervey'. Dated: c. 1937. Dimensions: overall: 35.6 x 25.6 cm (14 x 10 1/16 in.) Original IAD Object: 13 1/2' high. Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Edith Towner.
Unknown Artist, Madonna and Child, 1600-1700, black chalk on paper, 14 in. x 10 1/16 in. (35.6 cm. x 25.5 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-madonna-and-child-1600-1700-black-chalk-on-paper-14-in-x-10-116-in-356-cm-x-255-cm-image344469955.htmlRM2B0BXXB–Unknown Artist, Madonna and Child, 1600-1700, black chalk on paper, 14 in. x 10 1/16 in. (35.6 cm. x 25.5 cm.)
Inspired by Children Fishing, Theodore Robinson, American, 1852-1896, Watercolor, 1881, 10 x 14 in., 25.4 x 35.6 cm, american, children, fishing, leisure, pasttime, watercolor, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-children-fishing-theodore-robinson-american-1852-1896-watercolor-1881-10-x-14-in-254-x-356-cm-american-children-fishing-leisure-pasttime-watercolor-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459243908.htmlRF2HK4A84–Inspired by Children Fishing, Theodore Robinson, American, 1852-1896, Watercolor, 1881, 10 x 14 in., 25.4 x 35.6 cm, american, children, fishing, leisure, pasttime, watercolor, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Drawing, Woodland Scene, Goat Island, Niagara River, New York; Frederic Edwin Church (American, 1826–1900); USA; graphite, brush and white gouache on dark tan paper; Sheet: 35.1 x 25.6 cm (13 13/16 x 10 1/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-woodland-scene-goat-island-niagara-river-new-york-frederic-edwin-church-american-18261900-usa-graphite-brush-and-white-gouache-on-dark-tan-paper-sheet-351-x-256-cm-13-1316-x-10-116-in-image546232749.htmlRM2PMK1CD–Drawing, Woodland Scene, Goat Island, Niagara River, New York; Frederic Edwin Church (American, 1826–1900); USA; graphite, brush and white gouache on dark tan paper; Sheet: 35.1 x 25.6 cm (13 13/16 x 10 1/16 in.)
![A View near to Sudbury in Suffolk Author Boydell, John 39.25.c. Place of publication: [London] Publisher: Publish'd by J. Boydell Engraver., Date of publication: [1750s c.] Item type: 1 print Medium: etching Dimensions: sheet 25.6 x 35.2 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HPGK/a-view-near-to-sudbury-in-suffolk-author-boydell-john-3925c-place-of-publication-london-publisher-publishd-by-j-boydell-engraver-date-of-publication-1750s-c-item-type-1-print-medium-etching-dimensions-sheet-256-x-352-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HPGK.jpg "A View near to Sudbury in Suffolk Author Boydell, John 39.25.c. Place of publication: [London] Publisher: Publish'd by J. Boydell Engraver., Date of publication: [1750s c.] Item type: 1 print Medium: etching Dimensions: sheet 25.6 x 35.2 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A View near to Sudbury in Suffolk Author Boydell, John 39.25.c. Place of publication: [London] Publisher: Publish'd by J. Boydell Engraver., Date of publication: [1750s c.] Item type: 1 print Medium: etching Dimensions: sheet 25.6 x 35.2 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-near-to-sudbury-in-suffolk-author-boydell-john-3925c-place-of-publication-london-publisher-publishd-by-j-boydell-engraver-date-of-publication-1750s-c-item-type-1-print-medium-etching-dimensions-sheet-256-x-352-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401761267.htmlRM2E9HPGK–A View near to Sudbury in Suffolk Author Boydell, John 39.25.c. Place of publication: [London] Publisher: Publish'd by J. Boydell Engraver., Date of publication: [1750s c.] Item type: 1 print Medium: etching Dimensions: sheet 25.6 x 35.2 cm [trimmed within platemark]. Former owner: George III, King of Great Britain, 1738-1820
. Family Portrait. 1848–50. By John A. Whipple, American, 1822–1891. Sight: 9 7/8 x 11 7/8 in. (25.1 x 30.2 cm). Framed: 12 x 14 in. (30.5 x 35.6 cm). Photograph, daguerreotype. Classification: Photographs. Museum of Fine Arts, Boston . between 1848 and 1850. Whipple 202 FamilyPortrait ca1848 byJohnAWhipple MFABoston Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/family-portrait-184850-by-john-a-whipple-american-18221891-sight-9-78-x-11-78-in-251-x-302-cm-framed-12-x-14-in-305-x-356-cm-photograph-daguerreotype-classification-photographs-museum-of-fine-arts-boston-between-1848-and-1850-whipple-202-familyportrait-ca1848-byjohnawhipple-mfaboston-image187760419.htmlRMMWD697–. Family Portrait. 1848–50. By John A. Whipple, American, 1822–1891. Sight: 9 7/8 x 11 7/8 in. (25.1 x 30.2 cm). Framed: 12 x 14 in. (30.5 x 35.6 cm). Photograph, daguerreotype. Classification: Photographs. Museum of Fine Arts, Boston . between 1848 and 1850. Whipple 202 FamilyPortrait ca1848 byJohnAWhipple MFABoston
The Miniature. Artist: Attilio Simonetti (Italian, Rome 1843-1925 Rome). Dimensions: 14 x 10 in. (35.6 x 25.4 cm). Date: 1843-1925. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-miniature-artist-attilio-simonetti-italian-rome-1843-1925-rome-dimensions-14-x-10-in-356-x-254-cm-date-1843-1925-museum-metropolitan-museum-of-art-new-york-usa-image213178183.htmlRMPAR2XF–The Miniature. Artist: Attilio Simonetti (Italian, Rome 1843-1925 Rome). Dimensions: 14 x 10 in. (35.6 x 25.4 cm). Date: 1843-1925. Museum: Metropolitan Museum of Art, New York, USA.
Mieusement, French, 1831–1885, Chenonceaux, Château, façade et donjon, Albumen print, image: 10 1/16 x 14 in. (25.6 x 35.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mieusement-french-18311885-chenonceaux-chteau-faade-et-donjon-albumen-print-image-10-116-x-14-in-256-x-355-cm-image344581914.htmlRM2B0H1MX–Mieusement, French, 1831–1885, Chenonceaux, Château, façade et donjon, Albumen print, image: 10 1/16 x 14 in. (25.6 x 35.5 cm
Art inspired by Oshi-e, Daikoku, Cloth and cardboard, Japan, 19th century, Meiji Period, 14 x 10 in., 35.6 x 25.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-oshi-e-daikoku-cloth-and-cardboard-japan-19th-century-meiji-period-14-x-10-in-356-x-254-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459572440.htmlRF2HKK99C–Art inspired by Oshi-e, Daikoku, Cloth and cardboard, Japan, 19th century, Meiji Period, 14 x 10 in., 35.6 x 25.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing, Italian Coast, off Straits of Messina; Frederic Edwin Church (American, 1826–1900); Italy; brush and oil on cardboard; Image: 19.9 x 25.6 cm (7 13/16 x 10 1/16 in.) Mat: 35.6 × 45.7 cm (14 × 18 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-italian-coast-off-straits-of-messina-frederic-edwin-church-american-18261900-italy-brush-and-oil-on-cardboard-image-199-x-256-cm-7-1316-x-10-116-in-mat-356-457-cm-14-18-in-image546164022.htmlRM2PMFWNX–Drawing, Italian Coast, off Straits of Messina; Frederic Edwin Church (American, 1826–1900); Italy; brush and oil on cardboard; Image: 19.9 x 25.6 cm (7 13/16 x 10 1/16 in.) Mat: 35.6 × 45.7 cm (14 × 18 in.)
Art inspired by The Miniature, 1843–1925, Watercolor, 14 x 10 in. (35.6 x 25.4 cm), Drawings, Attilio Simonetti (Italian, Rome 1843–1925 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-miniature-18431925-watercolor-14-x-10-in-356-x-254-cm-drawings-attilio-simonetti-italian-rome-18431925-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462802422.htmlRF2HTXD5X–Art inspired by The Miniature, 1843–1925, Watercolor, 14 x 10 in. (35.6 x 25.4 cm), Drawings, Attilio Simonetti (Italian, Rome 1843–1925 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Fragment of Salvator Rosa frame, ca. 1660, Italian, Naples, Poplar, 41.3 x 31, 34 x 23.6, 35.5 x 25.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-fragment-of-salvator-rosa-frame-ca-1660-italian-naples-poplar-413-x-31-34-x-236-355-x-255-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462826916.htmlRF2HTYGCM–Art inspired by Fragment of Salvator Rosa frame, ca. 1660, Italian, Naples, Poplar, 41.3 x 31, 34 x 23.6, 35.5 x 25.5 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![AT EXETER. Author Prout, Samuel 11.69.x. Place of publication: [London] Publisher: Published Oct. 9, 1815, by T. Palser, Surrey side Westr. Bridge., Date of publication: [October 9 1815] Item type: 1 print Medium: soft-ground etching Dimensions: plate 25.2 x 35.6 cm, on sheet 27.2 x 40.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G1JB/at-exeter-author-prout-samuel-1169x-place-of-publication-london-publisher-published-oct-9-1815-by-t-palser-surrey-side-westr-bridge-date-of-publication-october-9-1815-item-type-1-print-medium-soft-ground-etching-dimensions-plate-252-x-356-cm-on-sheet-272-x-401-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G1JB.jpg "AT EXETER. Author Prout, Samuel 11.69.x. Place of publication: [London] Publisher: Published Oct. 9, 1815, by T. Palser, Surrey side Westr. Bridge., Date of publication: [October 9 1815] Item type: 1 print Medium: soft-ground etching Dimensions: plate 25.2 x 35.6 cm, on sheet 27.2 x 40.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
AT EXETER. Author Prout, Samuel 11.69.x. Place of publication: [London] Publisher: Published Oct. 9, 1815, by T. Palser, Surrey side Westr. Bridge., Date of publication: [October 9 1815] Item type: 1 print Medium: soft-ground etching Dimensions: plate 25.2 x 35.6 cm, on sheet 27.2 x 40.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/at-exeter-author-prout-samuel-1169x-place-of-publication-london-publisher-published-oct-9-1815-by-t-palser-surrey-side-westr-bridge-date-of-publication-october-9-1815-item-type-1-print-medium-soft-ground-etching-dimensions-plate-252-x-356-cm-on-sheet-272-x-401-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401722899.htmlRM2E9G1JB–AT EXETER. Author Prout, Samuel 11.69.x. Place of publication: [London] Publisher: Published Oct. 9, 1815, by T. Palser, Surrey side Westr. Bridge., Date of publication: [October 9 1815] Item type: 1 print Medium: soft-ground etching Dimensions: plate 25.2 x 35.6 cm, on sheet 27.2 x 40.1 cm Former owner: George III, King of Great Britain, 1738-1820
. Family Portrait. 1848–50. By John A. Whipple, American, 1822–1891. Sight: 9 7/8 x 11 7/8 in. (25.1 x 30.2 cm). Framed: 12 x 14 in. (30.5 x 35.6 cm). Photograph, daguerreotype. Classification: Photographs. Museum of Fine Arts, Boston . between 1848 and 1850. Whipple 202 FamilyPortrait ca1848 byJohnAWhipple MFABoston Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/family-portrait-184850-by-john-a-whipple-american-18221891-sight-9-78-x-11-78-in-251-x-302-cm-framed-12-x-14-in-305-x-356-cm-photograph-daguerreotype-classification-photographs-museum-of-fine-arts-boston-between-1848-and-1850-whipple-202-familyportrait-ca1848-byjohnawhipple-mfaboston-image188258449.htmlRMMX7WG1–. Family Portrait. 1848–50. By John A. Whipple, American, 1822–1891. Sight: 9 7/8 x 11 7/8 in. (25.1 x 30.2 cm). Framed: 12 x 14 in. (30.5 x 35.6 cm). Photograph, daguerreotype. Classification: Photographs. Museum of Fine Arts, Boston . between 1848 and 1850. Whipple 202 FamilyPortrait ca1848 byJohnAWhipple MFABoston
View of a Churchyard, Southborough, Kent. Artist: Anonymous, 19th century. Dimensions: 10 x 14 in. (25.4 x 35.6 cm). Date: 1837. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-a-churchyard-southborough-kent-artist-anonymous-19th-century-dimensions-10-x-14-in-254-x-356-cm-date-1837-museum-metropolitan-museum-of-art-new-york-usa-image213213164.htmlRMPATKFT–View of a Churchyard, Southborough, Kent. Artist: Anonymous, 19th century. Dimensions: 10 x 14 in. (25.4 x 35.6 cm). Date: 1837. Museum: Metropolitan Museum of Art, New York, USA.
John Raphael Smith, English, 1752–1812, Miss Johnston, 1762–1812, Mezzotint on paper, Overall: 14 x 10 1/8 in. (35.6 x 25.7 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-raphael-smith-english-17521812-miss-johnston-17621812-mezzotint-on-paper-overall-14-x-10-18-in-356-x-257-cm-image344571894.htmlRM2B0GGY2–John Raphael Smith, English, 1752–1812, Miss Johnston, 1762–1812, Mezzotint on paper, Overall: 14 x 10 1/8 in. (35.6 x 25.7 cm
Drawing, View of Beirut (?); Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite on cardboard; 25.1 × 19.2 cm (9 7/8 × 7 9/16 in.) Mat (Mat): 45.7 x 35.6 cm (18 x 14 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-view-of-beirut-frederic-edwin-church-american-18261900-usa-brush-and-oil-paint-graphite-on-cardboard-251-192-cm-9-78-7-916-in-mat-mat-457-x-356-cm-18-x-14-in-image546175346.htmlRM2PMGC6A–Drawing, View of Beirut (?); Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite on cardboard; 25.1 × 19.2 cm (9 7/8 × 7 9/16 in.) Mat (Mat): 45.7 x 35.6 cm (18 x 14 in.)
Art inspired by Reverse frame, early 18th century, Southern Italy, Poplar, 69.8 x 61, 33.3 x 25.7, 35.5 x 27.6 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-reverse-frame-early-18th-century-southern-italy-poplar-698-x-61-333-x-257-355-x-276-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462825689.htmlRF2HTYETW–Art inspired by Reverse frame, early 18th century, Southern Italy, Poplar, 69.8 x 61, 33.3 x 25.7, 35.5 x 27.6 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Old Buildings suppos'd to have been the Infirmary on the North side of the Mannour House of SANDFORD. Taken A.D. 1722. Author Cole, Benjamin 35.53.b. Place of publication: [Oxford] Publisher: [publisher unknown] Date of publication: [around 1737] Item type: 1 print Medium: etching Dimensions: platemark 18.6 x 25.3 cm, on sheet 19.5 x 25.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HNBE/old-buildings-supposd-to-have-been-the-infirmary-on-the-north-side-of-the-mannour-house-of-sandford-taken-ad-1722-author-cole-benjamin-3553b-place-of-publication-oxford-publisher-publisher-unknown-date-of-publication-around-1737-item-type-1-print-medium-etching-dimensions-platemark-186-x-253-cm-on-sheet-195-x-255-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HNBE.jpg "Old Buildings suppos'd to have been the Infirmary on the North side of the Mannour House of SANDFORD. Taken A.D. 1722. Author Cole, Benjamin 35.53.b. Place of publication: [Oxford] Publisher: [publisher unknown] Date of publication: [around 1737] Item type: 1 print Medium: etching Dimensions: platemark 18.6 x 25.3 cm, on sheet 19.5 x 25.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Old Buildings suppos'd to have been the Infirmary on the North side of the Mannour House of SANDFORD. Taken A.D. 1722. Author Cole, Benjamin 35.53.b. Place of publication: [Oxford] Publisher: [publisher unknown] Date of publication: [around 1737] Item type: 1 print Medium: etching Dimensions: platemark 18.6 x 25.3 cm, on sheet 19.5 x 25.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-buildings-supposd-to-have-been-the-infirmary-on-the-north-side-of-the-mannour-house-of-sandford-taken-ad-1722-author-cole-benjamin-3553b-place-of-publication-oxford-publisher-publisher-unknown-date-of-publication-around-1737-item-type-1-print-medium-etching-dimensions-platemark-186-x-253-cm-on-sheet-195-x-255-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401760338.htmlRM2E9HNBE–Old Buildings suppos'd to have been the Infirmary on the North side of the Mannour House of SANDFORD. Taken A.D. 1722. Author Cole, Benjamin 35.53.b. Place of publication: [Oxford] Publisher: [publisher unknown] Date of publication: [around 1737] Item type: 1 print Medium: etching Dimensions: platemark 18.6 x 25.3 cm, on sheet 19.5 x 25.5 cm Former owner: George III, King of Great Britain, 1738-1820
Art inspired by La Garde - Malade, Honoré Daumier, French, 1808-1879, Lithograph on newsprint, Sheet: 13 3/4 x 10 1/16 in., 35 x 25.6 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-la-garde-malade-honor-daumier-french-1808-1879-lithograph-on-newsprint-sheet-13-34-x-10-116-in-35-x-256-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459563811.htmlRF2HKJX97–Art inspired by La Garde - Malade, Honoré Daumier, French, 1808-1879, Lithograph on newsprint, Sheet: 13 3/4 x 10 1/16 in., 35 x 25.6 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Creation Date: ca. 1850 Display Dimensions: 35 1/8 in. x 28 7/16 in. (89.2 cm x 72.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1024 Collection: The San Diego Museum of Art . 6 September 2011, 14:33:25. English: thesandiegomuseumofartcollection A Maratta raja seated against a bolster (6125120370) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-creation-date-ca-1850-display-dimensions-35-18-in-x-28-716-in-892-cm-x-722-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901024-collection-the-san-diego-museum-of-art-6-september-2011-143325-english-thesandiegomuseumofartcollection-a-maratta-raja-seated-against-a-bolster-6125120370-image184994674.htmlRMMMY6GJ–. English: Creation Date: ca. 1850 Display Dimensions: 35 1/8 in. x 28 7/16 in. (89.2 cm x 72.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1024 Collection: The San Diego Museum of Art . 6 September 2011, 14:33:25. English: thesandiegomuseumofartcollection A Maratta raja seated against a bolster (6125120370)
Pitcher. Culture: American. Dimensions: 14 x 10 1/2 x 10 in. (35.6 x 26.7 x 25.4 cm). Date: ca. 1815. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pitcher-culture-american-dimensions-14-x-10-12-x-10-in-356-x-267-x-254-cm-date-ca-1815-museum-metropolitan-museum-of-art-new-york-usa-image212915985.htmlRMPAB4E9–Pitcher. Culture: American. Dimensions: 14 x 10 1/2 x 10 in. (35.6 x 26.7 x 25.4 cm). Date: ca. 1815. Museum: Metropolitan Museum of Art, New York, USA.
Henri de Toulouse-Lautrec, French, 1864–1901, Yahne et Antoine dans 'L'Age Difficile', 1895, Lithograph on paper, Overall: 14 x 10 1/8 in. (35.6 x 25.7 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henri-de-toulouse-lautrec-french-18641901-yahne-et-antoine-dans-lage-difficile-1895-lithograph-on-paper-overall-14-x-10-18-in-356-x-257-cm-image344574754.htmlRM2B0GMH6–Henri de Toulouse-Lautrec, French, 1864–1901, Yahne et Antoine dans 'L'Age Difficile', 1895, Lithograph on paper, Overall: 14 x 10 1/8 in. (35.6 x 25.7 cm
Drawing, Design for an Altar; Designed by Filippo Marchionni (Italian, 1732–1805); Italy; graphite, brush and gray watercolor on cream laid paper; 25.8 x 17.5 cm (10 3/16 x 6 7/8 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-design-for-an-altar-designed-by-filippo-marchionni-italian-17321805-italy-graphite-brush-and-gray-watercolor-on-cream-laid-paper-258-x-175-cm-10-316-x-6-78-in-mat-356-x-457-cm-14-x-18-in-image546122165.htmlRM2PME0B1–Drawing, Design for an Altar; Designed by Filippo Marchionni (Italian, 1732–1805); Italy; graphite, brush and gray watercolor on cream laid paper; 25.8 x 17.5 cm (10 3/16 x 6 7/8 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)
![The Chappell (now turn'd into a Barn) on the South Side of the Mannour House of SANDFORD Taken A.D. 1722. Author Cole, Benjamin 35.53.c. Place of publication: [Oxford] Publisher: [publisher unknown] Date of publication: [around 1737] Item type: 1 print Medium: etching Dimensions: platemark 18.7 x 25.3 cm, on sheet 19.1 x 25.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HNC5/the-chappell-now-turnd-into-a-barn-on-the-south-side-of-the-mannour-house-of-sandford-taken-ad-1722-author-cole-benjamin-3553c-place-of-publication-oxford-publisher-publisher-unknown-date-of-publication-around-1737-item-type-1-print-medium-etching-dimensions-platemark-187-x-253-cm-on-sheet-191-x-256-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HNC5.jpg "The Chappell (now turn'd into a Barn) on the South Side of the Mannour House of SANDFORD Taken A.D. 1722. Author Cole, Benjamin 35.53.c. Place of publication: [Oxford] Publisher: [publisher unknown] Date of publication: [around 1737] Item type: 1 print Medium: etching Dimensions: platemark 18.7 x 25.3 cm, on sheet 19.1 x 25.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
The Chappell (now turn'd into a Barn) on the South Side of the Mannour House of SANDFORD Taken A.D. 1722. Author Cole, Benjamin 35.53.c. Place of publication: [Oxford] Publisher: [publisher unknown] Date of publication: [around 1737] Item type: 1 print Medium: etching Dimensions: platemark 18.7 x 25.3 cm, on sheet 19.1 x 25.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-chappell-now-turnd-into-a-barn-on-the-south-side-of-the-mannour-house-of-sandford-taken-ad-1722-author-cole-benjamin-3553c-place-of-publication-oxford-publisher-publisher-unknown-date-of-publication-around-1737-item-type-1-print-medium-etching-dimensions-platemark-187-x-253-cm-on-sheet-191-x-256-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401760357.htmlRM2E9HNC5–The Chappell (now turn'd into a Barn) on the South Side of the Mannour House of SANDFORD Taken A.D. 1722. Author Cole, Benjamin 35.53.c. Place of publication: [Oxford] Publisher: [publisher unknown] Date of publication: [around 1737] Item type: 1 print Medium: etching Dimensions: platemark 18.7 x 25.3 cm, on sheet 19.1 x 25.6 cm Former owner: George III, King of Great Britain, 1738-1820
Art inspired by Children Fishing, Theodore Robinson, American, 1852-1896, Watercolor, 1881, 10 x 14 in., 25.4 x 35.6 cm, american, children, fishing, leisure, pasttime, watercolor, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-children-fishing-theodore-robinson-american-1852-1896-watercolor-1881-10-x-14-in-254-x-356-cm-american-children-fishing-leisure-pasttime-watercolor-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459561915.htmlRF2HKJRWF–Art inspired by Children Fishing, Theodore Robinson, American, 1852-1896, Watercolor, 1881, 10 x 14 in., 25.4 x 35.6 cm, american, children, fishing, leisure, pasttime, watercolor, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Yellow and Blue, 1915, Watercolor on paper, 14 x 10 in. (35.6 x 25.4 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-yellow-and-blue-1915-watercolor-on-paper-14-x-10-in-356-x-254-cm-drawings-charles-demuth-american-lancaster-pennsylvania-18831935-lancaster-pennsylvania-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462847450.htmlRF2HW0EJ2–Art inspired by Yellow and Blue, 1915, Watercolor on paper, 14 x 10 in. (35.6 x 25.4 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Display Artist: Siva Creation Date: 1764 Display Dimensions: 10 5/32 in. x 18 7/32 in. (25.8 cm x 46.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.635 Collection: The San Diego Museum of Art . 6 September 2011, 14:29:35. English: thesandiegomuseumofartcollection Arsi Singh equestrian with a nobleman also on horseback (6125097442) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-display-artist-siva-creation-date-1764-display-dimensions-10-532-in-x-18-732-in-258-cm-x-463-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990635-collection-the-san-diego-museum-of-art-6-september-2011-142935-english-thesandiegomuseumofartcollection-arsi-singh-equestrian-with-a-nobleman-also-on-horseback-6125097442-image184897748.htmlRMMMPPY0–. English: Display Artist: Siva Creation Date: 1764 Display Dimensions: 10 5/32 in. x 18 7/32 in. (25.8 cm x 46.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.635 Collection: The San Diego Museum of Art . 6 September 2011, 14:29:35. English: thesandiegomuseumofartcollection Arsi Singh equestrian with a nobleman also on horseback (6125097442)
. English: Series Title: Ragamala Suite Name: Ragamala Creation Date: ca. 1770 Display Dimensions: 13 25/32 in. x 9 9/16 in. (35 cm x 24.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.688 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:06:50. English: thesandiegomuseumofartcollection Gauri Ragini of Malkos (6125050102) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-ragamala-suite-name-ragamala-creation-date-ca-1770-display-dimensions-13-2532-in-x-9-916-in-35-cm-x-243-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990688-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-140650-english-thesandiegomuseumofartcollection-gauri-ragini-of-malkos-6125050102-image184769790.htmlRMMMGYN2–. English: Series Title: Ragamala Suite Name: Ragamala Creation Date: ca. 1770 Display Dimensions: 13 25/32 in. x 9 9/16 in. (35 cm x 24.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.688 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:06:50. English: thesandiegomuseumofartcollection Gauri Ragini of Malkos (6125050102)
Head of a gazelle. Culture: Sasanian. Dimensions: 2.25 x 2.5 in. (5.72 x 6.35 cm). Date: ca. 3rd-7th century A.D.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-a-gazelle-culture-sasanian-dimensions-225-x-25-in-572-x-635-cm-date-ca-3rd-7th-century-ad-museum-metropolitan-museum-of-art-new-york-usa-image213420733.htmlRMPB6491–Head of a gazelle. Culture: Sasanian. Dimensions: 2.25 x 2.5 in. (5.72 x 6.35 cm). Date: ca. 3rd-7th century A.D.. Museum: Metropolitan Museum of Art, New York, USA.
Double bottle fragment, Sasanian, Sasanian, Date ca. 6th–7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian, Glass, 3.25 x 2.5 in. (8.26 x 6.35 cm), Glass-Vessels Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/double-bottle-fragment-sasanian-sasanian-date-ca-6th7th-century-ad-iran-qasr-i-abu-nasr-sasanian-glass-325-x-25-in-826-x-635-cm-glass-vessels-image344675029.htmlRM2B0N8ED–Double bottle fragment, Sasanian, Sasanian, Date ca. 6th–7th century A.D., Iran, Qasr-i Abu Nasr, Sasanian, Glass, 3.25 x 2.5 in. (8.26 x 6.35 cm), Glass-Vessels
. English: Display Artist: Kogari Creation Date: 1774 Display Dimensions: 13 17/32 in. x 9 31/32 in. (34.4 cm x 25.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.637 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:35. English: thesandiegomuseumofartcollection Equestrian portrait of Maharana Jagat Singh II (6125097628) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-display-artist-kogari-creation-date-1774-display-dimensions-13-1732-in-x-9-3132-in-344-cm-x-253-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990637-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-142935-english-thesandiegomuseumofartcollection-equestrian-portrait-of-maharana-jagat-singh-ii-6125097628-image184976723.htmlRMMMXBKF–. English: Display Artist: Kogari Creation Date: 1774 Display Dimensions: 13 17/32 in. x 9 31/32 in. (34.4 cm x 25.3 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.637 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:29:35. English: thesandiegomuseumofartcollection Equestrian portrait of Maharana Jagat Singh II (6125097628)
Drawing, Wall Fountain; Architect: Giuseppe Valadier (Italian, 1762–1839); Italy; graphite, brush and gray wash on laid paper; 33.4 x 25.8 cm (13 1/8 x 10 3/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-wall-fountain-architect-giuseppe-valadier-italian-17621839-italy-graphite-brush-and-gray-wash-on-laid-paper-334-x-258-cm-13-18-x-10-316-in-mat-457-x-356-cm-18-x-14-in-image546127913.htmlRM2PME7M9–Drawing, Wall Fountain; Architect: Giuseppe Valadier (Italian, 1762–1839); Italy; graphite, brush and gray wash on laid paper; 33.4 x 25.8 cm (13 1/8 x 10 3/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)
. English: Unknown; Kangra School Indian Scene from the Ramayana (the battle between Hanuman and Kumbhakarna) ca. 1810-1820; Mughal period Drawing Gouache on paper unframed: 25.4 x 35 cm MH 1981.6 Purchase with the John Martyn Warbeke Fund Two figures at left (Lakshmana and Rama) watch the battle between Hanuman (the white monkey) and the giant demon Kumbhakarna; a second partial scene of the battle takes place in the upper right corner of the composition. between circa 1810 and circa 1820; Mughal period. ca. 1810-1820; Mughal period 1169 The battle between Hanuman and Kumbhakarna Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-unknown-kangra-school-indian-scene-from-the-ramayana-the-battle-between-hanuman-and-kumbhakarna-ca-1810-1820-mughal-period-drawing-gouache-on-paper-unframed-254-x-35-cm-mh-19816-purchase-with-the-john-martyn-warbeke-fund-two-figures-at-left-lakshmana-and-rama-watch-the-battle-between-hanuman-the-white-monkey-and-the-giant-demon-kumbhakarna-a-second-partial-scene-of-the-battle-takes-place-in-the-upper-right-corner-of-the-composition-between-circa-1810-and-circa-1820-mughal-period-ca-1810-1820-mughal-period-1169-the-battle-between-hanuman-and-kumbhakarna-image185546863.htmlRMMNTAWK–. English: Unknown; Kangra School Indian Scene from the Ramayana (the battle between Hanuman and Kumbhakarna) ca. 1810-1820; Mughal period Drawing Gouache on paper unframed: 25.4 x 35 cm MH 1981.6 Purchase with the John Martyn Warbeke Fund Two figures at left (Lakshmana and Rama) watch the battle between Hanuman (the white monkey) and the giant demon Kumbhakarna; a second partial scene of the battle takes place in the upper right corner of the composition. between circa 1810 and circa 1820; Mughal period. ca. 1810-1820; Mughal period 1169 The battle between Hanuman and Kumbhakarna
. The Angels Guarding Paradise at Night. Mezzotint, plate: 10 1/8 x 14 in. (25.7 x 35.6 cm); sheet: 11 x 14 3/4 in. (27.9 x 37.5 cm). Illustration for Paradise Lost by John Milton, Book 4, Line 866 . 1826. John Martin (1789–1854) Alternative names John Martin I; John, I Martin; J. Martin; Martin Description English painter and engraver Date of birth/death 19 July 1789 17 February 1854 Location of birth/death Haydon Bridge Douglas Work location England Authority control : Q937096 VIAF: 92133015 ISNI: 0000 0000 8164 7113 ULAN: 500023063 LCCN: n50040933 WGA: MARTIN, John WorldCat 733 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-angels-guarding-paradise-at-night-mezzotint-plate-10-18-x-14-in-257-x-356-cm-sheet-11-x-14-34-in-279-x-375-cm-illustration-for-paradise-lost-by-john-milton-book-4-line-866-1826-john-martin-17891854-alternative-names-john-martin-i-john-i-martin-j-martin-martin-description-english-painter-and-engraver-date-of-birthdeath-19-july-1789-17-february-1854-location-of-birthdeath-haydon-bridge-douglas-work-location-england-authority-control-q937096-viaf92133015-isni0000-0000-8164-7113-ulan500023063-lccnn50040933-wgamartin-john-worldcat-733-image185591053.htmlRMMNXB7W–. The Angels Guarding Paradise at Night. Mezzotint, plate: 10 1/8 x 14 in. (25.7 x 35.6 cm); sheet: 11 x 14 3/4 in. (27.9 x 37.5 cm). Illustration for Paradise Lost by John Milton, Book 4, Line 866 . 1826. John Martin (1789–1854) Alternative names John Martin I; John, I Martin; J. Martin; Martin Description English painter and engraver Date of birth/death 19 July 1789 17 February 1854 Location of birth/death Haydon Bridge Douglas Work location England Authority control : Q937096 VIAF: 92133015 ISNI: 0000 0000 8164 7113 ULAN: 500023063 LCCN: n50040933 WGA: MARTIN, John WorldCat 733
![To The Rev.d Maurice Johnson, D.D. Minister of the Parish Church of Spalding. This View of Spalding Church, Lincolnshire, Author Burgess, Hilkiah 19.32. Place of publication: [Fleet] Publisher: Published as the Act directs, July 1.st 1801, by W. , H. Burgess, Fleet near Holbeach Lincolnshire., Date of publication: [1801] Item type: 1 print Medium: etching and engraving Dimensions: platemark 25.6 x 35.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HC22/to-the-revd-maurice-johnson-dd-minister-of-the-parish-church-of-spalding-this-view-of-spalding-church-lincolnshire-author-burgess-hilkiah-1932-place-of-publication-fleet-publisher-published-as-the-act-directs-july-1st-1801-by-w-h-burgess-fleet-near-holbeach-lincolnshire-date-of-publication-1801-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-256-x-355-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HC22.jpg "To The Rev.d Maurice Johnson, D.D. Minister of the Parish Church of Spalding. This View of Spalding Church, Lincolnshire, Author Burgess, Hilkiah 19.32. Place of publication: [Fleet] Publisher: Published as the Act directs, July 1.st 1801, by W. , H. Burgess, Fleet near Holbeach Lincolnshire., Date of publication: [1801] Item type: 1 print Medium: etching and engraving Dimensions: platemark 25.6 x 35.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
To The Rev.d Maurice Johnson, D.D. Minister of the Parish Church of Spalding. This View of Spalding Church, Lincolnshire, Author Burgess, Hilkiah 19.32. Place of publication: [Fleet] Publisher: Published as the Act directs, July 1.st 1801, by W. , H. Burgess, Fleet near Holbeach Lincolnshire., Date of publication: [1801] Item type: 1 print Medium: etching and engraving Dimensions: platemark 25.6 x 35.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/to-the-revd-maurice-johnson-dd-minister-of-the-parish-church-of-spalding-this-view-of-spalding-church-lincolnshire-author-burgess-hilkiah-1932-place-of-publication-fleet-publisher-published-as-the-act-directs-july-1st-1801-by-w-h-burgess-fleet-near-holbeach-lincolnshire-date-of-publication-1801-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-256-x-355-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401753018.htmlRM2E9HC22–To The Rev.d Maurice Johnson, D.D. Minister of the Parish Church of Spalding. This View of Spalding Church, Lincolnshire, Author Burgess, Hilkiah 19.32. Place of publication: [Fleet] Publisher: Published as the Act directs, July 1.st 1801, by W. , H. Burgess, Fleet near Holbeach Lincolnshire., Date of publication: [1801] Item type: 1 print Medium: etching and engraving Dimensions: platemark 25.6 x 35.5 cm Former owner: George III, King of Great Britain, 1738-1820
. English: Eastman Johnson, American, 1824–1906 Study for A Glass with the Squire, ca. 1880 Oil on paper board 64.5 x 53 cm. (25 3/8 x 20 7/8 in.) frame: 88.9 × 76.6 × 7.8 cm (35 × 30 3/16 × 3 1/16 in.) Gift of Stuart P. Feld, Class of 1957, and Sue K. Feld, in commemoration of the Fiftieth Reunion of the Class of 1957 2006-825 Following study in Europe, including three years in The Hague absorbing the color and naturalism of the seventeenth-century Dutch masters, Eastman Johnson settled in New York and launched a successful career in genre painting. His images of rural, regional America were Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-eastman-johnson-american-18241906-study-for-a-glass-with-the-squire-ca-1880-oil-on-paper-board-645-x-53-cm-25-38-x-20-78-in-frame-889-766-78-cm-35-30-316-3-116-in-gift-of-stuart-p-feld-class-of-1957-and-sue-k-feld-in-commemoration-of-the-fiftieth-reunion-of-the-class-of-1957-2006-825-following-study-in-europe-including-three-years-in-the-hague-absorbing-the-color-and-naturalism-of-the-seventeenth-century-dutch-masters-eastman-johnson-settled-in-new-york-and-launched-a-successful-career-in-genre-painting-his-images-of-rural-regional-america-were-image184776204.htmlRMMMH7X4–. English: Eastman Johnson, American, 1824–1906 Study for A Glass with the Squire, ca. 1880 Oil on paper board 64.5 x 53 cm. (25 3/8 x 20 7/8 in.) frame: 88.9 × 76.6 × 7.8 cm (35 × 30 3/16 × 3 1/16 in.) Gift of Stuart P. Feld, Class of 1957, and Sue K. Feld, in commemoration of the Fiftieth Reunion of the Class of 1957 2006-825 Following study in Europe, including three years in The Hague absorbing the color and naturalism of the seventeenth-century Dutch masters, Eastman Johnson settled in New York and launched a successful career in genre painting. His images of rural, regional America were
Art inspired by Houses with Red, 1917, Watercolor and graphite on paper, 10 x 14 in. (25.4 x 35.6 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-houses-with-red-1917-watercolor-and-graphite-on-paper-10-x-14-in-254-x-356-cm-drawings-charles-demuth-american-lancaster-pennsylvania-18831935-lancaster-pennsylvania-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462847442.htmlRF2HW0EHP–Art inspired by Houses with Red, 1917, Watercolor and graphite on paper, 10 x 14 in. (25.4 x 35.6 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Squirrel on Bamboo. Artist: Kano Tan'yu (Japanese, 1602-1674). Culture: Japan. Dimensions: 10 x 14 in. (25.4 x 35.6 cm). Date: ca. 1650. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/squirrel-on-bamboo-artist-kano-tanyu-japanese-1602-1674-culture-japan-dimensions-10-x-14-in-254-x-356-cm-date-ca-1650-museum-metropolitan-museum-of-art-new-york-usa-image212899530.htmlRMPAABEJ–Squirrel on Bamboo. Artist: Kano Tan'yu (Japanese, 1602-1674). Culture: Japan. Dimensions: 10 x 14 in. (25.4 x 35.6 cm). Date: ca. 1650. Museum: Metropolitan Museum of Art, New York, USA.
Brick, Babylonian, Neo-Babylonian, Date ca. 6th century B.C., Mesopotamia, Babylonian, Glazed ceramic, 3.25 x 3.12 x 2.5 in. (8.26 x 7.92 x 6.35 cm), Ceramics Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/brick-babylonian-neo-babylonian-date-ca-6th-century-bc-mesopotamia-babylonian-glazed-ceramic-325-x-312-x-25-in-826-x-792-x-635-cm-ceramics-image344667976.htmlRM2B0MYEG–Brick, Babylonian, Neo-Babylonian, Date ca. 6th century B.C., Mesopotamia, Babylonian, Glazed ceramic, 3.25 x 3.12 x 2.5 in. (8.26 x 7.92 x 6.35 cm), Ceramics
The Trinity, 18th century, Possibly made in Mexico, Spanish Colonial, Oil on tin (?), Overall: 14 x 10 1/16 in. (35.6 x 25.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-trinity-18th-century-possibly-made-in-mexico-spanish-colonial-162580067.htmlRMKCE4EY–The Trinity, 18th century, Possibly made in Mexico, Spanish Colonial, Oil on tin (?), Overall: 14 x 10 1/16 in. (35.6 x 25.6 cm
Drawing, Wall Fountain; Architect: Giuseppe Valadier (Italian, 1762–1839); Italy; graphite, brush and gray wash on laid paper; 33.5 x 25.9 cm (13 3/16 x 10 3/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-wall-fountain-architect-giuseppe-valadier-italian-17621839-italy-graphite-brush-and-gray-wash-on-laid-paper-335-x-259-cm-13-316-x-10-316-in-mat-457-x-356-cm-18-x-14-in-image546175924.htmlRM2PMGCY0–Drawing, Wall Fountain; Architect: Giuseppe Valadier (Italian, 1762–1839); Italy; graphite, brush and gray wash on laid paper; 33.5 x 25.9 cm (13 3/16 x 10 3/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)
The Art Lover in Front of an Easel, Jacques Gabriel Huquier (Paris 1730–1805 Shrewsbury), Drawing, Black chalk, 35 x 25.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-art-lover-in-front-of-an-easel-jacques-gabriel-huquier-paris-17301805-shrewsbury-drawing-black-chalk-35-x-256-cm-image573308233.htmlRM2T8MCE1–The Art Lover in Front of an Easel, Jacques Gabriel Huquier (Paris 1730–1805 Shrewsbury), Drawing, Black chalk, 35 x 25.6 cm
Oshi-e, Daikoku, Cloth and cardboard, Japan, 19th century, Meiji Period, 14 x 10 in., 35.6 x 25.4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oshi-e-daikoku-cloth-and-cardboard-japan-19th-century-meiji-period-14-x-10-in-356-x-254-cm-image454281280.htmlRM2HB28BC–Oshi-e, Daikoku, Cloth and cardboard, Japan, 19th century, Meiji Period, 14 x 10 in., 35.6 x 25.4 cm
. English: Eastman Johnson, American, 1824–1906 Study for A Glass with the Squire, ca. 1880 Oil on paper board 64.5 x 53 cm. (25 3/8 x 20 7/8 in.) frame: 88.9 × 76.6 × 7.8 cm (35 × 30 3/16 × 3 1/16 in.) Gift of Stuart P. Feld, Class of 1957, and Sue K. Feld, in commemoration of the Fiftieth Reunion of the Class of 1957 2006-825 Following study in Europe, including three years in The Hague absorbing the color and naturalism of the seventeenth-century Dutch masters, Eastman Johnson settled in New York and launched a successful career in genre painting. His images of rural, regional America were Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-eastman-johnson-american-18241906-study-for-a-glass-with-the-squire-ca-1880-oil-on-paper-board-645-x-53-cm-25-38-x-20-78-in-frame-889-766-78-cm-35-30-316-3-116-in-gift-of-stuart-p-feld-class-of-1957-and-sue-k-feld-in-commemoration-of-the-fiftieth-reunion-of-the-class-of-1957-2006-825-following-study-in-europe-including-three-years-in-the-hague-absorbing-the-color-and-naturalism-of-the-seventeenth-century-dutch-masters-eastman-johnson-settled-in-new-york-and-launched-a-successful-career-in-genre-painting-his-images-of-rural-regional-america-were-image189075065.htmlRMMYH34W–. English: Eastman Johnson, American, 1824–1906 Study for A Glass with the Squire, ca. 1880 Oil on paper board 64.5 x 53 cm. (25 3/8 x 20 7/8 in.) frame: 88.9 × 76.6 × 7.8 cm (35 × 30 3/16 × 3 1/16 in.) Gift of Stuart P. Feld, Class of 1957, and Sue K. Feld, in commemoration of the Fiftieth Reunion of the Class of 1957 2006-825 Following study in Europe, including three years in The Hague absorbing the color and naturalism of the seventeenth-century Dutch masters, Eastman Johnson settled in New York and launched a successful career in genre painting. His images of rural, regional America were
![THE INHABITANTS of the PARISH of ALL SAINTS in the CITY OF OXFORD, whose CHURCH was lately ruin'd by the FALL of the SPIRE, being utterly unable to rebuild the same, the charge being computed at 4800£. Do Humbly of Author Sturt, John 34.25.a. Place of publication: [Oxford] Publisher: [publisher not identified] Date of publication: [around 1700] Item type: 1 print Medium: engraving and etching Dimensions: sheet 62.6 x 35.6 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HMJ5/the-inhabitants-of-the-parish-of-all-saints-in-the-city-of-oxford-whose-church-was-lately-ruind-by-the-fall-of-the-spire-being-utterly-unable-to-rebuild-the-same-the-charge-being-computed-at-4800-do-humbly-of-author-sturt-john-3425a-place-of-publication-oxford-publisher-publisher-not-identified-date-of-publication-around-1700-item-type-1-print-medium-engraving-and-etching-dimensions-sheet-626-x-356-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HMJ5.jpg "THE INHABITANTS of the PARISH of ALL SAINTS in the CITY OF OXFORD, whose CHURCH was lately ruin'd by the FALL of the SPIRE, being utterly unable to rebuild the same, the charge being computed at 4800£. Do Humbly of Author Sturt, John 34.25.a. Place of publication: [Oxford] Publisher: [publisher not identified] Date of publication: [around 1700] Item type: 1 print Medium: engraving and etching Dimensions: sheet 62.6 x 35.6 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
THE INHABITANTS of the PARISH of ALL SAINTS in the CITY OF OXFORD, whose CHURCH was lately ruin'd by the FALL of the SPIRE, being utterly unable to rebuild the same, the charge being computed at 4800¬£. Do Humbly of Author Sturt, John 34.25.a. Place of publication: [Oxford] Publisher: [publisher not identified] Date of publication: [around 1700] Item type: 1 print Medium: engraving and etching Dimensions: sheet 62.6 x 35.6 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-inhabitants-of-the-parish-of-all-saints-in-the-city-of-oxford-whose-church-was-lately-ruind-by-the-fall-of-the-spire-being-utterly-unable-to-rebuild-the-same-the-charge-being-computed-at-4800-do-humbly-of-author-sturt-john-3425a-place-of-publication-oxford-publisher-publisher-not-identified-date-of-publication-around-1700-item-type-1-print-medium-engraving-and-etching-dimensions-sheet-626-x-356-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401759741.htmlRM2E9HMJ5–THE INHABITANTS of the PARISH of ALL SAINTS in the CITY OF OXFORD, whose CHURCH was lately ruin'd by the FALL of the SPIRE, being utterly unable to rebuild the same, the charge being computed at 4800¬£. Do Humbly of Author Sturt, John 34.25.a. Place of publication: [Oxford] Publisher: [publisher not identified] Date of publication: [around 1700] Item type: 1 print Medium: engraving and etching Dimensions: sheet 62.6 x 35.6 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
Art inspired by Purple Iris, ca. 1920, Watercolor and graphite on paper, 14 x 10 in. (35.6 x 25.4 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-purple-iris-ca-1920-watercolor-and-graphite-on-paper-14-x-10-in-356-x-254-cm-drawings-charles-demuth-american-lancaster-pennsylvania-18831935-lancaster-pennsylvania-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462847441.htmlRF2HW0EHN–Art inspired by Purple Iris, ca. 1920, Watercolor and graphite on paper, 14 x 10 in. (35.6 x 25.4 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Pitcher, ca. 1815, Made in New England, United States, American, Earthenware, 14 x 10 1/2 x 10 in. (35.6 x 26.7 x 25.4 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pitcher-ca-1815-made-in-new-england-united-states-american-earthenware-14-x-10-12-x-10-in-356-x-267-x-254-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462887912.htmlRF2HW2A74–Art inspired by Pitcher, ca. 1815, Made in New England, United States, American, Earthenware, 14 x 10 1/2 x 10 in. (35.6 x 26.7 x 25.4 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Palatina-style Salvator Rosa frame, Late 18th century (?), Southern Italian, Poplar, 55 x 45.5, 33.6 x 23.7, 35.5 x 25.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-palatina-style-salvator-rosa-frame-late-18th-century-southern-italian-poplar-55-x-455-336-x-237-355-x-257-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463031535.htmlRF2HW8WCF–Art inspired by Palatina-style Salvator Rosa frame, Late 18th century (?), Southern Italian, Poplar, 55 x 45.5, 33.6 x 23.7, 35.5 x 25.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Pic-Nic Orchestra, April 23, 1802, Hand-colored etching and engraving, plate: 10 x 14 in. (25.4 x 35.6 cm), Prints, James Gillray (British, Chelsea 1756–1815 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-pic-nic-orchestra-april-23-1802-hand-colored-etching-and-engraving-plate-10-x-14-in-254-x-356-cm-prints-james-gillray-british-chelsea-17561815-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462962418.htmlRF2HW5N82–Art inspired by The Pic-Nic Orchestra, April 23, 1802, Hand-colored etching and engraving, plate: 10 x 14 in. (25.4 x 35.6 cm), Prints, James Gillray (British, Chelsea 1756–1815 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Broadside, 1833, Hand-colored lithograph, sheet: 25 3/4 x 18 3/8 in. (65.4 x 46.6 cm), Joseph Meeks & Sons (American, New York, 1829–35, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-broadside-1833-hand-colored-lithograph-sheet-25-34-x-18-38-in-654-x-466-cm-joseph-meeks-sons-american-new-york-182935-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462802214.htmlRF2HTXCXE–Art inspired by Broadside, 1833, Hand-colored lithograph, sheet: 25 3/4 x 18 3/8 in. (65.4 x 46.6 cm), Joseph Meeks & Sons (American, New York, 1829–35, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
