37 1 x 72 4 cm hi-res stock photography and images

Piece, British, 1851–72, British, Cotton, L. 37 1/4 x W. 25 inches, 94.6 x 63.5 cm, Textiles-Printed Stock Photo

RM2B0NAJ5–Piece, British, 1851–72, British, Cotton, L. 37 1/4 x W. 25 inches, 94.6 x 63.5 cm, Textiles-Printed

Art inspired by Field Bordered by Trees, ca. 1907–8, Charcoal on paper, 28 1/2 x 37 1/2 in. (72.4 x 95.3 cm), Drawings, Piet Mondrian (Dutch, Amersfoort 1872–1944 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0F34–Art inspired by Field Bordered by Trees, ca. 1907–8, Charcoal on paper, 28 1/2 x 37 1/2 in. (72.4 x 95.3 cm), Drawings, Piet Mondrian (Dutch, Amersfoort 1872–1944 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Shaded Dwellings among Streams and Mountains. Artist: Dong Qichang (Chinese, 1555-1636). Culture: China. Dimensions: Image: 62 3/8 x 28 3/8 in. (158.4 x 72.1 cm) Overall with mounting: 99 x 33 1/8 in. (251.5 x 84.1 cm) Overall with knobs: 99 x 37 in. (251.5 x 94 cm). Date: ca. 1622-25. Dong Qichang, the foremost landscape painter and theorist of the early seventeenth century, pursued artistic reform. Reacting against what he perceived as the decadent, perverse trends of contemporary landscape painting, Dong, following in the literati tradition, sought a creative reconstruction of the past t Stock Photo

RMPAYD52–Shaded Dwellings among Streams and Mountains. Artist: Dong Qichang (Chinese, 1555-1636). Culture: China. Dimensions: Image: 62 3/8 x 28 3/8 in. (158.4 x 72.1 cm) Overall with mounting: 99 x 33 1/8 in. (251.5 x 84.1 cm) Overall with knobs: 99 x 37 in. (251.5 x 94 cm). Date: ca. 1622-25. Dong Qichang, the foremost landscape painter and theorist of the early seventeenth century, pursued artistic reform. Reacting against what he perceived as the decadent, perverse trends of contemporary landscape painting, Dong, following in the literati tradition, sought a creative reconstruction of the past t

Art inspired by Cradle, 1640–90, Made in Suffolk County, Massachusetts, United States, American, White oak, 28 1/2 x 24 x 37 1/8 in. (72.4 x 61 x 94.3 cm), Furniture, This joined cradle exhibits a well-balanced arrangement of horizontal panels with mortise-and-tenon joints. It was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW223T–Art inspired by Cradle, 1640–90, Made in Suffolk County, Massachusetts, United States, American, White oak, 28 1/2 x 24 x 37 1/8 in. (72.4 x 61 x 94.3 cm), Furniture, This joined cradle exhibits a well-balanced arrangement of horizontal panels with mortise-and-tenon joints. It was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Painting; oil on canvas; overall: 59.1 x 72.5 cm (23 1/4 x 28 9/16 in.) framed: 80 x 94 cm (31 1/2 x 37 in.); Edouard Manet 093 Stock Photo

RMMMX7KT–Painting; oil on canvas; overall: 59.1 x 72.5 cm (23 1/4 x 28 9/16 in.) framed: 80 x 94 cm (31 1/2 x 37 in.); Edouard Manet 093

Art inspired by Two Tahitian Women, 1899, Oil on canvas, 37 x 28 1/2 in. (94 x 72.4 cm), Paintings, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), As Gauguin brought his work in Tahiti to a close, he focused increasingly on the beauty and serene virtues of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTY1H3–Art inspired by Two Tahitian Women, 1899, Oil on canvas, 37 x 28 1/2 in. (94 x 72.4 cm), Paintings, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), As Gauguin brought his work in Tahiti to a close, he focused increasingly on the beauty and serene virtues of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

THE SOUTH VIEW OF OKEHAMPTON CASTLE IN THE COUNTY OF DEVON. Author Buck, Samuel 11.72.a. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1734] Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.1 x 37.4 cm, on sheet 26 x 43 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9G1HW–THE SOUTH VIEW OF OKEHAMPTON CASTLE IN THE COUNTY OF DEVON. Author Buck, Samuel 11.72.a. Place of publication: [England] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1734] Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.1 x 37.4 cm, on sheet 26 x 43 cm. Former owner: George III, King of Great Britain, 1738-1820

Inspired by Great Battle of Jiuliancheng, Utagawa Kokunimasa, Japanese, 1874–1944, Meiji period, 1868–1912, Imai Keitarō, Japanese, active late 19th century, 1894, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted: 14 3/4 x 28 1/2 in. (37.5 x 72.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK614H–Inspired by Great Battle of Jiuliancheng, Utagawa Kokunimasa, Japanese, 1874–1944, Meiji period, 1868–1912, Imai Keitarō, Japanese, active late 19th century, 1894, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted: 14 3/4 x 28 1/2 in. (37.5 x 72.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Alexandre-François Desportes, Still Life with Dressed Game, Meat, and Fruit, 1734, oil on canvas, overall: 121 x 95 cm (47 5/8 x 37 3/8 in.) framed: 146.05 x 118.43 x 5.72 cm (57 1/2 x 46 5/8 x 2 1/4 in.), Chester Dale Fund, 2012.11.1 DOWNLOAD TMP Stock Photo

RM2AE678F–Alexandre-François Desportes, Still Life with Dressed Game, Meat, and Fruit, 1734, oil on canvas, overall: 121 x 95 cm (47 5/8 x 37 3/8 in.) framed: 146.05 x 118.43 x 5.72 cm (57 1/2 x 46 5/8 x 2 1/4 in.), Chester Dale Fund, 2012.11.1 DOWNLOAD TMP

Fragment , Les Losange (Lozenges); Designed by Jean-Baptiste Huët (1745 – 1811); Company: Oberkampf & Cie. (France); France; cotton; Warp x Weft: 72 x 95 cm (28 3/8 x 37 3/8 in.) Repeat H: 51.5 cm (20 1/4 in.); Bequest of Elinor Merrell; 1995-50-56 Stock Photo

RM2PMKCW5–Fragment , Les Losange (Lozenges); Designed by Jean-Baptiste Huët (1745 – 1811); Company: Oberkampf & Cie. (France); France; cotton; Warp x Weft: 72 x 95 cm (28 3/8 x 37 3/8 in.) Repeat H: 51.5 cm (20 1/4 in.); Bequest of Elinor Merrell; 1995-50-56

Cradle MET ADA4064 2579 American, Cradle, 1640?90, White oak, 28 1/2 x 24 x 37 1/8 in. (72.4 x 61 x 94.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.672) Stock Photo

RMKNHXMR–Cradle MET ADA4064 2579 American, Cradle, 1640?90, White oak, 28 1/2 x 24 x 37 1/8 in. (72.4 x 61 x 94.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.672)

Cradle MET 10668 2579 American, Cradle, 1640?90, White oak, 28 1/2 x 24 x 37 1/8 in. (72.4 x 61 x 94.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.672) Stock Photo

RMKNE1H6–Cradle MET 10668 2579 American, Cradle, 1640?90, White oak, 28 1/2 x 24 x 37 1/8 in. (72.4 x 61 x 94.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.672)

Bautain, Photograph: Winslow Homer in Paris, 1867, 1867, photograph, 3 11/16 in. x 2 1/4 in. (9.37 cm x 5.72 cm Stock Photo

RM2B0C0MA–Bautain, Photograph: Winslow Homer in Paris, 1867, 1867, photograph, 3 11/16 in. x 2 1/4 in. (9.37 cm x 5.72 cm

Piece. Culture: British. Designer: Stinton Bros.. Dimensions: L. 41 x W. 37 1/4 inches 104.1 x 94.6 cm. Date: 1851-72. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAC07J–Piece. Culture: British. Designer: Stinton Bros.. Dimensions: L. 41 x W. 37 1/4 inches 104.1 x 94.6 cm. Date: 1851-72. Museum: Metropolitan Museum of Art, New York, USA.

Painting; oil on canvas; overall: 60 x 72.9 cm (23 5/8 x 28 11/16 in.) framed: 81.3 x 94.6 cm (32 x 37 1/4 in.); 3 A Young Woman Reading A17297 Stock Photo

RMP0196R–Painting; oil on canvas; overall: 60 x 72.9 cm (23 5/8 x 28 11/16 in.) framed: 81.3 x 94.6 cm (32 x 37 1/4 in.); 3 A Young Woman Reading A17297

THE WEST VIEW OF WETHERALL PRIORY, IN THE COUNTY OF CUMBERLAND. Author Buck, Samuel 10.72.a. Place of publication: [London] Publisher: Publish'd according to Act of Parliament Date of publication: March 26. 1739. Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.4 x 37.1 cm, on sheet 22.3 x 40.6 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9GMCA–THE WEST VIEW OF WETHERALL PRIORY, IN THE COUNTY OF CUMBERLAND. Author Buck, Samuel 10.72.a. Place of publication: [London] Publisher: Publish'd according to Act of Parliament Date of publication: March 26. 1739. Item type: 1 print Medium: etching and engraving Dimensions: platemark 19.4 x 37.1 cm, on sheet 22.3 x 40.6 cm. Former owner: George III, King of Great Britain, 1738-1820

Art inspired by Great Battle of Jiuliancheng, Utagawa Kokunimasa, Japanese, 1874-1944, Meiji period, 1868-1912, Imai Keitarō, Japanese, active late 19th century, 1894, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted: 14 3/4 x 28 1/2 in. (37.5, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKM79J–Art inspired by Great Battle of Jiuliancheng, Utagawa Kokunimasa, Japanese, 1874-1944, Meiji period, 1868-1912, Imai Keitarō, Japanese, active late 19th century, 1894, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted: 14 3/4 x 28 1/2 in. (37.5, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Fragments; cotton; Warp x Weft (a): 75 x 100 cm (29 1/2 x 39 3/8 in.) Warp x Weft (b): 96 x 100 cm (37 13/16 x 39 3/8 in.) Warp x Weft (c): 66 x 72 cm (26 x 28 3/8 in.) Warp x Weft (d): 76 x 57 cm (29 15/16 x 22 7/16 in.) Warp x Weft (e): 55 x 78 cm (21 5/8 x 30 11/16 in.) Warp x Weft (f): 76 x 36 cm (29 15/16 x 14 3/16 in.) Warp x Weft (g): 39 x 54 cm (15 3/8 x 21 1/4 in.) Warp x Weft (h): 76 x 73 cm (29 15/16 x 28 3/4 in.) Stock Photo

RM2PMKYP5–Fragments; cotton; Warp x Weft (a): 75 x 100 cm (29 1/2 x 39 3/8 in.) Warp x Weft (b): 96 x 100 cm (37 13/16 x 39 3/8 in.) Warp x Weft (c): 66 x 72 cm (26 x 28 3/8 in.) Warp x Weft (d): 76 x 57 cm (29 15/16 x 22 7/16 in.) Warp x Weft (e): 55 x 78 cm (21 5/8 x 30 11/16 in.) Warp x Weft (f): 76 x 36 cm (29 15/16 x 14 3/16 in.) Warp x Weft (g): 39 x 54 cm (15 3/8 x 21 1/4 in.) Warp x Weft (h): 76 x 73 cm (29 15/16 x 28 3/4 in.)

Chair-table MET DP170794 2579 American, Cradle, 1640?90, White oak, 28 1/2 x 24 x 37 1/8 in. (72.4 x 61 x 94.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.672) Stock Photo

RMKNE165–Chair-table MET DP170794 2579 American, Cradle, 1640?90, White oak, 28 1/2 x 24 x 37 1/8 in. (72.4 x 61 x 94.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.672)

Border Fragments, Nasca, 2nd century B.C., Peru, Rio Grande de Nasca, Nasca, Camelid hair, Overall: 2 1/4 x 37 1/2 in. (5.72 x 95.25 cm), Other: 2 1/4 in. (5.72 cm), Textiles-Woven Stock Photo

RM2B0JH08–Border Fragments, Nasca, 2nd century B.C., Peru, Rio Grande de Nasca, Nasca, Camelid hair, Overall: 2 1/4 x 37 1/2 in. (5.72 x 95.25 cm), Other: 2 1/4 in. (5.72 cm), Textiles-Woven

Masked Ball at the Opera. Dated: 1873. Dimensions: overall: 59.1 x 72.5 cm (23 1/4 x 28 9/16 in.) framed: 80 x 94 cm (31 1/2 x 37 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: EDOUARD MANET. Stock Photo

RMPM42F9–Masked Ball at the Opera. Dated: 1873. Dimensions: overall: 59.1 x 72.5 cm (23 1/4 x 28 9/16 in.) framed: 80 x 94 cm (31 1/2 x 37 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: EDOUARD MANET.

Painting; oil on canvas; overall: 121 x 95 cm (47 5/8 x 37 3/8 in.) framed: 146.05 x 118.43 x 5.72 cm (57 1/2 x 46 5/8 x 2 1/4 in.); 22 Still Life with Dressed Game, Meat, and Fruit A17706 Stock Photo

RMP01KMW–Painting; oil on canvas; overall: 121 x 95 cm (47 5/8 x 37 3/8 in.) framed: 146.05 x 118.43 x 5.72 cm (57 1/2 x 46 5/8 x 2 1/4 in.); 22 Still Life with Dressed Game, Meat, and Fruit A17706

N/A. English: The Coaci Inkstand, 1792 Vincenzo Coaci, Italian (Rome), 1756–1794, Silversmith Silver, silver gilt, lapis lazuli, and rosso antico marble 28 1/2 x 20 1/2 x 14 3/4 in. (72.39 x 52.07 x 37.47 cm) Minneapolis Institute of Art Gift of Funds from the Morse Foundation 69.80.1a,b . 1792. Minneapolis Institute of Art 357 Coaci Inkstand MIA 69801ab Stock Photo

RMP5WX28–N/A. English: The Coaci Inkstand, 1792 Vincenzo Coaci, Italian (Rome), 1756–1794, Silversmith Silver, silver gilt, lapis lazuli, and rosso antico marble 28 1/2 x 20 1/2 x 14 3/4 in. (72.39 x 52.07 x 37.47 cm) Minneapolis Institute of Art Gift of Funds from the Morse Foundation 69.80.1a,b . 1792. Minneapolis Institute of Art 357 Coaci Inkstand MIA 69801ab

Inspired by Bivouac after the Landing at Rongcheng Bay, Shinohara Kiyooki, Japanese, active late 19th–early 20th century, Meiji period, 1868–1912, Matsunaga Sakujirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK5TT6–Inspired by Bivouac after the Landing at Rongcheng Bay, Shinohara Kiyooki, Japanese, active late 19th–early 20th century, Meiji period, 1868–1912, Matsunaga Sakujirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

. Shah Jahan Receiving Dara Shikoh, Folio from the Late Shah Jahan Album . Shah Jahan Receiving Dara Shikoh, Folio from the Late Shah Jahan Album, circa 1650 Painting; Watercolor, Opaque watercolor, gold, and ink on paper, Sheet: 14 5/8 x 10 in. (37.15 x 25.4 cm); Image: 10 1/8 x 7 7/8 in. (25.72 x 20.0 cm) From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase (M.83.105.21) South and Southeast Asian Art Department. circa 1650 484 Shah Jahan Receiving Dara Shikoh, Stock Photo

RMMY22DD–. Shah Jahan Receiving Dara Shikoh, Folio from the Late Shah Jahan Album . Shah Jahan Receiving Dara Shikoh, Folio from the Late Shah Jahan Album, circa 1650 Painting; Watercolor, Opaque watercolor, gold, and ink on paper, Sheet: 14 5/8 x 10 in. (37.15 x 25.4 cm); Image: 10 1/8 x 7 7/8 in. (25.72 x 20.0 cm) From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase (M.83.105.21) South and Southeast Asian Art Department. circa 1650 484 Shah Jahan Receiving Dara Shikoh,

. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def Stock Photo

RMRNF92G–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Cradle MET 85D ACF145R8 2579 American, Cradle, 1640?90, White oak, 28 1/2 x 24 x 37 1/8 in. (72.4 x 61 x 94.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.672) Stock Photo

RMKNE1HB–Cradle MET 85D ACF145R8 2579 American, Cradle, 1640?90, White oak, 28 1/2 x 24 x 37 1/8 in. (72.4 x 61 x 94.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.672)

Japan and China: The Great Battle of Pyeongyang in Korea, Nobushige, Japanese, active late 19th century, Meiji period, 1868–1912, Furuhashi Shinnosuke, Japanese, active late 19th century, 1894, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted: 14 5/8 x 28 1/2 in. (37.1 x 72.4 cm Stock Photo

RM2HB2PEH–Japan and China: The Great Battle of Pyeongyang in Korea, Nobushige, Japanese, active late 19th century, Meiji period, 1868–1912, Furuhashi Shinnosuke, Japanese, active late 19th century, 1894, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted: 14 5/8 x 28 1/2 in. (37.1 x 72.4 cm

The Exhumation. Dated: c. 1890. Dimensions: overall: 61 x 83.8 cm (24 x 33 in.) framed: 72.4 x 95.9 x 5 cm (28 1/2 x 37 3/4 x 1 15/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: LINTON PARK. Stock Photo

RMPKN794–The Exhumation. Dated: c. 1890. Dimensions: overall: 61 x 83.8 cm (24 x 33 in.) framed: 72.4 x 95.9 x 5 cm (28 1/2 x 37 3/4 x 1 15/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: LINTON PARK.

Inspired by Japan and China: The Great Battle of Pyeongyang in Korea, Nobushige, Japanese, active late 19th century, Meiji period, 1868–1912, Furuhashi Shinnosuke, Japanese, active late 19th century, 1894, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted: 14, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK60JD–Inspired by Japan and China: The Great Battle of Pyeongyang in Korea, Nobushige, Japanese, active late 19th century, Meiji period, 1868–1912, Furuhashi Shinnosuke, Japanese, active late 19th century, 1894, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted: 14, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RMMW0FG4–. Shah Jahan Receiving Dara Shikoh, Folio from the Late Shah Jahan Album . Shah Jahan Receiving Dara Shikoh, Folio from the Late Shah Jahan Album, circa 1650 Painting; Watercolor, Opaque watercolor, gold, and ink on paper, Sheet: 14 5/8 x 10 in. (37.15 x 25.4 cm); Image: 10 1/8 x 7 7/8 in. (25.72 x 20.0 cm) From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase (M.83.105.21) South and Southeast Asian Art Department. circa 1650 554 Shah Jahan Receiving Dara Shikoh,

RMRNM73W–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Cradle MET HR10.125.672.X 2579 American, Cradle, 1640?90, White oak, 28 1/2 x 24 x 37 1/8 in. (72.4 x 61 x 94.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.672) Stock Photo

RMKNE1H8–Cradle MET HR10.125.672.X 2579 American, Cradle, 1640?90, White oak, 28 1/2 x 24 x 37 1/8 in. (72.4 x 61 x 94.3 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Russell Sage, 1909 (10.125.672)

Bivouac after the Landing at Rongcheng Bay, Shinohara Kiyooki, Japanese, active late 19th–early 20th century, Meiji period, 1868–1912, Matsunaga Sakujirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted: 14 5/8 x 28 1/2 in. (37.1 x 72.4 cm Stock Photo

RM2HB2NA1–Bivouac after the Landing at Rongcheng Bay, Shinohara Kiyooki, Japanese, active late 19th–early 20th century, Meiji period, 1868–1912, Matsunaga Sakujirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted: 14 5/8 x 28 1/2 in. (37.1 x 72.4 cm

A Young Woman Reading. Dated: c. 1866/1868. Dimensions: overall: 60 x 72.9 cm (23 5/8 x 28 11/16 in.) framed: 81.3 x 94.6 cm (32 x 37 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GUSTAVE COURBET. Stock Photo

RMPM8Y50–A Young Woman Reading. Dated: c. 1866/1868. Dimensions: overall: 60 x 72.9 cm (23 5/8 x 28 11/16 in.) framed: 81.3 x 94.6 cm (32 x 37 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: GUSTAVE COURBET.

Art inspired by Bivouac after the Landing at Rongcheng Bay, Shinohara Kiyooki, Japanese, active late 19th-early 20th century, Meiji period, 1868-1912, Matsunaga Sakujirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKM2GY–Art inspired by Bivouac after the Landing at Rongcheng Bay, Shinohara Kiyooki, Japanese, active late 19th-early 20th century, Meiji period, 1868-1912, Matsunaga Sakujirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMMWT37D–. Shah Jahan Receiving Dara Shikoh, Folio from the Late Shah Jahan Album . Shah Jahan Receiving Dara Shikoh, Folio from the Late Shah Jahan Album, circa 1650 Painting; Watercolor, Opaque watercolor, gold, and ink on paper, Sheet: 14 5/8 x 10 in. (37.15 x 25.4 cm); Image: 10 1/8 x 7 7/8 in. (25.72 x 20.0 cm) From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase (M.83.105.21) South and Southeast Asian Art Department. circa 1650 554 Shah Jahan Receiving Dara Shikoh,

RMRNEY1R–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Augustus Saint-Gaudens, Hiawatha, American, Augustus Saint-Gaudens (American, Dublin 1848–1907 Cornish, New Hampshire), 1871–72, carved 1874, American, Marble, Figure: 60 x 34 1/2 x 37 1/4 in. (152.4 x 87.6 x 94.6 cm), Base (Granite base): 23 in., Other (Plinth with inscription): 5 3/4 in. (14.6 cm), Sculpture Stock Photo

RM2B0HGPF–Augustus Saint-Gaudens, Hiawatha, American, Augustus Saint-Gaudens (American, Dublin 1848–1907 Cornish, New Hampshire), 1871–72, carved 1874, American, Marble, Figure: 60 x 34 1/2 x 37 1/4 in. (152.4 x 87.6 x 94.6 cm), Base (Granite base): 23 in., Other (Plinth with inscription): 5 3/4 in. (14.6 cm), Sculpture

The Beet Harvest, 1881, Camille Pissarro, French, 1830–1903, 10 1/8 x 14 7/8 in. (25.72 x 37.78 cm) (image)19 5/8 × 23 3/4 × 1 1/8 in. (49.85 × 60.33 × 2.86 cm) (outer frame), Gouache over graphite ? on linen, France, 19th century, French Impressionist artist Camille Pissarro was an avowed anarchist who strongly opposed the existing social and political order in France. He envisioned a future where the peasantry, laboring classes, bourgeoisie, and ruling class would share in the wealth and power of the state. Among his goals was the preservation of the values of agrarian life Stock Photo

RM2T91BAW–The Beet Harvest, 1881, Camille Pissarro, French, 1830–1903, 10 1/8 x 14 7/8 in. (25.72 x 37.78 cm) (image)19 5/8 × 23 3/4 × 1 1/8 in. (49.85 × 60.33 × 2.86 cm) (outer frame), Gouache over graphite ? on linen, France, 19th century, French Impressionist artist Camille Pissarro was an avowed anarchist who strongly opposed the existing social and political order in France. He envisioned a future where the peasantry, laboring classes, bourgeoisie, and ruling class would share in the wealth and power of the state. Among his goals was the preservation of the values of agrarian life

The Fitting. Dated: 1890-1891. Dimensions: plate: 37.47 × 25.72 cm (14 3/4 × 10 1/8 in.) sheet: 43.5 x 26.7 cm (17 1/8 x 10 1/2 in.). Medium: drypoint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt. Stock Photo

RMRFH12T–The Fitting. Dated: 1890-1891. Dimensions: plate: 37.47 × 25.72 cm (14 3/4 × 10 1/8 in.) sheet: 43.5 x 26.7 cm (17 1/8 x 10 1/2 in.). Medium: drypoint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt.

Field Bordered by Trees, ca. 1907–8, Charcoal on paper, 28 1/2 x 37 1/2 in. (72.4 x 95.3 cm), Drawings, Piet Mondrian (Dutch Stock Photo

RMKC6H7F–Field Bordered by Trees, ca. 1907–8, Charcoal on paper, 28 1/2 x 37 1/2 in. (72.4 x 95.3 cm), Drawings, Piet Mondrian (Dutch

Table Valance with Autumn Garden, China, Qing dynasty (1644–1911), Date 18th century, China, Silk, metallic thread, and feather tapestry (kesi), Overall: 28 1/2 x 37 in. (72.4 x 94 cm), Textiles-Tapestries Stock Photo

RM2B0JHWA–Table Valance with Autumn Garden, China, Qing dynasty (1644–1911), Date 18th century, China, Silk, metallic thread, and feather tapestry (kesi), Overall: 28 1/2 x 37 in. (72.4 x 94 cm), Textiles-Tapestries

Art inspired by Japan and China: The Great Battle of Pyeongyang in Korea, Nobushige, Japanese, active late 19th century, Meiji period, 1868-1912, Furuhashi Shinnosuke, Japanese, active late 19th century, 1894, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKM6TE–Art inspired by Japan and China: The Great Battle of Pyeongyang in Korea, Nobushige, Japanese, active late 19th century, Meiji period, 1868-1912, Furuhashi Shinnosuke, Japanese, active late 19th century, 1894, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMRNGM7W–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Nynee Tall from South End. Dated: c. 1858-1862. Dimensions: image: 36.2 x 45.72 cm (14 1/4 x 18 in.) mount: 46.83 x 59.37 cm (18 7/16 x 23 3/8 in.). Medium: albumen print. Museum: National Gallery of Art, Washington DC. Author: John Murray. Stock Photo

RMR2PJYJ–Nynee Tall from South End. Dated: c. 1858-1862. Dimensions: image: 36.2 x 45.72 cm (14 1/4 x 18 in.) mount: 46.83 x 59.37 cm (18 7/16 x 23 3/8 in.). Medium: albumen print. Museum: National Gallery of Art, Washington DC. Author: John Murray.

Dong Qichang, Shaded Dwellings among Streams and Mountains, China, Ming dynasty (1368–1644), Dong Qichang (Chinese, 1555–1636), ca. 1622–25, China, Hanging scroll; ink on paper, Image: 62 3/8 x 28 3/8 in. (158.4 x 72.1 cm), Overall with mounting: 99 x 33 1/8 in. (251.5 x 84.1 cm), Overall with knobs: 99 x 37 in. (251.5 x 94 cm), Paintings Stock Photo

RM2B0MT5P–Dong Qichang, Shaded Dwellings among Streams and Mountains, China, Ming dynasty (1368–1644), Dong Qichang (Chinese, 1555–1636), ca. 1622–25, China, Hanging scroll; ink on paper, Image: 62 3/8 x 28 3/8 in. (158.4 x 72.1 cm), Overall with mounting: 99 x 33 1/8 in. (251.5 x 84.1 cm), Overall with knobs: 99 x 37 in. (251.5 x 94 cm), Paintings

Inspired by The Fall of Magong Fortress: Major Iwamoto Gazes from a Distance, Ogata Gekkō, Japanese, 1859–1920, Meiji period, 1868–1912, Sekiguchi Masajirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted: 14 3/4 x, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK5NWJ–Inspired by The Fall of Magong Fortress: Major Iwamoto Gazes from a Distance, Ogata Gekkō, Japanese, 1859–1920, Meiji period, 1868–1912, Sekiguchi Masajirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted: 14 3/4 x, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Cradle, 1640–90, Made in Suffolk County, Massachusetts, United States, American, White oak, 28 1/2 x 24 x 37 1/8 in. (72.4 x 61 Stock Photo

RMKCC7AC–Cradle, 1640–90, Made in Suffolk County, Massachusetts, United States, American, White oak, 28 1/2 x 24 x 37 1/8 in. (72.4 x 61

RMRNB1RC–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Great Battle of Jiuliancheng, Utagawa Kokunimasa, Japanese, 1874–1944, Meiji period, 1868–1912, Imai Keitarō, Japanese, active late 19th century, 1894, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted: 14 3/4 x 28 1/2 in. (37.5 x 72.4 cm Stock Photo

RM2HB2PP0–Great Battle of Jiuliancheng, Utagawa Kokunimasa, Japanese, 1874–1944, Meiji period, 1868–1912, Imai Keitarō, Japanese, active late 19th century, 1894, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted: 14 3/4 x 28 1/2 in. (37.5 x 72.4 cm

Fan Dancer, first half 17th century, Attributed to Iwasa Matabei, Japanese, 1578 - 1650, 37 3/8 x 10 1/4 in. (95 x 26 cm) (image)72 1/16 x 15 3/8 in. (183 x 39 cm) (mount) 34 cm w w/rollers, Ink, color, and gold on paper, Japan, Nikuhitsu ukiyo-e Stock Photo

RM2T907CF–Fan Dancer, first half 17th century, Attributed to Iwasa Matabei, Japanese, 1578 - 1650, 37 3/8 x 10 1/4 in. (95 x 26 cm) (image)72 1/16 x 15 3/8 in. (183 x 39 cm) (mount) 34 cm w w/rollers, Ink, color, and gold on paper, Japan, Nikuhitsu ukiyo-e

The Fall of Magong Fortress: Major Iwamoto Gazes from a Distance, Ogata Gekkō, Japanese, 1859–1920, Meiji period, 1868–1912, Sekiguchi Masajirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted: 14 3/4 x 28 3/8 in. (37.5 x 72.1 cm Stock Photo

RM2HB2M7K–The Fall of Magong Fortress: Major Iwamoto Gazes from a Distance, Ogata Gekkō, Japanese, 1859–1920, Meiji period, 1868–1912, Sekiguchi Masajirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as mounted: 14 3/4 x 28 3/8 in. (37.5 x 72.1 cm

Still Life with Dressed Game, Meat, and Fruit. Dated: 1734. Dimensions: overall: 121 x 95 cm (47 5/8 x 37 3/8 in.) framed: 146.05 x 118.43 x 5.72 cm (57 1/2 x 46 5/8 x 2 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: ALEXANDRE-FRANCOIS DESPORTES. Stock Photo

RMPKJE9A–Still Life with Dressed Game, Meat, and Fruit. Dated: 1734. Dimensions: overall: 121 x 95 cm (47 5/8 x 37 3/8 in.) framed: 146.05 x 118.43 x 5.72 cm (57 1/2 x 46 5/8 x 2 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: ALEXANDRE-FRANCOIS DESPORTES.

Art inspired by The Fall of Magong Fortress: Major Iwamoto Gazes from a Distance, Ogata Gekkō, Japanese, 1859-1920, Meiji period, 1868-1912, Sekiguchi Masajirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKKXWN–Art inspired by The Fall of Magong Fortress: Major Iwamoto Gazes from a Distance, Ogata Gekkō, Japanese, 1859-1920, Meiji period, 1868-1912, Sekiguchi Masajirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Prints, triptych as, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMRNGK4A–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Officers and Men Admiring the Rising Sun While Bivouacking in the Mountains of Port Arthur, Ogata Gekkō, Japanese, 1859–1920, Meiji period, 1868–1912, Sekiguchi Masajirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Dalian, Liaoning province, China, Asia, Prints, triptych as mounted: 14 3/4 x 28 3/8 in. (37.5 x 72.1 cm Stock Photo

RM2HB2M59–Officers and Men Admiring the Rising Sun While Bivouacking in the Mountains of Port Arthur, Ogata Gekkō, Japanese, 1859–1920, Meiji period, 1868–1912, Sekiguchi Masajirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Dalian, Liaoning province, China, Asia, Prints, triptych as mounted: 14 3/4 x 28 3/8 in. (37.5 x 72.1 cm

The Elements (Furnishing Fabric). Designed by Marie Bonaventure Lebert (French, 1759-1836); Manufactured by Hartmann et Fils (French, founded 1776); France, Munster. Date: 1810-1820. Dimensions: 184.1 x 94.6 cm (72 1/2 x 37 1/4 in.) Warp repeat: 46.9 cm (18 1/2 in.). Cotton, plain weave; engraved roller printed. Origin: Munster. Museum: The Chicago Art Institute. Author: Bonaventure M. Lebert. Stock Photo

RMRXMDAA–The Elements (Furnishing Fabric). Designed by Marie Bonaventure Lebert (French, 1759-1836); Manufactured by Hartmann et Fils (French, founded 1776); France, Munster. Date: 1810-1820. Dimensions: 184.1 x 94.6 cm (72 1/2 x 37 1/4 in.) Warp repeat: 46.9 cm (18 1/2 in.). Cotton, plain weave; engraved roller printed. Origin: Munster. Museum: The Chicago Art Institute. Author: Bonaventure M. Lebert.

Art inspired by Officers and Men Admiring the Rising Sun While Bivouacking in the Mountains of Port Arthur, Ogata Gekkō, Japanese, 1859-1920, Meiji period, 1868-1912, Sekiguchi Masajirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKKXPG–Art inspired by Officers and Men Admiring the Rising Sun While Bivouacking in the Mountains of Port Arthur, Ogata Gekkō, Japanese, 1859-1920, Meiji period, 1868-1912, Sekiguchi Masajirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMRNDNM5–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

The Elements (Furnishing Fabric), c. 1810, Designed by Marie Bonaventure Lebert (French, 1759–1836), Manufactured by Hartmann et Fils (French, founded 1776), France, Munster, Munster, Cotton, plain weave, engraved roller printed, 184.1 x 94.6 cm (72 1/2 x 37 1/4 in Stock Photo

RM2A2KHGY–The Elements (Furnishing Fabric), c. 1810, Designed by Marie Bonaventure Lebert (French, 1759–1836), Manufactured by Hartmann et Fils (French, founded 1776), France, Munster, Munster, Cotton, plain weave, engraved roller printed, 184.1 x 94.6 cm (72 1/2 x 37 1/4 in

Half Tunic, 16th century. Peru, South Coast, Inca Culture, Colonial Period, 16th century. Interlocked tapestry; cotton and wool; average: 95.3 x 72.4 cm (37 1/2 x 28 1/2 in Stock Photo

RMRY351E–Half Tunic, 16th century. Peru, South Coast, Inca Culture, Colonial Period, 16th century. Interlocked tapestry; cotton and wool; average: 95.3 x 72.4 cm (37 1/2 x 28 1/2 in

Edouard Manet, (artist), French, 1832 - 1883, Masked Ball at the Opera, 1873, oil on canvas, overall: 59.1 x 72.5 cm (23 1/4 x 28 9/16 in.), framed: 80 x 94 cm (31 1/2 x 37 in Stock Photo

RM2DCAE53–Edouard Manet, (artist), French, 1832 - 1883, Masked Ball at the Opera, 1873, oil on canvas, overall: 59.1 x 72.5 cm (23 1/4 x 28 9/16 in.), framed: 80 x 94 cm (31 1/2 x 37 in

Carte photographique de la lune. Dated: 1909. Dimensions: image: 31.91 x 25.72 cm (12 9/16 x 10 1/8 in.) plate: 38.58 x 30.16 cm (15 3/16 x 11 7/8 in.) sheet: 48.9 x 37.78 cm (19 1/4 x 14 7/8 in.). Medium: photogravure. Museum: National Gallery of Art, Washington DC. Author: Charles le Morvan. Stock Photo

RMR3B0M3–Carte photographique de la lune. Dated: 1909. Dimensions: image: 31.91 x 25.72 cm (12 9/16 x 10 1/8 in.) plate: 38.58 x 30.16 cm (15 3/16 x 11 7/8 in.) sheet: 48.9 x 37.78 cm (19 1/4 x 14 7/8 in.). Medium: photogravure. Museum: National Gallery of Art, Washington DC. Author: Charles le Morvan.

Inspired by Officers and Men Admiring the Rising Sun While Bivouacking in the Mountains of Port Arthur, Ogata Gekkō, Japanese, 1859–1920, Meiji period, 1868–1912, Sekiguchi Masajirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Dalian, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK5NP7–Inspired by Officers and Men Admiring the Rising Sun While Bivouacking in the Mountains of Port Arthur, Ogata Gekkō, Japanese, 1859–1920, Meiji period, 1868–1912, Sekiguchi Masajirō, Japanese, active late 19th century, 1895, Triptych of color woodblock prints, Made in Tokyo, Japan, Asia, Dalian, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RMRNC4RB–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Gustave Courbet, (artist), French, 1819 - 1877, A Young Woman Reading, c. 1866/1868, oil on canvas, overall: 60 x 72.9 cm (23 5/8 x 28 11/16 in.), framed: 81.3 x 94.6 cm (32 x 37 1/4 in Stock Photo

RM2DCFYG2–Gustave Courbet, (artist), French, 1819 - 1877, A Young Woman Reading, c. 1866/1868, oil on canvas, overall: 60 x 72.9 cm (23 5/8 x 28 11/16 in.), framed: 81.3 x 94.6 cm (32 x 37 1/4 in

The Marriage at Cana. Dated: c. 1495/1497. Dimensions: overall (original painted surface): 137.1 x 92.7 cm (54 x 36 1/2 in.) overall (with addition at bottom): 153.1 x 92.7 cm (60 1/4 x 36 1/2 in.) overall (with added border strips): 155.7 x 95.8 cm (61 5/16 x 37 11/16 in.) framed: 184.8 x 130.5 x 12.7 cm (72 3/4 x 51 3/8 x 5 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Master of the Catholic Kings. Stock Photo

RMR39092–The Marriage at Cana. Dated: c. 1495/1497. Dimensions: overall (original painted surface): 137.1 x 92.7 cm (54 x 36 1/2 in.) overall (with addition at bottom): 153.1 x 92.7 cm (60 1/4 x 36 1/2 in.) overall (with added border strips): 155.7 x 95.8 cm (61 5/16 x 37 11/16 in.) framed: 184.8 x 130.5 x 12.7 cm (72 3/4 x 51 3/8 x 5 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Master of the Catholic Kings.

RF2B9044K–The Elements (Furnishing Fabric), c. 1810, Designed by Marie Bonaventure Lebert (French, 1759–1836), Manufactured by Hartmann et Fils (French, founded 1776), France, Munster, Munster, Cotton, plain weave, engraved roller printed, 184.1 x 94.6 cm (72 1/2 x 37 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMRNC01R–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Linton Park, (artist), American, 1826 - 1906, The Exhumation, c. 1890, oil on canvas, overall: 61 x 83.8 cm (24 x 33 in.), framed: 72.4 x 95.9 x 5 cm (28 1/2 x 37 3/4 x 1 15/16 in Stock Photo

RM2DCF1JE–Linton Park, (artist), American, 1826 - 1906, The Exhumation, c. 1890, oil on canvas, overall: 61 x 83.8 cm (24 x 33 in.), framed: 72.4 x 95.9 x 5 cm (28 1/2 x 37 3/4 x 1 15/16 in

RMRNEP2X–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Mary Cassatt, (artist), American, 1844 - 1926, The Fitting, 1890-1891, drypoint in black on laid paper, plate: 37.47 × 25.72 cm (14 3/4 × 10 1/8 in.), sheet: 43.5 x 26.7 cm (17 1/8 x 10 1/2 in Stock Photo

RM2DCF2P6–Mary Cassatt, (artist), American, 1844 - 1926, The Fitting, 1890-1891, drypoint in black on laid paper, plate: 37.47 × 25.72 cm (14 3/4 × 10 1/8 in.), sheet: 43.5 x 26.7 cm (17 1/8 x 10 1/2 in

Old Bridge at Shrewsbury, Paul Sandby RA, 1731–1809, British, 1772, Watercolor and gouache on canvas, Sheet: 28 1/2 x 37 3/8 inches (72.4 x 94.9 cm), arches, architectural subject, boat, bridge (built work), cart, cityscape, fort, horses (animals), landscape, England, Europe, Shrewsbury, Shropshire, United Kingdom Stock Photo

RM2DHTKB0–Old Bridge at Shrewsbury, Paul Sandby RA, 1731–1809, British, 1772, Watercolor and gouache on canvas, Sheet: 28 1/2 x 37 3/8 inches (72.4 x 94.9 cm), arches, architectural subject, boat, bridge (built work), cart, cityscape, fort, horses (animals), landscape, England, Europe, Shrewsbury, Shropshire, United Kingdom

RMRNBMEF–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Head of Loch Lomond, with Ben Lomond in the Distance, Paul Jacob Naftel, 1817–1891, British, 1859, Watercolor and gouache on moderately textured, cream wove paper, Sheet: 25 × 31 1/2 inches (63.5 × 80 cm) and Frame: 28 1/2 x 37 x 2 inches (72.4 x 94 x 5.1 cm), hills, lake, landscape, mountain, plants, rocks (landforms), trees, Europe, Lomond, Ben, Lomond, Loch, Scotland, United Kingdom Stock Photo

RM2DHYT7N–Head of Loch Lomond, with Ben Lomond in the Distance, Paul Jacob Naftel, 1817–1891, British, 1859, Watercolor and gouache on moderately textured, cream wove paper, Sheet: 25 × 31 1/2 inches (63.5 × 80 cm) and Frame: 28 1/2 x 37 x 2 inches (72.4 x 94 x 5.1 cm), hills, lake, landscape, mountain, plants, rocks (landforms), trees, Europe, Lomond, Ben, Lomond, Loch, Scotland, United Kingdom

Courtesan, 18th century. Japan, Kaigetsudo school, Edo period (1615-1868). Hanging scroll; ink and color paper; overall: 182.9 x 53.4 cm (72 x 21 in.); overall: 181.6 x 47.8 cm (71 1/2 x 18 13/16 in.); painting only: 95.7 x 35.5 cm (37 11/16 x 14 in.); painting only: 97.4 x 35.5 cm (38 3/8 x 14 in Stock Photo

RMRY5TK3–Courtesan, 18th century. Japan, Kaigetsudo school, Edo period (1615-1868). Hanging scroll; ink and color paper; overall: 182.9 x 53.4 cm (72 x 21 in.); overall: 181.6 x 47.8 cm (71 1/2 x 18 13/16 in.); painting only: 95.7 x 35.5 cm (37 11/16 x 14 in.); painting only: 97.4 x 35.5 cm (38 3/8 x 14 in

Master of the Catholic Kings, (artist), Spanish, active c. 1485/1500, The Marriage at Cana, c. 1495/1497, oil on panel, overall (original painted surface): 137.1 x 92.7 cm (54 x 36 1/2 in.), overall (with addition at bottom): 153.1 x 92.7 cm (60 1/4 x 36 1/2 in.), overall (with added border strips): 155.7 x 95.8 cm (61 5/16 x 37 11/16 in.), framed: 184.8 x 130.5 x 12.7 cm (72 3/4 x 51 3/8 x 5 in Stock Photo

RM2DCDJBJ–Master of the Catholic Kings, (artist), Spanish, active c. 1485/1500, The Marriage at Cana, c. 1495/1497, oil on panel, overall (original painted surface): 137.1 x 92.7 cm (54 x 36 1/2 in.), overall (with addition at bottom): 153.1 x 92.7 cm (60 1/4 x 36 1/2 in.), overall (with added border strips): 155.7 x 95.8 cm (61 5/16 x 37 11/16 in.), framed: 184.8 x 130.5 x 12.7 cm (72 3/4 x 51 3/8 x 5 in

View of the Colosseum from the Orti Farnesiani, 1833, Antoine-Félix Boisselier, French, 1790 - 1857, 28 5/8 x 37 1/2 in. (72.71 x 95.25 cm) (sight)37 x 45 5/8 x 3 3/4 in. (93.98 x 115.89 x 9.53 cm) (outer frame)29 1/4 x 38 1/2 in. (74.3 x 97.79 cm) (canvas), Oil on canvas, France, 19th century, The virtues of heaven and earth merge in this luminous landscape, as a monk sits on an overturned capital (top of a column), repurposed as a place to rest. In the distance, the brilliant midday light envelops the ruins of the Colosseum and the Arch of Titus, reminders of the glory of ancient Rome. Stock Photo

RM2T91C49–View of the Colosseum from the Orti Farnesiani, 1833, Antoine-Félix Boisselier, French, 1790 - 1857, 28 5/8 x 37 1/2 in. (72.71 x 95.25 cm) (sight)37 x 45 5/8 x 3 3/4 in. (93.98 x 115.89 x 9.53 cm) (outer frame)29 1/4 x 38 1/2 in. (74.3 x 97.79 cm) (canvas), Oil on canvas, France, 19th century, The virtues of heaven and earth merge in this luminous landscape, as a monk sits on an overturned capital (top of a column), repurposed as a place to rest. In the distance, the brilliant midday light envelops the ruins of the Colosseum and the Arch of Titus, reminders of the glory of ancient Rome.

RMRNGKD0–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Mud cloth skirt, 52 1/4 x 37 1/2 in. (132.72 x 95.25 cm), Cotton, Mali Stock Photo

RM2T90BB1–Mud cloth skirt, 52 1/4 x 37 1/2 in. (132.72 x 95.25 cm), Cotton, Mali

RMRNXJH3–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Maximilian Presented by his Patron Saints to the Almighty, 1519, Hans Springinklee, German, about 1495-after 1522, 14 1/16 x 14 3/4 in. (35.72 x 37.47 cm) (image), Woodcut, Germany, 16th century Stock Photo

RM2T91DX6–Maximilian Presented by his Patron Saints to the Almighty, 1519, Hans Springinklee, German, about 1495-after 1522, 14 1/16 x 14 3/4 in. (35.72 x 37.47 cm) (image), Woodcut, Germany, 16th century

RMRNBY2G–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Piggy Bank (amber)' still bank, 20th century, 3 11/16 x 2 1/4 x 5 3/16 in. (9.37 x 5.72 x 13.18 cm), Glass, United States (probably), 20th century Stock Photo

RM2T91R14–Piggy Bank (amber)' still bank, 20th century, 3 11/16 x 2 1/4 x 5 3/16 in. (9.37 x 5.72 x 13.18 cm), Glass, United States (probably), 20th century

RMRNT8HP–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Piggy Bank (blue)' still bank, 20th century, 3 11/16 x 2 1/4 x 5 3/16 in. (9.37 x 5.72 x 13.18 cm), Glass, United States (probably), 20th century Stock Photo

RM2T91PY5–Piggy Bank (blue)' still bank, 20th century, 3 11/16 x 2 1/4 x 5 3/16 in. (9.37 x 5.72 x 13.18 cm), Glass, United States (probably), 20th century

RMRNE06T–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Baby carriage, c. 1950s, Unknown American, 37 1/4 x 18 x 38 1/2 in. (94.62 x 45.72 x 97.79 cm), Woven plastic and reed, chrome-plated steel, rubber, wood, United States, 20th century Stock Photo

RM2T91H5R–Baby carriage, c. 1950s, Unknown American, 37 1/4 x 18 x 38 1/2 in. (94.62 x 45.72 x 97.79 cm), Woven plastic and reed, chrome-plated steel, rubber, wood, United States, 20th century

RMRNEM4N–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

La Digitale (Foxglove), from ' La Boutique mise a la portee de tout le monde', 1774, Nicolas-François Regnault, French, 1746 - c. 1810, 14 3/4 x 10 1/8 in. (37.47 x 25.72 cm) (plate)18 13/16 x 14 1/8 in. (47.78 x 35.88 cm) (sheet), Hand-colored etching, France, 18th century Stock Photo

RM2T920EF–La Digitale (Foxglove), from ' La Boutique mise a la portee de tout le monde', 1774, Nicolas-François Regnault, French, 1746 - c. 1810, 14 3/4 x 10 1/8 in. (37.47 x 25.72 cm) (plate)18 13/16 x 14 1/8 in. (47.78 x 35.88 cm) (sheet), Hand-colored etching, France, 18th century

RMRNJFR0–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Watermill at the Foot of a Mountain, Allier, c. 1867-1869, Jean-François Millet, French, 1814–1875, 28 11/16 x 33 7/16 in. (72.8 x 85 cm)28 1/4 x 33 in. (71.8 x 83.8 cm) (image)37 1/8 x 41 13/16 x 3 1/4 in. (94.3 x 106.2 x 8.26 cm) (outer frame), Pastel on paper, France, 19th century Stock Photo

RM2T90PR5–Watermill at the Foot of a Mountain, Allier, c. 1867-1869, Jean-François Millet, French, 1814–1875, 28 11/16 x 33 7/16 in. (72.8 x 85 cm)28 1/4 x 33 in. (71.8 x 83.8 cm) (image)37 1/8 x 41 13/16 x 3 1/4 in. (94.3 x 106.2 x 8.26 cm) (outer frame), Pastel on paper, France, 19th century

RMRNWWPH–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Two Putti on a Goat, c. 1640, Stefano della Bella, Italian (Florence), Italian (Florence), 1610–1664, 6 3/16 x 4 7/16 in. (15.72 x 11.27 cm) (sheet)7 1/4 x 5 5/8 in. (18.42 x 14.29 cm) (sight)14 9/16 x 11 9/16 in. (36.99 x 29.37 cm) (outer frame), Pen and brown ink, Italy, 17th century Stock Photo

RM2T909YX–Two Putti on a Goat, c. 1640, Stefano della Bella, Italian (Florence), Italian (Florence), 1610–1664, 6 3/16 x 4 7/16 in. (15.72 x 11.27 cm) (sheet)7 1/4 x 5 5/8 in. (18.42 x 14.29 cm) (sight)14 9/16 x 11 9/16 in. (36.99 x 29.37 cm) (outer frame), Pen and brown ink, Italy, 17th century

RMRNTTGF–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Lady's writing desk, 1891, Mervyn E. Macartney; Maker: W. Hall; Manufacturer: Kenton & Co., English, 1853-1932, 37 3/4 x 14 1/16 x 19 3/8 in. (95.89 x 35.72 x 49.21 cm) (closed), Mahogany, macassar ebony, ivory, brass, England, 19th century, This desk's coquettish form, petite proportions, and exotic materials were inspired by a type of 18th century French writing desk known as bonheur du jour. The term means 'happiness of the day,' suggesting the intense pleasure these desks provided Europe's fashionable elite Stock Photo

RM2T91MPG–Lady's writing desk, 1891, Mervyn E. Macartney; Maker: W. Hall; Manufacturer: Kenton & Co., English, 1853-1932, 37 3/4 x 14 1/16 x 19 3/8 in. (95.89 x 35.72 x 49.21 cm) (closed), Mahogany, macassar ebony, ivory, brass, England, 19th century, This desk's coquettish form, petite proportions, and exotic materials were inspired by a type of 18th century French writing desk known as bonheur du jour. The term means 'happiness of the day,' suggesting the intense pleasure these desks provided Europe's fashionable elite

RMRNEME7–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

Pipe Bag, late 19th century, 18 1/2 x 7 5/8 x 2 1/4 in. (46.99 x 19.37 x 5.72 cm) (without fringe), Animal hide, quills, glass beads, metal beads, United States, 19th century, Among the Lakota, quillwork was a sacred art form because of its connections with Double Woman, a complex figure in oral tradition. Since this technique was wakan (holy), membership in quillwork societies was restricted to highly respected women and to those who had visionary experiences related to the supernatural being. This bag skillfully presents a central theme in Plains art, horses. Stock Photo

RM2T91PK0–Pipe Bag, late 19th century, 18 1/2 x 7 5/8 x 2 1/4 in. (46.99 x 19.37 x 5.72 cm) (without fringe), Animal hide, quills, glass beads, metal beads, United States, 19th century, Among the Lakota, quillwork was a sacred art form because of its connections with Double Woman, a complex figure in oral tradition. Since this technique was wakan (holy), membership in quillwork societies was restricted to highly respected women and to those who had visionary experiences related to the supernatural being. This bag skillfully presents a central theme in Plains art, horses.

RMRNGRFA–. Analysis of short-term variations in beach morphology ( and concurrent dynamic processes ) for summer and winter periods, 1971-72, Plum Island, Massachusetts. Beaches; Ocean waves. 3 fH !-} co CM 0) T3 •H cd 4-1 o Jh 3 nj O i—i X 13 CD O X 4-1 4-> l/l T3 MH C O 03 g (H 03 fH X to ra CD ? H h t3 o rC ^ t/1 u in o nj 37. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Abele, Ralph Warren. Fort Belvior, Va. : Dept. of Def

37 1 x 72 4 cm Stock Photos and Images

37 1 x 72 4 cm Stock Photos and Images

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