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59 7 46 4 cm Stock Photos and Images
Art inspired by Portrait of Séverine, 1885–87, Charcoal and unfixed pastel on paper, 23 1/2 x 18 1/4 in. (59.7 x 46.4 cm), Drawings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), Caroline Rémy, known by her pen name “Séverine,” was one of the first French women journalists, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-sverine-188587-charcoal-and-unfixed-pastel-on-paper-23-12-x-18-14-in-597-x-464-cm-drawings-auguste-renoir-french-limoges-18411919-cagnes-sur-mer-caroline-rmy-known-by-her-pen-name-sverine-was-one-of-the-first-french-women-journalists-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462824473.htmlRF2HTYD9D–Art inspired by Portrait of Séverine, 1885–87, Charcoal and unfixed pastel on paper, 23 1/2 x 18 1/4 in. (59.7 x 46.4 cm), Drawings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), Caroline Rémy, known by her pen name “Séverine,” was one of the first French women journalists, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
After Henry Stull, American, 1851–1913, Salvator, 1890, Photogravure on paper, Overall: 18 7/16 x 23 1/4 in. (46.8 x 59 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-henry-stull-american-18511913-salvator-1890-photogravure-on-paper-overall-18-716-x-23-14-in-468-x-59-cm-image344572117.htmlRM2B0GH71–After Henry Stull, American, 1851–1913, Salvator, 1890, Photogravure on paper, Overall: 18 7/16 x 23 1/4 in. (46.8 x 59 cm
Inspired by Lophophorus Impeyanus, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-lophophorus-impeyanus-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257528.htmlRF2HK4YJG–Inspired by Lophophorus Impeyanus, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Portrait of Séverine. Artist: Auguste Renoir (French, Limoges 1841-1919 Cagnes-sur-Mer). Dimensions: 23 1/2 x 18 1/4 in. (59.7 x 46.4 cm). Date: 1885-87. Caroline Rémy, known by her pen name 'Séverine,' was one of the first French women journalists and a passionate feminist and left-wing orator. Renoir drew her likeness on several occasions, here in charcoal over pastel and again in a pastel (National Gallery of Art, Washington, D.C.). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-sverine-artist-auguste-renoir-french-limoges-1841-1919-cagnes-sur-mer-dimensions-23-12-x-18-14-in-597-x-464-cm-date-1885-87-caroline-rmy-known-by-her-pen-name-sverine-was-one-of-the-first-french-women-journalists-and-a-passionate-feminist-and-left-wing-orator-renoir-drew-her-likeness-on-several-occasions-here-in-charcoal-over-pastel-and-again-in-a-pastel-national-gallery-of-art-washington-dc-museum-metropolitan-museum-of-art-new-york-usa-image212871011.htmlRMPA9343–Portrait of Séverine. Artist: Auguste Renoir (French, Limoges 1841-1919 Cagnes-sur-Mer). Dimensions: 23 1/2 x 18 1/4 in. (59.7 x 46.4 cm). Date: 1885-87. Caroline Rémy, known by her pen name 'Séverine,' was one of the first French women journalists and a passionate feminist and left-wing orator. Renoir drew her likeness on several occasions, here in charcoal over pastel and again in a pastel (National Gallery of Art, Washington, D.C.). Museum: Metropolitan Museum of Art, New York, USA.
. Painting of Forest of Fontainebleau Painting; oil on canvas; overall: 46 x 59 cm (18 1/8 x 23 1/4 in.) framed: 65.4 x 78.7 cm (25 3/4 x 31 in.); Rocks in the Forest of Fontainebleau by Jean-Baptiste-Camille Corot c1860-65 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-of-forest-of-fontainebleau-painting-oil-on-canvas-overall-46-x-59-cm-18-18-x-23-14-in-framed-654-x-787-cm-25-34-x-31-in-rocks-in-the-forest-of-fontainebleau-by-jean-baptiste-camille-corot-c1860-65-image184963293.htmlRMMMWPFW–. Painting of Forest of Fontainebleau Painting; oil on canvas; overall: 46 x 59 cm (18 1/8 x 23 1/4 in.) framed: 65.4 x 78.7 cm (25 3/4 x 31 in.); Rocks in the Forest of Fontainebleau by Jean-Baptiste-Camille Corot c1860-65
Title: Portrait of Séverine Pierre Renoir from the Front (Head of a Child / Tête d'enfant) Creator: Pierre Auguste Renoir Date: 1885–87 Dimensions:59.7 x 46.4 cm Medium: Charcoal and unfixed pastel on paper Location: The Metropolitan Museum of Art, New York Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-portrait-of-sverine-pierre-renoir-from-the-front-head-of-a-child-tte-denfant-creator-pierre-auguste-renoir-date-188587-dimensions597-x-464-cm-medium-charcoal-and-unfixed-pastel-on-paper-location-the-metropolitan-museum-of-art-new-york-image461217872.htmlRM2HPA82T–Title: Portrait of Séverine Pierre Renoir from the Front (Head of a Child / Tête d'enfant) Creator: Pierre Auguste Renoir Date: 1885–87 Dimensions:59.7 x 46.4 cm Medium: Charcoal and unfixed pastel on paper Location: The Metropolitan Museum of Art, New York
N.N., Talbrücken of the Metz-Vigny new line. (From: Atlas to the magazine for Building, ed. V. Ministry of Public Work, Jg. 59, (1909-1909): Views. Pressure on paper, 29.7 x 46.4 cm (incl. Scan edges) N.N. : Talbrücken der Neubaustrecke Metz-Vigy, Anzelingen. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. Ministerium der öffentlichen Arbeiten, Jg. 59, 1909) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nn-talbrcken-of-the-metz-vigny-new-line-from-atlas-to-the-magazine-for-building-ed-v-ministry-of-public-work-jg-59-1909-1909-views-pressure-on-paper-297-x-464-cm-incl-scan-edges-nn-talbrcken-der-neubaustrecke-metz-vigy-anzelingen-aus-atlas-zur-zeitschrift-fr-bauwesen-hrsg-v-ministerium-der-ffentlichen-arbeiten-jg-59-1909-image477616791.htmlRM2JN192F–N.N., Talbrücken of the Metz-Vigny new line. (From: Atlas to the magazine for Building, ed. V. Ministry of Public Work, Jg. 59, (1909-1909): Views. Pressure on paper, 29.7 x 46.4 cm (incl. Scan edges) N.N. : Talbrücken der Neubaustrecke Metz-Vigy, Anzelingen. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. Ministerium der öffentlichen Arbeiten, Jg. 59, 1909)
Print, Chairs, No. XIV; Designed by Thomas Chippendale (1718 – 1779); Engraved by Matthias Darly (English); Published by J. Haberkorn (English, fl. 1755–65); England; etching on off-white laid paper; Open: 16.5 x 59.7 x 46.4 cm (6 1/2 x 23 1/2 x 18 1/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-chairs-no-xiv-designed-by-thomas-chippendale-1718-1779-engraved-by-matthias-darly-english-published-by-j-haberkorn-english-fl-175565-england-etching-on-off-white-laid-paper-open-165-x-597-x-464-cm-6-12-x-23-12-x-18-14-in-image546046646.htmlRM2PMAG1X–Print, Chairs, No. XIV; Designed by Thomas Chippendale (1718 – 1779); Engraved by Matthias Darly (English); Published by J. Haberkorn (English, fl. 1755–65); England; etching on off-white laid paper; Open: 16.5 x 59.7 x 46.4 cm (6 1/2 x 23 1/2 x 18 1/4 in.)
Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Silk, 23 1/2 x 18 1/4 in. (59.7 x 46.4 cm). 1948-1959 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-swatches-onondaga-silk-company-inc-1925-1981-1948-1959-silk-23-12-x-18-14-in-597-x-464-cm-1948-1959-image504731769.htmlRM2M94EEH–Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Silk, 23 1/2 x 18 1/4 in. (59.7 x 46.4 cm). 1948-1959
Andiron MET 138510 93 American, Andiron, 1795?1815, Brass, iron, 23 1/4 x 23 1/2 in. (59.1 x 59.7 cm). The Metropolitan Museum of Art, New York. Gift of the Members of the Committee of the Bertha King Benkard Memorial Fund, 1946 (46.67.127) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-andiron-met-138510-93-american-andiron-17951815-brass-iron-23-14-x-168196841.htmlRMKNJ0P1–Andiron MET 138510 93 American, Andiron, 1795?1815, Brass, iron, 23 1/4 x 23 1/2 in. (59.1 x 59.7 cm). The Metropolitan Museum of Art, New York. Gift of the Members of the Committee of the Bertha King Benkard Memorial Fund, 1946 (46.67.127)
Lophophorus Impeyanus John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lophophorus-impeyanus-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727944.htmlRM2M949J0–Lophophorus Impeyanus John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Lophophorus L'Huysii John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lophophorus-lhuysii-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727959.htmlRM2M949JF–Lophophorus L'Huysii John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Armchair, British, ca. 1710, British, Walnut, oak; walnut veneer, Overall: 37 × 23 1/2 × 18 1/4 in. (94 × 59.7 × 46.4 cm), Woodwork-Furniture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/armchair-british-ca-1710-british-walnut-oak-walnut-veneer-overall-37-23-12-18-14-in-94-597-464-cm-woodwork-furniture-image344665539.htmlRM2B0MTBF–Armchair, British, ca. 1710, British, Walnut, oak; walnut veneer, Overall: 37 × 23 1/2 × 18 1/4 in. (94 × 59.7 × 46.4 cm), Woodwork-Furniture
Inspired by Meleagris Mexicana: Mexican Turkey, John Gould, British, 1804-1881, Lithograph on wove paper, 23 3/8 x 18 3/8 in., 59.4 x 46.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-meleagris-mexicana-mexican-turkey-john-gould-british-1804-1881-lithograph-on-wove-paper-23-38-x-18-38-in-594-x-467-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257557.htmlRF2HK4YKH–Inspired by Meleagris Mexicana: Mexican Turkey, John Gould, British, 1804-1881, Lithograph on wove paper, 23 3/8 x 18 3/8 in., 59.4 x 46.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Rest on the Flight into Egypt. Artist: Jean Jacques Lagrenée (French, Paris 1739-1821 Paris). Dimensions: 18 1/4 x 23 7/16 in. (46.4 x 59.6 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rest-on-the-flight-into-egypt-artist-jean-jacques-lagrene-french-paris-1739-1821-paris-dimensions-18-14-x-23-716-in-464-x-596-cm-date-nd-museum-metropolitan-museum-of-art-new-york-usa-image213400381.htmlRMPB56A5–Rest on the Flight into Egypt. Artist: Jean Jacques Lagrenée (French, Paris 1739-1821 Paris). Dimensions: 18 1/4 x 23 7/16 in. (46.4 x 59.6 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
Painting; oil on canvas; overall: 37.7 x 46 cm (14 13/16 x 18 1/8 in.) framed: 59.7 x 68 x 10.2 cm (23 1/2 x 26 3/4 x 4 in.); 211 Ships Riding on the Seine at Rouen by Claude Monet, 1872 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-377-x-46-cm-14-1316-x-18-18-in-framed-597-x-68-x-102-cm-23-12-x-26-34-x-4-in-211-ships-riding-on-the-seine-at-rouen-by-claude-monet-1872-image210968740.htmlRMP76CNT–Painting; oil on canvas; overall: 37.7 x 46 cm (14 13/16 x 18 1/8 in.) framed: 59.7 x 68 x 10.2 cm (23 1/2 x 26 3/4 x 4 in.); 211 Ships Riding on the Seine at Rouen by Claude Monet, 1872
![Recenseamento Geral do Império de 1872Sergipe. . siderada em relação ás idades. Presentes. (População de facto) Mezes Brancos..Pardos.... Pretos Caboclos.!Pardos....!i.Pretos i. Brancas..Pardas.... Frotas....Caboclas.]Pardas...JPretas 13 1612 22 4 611 ! 19 .... ! 3 59 1418 1014 12 23 12 23 1 50 59 60 06 13 14 13 16 1 1 64 13 262 1325 79 13 25 1 1316 68 Annos completos 53 1107!7457 116421 412 65 43 127 195 16 13 1 3 8 4 6 5 88 83 163 196 6 8 3 2 2 3 3 3 488 558 46 121 14 4 0 99 145 12 1 4 3 455 180 195 7 2 9 25 981723621014 750 Qninquennios O IQ O »o O i—< CM CO 83 «3 o3 s3 03 !—< CD i— Stock Photo](https://c8.alamy.com/comp/2AXH6RC/recenseamento-geral-do-imperio-de-1872sergipe-siderada-em-relao-s-idades-presentes-populao-de-facto-mezes-brancospardos-pretos-caboclos!pardos!ipretos-i-brancaspardas-frotascaboclas-pardasjpretas-13-1612-22-4-611-!-19-!-3-59-1418-1014-12-23-12-23-1-50-59-60-06-13-14-13-16-1-1-64-13-262-1325-79-13-25-1-1316-68-annos-completos-53-1107!7457-116421-412-65-43-127-195-16-13-1-3-8-4-6-5-88-83-163-196-6-8-3-2-2-3-3-3-488-558-46-121-14-4-0-99-145-12-1-4-3-455-180-195-7-2-9-25-981723621014-750-qninquennios-o-iq-o-o-o-ilt-cm-co-83-3-o3-s3-03-!lt-cd-i-2AXH6RC.jpg "Recenseamento Geral do Império de 1872Sergipe. . siderada em relação ás idades. Presentes. (População de facto) Mezes Brancos..Pardos.... Pretos Caboclos.!Pardos....!i.Pretos i. Brancas..Pardas.... Frotas....Caboclas.]Pardas...JPretas 13 1612 22 4 611 ! 19 .... ! 3 59 1418 1014 12 23 12 23 1 50 59 60 06 13 14 13 16 1 1 64 13 262 1325 79 13 25 1 1316 68 Annos completos 53 1107!7457 116421 412 65 43 127 195 16 13 1 3 8 4 6 5 88 83 163 196 6 8 3 2 2 3 3 3 488 558 46 121 14 4 0 99 145 12 1 4 3 455 180 195 7 2 9 25 981723621014 750 Qninquennios O IQ O »o O i—< CM CO 83 «3 o3 s3 03 !—< CD i— Stock Photo")
Recenseamento Geral do Império de 1872Sergipe. . siderada em relação ás idades. Presentes. (População de facto) Mezes Brancos..Pardos.... Pretos Caboclos.!Pardos....!i.Pretos i. Brancas..Pardas.... Frotas....Caboclas.]Pardas...JPretas 13 1612 22 4 611 ! 19 .... ! 3 59 1418 1014 12 23 12 23 1 50 59 60 06 13 14 13 16 1 1 64 13 262 1325 79 13 25 1 1316 68 Annos completos 53 1107!7457 116421 412 65 43 127 195 16 13 1 3 8 4 6 5 88 83 163 196 6 8 3 2 2 3 3 3 488 558 46 121 14 4 0 99 145 12 1 4 3 455 180 195 7 2 9 25 981723621014 750 Qninquennios O IQ O »o O i—< CM CO 83 «3 o3 s3 03 !—< CD i— Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/recenseamento-geral-do-imperio-de-1872sergipe-siderada-em-relao-s-idades-presentes-populao-de-facto-mezes-brancospardos-pretos-caboclos!pardos!ipretos-i-brancaspardas-frotascaboclas-pardasjpretas-13-1612-22-4-611-!-19-!-3-59-1418-1014-12-23-12-23-1-50-59-60-06-13-14-13-16-1-1-64-13-262-1325-79-13-25-1-1316-68-annos-completos-53-1107!7457-116421-412-65-43-127-195-16-13-1-3-8-4-6-5-88-83-163-196-6-8-3-2-2-3-3-3-488-558-46-121-14-4-0-99-145-12-1-4-3-455-180-195-7-2-9-25-981723621014-750-qninquennios-o-iq-o-o-o-ilt-cm-co-83-3-o3-s3-03-!lt-cd-i-image343356592.htmlRM2AXH6RC–Recenseamento Geral do Império de 1872Sergipe. . siderada em relação ás idades. Presentes. (População de facto) Mezes Brancos..Pardos.... Pretos Caboclos.!Pardos....!i.Pretos i. Brancas..Pardas.... Frotas....Caboclas.]Pardas...JPretas 13 1612 22 4 611 ! 19 .... ! 3 59 1418 1014 12 23 12 23 1 50 59 60 06 13 14 13 16 1 1 64 13 262 1325 79 13 25 1 1316 68 Annos completos 53 1107!7457 116421 412 65 43 127 195 16 13 1 3 8 4 6 5 88 83 163 196 6 8 3 2 2 3 3 3 488 558 46 121 14 4 0 99 145 12 1 4 3 455 180 195 7 2 9 25 981723621014 750 Qninquennios O IQ O »o O i—< CM CO 83 «3 o3 s3 03 !—< CD i—
Ceriornis Satyra John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceriornis-satyra-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727948.htmlRM2M949J4–Ceriornis Satyra John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Lophophorus Impeyanus, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lophophorus-impeyanus-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-image454278613.htmlRM2HB2505–Lophophorus Impeyanus, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm
Inspired by Euplocomus Swinhoei: Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-euplocomus-swinhoei-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257430.htmlRF2HK4YF2–Inspired by Euplocomus Swinhoei: Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
People from Calicut, from The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I). Artist: Hans Burgkmair (German, Augsburg 1473-1531 Augsburg). Dimensions: Plate: 18 1/4 × 23 1/2 in. (46.3 × 59.7 cm). Publisher: Adolf Holzhausen. Series/Portfolio: The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I). Date: Printed 1883-84. Restrikes of Plate 131, from the series 'Triumph Des Kaiser Maximilian I.', designed for a frieze celebrating the achievements of Emperor Maximilian I. The overall program was developed by Maximilian I and Johannes Sta Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/people-from-calicut-from-the-triumphal-procession-of-emperor-maximilian-triumph-des-kaisers-maximilian-i-artist-hans-burgkmair-german-augsburg-1473-1531-augsburg-dimensions-plate-18-14-23-12-in-463-597-cm-publisher-adolf-holzhausen-seriesportfolio-the-triumphal-procession-of-emperor-maximilian-triumph-des-kaisers-maximilian-i-date-printed-1883-84-restrikes-of-plate-131-from-the-series-triumph-des-kaiser-maximilian-i-designed-for-a-frieze-celebrating-the-achievements-of-emperor-maximilian-i-the-overall-program-was-developed-by-maximilian-i-and-johannes-sta-image212903950.htmlRMPAAH4E–People from Calicut, from The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I). Artist: Hans Burgkmair (German, Augsburg 1473-1531 Augsburg). Dimensions: Plate: 18 1/4 × 23 1/2 in. (46.3 × 59.7 cm). Publisher: Adolf Holzhausen. Series/Portfolio: The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I). Date: Printed 1883-84. Restrikes of Plate 131, from the series 'Triumph Des Kaiser Maximilian I.', designed for a frieze celebrating the achievements of Emperor Maximilian I. The overall program was developed by Maximilian I and Johannes Sta
Painting; tempera on panel; painted surface: 42 x 46.7 cm (16 9/16 x 18 3/8 in.) overall: 43.3 x 48 cm (17 1/16 x 18 7/8 in.) framed: 59.7 x 283.2 x 5.4 cm (23 1/2 x 111 1/2 x 2 1/8 in.); 592 The Agony in the Garden A26289 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-tempera-on-panel-painted-surface-42-x-467-cm-16-916-x-18-38-in-overall-433-x-48-cm-17-116-x-18-78-in-framed-597-x-2832-x-54-cm-23-12-x-111-12-x-2-18-in-592-the-agony-in-the-garden-a26289-image213993491.htmlRMPC46TK–Painting; tempera on panel; painted surface: 42 x 46.7 cm (16 9/16 x 18 3/8 in.) overall: 43.3 x 48 cm (17 1/16 x 18 7/8 in.) framed: 59.7 x 283.2 x 5.4 cm (23 1/2 x 111 1/2 x 2 1/8 in.); 592 The Agony in the Garden A26289
. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. ELECTROKINETIC STUDIES OF MARINE OVA. VII TABLE 3 281 Medium % cm. /sec. % cm. /sec. % cm. /sec. % cm. /sec. % cm. /sec. 1/2 MNaCl (-39.7m.v.) 67.7 0.24 54.7 0.39 5.7 0.77 9.4 1.20 0 4.79 1/3000 M CeCU in NaCl (-22.8 m.v.) 97.7 0.57 91.2 1.86 66.0 4.61 56.0 8.13 38.9 15.06 25.5 29.19 0.9 59.55 0 105.42 1/200 M CeCl3 in NaCl (+4.0 m.v.) 100.0 1.79 100.0 4.56 100.0 9.11 100.0 15.57 100.0 25.89 100.0 31.53 100.0 46.88 100.0 61.67 100.0 103.54 100.0 187.50 1/50 M CeCl-, in NaCl ( + 21.4 m.v.) 91.7 0.24 65.4 0.40 42.2 0.76 33.3 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-biological-bulletin-biology-zoology-biology-marine-biology-electrokinetic-studies-of-marine-ova-vii-table-3-281-medium-cm-sec-cm-sec-cm-sec-cm-sec-cm-sec-12-mnacl-397mv-677-024-547-039-57-077-94-120-0-479-13000-m-cecu-in-nacl-228-mv-977-057-912-186-660-461-560-813-389-1506-255-2919-09-5955-0-10542-1200-m-cecl3-in-nacl-40-mv-1000-179-1000-456-1000-911-1000-1557-1000-2589-1000-3153-1000-4688-1000-6167-1000-10354-1000-18750-150-m-cecl-in-nacl-214-mv-917-024-654-040-422-076-333-1-image234622716.htmlRMRHKYJM–. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. ELECTROKINETIC STUDIES OF MARINE OVA. VII TABLE 3 281 Medium % cm. /sec. % cm. /sec. % cm. /sec. % cm. /sec. % cm. /sec. 1/2 MNaCl (-39.7m.v.) 67.7 0.24 54.7 0.39 5.7 0.77 9.4 1.20 0 4.79 1/3000 M CeCU in NaCl (-22.8 m.v.) 97.7 0.57 91.2 1.86 66.0 4.61 56.0 8.13 38.9 15.06 25.5 29.19 0.9 59.55 0 105.42 1/200 M CeCl3 in NaCl (+4.0 m.v.) 100.0 1.79 100.0 4.56 100.0 9.11 100.0 15.57 100.0 25.89 100.0 31.53 100.0 46.88 100.0 61.67 100.0 103.54 100.0 187.50 1/50 M CeCl-, in NaCl ( + 21.4 m.v.) 91.7 0.24 65.4 0.40 42.2 0.76 33.3 1
Pucrasia Darwini John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pucrasia-darwini-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727940.htmlRM2M949HT–Pucrasia Darwini John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Meleagris Mexicana: Mexican Turkey John Gould (British, 1804-1881).. Lithograph on wove paper, 23 3/8 x 18 3/8 in. (59.4 x 46.7 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/meleagris-mexicana-mexican-turkey-john-gould-british-1804-1881-lithograph-on-wove-paper-23-38-x-18-38-in-594-x-467-cm-european-art-image504727963.htmlRM2M949JK–Meleagris Mexicana: Mexican Turkey John Gould (British, 1804-1881).. Lithograph on wove paper, 23 3/8 x 18 3/8 in. (59.4 x 46.7 cm). European Art
Meleagris Gallopavo: Wild Turkey John Gould (British, 1804-1881).. Lithograph on wove paper, 23 3/8 x 18 3/8 in. (59.4 x 46.7 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/meleagris-gallopavo-wild-turkey-john-gould-british-1804-1881-lithograph-on-wove-paper-23-38-x-18-38-in-594-x-467-cm-european-art-image504727945.htmlRM2M949J1–Meleagris Gallopavo: Wild Turkey John Gould (British, 1804-1881).. Lithograph on wove paper, 23 3/8 x 18 3/8 in. (59.4 x 46.7 cm). European Art
Meleagris Mexicana: Mexican Turkey, John Gould, British, 1804-1881, Lithograph on wove paper, 23 3/8 x 18 3/8 in., 59.4 x 46.7 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/meleagris-mexicana-mexican-turkey-john-gould-british-1804-1881-lithograph-on-wove-paper-23-38-x-18-38-in-594-x-467-cm-image454278640.htmlRM2HB2514–Meleagris Mexicana: Mexican Turkey, John Gould, British, 1804-1881, Lithograph on wove paper, 23 3/8 x 18 3/8 in., 59.4 x 46.7 cm
Inspired by Phasianus Soemmerringii: Saumering's Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-phasianus-soemmerringii-saumerings-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257526.htmlRF2HK4YJE–Inspired by Phasianus Soemmerringii: Saumering's Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Flintlock Rifle. Culture: American, Pennsylvania. Dimensions: L. 59 1/4 in. (150.5 cm); L. of barrel 43 in. (109.22 cm); Cal. .46 in. (11.7 mm); Wt. 9 lb. 13 oz. (4451 g). Gunsmith: Jacob Kuntz (American, Allentown, Pennsylvania 1780-1876 Philadelphia, Pennsylvania). Date: ca. 1810-15. This is a classic example of a Pennsylvania longrifle, a uniquely American type of firearm popularly known as a Kentucky rifle. It was probably made around the time that Kuntz moved from Northampton County, Pennsylvania, to Philadelphia. The restrained Rococo carving of the wood and the confident treatment of t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flintlock-rifle-culture-american-pennsylvania-dimensions-l-59-14-in-1505-cm-l-of-barrel-43-in-10922-cm-cal-46-in-117-mm-wt-9-lb-13-oz-4451-g-gunsmith-jacob-kuntz-american-allentown-pennsylvania-1780-1876-philadelphia-pennsylvania-date-ca-1810-15-this-is-a-classic-example-of-a-pennsylvania-longrifle-a-uniquely-american-type-of-firearm-popularly-known-as-a-kentucky-rifle-it-was-probably-made-around-the-time-that-kuntz-moved-from-northampton-county-pennsylvania-to-philadelphia-the-restrained-rococo-carving-of-the-wood-and-the-confident-treatment-of-t-image231241366.htmlRMRC5XM6–Flintlock Rifle. Culture: American, Pennsylvania. Dimensions: L. 59 1/4 in. (150.5 cm); L. of barrel 43 in. (109.22 cm); Cal. .46 in. (11.7 mm); Wt. 9 lb. 13 oz. (4451 g). Gunsmith: Jacob Kuntz (American, Allentown, Pennsylvania 1780-1876 Philadelphia, Pennsylvania). Date: ca. 1810-15. This is a classic example of a Pennsylvania longrifle, a uniquely American type of firearm popularly known as a Kentucky rifle. It was probably made around the time that Kuntz moved from Northampton County, Pennsylvania, to Philadelphia. The restrained Rococo carving of the wood and the confident treatment of t
Euplocomus Swinhoei: Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/euplocomus-swinhoei-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727935.htmlRM2M949HK–Euplocomus Swinhoei: Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Euplocomus Lineatus: Lineated Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/euplocomus-lineatus-lineated-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727978.htmlRM2M949K6–Euplocomus Lineatus: Lineated Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Euplocomus Swinhoei: Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/euplocomus-swinhoei-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-image454278490.htmlRM2HB24RP–Euplocomus Swinhoei: Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm
Inspired by Euplocomus Lineatus: Lineated Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-euplocomus-lineatus-lineated-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257428.htmlRF2HK4YF0–Inspired by Euplocomus Lineatus: Lineated Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Saint Giles with Christ Triumphant over Satan and the Mission of the Apostles. Artist: Miguel Alcañiz (or Miquel Alcanyís) (Spanish, Valencian, active by 1408-died after 1447). Dimensions: Overall 59 5/8 x 39 1/2 in. (151.4 x 100.3 cm); upper left panel, painted surface 24 1/8 x 16 7/8 in. (61.3 x 42.9 cm); lower left panel, painted surface 24 5/8 x 16 7/8 in. (62.5 x 42.9 cm); right panel, painted surface 46 1/8 x 16 7/8 in. (117.2 x 42.9 cm). Date: ca. 1408. These panels, from an altarpiece for the Valencian church of San Juan del Hospital, are among the earliest works of Miguel Alcañiz, an Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-giles-with-christ-triumphant-over-satan-and-the-mission-of-the-apostles-artist-miguel-alcaiz-or-miquel-alcanys-spanish-valencian-active-by-1408-died-after-1447-dimensions-overall-59-58-x-39-12-in-1514-x-1003-cm-upper-left-panel-painted-surface-24-18-x-16-78-in-613-x-429-cm-lower-left-panel-painted-surface-24-58-x-16-78-in-625-x-429-cm-right-panel-painted-surface-46-18-x-16-78-in-1172-x-429-cm-date-ca-1408-these-panels-from-an-altarpiece-for-the-valencian-church-of-san-juan-del-hospital-are-among-the-earliest-works-of-miguel-alcaiz-an-image213115174.htmlRMPAM6G6–Saint Giles with Christ Triumphant over Satan and the Mission of the Apostles. Artist: Miguel Alcañiz (or Miquel Alcanyís) (Spanish, Valencian, active by 1408-died after 1447). Dimensions: Overall 59 5/8 x 39 1/2 in. (151.4 x 100.3 cm); upper left panel, painted surface 24 1/8 x 16 7/8 in. (61.3 x 42.9 cm); lower left panel, painted surface 24 5/8 x 16 7/8 in. (62.5 x 42.9 cm); right panel, painted surface 46 1/8 x 16 7/8 in. (117.2 x 42.9 cm). Date: ca. 1408. These panels, from an altarpiece for the Valencian church of San Juan del Hospital, are among the earliest works of Miguel Alcañiz, an
Phasianus Soemmerringii: Saumering's Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/phasianus-soemmerringii-saumerings-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727977.htmlRM2M949K5–Phasianus Soemmerringii: Saumering's Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Ceriornis Melanocephala John Gould (British, 1804-1881). Ceriornis Melanocephala. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceriornis-melanocephala-john-gould-british-1804-1881-ceriornis-melanocephala-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504723449.htmlRM2M943WD–Ceriornis Melanocephala John Gould (British, 1804-1881). Ceriornis Melanocephala. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Euplocomus Lineatus: Lineated Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/euplocomus-lineatus-lineated-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-image454278492.htmlRM2HB24RT–Euplocomus Lineatus: Lineated Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm
Inspired by Meleagris Gallopavo: Wild Turkey, John Gould, British, 1804-1881, Lithograph on wove paper, 23 3/8 x 18 3/8 in., 59.4 x 46.7 cm, bird, nature study, ornithology, thanksgiving, Turkey, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-meleagris-gallopavo-wild-turkey-john-gould-british-1804-1881-lithograph-on-wove-paper-23-38-x-18-38-in-594-x-467-cm-bird-nature-study-ornithology-thanksgiving-turkey-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257550.htmlRF2HK4YKA–Inspired by Meleagris Gallopavo: Wild Turkey, John Gould, British, 1804-1881, Lithograph on wove paper, 23 3/8 x 18 3/8 in., 59.4 x 46.7 cm, bird, nature study, ornithology, thanksgiving, Turkey, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![La Capresse des Colonies. Artist: Charles-Henri-Joseph Cordier (French, 1827-1905). Culture: French, Paris. Dimensions: Overall on socle (confirmed): H. 37 3/4 x W. 23 1/4 x D. 12 1/4 in., 208.4lb. (95.9 x 59.1 x 31.1 cm, 94.5296kg) [Weight breakdown: head 35.4 lbs, marble bust 173 lbs, marble socle 98.7 lbs]; Pedestal (confirmed): H. 41 3/8 x W. 18 1/4 x D. 18 1/4 x 11 3/4 in. (105.1 x 46.4 x 46.4 x 29.8 cm). Maker: Pedestal attributed to designs by Charles-François Rossigneux (French, 1818-afer 1909). Date: 1861. In his unpublished memoirs Charles Cordier cites the law of April 27, 1848 tha Stock Photo](https://c8.alamy.com/comp/PAM4GY/la-capresse-des-colonies-artist-charles-henri-joseph-cordier-french-1827-1905-culture-french-paris-dimensions-overall-on-socle-confirmed-h-37-34-x-w-23-14-x-d-12-14-in-2084lb-959-x-591-x-311-cm-945296kg-weight-breakdown-head-354-lbs-marble-bust-173-lbs-marble-socle-987-lbs-pedestal-confirmed-h-41-38-x-w-18-14-x-d-18-14-x-11-34-in-1051-x-464-x-464-x-298-cm-maker-pedestal-attributed-to-designs-by-charles-franois-rossigneux-french-1818-afer-1909-date-1861-in-his-unpublished-memoirs-charles-cordier-cites-the-law-of-april-27-1848-tha-PAM4GY.jpg "La Capresse des Colonies. Artist: Charles-Henri-Joseph Cordier (French, 1827-1905). Culture: French, Paris. Dimensions: Overall on socle (confirmed): H. 37 3/4 x W. 23 1/4 x D. 12 1/4 in., 208.4lb. (95.9 x 59.1 x 31.1 cm, 94.5296kg) [Weight breakdown: head 35.4 lbs, marble bust 173 lbs, marble socle 98.7 lbs]; Pedestal (confirmed): H. 41 3/8 x W. 18 1/4 x D. 18 1/4 x 11 3/4 in. (105.1 x 46.4 x 46.4 x 29.8 cm). Maker: Pedestal attributed to designs by Charles-François Rossigneux (French, 1818-afer 1909). Date: 1861. In his unpublished memoirs Charles Cordier cites the law of April 27, 1848 tha Stock Photo")
La Capresse des Colonies. Artist: Charles-Henri-Joseph Cordier (French, 1827-1905). Culture: French, Paris. Dimensions: Overall on socle (confirmed): H. 37 3/4 x W. 23 1/4 x D. 12 1/4 in., 208.4lb. (95.9 x 59.1 x 31.1 cm, 94.5296kg) [Weight breakdown: head 35.4 lbs, marble bust 173 lbs, marble socle 98.7 lbs]; Pedestal (confirmed): H. 41 3/8 x W. 18 1/4 x D. 18 1/4 x 11 3/4 in. (105.1 x 46.4 x 46.4 x 29.8 cm). Maker: Pedestal attributed to designs by Charles-François Rossigneux (French, 1818-afer 1909). Date: 1861. In his unpublished memoirs Charles Cordier cites the law of April 27, 1848 tha Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-capresse-des-colonies-artist-charles-henri-joseph-cordier-french-1827-1905-culture-french-paris-dimensions-overall-on-socle-confirmed-h-37-34-x-w-23-14-x-d-12-14-in-2084lb-959-x-591-x-311-cm-945296kg-weight-breakdown-head-354-lbs-marble-bust-173-lbs-marble-socle-987-lbs-pedestal-confirmed-h-41-38-x-w-18-14-x-d-18-14-x-11-34-in-1051-x-464-x-464-x-298-cm-maker-pedestal-attributed-to-designs-by-charles-franois-rossigneux-french-1818-afer-1909-date-1861-in-his-unpublished-memoirs-charles-cordier-cites-the-law-of-april-27-1848-tha-image213113627.htmlRMPAM4GY–La Capresse des Colonies. Artist: Charles-Henri-Joseph Cordier (French, 1827-1905). Culture: French, Paris. Dimensions: Overall on socle (confirmed): H. 37 3/4 x W. 23 1/4 x D. 12 1/4 in., 208.4lb. (95.9 x 59.1 x 31.1 cm, 94.5296kg) [Weight breakdown: head 35.4 lbs, marble bust 173 lbs, marble socle 98.7 lbs]; Pedestal (confirmed): H. 41 3/8 x W. 18 1/4 x D. 18 1/4 x 11 3/4 in. (105.1 x 46.4 x 46.4 x 29.8 cm). Maker: Pedestal attributed to designs by Charles-François Rossigneux (French, 1818-afer 1909). Date: 1861. In his unpublished memoirs Charles Cordier cites the law of April 27, 1848 tha
Ceriornis Blythii: Blyth's Trazapan John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceriornis-blythii-blyths-trazapan-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727955.htmlRM2M949JB–Ceriornis Blythii: Blyth's Trazapan John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Phasianus Soemmerringii: Saumering's Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/phasianus-soemmerringii-saumerings-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-image454278508.htmlRM2HB24TC–Phasianus Soemmerringii: Saumering's Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm
Art inspired by Lophophorus Impeyanus, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-lophophorus-impeyanus-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459570157.htmlRF2HKK6BW–Art inspired by Lophophorus Impeyanus, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing Room of a Foreign Business Establishment in Yokohama. Artist: Utagawa (Gountei) Sadahide (Japanese, 1807-1878/79). Culture: Japan. Dimensions: Image: 13 7/8 × 18 1/4 in. (35.2 × 46.4 cm) Mat: 18 3/4 × 23 1/4 in. (47.6 × 59.1 cm). Date: 9th month, 1861. The courtesan on the left, wearing a spectacular kimono with butterflies and stripes, observes two Western women playing viola and flute in the center of the room. A Chinese manservant and a Japanese female attendant serve wine, grapes, and sweets. In the background, ships can be seen through the Western-style paned windows, indicating Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-room-of-a-foreign-business-establishment-in-yokohama-artist-utagawa-gountei-sadahide-japanese-1807-187879-culture-japan-dimensions-image-13-78-18-14-in-352-464-cm-mat-18-34-23-14-in-476-591-cm-date-9th-month-1861-the-courtesan-on-the-left-wearing-a-spectacular-kimono-with-butterflies-and-stripes-observes-two-western-women-playing-viola-and-flute-in-the-center-of-the-room-a-chinese-manservant-and-a-japanese-female-attendant-serve-wine-grapes-and-sweets-in-the-background-ships-can-be-seen-through-the-western-style-paned-windows-indicating-image213148304.htmlRMPANMRC–Drawing Room of a Foreign Business Establishment in Yokohama. Artist: Utagawa (Gountei) Sadahide (Japanese, 1807-1878/79). Culture: Japan. Dimensions: Image: 13 7/8 × 18 1/4 in. (35.2 × 46.4 cm) Mat: 18 3/4 × 23 1/4 in. (47.6 × 59.1 cm). Date: 9th month, 1861. The courtesan on the left, wearing a spectacular kimono with butterflies and stripes, observes two Western women playing viola and flute in the center of the room. A Chinese manservant and a Japanese female attendant serve wine, grapes, and sweets. In the background, ships can be seen through the Western-style paned windows, indicating
Argus Giganteus: Great Argus Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, 23 3/8 x 18 3/8 in. (59.4 x 46.7 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/argus-giganteus-great-argus-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-23-38-x-18-38-in-594-x-467-cm-european-art-image504727942.htmlRM2M949HX–Argus Giganteus: Great Argus Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, 23 3/8 x 18 3/8 in. (59.4 x 46.7 cm). European Art
Ceriornis Melanocephala John Gould (British, 1804-1881). Ceriornis Melanocephala. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceriornis-melanocephala-john-gould-british-1804-1881-ceriornis-melanocephala-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504723461.htmlRM2M943WW–Ceriornis Melanocephala John Gould (British, 1804-1881). Ceriornis Melanocephala. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Meleagris Gallopavo: Wild Turkey, John Gould, British, 1804-1881, Lithograph on wove paper, 23 3/8 x 18 3/8 in., 59.4 x 46.7 cm, bird, nature study, ornithology, thanksgiving, Turkey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/meleagris-gallopavo-wild-turkey-john-gould-british-1804-1881-lithograph-on-wove-paper-23-38-x-18-38-in-594-x-467-cm-bird-nature-study-ornithology-thanksgiving-turkey-image454278646.htmlRM2HB251A–Meleagris Gallopavo: Wild Turkey, John Gould, British, 1804-1881, Lithograph on wove paper, 23 3/8 x 18 3/8 in., 59.4 x 46.7 cm, bird, nature study, ornithology, thanksgiving, Turkey
Art inspired by Meleagris Mexicana: Mexican Turkey, John Gould, British, 1804-1881, Lithograph on wove paper, 23 3/8 x 18 3/8 in., 59.4 x 46.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-meleagris-mexicana-mexican-turkey-john-gould-british-1804-1881-lithograph-on-wove-paper-23-38-x-18-38-in-594-x-467-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459570152.htmlRF2HKK6BM–Art inspired by Meleagris Mexicana: Mexican Turkey, John Gould, British, 1804-1881, Lithograph on wove paper, 23 3/8 x 18 3/8 in., 59.4 x 46.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Royal Tiger. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Image: 18 5/16 x 12 7/8 in. (46.5 x 32.7 cm) Sheet: 23 1/4 x 18 3/8 in. (59 x 46.6 cm). Date: 1829-30. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/royal-tiger-artist-eugne-delacroix-french-charenton-saint-maurice-1798-1863-paris-dimensions-image-18-516-x-12-78-in-465-x-327-cm-sheet-23-14-x-18-38-in-59-x-466-cm-date-1829-30-museum-metropolitan-museum-of-art-new-york-usa-image213324198.htmlRMPB1N5A–Royal Tiger. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Image: 18 5/16 x 12 7/8 in. (46.5 x 32.7 cm) Sheet: 23 1/4 x 18 3/8 in. (59 x 46.6 cm). Date: 1829-30. Museum: Metropolitan Museum of Art, New York, USA.
Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. 90 wool, 10 silk, 23 1/2 x 18 1/4 in. (59.7 x 46.4 cm). 1948-1959 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-swatches-onondaga-silk-company-inc-1925-1981-1948-1959-90-wool-10-silk-23-12-x-18-14-in-597-x-464-cm-1948-1959-image504732130.htmlRM2M94EYE–Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. 90 wool, 10 silk, 23 1/2 x 18 1/4 in. (59.7 x 46.4 cm). 1948-1959
Thaumalea Amherstiae: Lady Amhert's Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thaumalea-amherstiae-lady-amherts-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727954.htmlRM2M949JA–Thaumalea Amherstiae: Lady Amhert's Pheasant John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Stila Castaneoventris, Chestnut-Bellied Nuthatch John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stila-castaneoventris-chestnut-bellied-nuthatch-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-european-art-image504727880.htmlRM2M949FM–Stila Castaneoventris, Chestnut-Bellied Nuthatch John Gould (British, 1804-1881).. Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in. (59.4 x 46.8 cm). European Art
Ceriornis Melanocephala, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, branch, Ceriornis Melanocephala, colorful, Habitat, Nature, Ornithological, Ornithology, Species, Wildlife Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceriornis-melanocephala-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-bird-birds-branch-ceriornis-melanocephala-colorful-habitat-nature-ornithological-ornithology-species-wildlife-image454278530.htmlRM2HB24W6–Ceriornis Melanocephala, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, branch, Ceriornis Melanocephala, colorful, Habitat, Nature, Ornithological, Ornithology, Species, Wildlife
Art inspired by Euplocomus Swinhoei: Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-euplocomus-swinhoei-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459570126.htmlRF2HKK6AP–Art inspired by Euplocomus Swinhoei: Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Locks at Dolo, an oval-shaped basin with boats at center, buildings on either side, a fruit vendor and groups of figures in the foreground, from 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal). Artist: Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697-1768 Venice). Dedicatee: Joseph Smith (British, ca. 1674-1770). Dimensions: Plate: 11 3/4 × 16 7/8 in. (29.9 × 42.9 cm) Sheet: 17 5/8 × 23 9/16 in. (44.7 × 59.9 cm). Series/Portfolio: 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal). Date: 1735-46. Museum: Metropolitan Museum of Art, New Yo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-locks-at-dolo-an-oval-shaped-basin-with-boats-at-center-buildings-on-either-side-a-fruit-vendor-and-groups-of-figures-in-the-foreground-from-views-vedute-altre-prese-da-i-luoghi-altre-ideate-da-antonio-canal-artist-canaletto-giovanni-antonio-canal-italian-venice-1697-1768-venice-dedicatee-joseph-smith-british-ca-1674-1770-dimensions-plate-11-34-16-78-in-299-429-cm-sheet-17-58-23-916-in-447-599-cm-seriesportfolio-views-vedute-altre-prese-da-i-luoghi-altre-ideate-da-antonio-canal-date-1735-46-museum-metropolitan-museum-of-art-new-yo-image225422310.htmlRMR2MTCP–The Locks at Dolo, an oval-shaped basin with boats at center, buildings on either side, a fruit vendor and groups of figures in the foreground, from 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal). Artist: Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697-1768 Venice). Dedicatee: Joseph Smith (British, ca. 1674-1770). Dimensions: Plate: 11 3/4 × 16 7/8 in. (29.9 × 42.9 cm) Sheet: 17 5/8 × 23 9/16 in. (44.7 × 59.9 cm). Series/Portfolio: 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal). Date: 1735-46. Museum: Metropolitan Museum of Art, New Yo
S. Giorgio Maggiore, 1741. Michele Marieschi (Italian, 1710-1743). Etching; sheet: 42.5 x 59.4 cm (16 3/4 x 23 3/8 in.); platemark: 32 x 46.7 cm (12 5/8 x 18 3/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/s-giorgio-maggiore-1741-michele-marieschi-italian-1710-1743-etching-sheet-425-x-594-cm-16-34-x-23-38-in-platemark-32-x-467-cm-12-58-x-18-38-in-image448063179.htmlRM2H0Y14B–S. Giorgio Maggiore, 1741. Michele Marieschi (Italian, 1710-1743). Etching; sheet: 42.5 x 59.4 cm (16 3/4 x 23 3/8 in.); platemark: 32 x 46.7 cm (12 5/8 x 18 3/8 in.).
Lophophorus L'Huysii, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Habitat, Lophophorus L'Huysii, Nature, Ornithological, Ornithology, Plants and Animals, Species, Wildlife Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lophophorus-lhuysii-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-bird-birds-habitat-lophophorus-lhuysii-nature-ornithological-ornithology-plants-and-animals-species-wildlife-image454278635.htmlRM2HB250Y–Lophophorus L'Huysii, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Habitat, Lophophorus L'Huysii, Nature, Ornithological, Ornithology, Plants and Animals, Species, Wildlife
Art inspired by Euplocomus Lineatus: Lineated Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-euplocomus-lineatus-lineated-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459570136.htmlRF2HKK6B4–Art inspired by Euplocomus Lineatus: Lineated Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Looking Glass. Culture: American. Dimensions: Frame: 46 x 23 13/16 in. (116.8 x 60.5 cm) Glass: 23 3/8 x 15 1/4 in. (59.4 x 38.7 cm). Maker: Stephen Badlam (1751-1815). Date: ca. 1780. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/looking-glass-culture-american-dimensions-frame-46-x-23-1316-in-1168-x-605-cm-glass-23-38-x-15-14-in-594-x-387-cm-maker-stephen-badlam-1751-1815-date-ca-1780-museum-metropolitan-museum-of-art-new-york-usa-image213114360.htmlRMPAM5F4–Looking Glass. Culture: American. Dimensions: Frame: 46 x 23 13/16 in. (116.8 x 60.5 cm) Glass: 23 3/8 x 15 1/4 in. (59.4 x 38.7 cm). Maker: Stephen Badlam (1751-1815). Date: ca. 1780. Museum: Metropolitan Museum of Art, New York, USA.
Virgin and Child with Saints, c. 1510. Italy, Venice. Oil on wood; framed: 109.5 x 149.9 x 9.5 cm (43 1/8 x 59 x 3 3/4 in.); unframed: 77.8 x 118.7 cm (30 5/8 x 46 3/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-and-child-with-saints-c-1510-italy-venice-oil-on-wood-framed-1095-x-1499-x-95-cm-43-18-x-59-x-3-34-in-unframed-778-x-1187-cm-30-58-x-46-34-in-image448097269.htmlRM2H10GHW–Virgin and Child with Saints, c. 1510. Italy, Venice. Oil on wood; framed: 109.5 x 149.9 x 9.5 cm (43 1/8 x 59 x 3 3/4 in.); unframed: 77.8 x 118.7 cm (30 5/8 x 46 3/4 in.).
Ceriornis Blythii: Blyth's Trazapan, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Ceriornis Blythii, Habitat, Nature, Ornithological, Ornithology, Plants and Animals, Species, Wildlife Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceriornis-blythii-blyths-trazapan-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-bird-birds-ceriornis-blythii-habitat-nature-ornithological-ornithology-plants-and-animals-species-wildlife-image454278597.htmlRM2HB24YH–Ceriornis Blythii: Blyth's Trazapan, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Ceriornis Blythii, Habitat, Nature, Ornithological, Ornithology, Plants and Animals, Species, Wildlife
Art inspired by Phasianus Soemmerringii: Saumering's Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-phasianus-soemmerringii-saumerings-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459570160.htmlRF2HKK6C0–Art inspired by Phasianus Soemmerringii: Saumering's Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Adoration of the Magi. Artist: Italian, Neapolitan Follower of Giotto (active second third of the 14th century). Culture: Italian, Naples. Dimensions: Overall, with engaged frame, 26 1/8 x 18 3/8 in. (66.4 x 46.7 cm); painted surface, including tooled border, 21 3/8 x 15 in. (54.3 x 38.1 cm). Date: ca. 1340-43. Dressed in sumptuous gold embroidered robes, three Magi and two angels, shown in profile at the right, adore the Virgin and Child, who are seated in the doorway of a palace. They are accompanied by three diminutive attendants in the lower left corner. Adding to the elaborate surfac Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-magi-artist-italian-neapolitan-follower-of-giotto-active-second-third-of-the-14th-century-culture-italian-naples-dimensions-overall-with-engaged-frame-26-18-x-18-38-in-664-x-467-cm-painted-surface-including-tooled-border-21-38-x-15-in-543-x-381-cm-date-ca-1340-43-dressed-in-sumptuous-gold-embroidered-robes-three-magi-and-two-angels-shown-in-profile-at-the-right-adore-the-virgin-and-child-who-are-seated-in-the-doorway-of-a-palace-they-are-accompanied-by-three-diminutive-attendants-in-the-lower-left-corner-adding-to-the-elaborate-surfac-image212904883.htmlRMPAAJ9R–The Adoration of the Magi. Artist: Italian, Neapolitan Follower of Giotto (active second third of the 14th century). Culture: Italian, Naples. Dimensions: Overall, with engaged frame, 26 1/8 x 18 3/8 in. (66.4 x 46.7 cm); painted surface, including tooled border, 21 3/8 x 15 in. (54.3 x 38.1 cm). Date: ca. 1340-43. Dressed in sumptuous gold embroidered robes, three Magi and two angels, shown in profile at the right, adore the Virgin and Child, who are seated in the doorway of a palace. They are accompanied by three diminutive attendants in the lower left corner. Adding to the elaborate surfac
Monsieur Martin, 1840. Jean-François Millet (French, 1814-1875). Oil on fabric; framed: 68 x 59.7 x 10.8 cm (26 3/4 x 23 1/2 x 4 1/4 in.); unframed: 46 x 38 cm (18 1/8 x 14 15/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monsieur-martin-1840-jean-franois-millet-french-1814-1875-oil-on-fabric-framed-68-x-597-x-108-cm-26-34-x-23-12-x-4-14-in-unframed-46-x-38-cm-18-18-x-14-1516-in-image448107009.htmlRM2H1111N–Monsieur Martin, 1840. Jean-François Millet (French, 1814-1875). Oil on fabric; framed: 68 x 59.7 x 10.8 cm (26 3/4 x 23 1/2 x 4 1/4 in.); unframed: 46 x 38 cm (18 1/8 x 14 15/16 in.).
Pucrasia Darwini, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, 19th Centrury, Bird, Birds, Habitat, lithograph, Nature, Ornithological, Ornithology, Plants and Animals, Pucrasia Darwini, Species, Wildlife Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pucrasia-darwini-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-19th-centrury-bird-birds-habitat-lithograph-nature-ornithological-ornithology-plants-and-animals-pucrasia-darwini-species-wildlife-image454278529.htmlRM2HB24W5–Pucrasia Darwini, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, 19th Centrury, Bird, Birds, Habitat, lithograph, Nature, Ornithological, Ornithology, Plants and Animals, Pucrasia Darwini, Species, Wildlife
Inspired by Ceriornis Melanocephala, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, branch, Ceriornis Melanocephala, colorful, Habitat, Nature, Ornithological, Ornithology, Species, Wildlife, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-ceriornis-melanocephala-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-bird-birds-branch-ceriornis-melanocephala-colorful-habitat-nature-ornithological-ornithology-species-wildlife-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257531.htmlRF2HK4YJK–Inspired by Ceriornis Melanocephala, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, branch, Ceriornis Melanocephala, colorful, Habitat, Nature, Ornithological, Ornithology, Species, Wildlife, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Beggar's Opera, Act III. Artist: After William Hogarth (British, London 1697-1764 London). Author: Illustrates John Gay (British, Barnstaple, Devon 1685-1732). Dimensions: Plate: 17 15/16 x 23 1/16 in. (45.5 x 58.6 cm) Sheet: 18 3/8 x 23 1/2 in. (46.7 x 59.7 cm). Engraver: William Blake (British, London 1757-1827 London). Publisher: John & Josiah Boydell (British, 1786-1804). Date: July 1, 1790. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-beggars-opera-act-iii-artist-after-william-hogarth-british-london-1697-1764-london-author-illustrates-john-gay-british-barnstaple-devon-1685-1732-dimensions-plate-17-1516-x-23-116-in-455-x-586-cm-sheet-18-38-x-23-12-in-467-x-597-cm-engraver-william-blake-british-london-1757-1827-london-publisher-john-josiah-boydell-british-1786-1804-date-july-1-1790-museum-metropolitan-museum-of-art-new-york-usa-image213130628.htmlRMPAMX84–The Beggar's Opera, Act III. Artist: After William Hogarth (British, London 1697-1764 London). Author: Illustrates John Gay (British, Barnstaple, Devon 1685-1732). Dimensions: Plate: 17 15/16 x 23 1/16 in. (45.5 x 58.6 cm) Sheet: 18 3/8 x 23 1/2 in. (46.7 x 59.7 cm). Engraver: William Blake (British, London 1757-1827 London). Publisher: John & Josiah Boydell (British, 1786-1804). Date: July 1, 1790. Museum: Metropolitan Museum of Art, New York, USA.
The Biglin Brothers Turning the Stake, 1873. Thomas Eakins (American, 1844-1916). Oil on canvas; framed: 117 x 167 x 6.5 cm (46 1/16 x 65 3/4 x 2 9/16 in.); unframed: 101.3 x 151.4 cm (39 7/8 x 59 5/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-biglin-brothers-turning-the-stake-1873-thomas-eakins-american-1844-1916-oil-on-canvas-framed-117-x-167-x-65-cm-46-116-x-65-34-x-2-916-in-unframed-1013-x-1514-cm-39-78-x-59-58-in-image448094688.htmlRM2H10D9M–The Biglin Brothers Turning the Stake, 1873. Thomas Eakins (American, 1844-1916). Oil on canvas; framed: 117 x 167 x 6.5 cm (46 1/16 x 65 3/4 x 2 9/16 in.); unframed: 101.3 x 151.4 cm (39 7/8 x 59 5/8 in.).
Ceriornis Satyra, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Ceriornis Satyra, Crimson Horned Pheasant, Habitat, Nature, Ornithological, Ornithology, Pheasant, Plants and Animals, Species, Wildlife Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceriornis-satyra-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-bird-birds-ceriornis-satyra-crimson-horned-pheasant-habitat-nature-ornithological-ornithology-pheasant-plants-and-animals-species-wildlife-image454278616.htmlRM2HB2508–Ceriornis Satyra, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Ceriornis Satyra, Crimson Horned Pheasant, Habitat, Nature, Ornithological, Ornithology, Pheasant, Plants and Animals, Species, Wildlife
Inspired by Lophophorus L'Huysii, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Habitat, Lophophorus L'Huysii, Nature, Ornithological, Ornithology, Plants and Animals, Species, Wildlife, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-lophophorus-lhuysii-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-bird-birds-habitat-lophophorus-lhuysii-nature-ornithological-ornithology-plants-and-animals-species-wildlife-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257517.htmlRF2HK4YJ5–Inspired by Lophophorus L'Huysii, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Habitat, Lophophorus L'Huysii, Nature, Ornithological, Ornithology, Plants and Animals, Species, Wildlife, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Map of New York State. Dated: 1935/1942. Dimensions: overall: 46.4 x 59.7 cm (18 1/4 x 23 1/2 in.). Medium: watercolor, gouache, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: American 20th Century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-new-york-state-dated-19351942-dimensions-overall-464-x-597-cm-18-14-x-23-12-in-medium-watercolor-gouache-and-pen-and-ink-on-paperboard-museum-national-gallery-of-art-washington-dc-author-american-20th-century-image218673220.htmlRMPKNBWT–Map of New York State. Dated: 1935/1942. Dimensions: overall: 46.4 x 59.7 cm (18 1/4 x 23 1/2 in.). Medium: watercolor, gouache, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.
Landscape with a River and Aqueduct, mid 1600s. Giovanni Francesco Grimaldi (Italian, 1606-1680). Pen and brown ink over traces of black chalk; sheet: 35.7 x 46.3 cm (14 1/16 x 18 1/4 in.); secondary support: 45.5 x 59.9 cm (17 15/16 x 23 9/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-a-river-and-aqueduct-mid-1600s-giovanni-francesco-grimaldi-italian-1606-1680-pen-and-brown-ink-over-traces-of-black-chalk-sheet-357-x-463-cm-14-116-x-18-14-in-secondary-support-455-x-599-cm-17-1516-x-23-916-in-image448116084.htmlRM2H11CHT–Landscape with a River and Aqueduct, mid 1600s. Giovanni Francesco Grimaldi (Italian, 1606-1680). Pen and brown ink over traces of black chalk; sheet: 35.7 x 46.3 cm (14 1/16 x 18 1/4 in.); secondary support: 45.5 x 59.9 cm (17 15/16 x 23 9/16 in.).
Elisha Cursing the Children of Bethel Who Are Being Devoured by the Bears, 1602. Gillis van Coninxloo (Netherlandish, 1544-1607), Nicolaes de Bruyn (Netherlandish, 1571-1656). Engraving; sheet: 47.4 x 59.9 cm (18 11/16 x 23 9/16 in.); platemark: 46.5 x 58.7 cm (18 5/16 x 23 1/8 in.). The Latin inscription in the bottom corner of the print quotes chapter two of the second Book of Kings (2 Kings 2:23-24) when the Hebrew prophet, Elisha, came upon the children of the city of Bethel who mocked him for his bald head. In the Lord's name Elisha cursed the children and all 42 were killed by two she-b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elisha-cursing-the-children-of-bethel-who-are-being-devoured-by-the-bears-1602-gillis-van-coninxloo-netherlandish-1544-1607-nicolaes-de-bruyn-netherlandish-1571-1656-engraving-sheet-474-x-599-cm-18-1116-x-23-916-in-platemark-465-x-587-cm-18-516-x-23-18-in-the-latin-inscription-in-the-bottom-corner-of-the-print-quotes-chapter-two-of-the-second-book-of-kings-2-kings-223-24-when-the-hebrew-prophet-elisha-came-upon-the-children-of-the-city-of-bethel-who-mocked-him-for-his-bald-head-in-the-lords-name-elisha-cursed-the-children-and-all-42-were-killed-by-two-she-b-image448074787.htmlRM2H0YFXY–Elisha Cursing the Children of Bethel Who Are Being Devoured by the Bears, 1602. Gillis van Coninxloo (Netherlandish, 1544-1607), Nicolaes de Bruyn (Netherlandish, 1571-1656). Engraving; sheet: 47.4 x 59.9 cm (18 11/16 x 23 9/16 in.); platemark: 46.5 x 58.7 cm (18 5/16 x 23 1/8 in.). The Latin inscription in the bottom corner of the print quotes chapter two of the second Book of Kings (2 Kings 2:23-24) when the Hebrew prophet, Elisha, came upon the children of the city of Bethel who mocked him for his bald head. In the Lord's name Elisha cursed the children and all 42 were killed by two she-b
Salome with the Head of Saint John the Baptist, 1500s or later. Follower of Bernardino Luini (Italian, c. 1480-c. 1532). Oil on canvas; framed: 72.1 x 87 x 5.7 cm (28 3/8 x 34 1/4 x 2 1/4 in.); unframed: 46.6 x 59.7 cm (18 3/8 x 23 1/2 in.). Salome’s dancing so pleased her stepfather Herod that he offered her anything she wanted. Her mother advised Salome to demand John the Baptist’s head, which Salome presented to her family in an elaborate dish. Despite its biblical source, this work was meant for a domestic setting, whose owner would have admired the elegant presentation of a shocking stor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/salome-with-the-head-of-saint-john-the-baptist-1500s-or-later-follower-of-bernardino-luini-italian-c-1480-c-1532-oil-on-canvas-framed-721-x-87-x-57-cm-28-38-x-34-14-x-2-14-in-unframed-466-x-597-cm-18-38-x-23-12-in-salomes-dancing-so-pleased-her-stepfather-herod-that-he-offered-her-anything-she-wanted-her-mother-advised-salome-to-demand-john-the-baptists-head-which-salome-presented-to-her-family-in-an-elaborate-dish-despite-its-biblical-source-this-work-was-meant-for-a-domestic-setting-whose-owner-would-have-admired-the-elegant-presentation-of-a-shocking-stor-image448064181.htmlRM2H0Y2C5–Salome with the Head of Saint John the Baptist, 1500s or later. Follower of Bernardino Luini (Italian, c. 1480-c. 1532). Oil on canvas; framed: 72.1 x 87 x 5.7 cm (28 3/8 x 34 1/4 x 2 1/4 in.); unframed: 46.6 x 59.7 cm (18 3/8 x 23 1/2 in.). Salome’s dancing so pleased her stepfather Herod that he offered her anything she wanted. Her mother advised Salome to demand John the Baptist’s head, which Salome presented to her family in an elaborate dish. Despite its biblical source, this work was meant for a domestic setting, whose owner would have admired the elegant presentation of a shocking stor
Crossing at Sano, c. 1600-1640. Studio of Tawaraya Sōtatsu (Japanese, c. 1570-c. 1640). Hanging scroll mounted as a single-panel screen; ink, color, and gold on paper; overall: 161.7 x 139.2 x 46.3 cm (63 11/16 x 54 13/16 x 18 1/4 in.); diameter of base: 46.3 cm (18 1/4 in.); painting only: 125.9 x 121.4 cm (49 9/16 x 47 13/16 in.); with frame: 151.9 x 130.1 x 3.2 cm (59 13/16 x 51 1/4 x 1 1/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crossing-at-sano-c-1600-1640-studio-of-tawaraya-statsu-japanese-c-1570-c-1640-hanging-scroll-mounted-as-a-single-panel-screen-ink-color-and-gold-on-paper-overall-1617-x-1392-x-463-cm-63-1116-x-54-1316-x-18-14-in-diameter-of-base-463-cm-18-14-in-painting-only-1259-x-1214-cm-49-916-x-47-1316-in-with-frame-1519-x-1301-x-32-cm-59-1316-x-51-14-x-1-14-in-image448104107.htmlRM2H10WA3–Crossing at Sano, c. 1600-1640. Studio of Tawaraya Sōtatsu (Japanese, c. 1570-c. 1640). Hanging scroll mounted as a single-panel screen; ink, color, and gold on paper; overall: 161.7 x 139.2 x 46.3 cm (63 11/16 x 54 13/16 x 18 1/4 in.); diameter of base: 46.3 cm (18 1/4 in.); painting only: 125.9 x 121.4 cm (49 9/16 x 47 13/16 in.); with frame: 151.9 x 130.1 x 3.2 cm (59 13/16 x 51 1/4 x 1 1/4 in.).
Argus Giganteus: Great Argus Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, 23 3/8 x 18 3/8 in., 59.4 x 46.7 cm, Argus Giganteus, Bird, Birds, Great Argus Pheasant, Habitat, Nature, Ornithological, Ornithology, Plants and Animals, Species, Wildlife Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/argus-giganteus-great-argus-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-23-38-x-18-38-in-594-x-467-cm-argus-giganteus-bird-birds-great-argus-pheasant-habitat-nature-ornithological-ornithology-plants-and-animals-species-wildlife-image454278619.htmlRM2HB250B–Argus Giganteus: Great Argus Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, 23 3/8 x 18 3/8 in., 59.4 x 46.7 cm, Argus Giganteus, Bird, Birds, Great Argus Pheasant, Habitat, Nature, Ornithological, Ornithology, Plants and Animals, Species, Wildlife
Inspired by Ceriornis Blythii: Blyth's Trazapan, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Ceriornis Blythii, Habitat, Nature, Ornithological, Ornithology, Plants and Animals, Species, Wildlife, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-ceriornis-blythii-blyths-trazapan-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-bird-birds-ceriornis-blythii-habitat-nature-ornithological-ornithology-plants-and-animals-species-wildlife-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257510.htmlRF2HK4YHX–Inspired by Ceriornis Blythii: Blyth's Trazapan, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Ceriornis Blythii, Habitat, Nature, Ornithological, Ornithology, Plants and Animals, Species, Wildlife, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Archer's Shield (Pavise). Culture: South German, Klausen. Dimensions: H. 46 3/4 in. (118.7 cm); W. 23 1/4 in. (59.1 cm); D. 5 3/4 in. (14.6 cm). Date: 1450-75. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archers-shield-pavise-culture-south-german-klausen-dimensions-h-46-34-in-1187-cm-w-23-14-in-591-cm-d-5-34-in-146-cm-date-1450-75-museum-metropolitan-museum-of-art-new-york-usa-image213163826.htmlRMPAPCHP–Archer's Shield (Pavise). Culture: South German, Klausen. Dimensions: H. 46 3/4 in. (118.7 cm); W. 23 1/4 in. (59.1 cm); D. 5 3/4 in. (14.6 cm). Date: 1450-75. Museum: Metropolitan Museum of Art, New York, USA.
Unknown architect, a fallen monument in Mühlhausen. Monthly competition in August 1878 (08.1878): Upper front view. Pencil on cardboard, 89.7 x 59.4 cm (including scan edges) N.N. : Gefallenendenkmal, Mühlhausen. Monatskonkurrenz August 1878 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-architect-a-fallen-monument-in-mhlhausen-monthly-competition-in-august-1878-081878-upper-front-view-pencil-on-cardboard-897-x-594-cm-including-scan-edges-nn-gefallenendenkmal-mhlhausen-monatskonkurrenz-august-1878-image477532839.htmlRM2JMWE07–Unknown architect, a fallen monument in Mühlhausen. Monthly competition in August 1878 (08.1878): Upper front view. Pencil on cardboard, 89.7 x 59.4 cm (including scan edges) N.N. : Gefallenendenkmal, Mühlhausen. Monatskonkurrenz August 1878
Thaumalea Amherstiae: Lady Amhert's Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Habitat, Lady Amhert's Pheasant, Nature, Ornithological, Ornithology, pond, scenic, Species, Thaumalea Amherstiae, Wildlife Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thaumalea-amherstiae-lady-amherts-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-bird-birds-habitat-lady-amherts-pheasant-nature-ornithological-ornithology-pond-scenic-species-thaumalea-amherstiae-wildlife-image454278524.htmlRM2HB24W0–Thaumalea Amherstiae: Lady Amhert's Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Habitat, Lady Amhert's Pheasant, Nature, Ornithological, Ornithology, pond, scenic, Species, Thaumalea Amherstiae, Wildlife
Inspired by Pucrasia Darwini, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, 19th Centrury, Bird, Birds, Habitat, lithograph, Nature, Ornithological, Ornithology, Plants and Animals, Pucrasia Darwini, Species, Wildlife, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-pucrasia-darwini-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-19th-centrury-bird-birds-habitat-lithograph-nature-ornithological-ornithology-plants-and-animals-pucrasia-darwini-species-wildlife-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257431.htmlRF2HK4YF3–Inspired by Pucrasia Darwini, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, 19th Centrury, Bird, Birds, Habitat, lithograph, Nature, Ornithological, Ornithology, Plants and Animals, Pucrasia Darwini, Species, Wildlife, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Niagara Falls from Foot of Staircase. Dated: 1829. Dimensions: sheet (trimmed within plate mark): 59 x 46.9 cm (23 1/4 x 18 7/16 in.). Medium: hand-colored engraving and aquatint. Museum: National Gallery of Art, Washington DC. Author: John Hill, after William James Bennett. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/niagara-falls-from-foot-of-staircase-dated-1829-dimensions-sheet-trimmed-within-plate-mark-59-x-469-cm-23-14-x-18-716-in-medium-hand-colored-engraving-and-aquatint-museum-national-gallery-of-art-washington-dc-author-john-hill-after-william-james-bennett-image225819856.htmlRMR3AYET–Niagara Falls from Foot of Staircase. Dated: 1829. Dimensions: sheet (trimmed within plate mark): 59 x 46.9 cm (23 1/4 x 18 7/16 in.). Medium: hand-colored engraving and aquatint. Museum: National Gallery of Art, Washington DC. Author: John Hill, after William James Bennett.
Stila Castaneoventris, Chestnut-Bellied Nuthatch, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Chestnut-Bellied Nuthatch, Habitat, Nature, Ornithological, Ornithology, Plants and Animals, Species, Stila Castaneoventris, Wildlife Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stila-castaneoventris-chestnut-bellied-nuthatch-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-bird-birds-chestnut-bellied-nuthatch-habitat-nature-ornithological-ornithology-plants-and-animals-species-stila-castaneoventris-wildlife-image454278518.htmlRM2HB24TP–Stila Castaneoventris, Chestnut-Bellied Nuthatch, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Chestnut-Bellied Nuthatch, Habitat, Nature, Ornithological, Ornithology, Plants and Animals, Species, Stila Castaneoventris, Wildlife
Art inspired by Meleagris Gallopavo: Wild Turkey, John Gould, British, 1804-1881, Lithograph on wove paper, 23 3/8 x 18 3/8 in., 59.4 x 46.7 cm, bird, nature study, ornithology, thanksgiving, Turkey, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-meleagris-gallopavo-wild-turkey-john-gould-british-1804-1881-lithograph-on-wove-paper-23-38-x-18-38-in-594-x-467-cm-bird-nature-study-ornithology-thanksgiving-turkey-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459570141.htmlRF2HKK6B9–Art inspired by Meleagris Gallopavo: Wild Turkey, John Gould, British, 1804-1881, Lithograph on wove paper, 23 3/8 x 18 3/8 in., 59.4 x 46.7 cm, bird, nature study, ornithology, thanksgiving, Turkey, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Rocks in the Forest of Fontainebleau. Dated: 1860/1865. Dimensions: overall: 46 x 59 cm (18 1/8 x 23 1/4 in.) framed: 65.4 x 78.7 cm (25 3/4 x 31 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Corot, Jean-Baptiste-Camille. Camille Corot. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rocks-in-the-forest-of-fontainebleau-dated-18601865-dimensions-overall-46-x-59-cm-18-18-x-23-14-in-framed-654-x-787-cm-25-34-x-31-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-corot-jean-baptiste-camille-camille-corot-image218582025.htmlRMPKH7GW–Rocks in the Forest of Fontainebleau. Dated: 1860/1865. Dimensions: overall: 46 x 59 cm (18 1/8 x 23 1/4 in.) framed: 65.4 x 78.7 cm (25 3/4 x 31 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Corot, Jean-Baptiste-Camille. Camille Corot.
Pieces (4), Italian, 15th century, Italian, Silk and metal thread, As now joined: L. 39 x 22 1/4 inches (99.1 x 56.5 cm), b) L. 23 1/2 x W. 8 3/4 inches (59.7 x 22.2 cm), c) L. 23 x W. 8 3/4 inches (58. 4 x 22.2 cm), d) L. 46 x W. 8 3/4 inches (116.8 x 22.2 cm), e) L. 45 1/2 x W. 8 3/4 inches (115.6 x 22.2 cm), Textiles-Velvets Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pieces-4-italian-15th-century-italian-silk-and-metal-thread-as-now-joined-l-39-x-22-14-inches-991-x-565-cm-b-l-23-12-x-w-8-34-inches-597-x-222-cm-c-l-23-x-w-8-34-inches-58-4-x-222-cm-d-l-46-x-w-8-34-inches-1168-x-222-cm-e-l-45-12-x-w-8-34-inches-1156-x-222-cm-textiles-velvets-image344608253.htmlRM2B0J79H–Pieces (4), Italian, 15th century, Italian, Silk and metal thread, As now joined: L. 39 x 22 1/4 inches (99.1 x 56.5 cm), b) L. 23 1/2 x W. 8 3/4 inches (59.7 x 22.2 cm), c) L. 23 x W. 8 3/4 inches (58. 4 x 22.2 cm), d) L. 46 x W. 8 3/4 inches (116.8 x 22.2 cm), e) L. 45 1/2 x W. 8 3/4 inches (115.6 x 22.2 cm), Textiles-Velvets
Inspired by Ceriornis Satyra, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Ceriornis Satyra, Crimson Horned Pheasant, Habitat, Nature, Ornithological, Ornithology, Pheasant, Plants and Animals, Species, Wildlife, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-ceriornis-satyra-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-bird-birds-ceriornis-satyra-crimson-horned-pheasant-habitat-nature-ornithological-ornithology-pheasant-plants-and-animals-species-wildlife-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257520.htmlRF2HK4YJ8–Inspired by Ceriornis Satyra, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Ceriornis Satyra, Crimson Horned Pheasant, Habitat, Nature, Ornithological, Ornithology, Pheasant, Plants and Animals, Species, Wildlife, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Portrait of Séverine, 1885–87, Charcoal and unfixed pastel on paper, 23 1/2 x 18 1/4 in. (59.7 x 46.4 cm), Drawings, Auguste Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-portrait-of-sverine-188587-charcoal-and-unfixed-pastel-on-paper-23-162555216.htmlRMKCD0RC–Portrait of Séverine, 1885–87, Charcoal and unfixed pastel on paper, 23 1/2 x 18 1/4 in. (59.7 x 46.4 cm), Drawings, Auguste
Clytie. Dated: 1785. Dimensions: plate: 35 x 40.4 cm (13 3/4 x 15 7/8 in.) sheet: 46.2 x 59.2 cm (18 3/16 x 23 5/16 in.). Medium: mezzotint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Valentine Green after Maria Cosway. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/clytie-dated-1785-dimensions-plate-35-x-404-cm-13-34-x-15-78-in-sheet-462-x-592-cm-18-316-x-23-516-in-medium-mezzotint-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-valentine-green-after-maria-cosway-image218866591.htmlRMPM26FY–Clytie. Dated: 1785. Dimensions: plate: 35 x 40.4 cm (13 3/4 x 15 7/8 in.) sheet: 46.2 x 59.2 cm (18 3/16 x 23 5/16 in.). Medium: mezzotint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Valentine Green after Maria Cosway.
John Swift, Soup tureen, British, London, John Swift (British, active from 1728), 1758–59, British, London, Silver, Overall: 9 3/4 × 10 × 18 3/8 in. (24.8 × 25.4 × 46.7 cm), Metalwork-Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-swift-soup-tureen-british-london-john-swift-british-active-from-1728-175859-british-london-silver-overall-9-34-10-18-38-in-248-254-467-cm-metalwork-silver-image344605325.htmlRM2B0J3H1–John Swift, Soup tureen, British, London, John Swift (British, active from 1728), 1758–59, British, London, Silver, Overall: 9 3/4 × 10 × 18 3/8 in. (24.8 × 25.4 × 46.7 cm), Metalwork-Silver
Inspired by Argus Giganteus: Great Argus Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, 23 3/8 x 18 3/8 in., 59.4 x 46.7 cm, Argus Giganteus, Bird, Birds, Great Argus Pheasant, Habitat, Nature, Ornithological, Ornithology, Plants and Animals, Species, Wildlife, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-argus-giganteus-great-argus-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-23-38-x-18-38-in-594-x-467-cm-argus-giganteus-bird-birds-great-argus-pheasant-habitat-nature-ornithological-ornithology-plants-and-animals-species-wildlife-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257547.htmlRF2HK4YK7–Inspired by Argus Giganteus: Great Argus Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, 23 3/8 x 18 3/8 in., 59.4 x 46.7 cm, Argus Giganteus, Bird, Birds, Great Argus Pheasant, Habitat, Nature, Ornithological, Ornithology, Plants and Animals, Species, Wildlife, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Nynee Tall from South End. Dated: c. 1858-1862. Dimensions: image: 36.2 x 45.72 cm (14 1/4 x 18 in.) mount: 46.83 x 59.37 cm (18 7/16 x 23 3/8 in.). Medium: albumen print. Museum: National Gallery of Art, Washington DC. Author: John Murray. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nynee-tall-from-south-end-dated-c-1858-1862-dimensions-image-362-x-4572-cm-14-14-x-18-in-mount-4683-x-5937-cm-18-716-x-23-38-in-medium-albumen-print-museum-national-gallery-of-art-washington-dc-author-john-murray-image225461926.htmlRMR2PJYJ–Nynee Tall from South End. Dated: c. 1858-1862. Dimensions: image: 36.2 x 45.72 cm (14 1/4 x 18 in.) mount: 46.83 x 59.37 cm (18 7/16 x 23 3/8 in.). Medium: albumen print. Museum: National Gallery of Art, Washington DC. Author: John Murray.
John Constable, English, 1776-1837, The Glebe Farm, 1827, oil on canvas, Unframed: 18 1/4 × 23 1/2 inches (46.4 × 59.7 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-constable-english-1776-1837-the-glebe-farm-1827-oil-on-canvas-unframed-18-14-23-12-inches-464-597-cm-image328731714.htmlRM2A2R0JA–John Constable, English, 1776-1837, The Glebe Farm, 1827, oil on canvas, Unframed: 18 1/4 × 23 1/2 inches (46.4 × 59.7 cm
Inspired by Thaumalea Amherstiae: Lady Amhert's Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Habitat, Lady Amhert's Pheasant, Nature, Ornithological, Ornithology, pond, scenic, Species, Thaumalea Amherstiae, Wildlife, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-thaumalea-amherstiae-lady-amherts-pheasant-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-bird-birds-habitat-lady-amherts-pheasant-nature-ornithological-ornithology-pond-scenic-species-thaumalea-amherstiae-wildlife-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257436.htmlRF2HK4YF8–Inspired by Thaumalea Amherstiae: Lady Amhert's Pheasant, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Habitat, Lady Amhert's Pheasant, Nature, Ornithological, Ornithology, pond, scenic, Species, Thaumalea Amherstiae, Wildlife, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Bersaglieri. Dated: 1918. Dimensions: overall: 101.9 x 151.5 cm (40 1/8 x 59 5/8 in.) framed: 119.1 x 169.6 x 7 cm (46 7/8 x 66 3/4 x 2 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: George Luks. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-bersaglieri-dated-1918-dimensions-overall-1019-x-1515-cm-40-18-x-59-58-in-framed-1191-x-1696-x-7-cm-46-78-x-66-34-x-2-34-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-george-luks-image218991339.htmlRMPM7WK7–The Bersaglieri. Dated: 1918. Dimensions: overall: 101.9 x 151.5 cm (40 1/8 x 59 5/8 in.) framed: 119.1 x 169.6 x 7 cm (46 7/8 x 66 3/4 x 2 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: George Luks.
Textile Fragment, Fragment, ca. 1540, Attributed to Iran, Silk; cut and voided velvet with continuous floats of flat metal thread, Textile: L. 23 1/2 in. (59.7 cm), W. 18 3/16 in. (46.2 cm), Mount: L. 29 1/2 in. (74.9 cm), W. 24 in. (61 cm), Wt. 10 lbs. (4.5 kg), Textiles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-fragment-fragment-ca-1540-attributed-to-iran-silk-cut-and-voided-velvet-with-continuous-floats-of-flat-metal-thread-textile-l-23-12-in-597-cm-w-18-316-in-462-cm-mount-l-29-12-in-749-cm-w-24-in-61-cm-wt-10-lbs-45-kg-textiles-image344643523.htmlRM2B0KT97–Textile Fragment, Fragment, ca. 1540, Attributed to Iran, Silk; cut and voided velvet with continuous floats of flat metal thread, Textile: L. 23 1/2 in. (59.7 cm), W. 18 3/16 in. (46.2 cm), Mount: L. 29 1/2 in. (74.9 cm), W. 24 in. (61 cm), Wt. 10 lbs. (4.5 kg), Textiles
Inspired by Stila Castaneoventris, Chestnut-Bellied Nuthatch, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Chestnut-Bellied Nuthatch, Habitat, Nature, Ornithological, Ornithology, Plants and Animals, Species, Stila Castaneoventris, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-stila-castaneoventris-chestnut-bellied-nuthatch-john-gould-british-1804-1881-lithograph-on-wove-paper-sheet-23-38-x-18-716-in-594-x-468-cm-bird-birds-chestnut-bellied-nuthatch-habitat-nature-ornithological-ornithology-plants-and-animals-species-stila-castaneoventris-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459257383.htmlRF2HK4YDB–Inspired by Stila Castaneoventris, Chestnut-Bellied Nuthatch, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 23 3/8 x 18 7/16 in., 59.4 x 46.8 cm, Bird, Birds, Chestnut-Bellied Nuthatch, Habitat, Nature, Ornithological, Ornithology, Plants and Animals, Species, Stila Castaneoventris, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Art inspired by Rest on the Flight into Egypt, n.d., Brush and brown wash over black chalk, 18 1/4 x 23 7/16 in. (46.4 x 59.6 cm), Drawings, Jean Jacques Lagrenée (French, Paris 1739–1821 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-rest-on-the-flight-into-egypt-nd-brush-and-brown-wash-over-black-chalk-18-14-x-23-716-in-464-x-596-cm-drawings-jean-jacques-lagrene-french-paris-17391821-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462950187.htmlRF2HW55K7–Art inspired by Rest on the Flight into Egypt, n.d., Brush and brown wash over black chalk, 18 1/4 x 23 7/16 in. (46.4 x 59.6 cm), Drawings, Jean Jacques Lagrenée (French, Paris 1739–1821 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Mo Shilong, Landscape in the Style of Huang Gongwang, China, Ming dynasty (1368–1644), Mo Shilong (Chinese, 1537–1587), 1581, China, Hanging scroll; ink and color on paper, Image: 46 7/8 x 16 1/8 in. (119.1 x 41 cm), Overall with mounting: 90 x 23 1/4 in. (228.6 x 59.1 cm), Overall with knobs: 90 x 26 3/4 in. (228.6 x 67.9 cm), Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mo-shilong-landscape-in-the-style-of-huang-gongwang-china-ming-dynasty-13681644-mo-shilong-chinese-15371587-1581-china-hanging-scroll-ink-and-color-on-paper-image-46-78-x-16-18-in-1191-x-41-cm-overall-with-mounting-90-x-23-14-in-2286-x-591-cm-overall-with-knobs-90-x-26-34-in-2286-x-679-cm-paintings-image344610813.htmlRM2B0JAH1–Mo Shilong, Landscape in the Style of Huang Gongwang, China, Ming dynasty (1368–1644), Mo Shilong (Chinese, 1537–1587), 1581, China, Hanging scroll; ink and color on paper, Image: 46 7/8 x 16 1/8 in. (119.1 x 41 cm), Overall with mounting: 90 x 23 1/4 in. (228.6 x 59.1 cm), Overall with knobs: 90 x 26 3/4 in. (228.6 x 67.9 cm), Paintings
Les Vendages (Furnishing Fabric). Manufactured by Christophe Phillipe Oberkampf (French, 1738-1815); France, Jouy-en-Josas. Date: 1780-1790. Dimensions: 117.5 × 152.1 cm (46 1/4 × 59 7/8 in.) Repeat: 99.8 cm (39 1/4 in.). Cotton, plain weave; copperplate printed; backed. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/les-vendages-furnishing-fabric-manufactured-by-christophe-phillipe-oberkampf-french-1738-1815-france-jouy-en-josas-date-1780-1790-dimensions-1175-1521-cm-46-14-59-78-in-repeat-998-cm-39-14-in-cotton-plain-weave-copperplate-printed-backed-origin-france-museum-the-chicago-art-institute-image240136878.htmlRMRXK512–Les Vendages (Furnishing Fabric). Manufactured by Christophe Phillipe Oberkampf (French, 1738-1815); France, Jouy-en-Josas. Date: 1780-1790. Dimensions: 117.5 × 152.1 cm (46 1/4 × 59 7/8 in.) Repeat: 99.8 cm (39 1/4 in.). Cotton, plain weave; copperplate printed; backed. Origin: France. Museum: The Chicago Art Institute.
Art inspired by The Nile, Indus, Tigris and Euphrates rivers, n.d., Black chalk, 18 3/8 x 23 1/4 in. (46.7 x 59 cm), Drawings, Anonymous, Flemish, 17th century, After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-nile-indus-tigris-and-euphrates-rivers-nd-black-chalk-18-38-x-23-14-in-467-x-59-cm-drawings-anonymous-flemish-17th-century-after-peter-paul-rubens-flemish-siegen-15771640-antwerp-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462958614.htmlRF2HW5GC6–Art inspired by The Nile, Indus, Tigris and Euphrates rivers, n.d., Black chalk, 18 3/8 x 23 1/4 in. (46.7 x 59 cm), Drawings, Anonymous, Flemish, 17th century, After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
