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Art inspired by Carnelian ring stone, Early Imperial, perhaps Flavian, ca. A.D. 69–96, Roman, Carnelian, Length: 5/8 in. (1.6 cm), Gems, Head of a child in three-quarter view Inscribed Tuxia, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-carnelian-ring-stone-early-imperial-perhaps-flavian-ca-ad-6996-roman-carnelian-length-58-in-16-cm-gems-head-of-a-child-in-three-quarter-view-inscribed-tuxia-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462783693.htmlRF2HTWH91–Art inspired by Carnelian ring stone, Early Imperial, perhaps Flavian, ca. A.D. 69–96, Roman, Carnelian, Length: 5/8 in. (1.6 cm), Gems, Head of a child in three-quarter view Inscribed Tuxia, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Designed and etched by Thomas Rowlandson, Workhouse, St. James's Parish, Microcosm of London, pl. 96, Designed and etched by Thomas Rowlandson (British, London 1757–1827 London), Designed and etched by Auguste Charles Pugin (British (born France), Paris 1768/69–1832 London), Aquatint by Thomas Sunderland (British, Whittington Hall, Lonsdale 1744–1828 Littlecroft), December 1, 1809, Hand-colored etching and aquatint, Sheet: 9 9/16 × 11 5/16 in. (24.3 × 28.7 cm), Plate: 9 5/16 × 10 7/8 in. (23.7 × 27.6 cm), Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/designed-and-etched-by-thomas-rowlandson-workhouse-st-jamess-parish-microcosm-of-london-pl-96-designed-and-etched-by-thomas-rowlandson-british-london-17571827-london-designed-and-etched-by-auguste-charles-pugin-british-born-france-paris-1768691832-london-aquatint-by-thomas-sunderland-british-whittington-hall-lonsdale-17441828-littlecroft-december-1-1809-hand-colored-etching-and-aquatint-sheet-9-916-11-516-in-243-287-cm-plate-9-516-10-78-in-237-276-cm-prints-image344651299.htmlRM2B0M66Y–Designed and etched by Thomas Rowlandson, Workhouse, St. James's Parish, Microcosm of London, pl. 96, Designed and etched by Thomas Rowlandson (British, London 1757–1827 London), Designed and etched by Auguste Charles Pugin (British (born France), Paris 1768/69–1832 London), Aquatint by Thomas Sunderland (British, Whittington Hall, Lonsdale 1744–1828 Littlecroft), December 1, 1809, Hand-colored etching and aquatint, Sheet: 9 9/16 × 11 5/16 in. (24.3 × 28.7 cm), Plate: 9 5/16 × 10 7/8 in. (23.7 × 27.6 cm), Prints
Carnelian ring stone. Culture: Roman. Dimensions: Length: 5/8 in. (1.6 cm). Date: ca. A.D. 69-96. Head of a child in three-quarter view Inscribed Tuxia. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carnelian-ring-stone-culture-roman-dimensions-length-58-in-16-cm-date-ca-ad-69-96-head-of-a-child-in-three-quarter-view-inscribed-tuxia-museum-metropolitan-museum-of-art-new-york-usa-image213195599.htmlRMPARW4F–Carnelian ring stone. Culture: Roman. Dimensions: Length: 5/8 in. (1.6 cm). Date: ca. A.D. 69-96. Head of a child in three-quarter view Inscribed Tuxia. Museum: Metropolitan Museum of Art, New York, USA.
Carnelian ring stone, Early Imperial, perhaps Flavian, ca. A.D. 69–96, Roman, Carnelian, Length: 5/8 in. (1.6 cm), Gems, Head Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-carnelian-ring-stone-early-imperial-perhaps-flavian-ca-ad-6996-roman-162407425.htmlRMKC6895–Carnelian ring stone, Early Imperial, perhaps Flavian, ca. A.D. 69–96, Roman, Carnelian, Length: 5/8 in. (1.6 cm), Gems, Head
Art inspired by Early 18th-century style Ogee frame, 1850–65, French, Oak lower moldings; lime upper moldings. Carved, gilt; thin red-orange bole, green patina, metallic reparure., Overall, 85.8 x 96 cm; sight, 57.5 x 69.2 cm; rebate, 60.6 x 71.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-early-18th-century-style-ogee-frame-185065-french-oak-lower-moldings-lime-upper-moldings-carved-gilt-thin-red-orange-bole-green-patina-metallic-reparure-overall-858-x-96-cm-sight-575-x-692-cm-rebate-606-x-717-cm-frames-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462826298.htmlRF2HTYFJJ–Art inspired by Early 18th-century style Ogee frame, 1850–65, French, Oak lower moldings; lime upper moldings. Carved, gilt; thin red-orange bole, green patina, metallic reparure., Overall, 85.8 x 96 cm; sight, 57.5 x 69.2 cm; rebate, 60.6 x 71.7 cm., Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Diana and Apollo kill Niobe's children, Friedrich Rehberg (Hanover 1758 - 1835 Munich), 1810-20, drawing, black chalk, red chalk, brush in gray and brown, opaque white, 69.8 × 96.6 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diana-and-apollo-kill-niobes-children-friedrich-rehberg-hanover-1758-1835-munich-1810-20-drawing-black-chalk-red-chalk-brush-in-gray-and-brown-opaque-white-698-966-cm-ll-duke-albert-of-saxe-teschen-image573300545.htmlRM2T8M2KD–Diana and Apollo kill Niobe's children, Friedrich Rehberg (Hanover 1758 - 1835 Munich), 1810-20, drawing, black chalk, red chalk, brush in gray and brown, opaque white, 69.8 × 96.6 cm, l.l. Duke Albert of Saxe-Teschen
Poelzig Hans (1869-1936), Sigmund Goeritz AG, Chemnitz (1924-1926): Perspective view (from Inv.No. 3118). Photo on cardboard, 69.8 x 96.6 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/poelzig-hans-1869-1936-sigmund-goeritz-ag-chemnitz-1924-1926-perspective-view-from-invno-3118-photo-on-cardboard-698-x-966-cm-including-scan-edges-image477417832.htmlRM2JMM78T–Poelzig Hans (1869-1936), Sigmund Goeritz AG, Chemnitz (1924-1926): Perspective view (from Inv.No. 3118). Photo on cardboard, 69.8 x 96.6 cm (including scan edges)
The Laughing Audience, 1733, William Hogarth, British, 1697–1764, 7 7/16 x 6 13/16 in. (18.89 x 17.3 cm) (plate)8 1/4 x 7 3/4 in. (20.96 x 19.69 cm) (sheet), Etching, England, 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-laughing-audience-1733-william-hogarth-british-16971764-7-716-x-6-1316-in-1889-x-173-cm-plate8-14-x-7-34-in-2096-x-1969-cm-sheet-etching-england-18th-century-image573505420.htmlRM2T91C0C–The Laughing Audience, 1733, William Hogarth, British, 1697–1764, 7 7/16 x 6 13/16 in. (18.89 x 17.3 cm) (plate)8 1/4 x 7 3/4 in. (20.96 x 19.69 cm) (sheet), Etching, England, 18th century
Schulze Friedrich (1843-1912), Augusta School along with teacher seminar, Berlin (1884-1886): Plan content N.N. detected. Lithography colored on paper, 69.6 x 96.8 cm (including scan edges) Schulze Friedrich (1843-1912): Augusta-Schule nebst Lehrerinnenseminar, Berlin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schulze-friedrich-1843-1912-augusta-school-along-with-teacher-seminar-berlin-1884-1886-plan-content-nn-detected-lithography-colored-on-paper-696-x-968-cm-including-scan-edges-schulze-friedrich-1843-1912-augusta-schule-nebst-lehrerinnenseminar-berlin-image477554511.htmlRM2JMXDJ7–Schulze Friedrich (1843-1912), Augusta School along with teacher seminar, Berlin (1884-1886): Plan content N.N. detected. Lithography colored on paper, 69.6 x 96.8 cm (including scan edges) Schulze Friedrich (1843-1912): Augusta-Schule nebst Lehrerinnenseminar, Berlin
Equal Work-Equal Pay MET 54.96.1 488823 Artist: Joseph Stella, American (born Italy) Muro Lucano 1877?1946 New York, New York, Equal Work/Equal Pay, 1918, Charcoal on paper, H. 27-1/2, W. 21-1/2 inches (69.8 x 54.6 cm.) . The Metropolitan Museum of Art, New York. Gift of Mary van Kleeck, 1954 (54.96.1) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-equal-work-equal-pay-met-54961-488823-artist-joseph-stella-american-168399666.htmlRMKNY7DP–Equal Work-Equal Pay MET 54.96.1 488823 Artist: Joseph Stella, American (born Italy) Muro Lucano 1877?1946 New York, New York, Equal Work/Equal Pay, 1918, Charcoal on paper, H. 27-1/2, W. 21-1/2 inches (69.8 x 54.6 cm.) . The Metropolitan Museum of Art, New York. Gift of Mary van Kleeck, 1954 (54.96.1)
Quilt. Dated: c. 1942. Dimensions: overall: 69.5 x 50.6 cm (27 3/8 x 19 15/16 in.) Original IAD Object: 96' long; 92 1/2' wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Edith Magnette. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quilt-dated-c-1942-dimensions-overall-695-x-506-cm-27-38-x-19-1516-in-original-iad-object-96-long-92-12-wide-medium-watercolor-and-graphite-on-paper-museum-national-gallery-of-art-washington-dc-author-edith-magnette-image225658834.htmlRMR33J42–Quilt. Dated: c. 1942. Dimensions: overall: 69.5 x 50.6 cm (27 3/8 x 19 15/16 in.) Original IAD Object: 96' long; 92 1/2' wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Edith Magnette.
Stranded, c. 1888, Henri-Charles Guérard, French, Paris 1846–Paris 1897, 8 1/4 x 6 1/8 in. (20.96 x 15.56 cm) (plate)10 7/8 x 7 3/4 in. (27.62 x 19.69 cm) (sheet), Etching, France, 19th century, Though unknown to most Americans, Henri-Charles Guérard was a member of the Parisian avant-garde in the 1870s and 1880s and a close associate of the painter Edouard Manet. Guérard was one of the most prolific French printmakers of the nineteenth century. In addition to hundreds of book illustrations and reproductive prints, he created nearly 500 original works, most of which remained unpublished Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stranded-c-1888-henri-charles-gurard-french-paris-1846paris-1897-8-14-x-6-18-in-2096-x-1556-cm-plate10-78-x-7-34-in-2762-x-1969-cm-sheet-etching-france-19th-century-though-unknown-to-most-americans-henri-charles-gurard-was-a-member-of-the-parisian-avant-garde-in-the-1870s-and-1880s-and-a-close-associate-of-the-painter-edouard-manet-gurard-was-one-of-the-most-prolific-french-printmakers-of-the-nineteenth-century-in-addition-to-hundreds-of-book-illustrations-and-reproductive-prints-he-created-nearly-500-original-works-most-of-which-remained-unpublished-image573506041.htmlRM2T91CPH–Stranded, c. 1888, Henri-Charles Guérard, French, Paris 1846–Paris 1897, 8 1/4 x 6 1/8 in. (20.96 x 15.56 cm) (plate)10 7/8 x 7 3/4 in. (27.62 x 19.69 cm) (sheet), Etching, France, 19th century, Though unknown to most Americans, Henri-Charles Guérard was a member of the Parisian avant-garde in the 1870s and 1880s and a close associate of the painter Edouard Manet. Guérard was one of the most prolific French printmakers of the nineteenth century. In addition to hundreds of book illustrations and reproductive prints, he created nearly 500 original works, most of which remained unpublished
Early 18th-century style Ogee frame, 1850–65, French, Oak lower moldings; lime upper moldings. Carved, gilt; thin red-orange Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-early-18th-century-style-ogee-frame-185065-french-oak-lower-moldings-162570009.htmlRMKCDKKN–Early 18th-century style Ogee frame, 1850–65, French, Oak lower moldings; lime upper moldings. Carved, gilt; thin red-orange
Gold aurei of the Twelve Caesars. Culture: Roman. Dimensions: 7 5/8 × 15/16 in. (19.4 × 2.4 cm) Height (setting of amethyst): 1/2 in. (1.3 cm). Date: ca. A.D. 69-96. Six aurei mounted with 6 oblong amethysts en cabochon in a nineteenth century gold bracelet; aureus of Augustus (the 12 Caesars of Suetonius: Galba, Otho, Vitellius, Vespasian, Titus, Domitian); Minted in Rome. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gold-aurei-of-the-twelve-caesars-culture-roman-dimensions-7-58-1516-in-194-24-cm-height-setting-of-amethyst-12-in-13-cm-date-ca-ad-69-96-six-aurei-mounted-with-6-oblong-amethysts-en-cabochon-in-a-nineteenth-century-gold-bracelet-aureus-of-augustus-the-12-caesars-of-suetonius-galba-otho-vitellius-vespasian-titus-domitian-minted-in-rome-museum-metropolitan-museum-of-art-new-york-usa-image213162894.htmlRMPAPBCE–Gold aurei of the Twelve Caesars. Culture: Roman. Dimensions: 7 5/8 × 15/16 in. (19.4 × 2.4 cm) Height (setting of amethyst): 1/2 in. (1.3 cm). Date: ca. A.D. 69-96. Six aurei mounted with 6 oblong amethysts en cabochon in a nineteenth century gold bracelet; aureus of Augustus (the 12 Caesars of Suetonius: Galba, Otho, Vitellius, Vespasian, Titus, Domitian); Minted in Rome. Museum: Metropolitan Museum of Art, New York, USA.
