7 deadly sins medieval Stock Photos and Images
Lust, one of the mortal sins. Man and woman embracing, an ancient gothic mural in Kirkerup public church, Denmark, July 3, 2018, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lust-one-of-the-mortal-sins-man-and-woman-embracing-an-ancient-gothic-mural-in-kirkerup-public-church-denmark-july-3-2018-image214387645.htmlRFPCP5HH–Lust, one of the mortal sins. Man and woman embracing, an ancient gothic mural in Kirkerup public church, Denmark, July 3, 2018,
Rollon (vers 860-933), chef viking, refuse d'embrasser le pied du roi Charles III le Simple (879-929), 912. Gravure de Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18eme siecle. Figures de l'histoire de France (dessinées par Moreau le Jeune, Lépicié et Monnet, gravées par Le Bas avec notices de l'abbé Jean-Jacques Garnier) 1785 - Colorisation digitale d'apres l'originale - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rollon-vers-860-933-chef-viking-refuse-dembrasser-le-pied-du-roi-charles-iii-le-simple-879-929-912-gravure-de-jean-michel-moreau-dit-moreau-le-jeune-1741-1814-18eme-siecle-figures-de-lhistoire-de-france-dessines-par-moreau-le-jeune-lpici-et-monnet-graves-par-le-bas-avec-notices-de-labb-jean-jacques-garnier-1785-colorisation-digitale-dapres-loriginale-image502759879.htmlRM2M5XK9Y–Rollon (vers 860-933), chef viking, refuse d'embrasser le pied du roi Charles III le Simple (879-929), 912. Gravure de Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18eme siecle. Figures de l'histoire de France (dessinées par Moreau le Jeune, Lépicié et Monnet, gravées par Le Bas avec notices de l'abbé Jean-Jacques Garnier) 1785 - Colorisation digitale d'apres l'originale -
Medieval 15th century wooden bench end, Thornham Norfolk England UK ends benchend benchends carved wood carving carvings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-medieval-15th-century-wooden-bench-end-thornham-norfolk-england-uk-59770822.htmlRMDD6P86–Medieval 15th century wooden bench end, Thornham Norfolk England UK ends benchend benchends carved wood carving carvings
Two of Christianity’s Seven Deadly Sins, Gluttony (left) and Wrath, personified and with manicules (pointing index fingers). Detail of early 1300s Last Judgement fresco in the Chiesa di Santa Maria del Tiglio, Gravedona, Lombardy, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-of-christianitys-seven-deadly-sins-gluttony-left-and-wrath-personified-and-with-manicules-pointing-index-fingers-detail-of-early-1300s-last-judgement-fresco-in-the-chiesa-di-santa-maria-del-tiglio-gravedona-lombardy-italy-image433234885.htmlRF2G4RFED–Two of Christianity’s Seven Deadly Sins, Gluttony (left) and Wrath, personified and with manicules (pointing index fingers). Detail of early 1300s Last Judgement fresco in the Chiesa di Santa Maria del Tiglio, Gravedona, Lombardy, Italy.
Thornham, Norfolk, 15th century wood carving, England UK, wood carving benchends benchend end, drunkenness, 7 Deadly Sins Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-thornham-norfolk-15th-century-wood-carving-england-uk-wood-carving-59770874.htmlRMDD6PA2–Thornham, Norfolk, 15th century wood carving, England UK, wood carving benchends benchend end, drunkenness, 7 Deadly Sins
Rothenburg ob Der Tauber, Germany - The middle building os the Baumeisterhaus, a building depicting the 7 sins and virtues in the form stone figures Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rothenburg-ob-der-tauber-germany-the-middle-building-os-the-baumeisterhaus-a-building-depicting-the-7-sins-and-virtues-in-the-form-stone-figures-image455176896.htmlRM2HCF2NM–Rothenburg ob Der Tauber, Germany - The middle building os the Baumeisterhaus, a building depicting the 7 sins and virtues in the form stone figures
Thornham, Norfolk. Medieval bench end, Seven Deadly Sins, Anger, Jaws of Hell England UK English wood carving carvings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-thornham-norfolk-medieval-bench-end-seven-deadly-sins-anger-jaws-of-38086061.htmlRMC5XY4D–Thornham, Norfolk. Medieval bench end, Seven Deadly Sins, Anger, Jaws of Hell England UK English wood carving carvings
Hieronymus Bosch (c.1450-1516). Dutch painter. Table of the Seven Deadly Sins. Detail of the Sloth. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hieronymus-bosch-c1450-1516-dutch-painter-table-of-the-seven-deadly-sins-detail-of-the-sloth-prado-museum-madrid-spain-image220220485.htmlRMPP7WD9–Hieronymus Bosch (c.1450-1516). Dutch painter. Table of the Seven Deadly Sins. Detail of the Sloth. Prado Museum. Madrid. Spain.
Louis V le Faineant (966-987), roi des Francs, expulse sa mere, la reine Emma d'Italie (945-988), accusee d'avoir empoisonne son mari, le roi Lothaire (941-986), 987. Gravure de Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18eme siecle. Figures de l'histoire de France (dessinées par Moreau le Jeune, Lépicié et Monnet, gravées par Le Bas avec notices de l'abbé Jean-Jacques Garnier) 1785 - Colorisation digitale d'apres l'originale - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-v-le-faineant-966-987-roi-des-francs-expulse-sa-mere-la-reine-emma-ditalie-945-988-accusee-davoir-empoisonne-son-mari-le-roi-lothaire-941-986-987-gravure-de-jean-michel-moreau-dit-moreau-le-jeune-1741-1814-18eme-siecle-figures-de-lhistoire-de-france-dessines-par-moreau-le-jeune-lpici-et-monnet-graves-par-le-bas-avec-notices-de-labb-jean-jacques-garnier-1785-colorisation-digitale-dapres-loriginale-image502759569.htmlRM2M5XJXW–Louis V le Faineant (966-987), roi des Francs, expulse sa mere, la reine Emma d'Italie (945-988), accusee d'avoir empoisonne son mari, le roi Lothaire (941-986), 987. Gravure de Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18eme siecle. Figures de l'histoire de France (dessinées par Moreau le Jeune, Lépicié et Monnet, gravées par Le Bas avec notices de l'abbé Jean-Jacques Garnier) 1785 - Colorisation digitale d'apres l'originale -
The Divine Comedy by Dante Alighieri , Inferno, Canto 7 : The souls of the avaricious and the prodigal forced to roll heavy stones - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-divine-comedy-by-dante-alighieri-inferno-canto-7-the-souls-of-the-avaricious-and-the-prodigal-forced-to-roll-heavy-stones-by-dante-alighieri-1265-1321-illustration-de-gustave-dore-1832-1883-1885-colorisation-digitale-dapres-loriginale-image502826532.htmlRM2M61MAC–The Divine Comedy by Dante Alighieri , Inferno, Canto 7 : The souls of the avaricious and the prodigal forced to roll heavy stones - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale
Gluttony, Wrath and Avarice: manicules (hands with pointing index fingers) indicate three of Christianity’s Seven Vices or Deadly Sins. Part of an early 1300s Last Judgement fresco in the Chiesa di Santa Maria del Tiglio, beside Lake Como at Gravedona, Lombardy, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gluttony-wrath-and-avarice-manicules-hands-with-pointing-index-fingers-indicate-three-of-christianitys-seven-vices-or-deadly-sins-part-of-an-early-1300s-last-judgement-fresco-in-the-chiesa-di-santa-maria-del-tiglio-beside-lake-como-at-gravedona-lombardy-italy-image433234884.htmlRF2G4RFEC–Gluttony, Wrath and Avarice: manicules (hands with pointing index fingers) indicate three of Christianity’s Seven Vices or Deadly Sins. Part of an early 1300s Last Judgement fresco in the Chiesa di Santa Maria del Tiglio, beside Lake Como at Gravedona, Lombardy, Italy.
Rothenburg ob Der Tauber, Germany - The middle building os the Baumeisterhaus, a building depicting the 7 sins and virtues in the form stone figures Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rothenburg-ob-der-tauber-germany-the-middle-building-os-the-baumeisterhaus-a-building-depicting-the-7-sins-and-virtues-in-the-form-stone-figures-image455176874.htmlRM2HCF2MX–Rothenburg ob Der Tauber, Germany - The middle building os the Baumeisterhaus, a building depicting the 7 sins and virtues in the form stone figures
Thornham, Norfolk. Medieval bench end, Seven Deadly Sins, Drunkenness and Jaws of Hell England UK English wood carving carvings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-thornham-norfolk-medieval-bench-end-seven-deadly-sins-drunkenness-38086087.htmlRMC5XY5B–Thornham, Norfolk. Medieval bench end, Seven Deadly Sins, Drunkenness and Jaws of Hell England UK English wood carving carvings
Hieronymus Bosch (c.1450-1516). Dutch painter. Table of the Seven Deadly Sins. Detail of the Greed. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hieronymus-bosch-c1450-1516-dutch-painter-table-of-the-seven-deadly-sins-detail-of-the-greed-prado-museum-madrid-spain-image220226589.htmlRMPP8579–Hieronymus Bosch (c.1450-1516). Dutch painter. Table of the Seven Deadly Sins. Detail of the Greed. Prado Museum. Madrid. Spain.
The Divine Comedy by Dante Alighieri , Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-divine-comedy-by-dante-alighieri-inferno-canto-7-virgil-shows-dante-the-souls-of-the-wrathful-in-the-styx-by-dante-alighieri-1265-1321-illustration-de-gustave-dore-1832-1883-1885-colorisation-digitale-dapres-loriginale-image502826538.htmlRM2M61MAJ–The Divine Comedy by Dante Alighieri , Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale
Patience, Charity and Chastity: manicules (hands with pointing index fingers) indicate three of the Seven Christian or Heavenly Virtues detailed on scrolls. Part of a 1300s Last Judgement fresco in a Romanesque church, the Chiesa di Santa Maria del Tiglio, beside Lake Como at Gravedona, Lombardy, Italy. Towers shown rising between the scrolls include the original church campaniles of both Gravedona itself, depicted as a Celestial Jerusalem, and of Piona Abbey, on the opposite bank of the lake. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/patience-charity-and-chastity-manicules-hands-with-pointing-index-fingers-indicate-three-of-the-seven-christian-or-heavenly-virtues-detailed-on-scrolls-part-of-a-1300s-last-judgement-fresco-in-a-romanesque-church-the-chiesa-di-santa-maria-del-tiglio-beside-lake-como-at-gravedona-lombardy-italy-towers-shown-rising-between-the-scrolls-include-the-original-church-campaniles-of-both-gravedona-itself-depicted-as-a-celestial-jerusalem-and-of-piona-abbey-on-the-opposite-bank-of-the-lake-image433234876.htmlRF2G4RFE4–Patience, Charity and Chastity: manicules (hands with pointing index fingers) indicate three of the Seven Christian or Heavenly Virtues detailed on scrolls. Part of a 1300s Last Judgement fresco in a Romanesque church, the Chiesa di Santa Maria del Tiglio, beside Lake Como at Gravedona, Lombardy, Italy. Towers shown rising between the scrolls include the original church campaniles of both Gravedona itself, depicted as a Celestial Jerusalem, and of Piona Abbey, on the opposite bank of the lake.
Hieronymus Bosch (c.1450-1516). Dutch painter. Table of the Seven Deadly Sins. Detail of the Envy. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hieronymus-bosch-c1450-1516-dutch-painter-table-of-the-seven-deadly-sins-detail-of-the-envy-prado-museum-madrid-spain-image220220088.htmlRMPP7TY4–Hieronymus Bosch (c.1450-1516). Dutch painter. Table of the Seven Deadly Sins. Detail of the Envy. Prado Museum. Madrid. Spain.
The Divine Comedy by Dante Alighieri , Purgatorio, Canto 13 : The souls of the envious - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-divine-comedy-by-dante-alighieri-purgatorio-canto-13-the-souls-of-the-envious-by-dante-alighieri-1265-1321-illustration-de-gustave-dore-1832-1883-1885-colorisation-digitale-dapres-loriginale-image502826075.htmlRM2M61KP3–The Divine Comedy by Dante Alighieri , Purgatorio, Canto 13 : The souls of the envious - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale
Last Judgement fresco, painted early 1300s and showing influence of Giotto. In the Chiesa di Santa Maria del Tiglio, a Como-Romanesque church built in the second half of the 1100s at Gravedona in Lombardy, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/last-judgement-fresco-painted-early-1300s-and-showing-influence-of-giotto-in-the-chiesa-di-santa-maria-del-tiglio-a-como-romanesque-church-built-in-the-second-half-of-the-1100s-at-gravedona-in-lombardy-italy-image605530052.htmlRF2X547N8–Last Judgement fresco, painted early 1300s and showing influence of Giotto. In the Chiesa di Santa Maria del Tiglio, a Como-Romanesque church built in the second half of the 1100s at Gravedona in Lombardy, Italy.
Hieronymus Bosch (c.1450-1516). Dutch painter. Table of the Seven Deadly Sins. Detail of the Wrath. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hieronymus-bosch-c1450-1516-dutch-painter-table-of-the-seven-deadly-sins-detail-of-the-wrath-prado-museum-madrid-spain-image220226561.htmlRMPP8569–Hieronymus Bosch (c.1450-1516). Dutch painter. Table of the Seven Deadly Sins. Detail of the Wrath. Prado Museum. Madrid. Spain.
The Divine Comedy by Dante Alighieri , Purgatorio, Canto 19 : The souls of the avaricious: Adrian V (pape Adrien V) speaks to Dante - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-divine-comedy-by-dante-alighieri-purgatorio-canto-19-the-souls-of-the-avaricious-adrian-v-pape-adrien-v-speaks-to-dante-by-dante-alighieri-1265-1321-illustration-de-gustave-dore-1832-1883-1885-colorisation-digitale-dapres-loriginale-image502826235.htmlRM2M61KYR–The Divine Comedy by Dante Alighieri , Purgatorio, Canto 19 : The souls of the avaricious: Adrian V (pape Adrien V) speaks to Dante - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale
Hieronymus Bosch (c.1450-1516). Dutch painter. Table of the Seven Deadly Sins. Detail of the Gluttony. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hieronymus-bosch-c1450-1516-dutch-painter-table-of-the-seven-deadly-sins-detail-of-the-gluttony-prado-museum-madrid-spain-image220219963.htmlRMPP7TPK–Hieronymus Bosch (c.1450-1516). Dutch painter. Table of the Seven Deadly Sins. Detail of the Gluttony. Prado Museum. Madrid. Spain.
The Divine Comedy by Dante Alighieri , Purgatorio, Canto 20 : The souls of the avaricious - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-divine-comedy-by-dante-alighieri-purgatorio-canto-20-the-souls-of-the-avaricious-by-dante-alighieri-1265-1321-illustration-de-gustave-dore-1832-1883-1885-colorisation-digitale-dapres-loriginale-image502826294.htmlRM2M61M1X–The Divine Comedy by Dante Alighieri , Purgatorio, Canto 20 : The souls of the avaricious - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale
The Divine Comedy by Dante Alighieri , Purgatorio, Canto 23 : The souls of the gluttonous - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-divine-comedy-by-dante-alighieri-purgatorio-canto-23-the-souls-of-the-gluttonous-by-dante-alighieri-1265-1321-illustration-de-gustave-dore-1832-1883-1885-colorisation-digitale-dapres-loriginale-image502826243.htmlRM2M61M03–The Divine Comedy by Dante Alighieri , Purgatorio, Canto 23 : The souls of the gluttonous - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale
The Divine Comedy by Dante Alighieri , Purgatorio, Canto 23 : Dante recognizes the shade of Forese Donati among the gluttons - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-divine-comedy-by-dante-alighieri-purgatorio-canto-23-dante-recognizes-the-shade-of-forese-donati-among-the-gluttons-by-dante-alighieri-1265-1321-illustration-de-gustave-dore-1832-1883-1885-colorisation-digitale-dapres-loriginale-image502826244.htmlRM2M61M04–The Divine Comedy by Dante Alighieri , Purgatorio, Canto 23 : Dante recognizes the shade of Forese Donati among the gluttons - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale
The Divine Comedy by Dante Alighieri , Purgatorio, Canto 10 : The marble sculptures portraying pride - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-divine-comedy-by-dante-alighieri-purgatorio-canto-10-the-marble-sculptures-portraying-pride-by-dante-alighieri-1265-1321-illustration-de-gustave-dore-1832-1883-1885-colorisation-digitale-dapres-loriginale-image502826076.htmlRM2M61KP4–The Divine Comedy by Dante Alighieri , Purgatorio, Canto 10 : The marble sculptures portraying pride - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale
The Divine Comedy by Dante Alighieri , Purgatorio, Canto 25 : The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-divine-comedy-by-dante-alighieri-purgatorio-canto-25-the-lustful-pass-through-fire-in-the-seventh-circle-by-dante-alighieri-1265-1321-illustration-de-gustave-dore-1832-1883-1885-colorisation-digitale-dapres-loriginale-image502826285.htmlRM2M61M1H–The Divine Comedy by Dante Alighieri , Purgatorio, Canto 25 : The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale
The Divine Comedy by Dante Alighieri , Purgatorio, Canto 11 : The souls of the prideful, bearing heavy stones - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-divine-comedy-by-dante-alighieri-purgatorio-canto-11-the-souls-of-the-prideful-bearing-heavy-stones-by-dante-alighieri-1265-1321-illustration-de-gustave-dore-1832-1883-1885-colorisation-digitale-dapres-loriginale-image502826077.htmlRM2M61KP5–The Divine Comedy by Dante Alighieri , Purgatorio, Canto 11 : The souls of the prideful, bearing heavy stones - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale
The Divine Comedy by Dante Alighieri , Purgatorio, Canto 24 : The gluttonous souls crying out beneath the tree - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-divine-comedy-by-dante-alighieri-purgatorio-canto-24-the-gluttonous-souls-crying-out-beneath-the-tree-by-dante-alighieri-1265-1321-illustration-de-gustave-dore-1832-1883-1885-colorisation-digitale-dapres-loriginale-image502827695.htmlRM2M61NRY–The Divine Comedy by Dante Alighieri , Purgatorio, Canto 24 : The gluttonous souls crying out beneath the tree - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale
The Divine Comedy by Dante Alighieri , Inferno, Canto 6 : The gluttons battered by eternal rain - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-divine-comedy-by-dante-alighieri-inferno-canto-6-the-gluttons-battered-by-eternal-rain-by-dante-alighieri-1265-1321-illustration-de-gustave-dore-1832-1883-1885-colorisation-digitale-dapres-loriginale-image502826596.htmlRM2M61MCM–The Divine Comedy by Dante Alighieri , Inferno, Canto 6 : The gluttons battered by eternal rain - by Dante Alighieri (1265-1321) - Illustration de Gustave Dore (1832-1883), 1885 - Colorisation digitale d'apres l'originale
