Portrait of a Man, Jacob Adriaensz. Backer, Dutch, 1608/9-1651, Oil on canvas, Netherlands, ca. 1637-1638, 29 3/4 x 25 5/8 in., 75.6 x 65.1 cm, Beard, beaver hat, Dutch Painting, hand, male figure, man, moustache, oil on canvas, portrait, ruff Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-man-jacob-adriaensz-backer-dutch-16089-1651-oil-on-canvas-netherlands-ca-1637-1638-29-34-x-25-58-in-756-x-651-cm-beard-beaver-hat-dutch-painting-hand-male-figure-man-moustache-oil-on-canvas-portrait-ruff-image454273348.html
RM2HB1X84–Portrait of a Man, Jacob Adriaensz. Backer, Dutch, 1608/9-1651, Oil on canvas, Netherlands, ca. 1637-1638, 29 3/4 x 25 5/8 in., 75.6 x 65.1 cm, Beard, beaver hat, Dutch Painting, hand, male figure, man, moustache, oil on canvas, portrait, ruff
Inspired by Portrait of a Man, Jacob Adriaensz. Backer, Dutch, 1608/9-1651, Oil on canvas, Netherlands, ca. 1637-1638, 29 3/4 x 25 5/8 in., 75.6 x 65.1 cm, Beard, beaver hat, Dutch Painting, hand, male figure, man, moustache, oil on canvas, portrait, ruff, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-portrait-of-a-man-jacob-adriaensz-backer-dutch-16089-1651-oil-on-canvas-netherlands-ca-1637-1638-29-34-x-25-58-in-756-x-651-cm-beard-beaver-hat-dutch-painting-hand-male-figure-man-moustache-oil-on-canvas-portrait-ruff-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459252303.html
RF2HK4MYY–Inspired by Portrait of a Man, Jacob Adriaensz. Backer, Dutch, 1608/9-1651, Oil on canvas, Netherlands, ca. 1637-1638, 29 3/4 x 25 5/8 in., 75.6 x 65.1 cm, Beard, beaver hat, Dutch Painting, hand, male figure, man, moustache, oil on canvas, portrait, ruff, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Portrait of a Man Jacob Adriaensz. Backer (Dutch, 1608/9-1651). Portrait of a Man, ca. 1637-1638. Oil on canvas, 29 3/4 x 25 5/8 in. (75.6 x 65.1 cm). European Art ca. 1637-1638 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-man-jacob-adriaensz-backer-dutch-16089-1651-portrait-of-a-man-ca-1637-1638-oil-on-canvas-29-34-x-25-58-in-756-x-651-cm-european-art-ca-1637-1638-image504702826.html
RM2M935GX–Portrait of a Man Jacob Adriaensz. Backer (Dutch, 1608/9-1651). Portrait of a Man, ca. 1637-1638. Oil on canvas, 29 3/4 x 25 5/8 in. (75.6 x 65.1 cm). European Art ca. 1637-1638
Maharana Jagat Singh Hawks for Cranes. Artist: Shiva and Dayal. Culture: Western India, Rajasthan, Udaipur. Dimensions: Sheet: 26 7/8 x 29 3/4 in. (68.3 x 75.6 cm) Image: 23 7/8 x 25 7/8 in. (60.6 x 65.7 cm) Framed: 34 5/8 × 36 1/2 × 1 1/2 in. (87.9 × 92.7 × 3.8 cm). Date: dated 1744. This spectacular panoramic vista of the Mewar landscape depicts a royal hunting party in a series of consecutive vignettes, creating a continuous narrative. The aerial perspective, reflecting the plunging views of terrain offered from many Rajput forts, was an innovation of the Mewar school, perhaps combined h Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maharana-jagat-singh-hawks-for-cranes-artist-shiva-and-dayal-culture-western-india-rajasthan-udaipur-dimensions-sheet-26-78-x-29-34-in-683-x-756-cm-image-23-78-x-25-78-in-606-x-657-cm-framed-34-58-36-12-1-12-in-879-927-38-cm-date-dated-1744-this-spectacular-panoramic-vista-of-the-mewar-landscape-depicts-a-royal-hunting-party-in-a-series-of-consecutive-vignettes-creating-a-continuous-narrative-the-aerial-perspective-reflecting-the-plunging-views-of-terrain-offered-from-many-rajput-forts-was-an-innovation-of-the-mewar-school-perhaps-combined-h-image212774021.html
RMPA4KC5–Maharana Jagat Singh Hawks for Cranes. Artist: Shiva and Dayal. Culture: Western India, Rajasthan, Udaipur. Dimensions: Sheet: 26 7/8 x 29 3/4 in. (68.3 x 75.6 cm) Image: 23 7/8 x 25 7/8 in. (60.6 x 65.7 cm) Framed: 34 5/8 × 36 1/2 × 1 1/2 in. (87.9 × 92.7 × 3.8 cm). Date: dated 1744. This spectacular panoramic vista of the Mewar landscape depicts a royal hunting party in a series of consecutive vignettes, creating a continuous narrative. The aerial perspective, reflecting the plunging views of terrain offered from many Rajput forts, was an innovation of the Mewar school, perhaps combined h
. The Viscosity of the Blood. Pressure. (corr.)., Time ofoutflow. *?• Pressure(corr.). Time ofoutflow. rn- Plasma. + 3*6 x 106 corpuscles per cubic millimetre. Cm. Hg. Sees. C.Gr.S. units. Cm. Hg. Sees. i C.G-.S. units. 15-613-511-3 8-04-62-6 22-827-433-447*280*3141*7 0 -01380-01430 -01450-01450*01420 -0139 12-810-1 7-75*0 2-2 65-885-0112 168 410 0 -03320 -03380 -03420-03320-0347 + 6 x 106 corpuscles per cubic millimetre. + 9*6 x 106 corpuscles per cubic millimetre. 16-0 14-4 10-4 7*3 85*0 95*2 134-0 188-0 0 -05380 -0550 .0 -05520 -0545 17*6 15-6 10-8 8-2 5-6 138-0158-0229-4306-0306-0 0 -09640 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-viscosity-of-the-blood-pressure-corr-time-ofoutflow-pressurecorr-time-ofoutflow-rn-plasma-36-x-106-corpuscles-per-cubic-millimetre-cm-hg-sees-cgrs-units-cm-hg-sees-i-cg-s-units-15-613-511-3-8-04-62-6-22-827-433-44728031417-0-01380-01430-01450-0145001420-0139-12-810-1-7-750-2-2-65-885-0112-168-410-0-03320-03380-03420-03320-0347-6-x-106-corpuscles-per-cubic-millimetre-96-x-106-corpuscles-per-cubic-millimetre-16-0-14-4-10-4-73-850-952-134-0-188-0-0-05380-0550-0-05520-0545-176-15-6-10-8-8-2-5-6-138-0158-0229-4306-0306-0-0-09640-image336713143.html
RM2AFPH1B–. The Viscosity of the Blood. Pressure. (corr.)., Time ofoutflow. *?• Pressure(corr.). Time ofoutflow. rn- Plasma. + 3*6 x 106 corpuscles per cubic millimetre. Cm. Hg. Sees. C.Gr.S. units. Cm. Hg. Sees. i C.G-.S. units. 15-613-511-3 8-04-62-6 22-827-433-447*280*3141*7 0 -01380-01430 -01450-01450*01420 -0139 12-810-1 7-75*0 2-2 65-885-0112 168 410 0 -03320 -03380 -03420-03320-0347 + 6 x 106 corpuscles per cubic millimetre. + 9*6 x 106 corpuscles per cubic millimetre. 16-0 14-4 10-4 7*3 85*0 95*2 134-0 188-0 0 -05380 -0550 .0 -05520 -0545 17*6 15-6 10-8 8-2 5-6 138-0158-0229-4306-0306-0 0 -09640
The Eternal Feminine (L'Éternel Féminin); Paul Cézanne, French, 1839 - 1906; France, Europe; about 1877; Oil on canvas; Unframed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-eternal-feminine-lternel-fminin-paul-czanne-french-1839-1906-france-73246160.html
RME74J68–The Eternal Feminine (L'Éternel Féminin); Paul Cézanne, French, 1839 - 1906; France, Europe; about 1877; Oil on canvas; Unframed
Fragment, 1550/75, Turkey, Turkey, Silk and gilt-metal-strip-wrapped silk, warp-float faced 4:1 satin weave with weft-float faced 1:3 'Z' twill interlacings of secondary binding warps, self-patterning complementary ground wefts, and supplementary brocading wefts, two fragments pieced, 65.6 x 42.4 cm 25 7/8 x 16 5/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-155075-turkey-turkey-silk-and-gilt-metal-strip-wrapped-silk-warp-float-faced-41-satin-weave-with-weft-float-faced-13-z-twill-interlacings-of-secondary-binding-warps-self-patterning-complementary-ground-wefts-and-supplementary-brocading-wefts-two-fragments-pieced-656-x-424-cm-25-78-x-16-58-in-image328616340.html
RM2A2HNDT–Fragment, 1550/75, Turkey, Turkey, Silk and gilt-metal-strip-wrapped silk, warp-float faced 4:1 satin weave with weft-float faced 1:3 'Z' twill interlacings of secondary binding warps, self-patterning complementary ground wefts, and supplementary brocading wefts, two fragments pieced, 65.6 x 42.4 cm 25 7/8 x 16 5/8 in
Art inspired by Portrait of a Man, Jacob Adriaensz. Backer, Dutch, 1608/9-1651, Oil on canvas, Netherlands, ca. 1637-1638, 29 3/4 x 25 5/8 in., 75.6 x 65.1 cm, Beard, beaver hat, Dutch Painting, hand, male figure, man, moustache, oil on canvas, portrait, ruff, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portrait-of-a-man-jacob-adriaensz-backer-dutch-16089-1651-oil-on-canvas-netherlands-ca-1637-1638-29-34-x-25-58-in-756-x-651-cm-beard-beaver-hat-dutch-painting-hand-male-figure-man-moustache-oil-on-canvas-portrait-ruff-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459567790.html
RF2HKK3BA–Art inspired by Portrait of a Man, Jacob Adriaensz. Backer, Dutch, 1608/9-1651, Oil on canvas, Netherlands, ca. 1637-1638, 29 3/4 x 25 5/8 in., 75.6 x 65.1 cm, Beard, beaver hat, Dutch Painting, hand, male figure, man, moustache, oil on canvas, portrait, ruff, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of a Man Jacob Adriaensz. Backer (Dutch, 1608/9-1651). Portrait of a Man, ca. 1637-1638. Oil on canvas, 29 3/4 x 25 5/8 in. (75.6 x 65.1 cm). European Art ca. 1637-1638 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-man-jacob-adriaensz-backer-dutch-16089-1651-portrait-of-a-man-ca-1637-1638-oil-on-canvas-29-34-x-25-58-in-756-x-651-cm-european-art-ca-1637-1638-image504702816.html
RM2M935GG–Portrait of a Man Jacob Adriaensz. Backer (Dutch, 1608/9-1651). Portrait of a Man, ca. 1637-1638. Oil on canvas, 29 3/4 x 25 5/8 in. (75.6 x 65.1 cm). European Art ca. 1637-1638
The Invocation. Dated: 1903. Dimensions: overall: 65.5 x 75.6 cm (25 13/16 x 29 3/4 in.) framed: 96.5 x 105.4 cm (38 x 41 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-invocation-dated-1903-dimensions-overall-655-x-756-cm-25-1316-x-29-34-in-framed-965-x-1054-cm-38-x-41-12-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-paul-gauguin-image233364209.html
RMRFJJC1–The Invocation. Dated: 1903. Dimensions: overall: 65.5 x 75.6 cm (25 13/16 x 29 3/4 in.) framed: 96.5 x 105.4 cm (38 x 41 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.
Randolph town reports . X iO i=H CM i-H O H N 00 00 03 O H H H H (N (N PI ftu SI 203 EIGHTIETH ANNUAL REPORT. 204 TOWN OF RANDOLPH INTERMENTS AT RANDOLPH Of Persons Dying Elsewhere, 1915 Date of death Name Age Place of death 1915 M. D. Jan. 12 A T T T 1 ? Agnes J. Hopkins 52 4 21 Boston 15 Isabel Chevrie 48 Boston 16 Daniel Kelleher 54 9 6 Holbrook 29 Mary E. Dunphy 22 8 0 Brockton Feb. 1 Elizabeth Gaffney 75 — Newton 7 Gustave Hammerlee 65 5 19 Boston 6 James McDonald 59 Quincy 9 Lydia Ann Boyd 1 4 Taunton 11 Bancroft 0 0 4 Boston 16 Emma W. Belcher 76 1 6 Boston 18 Patrick Tierney 70 11 3 Ho Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/randolph-town-reports-x-io-i=h-cm-i-h-o-h-n-00-00-03-o-h-h-h-h-n-n-pi-ftu-si-203-eightieth-annual-report-204-town-of-randolph-interments-at-randolph-of-persons-dying-elsewhere-1915-date-of-death-name-age-place-of-death-1915-m-d-jan-12-a-t-t-t-1-agnes-j-hopkins-52-4-21-boston-15-isabel-chevrie-48-boston-16-daniel-kelleher-54-9-6-holbrook-29-mary-e-dunphy-22-8-0-brockton-feb-1-elizabeth-gaffney-75-newton-7-gustave-hammerlee-65-5-19-boston-6-james-mcdonald-59-quincy-9-lydia-ann-boyd-1-4-taunton-11-bancroft-0-0-4-boston-16-emma-w-belcher-76-1-6-boston-18-patrick-tierney-70-11-3-ho-image338409116.html
RM2AJFT7T–Randolph town reports . X iO i=H CM i-H O H N 00 00 03 O H H H H (N (N PI ftu SI 203 EIGHTIETH ANNUAL REPORT. 204 TOWN OF RANDOLPH INTERMENTS AT RANDOLPH Of Persons Dying Elsewhere, 1915 Date of death Name Age Place of death 1915 M. D. Jan. 12 A T T T 1 ? Agnes J. Hopkins 52 4 21 Boston 15 Isabel Chevrie 48 Boston 16 Daniel Kelleher 54 9 6 Holbrook 29 Mary E. Dunphy 22 8 0 Brockton Feb. 1 Elizabeth Gaffney 75 — Newton 7 Gustave Hammerlee 65 5 19 Boston 6 James McDonald 59 Quincy 9 Lydia Ann Boyd 1 4 Taunton 11 Bancroft 0 0 4 Boston 16 Emma W. Belcher 76 1 6 Boston 18 Patrick Tierney 70 11 3 Ho
Cuneiform cylinder: inscription of Nebuchadnezzar II describing work done on a wall and moat, Babylonian, Neo-Babylonian, Date ca. 604–562 B.C., Mesopotamia, Babylon (?) (modern Hillah), Babylonian, Clay, 4 x 2.75 x 1.65 in. (10.16 x 6.99 x 4.2 cm), Clay-Tablets-Inscribed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cuneiform-cylinder-inscription-of-nebuchadnezzar-ii-describing-work-done-on-a-wall-and-moat-babylonian-neo-babylonian-date-ca-604562-bc-mesopotamia-babylon-modern-hillah-babylonian-clay-4-x-275-x-165-in-1016-x-699-x-42-cm-clay-tablets-inscribed-image344667980.html
RM2B0MYEM–Cuneiform cylinder: inscription of Nebuchadnezzar II describing work done on a wall and moat, Babylonian, Neo-Babylonian, Date ca. 604–562 B.C., Mesopotamia, Babylon (?) (modern Hillah), Babylonian, Clay, 4 x 2.75 x 1.65 in. (10.16 x 6.99 x 4.2 cm), Clay-Tablets-Inscribed
PLAN of the Town and Township of LIVERPOOL Shewing every House Author Horwood, Richard 18.75.1. Place of publication: [Liverpool] Publisher: Published July 1, 1803 by R. Horwood, Liverpool., Date of publication: [1803.] Item type: 1 map on 6 sheets Dimensions: sheets 65 x 55 cm or smaller Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plan-of-the-town-and-township-of-liverpool-shewing-every-house-author-horwood-richard-18751-place-of-publication-liverpool-publisher-published-july-1-1803-by-r-horwood-liverpool-date-of-publication-1803-item-type-1-map-on-6-sheets-dimensions-sheets-65-x-55-cm-or-smaller-former-owner-george-iii-king-of-great-britain-1738-1820-image401751899.html
RM2E9HAJ3–PLAN of the Town and Township of LIVERPOOL Shewing every House Author Horwood, Richard 18.75.1. Place of publication: [Liverpool] Publisher: Published July 1, 1803 by R. Horwood, Liverpool., Date of publication: [1803.] Item type: 1 map on 6 sheets Dimensions: sheets 65 x 55 cm or smaller Former owner: George III, King of Great Britain, 1738-1820
. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. 3N DC Q. ° .08- .06- Absorbance / Copper / Zinc / Calcium --- Conductivity/ / 0.3 O) 3- o 5.0 E ^) 4.0 3- 3.0 | 2.0^ 1.0 ° 0 9.0 8.0 ^** ™ e 6.0 | 5.0 > 4.0 > 3.0 § O 2.0 | 1.0 ° FRACTION NUMBER FIGURE 3. Elution profile of the cytosolic fraction of the digestive gland of an intermolt crab showing the partitioning of metals; (A) Sephadex G-75 elution profile column 2.6 X 65 cm with a flow rate of 30 ml/h of 60 mMTris, pH 7.9 with 2 mM-2 mercaptoethanol and (B) DEAE—Sephacel ion-exchange col- umn 1.6 X 10 cm us Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-biological-bulletin-biology-zoology-biology-marine-biology-3n-dc-q-08-06-absorbance-copper-zinc-calcium-conductivity-03-o-3-o-50-e-40-3-30-20-10-0-90-80-e-60-50-gt-40-gt-30-o-20-10-fraction-number-figure-3-elution-profile-of-the-cytosolic-fraction-of-the-digestive-gland-of-an-intermolt-crab-showing-the-partitioning-of-metals-a-sephadex-g-75-elution-profile-column-26-x-65-cm-with-a-flow-rate-of-30-mlh-of-60-mmtris-ph-79-with-2-mm-2-mercaptoethanol-and-b-deaesephacel-ion-exchange-col-umn-16-x-10-cm-us-image234619294.html
RMRHKR8E–. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. 3N DC Q. ° .08- .06- Absorbance / Copper / Zinc / Calcium --- Conductivity/ / 0.3 O) 3- o 5.0 E ^) 4.0 3- 3.0 | 2.0^ 1.0 ° 0 9.0 8.0 ^** ™ e 6.0 | 5.0 > 4.0 > 3.0 § O 2.0 | 1.0 ° FRACTION NUMBER FIGURE 3. Elution profile of the cytosolic fraction of the digestive gland of an intermolt crab showing the partitioning of metals; (A) Sephadex G-75 elution profile column 2.6 X 65 cm with a flow rate of 30 ml/h of 60 mMTris, pH 7.9 with 2 mM-2 mercaptoethanol and (B) DEAE—Sephacel ion-exchange col- umn 1.6 X 10 cm us
Paul Gauguin, (artist), French, 1848 - 1903, The Invocation, 1903, oil on canvas, overall: 65.5 x 75.6 cm (25 13/16 x 29 3/4 in.), framed: 96.5 x 105.4 cm (38 x 41 1/2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-gauguin-artist-french-1848-1903-the-invocation-1903-oil-on-canvas-overall-655-x-756-cm-25-1316-x-29-34-in-framed-965-x-1054-cm-38-x-41-12-in-image386339378.html
RM2DCF7PX–Paul Gauguin, (artist), French, 1848 - 1903, The Invocation, 1903, oil on canvas, overall: 65.5 x 75.6 cm (25 13/16 x 29 3/4 in.), framed: 96.5 x 105.4 cm (38 x 41 1/2 in
PLAN of the Town and Township of LIVERPOOL Shewing every House Author Horwood, Richard 18.75.1. Place of publication: [Liverpool] Publisher: Published July 1, 1803 by R. Horwood, Liverpool., Date of publication: [1803.] Item type: 1 map on 6 sheets Dimensions: sheets 65 x 55 cm or smaller Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plan-of-the-town-and-township-of-liverpool-shewing-every-house-author-horwood-richard-18751-place-of-publication-liverpool-publisher-published-july-1-1803-by-r-horwood-liverpool-date-of-publication-1803-item-type-1-map-on-6-sheets-dimensions-sheets-65-x-55-cm-or-smaller-former-owner-george-iii-king-of-great-britain-1738-1820-image401751877.html
RM2E9HAH9–PLAN of the Town and Township of LIVERPOOL Shewing every House Author Horwood, Richard 18.75.1. Place of publication: [Liverpool] Publisher: Published July 1, 1803 by R. Horwood, Liverpool., Date of publication: [1803.] Item type: 1 map on 6 sheets Dimensions: sheets 65 x 55 cm or smaller Former owner: George III, King of Great Britain, 1738-1820
Bathers Playing with a Crab, c. 1897. Pierre-Auguste Renoir (French, 1841-1919). Oil on fabric; framed: 75.5 x 85.5 x 10 cm (29 3/4 x 33 11/16 x 3 15/16 in.); unframed: 54.6 x 65.7 cm (21 1/2 x 25 7/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bathers-playing-with-a-crab-c-1897-pierre-auguste-renoir-french-1841-1919-oil-on-fabric-framed-755-x-855-x-10-cm-29-34-x-33-1116-x-3-1516-in-unframed-546-x-657-cm-21-12-x-25-78-in-image240413485.html
RMRY3NRW–Bathers Playing with a Crab, c. 1897. Pierre-Auguste Renoir (French, 1841-1919). Oil on fabric; framed: 75.5 x 85.5 x 10 cm (29 3/4 x 33 11/16 x 3 15/16 in.); unframed: 54.6 x 65.7 cm (21 1/2 x 25 7/8 in
. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. 74 D. W. ENGEL <M Q o LU O < m QC O W m 1.2 1.0- .8 .6 .4 .2 0. 3N DC Q. ° .08- .06- Absorbance / Copper / Zinc / Calcium --- Conductivity/ / 0.3 O) 3- o 5.0 E ^) 4.0 3- 3.0 | 2.0^ 1.0 ° 0 9.0 8.0 ^** ™ e 6.0 | 5.0 > 4.0 > 3.0 § O 2.0 | 1.0 ° FRACTION NUMBER FIGURE 3. Elution profile of the cytosolic fraction of the digestive gland of an intermolt crab showing the partitioning of metals; (A) Sephadex G-75 elution profile column 2.6 X 65 cm with a flow rate of 30 ml/h of 60 mMTris, pH 7.9 with 2 mM-2 merc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-biological-bulletin-biology-zoology-biology-marine-biology-74-d-w-engel-ltm-q-o-lu-o-lt-m-qc-o-w-m-12-10-8-6-4-2-0-3n-dc-q-08-06-absorbance-copper-zinc-calcium-conductivity-03-o-3-o-50-e-40-3-30-20-10-0-90-80-e-60-50-gt-40-gt-30-o-20-10-fraction-number-figure-3-elution-profile-of-the-cytosolic-fraction-of-the-digestive-gland-of-an-intermolt-crab-showing-the-partitioning-of-metals-a-sephadex-g-75-elution-profile-column-26-x-65-cm-with-a-flow-rate-of-30-mlh-of-60-mmtris-ph-79-with-2-mm-2-merc-image234619320.html
RMRHKR9C–. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. 74 D. W. ENGEL <M Q o LU O < m QC O W m 1.2 1.0- .8 .6 .4 .2 0. 3N DC Q. ° .08- .06- Absorbance / Copper / Zinc / Calcium --- Conductivity/ / 0.3 O) 3- o 5.0 E ^) 4.0 3- 3.0 | 2.0^ 1.0 ° 0 9.0 8.0 ^** ™ e 6.0 | 5.0 > 4.0 > 3.0 § O 2.0 | 1.0 ° FRACTION NUMBER FIGURE 3. Elution profile of the cytosolic fraction of the digestive gland of an intermolt crab showing the partitioning of metals; (A) Sephadex G-75 elution profile column 2.6 X 65 cm with a flow rate of 30 ml/h of 60 mMTris, pH 7.9 with 2 mM-2 merc
Gokei Monju (Manjushri with Five Chignons), 1200s or 1300s. Japan, Kamakura period (1185-1333). Hanging scroll, ink, color, gold, and cut gold on silk; diameter: 3.2 cm (1 1/4 in.); overall: 102 x 42.6 cm (40 3/16 x 16 3/4 in.); with knobs: 190.5 x 65.5 cm (75 x 25 13/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gokei-monju-manjushri-with-five-chignons-1200s-or-1300s-japan-kamakura-period-1185-1333-hanging-scroll-ink-color-gold-and-cut-gold-on-silk-diameter-32-cm-1-14-in-overall-102-x-426-cm-40-316-x-16-34-in-with-knobs-1905-x-655-cm-75-x-25-1316-in-image240448258.html
RMRY5A5P–Gokei Monju (Manjushri with Five Chignons), 1200s or 1300s. Japan, Kamakura period (1185-1333). Hanging scroll, ink, color, gold, and cut gold on silk; diameter: 3.2 cm (1 1/4 in.); overall: 102 x 42.6 cm (40 3/16 x 16 3/4 in.); with knobs: 190.5 x 65.5 cm (75 x 25 13/16 in
General Washington, Print made by Thomas Cheesman, 1760–1834/35, British, after John Trumbull, 1756–1843, American, 1796, Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 29 3/4 x 19 5/8in. (75.6 x 49.8cm), Image: 25 × 17 3/4 inches (63.5 × 45.1 cm), and Plate: 25 3/4 × 18 1/2 inches (65.4 × 47 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/general-washington-print-made-by-thomas-cheesman-1760183435-british-after-john-trumbull-17561843-american-1796-color-printed-stipple-engraving-and-etching-with-hand-coloring-in-watercolor-on-medium-slightly-textured-cream-wove-paper-sheet-29-34-x-19-58in-756-x-498cm-image-25-17-34-inches-635-451-cm-and-plate-25-34-18-12-inches-654-47-cm-image389647187.html
RM2DHWXXY–General Washington, Print made by Thomas Cheesman, 1760–1834/35, British, after John Trumbull, 1756–1843, American, 1796, Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 29 3/4 x 19 5/8in. (75.6 x 49.8cm), Image: 25 × 17 3/4 inches (63.5 × 45.1 cm), and Plate: 25 3/4 × 18 1/2 inches (65.4 × 47 cm
The Sleigh Driver, 1767, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 5/8 x 3 11/16 in. (11.75 x 9.37 cm) (image)5 3/8 x 4 1/16 in. (13.65 x 10.32 cm) (plate)6 13/16 x 5 1/4 in. (17.3 x 13.34 cm) (sheet), Etching, France, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sleigh-driver-1767-jean-baptiste-le-prince-french-1734-1781-4-58-x-3-1116-in-1175-x-937-cm-image5-38-x-4-116-in-1365-x-1032-cm-plate6-1316-x-5-14-in-173-x-1334-cm-sheet-etching-france-18th-century-image573510701.html
RM2T91JN1–The Sleigh Driver, 1767, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 5/8 x 3 11/16 in. (11.75 x 9.37 cm) (image)5 3/8 x 4 1/16 in. (13.65 x 10.32 cm) (plate)6 13/16 x 5 1/4 in. (17.3 x 13.34 cm) (sheet), Etching, France, 18th century
PLAN of the Town and Township of LIVERPOOL Shewing every House Author Horwood, Richard 18.75.1. Place of publication: [Liverpool] Publisher: Published July 1, 1803 by R. Horwood, Liverpool., Date of publication: [1803.] Item type: 1 map on 6 sheets Dimensions: sheets 65 x 55 cm or smaller Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plan-of-the-town-and-township-of-liverpool-shewing-every-house-author-horwood-richard-18751-place-of-publication-liverpool-publisher-published-july-1-1803-by-r-horwood-liverpool-date-of-publication-1803-item-type-1-map-on-6-sheets-dimensions-sheets-65-x-55-cm-or-smaller-former-owner-george-iii-king-of-great-britain-1738-1820-image401751907.html
RM2E9HAJB–PLAN of the Town and Township of LIVERPOOL Shewing every House Author Horwood, Richard 18.75.1. Place of publication: [Liverpool] Publisher: Published July 1, 1803 by R. Horwood, Liverpool., Date of publication: [1803.] Item type: 1 map on 6 sheets Dimensions: sheets 65 x 55 cm or smaller Former owner: George III, King of Great Britain, 1738-1820
PLAN of the Town and Township of LIVERPOOL Shewing every House Author Horwood, Richard 18.75.1. Place of publication: [Liverpool] Publisher: Published July 1, 1803 by R. Horwood, Liverpool., Date of publication: [1803.] Item type: 1 map on 6 sheets Dimensions: sheets 65 x 55 cm or smaller Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plan-of-the-town-and-township-of-liverpool-shewing-every-house-author-horwood-richard-18751-place-of-publication-liverpool-publisher-published-july-1-1803-by-r-horwood-liverpool-date-of-publication-1803-item-type-1-map-on-6-sheets-dimensions-sheets-65-x-55-cm-or-smaller-former-owner-george-iii-king-of-great-britain-1738-1820-image401751892.html
RM2E9HAHT–PLAN of the Town and Township of LIVERPOOL Shewing every House Author Horwood, Richard 18.75.1. Place of publication: [Liverpool] Publisher: Published July 1, 1803 by R. Horwood, Liverpool., Date of publication: [1803.] Item type: 1 map on 6 sheets Dimensions: sheets 65 x 55 cm or smaller Former owner: George III, King of Great Britain, 1738-1820
PLAN of the Town and Township of LIVERPOOL Shewing every House Author Horwood, Richard 18.75.1. Place of publication: [Liverpool] Publisher: Published July 1, 1803 by R. Horwood, Liverpool., Date of publication: [1803.] Item type: 1 map on 6 sheets Dimensions: sheets 65 x 55 cm or smaller Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plan-of-the-town-and-township-of-liverpool-shewing-every-house-author-horwood-richard-18751-place-of-publication-liverpool-publisher-published-july-1-1803-by-r-horwood-liverpool-date-of-publication-1803-item-type-1-map-on-6-sheets-dimensions-sheets-65-x-55-cm-or-smaller-former-owner-george-iii-king-of-great-britain-1738-1820-image401751903.html
RM2E9HAJ7–PLAN of the Town and Township of LIVERPOOL Shewing every House Author Horwood, Richard 18.75.1. Place of publication: [Liverpool] Publisher: Published July 1, 1803 by R. Horwood, Liverpool., Date of publication: [1803.] Item type: 1 map on 6 sheets Dimensions: sheets 65 x 55 cm or smaller Former owner: George III, King of Great Britain, 1738-1820
PLAN of the Town and Township of LIVERPOOL Shewing every House Author Horwood, Richard 18.75.1. Place of publication: [Liverpool] Publisher: Published July 1, 1803 by R. Horwood, Liverpool., Date of publication: [1803.] Item type: 1 map on 6 sheets Dimensions: sheets 65 x 55 cm or smaller Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plan-of-the-town-and-township-of-liverpool-shewing-every-house-author-horwood-richard-18751-place-of-publication-liverpool-publisher-published-july-1-1803-by-r-horwood-liverpool-date-of-publication-1803-item-type-1-map-on-6-sheets-dimensions-sheets-65-x-55-cm-or-smaller-former-owner-george-iii-king-of-great-britain-1738-1820-image401751905.html
RM2E9HAJ9–PLAN of the Town and Township of LIVERPOOL Shewing every House Author Horwood, Richard 18.75.1. Place of publication: [Liverpool] Publisher: Published July 1, 1803 by R. Horwood, Liverpool., Date of publication: [1803.] Item type: 1 map on 6 sheets Dimensions: sheets 65 x 55 cm or smaller Former owner: George III, King of Great Britain, 1738-1820
To the Honourable and Right Reverend GEORGE PELHAM, D.D. LORD BISHOP OF EXETER, AND THE REVERend THE DEAN AND CHAPTER this North West View of the CATHEDRAL CHURCH OF ST PETER, EXETER, is by Permission most humbly Author Reeve, Richard 11.69.m. Place of publication: [Bermondsey] Publisher: Published June 1810 by J. Buckler, Bermondsey, Surrey., Date of publication: [June 1810] Item type: 1 print Medium: aquatint and ethcing Dimensions: platemark 49.6 x 65.6 cm, on sheet 54.7 x 75 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/to-the-honourable-and-right-reverend-george-pelham-dd-lord-bishop-of-exeter-and-the-reverend-the-dean-and-chapter-this-north-west-view-of-the-cathedral-church-of-st-peter-exeter-is-by-permission-most-humbly-author-reeve-richard-1169m-place-of-publication-bermondsey-publisher-published-june-1810-by-j-buckler-bermondsey-surrey-date-of-publication-june-1810-item-type-1-print-medium-aquatint-and-ethcing-dimensions-platemark-496-x-656-cm-on-sheet-547-x-75-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401722830.html
RM2E9G1FX–To the Honourable and Right Reverend GEORGE PELHAM, D.D. LORD BISHOP OF EXETER, AND THE REVERend THE DEAN AND CHAPTER this North West View of the CATHEDRAL CHURCH OF ST PETER, EXETER, is by Permission most humbly Author Reeve, Richard 11.69.m. Place of publication: [Bermondsey] Publisher: Published June 1810 by J. Buckler, Bermondsey, Surrey., Date of publication: [June 1810] Item type: 1 print Medium: aquatint and ethcing Dimensions: platemark 49.6 x 65.6 cm, on sheet 54.7 x 75 cm Former owner: George III, King of Great Britain, 1738-1820
N.N., Side wheel steamer »Breitenbach«: View, cuts, floor plan 1:75. Lithograph on cardboard, 65.6 x 56.5 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nn-side-wheel-steamer-breitenbach-view-cuts-floor-plan-175-lithograph-on-cardboard-656-x-565-cm-including-scan-edges-image477636813.html
RM2JN26HH–N.N., Side wheel steamer »Breitenbach«: View, cuts, floor plan 1:75. Lithograph on cardboard, 65.6 x 56.5 cm (including scan edges)
N.N., Great Rhinschleuse, Glückstadt: Department 1: 500, floor plans 1: 100, 1:75. Lithograph on paper, 49.7 x 65.6 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nn-great-rhinschleuse-glckstadt-department-1-500-floor-plans-1-100-175-lithograph-on-paper-497-x-656-cm-including-scan-edges-image477637653.html
RM2JN27KH–N.N., Great Rhinschleuse, Glückstadt: Department 1: 500, floor plans 1: 100, 1:75. Lithograph on paper, 49.7 x 65.6 cm (including scan edges)
Ferstel, Max Freiherr von (born 1859), Gasthof im Mountains (10.11.1882): View 1:75. Tusche, pencil watercolor on the box, 65.2 x 93.6 cm (including scan edges) Ferstel, Max Freiherr von (geb. 1859): Gasthof im Gebirge Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ferstel-max-freiherr-von-born-1859-gasthof-im-mountains-10111882-view-175-tusche-pencil-watercolor-on-the-box-652-x-936-cm-including-scan-edges-ferstel-max-freiherr-von-geb-1859-gasthof-im-gebirge-image477455656.html
RM2JMNYFM–Ferstel, Max Freiherr von (born 1859), Gasthof im Mountains (10.11.1882): View 1:75. Tusche, pencil watercolor on the box, 65.2 x 93.6 cm (including scan edges) Ferstel, Max Freiherr von (geb. 1859): Gasthof im Gebirge
Poelzig Hans (1869-1936), Tied department store in Wroclaw (05.04.1928): 2nd design, floor plan KG 1: 200. Pencil on transparent, 65.6 x 75.2 cm (including scan edges) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/poelzig-hans-1869-1936-tied-department-store-in-wroclaw-05041928-2nd-design-floor-plan-kg-1-200-pencil-on-transparent-656-x-752-cm-including-scan-edges-image477412960.html
RM2JMM12T–Poelzig Hans (1869-1936), Tied department store in Wroclaw (05.04.1928): 2nd design, floor plan KG 1: 200. Pencil on transparent, 65.6 x 75.2 cm (including scan edges)
Holst & Zaar, development of Kaiser-Wilhelm-Straße in Berlin (1886): Facade HL.GEIST-Str. 1: 150. Tusche watercolor on the box, 65.1 x 75.6 cm (including scan edges) Holst & Zaar : Bebauung der Kaiser-Wilhelm-Straße, Berlin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/holst-zaar-development-of-kaiser-wilhelm-strae-in-berlin-1886-facade-hlgeist-str-1-150-tusche-watercolor-on-the-box-651-x-756-cm-including-scan-edges-holst-zaar-bebauung-der-kaiser-wilhelm-strae-berlin-image477467653.html
RM2JMPET5–Holst & Zaar, development of Kaiser-Wilhelm-Straße in Berlin (1886): Facade HL.GEIST-Str. 1: 150. Tusche watercolor on the box, 65.1 x 75.6 cm (including scan edges) Holst & Zaar : Bebauung der Kaiser-Wilhelm-Straße, Berlin
Klomp Johannes Franziskus (1865-1946), Boehme and Kröpke residential building, Hannover (05.1894): FachaDENTail on Bödekerstraße and Turm 1:25. Tusche, pencil watercolored on transparent, 75 x 65.6 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Wohnhaus Boehme und Kröpke, Hannover Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/klomp-johannes-franziskus-1865-1946-boehme-and-krpke-residential-building-hannover-051894-fachadentail-on-bdekerstrae-and-turm-125-tusche-pencil-watercolored-on-transparent-75-x-656-cm-including-scan-edges-klomp-johannes-franziskus-1865-1946-wohnhaus-boehme-und-krpke-hannover-image477601915.html
RM2JN0J37–Klomp Johannes Franziskus (1865-1946), Boehme and Kröpke residential building, Hannover (05.1894): FachaDENTail on Bödekerstraße and Turm 1:25. Tusche, pencil watercolored on transparent, 75 x 65.6 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Wohnhaus Boehme und Kröpke, Hannover
Brocaded velvet cushion cover with crescents, 1525-75. Turkey, Istanbul or Bursa. Velvet, brocaded: silk, gilt- and silver-metal thread, and cotton; overall: 138.4 x 65.4 cm (54 1/2 x 25 3/4 in.); mounted: 134.6 x 63.5 cm (53 x 25 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/brocaded-velvet-cushion-cover-with-crescents-1525-75-turkey-istanbul-or-bursa-velvet-brocaded-silk-gilt-and-silver-metal-thread-and-cotton-overall-1384-x-654-cm-54-12-x-25-34-in-mounted-1346-x-635-cm-53-x-25-in-image448108455.html
RM2H112WB–Brocaded velvet cushion cover with crescents, 1525-75. Turkey, Istanbul or Bursa. Velvet, brocaded: silk, gilt- and silver-metal thread, and cotton; overall: 138.4 x 65.4 cm (54 1/2 x 25 3/4 in.); mounted: 134.6 x 63.5 cm (53 x 25 in.).
Nereid (Sea-Nymph) from a Hanging, late 300s - 400s. Egypt, Byzantine period, late 4th - 5th century. Slit-and dovetailed-tapestry weave probably woven in a linen plain-weave ground; dyed wool, undyed linen; overall: 66.7 x 65.4 cm (26 1/4 x 25 3/4 in.); mounted: 76.8 x 75.6 x 2.9 cm (30 1/4 x 29 3/4 x 1 1/8 in.). This mythological nereid, or sea nymph, a popular subject matter in late antiquity, is offering up the contents of a colored glass bowl. She is adorned with costly jewelry which includes large emeralds, sapphires, and pearls, a loosely draped shawl, and a brilliant halo. The nereid Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nereid-sea-nymph-from-a-hanging-late-300s-400s-egypt-byzantine-period-late-4th-5th-century-slit-and-dovetailed-tapestry-weave-probably-woven-in-a-linen-plain-weave-ground-dyed-wool-undyed-linen-overall-667-x-654-cm-26-14-x-25-34-in-mounted-768-x-756-x-29-cm-30-14-x-29-34-x-1-18-in-this-mythological-nereid-or-sea-nymph-a-popular-subject-matter-in-late-antiquity-is-offering-up-the-contents-of-a-colored-glass-bowl-she-is-adorned-with-costly-jewelry-which-includes-large-emeralds-sapphires-and-pearls-a-loosely-draped-shawl-and-a-brilliant-halo-the-nereid-image448070177.html
RM2H0YA29–Nereid (Sea-Nymph) from a Hanging, late 300s - 400s. Egypt, Byzantine period, late 4th - 5th century. Slit-and dovetailed-tapestry weave probably woven in a linen plain-weave ground; dyed wool, undyed linen; overall: 66.7 x 65.4 cm (26 1/4 x 25 3/4 in.); mounted: 76.8 x 75.6 x 2.9 cm (30 1/4 x 29 3/4 x 1 1/8 in.). This mythological nereid, or sea nymph, a popular subject matter in late antiquity, is offering up the contents of a colored glass bowl. She is adorned with costly jewelry which includes large emeralds, sapphires, and pearls, a loosely draped shawl, and a brilliant halo. The nereid
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