75 x 75 x 17 cm hi-res stock photography and images

Construction fragment of tuff, broken into 2 pieces. Loose pieces on the surface., Building fragment, stone, tuff, 75 x 75 x 17 cm, 71 kg, Netherlands, unknown, unknown, unknown Stock Photo

RM2B0CB8T–Construction fragment of tuff, broken into 2 pieces. Loose pieces on the surface., Building fragment, stone, tuff, 75 x 75 x 17 cm, 71 kg, Netherlands, unknown, unknown, unknown

Inspired by Harrow on the Hill, John Faulkner, Irish, Active 1852-1890, Watercolor, 17 5/16 x 29 9/16 in., 44.0 x 75.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK4NC8–Inspired by Harrow on the Hill, John Faulkner, Irish, Active 1852-1890, Watercolor, 17 5/16 x 29 9/16 in., 44.0 x 75.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Portrait of a man with a red beard, oil on canvas, 75 x 61 cm, unmarked, Schweizerischer Meister, 17. Jh Stock Photo

RM2A2NY14–Portrait of a man with a red beard, oil on canvas, 75 x 61 cm, unmarked, Schweizerischer Meister, 17. Jh

Art inspired by Window curtain, early 20th century, Silk on net, L. 75, W. 17 in. (190.5 x 43.2 cm), Textiles-Embroidered, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0ENG–Art inspired by Window curtain, early 20th century, Silk on net, L. 75, W. 17 in. (190.5 x 43.2 cm), Textiles-Embroidered, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Iron hook, hook, metal, iron, 17,5 x 9,7 cm, roman 75-250, Netherlands, Limburg, Voerendaal, Voerendaal Stock Photo

RM2B0F5MM–Iron hook, hook, metal, iron, 17,5 x 9,7 cm, roman 75-250, Netherlands, Limburg, Voerendaal, Voerendaal

Art inspired by Harrow on the Hill, John Faulkner, Irish, Active 1852-1890, Watercolor, 17 5/16 x 29 9/16 in., 44.0 x 75.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK3H7–Art inspired by Harrow on the Hill, John Faulkner, Irish, Active 1852-1890, Watercolor, 17 5/16 x 29 9/16 in., 44.0 x 75.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Stencil, Japan, late 19th–early 20th century, Japan, Paper, silk, 17 x 12 1/2 in. (43.18 x 31.75 cm), Stencils Stock Photo

RM2B0JDTT–Stencil, Japan, late 19th–early 20th century, Japan, Paper, silk, 17 x 12 1/2 in. (43.18 x 31.75 cm), Stencils

Art inspired by Border relief fragment, Sasanian, ca. 6th century A.D., Mesopotamia, Ctesiphon, Sasanian, Stucco, 2.75 x 17.5 in. (6.99 x 44.45 cm), Stucco-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX8WH–Art inspired by Border relief fragment, Sasanian, ca. 6th century A.D., Mesopotamia, Ctesiphon, Sasanian, Stucco, 2.75 x 17.5 in. (6.99 x 44.45 cm), Stucco-Reliefs, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Dr. Alexander Malthe *oil on canvas *75,5 x 60 cm *signed b.r.: Hans Ødegaard / 1925 17 Alexander Malthe, by Hans Ødegaard Stock Photo

RMP7R9F7–Dr. Alexander Malthe *oil on canvas *75,5 x 60 cm *signed b.r.: Hans Ødegaard / 1925 17 Alexander Malthe, by Hans Ødegaard

Art inspired by Stencil from Trading Room of the Chicago Stock Exchange, Chicago, 1893–94, American, Stencil on canvas, 17 1/2 x 75 1/2 in. (44.5 x 191.8 cm), Architecture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9HC1–Art inspired by Stencil from Trading Room of the Chicago Stock Exchange, Chicago, 1893–94, American, Stencil on canvas, 17 1/2 x 75 1/2 in. (44.5 x 191.8 cm), Architecture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Saint Augustine. Culture: French. Dimensions: 45 5/8 x 17 1/4 x 10 1/8 in. (115.9 x 43.8 x 25.7 cm). Date: 1450-75. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAACWR–Saint Augustine. Culture: French. Dimensions: 45 5/8 x 17 1/4 x 10 1/8 in. (115.9 x 43.8 x 25.7 cm). Date: 1450-75. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Mantle Fragment, 9th–10th century, Peru, Wari, Camelid hair, cotton, Overall: 17 7/8 x 20 3/8 in. (45.39 x 51.75 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX2PT–Art inspired by Mantle Fragment, 9th–10th century, Peru, Wari, Camelid hair, cotton, Overall: 17 7/8 x 20 3/8 in. (45.39 x 51.75 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Polski: Madonna w otoczeniu dwóch świętych Lucas Cranach alter | ok. 1512-1514 | 75.5 x 58 cm | Museum Klassik Stiftung Weimar . 17 April 1917. Unknown 840 Madonna cranach Stock Photo

RMMP9W3A–. Polski: Madonna w otoczeniu dwóch świętych Lucas Cranach alter | ok. 1512-1514 | 75.5 x 58 cm | Museum Klassik Stiftung Weimar . 17 April 1917. Unknown 840 Madonna cranach

Art inspired by Saint Augustine, 1450–75, French, Limestone, paint, gilt, 45 5/8 x 17 1/4 x 10 1/8 in. (115.9 x 43.8 x 25.7 cm), Sculpture-Stone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYXK1–Art inspired by Saint Augustine, 1450–75, French, Limestone, paint, gilt, 45 5/8 x 17 1/4 x 10 1/8 in. (115.9 x 43.8 x 25.7 cm), Sculpture-Stone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Galerie Neue Meister, Staatliche Kunstsammlungen Dresden Foto: Jürgen Karpinski Eduard Manet Paris 1832 - 1883 Paris) Dame in Rosa. 1879 Öl auf Leinwand; 94 x 75 cm Galerie Neue Meister, Gal. Nr. 2598 Verwendung nur mit Genehmigung und Quellenangabe . Deutsch: Édouard Manet: 'Dame in Rosa', 1879; Öl auf Leinwand, 94 x 75 cm, Staatliche Kunstsammlungen Dresden, Galerie Neue Meister . 5 July 2013, 17:32:57. Jürgen Karpinski 848 Manet Dame in Rosa 1879 Stock Photo

RMMPBGB2–Galerie Neue Meister, Staatliche Kunstsammlungen Dresden Foto: Jürgen Karpinski Eduard Manet Paris 1832 - 1883 Paris) Dame in Rosa. 1879 Öl auf Leinwand; 94 x 75 cm Galerie Neue Meister, Gal. Nr. 2598 Verwendung nur mit Genehmigung und Quellenangabe . Deutsch: Édouard Manet: 'Dame in Rosa', 1879; Öl auf Leinwand, 94 x 75 cm, Staatliche Kunstsammlungen Dresden, Galerie Neue Meister . 5 July 2013, 17:32:57. Jürgen Karpinski 848 Manet Dame in Rosa 1879

Art inspired by The Wool Carder, 1834–75, Etching on laid paper; only state, plate: 10 1/16 x 6 13/16 in. (25.6 x 17.3 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXHH5–Art inspired by The Wool Carder, 1834–75, Etching on laid paper; only state, plate: 10 1/16 x 6 13/16 in. (25.6 x 17.3 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Taufe eines Afrikaners. Niederlande, Öl auf Holz, 75 x 106 cm . 17th century. Anonymous 1163 Taufe eines Afrikaners Niederlande 17 Jh Stock Photo

RMMNXKFC–. Taufe eines Afrikaners. Niederlande, Öl auf Holz, 75 x 106 cm . 17th century. Anonymous 1163 Taufe eines Afrikaners Niederlande 17 Jh

Art inspired by Tree Branches (Smaller Italian Sketchbook, leaf 30 recto), 1774–75 (?), Graphite, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7KWK–Art inspired by Tree Branches (Smaller Italian Sketchbook, leaf 30 recto), 1774–75 (?), Graphite, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Deutsch: 'S. Giovanni, Venezia' laut rückseitiger Betitelung, signiert R. Russ, Öl auf Karton, 17,5 x 30 cm . before 1922 75 Robert Russ San Giovanni Venezia Stock Photo

RMP72E2C–Deutsch: 'S. Giovanni, Venezia' laut rückseitiger Betitelung, signiert R. Russ, Öl auf Karton, 17,5 x 30 cm . before 1922 75 Robert Russ San Giovanni Venezia

Art inspired by Standing Figure and Figures Bending Over, 1612–75, Pen and brown ink over black chalk, 5-7/8 x 7-1/16 in. (15.0 x 17.9 cm), Drawings, Micco Spadaro (Domenico Gargiulo) (Italian, Naples 1609/10–1675 Naples, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW57DD–Art inspired by Standing Figure and Figures Bending Over, 1612–75, Pen and brown ink over black chalk, 5-7/8 x 7-1/16 in. (15.0 x 17.9 cm), Drawings, Micco Spadaro (Domenico Gargiulo) (Italian, Naples 1609/10–1675 Naples, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Frisch vermähltes Paar vor der Kirche (mit Bettler), unten links signiert, datiert 1897, Öl auf Karton, 24 x 17,5 cm . 1897 75 Rosa Schweninger Hochzeitspaar 1897 Stock Photo

RMP7B61W–Frisch vermähltes Paar vor der Kirche (mit Bettler), unten links signiert, datiert 1897, Öl auf Karton, 24 x 17,5 cm . 1897 75 Rosa Schweninger Hochzeitspaar 1897

Art inspired by Carved Panel and Ornament (Smaller Italian Sketchbook, leaf 9 recto), 1774–75 (?), Graphite, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7KR6–Art inspired by Carved Panel and Ornament (Smaller Italian Sketchbook, leaf 9 recto), 1774–75 (?), Graphite, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

GRAVELINE Author Chastillon, Claude 61.75. Place of publication: [Paris] Publisher: [Louis Boissevin] Date of publication: [1655] Item type: 1 print Medium: etching and engraving Dimensions: sheet 11.3 x 17.6 cm (trimmed) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FA77–GRAVELINE Author Chastillon, Claude 61.75. Place of publication: [Paris] Publisher: [Louis Boissevin] Date of publication: [1655] Item type: 1 print Medium: etching and engraving Dimensions: sheet 11.3 x 17.6 cm (trimmed) Former owner: George III, King of Great Britain, 1738-1820

Geheimrat Prof. Dr. Max Rabes (1868 - 1944) 'Munitions' (62.5 x 40 cm), painting on wood depicting two World War I German Landsers (Infantrymen) with medical service dog. Artist signed lower left corner. Gilt plaster framed (50 x 75 cm). Max Rabes, born 17 April 1868 in Samter, Prussian province of Posen. Attended Munich School of Art under the tutorship of Paul Graeb, became an illustrator, sculptor, and artist. Best known for Orientalist paintings, but painted many Mediterranean scenes, and multiple World War I battle scenes showing German Land, Additional-Rights-Clearance-Info-Not-Available Stock Photo

RMTABBYK–Geheimrat Prof. Dr. Max Rabes (1868 - 1944) 'Munitions' (62.5 x 40 cm), painting on wood depicting two World War I German Landsers (Infantrymen) with medical service dog. Artist signed lower left corner. Gilt plaster framed (50 x 75 cm). Max Rabes, born 17 April 1868 in Samter, Prussian province of Posen. Attended Munich School of Art under the tutorship of Paul Graeb, became an illustrator, sculptor, and artist. Best known for Orientalist paintings, but painted many Mediterranean scenes, and multiple World War I battle scenes showing German Land, Additional-Rights-Clearance-Info-Not-Available

Girl with a Flute - 1665 75 - oil on wood 20 x 17,8 cm - Vermeer Jan Stock Photo

RF2HBTK5A–Girl with a Flute - 1665 75 - oil on wood 20 x 17,8 cm - Vermeer Jan

RM2B0JDW1–Stencil, Japan, late 19th–early 20th century, Japan, Paper, silk, 17 x 12 1/2 in. (43.18 x 31.75 cm), Stencils

Adolf Hitler - a coffee pot, creamer, and sugar bowl from the table silver of the 'Neue Reichskanzlei' in Berlin., Each in the hard silver version. The coffee pot is engraved with the party eagle above 'RK' and on the bottom bears the maker's mark 'Wellner', '170 cl.', '39' in a circle. Height 22.5 cm, width 27.5 cm. The creamer has 'Wellner', '100 cl.', '22' in a circle. 17.5 x 18.5 cm. The sugar bowl has 'Wellner', '75 cl.', '22' in a circle. 13 x 22 cm. The tray is without party eagle and is stamped 'Wellner', and '60' in a circle. 48 x 37.5 cm. Very rare gr, Stock Photo

RMB478CA–Adolf Hitler - a coffee pot, creamer, and sugar bowl from the table silver of the 'Neue Reichskanzlei' in Berlin., Each in the hard silver version. The coffee pot is engraved with the party eagle above 'RK' and on the bottom bears the maker's mark 'Wellner', '170 cl.', '39' in a circle. Height 22.5 cm, width 27.5 cm. The creamer has 'Wellner', '100 cl.', '22' in a circle. 17.5 x 18.5 cm. The sugar bowl has 'Wellner', '75 cl.', '22' in a circle. 13 x 22 cm. The tray is without party eagle and is stamped 'Wellner', and '60' in a circle. 48 x 37.5 cm. Very rare gr,

Borders (USA); machine-printed; 75.5 x 45 cm (29 3/4 x 17 11/16 in.) Stock Photo

RM2PMGHJ5–Borders (USA); machine-printed; 75.5 x 45 cm (29 3/4 x 17 11/16 in.)

Adolf Hitler,a coffee service from the table silver of the Neue Reichskanzlei,Berlin. A four-piece set,consisting of a coffee pot,creamer,and sugar bowl. Each in the hard silver-plated version. The coffee pot is engraved with the party eagle above 'RK' and on the bottom bears the maker's mark 'Wellner','170 cl.','39' in a circle. Height 22.5 cm,width 27.5 cm. The creamer has 'Wellner','100 cl.','22' in a circle. 17.5 x 18.5 cm. The sugar bowl has 'Wellner','75 cl.','22' in a circle. 13 x 22 cm. The tray is without party eagle and is stamped 'Wellner,Additional-Rights-Clearences-Not Available Stock Photo

RMBRG6B1–Adolf Hitler,a coffee service from the table silver of the Neue Reichskanzlei,Berlin. A four-piece set,consisting of a coffee pot,creamer,and sugar bowl. Each in the hard silver-plated version. The coffee pot is engraved with the party eagle above 'RK' and on the bottom bears the maker's mark 'Wellner','170 cl.','39' in a circle. Height 22.5 cm,width 27.5 cm. The creamer has 'Wellner','100 cl.','22' in a circle. 17.5 x 18.5 cm. The sugar bowl has 'Wellner','75 cl.','22' in a circle. 13 x 22 cm. The tray is without party eagle and is stamped 'Wellner,Additional-Rights-Clearences-Not Available

Stencil from Trading Room of the Chicago Stock Exchange, Chicago. Culture: American. Designer: Designed by Adler and Sullivan. Dimensions: 17 1/2 x 75 1/2 in. (44.5 x 191.8 cm). Date: 1893-94. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA8MEA–Stencil from Trading Room of the Chicago Stock Exchange, Chicago. Culture: American. Designer: Designed by Adler and Sullivan. Dimensions: 17 1/2 x 75 1/2 in. (44.5 x 191.8 cm). Date: 1893-94. Museum: Metropolitan Museum of Art, New York, USA.

View on the Outskirts of Caen - 1872 75 - oil on wood 17,6 x 28,1 cm - Lépine Stanislas Stock Photo

RF2HGKN2C–View on the Outskirts of Caen - 1872 75 - oil on wood 17,6 x 28,1 cm - Lépine Stanislas

Disk Brooch MET DP30203 465381 Frankish, Disk Brooch, 6th century, Silver-gilt. copper alloy, remnants of iron pin, Overall: 1 1/4 x 1/2 in. (3.2 x 1.2 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.75) Stock Photo

RMKNYHW0–Disk Brooch MET DP30203 465381 Frankish, Disk Brooch, 6th century, Silver-gilt. copper alloy, remnants of iron pin, Overall: 1 1/4 x 1/2 in. (3.2 x 1.2 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.75)

The Eternal Feminine (L'Éternel Féminin); Paul Cézanne, French, 1839 - 1906; France, Europe; about 1877; Oil on canvas; Unframed Stock Photo

RME74J68–The Eternal Feminine (L'Éternel Féminin); Paul Cézanne, French, 1839 - 1906; France, Europe; about 1877; Oil on canvas; Unframed

. Deutsche entomologische National-Bibliothek : [Rundschau im Gebiete der Insektenkunde mit besonderer Berücksichtigung der Literatur]. Insects; Entomology. Schrank (Fig. 4) für 10 Kästen. Gr. 30 x 40 cm '. . M. 14 — „ 40 x 50 cm M. 17.— Poliert M. 3.50 mehr. Derselbe eignet sieh sehr gut für Spezialsammler und auch zum etagenmäßigen Anlegen einer Sammlung.. Doubletteii- P.g. 4. Fig. 5. LH aus Pappe mit Aus- lage. (Fig. 5.) Gr. 3 20 x 30 cm M. —.75 Gr. 4 24 x 36 cm M. 1.—.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readabilit Stock Photo

RMPFAHF8–. Deutsche entomologische National-Bibliothek : [Rundschau im Gebiete der Insektenkunde mit besonderer Berücksichtigung der Literatur]. Insects; Entomology. Schrank (Fig. 4) für 10 Kästen. Gr. 30 x 40 cm '. . M. 14 — „ 40 x 50 cm M. 17.— Poliert M. 3.50 mehr. Derselbe eignet sieh sehr gut für Spezialsammler und auch zum etagenmäßigen Anlegen einer Sammlung.. Doubletteii- P.g. 4. Fig. 5. LH aus Pappe mit Aus- lage. (Fig. 5.) Gr. 3 20 x 30 cm M. —.75 Gr. 4 24 x 36 cm M. 1.—.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readabilit

. English: Diana with dog, Print, Engraving, 17.46 x 11.75 cm. In the collection of the Los Angeles County Museum of Art. . between 1607 and 1610. Jacob Matham Diana with Dog - Jacob Matham Stock Photo

RMMMH9RX–. English: Diana with dog, Print, Engraving, 17.46 x 11.75 cm. In the collection of the Los Angeles County Museum of Art. . between 1607 and 1610. Jacob Matham Diana with Dog - Jacob Matham

Art inspired by Roman Ruins (Smaller Italian Sketchbook, leaf 12 recto), 1774–75 (?), Graphite, yellow and blue wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7KPJ–Art inspired by Roman Ruins (Smaller Italian Sketchbook, leaf 12 recto), 1774–75 (?), Graphite, yellow and blue wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

View of Harden Hall. Author Wilson, William 15.75.1. Place of publication: [London] Publisher: [John Stockdale]., Date of publication: [1795.] Item type: 1 print Medium: etching Dimensions: [trimmed within platemark] 17.4 x 23.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9H4D3–View of Harden Hall. Author Wilson, William 15.75.1. Place of publication: [London] Publisher: [John Stockdale]., Date of publication: [1795.] Item type: 1 print Medium: etching Dimensions: [trimmed within platemark] 17.4 x 23.2 cm Former owner: George III, King of Great Britain, 1738-1820

RM2B0JDTY–Stencil, Japan, late 19th–early 20th century, Japan, Paper, silk, 17 x 12 1/2 in. (43.18 x 31.75 cm), Stencils

Fragments (France); Company: Oberkampf & Cie. (France); cotton; Warp x Weft (a): 40.5 × 40 cm (15 15/16 × 15 3/4 in.) Warp x Weft (b): 40 × 32 cm (15 3/4 × 12 5/8 in.) Warp x Weft (c): 17.5 × 40 cm (6 7/8 × 15 3/4 in.) Warp x Weft (d): 6 × 17.5 cm (2 3/8 × 6 7/8 in.) Warp x Weft (e): 76 × 12 cm (29 15/16 × 4 3/4 in.) Warp x Weft (f): 75 × 11.5 cm (29 1/2 × 4 1/2 in.) Warp x Weft (g): 29 × 19.5 cm (11 7/16 × 7 11/16 in.) Warp x Weft (h): 39.5 × 12 cm (15 9/16 × 4 3/4 in.) Warp x Weft (i): 15.5 × 13 cm (6 1/8 × 5 1/8 in.); Bequest of Elinor Merrell; 1995-50-75-a/i Stock Photo

RM2PMCW9W–Fragments (France); Company: Oberkampf & Cie. (France); cotton; Warp x Weft (a): 40.5 × 40 cm (15 15/16 × 15 3/4 in.) Warp x Weft (b): 40 × 32 cm (15 3/4 × 12 5/8 in.) Warp x Weft (c): 17.5 × 40 cm (6 7/8 × 15 3/4 in.) Warp x Weft (d): 6 × 17.5 cm (2 3/8 × 6 7/8 in.) Warp x Weft (e): 76 × 12 cm (29 15/16 × 4 3/4 in.) Warp x Weft (f): 75 × 11.5 cm (29 1/2 × 4 1/2 in.) Warp x Weft (g): 29 × 19.5 cm (11 7/16 × 7 11/16 in.) Warp x Weft (h): 39.5 × 12 cm (15 9/16 × 4 3/4 in.) Warp x Weft (i): 15.5 × 13 cm (6 1/8 × 5 1/8 in.); Bequest of Elinor Merrell; 1995-50-75-a/i

RMBRG6B0–Adolf Hitler,a coffee service from the table silver of the Neue Reichskanzlei,Berlin. A four-piece set,consisting of a coffee pot,creamer,and sugar bowl. Each in the hard silver-plated version. The coffee pot is engraved with the party eagle above 'RK' and on the bottom bears the maker's mark 'Wellner','170 cl.','39' in a circle. Height 22.5 cm,width 27.5 cm. The creamer has 'Wellner','100 cl.','22' in a circle. 17.5 x 18.5 cm. The sugar bowl has 'Wellner','75 cl.','22' in a circle. 13 x 22 cm. The tray is without party eagle and is stamped 'Wellner,Additional-Rights-Clearences-Not Available

Standing Figure and Figures Bending Over. Artist: Micco Spadaro (Domenico Gargiulo) (Italian, Naples 1609/10-1675 Naples (?)). Dimensions: 5-7/8 x 7-1/16 in. (15.0 x 17.9 cm). Date: 1612-75. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB0NDT–Standing Figure and Figures Bending Over. Artist: Micco Spadaro (Domenico Gargiulo) (Italian, Naples 1609/10-1675 Naples (?)). Dimensions: 5-7/8 x 7-1/16 in. (15.0 x 17.9 cm). Date: 1612-75. Museum: Metropolitan Museum of Art, New York, USA.

Fattori Giovanni - Private Collection - Signora al pianoforte - 1872 75 - oil on wood 17 x 10,5 cm Stock Photo

RF2HBTA93–Fattori Giovanni - Private Collection - Signora al pianoforte - 1872 75 - oil on wood 17 x 10,5 cm

RMKNMPP5–Disk Brooch MET DP30203 465381 Frankish, Disk Brooch, 6th century, Silver-gilt. copper alloy, remnants of iron pin, Overall: 1 1/4 x 1/2 in. (3.2 x 1.2 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.192.75)

Digital Capture . English: Nymph and Greyhound, Print, Engraving, 17.94 x 11.75 cm. From the series Eight Disparate Subjects. In the collection of the Los Angeles County Museum of Art. between 1607 and 1610. Jacob Matham 936 Nymph and Greyhound - Jacob Matham Stock Photo

RMMNXJTJ–Digital Capture . English: Nymph and Greyhound, Print, Engraving, 17.94 x 11.75 cm. From the series Eight Disparate Subjects. In the collection of the Los Angeles County Museum of Art. between 1607 and 1610. Jacob Matham 936 Nymph and Greyhound - Jacob Matham

Art inspired by Roman Ruins (Smaller Italian Sketchbook, leaf 10 recto), 1774–75 (?), Pen and grey ink and wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7KPW–Art inspired by Roman Ruins (Smaller Italian Sketchbook, leaf 10 recto), 1774–75 (?), Pen and grey ink and wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

PreÃÅmiere Partie de la Carte d'Asie Author Anville, Jean Baptiste Bourguignon d' 114.17.a-b. Place of publication: A Paris Publisher: CheÃÅs l'Auteur aux Galeries du Louvre. Avec Privil., Date of publication: [1751-1753]. Item type: 1 map on 2 sheets Medium: copperplate engraving Dimensions: 77.4 x 75.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9G7NM–PreÃÅmiere Partie de la Carte d'Asie Author Anville, Jean Baptiste Bourguignon d' 114.17.a-b. Place of publication: A Paris Publisher: CheÃÅs l'Auteur aux Galeries du Louvre. Avec Privil., Date of publication: [1751-1753]. Item type: 1 map on 2 sheets Medium: copperplate engraving Dimensions: 77.4 x 75.7 cm Former owner: George III, King of Great Britain, 1738-1820

RM2B0JDW0–Stencil, Japan, late 19th–early 20th century, Japan, Paper, silk, 17 x 12 1/2 in. (43.18 x 31.75 cm), Stencils

. The Viscosity of the Blood. Pressure. (corr.)., Time ofoutflow. *?• Pressure(corr.). Time ofoutflow. rn- Plasma. + 3*6 x 106 corpuscles per cubic millimetre. Cm. Hg. Sees. C.Gr.S. units. Cm. Hg. Sees. i C.G-.S. units. 15-613-511-3 8-04-62-6 22-827-433-447*280*3141*7 0 -01380-01430 -01450-01450*01420 -0139 12-810-1 7-75*0 2-2 65-885-0112 168 410 0 -03320 -03380 -03420-03320-0347 + 6 x 106 corpuscles per cubic millimetre. + 9*6 x 106 corpuscles per cubic millimetre. 16-0 14-4 10-4 7*3 85*0 95*2 134-0 188-0 0 -05380 -0550 .0 -05520 -0545 17*6 15-6 10-8 8-2 5-6 138-0158-0229-4306-0306-0 0 -09640 Stock Photo

RM2AFPH1B–. The Viscosity of the Blood. Pressure. (corr.)., Time ofoutflow. *?• Pressure(corr.). Time ofoutflow. rn- Plasma. + 3*6 x 106 corpuscles per cubic millimetre. Cm. Hg. Sees. C.Gr.S. units. Cm. Hg. Sees. i C.G-.S. units. 15-613-511-3 8-04-62-6 22-827-433-447*280*3141*7 0 -01380-01430 -01450-01450*01420 -0139 12-810-1 7-75*0 2-2 65-885-0112 168 410 0 -03320 -03380 -03420-03320-0347 + 6 x 106 corpuscles per cubic millimetre. + 9*6 x 106 corpuscles per cubic millimetre. 16-0 14-4 10-4 7*3 85*0 95*2 134-0 188-0 0 -05380 -0550 .0 -05520 -0545 17*6 15-6 10-8 8-2 5-6 138-0158-0229-4306-0306-0 0 -09640

Design for a Chimneypiece, possibly for Melbourne House (now Albany), Piccadilly, London. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Dimensions: sheet: 6 3/4 x 3 7/8 in. (17.1 x 9.9 cm). Date: 1771-75 (?). Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANYX7–Design for a Chimneypiece, possibly for Melbourne House (now Albany), Piccadilly, London. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Dimensions: sheet: 6 3/4 x 3 7/8 in. (17.1 x 9.9 cm). Date: 1771-75 (?). Museum: Metropolitan Museum of Art, New York, USA.

Bird-Shaped Brooch MET sf17-191-75s2 465125 Frankish, Bird-Shaped Brooch, ca. 500?550, Silver-gilt, Overall: 13/16 x 1/2 x 1/4 in. (2.1 x 1.2 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.75) Stock Photo

RMKNMN58–Bird-Shaped Brooch MET sf17-191-75s2 465125 Frankish, Bird-Shaped Brooch, ca. 500?550, Silver-gilt, Overall: 13/16 x 1/2 x 1/4 in. (2.1 x 1.2 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.75)

. Deutsch: Der Engel zeigt Hagar und Ismael den Weg zum rettenden Brunnen. Öl auf Leinwand. 75 x 100 cm. Italien, 17. Jh. . 17th century. Anonymous (Italian) Engel zeigt Hagar und Ismael den Weg Italien 17Jh Stock Photo

RMMMXB6X–. Deutsch: Der Engel zeigt Hagar und Ismael den Weg zum rettenden Brunnen. Öl auf Leinwand. 75 x 100 cm. Italien, 17. Jh. . 17th century. Anonymous (Italian) Engel zeigt Hagar und Ismael den Weg Italien 17Jh

Art inspired by Landscape with Umbrella Pines and Distant Mountain (Smaller Italian Sketchbook, leaf 41 recto), 1774–75 (?), Graphite, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7KXC–Art inspired by Landscape with Umbrella Pines and Distant Mountain (Smaller Italian Sketchbook, leaf 41 recto), 1774–75 (?), Graphite, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2E9G7RN–PreÃÅmiere Partie de la Carte d'Asie Author Anville, Jean Baptiste Bourguignon d' 114.17.a-b. Place of publication: A Paris Publisher: CheÃÅs l'Auteur aux Galeries du Louvre. Avec Privil., Date of publication: [1751-1753]. Item type: 1 map on 2 sheets Medium: copperplate engraving Dimensions: 77.4 x 75.7 cm Former owner: George III, King of Great Britain, 1738-1820

RM2B0JDTX–Stencil, Japan, late 19th–early 20th century, Japan, Paper, silk, 17 x 12 1/2 in. (43.18 x 31.75 cm), Stencils

. List of parts : machines nos. 44-1 to 44-3, 44-8, 44-9, 44-13, 44-17, 44-20, 44-22 to 44-24, 44-28, 44-29, 44-72, 44-74, 44-75.. PLATE 2026-FULL SIZE <fi UJ X o z CM ;^ CD. Stock Photo

RM2CF5FE3–. List of parts : machines nos. 44-1 to 44-3, 44-8, 44-9, 44-13, 44-17, 44-20, 44-22 to 44-24, 44-28, 44-29, 44-72, 44-74, 44-75.. PLATE 2026-FULL SIZE <fi UJ X o z CM ;^ CD.

Goddess of Chaste Love. Artist: Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena). Dimensions: 15 1/2 x 17 1/4 in. (39.4 x 43.8 cm). Date: 1468-75. This is a fragment from a cassone panel representing the Triumph of Chastity, here meaning fidelity in marriage, a common subject for nuptial chests. She is in her triumphant cart accompanied by virtuous women. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA9M07–Goddess of Chaste Love. Artist: Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena). Dimensions: 15 1/2 x 17 1/4 in. (39.4 x 43.8 cm). Date: 1468-75. This is a fragment from a cassone panel representing the Triumph of Chastity, here meaning fidelity in marriage, a common subject for nuptial chests. She is in her triumphant cart accompanied by virtuous women. Museum: Metropolitan Museum of Art, New York, USA.

RMKNYG98–Bird-Shaped Brooch MET sf17-191-75s2 465125 Frankish, Bird-Shaped Brooch, ca. 500?550, Silver-gilt, Overall: 13/16 x 1/2 x 1/4 in. (2.1 x 1.2 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.75)

. Deutsch: Anonym, 17. Jh.: Auslaufende, englische Kriegsmarine. Öl auf Leinwand, 55 x 75 cm English: Anonymous, 17th century: Royal Navy (showing St. George and Red Ensign flags). Oil on canvas, 55 x 75 cm. 17th century. see description 190 Englische Marine 17 Jh Stock Photo

RMMWBP01–. Deutsch: Anonym, 17. Jh.: Auslaufende, englische Kriegsmarine. Öl auf Leinwand, 55 x 75 cm English: Anonymous, 17th century: Royal Navy (showing St. George and Red Ensign flags). Oil on canvas, 55 x 75 cm. 17th century. see description 190 Englische Marine 17 Jh

Art inspired by Umbrella Pines and Buildings (Smaller Italian Sketchbook, leaf 26 recto), 1774–75 (?), Graphite and yellow wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7KWM–Art inspired by Umbrella Pines and Buildings (Smaller Italian Sketchbook, leaf 26 recto), 1774–75 (?), Graphite and yellow wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

West View of the Town of St Helier, the Hill & Harbour, Jersey. Author Heriot, George 55.75.b. Place of publication: [Great Britain] Publisher: [publisher not identified] Date of publication: Published as the Act directs, January 1790. Item type: 1 print Medium: etching with hand-colouring Dimensions: platemark 17.7 x 25.1 cm, on sheet 22 x 29.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9F729–West View of the Town of St Helier, the Hill & Harbour, Jersey. Author Heriot, George 55.75.b. Place of publication: [Great Britain] Publisher: [publisher not identified] Date of publication: Published as the Act directs, January 1790. Item type: 1 print Medium: etching with hand-colouring Dimensions: platemark 17.7 x 25.1 cm, on sheet 22 x 29.4 cm Former owner: George III, King of Great Britain, 1738-1820

RM2B0JDTR–Stencil, Japan, late 19th–early 20th century, Japan, Paper, silk, 17 x 12 1/2 in. (43.18 x 31.75 cm), Stencils

. List of parts : machines nos. 44-1 to 44-3, 44-8, 44-9, 44-13, 44-17, 44-20, 44-22 to 44-24, 44-28, 44-29, 44-72, 44-74, 44-75.. PLATE 2025—FULL SIZE. PLATE 2026-FULL SIZE <fi UJ X o z CM ;^ CD Stock Photo

RM2CF5FKF–. List of parts : machines nos. 44-1 to 44-3, 44-8, 44-9, 44-13, 44-17, 44-20, 44-22 to 44-24, 44-28, 44-29, 44-72, 44-74, 44-75.. PLATE 2025—FULL SIZE. PLATE 2026-FULL SIZE <fi UJ X o z CM ;^ CD

The Annunciation to Zacharias; (verso) The Angel of the Annunciation. Artist: Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398-1482 Siena). Dimensions: 29 7/8 x 17 in. (75.9 x 43.2 cm). Date: ca. 1455-60. Giovanni di Paolo, one of the most important figures in the history of Sienese painting, was active for much of the fifteenth century. This panel is the first episode of an ambitious narrative cycle: a series of twelve scenes from the Life of Saint John the Baptist, distributed in four vertical rows of three scenes each. Although the original function and location of the Stock Photo

RMPA9BRR–The Annunciation to Zacharias; (verso) The Angel of the Annunciation. Artist: Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398-1482 Siena). Dimensions: 29 7/8 x 17 in. (75.9 x 43.2 cm). Date: ca. 1455-60. Giovanni di Paolo, one of the most important figures in the history of Sienese painting, was active for much of the fifteenth century. This panel is the first episode of an ambitious narrative cycle: a series of twelve scenes from the Life of Saint John the Baptist, distributed in four vertical rows of three scenes each. Although the original function and location of the

Bird-Shaped Brooch MET sf17-191-75s1 465125 Frankish, Bird-Shaped Brooch, ca. 500?550, Silver-gilt, Overall: 13/16 x 1/2 x 1/4 in. (2.1 x 1.2 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.75) Stock Photo

RMKNYG97–Bird-Shaped Brooch MET sf17-191-75s1 465125 Frankish, Bird-Shaped Brooch, ca. 500?550, Silver-gilt, Overall: 13/16 x 1/2 x 1/4 in. (2.1 x 1.2 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.75)

RMMX8HP7–. Deutsch: Anonym, 17. Jh.: Auslaufende, englische Kriegsmarine. Öl auf Leinwand, 55 x 75 cm English: Anonymous, 17th century: Royal Navy (showing St. George and Red Ensign flags). Oil on canvas, 55 x 75 cm. 17th century. see description 191 Englische Marine 17 Jh

Art inspired by Roman Ruins with Arched Alcoves (Smaller Italian Sketchbook, leaf 3 recto), 1774–75 (?), Ink and grey wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7KR4–Art inspired by Roman Ruins with Arched Alcoves (Smaller Italian Sketchbook, leaf 3 recto), 1774–75 (?), Ink and grey wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

EKTUŒ†ON TVRRIS ELEGANTISSIM√Ü S. RVMOLDI MECHLINI√Ü = Den Torre van S.te Rombaut tot MECHELEN Author Hollar, Wenceslaus 103.76.a. Place of publication: [Amsterdam?] Publisher: [publisher not identified] Date of publication: 1649. Item type: 1 print Medium: etching Dimensions: platemark 74.5 x 15.9 cm, on sheet 75.3 x 17.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9ERBR–EKTUŒ†ON TVRRIS ELEGANTISSIM√Ü S. RVMOLDI MECHLINI√Ü = Den Torre van S.te Rombaut tot MECHELEN Author Hollar, Wenceslaus 103.76.a. Place of publication: [Amsterdam?] Publisher: [publisher not identified] Date of publication: 1649. Item type: 1 print Medium: etching Dimensions: platemark 74.5 x 15.9 cm, on sheet 75.3 x 17.2 cm Former owner: George III, King of Great Britain, 1738-1820

Art inspired by The Prophet Jeremiah, from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/4 x 17 in. (56.5 x 43.2 cm) borderline, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo Buonarroti (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW57J0–Art inspired by The Prophet Jeremiah, from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/4 x 17 in. (56.5 x 43.2 cm) borderline, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo Buonarroti (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2B0JDW2–Stencil, Japan, late 19th–early 20th century, Japan, Paper, silk, 17 x 12 1/2 in. (43.18 x 31.75 cm), Stencils

Art inspired by The Eritrean Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 7/16 x 17 1/4 in. (57 x 43.8 cm) borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo Buonarroti (Italian, Caprese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW61C3–Art inspired by The Eritrean Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 7/16 x 17 1/4 in. (57 x 43.8 cm) borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo Buonarroti (Italian, Caprese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Public Accounts of the Province of Ontario for the year ended October 31 1917 . ^3 to £ -tjo s- d g»-3g8 03-2 o 03 d P. CO § C5§ -a *:2 to p /^ •-( K I 00^™ CO « CO P o 03 a p a > oo o7S ^ cp © o ^ a. tfl CO ®, 1916^17 PUBLIC ACCOUNTS. 709 • CO ■ X) •CM :S • i—t . oo • CO .00• rH © CO to • CM CO >CM 500 140 1152 05 80 84 123 3212 05 1,733 67 1,252 29 218 19 60 10 70 824 42 700 00 14 44 425 00 255 75 213 16 189 82 30 00 112 00 325 00 681 50 10 50 161 06 13,194 44 7,000 00 1,134 40168 70440 00 2,672 60 15,000 00 59 89 1,147 95 469 16 1.176 687,578 853,478 30 266 332,747 71 131 8139 90 44 Stock Photo

RM2CHXHYM–. Public Accounts of the Province of Ontario for the year ended October 31 1917 . ^3 to £ -tjo s- d g»-3g8 03-2 o 03 d P. CO § C5§ -a *:2 to p /^ •-( K I 00^™ CO « CO P o 03 a p a > oo o7S ^ cp © o ^ a. tfl CO ®, 1916^17 PUBLIC ACCOUNTS. 709 • CO ■ X) •CM :S • i—t . oo • CO .00• rH © CO to • CM CO >CM 500 140 1152 05 80 84 123 3212 05 1,733 67 1,252 29 218 19 60 10 70 824 42 700 00 14 44 425 00 255 75 213 16 189 82 30 00 112 00 325 00 681 50 10 50 161 06 13,194 44 7,000 00 1,134 40168 70440 00 2,672 60 15,000 00 59 89 1,147 95 469 16 1.176 687,578 853,478 30 266 332,747 71 131 8139 90 44

Art inspired by Speculum Romanae Magnificentiae: Sacrificial Instruments Based on Ancient Relief Sculpture, ca. 1550–75, Engraving., sheet: 14 3/16 x 17 11/16 in. (36.1 x 45 cm). Wide margins around platemark., Prints, Attributed to Nicolas Beatrizet (French, Lunéville 1515–ca. 1566, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6DWW–Art inspired by Speculum Romanae Magnificentiae: Sacrificial Instruments Based on Ancient Relief Sculpture, ca. 1550–75, Engraving., sheet: 14 3/16 x 17 11/16 in. (36.1 x 45 cm). Wide margins around platemark., Prints, Attributed to Nicolas Beatrizet (French, Lunéville 1515–ca. 1566, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Drinking Bowl (Hanap). Culture: Eastern European or Bosnian or Serbian (?). Dimensions: Overall: 1 3/8 x 6 15/16 in. (3.5 x 17.6 cm). Date: 1350-75. This hanap, known as the Sanko Bowl, has been associated with Kaznac Sanko Miltenovi, an important fourteenth-century figure in the Bosnian court. The inscription around the lip can be translated, 'In the name of the Father, and the Son, and the Holy Ghost, may God give joy to him who drinks from it but let him not forget the poor.' The repoussé, punched, and incised decoration on the interior strongly reflects French influence. The hybrid beasts Stock Photo

RMPAC2FP–Drinking Bowl (Hanap). Culture: Eastern European or Bosnian or Serbian (?). Dimensions: Overall: 1 3/8 x 6 15/16 in. (3.5 x 17.6 cm). Date: 1350-75. This hanap, known as the Sanko Bowl, has been associated with Kaznac Sanko Miltenovi, an important fourteenth-century figure in the Bosnian court. The inscription around the lip can be translated, 'In the name of the Father, and the Son, and the Holy Ghost, may God give joy to him who drinks from it but let him not forget the poor.' The repoussé, punched, and incised decoration on the interior strongly reflects French influence. The hybrid beasts

Art inspired by The Eritrean Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, plate: 22 7/16 x 17 in. (57 x 43.2 cm) platemark, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo Buonarroti (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW61BN–Art inspired by The Eritrean Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, plate: 22 7/16 x 17 in. (57 x 43.2 cm) platemark, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo Buonarroti (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMKNMN57–Bird-Shaped Brooch MET sf17-191-75s1 465125 Frankish, Bird-Shaped Brooch, ca. 500?550, Silver-gilt, Overall: 13/16 x 1/2 x 1/4 in. (2.1 x 1.2 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.75)

Painting; oil on canvas; overall: 149.8 x 165.4 cm (59 x 65 1/8 in.) framed: 177.2 x 191.8 x 12.3 cm (69 3/4 x 75 1/2 x 4 13/16 in.); 17 Oedipus Cursing His Son, Polynices A15036 Stock Photo

RMP01JNP–Painting; oil on canvas; overall: 149.8 x 165.4 cm (59 x 65 1/8 in.) framed: 177.2 x 191.8 x 12.3 cm (69 3/4 x 75 1/2 x 4 13/16 in.); 17 Oedipus Cursing His Son, Polynices A15036

THE SOUTH EAST VIEW OF THE BASTILE AT PARIS. Author Tomkins, Peltro William 65.17.c. Place of publication: London Publisher: Publish'd as the Act Directs Oct. 23 1789 by J. F. Tomkins N¬∞ 75 Queen Ann St. East Mary Le Bone, Date of publication: [October 23 1789] Item type: 1 print Medium: etching and stipple Dimensions: platemark 23 x 33 cm, on sheet 25 x 37.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FBGF–THE SOUTH EAST VIEW OF THE BASTILE AT PARIS. Author Tomkins, Peltro William 65.17.c. Place of publication: London Publisher: Publish'd as the Act Directs Oct. 23 1789 by J. F. Tomkins N¬∞ 75 Queen Ann St. East Mary Le Bone, Date of publication: [October 23 1789] Item type: 1 print Medium: etching and stipple Dimensions: platemark 23 x 33 cm, on sheet 25 x 37.5 cm Former owner: George III, King of Great Britain, 1738-1820

Unknown Artist, Portrait of Washington, n.d., engraving on paper, 17 7/8 in. x 12 1/2 in. (45.4 cm x 31.75 cm Stock Photo

RM2B0BY2M–Unknown Artist, Portrait of Washington, n.d., engraving on paper, 17 7/8 in. x 12 1/2 in. (45.4 cm x 31.75 cm

. Annali del Museo civico di storia naturale Giacomo Doria. Natural history. WEST INDIAN DEMOSPONGIAE 157 Xestospongia c a m i n a t a sp. n. (Fig. 74, 75) Occurrence : Port Royal (Jamaica), cays, depth 10-25 m, 22 March 1964. R.N. KC.18. La Parguera (Puerto Rico), depth 5-17 m, 6 May 1964. R.N. LP.36. Holotype (KC.18): msng 47704 Paratype (LP.36): msng 47705 KC.18: not entire, it measures 12 X 8 X 4 cm. It is massive with partly coalescent elevated lobes each bearing on top an oscule 5 to 10 mm wide. The surface is smooth, the pores are 500-800 [xm wide, 400-1000 [xm apart. In hfe the sponge Stock Photo

RMRMTAYW–. Annali del Museo civico di storia naturale Giacomo Doria. Natural history. WEST INDIAN DEMOSPONGIAE 157 Xestospongia c a m i n a t a sp. n. (Fig. 74, 75) Occurrence : Port Royal (Jamaica), cays, depth 10-25 m, 22 March 1964. R.N. KC.18. La Parguera (Puerto Rico), depth 5-17 m, 6 May 1964. R.N. LP.36. Holotype (KC.18): msng 47704 Paratype (LP.36): msng 47705 KC.18: not entire, it measures 12 X 8 X 4 cm. It is massive with partly coalescent elevated lobes each bearing on top an oscule 5 to 10 mm wide. The surface is smooth, the pores are 500-800 [xm wide, 400-1000 [xm apart. In hfe the sponge

Madonna and Child Enthroned with Saint John the Baptist and Another Saint. Artist: Italian (Florentine) Painter (second quarter 15th century). Dimensions: Overall, with engaged frame, 29 3/4 x 17 1/8 in. (75.6 x 43.5 cm); painted surface 17 1/8 x 14 1/4 in. (43.5 x 36.2 cm). Despite its generally poor condition, this is a work of considerable interest. The poses of the Virgin and Child are especially inventive. The picture was at one time attributed to Pesellino, but it has also been thought a Sienese work close to Domenico di Bartolo. It is probably Florentine and dates around 1440. The fram Stock Photo

RMPAT1AT–Madonna and Child Enthroned with Saint John the Baptist and Another Saint. Artist: Italian (Florentine) Painter (second quarter 15th century). Dimensions: Overall, with engaged frame, 29 3/4 x 17 1/8 in. (75.6 x 43.5 cm); painted surface 17 1/8 x 14 1/4 in. (43.5 x 36.2 cm). Despite its generally poor condition, this is a work of considerable interest. The poses of the Virgin and Child are especially inventive. The picture was at one time attributed to Pesellino, but it has also been thought a Sienese work close to Domenico di Bartolo. It is probably Florentine and dates around 1440. The fram

Art inspired by The Prophet Jeremiah, from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/4 x 17 in. (56.5 x 43.2 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW61FM–Art inspired by The Prophet Jeremiah, from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/4 x 17 in. (56.5 x 43.2 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Beads from a Necklace MET dp30592 465763 Frankish, Beads from a Necklace, 500?600, Glass, amethyst, copper alloy rings, Overall: length of string 29 1/2 x 1 9/16 in. (75 x 3.9 cm) Bead diameter: From 3/16 to 1 9/16 in. (0.5 to 3.9 cm) Bead length: From 3/16 to 13/16 in. (0.5 to 2.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.45) Stock Photo

RMKNYK4X–Beads from a Necklace MET dp30592 465763 Frankish, Beads from a Necklace, 500?600, Glass, amethyst, copper alloy rings, Overall: length of string 29 1/2 x 1 9/16 in. (75 x 3.9 cm) Bead diameter: From 3/16 to 1 9/16 in. (0.5 to 3.9 cm) Bead length: From 3/16 to 13/16 in. (0.5 to 2.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.45)

Art inspired by Trees Next to an Arched Opening Containing Steps (Smaller Italian Sketchbook, leaf 17 recto), 1774–75 (?), Graphite with yellow wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW85PA–Art inspired by Trees Next to an Arched Opening Containing Steps (Smaller Italian Sketchbook, leaf 17 recto), 1774–75 (?), Graphite with yellow wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by The Prophet Ezekiel; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/8 x 17 1/8 in. (56.2 x 43.5 cm) within borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo Buonarroti (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5NRA–Art inspired by The Prophet Ezekiel; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/8 x 17 1/8 in. (56.2 x 43.5 cm) within borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo Buonarroti (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Goddess of Chaste Love, 1468–75, Tempera and gold on wood, 15 1/2 x 17 1/4 in. (39.4 x 43.8 cm), Paintings, Francesco di Giorgio Martini (Italian, Siena 1439–1501 Siena), This is a fragment from a cassone panel representing the Triumph of Chastity, here meaning fidelity, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8GJW–Art inspired by Goddess of Chaste Love, 1468–75, Tempera and gold on wood, 15 1/2 x 17 1/4 in. (39.4 x 43.8 cm), Paintings, Francesco di Giorgio Martini (Italian, Siena 1439–1501 Siena), This is a fragment from a cassone panel representing the Triumph of Chastity, here meaning fidelity, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by The Persian Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 5/8 x 17 1/16 in. (57.5 x 43.4 cm) borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo Buonarroti (Italian, Caprese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW61BR–Art inspired by The Persian Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 5/8 x 17 1/16 in. (57.5 x 43.4 cm) borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo Buonarroti (Italian, Caprese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Español: John Outhwaite. 1840 Tamaño de papel : 15.5 x 21.5 cm (6 x 8.4 inches) Tamaño de la imagen : 10 x 14 cm (3.9 x 5.5 inches) Batalla de Dürenstein - Mariscal Mortier - Guerras Napoleónicas - Tercero Coalición (1805) . 25 February 2010, 17:04 (UTC). Battle of durenstein 1805.png: John Outhwaite. 1840 derivative work: Auntieruth55 (talk) 75 Battle of durenstein 1805-2 Stock Photo

RMMW8P35–. Español: John Outhwaite. 1840 Tamaño de papel : 15.5 x 21.5 cm (6 x 8.4 inches) Tamaño de la imagen : 10 x 14 cm (3.9 x 5.5 inches) Batalla de Dürenstein - Mariscal Mortier - Guerras Napoleónicas - Tercero Coalición (1805) . 25 February 2010, 17:04 (UTC). Battle of durenstein 1805.png: John Outhwaite. 1840 derivative work: Auntieruth55 (talk) 75 Battle of durenstein 1805-2

Italia Author Greuter, Mathieu 75.17.2.5 TAB.END. Place of publication: [Rome] Publisher: Nuovamente ristampata, rivista et augumentata da Domenico de Rossi, herede di Gio. Giacomo de Rossi, dalle sue stampe in Roma alla Pace con privileggio del Sommo Pontefice, et licenza de supperiori, Date of publication: l'anno 1695. Item type: 1 map on 12 sheets Dimensions: 120 x 215 cm, sheets 40 x 54 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FGPT–Italia Author Greuter, Mathieu 75.17.2.5 TAB.END. Place of publication: [Rome] Publisher: Nuovamente ristampata, rivista et augumentata da Domenico de Rossi, herede di Gio. Giacomo de Rossi, dalle sue stampe in Roma alla Pace con privileggio del Sommo Pontefice, et licenza de supperiori, Date of publication: l'anno 1695. Item type: 1 map on 12 sheets Dimensions: 120 x 215 cm, sheets 40 x 54 cm Former owner: George III, King of Great Britain, 1738-1820

RM2JMYNF4–Böhmer Franz (1907-1943), Park Hotel in Poznan (17.12.1940): Stuck profile 1: 1. Pencil on transparent, 75.1 x 72.6 cm (including scan edges)

Piece, Japan, Edo period (1615–1868), Date 18th–19th century, Japan, Silk, 12 1/2 x 7 in. (31.75 x 17.78 cm), Textiles-Woven Stock Photo

RM2B0JC0T–Piece, Japan, Edo period (1615–1868), Date 18th–19th century, Japan, Silk, 12 1/2 x 7 in. (31.75 x 17.78 cm), Textiles-Woven

Böhmer Franz (1907-1943), Stadium in Poznan (February 17, 1941): Department 1: 2000. Pencil over light break on paper, 75.2 x 85.6 cm (including scan edges) Stock Photo

RM2JN00BF–Böhmer Franz (1907-1943), Stadium in Poznan (February 17, 1941): Department 1: 2000. Pencil over light break on paper, 75.2 x 85.6 cm (including scan edges)

. Bulletins of American paleontology. 208 Bulletin 357 CO "x < 75 m indicated in boldface. Data for the ordinations are occurrences (presence-absence or ranked abundance) of the 254 moUuscan genera or subgenera listed in Appendix 3. 300 CO 'X < < O Q 200. 100 - 1 110 155 Depth (m) 200 CM CO x < < o Q 4UU - 300 - 4 3 23 12 e 2 11 200- 1 'â 27 ' 24 22 8 '8uie 28 100 - IB 28 17 16 21 32 31 -T 1 1 r 8 9 10 11 12 Age (Ma) Text-figure 16.âDCA axis scores versus age and depth of water for the 37 molluscan faunules as numbered in Table 3. Data for the ordination analyses were ran Stock Photo

RMRG9WNB–. Bulletins of American paleontology. 208 Bulletin 357 CO "x < 75 m indicated in boldface. Data for the ordinations are occurrences (presence-absence or ranked abundance) of the 254 moUuscan genera or subgenera listed in Appendix 3. 300 CO 'X < < O Q 200. 100 - 1 110 155 Depth (m) 200 CM CO x < < o Q 4UU - 300 - 4 3 23 12 e 2 11 200- 1 'â 27 ' 24 22 8 '8uie 28 100 - IB 28 17 16 21 32 31 -T 1 1 r 8 9 10 11 12 Age (Ma) Text-figure 16.âDCA axis scores versus age and depth of water for the 37 molluscan faunules as numbered in Table 3. Data for the ordination analyses were ran

Böhmer Franz (1907-1943), Park Hotel in Posen (March 17, 1941): Office cabinet in 1:10. Pencil on transparent, 43.5 x 75.8 cm (including scan edges) Stock Photo

RM2JMYN81–Böhmer Franz (1907-1943), Park Hotel in Posen (March 17, 1941): Office cabinet in 1:10. Pencil on transparent, 43.5 x 75.8 cm (including scan edges)

Face Jug. Culture: American. Dimensions: 7 x 5 x 5 1/2 in. (17.8 x 12.7 x 14 cm). Maker: John Lewis Miles Pottery (1868-75). Date: ca. 1860-70. Face jugs were made by African American slaves and freedmen working in potteries in the Edgefield District of South Carolina, an area of significant stoneware production in the nineteenth century. The distinctive features of the jugs, notably the kaolin inserts for the eyes, relate in style and material to ritualistic objects of the Congo and Angola region of western Africa, whence many slaves in South Carolina descended. This jug is missing its teeth Stock Photo

RMPAX3NN–Face Jug. Culture: American. Dimensions: 7 x 5 x 5 1/2 in. (17.8 x 12.7 x 14 cm). Maker: John Lewis Miles Pottery (1868-75). Date: ca. 1860-70. Face jugs were made by African American slaves and freedmen working in potteries in the Edgefield District of South Carolina, an area of significant stoneware production in the nineteenth century. The distinctive features of the jugs, notably the kaolin inserts for the eyes, relate in style and material to ritualistic objects of the Congo and Angola region of western Africa, whence many slaves in South Carolina descended. This jug is missing its teeth

Böhmer Franz (1907-1943), Stadium in Poznan (February 17, 1941): floor plan (proposal 2) 1: 500. Light break on paper, 75.2 x 104.5 cm (including scan edges) Stock Photo

RM2JN00FH–Böhmer Franz (1907-1943), Stadium in Poznan (February 17, 1941): floor plan (proposal 2) 1: 500. Light break on paper, 75.2 x 104.5 cm (including scan edges)

Beads from a Necklace MET dp30590 465763 Frankish, Beads from a Necklace, 500?600, Glass, amethyst, copper alloy rings, Overall: length of string 29 1/2 x 1 9/16 in. (75 x 3.9 cm) Bead diameter: From 3/16 to 1 9/16 in. (0.5 to 3.9 cm) Bead length: From 3/16 to 13/16 in. (0.5 to 2.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.45) Stock Photo

RMKNYK4W–Beads from a Necklace MET dp30590 465763 Frankish, Beads from a Necklace, 500?600, Glass, amethyst, copper alloy rings, Overall: length of string 29 1/2 x 1 9/16 in. (75 x 3.9 cm) Bead diameter: From 3/16 to 1 9/16 in. (0.5 to 3.9 cm) Bead length: From 3/16 to 13/16 in. (0.5 to 2.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.45)

Jansen Hermann (1869-1945), Burga's city expansion (May 17, 1944): Department 1: 1000. Light break on paper, 110.2 x 75.5 cm (including scan edges) Jansen Hermann (1869-1945): Stadterweiterung Burgas Stock Photo

RM2JMRP90–Jansen Hermann (1869-1945), Burga's city expansion (May 17, 1944): Department 1: 1000. Light break on paper, 110.2 x 75.5 cm (including scan edges) Jansen Hermann (1869-1945): Stadterweiterung Burgas

Klomp Johannes Franziskus (1865-1946), Herz-Jesu Church, Niederdielfen (September 17, 1903): Details about parapet 1: 1. Pencil, colored pencil on transparent, 61.8 x 75.7 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Herz-Jesu-Kirche, Niederdielfen Stock Photo

RM2JN0JXC–Klomp Johannes Franziskus (1865-1946), Herz-Jesu Church, Niederdielfen (September 17, 1903): Details about parapet 1: 1. Pencil, colored pencil on transparent, 61.8 x 75.7 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Herz-Jesu-Kirche, Niederdielfen

Böhmer Franz (1907-1943), Ompteda residential building in Berlin-Dahlem. Conversion (June 17, 1937): Fireplace: floor plan, view, cut 1:10. Pencil on transparent, 44.9 x 75.7 cm (including scan edges) Böhmer & Petrich : Wohnhaus Ompteda, Berlin-Dahlem. Umbau Stock Photo

RM2JN0A60–Böhmer Franz (1907-1943), Ompteda residential building in Berlin-Dahlem. Conversion (June 17, 1937): Fireplace: floor plan, view, cut 1:10. Pencil on transparent, 44.9 x 75.7 cm (including scan edges) Böhmer & Petrich : Wohnhaus Ompteda, Berlin-Dahlem. Umbau

Art inspired by The Delphic Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/8 x 17 1/8 in. (56.2 x 43.5 cm) borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo Buonarroti (Italian, Caprese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW61DJ–Art inspired by The Delphic Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/8 x 17 1/8 in. (56.2 x 43.5 cm) borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo Buonarroti (Italian, Caprese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

75 x 75 x 17 cm Stock Photos and Images

75 x 75 x 17 cm Stock Photos and Images

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