Quick filters:
76 5 x 100 8 cm Stock Photos and Images
John Jacob Anderson and Sons, John and Edward, Joshua Johnson, active circa 1795-1825, Oil on canvas, ca. 1812-1815, 30 1/8 x 39 11/16 in., 76.5 x 100.8 cm, 19thC, African-American artist, American primitive, black artist, ca. 1812-1815, children, collar, disciplinarian, early American, family, family portrait, father, free black, no expression, painting, penitent, Person, plain style, portrait, seated, sideburns, sons, stern, stiff, tanless Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-jacob-anderson-and-sons-john-and-edward-joshua-johnson-active-circa-1795-1825-oil-on-canvas-ca-1812-1815-30-18-x-39-1116-in-765-x-1008-cm-19thc-african-american-artist-american-primitive-black-artist-ca-1812-1815-children-collar-disciplinarian-early-american-family-family-portrait-father-free-black-no-expression-painting-penitent-person-plain-style-portrait-seated-sideburns-sons-stern-stiff-tanless-image454267744.htmlRM2HB1K40–John Jacob Anderson and Sons, John and Edward, Joshua Johnson, active circa 1795-1825, Oil on canvas, ca. 1812-1815, 30 1/8 x 39 11/16 in., 76.5 x 100.8 cm, 19thC, African-American artist, American primitive, black artist, ca. 1812-1815, children, collar, disciplinarian, early American, family, family portrait, father, free black, no expression, painting, penitent, Person, plain style, portrait, seated, sideburns, sons, stern, stiff, tanless
Inspired by John Jacob Anderson and Sons, John and Edward, Joshua Johnson, active circa 1795-1825, Oil on canvas, ca. 1812-1815, 30 1/8 x 39 11/16 in., 76.5 x 100.8 cm, 19thC, African-American artist, American primitive, black artist, ca. 1812-1815, children, collar, disciplinarian, early American, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-john-jacob-anderson-and-sons-john-and-edward-joshua-johnson-active-circa-1795-1825-oil-on-canvas-ca-1812-1815-30-18-x-39-1116-in-765-x-1008-cm-19thc-african-american-artist-american-primitive-black-artist-ca-1812-1815-children-collar-disciplinarian-early-american-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459245911.htmlRF2HK4CRK–Inspired by John Jacob Anderson and Sons, John and Edward, Joshua Johnson, active circa 1795-1825, Oil on canvas, ca. 1812-1815, 30 1/8 x 39 11/16 in., 76.5 x 100.8 cm, 19thC, African-American artist, American primitive, black artist, ca. 1812-1815, children, collar, disciplinarian, early American, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
John Jacob Anderson and Sons, John and Edward Joshua Johnson (active circa 1795-1825). John Jacob Anderson and Sons, John and Edward, ca. 1812-1815. Oil on canvas, 30 1/8 x 39 11/16 in. (76.5 x 100.8 cm). Joshua Johnson had a talent for the tender delineation of family ties. Here, each of the young boys extends an arm to their father and rests a pale hand on his sturdy form. Their father’s hand, open in his lap, suggests a gentle accessibility. Johnson was born into slavery. The son of a white man and an enslaved African American woman, he was freed by his father in 1782. By the end of the ei Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-jacob-anderson-and-sons-john-and-edward-joshua-johnson-active-circa-1795-1825-john-jacob-anderson-and-sons-john-and-edward-ca-1812-1815-oil-on-canvas-30-18-x-39-1116-in-765-x-1008-cm-joshua-johnson-had-a-talent-for-the-tender-delineation-of-family-ties-here-each-of-the-young-boys-extends-an-arm-to-their-father-and-rests-a-pale-hand-on-his-sturdy-form-their-fathers-hand-open-in-his-lap-suggests-a-gentle-accessibility-johnson-was-born-into-slavery-the-son-of-a-white-man-and-an-enslaved-african-american-woman-he-was-freed-by-his-father-in-1782-by-the-end-of-the-ei-image504688332.htmlRM2M92F38–John Jacob Anderson and Sons, John and Edward Joshua Johnson (active circa 1795-1825). John Jacob Anderson and Sons, John and Edward, ca. 1812-1815. Oil on canvas, 30 1/8 x 39 11/16 in. (76.5 x 100.8 cm). Joshua Johnson had a talent for the tender delineation of family ties. Here, each of the young boys extends an arm to their father and rests a pale hand on his sturdy form. Their father’s hand, open in his lap, suggests a gentle accessibility. Johnson was born into slavery. The son of a white man and an enslaved African American woman, he was freed by his father in 1782. By the end of the ei
. English: Accession Number: 1957.100 Display Artist: Katsukawa Shunko Display Title: Segawa Kikunojo III as a travelling tea vendor Creation Date: ca. 1784-1789 Medium: Woodblock Height: 12 1/8 in. Width: 5 13/16 in. Display Dimensions: 12 1/8 in. x 5 13/16 in. (30.8 cm x 14.76 cm) Credit Line: Bequest of Mrs. Cora Timken Burnett Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 5 April 2005, 13:14:04. English: thesandiegomuseumofartcollection 1109 Segawa Kikunojo III as a travelling tea vendor (5765337193) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-accession-number-1957100-display-artist-katsukawa-shunko-display-title-segawa-kikunojo-iii-as-a-travelling-tea-vendor-creation-date-ca-1784-1789-medium-woodblock-height-12-18-in-width-5-1316-in-display-dimensions-12-18-in-x-5-1316-in-308-cm-x-1476-cm-credit-line-bequest-of-mrs-cora-timken-burnett-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-5-april-2005-131404-english-thesandiegomuseumofartcollection-1109-segawa-kikunojo-iii-as-a-travelling-tea-vendor-5765337193-image185713361.htmlRMMP3Y81–. English: Accession Number: 1957.100 Display Artist: Katsukawa Shunko Display Title: Segawa Kikunojo III as a travelling tea vendor Creation Date: ca. 1784-1789 Medium: Woodblock Height: 12 1/8 in. Width: 5 13/16 in. Display Dimensions: 12 1/8 in. x 5 13/16 in. (30.8 cm x 14.76 cm) Credit Line: Bequest of Mrs. Cora Timken Burnett Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 5 April 2005, 13:14:04. English: thesandiegomuseumofartcollection 1109 Segawa Kikunojo III as a travelling tea vendor (5765337193)
John Jacob Anderson and Sons, John and Edward Joshua Johnson (active circa 1795-1825). John Jacob Anderson and Sons, John and Edward, ca. 1812-1815. Oil on canvas, 30 1/8 x 39 11/16 in. (76.5 x 100.8 cm). Joshua Johnson had a talent for the tender delineation of family ties. Here, each of the young boys extends an arm to their father and rests a pale hand on his sturdy form. Their father’s hand, open in his lap, suggests a gentle accessibility. Johnson was born into slavery. The son of a white man and an enslaved African American woman, he was freed by his father in 1782. By the end of the ei Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-jacob-anderson-and-sons-john-and-edward-joshua-johnson-active-circa-1795-1825-john-jacob-anderson-and-sons-john-and-edward-ca-1812-1815-oil-on-canvas-30-18-x-39-1116-in-765-x-1008-cm-joshua-johnson-had-a-talent-for-the-tender-delineation-of-family-ties-here-each-of-the-young-boys-extends-an-arm-to-their-father-and-rests-a-pale-hand-on-his-sturdy-form-their-fathers-hand-open-in-his-lap-suggests-a-gentle-accessibility-johnson-was-born-into-slavery-the-son-of-a-white-man-and-an-enslaved-african-american-woman-he-was-freed-by-his-father-in-1782-by-the-end-of-the-ei-image504688381.htmlRM2M92F51–John Jacob Anderson and Sons, John and Edward Joshua Johnson (active circa 1795-1825). John Jacob Anderson and Sons, John and Edward, ca. 1812-1815. Oil on canvas, 30 1/8 x 39 11/16 in. (76.5 x 100.8 cm). Joshua Johnson had a talent for the tender delineation of family ties. Here, each of the young boys extends an arm to their father and rests a pale hand on his sturdy form. Their father’s hand, open in his lap, suggests a gentle accessibility. Johnson was born into slavery. The son of a white man and an enslaved African American woman, he was freed by his father in 1782. By the end of the ei
Painting; oil on canvas; overall: 76.5 x 122.5 cm (30 1/8 x 48 1/4 in.) framed: 100 x 145.7 x 7.6 cm (39 3/8 x 57 3/8 x 3 in.); 3 A Friendly Call Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-765-x-1225-cm-30-18-x-48-14-in-framed-100-x-1457-x-76-cm-39-38-x-57-38-x-3-in-3-a-friendly-call-image214029513.htmlRMPC5TR5–Painting; oil on canvas; overall: 76.5 x 122.5 cm (30 1/8 x 48 1/4 in.) framed: 100 x 145.7 x 7.6 cm (39 3/8 x 57 3/8 x 3 in.); 3 A Friendly Call
John Jacob Anderson and Sons, John and Edward Joshua Johnson (active circa 1795-1825). John Jacob Anderson and Sons, John and Edward, ca. 1812-1815. Oil on canvas, 30 1/8 x 39 11/16 in. (76.5 x 100.8 cm). Joshua Johnson had a talent for the tender delineation of family ties. Here, each of the young boys extends an arm to their father and rests a pale hand on his sturdy form. Their father’s hand, open in his lap, suggests a gentle accessibility. Johnson was born into slavery. The son of a white man and an enslaved African American woman, he was freed by his father in 1782. By the end of the ei Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-jacob-anderson-and-sons-john-and-edward-joshua-johnson-active-circa-1795-1825-john-jacob-anderson-and-sons-john-and-edward-ca-1812-1815-oil-on-canvas-30-18-x-39-1116-in-765-x-1008-cm-joshua-johnson-had-a-talent-for-the-tender-delineation-of-family-ties-here-each-of-the-young-boys-extends-an-arm-to-their-father-and-rests-a-pale-hand-on-his-sturdy-form-their-fathers-hand-open-in-his-lap-suggests-a-gentle-accessibility-johnson-was-born-into-slavery-the-son-of-a-white-man-and-an-enslaved-african-american-woman-he-was-freed-by-his-father-in-1782-by-the-end-of-the-ei-image504688370.htmlRM2M92F4J–John Jacob Anderson and Sons, John and Edward Joshua Johnson (active circa 1795-1825). John Jacob Anderson and Sons, John and Edward, ca. 1812-1815. Oil on canvas, 30 1/8 x 39 11/16 in. (76.5 x 100.8 cm). Joshua Johnson had a talent for the tender delineation of family ties. Here, each of the young boys extends an arm to their father and rests a pale hand on his sturdy form. Their father’s hand, open in his lap, suggests a gentle accessibility. Johnson was born into slavery. The son of a white man and an enslaved African American woman, he was freed by his father in 1782. By the end of the ei
George Washington Deal. Dated: 1834. Dimensions: overall: 76.2 x 63.5 cm (30 x 25 in.) framed: 88 x 100.3 x 9.5 cm (34 5/8 x 39 1/2 x 3 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Robert Street. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-washington-deal-dated-1834-dimensions-overall-762-x-635-cm-30-x-25-in-framed-88-x-1003-x-95-cm-34-58-x-39-12-x-3-34-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-robert-street-image218714792.htmlRMPKR8XG–George Washington Deal. Dated: 1834. Dimensions: overall: 76.2 x 63.5 cm (30 x 25 in.) framed: 88 x 100.3 x 9.5 cm (34 5/8 x 39 1/2 x 3 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Robert Street.
![Plans Generales De la Nouvelle AlleÃÅe de Herrnhouse. Author Charbonnier, E. A. 100.59.r. Place of publication: [Germany?] Publisher: E. A. Charbonnier, Date of publication: [about 1726.] Item type: 1 map on 2 sheets Medium: joined, manuscript pen and ink with wash colour Dimensions: 23.5 x 76 cm, on sheet 36.4 x 76.8 xm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HE2H/plans-generales-de-la-nouvelle-allee-de-herrnhouse-author-charbonnier-e-a-10059r-place-of-publication-germany-publisher-e-a-charbonnier-date-of-publication-about-1726-item-type-1-map-on-2-sheets-medium-joined-manuscript-pen-and-ink-with-wash-colour-dimensions-235-x-76-cm-on-sheet-364-x-768-xm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HE2H.jpg "Plans Generales De la Nouvelle AlleÃÅe de Herrnhouse. Author Charbonnier, E. A. 100.59.r. Place of publication: [Germany?] Publisher: E. A. Charbonnier, Date of publication: [about 1726.] Item type: 1 map on 2 sheets Medium: joined, manuscript pen and ink with wash colour Dimensions: 23.5 x 76 cm, on sheet 36.4 x 76.8 xm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Plans Generales De la Nouvelle AlleÃÅe de Herrnhouse. Author Charbonnier, E. A. 100.59.r. Place of publication: [Germany?] Publisher: E. A. Charbonnier, Date of publication: [about 1726.] Item type: 1 map on 2 sheets Medium: joined, manuscript pen and ink with wash colour Dimensions: 23.5 x 76 cm, on sheet 36.4 x 76.8 xm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plans-generales-de-la-nouvelle-allee-de-herrnhouse-author-charbonnier-e-a-10059r-place-of-publication-germany-publisher-e-a-charbonnier-date-of-publication-about-1726-item-type-1-map-on-2-sheets-medium-joined-manuscript-pen-and-ink-with-wash-colour-dimensions-235-x-76-cm-on-sheet-364-x-768-xm-former-owner-george-iii-king-of-great-britain-1738-1820-image401754601.htmlRM2E9HE2H–Plans Generales De la Nouvelle AlleÃÅe de Herrnhouse. Author Charbonnier, E. A. 100.59.r. Place of publication: [Germany?] Publisher: E. A. Charbonnier, Date of publication: [about 1726.] Item type: 1 map on 2 sheets Medium: joined, manuscript pen and ink with wash colour Dimensions: 23.5 x 76 cm, on sheet 36.4 x 76.8 xm Former owner: George III, King of Great Britain, 1738-1820
Fragments; cotton; Warp x Weft (a): 75 x 100 cm (29 1/2 x 39 3/8 in.) Warp x Weft (b): 96 x 100 cm (37 13/16 x 39 3/8 in.) Warp x Weft (c): 66 x 72 cm (26 x 28 3/8 in.) Warp x Weft (d): 76 x 57 cm (29 15/16 x 22 7/16 in.) Warp x Weft (e): 55 x 78 cm (21 5/8 x 30 11/16 in.) Warp x Weft (f): 76 x 36 cm (29 15/16 x 14 3/16 in.) Warp x Weft (g): 39 x 54 cm (15 3/8 x 21 1/4 in.) Warp x Weft (h): 76 x 73 cm (29 15/16 x 28 3/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragments-cotton-warp-x-weft-a-75-x-100-cm-29-12-x-39-38-in-warp-x-weft-b-96-x-100-cm-37-1316-x-39-38-in-warp-x-weft-c-66-x-72-cm-26-x-28-38-in-warp-x-weft-d-76-x-57-cm-29-1516-x-22-716-in-warp-x-weft-e-55-x-78-cm-21-58-x-30-1116-in-warp-x-weft-f-76-x-36-cm-29-1516-x-14-316-in-warp-x-weft-g-39-x-54-cm-15-38-x-21-14-in-warp-x-weft-h-76-x-73-cm-29-1516-x-28-34-in-image546253405.htmlRM2PMKYP5–Fragments; cotton; Warp x Weft (a): 75 x 100 cm (29 1/2 x 39 3/8 in.) Warp x Weft (b): 96 x 100 cm (37 13/16 x 39 3/8 in.) Warp x Weft (c): 66 x 72 cm (26 x 28 3/8 in.) Warp x Weft (d): 76 x 57 cm (29 15/16 x 22 7/16 in.) Warp x Weft (e): 55 x 78 cm (21 5/8 x 30 11/16 in.) Warp x Weft (f): 76 x 36 cm (29 15/16 x 14 3/16 in.) Warp x Weft (g): 39 x 54 cm (15 3/8 x 21 1/4 in.) Warp x Weft (h): 76 x 73 cm (29 15/16 x 28 3/4 in.)
Unknown architect, jurisdiction in Oppeln (1888): cross -sections 1: 100. Lithograph, 65.8 x 76.5 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-architect-jurisdiction-in-oppeln-1888-cross-sections-1-100-lithograph-658-x-765-cm-including-scan-edges-image477442318.htmlRM2JMNAFA–Unknown architect, jurisdiction in Oppeln (1888): cross -sections 1: 100. Lithograph, 65.8 x 76.5 cm (including scan edges)
Knoblauch, Arnold & Knoblauch, Gustav, row houses and single -family houses by Mr. Förster, Charlottenbrunn: Department 1: 100. Ink on transparent, 67.5 x 76.8 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/knoblauch-arnold-knoblauch-gustav-row-houses-and-single-family-houses-by-mr-frster-charlottenbrunn-department-1-100-ink-on-transparent-675-x-768-cm-including-scan-edges-image477642692.htmlRM2JN2E3G–Knoblauch, Arnold & Knoblauch, Gustav, row houses and single -family houses by Mr. Förster, Charlottenbrunn: Department 1: 100. Ink on transparent, 67.5 x 76.8 cm (including scan edges)
False owner, Kavallerie Kasernement in Gdansk-Langfuhr. Chamber and vehicle building (March 29, 1897): Grundriss eG, longitudinal cut and cross-section 1: 100. Lithograph colored, 52.5 x 76.8 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/false-owner-kavallerie-kasernement-in-gdansk-langfuhr-chamber-and-vehicle-building-march-29-1897-grundriss-eg-longitudinal-cut-and-cross-section-1-100-lithograph-colored-525-x-768-cm-including-scan-edges-image477446989.htmlRM2JMNGE5–False owner, Kavallerie Kasernement in Gdansk-Langfuhr. Chamber and vehicle building (March 29, 1897): Grundriss eG, longitudinal cut and cross-section 1: 100. Lithograph colored, 52.5 x 76.8 cm (including scan edges)
Post Carl (born 1844), turning bridge. Monthly competition April 1876 (04.1876): Runting bridge: floor plan, upright side view, longitudinal section 1: 100; 2 cross -sections 1:50; Details; 2 scale strips. Tusche watercolor on paper, 58.8 x 76.5 cm (including scan edges) Post Carl (geb. 1844): Drehbrücke. Monatskonkurrenz April 1876 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/post-carl-born-1844-turning-bridge-monthly-competition-april-1876-041876-runting-bridge-floor-plan-upright-side-view-longitudinal-section-1-100-2-cross-sections-150-details-2-scale-strips-tusche-watercolor-on-paper-588-x-765-cm-including-scan-edges-post-carl-geb-1844-drehbrcke-monatskonkurrenz-april-1876-image477517024.htmlRM2JMTNRC–Post Carl (born 1844), turning bridge. Monthly competition April 1876 (04.1876): Runting bridge: floor plan, upright side view, longitudinal section 1: 100; 2 cross -sections 1:50; Details; 2 scale strips. Tusche watercolor on paper, 58.8 x 76.5 cm (including scan edges) Post Carl (geb. 1844): Drehbrücke. Monatskonkurrenz April 1876
Klomp Johannes Franziskus (1865-1946), St. Marien (expansion and new construction of Kaplanei and sister house), Herne-Baukau (25.08.1908): Crowning of the Tower of the Church, view, cuts 1: 100. Ink, pencil on transparent, 76.8 x 57.5 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): St. Marien, Herne-Baukau. Erweiterung und Neubau von Kaplanei und Schwesternhaus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/klomp-johannes-franziskus-1865-1946-st-marien-expansion-and-new-construction-of-kaplanei-and-sister-house-herne-baukau-25081908-crowning-of-the-tower-of-the-church-view-cuts-1-100-ink-pencil-on-transparent-768-x-575-cm-including-scan-edges-klomp-johannes-franziskus-1865-1946-st-marien-herne-baukau-erweiterung-und-neubau-von-kaplanei-und-schwesternhaus-image477553535.htmlRM2JMXCBB–Klomp Johannes Franziskus (1865-1946), St. Marien (expansion and new construction of Kaplanei and sister house), Herne-Baukau (25.08.1908): Crowning of the Tower of the Church, view, cuts 1: 100. Ink, pencil on transparent, 76.8 x 57.5 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): St. Marien, Herne-Baukau. Erweiterung und Neubau von Kaplanei und Schwesternhaus
![Unknown Artist, Vessel Attachment with Priapus [?] Figure, 100 BC-001 BC, bronze, 4 5/16 in. x 1 7/8 in. x 13/16 in. (10.95 cm. x 4.76 cm. x 2.06 cm.) Stock Photo](https://c8.alamy.com/comp/2B0BXF0/unknown-artist-vessel-attachment-with-priapus-figure-100-bc-001-bc-bronze-4-516-in-x-1-78-in-x-1316-in-1095-cm-x-476-cm-x-206-cm-2B0BXF0.jpg "Unknown Artist, Vessel Attachment with Priapus [?] Figure, 100 BC-001 BC, bronze, 4 5/16 in. x 1 7/8 in. x 13/16 in. (10.95 cm. x 4.76 cm. x 2.06 cm.) Stock Photo")
Unknown Artist, Vessel Attachment with Priapus [?] Figure, 100 BC-001 BC, bronze, 4 5/16 in. x 1 7/8 in. x 13/16 in. (10.95 cm. x 4.76 cm. x 2.06 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-vessel-attachment-with-priapus-figure-100-bc-001-bc-bronze-4-516-in-x-1-78-in-x-1316-in-1095-cm-x-476-cm-x-206-cm-image344469636.htmlRM2B0BXF0–Unknown Artist, Vessel Attachment with Priapus [?] Figure, 100 BC-001 BC, bronze, 4 5/16 in. x 1 7/8 in. x 13/16 in. (10.95 cm. x 4.76 cm. x 2.06 cm.)
Art inspired by John Jacob Anderson and Sons, John and Edward, Joshua Johnson, active circa 1795-1825, Oil on canvas, ca. 1812-1815, 30 1/8 x 39 11/16 in., 76.5 x 100.8 cm, 19thC, African-American artist, American primitive, black artist, ca. 1812-1815, children, collar, disciplinarian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-john-jacob-anderson-and-sons-john-and-edward-joshua-johnson-active-circa-1795-1825-oil-on-canvas-ca-1812-1815-30-18-x-39-1116-in-765-x-1008-cm-19thc-african-american-artist-american-primitive-black-artist-ca-1812-1815-children-collar-disciplinarian-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459562993.htmlRF2HKJW81–Art inspired by John Jacob Anderson and Sons, John and Edward, Joshua Johnson, active circa 1795-1825, Oil on canvas, ca. 1812-1815, 30 1/8 x 39 11/16 in., 76.5 x 100.8 cm, 19thC, African-American artist, American primitive, black artist, ca. 1812-1815, children, collar, disciplinarian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 76, Pavillon De Chaumont (Saône et Loire), 1860. Victor Petit (French, 1817-1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.6 cm (14 1/16 x 10 7/8 in.); image: 23.5 x 14 cm (9 1/4 x 5 1/2 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/architecture-pittoresque-ou-monuments-des-xveme-et-xvieme-siecles-chateaux-de-france-des-xv-et-xvi-siecles-pl-76-pavillon-de-chaumont-sane-et-loire-1860-victor-petit-french-1817-1874-charles-boivin-publisher-and-editor-lith-de-godard-a-paris-printer-lithograph-with-tint-stone-from-portfolio-of-100-lithographs-with-tint-stone-sheet-357-x-276-cm-14-116-x-10-78-in-image-235-x-14-cm-9-14-x-5-12-in-image240506683.htmlRMRY80MB–Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 76, Pavillon De Chaumont (Saône et Loire), 1860. Victor Petit (French, 1817-1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.6 cm (14 1/16 x 10 7/8 in.); image: 23.5 x 14 cm (9 1/4 x 5 1/2 in
Art inspired by A Goldsmith in his Shop, 1449, Oil on oak panel, Overall 39 3/8 x 33 3/4 in. (100.1 x 85.8 cm); painted surface 38 5/8 x 33 1/2 in. (98 x 85.2 cm), Paintings, Petrus Christus (Netherlandish, Baarle-Hertog (Baerle-Duc), active by 1444–died 1475/76 Bruges), A celebrated, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-goldsmith-in-his-shop-1449-oil-on-oak-panel-overall-39-38-x-33-34-in-1001-x-858-cm-painted-surface-38-58-x-33-12-in-98-x-852-cm-paintings-petrus-christus-netherlandish-baarle-hertog-baerle-duc-active-by-1444died-147576-bruges-a-celebrated-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462824054.htmlRF2HTYCPE–Art inspired by A Goldsmith in his Shop, 1449, Oil on oak panel, Overall 39 3/8 x 33 3/4 in. (100.1 x 85.8 cm); painted surface 38 5/8 x 33 1/2 in. (98 x 85.2 cm), Paintings, Petrus Christus (Netherlandish, Baarle-Hertog (Baerle-Duc), active by 1444–died 1475/76 Bruges), A celebrated, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Goldsmith in his Shop, 1449, Oil on oak panel, Overall 39 3/8 x 33 3/4 in. (100.1 x 85.8 cm); painted surface 38 5/8 x 33 1/2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-a-goldsmith-in-his-shop-1449-oil-on-oak-panel-overall-39-38-x-33-34-162560783.htmlRMKCD7X7–A Goldsmith in his Shop, 1449, Oil on oak panel, Overall 39 3/8 x 33 3/4 in. (100.1 x 85.8 cm); painted surface 38 5/8 x 33 1/2
Painting; oil on canvas; overall: 67.5 x 100 cm (26 9/16 x 39 3/8 in.) framed: 76.8 x 110.2 x 5.3 cm (30 1/4 x 43 3/8 x 2 1/16 in.); 16 Mounting of the Guard A33683 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-675-x-100-cm-26-916-x-39-38-in-framed-768-x-1102-x-53-cm-30-14-x-43-38-x-2-116-in-16-mounting-of-the-guard-a33683-image206574496.htmlRMP027TG–Painting; oil on canvas; overall: 67.5 x 100 cm (26 9/16 x 39 3/8 in.) framed: 76.8 x 110.2 x 5.3 cm (30 1/4 x 43 3/8 x 2 1/16 in.); 16 Mounting of the Guard A33683
Auguste Renoir, (artist), French, 1841 - 1919, Girl with a Hoop, 1885, oil on canvas, overall: 125.7 x 76.6 cm (49 1/2 x 30 3/16 in.), framed: 148 x 100.6 cm (58 1/4 x 39 5/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/auguste-renoir-artist-french-1841-1919-girl-with-a-hoop-1885-oil-on-canvas-overall-1257-x-766-cm-49-12-x-30-316-in-framed-148-x-1006-cm-58-14-x-39-58-in-image386198462.htmlRM2DC8T26–Auguste Renoir, (artist), French, 1841 - 1919, Girl with a Hoop, 1885, oil on canvas, overall: 125.7 x 76.6 cm (49 1/2 x 30 3/16 in.), framed: 148 x 100.6 cm (58 1/4 x 39 5/8 in
Girl with a Hoop. Dated: 1885. Dimensions: overall: 125.7 x 76.6 cm (49 1/2 x 30 3/16 in.) framed: 148 x 100.6 cm (58 1/4 x 39 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: AUGUSTE RENOIR. Renoir, Pierre-Auguste. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/girl-with-a-hoop-dated-1885-dimensions-overall-1257-x-766-cm-49-12-x-30-316-in-framed-148-x-1006-cm-58-14-x-39-58-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-auguste-renoir-renoir-pierre-auguste-image225821868.htmlRMR3B22M–Girl with a Hoop. Dated: 1885. Dimensions: overall: 125.7 x 76.6 cm (49 1/2 x 30 3/16 in.) framed: 148 x 100.6 cm (58 1/4 x 39 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: AUGUSTE RENOIR. Renoir, Pierre-Auguste.
Band with Trophy Heads, 100 BC-700. Peru, South Coast, Nasca style (100 BC-AD 700). Interlocking warp and weft, single interlock: wool; overall: 180.7 x 21.6 cm (71 1/8 x 8 1/2 in.); mounted: 193 x 30.5 cm (76 x 12 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/band-with-trophy-heads-100-bc-700-peru-south-coast-nasca-style-100-bc-ad-700-interlocking-warp-and-weft-single-interlock-wool-overall-1807-x-216-cm-71-18-x-8-12-in-mounted-193-x-305-cm-76-x-12-in-image448108941.htmlRM2H113EN–Band with Trophy Heads, 100 BC-700. Peru, South Coast, Nasca style (100 BC-AD 700). Interlocking warp and weft, single interlock: wool; overall: 180.7 x 21.6 cm (71 1/8 x 8 1/2 in.); mounted: 193 x 30.5 cm (76 x 12 in.).
Robert Street, (artist), American, 1796 - 1865, George Washington Deal, 1834, oil on canvas, overall: 76.2 x 63.5 cm (30 x 25 in.), framed: 88 x 100.3 x 9.5 cm (34 5/8 x 39 1/2 x 3 3/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robert-street-artist-american-1796-1865-george-washington-deal-1834-oil-on-canvas-overall-762-x-635-cm-30-x-25-in-framed-88-x-1003-x-95-cm-34-58-x-39-12-x-3-34-in-image386197343.htmlRM2DC8PJ7–Robert Street, (artist), American, 1796 - 1865, George Washington Deal, 1834, oil on canvas, overall: 76.2 x 63.5 cm (30 x 25 in.), framed: 88 x 100.3 x 9.5 cm (34 5/8 x 39 1/2 x 3 3/4 in
Mounting of the Guard. Dated: mid 19th century. Dimensions: overall: 67.5 x 100 cm (26 9/16 x 39 3/8 in.) framed: 76.8 x 110.2 x 5.3 cm (30 1/4 x 43 3/8 x 2 1/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Redpath. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mounting-of-the-guard-dated-mid-19th-century-dimensions-overall-675-x-100-cm-26-916-x-39-38-in-framed-768-x-1102-x-53-cm-30-14-x-43-38-x-2-116-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-redpath-image218821052.htmlRMPM04DG–Mounting of the Guard. Dated: mid 19th century. Dimensions: overall: 67.5 x 100 cm (26 9/16 x 39 3/8 in.) framed: 76.8 x 110.2 x 5.3 cm (30 1/4 x 43 3/8 x 2 1/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Redpath.
Street Singer and Child, 1700s. John Opie (British, 1761-1807). Oil on canvas; framed: 100 x 87.5 x 11 cm (39 3/8 x 34 7/16 x 4 5/16 in.); unframed: 76.5 x 64.3 cm (30 1/8 x 25 5/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/street-singer-and-child-1700s-john-opie-british-1761-1807-oil-on-canvas-framed-100-x-875-x-11-cm-39-38-x-34-716-x-4-516-in-unframed-765-x-643-cm-30-18-x-25-516-in-image448106235.htmlRM2H11023–Street Singer and Child, 1700s. John Opie (British, 1761-1807). Oil on canvas; framed: 100 x 87.5 x 11 cm (39 3/8 x 34 7/16 x 4 5/16 in.); unframed: 76.5 x 64.3 cm (30 1/8 x 25 5/16 in.).
Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 76, Pavillon De Chaumont (Saône et Loire), 1860. Victor Petit (French, 1817-1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.6 cm (14 1/16 x 10 7/8 in.); image: 23.5 x 14 cm (9 1/4 x 5 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/architecture-pittoresque-ou-monuments-des-xveme-et-xvieme-siecles-chateaux-de-france-des-xv-et-xvi-siecles-pl-76-pavillon-de-chaumont-sane-et-loire-1860-victor-petit-french-1817-1874-charles-boivin-publisher-and-editor-lith-de-godard-a-paris-printer-lithograph-with-tint-stone-from-portfolio-of-100-lithographs-with-tint-stone-sheet-357-x-276-cm-14-116-x-10-78-in-image-235-x-14-cm-9-14-x-5-12-in-image448076062.htmlRM2H0YHGE–Architecture Pittoresque ou Monuments des XVeme. Et XVIeme. Siecles: Chateaux de France des XV et XVI Siecles: Pl. 76, Pavillon De Chaumont (Saône et Loire), 1860. Victor Petit (French, 1817-1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.7 x 27.6 cm (14 1/16 x 10 7/8 in.); image: 23.5 x 14 cm (9 1/4 x 5 1/2 in.).
Neuhaus Karl (born 1877), inn in a small town. Monthly competition November 1917 (11.1917): floor plan ground floor, upper floor 1: 200; Riss front view, horizontal cut through the facade, 2 half cross -sections through the hall 1: 100; 2 ma. Pencil on transparent, 39.8 x 59.5 cm (including scan edges) Neuhaus Karl (geb. 1877): Gasthaus in einer Kleinstadt. Monatskonkurrenz November 1917 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/neuhaus-karl-born-1877-inn-in-a-small-town-monthly-competition-november-1917-111917-floor-plan-ground-floor-upper-floor-1-200-riss-front-view-horizontal-cut-through-the-facade-2-half-cross-sections-through-the-hall-1-100-2-ma-pencil-on-transparent-398-x-595-cm-including-scan-edges-neuhaus-karl-geb-1877-gasthaus-in-einer-kleinstadt-monatskonkurrenz-november-1917-image477539158.htmlRM2JMWP1X–Neuhaus Karl (born 1877), inn in a small town. Monthly competition November 1917 (11.1917): floor plan ground floor, upper floor 1: 200; Riss front view, horizontal cut through the facade, 2 half cross -sections through the hall 1: 100; 2 ma. Pencil on transparent, 39.8 x 59.5 cm (including scan edges) Neuhaus Karl (geb. 1877): Gasthaus in einer Kleinstadt. Monatskonkurrenz November 1917
William Merritt Chase, (artist), American, 1849 - 1916, A Friendly Call, 1895, oil on canvas, overall: 76.5 x 122.5 cm (30 1/8 x 48 1/4 in.), framed: 100 x 145.7 x 7.6 cm (39 3/8 x 57 3/8 x 3 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-merritt-chase-artist-american-1849-1916-a-friendly-call-1895-oil-on-canvas-overall-765-x-1225-cm-30-18-x-48-14-in-framed-100-x-1457-x-76-cm-39-38-x-57-38-x-3-in-image386365317.htmlRM2DCGCW9–William Merritt Chase, (artist), American, 1849 - 1916, A Friendly Call, 1895, oil on canvas, overall: 76.5 x 122.5 cm (30 1/8 x 48 1/4 in.), framed: 100 x 145.7 x 7.6 cm (39 3/8 x 57 3/8 x 3 in
A Friendly Call. Dated: 1895. Dimensions: overall: 76.5 x 122.5 cm (30 1/8 x 48 1/4 in.) framed: 100 x 145.7 x 7.6 cm (39 3/8 x 57 3/8 x 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: William Merritt Chase. Chase, William Merrit. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-friendly-call-dated-1895-dimensions-overall-765-x-1225-cm-30-18-x-48-14-in-framed-100-x-1457-x-76-cm-39-38-x-57-38-x-3-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-william-merritt-chase-chase-william-merrit-image233865938.htmlRMRGDEAX–A Friendly Call. Dated: 1895. Dimensions: overall: 76.5 x 122.5 cm (30 1/8 x 48 1/4 in.) framed: 100 x 145.7 x 7.6 cm (39 3/8 x 57 3/8 x 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: William Merritt Chase. Chase, William Merrit.
Redpath, (painter), American, active mid 19th century, Mounting of the Guard, mid 19th century, oil on canvas, overall: 67.5 x 100 cm (26 9/16 x 39 3/8 in.), framed: 76.8 x 110.2 x 5.3 cm (30 1/4 x 43 3/8 x 2 1/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/redpath-painter-american-active-mid-19th-century-mounting-of-the-guard-mid-19th-century-oil-on-canvas-overall-675-x-100-cm-26-916-x-39-38-in-framed-768-x-1102-x-53-cm-30-14-x-43-38-x-2-116-in-image386239426.htmlRM2DCAM96–Redpath, (painter), American, active mid 19th century, Mounting of the Guard, mid 19th century, oil on canvas, overall: 67.5 x 100 cm (26 9/16 x 39 3/8 in.), framed: 76.8 x 110.2 x 5.3 cm (30 1/4 x 43 3/8 x 2 1/16 in
