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77 4 cm Stock Photos and Images
Giovanni Battista Piranesi, 4.10.1720, 9.11.1778, Rome, The Pyramid Tomb of Caius Cestius, 53.6 × 77.4 cm, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-piranesi-4101720-9111778-rome-the-pyramid-tomb-of-caius-cestius-536-774-cm-etching-image573417851.htmlRM2T8WC8Y–Giovanni Battista Piranesi, 4.10.1720, 9.11.1778, Rome, The Pyramid Tomb of Caius Cestius, 53.6 × 77.4 cm, etching
Théodore Gudin French school Occupation of the Martinique by Esnembuc in 1635 1635 Oil on canvas (48.2 x 77.4 cm) Paris, musée du Quai Branly Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-thodore-gudin-french-school-occupation-of-the-martinique-by-esnembuc-113150800.htmlRMGG2D00–Théodore Gudin French school Occupation of the Martinique by Esnembuc in 1635 1635 Oil on canvas (48.2 x 77.4 cm) Paris, musée du Quai Branly
. English: Icon of Saint Jovan Vladimir, from the Ardenica Monastery in Albania. The saint is depicted as sitting on a throne in the central rectangle, surrounded by scenes of his life and miracles, according to his Greek hagiography. Egg tempera on wood, 77.4 cm x 52.7 cm, contains text in Greek. The icon is now kept in the National Museum of Medieval Art, Korcë. . 1739. 1084 Saint Jovan Vladimir (Ardenica) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-icon-of-saint-jovan-vladimir-from-the-ardenica-monastery-in-albania-the-saint-is-depicted-as-sitting-on-a-throne-in-the-central-rectangle-surrounded-by-scenes-of-his-life-and-miracles-according-to-his-greek-hagiography-egg-tempera-on-wood-774-cm-x-527-cm-contains-text-in-greek-the-icon-is-now-kept-in-the-national-museum-of-medieval-art-korc-1739-1084-saint-jovan-vladimir-ardenica-image185554971.htmlRMMNTN77–. English: Icon of Saint Jovan Vladimir, from the Ardenica Monastery in Albania. The saint is depicted as sitting on a throne in the central rectangle, surrounded by scenes of his life and miracles, according to his Greek hagiography. Egg tempera on wood, 77.4 cm x 52.7 cm, contains text in Greek. The icon is now kept in the National Museum of Medieval Art, Korcë. . 1739. 1084 Saint Jovan Vladimir (Ardenica)
![To the Patron and Promoter of ARTS, MANUFACTURES, and COMMERCE, Matthew Boulton Esqr. This View of the RIVER THAMES, The CITIES of LONDON and WESTMINSTER, with part of the ROYAL HOSPITAL and adjacent Buildings take Author Jukes, Francis 17.1-3.e. Place of publication: London Publisher: Published March 1st 1804, by F. Jukes, Engraver, No10, Howland Street., Date of publication: [March 1 1804] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 56.6 x 77.4 cm, on sheet 58.9 x 83.4 cm Former owner: George III, King of Stock Photo](https://c8.alamy.com/comp/2E9H732/to-the-patron-and-promoter-of-arts-manufactures-and-commerce-matthew-boulton-esqr-this-view-of-the-river-thames-the-cities-of-london-and-westminster-with-part-of-the-royal-hospital-and-adjacent-buildings-take-author-jukes-francis-171-3e-place-of-publication-london-publisher-published-march-1st-1804-by-f-jukes-engraver-no10-howland-street-date-of-publication-march-1-1804-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-platemark-566-x-774-cm-on-sheet-589-x-834-cm-former-owner-george-iii-king-of-2E9H732.jpg "To the Patron and Promoter of ARTS, MANUFACTURES, and COMMERCE, Matthew Boulton Esqr. This View of the RIVER THAMES, The CITIES of LONDON and WESTMINSTER, with part of the ROYAL HOSPITAL and adjacent Buildings take Author Jukes, Francis 17.1-3.e. Place of publication: London Publisher: Published March 1st 1804, by F. Jukes, Engraver, No10, Howland Street., Date of publication: [March 1 1804] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 56.6 x 77.4 cm, on sheet 58.9 x 83.4 cm Former owner: George III, King of Stock Photo")
To the Patron and Promoter of ARTS, MANUFACTURES, and COMMERCE, Matthew Boulton Esqr. This View of the RIVER THAMES, The CITIES of LONDON and WESTMINSTER, with part of the ROYAL HOSPITAL and adjacent Buildings take Author Jukes, Francis 17.1-3.e. Place of publication: London Publisher: Published March 1st 1804, by F. Jukes, Engraver, No10, Howland Street., Date of publication: [March 1 1804] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 56.6 x 77.4 cm, on sheet 58.9 x 83.4 cm Former owner: George III, King of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/to-the-patron-and-promoter-of-arts-manufactures-and-commerce-matthew-boulton-esqr-this-view-of-the-river-thames-the-cities-of-london-and-westminster-with-part-of-the-royal-hospital-and-adjacent-buildings-take-author-jukes-francis-171-3e-place-of-publication-london-publisher-published-march-1st-1804-by-f-jukes-engraver-no10-howland-street-date-of-publication-march-1-1804-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-platemark-566-x-774-cm-on-sheet-589-x-834-cm-former-owner-george-iii-king-of-image401749126.htmlRM2E9H732–To the Patron and Promoter of ARTS, MANUFACTURES, and COMMERCE, Matthew Boulton Esqr. This View of the RIVER THAMES, The CITIES of LONDON and WESTMINSTER, with part of the ROYAL HOSPITAL and adjacent Buildings take Author Jukes, Francis 17.1-3.e. Place of publication: London Publisher: Published March 1st 1804, by F. Jukes, Engraver, No10, Howland Street., Date of publication: [March 1 1804] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 56.6 x 77.4 cm, on sheet 58.9 x 83.4 cm Former owner: George III, King of
Corrado Giaquinto / 'Battle of Clavijo', 1755-1756, Italian School, Oil on canvas, 77,4 cm x 136,2 cm, P00106. Museum: MUSEO DEL PRADO, MADRID, SPAIN. JAMES THE GREATER. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/corrado-giaquinto-battle-of-clavijo-1755-1756-italian-school-oil-on-canvas-774-cm-x-1362-cm-p00106-museum-museo-del-prado-madrid-spain-james-the-greater-image630867837.htmlRM2YJAEA5–Corrado Giaquinto / 'Battle of Clavijo', 1755-1756, Italian School, Oil on canvas, 77,4 cm x 136,2 cm, P00106. Museum: MUSEO DEL PRADO, MADRID, SPAIN. JAMES THE GREATER.
Art inspired by The death of Marcus Atilius Regulus, showng being nailed into a tub by the Carthaginians, ca. 1661–62, Etching, sheet: 22 5/16 x 30 1/2 in. (56.6 x 77.4 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-death-of-marcus-atilius-regulus-showng-being-nailed-into-a-tub-by-the-carthaginians-ca-166162-etching-sheet-22-516-x-30-12-in-566-x-774-cm-prints-salvator-rosa-italian-arenella-naples-16151673-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463002381.htmlRF2HW7G79–Art inspired by The death of Marcus Atilius Regulus, showng being nailed into a tub by the Carthaginians, ca. 1661–62, Etching, sheet: 22 5/16 x 30 1/2 in. (56.6 x 77.4 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Reh im Blumengarten - 1913 - Oil on canvas 55,3 x 77,4 cm - Marc Franz Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reh-im-blumengarten-1913-oil-on-canvas-553-x-774-cm-marc-franz-image457741098.htmlRF2HGKWCA–Reh im Blumengarten - 1913 - Oil on canvas 55,3 x 77,4 cm - Marc Franz
Print, View of Florence with the Cathedral, S. Croce, Palazzo Vecchio, Plate 4 from 'Scelta di XXIV Vedute delle principali contrade, piazze, chiese, e palazzi della Città di Firenze'; Print Maker: Giuseppe Zocchi; Italy; etching on paper; 60.1 × 77.4 cm (23 11/16 × 30 1/2 in.); 1919-30-3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-view-of-florence-with-the-cathedral-s-croce-palazzo-vecchio-plate-4-from-scelta-di-xxiv-vedute-delle-principali-contrade-piazze-chiese-e-palazzi-della-citt-di-firenze-print-maker-giuseppe-zocchi-italy-etching-on-paper-601-774-cm-23-1116-30-12-in-1919-30-3-image546241483.htmlRM2PMKCGB–Print, View of Florence with the Cathedral, S. Croce, Palazzo Vecchio, Plate 4 from 'Scelta di XXIV Vedute delle principali contrade, piazze, chiese, e palazzi della Città di Firenze'; Print Maker: Giuseppe Zocchi; Italy; etching on paper; 60.1 × 77.4 cm (23 11/16 × 30 1/2 in.); 1919-30-3
Attributed to Henri Biva, Fishing on a sunny afternoon, oil on canvas, 100.4 x 77.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-attributed-to-henri-biva-fishing-on-a-sunny-afternoon-oil-on-canvas-134907527.htmlRMHRDFWY–Attributed to Henri Biva, Fishing on a sunny afternoon, oil on canvas, 100.4 x 77.5 cm
Attributed to Henri Biva, Fishing on a sunny afternoon, oil on canvas, 100.4 x 77.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-attributed-to-henri-biva-fishing-on-a-sunny-afternoon-oil-on-canvas-162249422.htmlRMKBY2P6–Attributed to Henri Biva, Fishing on a sunny afternoon, oil on canvas, 100.4 x 77.5 cm
Attributed to Henri Biva, Fishing on a sunny afternoon, oil on canvas, 100.4 x 77.5 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-henri-biva-fishing-on-a-sunny-afternoon-oil-on-canvas-1004-x-775-cm-image216521899.htmlRMPG7BTY–Attributed to Henri Biva, Fishing on a sunny afternoon, oil on canvas, 100.4 x 77.5 cm.
Get behind the girl he left behind him Join the land army / / Guenther. Abstract/medium: 1 print (poster) : color lithograph sheet 77.8 x 50.4 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/get-behind-the-girl-he-left-behind-him-join-the-land-army-guenther-abstractmedium-1-print-poster-color-lithograph-sheet-778-x-504-cm-image266545551.htmlRMWDJ5FY–Get behind the girl he left behind him Join the land army / / Guenther. Abstract/medium: 1 print (poster) : color lithograph sheet 77.8 x 50.4 cm.
Title: Saint Matthew the Evangelist Artist: Gabriel Mälesskircher Year: 1478 Medium: Oil on panel Dimensions: 77.4 x 32.2 cm Location: Museo Nacional Thyssen-Bornemisza, Madrid Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-saint-matthew-the-evangelist-artist-gabriel-mlesskircher-year-1478-medium-oil-on-panel-dimensions-774-x-322-cm-location-museo-nacional-thyssen-bornemisza-madrid-image630567483.htmlRM2YHTR77–Title: Saint Matthew the Evangelist Artist: Gabriel Mälesskircher Year: 1478 Medium: Oil on panel Dimensions: 77.4 x 32.2 cm Location: Museo Nacional Thyssen-Bornemisza, Madrid
Edvard Munch - Self-Portrait with Brushes 1904, 197 cm × 91 cm (77+1⁄2 in × 35+3⁄4 in), Munch Museum, Oslo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edvard-munch-self-portrait-with-brushes-1904-197-cm-91-cm-7712-in-3534-in-munch-museum-oslo-image566646895.htmlRF2RWTYW3–Edvard Munch - Self-Portrait with Brushes 1904, 197 cm × 91 cm (77+1⁄2 in × 35+3⁄4 in), Munch Museum, Oslo
Andromeda; Workshop of Peter Paul Rubens, Flemish, 1577 - 1640; about 1640s; Oil on canvas; Unframed: 196.9 x 130.8 cm (77 1/2 x Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-andromeda-workshop-of-peter-paul-rubens-flemish-1577-1640-about-1640s-73246150.htmlRME74J5X–Andromeda; Workshop of Peter Paul Rubens, Flemish, 1577 - 1640; about 1640s; Oil on canvas; Unframed: 196.9 x 130.8 cm (77 1/2 x
'Jean-Auguste-Dominique Ingres, Auguste-Jean-Marie Guénepin, 1809, graphite on wove paper, overall: 21 x 16.3 cm (8 1/4 x 6 7/16 in.), Gift of Robert H. and Clarice Smith, 1975.77.2' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-auguste-dominique-ingres-auguste-jean-marie-gunepin-1809-graphite-on-wove-paper-overall-21-x-163-cm-8-14-x-6-716-in-gift-of-robert-h-and-clarice-smith-1975772-image559706727.htmlRM2REGRHY–'Jean-Auguste-Dominique Ingres, Auguste-Jean-Marie Guénepin, 1809, graphite on wove paper, overall: 21 x 16.3 cm (8 1/4 x 6 7/16 in.), Gift of Robert H. and Clarice Smith, 1975.77.2'
![The valley of Chamonix. Five men and a dog rest on top of a promontory overlooking the valley of Chamonix in the foreground, with village of Les Praz, Arve River, Glacier des Bois and Mont Blanc in the background; within wash border. . Vue de la Vallée de Chamounix, de l'Aiguille du Midi, et de celle d'Argentiere : prise aux dessus des Ouches. / fait par Jn. Ant.e Linck. [Geneva] : Se vend à Genéve chez l'Auteur, [between 1790 and 1800]. 1 print : hand-coloured etching ; sheet 39.8 x 51.4 cm (trimmed below platemark). Source: Maps K.Top.76.77.f. Author: JEAN-ANTOINE LINCK. Stock Photo](https://c8.alamy.com/comp/R5DNYY/the-valley-of-chamonix-five-men-and-a-dog-rest-on-top-of-a-promontory-overlooking-the-valley-of-chamonix-in-the-foreground-with-village-of-les-praz-arve-river-glacier-des-bois-and-mont-blanc-in-the-background-within-wash-border-vue-de-la-valle-de-chamounix-de-laiguille-du-midi-et-de-celle-dargentiere-prise-aux-dessus-des-ouches-fait-par-jn-ante-linck-geneva-se-vend-genve-chez-lauteur-between-1790-and-1800-1-print-hand-coloured-etching-sheet-398-x-514-cm-trimmed-below-platemark-source-maps-ktop7677f-author-jean-antoine-linck-R5DNYY.jpg "The valley of Chamonix. Five men and a dog rest on top of a promontory overlooking the valley of Chamonix in the foreground, with village of Les Praz, Arve River, Glacier des Bois and Mont Blanc in the background; within wash border. . Vue de la Vallée de Chamounix, de l'Aiguille du Midi, et de celle d'Argentiere : prise aux dessus des Ouches. / fait par Jn. Ant.e Linck. [Geneva] : Se vend à Genéve chez l'Auteur, [between 1790 and 1800]. 1 print : hand-coloured etching ; sheet 39.8 x 51.4 cm (trimmed below platemark). Source: Maps K.Top.76.77.f. Author: JEAN-ANTOINE LINCK. Stock Photo")
The valley of Chamonix. Five men and a dog rest on top of a promontory overlooking the valley of Chamonix in the foreground, with village of Les Praz, Arve River, Glacier des Bois and Mont Blanc in the background; within wash border. . Vue de la Vallée de Chamounix, de l'Aiguille du Midi, et de celle d'Argentiere : prise aux dessus des Ouches. / fait par Jn. Ant.e Linck. [Geneva] : Se vend à Genéve chez l'Auteur, [between 1790 and 1800]. 1 print : hand-coloured etching ; sheet 39.8 x 51.4 cm (trimmed below platemark). Source: Maps K.Top.76.77.f. Author: JEAN-ANTOINE LINCK. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-valley-of-chamonix-five-men-and-a-dog-rest-on-top-of-a-promontory-overlooking-the-valley-of-chamonix-in-the-foreground-with-village-of-les-praz-arve-river-glacier-des-bois-and-mont-blanc-in-the-background-within-wash-border-vue-de-la-valle-de-chamounix-de-laiguille-du-midi-et-de-celle-dargentiere-prise-aux-dessus-des-ouches-fait-par-jn-ante-linck-geneva-se-vend-genve-chez-lauteur-between-1790-and-1800-1-print-hand-coloured-etching-sheet-398-x-514-cm-trimmed-below-platemark-source-maps-ktop7677f-author-jean-antoine-linck-image227110687.htmlRMR5DNYY–The valley of Chamonix. Five men and a dog rest on top of a promontory overlooking the valley of Chamonix in the foreground, with village of Les Praz, Arve River, Glacier des Bois and Mont Blanc in the background; within wash border. . Vue de la Vallée de Chamounix, de l'Aiguille du Midi, et de celle d'Argentiere : prise aux dessus des Ouches. / fait par Jn. Ant.e Linck. [Geneva] : Se vend à Genéve chez l'Auteur, [between 1790 and 1800]. 1 print : hand-coloured etching ; sheet 39.8 x 51.4 cm (trimmed below platemark). Source: Maps K.Top.76.77.f. Author: JEAN-ANTOINE LINCK.
juvenile mahi-mahi, dorado, or dolphin fish, Coryphaena hippurus, about 10 cm (4 inches) long, Kona, Hawaii Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-juvenile-mahi-mahi-dorado-or-dolphin-fish-coryphaena-hippurus-about-34071841.htmlRMBYC2YD–juvenile mahi-mahi, dorado, or dolphin fish, Coryphaena hippurus, about 10 cm (4 inches) long, Kona, Hawaii
Zandvoort, Netherlands. 27th Aug, 2023.Lando Norris 4 (GBR), McLaren MCL60 waves to fans during driver parade during the FORMULA 1 HEINEKEN DUTCH GRAND PRIX 2023 at CM.com Circuit Zandvoort, Netherlands on 27 August 2023 Credit: Every Second Media/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zandvoort-netherlands-27th-aug-2023lando-norris-4-gbr-mclaren-mcl60-waves-to-fans-during-driver-parade-during-the-formula-1-heineken-dutch-grand-prix-2023-at-cmcom-circuit-zandvoort-netherlands-on-27-august-2023-credit-every-second-mediaalamy-live-news-image563214239.htmlRM2RM8HE7–Zandvoort, Netherlands. 27th Aug, 2023.Lando Norris 4 (GBR), McLaren MCL60 waves to fans during driver parade during the FORMULA 1 HEINEKEN DUTCH GRAND PRIX 2023 at CM.com Circuit Zandvoort, Netherlands on 27 August 2023 Credit: Every Second Media/Alamy Live News
Coin Container, c. 1876/77, Netherlands, Netherlands, Silver, H. 2 cm (3/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coin-container-c-187677-netherlands-netherlands-silver-h-2-cm-34-in-image328647482.htmlRM2A2K562–Coin Container, c. 1876/77, Netherlands, Netherlands, Silver, H. 2 cm (3/4 in
Joaquin Sorolla y Bastida (1863-1923). The kiss (El beso). 1899. Oil on canvas. 77 x 100 cm. Joaquin Sorolla y Bastida was a Spanish painter of the l Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joaquin-sorolla-y-bastida-1863-1923-the-kiss-el-beso-1899-oil-on-canvas-77-x-100-cm-joaquin-sorolla-y-bastida-was-a-spanish-painter-of-the-l-image473009336.htmlRM2JDFC6G–Joaquin Sorolla y Bastida (1863-1923). The kiss (El beso). 1899. Oil on canvas. 77 x 100 cm. Joaquin Sorolla y Bastida was a Spanish painter of the l
Painting; tempera on poplar panel; painted surface (score lines to score lines): 99.3 × 77.4 cm (39 1/8 × 30 1/2 in.) overall: 108.3 × 79 × 1.5 cm (42 5/8 × 31 1/8 × 9/16 in.) framed: 115.3 x 86 x 8.9 cm (45 3/8 x 33 7/8 x 3 1/2 in.); 23 The Coronation of the Virgin 17997 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-tempera-on-poplar-panel-painted-surface-score-lines-to-score-lines-993-774-cm-39-18-30-12-in-overall-1083-79-15-cm-42-58-31-18-916-in-framed-1153-x-86-x-89-cm-45-38-x-33-78-x-3-12-in-23-the-coronation-of-the-virgin-17997-image206562314.htmlRMP01M9E–Painting; tempera on poplar panel; painted surface (score lines to score lines): 99.3 × 77.4 cm (39 1/8 × 30 1/2 in.) overall: 108.3 × 79 × 1.5 cm (42 5/8 × 31 1/8 × 9/16 in.) framed: 115.3 x 86 x 8.9 cm (45 3/8 x 33 7/8 x 3 1/2 in.); 23 The Coronation of the Virgin 17997
Stever Hans, Bahnhof (1879): Perspective view. Tusche watercolor on paper, 60.3 x 77.4 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stever-hans-bahnhof-1879-perspective-view-tusche-watercolor-on-paper-603-x-774-cm-including-scan-edges-image477427913.htmlRM2JMMM4W–Stever Hans, Bahnhof (1879): Perspective view. Tusche watercolor on paper, 60.3 x 77.4 cm (including scan edges)
Mrs Brak-Haskenhoff. Dating: 1818. Measurements: h 77.4 cm × w 61.8 cm × t 3.0; d 10.0. Museum: Rijksmuseum, Amsterdam. Author: Cornelis Kruseman. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mrs-brak-haskenhoff-dating-1818-measurements-h-774-cm-w-618-cm-t-30-d-100-museum-rijksmuseum-amsterdam-author-cornelis-kruseman-image232862912.htmlRMRERR0G–Mrs Brak-Haskenhoff. Dating: 1818. Measurements: h 77.4 cm × w 61.8 cm × t 3.0; d 10.0. Museum: Rijksmuseum, Amsterdam. Author: Cornelis Kruseman.
Inspired by New England Town, Allen Tucker, American, 1866-1939, Oil on canvas, 30 5/16 x 36 1/4 in., 77 x 92 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-new-england-town-allen-tucker-american-1866-1939-oil-on-canvas-30-516-x-36-14-in-77-x-92-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459254658.htmlRF2HK4T02–Inspired by New England Town, Allen Tucker, American, 1866-1939, Oil on canvas, 30 5/16 x 36 1/4 in., 77 x 92 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Canal in Bruges, winter - 1899 00 - Oil on canvas 74,7 x 77,4 cm - Le Sidaner Henri Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canal-in-bruges-winter-1899-00-oil-on-canvas-747-x-774-cm-le-sidaner-henri-image457745997.htmlRF2HGM3K9–Canal in Bruges, winter - 1899 00 - Oil on canvas 74,7 x 77,4 cm - Le Sidaner Henri
Frieze (USA); machine-printed paper; 197.5 x 49 cm (77 3/4 x 19 5/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frieze-usa-machine-printed-paper-1975-x-49-cm-77-34-x-19-516-in-image546106496.htmlRM2PMD8BC–Frieze (USA); machine-printed paper; 197.5 x 49 cm (77 3/4 x 19 5/16 in.)
Coronation of the Virgin; Gentile da Fabriano (Italian, about 1370 - 1427); about 1420; Tempera and gold leaf on panel; 93 × 64.1 cm (36 5/8 × 25 1/4 in.); 77.PB.92 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coronation-of-the-virgin-gentile-da-fabriano-italian-about-1370-1427-about-1420-tempera-and-gold-leaf-on-panel-93-641-cm-36-58-25-14-in-77pb92-image240649296.htmlRMRYEEHM–Coronation of the Virgin; Gentile da Fabriano (Italian, about 1370 - 1427); about 1420; Tempera and gold leaf on panel; 93 × 64.1 cm (36 5/8 × 25 1/4 in.); 77.PB.92
Fibula or pin MET DP20499 250610 Fibula or pin, Bronze, Other: 3 1/4 in. (8.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1917 (17.230.77) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-fibula-or-pin-met-dp20499-250610-fibula-or-pin-bronze-other-3-14-in-168302227.htmlRMKNPR5R–Fibula or pin MET DP20499 250610 Fibula or pin, Bronze, Other: 3 1/4 in. (8.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1917 (17.230.77)
. Dansk botanisk arkiv. Plants; Plants -- Denmark. F. Børgesen: Rhodophyceæ of the Danish W. Indies. 77 cells of these branchlets are the mother-cell of the spermatia. The cells have a rather thick wall and are when ripe about 3—4// in diameter. This species was found in rather exposed localities down to a depth of about ten meters, It was collected in the months January and February and was in a fructifying condition. St. Croix: White Bay, and near Buck Island in a depht of about 5 fathoms. Geogr. Distrib.: Florida, West-Indies. 5. Liagora megagyna nov. spec. Frons cæspitosa, 12—14 cm alta, t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dansk-botanisk-arkiv-plants-plants-denmark-f-brgesen-rhodophyce-of-the-danish-w-indies-77-cells-of-these-branchlets-are-the-mother-cell-of-the-spermatia-the-cells-have-a-rather-thick-wall-and-are-when-ripe-about-34-in-diameter-this-species-was-found-in-rather-exposed-localities-down-to-a-depth-of-about-ten-meters-it-was-collected-in-the-months-january-and-february-and-was-in-a-fructifying-condition-st-croix-white-bay-and-near-buck-island-in-a-depht-of-about-5-fathoms-geogr-distrib-florida-west-indies-5-liagora-megagyna-nov-spec-frons-cspitosa-1214-cm-alta-t-image216111718.htmlRMPFGMKJ–. Dansk botanisk arkiv. Plants; Plants -- Denmark. F. Børgesen: Rhodophyceæ of the Danish W. Indies. 77 cells of these branchlets are the mother-cell of the spermatia. The cells have a rather thick wall and are when ripe about 3—4// in diameter. This species was found in rather exposed localities down to a depth of about ten meters, It was collected in the months January and February and was in a fructifying condition. St. Croix: White Bay, and near Buck Island in a depht of about 5 fathoms. Geogr. Distrib.: Florida, West-Indies. 5. Liagora megagyna nov. spec. Frons cæspitosa, 12—14 cm alta, t
; China; 475-221 B.C.E.; Jade (nephrite); H x W x D: 5.1 x 9.8 x 11.3 cm (2 x 3 7/8 x 4 7/16 in); Purchase Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-475-221-bce-jade-nephrite-h-x-w-x-d-51-x-98-x-113-cm-2-x-3-78-x-4-716-in-purchase-image353576305.htmlRM2BF6P55–; China; 475-221 B.C.E.; Jade (nephrite); H x W x D: 5.1 x 9.8 x 11.3 cm (2 x 3 7/8 x 4 7/16 in); Purchase
Title: Haystacks Creator: Georges Seurat Date: 1882 Dimensions: 15.88 x 24.77 cm (6 1/4 x 9 3/4 in.) Medium: Oil on wood Location: National Gallery of Art, Washington, D.C. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-haystacks-creator-georges-seurat-date-1882-dimensions-1588-x-2477-cm-6-14-x-9-34-in-medium-oil-on-wood-location-national-gallery-of-art-washington-dc-image566570855.htmlRM2RWNEWB–Title: Haystacks Creator: Georges Seurat Date: 1882 Dimensions: 15.88 x 24.77 cm (6 1/4 x 9 3/4 in.) Medium: Oil on wood Location: National Gallery of Art, Washington, D.C.
The Idolatry of Solomon; Frans Francken the Younger (Flemish, 1581 - 1642); 1622; Oil on panel; 77.2 × 109.9 cm (30 3/8 × 43 1/4 in.); 71.PB.42 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-idolatry-of-solomon-frans-francken-the-younger-flemish-1581-1642-1622-oil-on-panel-772-1099-cm-30-38-43-14-in-71pb42-image597364580.htmlRM2WKT8H8–The Idolatry of Solomon; Frans Francken the Younger (Flemish, 1581 - 1642); 1622; Oil on panel; 77.2 × 109.9 cm (30 3/8 × 43 1/4 in.); 71.PB.42
Venus and Adonis; Titian (Tiziano Vecellio), Italian, about 1487 - 1576; about 1555 - 1560; Oil on canvas; Unframed: 160 x 196.5 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/venus-and-adonis-titian-tiziano-vecellio-italian-about-1487-1576-about-image60296700.htmlRMDE2N1G–Venus and Adonis; Titian (Tiziano Vecellio), Italian, about 1487 - 1576; about 1555 - 1560; Oil on canvas; Unframed: 160 x 196.5
Painting; oil on canvas; overall: 60.5 x 96.5 cm (23 13/16 x 38 in.) framed: 77 x 112.4 x 9.5 cm (30 5/16 x 44 1/4 x 3 3/4 in.); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-605-x-965-cm-23-1316-x-38-in-framed-77-x-1124-x-95-cm-30-516-x-44-14-x-3-34-in-image560753724.htmlRM2RG8F2M–Painting; oil on canvas; overall: 60.5 x 96.5 cm (23 13/16 x 38 in.) framed: 77 x 112.4 x 9.5 cm (30 5/16 x 44 1/4 x 3 3/4 in.);
Archive image from page 77 of De flora van Nederland (1909-11). De flora van Nederland defloravannederl03heuk Year: 1909-11. Gentiana campestris Fig. 65. ingesneden, de 2 buitenste slippen zijn breed, bladachtig, elliptisch, breeder dan de bloemkroon en bedekken de 2 binnenste. De bloemkroon- buis is buis-trechtervorniig, iets violet, zelden geel- achtig-wit, ongeveer 3 cM lang, met 4 eironde, stompe slippen, aan de keel gebaard. Destempels zijn naar buiten omgekruld. De doosvrucht is bijna zittend (fig. 65). O. 2,5 mM-2 dM. Augustus— October. Bij deze soort en bij G. Amarella is seizoen- dim Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-77-of-de-flora-van-nederland-1909-11-de-flora-van-nederland-defloravannederl03heuk-year-1909-11-gentiana-campestris-fig-65-ingesneden-de-2-buitenste-slippen-zijn-breed-bladachtig-elliptisch-breeder-dan-de-bloemkroon-en-bedekken-de-2-binnenste-de-bloemkroon-buis-is-buis-trechtervorniig-iets-violet-zelden-geel-achtig-wit-ongeveer-3-cm-lang-met-4-eironde-stompe-slippen-aan-de-keel-gebaard-destempels-zijn-naar-buiten-omgekruld-de-doosvrucht-is-bijna-zittend-fig-65-o-25-mm-2-dm-augustus-october-bij-deze-soort-en-bij-g-amarella-is-seizoen-dim-image259294095.htmlRMW1RT7B–Archive image from page 77 of De flora van Nederland (1909-11). De flora van Nederland defloravannederl03heuk Year: 1909-11. Gentiana campestris Fig. 65. ingesneden, de 2 buitenste slippen zijn breed, bladachtig, elliptisch, breeder dan de bloemkroon en bedekken de 2 binnenste. De bloemkroon- buis is buis-trechtervorniig, iets violet, zelden geel- achtig-wit, ongeveer 3 cM lang, met 4 eironde, stompe slippen, aan de keel gebaard. Destempels zijn naar buiten omgekruld. De doosvrucht is bijna zittend (fig. 65). O. 2,5 mM-2 dM. Augustus— October. Bij deze soort en bij G. Amarella is seizoen- dim
weight, bronze, Diam. 4.77 cm, H. 1.19 cm, wt. 158.05g, Byzantine, Turkey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/weight-bronze-diam-477-cm-h-119-cm-wt-15805g-byzantine-turkey-image344528554.htmlRM2B0EHK6–weight, bronze, Diam. 4.77 cm, H. 1.19 cm, wt. 158.05g, Byzantine, Turkey
. English: Accession Number: 1983.4 Display Artist: Utagawa Kunisada Display Title: The Forty-seven Ronin attack Moronao's mansion and capture him Series Title: Japanese Syllabary Copybook on the Treasury of Loyal Retainers Suite Name: Kanadehon chushingura Creation Date: 1830-1840 Medium: Woodblock Height: 8 13/16 in. Width: 13 11/16 in. Display Dimensions: 8 13/16 in. x 13 11/16 in. (22.38 cm x 34.77 cm) Publisher: Yorozuya Kichibei Credit Line: Gift of Mrs. William T. Stephens Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-accession-number-19834-display-artist-utagawa-kunisada-display-title-the-forty-seven-ronin-attack-moronaos-mansion-and-capture-him-series-title-japanese-syllabary-copybook-on-the-treasury-of-loyal-retainers-suite-name-kanadehon-chushingura-creation-date-1830-1840-medium-woodblock-height-8-1316-in-width-13-1116-in-display-dimensions-8-1316-in-x-13-1116-in-2238-cm-x-3477-cm-publisher-yorozuya-kichibei-credit-line-gift-of-mrs-william-t-stephens-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-art-image185823595.htmlRMMP8YTY–. English: Accession Number: 1983.4 Display Artist: Utagawa Kunisada Display Title: The Forty-seven Ronin attack Moronao's mansion and capture him Series Title: Japanese Syllabary Copybook on the Treasury of Loyal Retainers Suite Name: Kanadehon chushingura Creation Date: 1830-1840 Medium: Woodblock Height: 8 13/16 in. Width: 13 11/16 in. Display Dimensions: 8 13/16 in. x 13 11/16 in. (22.38 cm x 34.77 cm) Publisher: Yorozuya Kichibei Credit Line: Gift of Mrs. William T. Stephens Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art
Stever Hans, Rathaus (1880): Grundriss 1st floor. Tusche watercolor on paper, 60.2 x 77.4 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stever-hans-rathaus-1880-grundriss-1st-floor-tusche-watercolor-on-paper-602-x-774-cm-including-scan-edges-image477427967.htmlRM2JMMM6R–Stever Hans, Rathaus (1880): Grundriss 1st floor. Tusche watercolor on paper, 60.2 x 77.4 cm (including scan edges)
The Oude Kerk, Delft. Cornelis de Man; Dutch, 1621-1706. Date: 1655-1665. Dimensions: 25 1/2 x 30 1/2 in. (64.1 x 77.4 cm). Oil on canvas. Origin: Holland. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-oude-kerk-delft-cornelis-de-man-dutch-1621-1706-date-1655-1665-dimensions-25-12-x-30-12-in-641-x-774-cm-oil-on-canvas-origin-holland-museum-the-chicago-art-institute-image239912690.htmlRMRX8Y2A–The Oude Kerk, Delft. Cornelis de Man; Dutch, 1621-1706. Date: 1655-1665. Dimensions: 25 1/2 x 30 1/2 in. (64.1 x 77.4 cm). Oil on canvas. Origin: Holland. Museum: The Chicago Art Institute.
Art inspired by Roundel, ca. 1360–77, British, Stained Glass, 10 1/4 in. × 5/16 in. (26 × 0.8 cm), Glass-Stained, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-roundel-ca-136077-british-stained-glass-10-14-in-516-in-26-08-cm-glass-stained-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462836128.htmlRF2HW005M–Art inspired by Roundel, ca. 1360–77, British, Stained Glass, 10 1/4 in. × 5/16 in. (26 × 0.8 cm), Glass-Stained, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The painter and his model - 1855 - Oil on canvas 92,4 x 77,3 cm - Stevens Alfred Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-painter-and-his-model-1855-oil-on-canvas-924-x-773-cm-stevens-alfred-image457728837.htmlRF2HGK9PD–The painter and his model - 1855 - Oil on canvas 92,4 x 77,3 cm - Stevens Alfred
Border (France); block-printed and flocked on paper; 77 x 26 cm (30 5/16 x 10 1/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/border-france-block-printed-and-flocked-on-paper-77-x-26-cm-30-516-x-10-14-in-image546088481.htmlRM2PMCDC1–Border (France); block-printed and flocked on paper; 77 x 26 cm (30 5/16 x 10 1/4 in.)
Perseus Confronting Phineus with the Head of Medusa; Sebastiano Ricci (Italian, 1659 - 1734); about 1705 - 1710; Oil on canvas; 64.1 × 77.2 cm (25 1/4 × 30 3/8 in.); 86.PA.591 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/perseus-confronting-phineus-with-the-head-of-medusa-sebastiano-ricci-italian-1659-1734-about-1705-1710-oil-on-canvas-641-772-cm-25-14-30-38-in-86pa591-image240649300.htmlRMRYEEHT–Perseus Confronting Phineus with the Head of Medusa; Sebastiano Ricci (Italian, 1659 - 1734); about 1705 - 1710; Oil on canvas; 64.1 × 77.2 cm (25 1/4 × 30 3/8 in.); 86.PA.591
Fibula or pin MET DP20499 250610 Fibula or pin, Bronze, Other: 3 1/4 in. (8.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1917 (17.230.77) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-fibula-or-pin-met-dp20499-250610-fibula-or-pin-bronze-other-3-14-in-168469567.htmlRMKP2CJ7–Fibula or pin MET DP20499 250610 Fibula or pin, Bronze, Other: 3 1/4 in. (8.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1917 (17.230.77)
. Cultural chronology and change as reflected in the ceramics of the Virú Valley, Peru. Pottery -- Viru Valley, Peru; Mounds -- Peru Viru Valley; Viru Valley, Peru -- Antiquities. DESCRIPTION OF POTTERY 7 YPES 201 1) )j ^ r B. // (. I'.I Fig. 67. Rim profiles; rim exteriors to the right. . E, Guafiape Polished Red; F-I, Ancon Polished Black. X 0.4. Hoyle (1941, figs. 77, B, and 78, A) as typicalof Cupisniquc and Cupisnique Transitorio. 4. Small jars with flarins; rims and rounded l)ottoms. A rim sherd (fig. 67, D), with lip diameter of 15 cm., came from V-171C, Level 10, and a shoulder sherd Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cultural-chronology-and-change-as-reflected-in-the-ceramics-of-the-vir-valley-peru-pottery-viru-valley-peru-mounds-peru-viru-valley-viru-valley-peru-antiquities-description-of-pottery-7-ypes-201-1-j-r-b-ii-fig-67-rim-profiles-rim-exteriors-to-the-right-e-guafiape-polished-red-f-i-ancon-polished-black-x-04-hoyle-1941-figs-77-b-and-78-a-as-typicalof-cupisniquc-and-cupisnique-transitorio-4-small-jars-with-flarins-rims-and-rounded-lottoms-a-rim-sherd-fig-67-d-with-lip-diameter-of-15-cm-came-from-v-171c-level-10-and-a-shoulder-sherd-image216318327.htmlRMPFX46F–. Cultural chronology and change as reflected in the ceramics of the Virú Valley, Peru. Pottery -- Viru Valley, Peru; Mounds -- Peru Viru Valley; Viru Valley, Peru -- Antiquities. DESCRIPTION OF POTTERY 7 YPES 201 1) )j ^ r B. // (. I'.I Fig. 67. Rim profiles; rim exteriors to the right. . E, Guafiape Polished Red; F-I, Ancon Polished Black. X 0.4. Hoyle (1941, figs. 77, B, and 78, A) as typicalof Cupisniquc and Cupisnique Transitorio. 4. Small jars with flarins; rims and rounded l)ottoms. A rim sherd (fig. 67, D), with lip diameter of 15 cm., came from V-171C, Level 10, and a shoulder sherd
Groot schippersgilde van Harlingen, gildepenning van Bernd Hiddes de Fries Zilveren penning. Voorzijde: naar rechts varende driemaster. Keerzijde: opschrift. Manufacturer : anoniemPlaats manufacture: Harlingen Dating: 1672 Material: zilver Techniek: graveren (inkerven) Dimensions: d 4,9 cm. × g 24,77 gr Date: 1672 - 1672 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/groot-schippersgilde-van-harlingen-gildepenning-van-bernd-hiddes-de-fries-zilveren-penning-voorzijde-naar-rechts-varende-driemaster-keerzijde-opschrift-manufacturer-anoniemplaats-manufacture-harlingen-dating-1672-material-zilver-techniek-graveren-inkerven-dimensions-d-49-cm-g-2477-gr-date-1672-1672-image348421223.htmlRM2B6RXR3–Groot schippersgilde van Harlingen, gildepenning van Bernd Hiddes de Fries Zilveren penning. Voorzijde: naar rechts varende driemaster. Keerzijde: opschrift. Manufacturer : anoniemPlaats manufacture: Harlingen Dating: 1672 Material: zilver Techniek: graveren (inkerven) Dimensions: d 4,9 cm. × g 24,77 gr Date: 1672 - 1672
Title: Haymakers at Montfermeil Creator: Georges Seurat Gives you: A pointillist painting of two haymakers working in a field, with a village in the background. Dimensions: 15.56 × 24.77 cm (6 1/8 × 9 3/4 in.) Medium: Oil on wood Location: National Gallery of Art, Washington, D.C. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-haymakers-at-montfermeil-creator-georges-seurat-gives-you-a-pointillist-painting-of-two-haymakers-working-in-a-field-with-a-village-in-the-background-dimensions-1556-2477-cm-6-18-9-34-in-medium-oil-on-wood-location-national-gallery-of-art-washington-dc-image566570709.htmlRM2RWNEM5–Title: Haymakers at Montfermeil Creator: Georges Seurat Gives you: A pointillist painting of two haymakers working in a field, with a village in the background. Dimensions: 15.56 × 24.77 cm (6 1/8 × 9 3/4 in.) Medium: Oil on wood Location: National Gallery of Art, Washington, D.C.
Coronation of the Virgin; Gentile da Fabriano (Italian, about 1370 - 1427); about 1420; Tempera and gold leaf on panel; 93 × 64.1 cm (36 5/8 × 25 1/4 in.); 77.PB.92 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coronation-of-the-virgin-gentile-da-fabriano-italian-about-1370-1427-about-1420-tempera-and-gold-leaf-on-panel-93-641-cm-36-58-25-14-in-77pb92-image597346214.htmlRM2WKRD5A–Coronation of the Virgin; Gentile da Fabriano (Italian, about 1370 - 1427); about 1420; Tempera and gold leaf on panel; 93 × 64.1 cm (36 5/8 × 25 1/4 in.); 77.PB.92
The Abduction of Europa; Rembrandt Harmensz. van Rijn, Dutch, 1606 - 1669; 1632; Oil on single oak panel; Unframed: 64.6 x 78.7 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-abduction-of-europa-rembrandt-harmensz-van-rijn-dutch-1606-1669-image60296720.htmlRMDE2N28–The Abduction of Europa; Rembrandt Harmensz. van Rijn, Dutch, 1606 - 1669; 1632; Oil on single oak panel; Unframed: 64.6 x 78.7
'John Faber II after Edward Haytley, Mrs. Margaret Woffington in the Character of Mrs. Ford in the Merry Wives of Windsor, 1751, mezzotint on laid paper, plate: 50.5 x 35.4 cm (19 7/8 x 13 15/16 in.) sheet: 52.2 x 37 cm (20 9/16 x 14 9/16 in.), Paul Mellon Fund, 2001.118.77' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-faber-ii-after-edward-haytley-mrs-margaret-woffington-in-the-character-of-mrs-ford-in-the-merry-wives-of-windsor-1751-mezzotint-on-laid-paper-plate-505-x-354-cm-19-78-x-13-1516-in-sheet-522-x-37-cm-20-916-x-14-916-in-paul-mellon-fund-200111877-image559546612.htmlRM2RE9FBG–'John Faber II after Edward Haytley, Mrs. Margaret Woffington in the Character of Mrs. Ford in the Merry Wives of Windsor, 1751, mezzotint on laid paper, plate: 50.5 x 35.4 cm (19 7/8 x 13 15/16 in.) sheet: 52.2 x 37 cm (20 9/16 x 14 9/16 in.), Paul Mellon Fund, 2001.118.77'
Archive image from page 77 of Danmarks fauna; illustrerede haandbøger over. Danmarks fauna; illustrerede haandbøger over den danske dyreverden.. danmarksfaunaill40dans Year: 1907 74 paa større Dyb, er Østersøen, hvor den er fundet ud til over 40 m, og hvor den er et vigtigt Fødedyr for Flad- fiskene. Blaamuslingen i Østersøen er dog betydelig mere tyndskallet og mindre end i Kattegat og Limfjorden; ved Gotland bliver den f. Eks. sjældent over 4 cm. Blaamus- lingen er iøvrigt et af de marine Bløddyr, som bedst taaler Brakvand, og den findes følgelig langt op i Øster- søen, i den botniske Bugt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-77-of-danmarks-fauna-illustrerede-haandbger-over-danmarks-fauna-illustrerede-haandbger-over-den-danske-dyreverden-danmarksfaunaill40dans-year-1907-74-paa-strre-dyb-er-stersen-hvor-den-er-fundet-ud-til-over-40-m-og-hvor-den-er-et-vigtigt-fdedyr-for-flad-fiskene-blaamuslingen-i-stersen-er-dog-betydelig-mere-tyndskallet-og-mindre-end-i-kattegat-og-limfjorden-ved-gotland-bliver-den-f-eks-sjldent-over-4-cm-blaamus-lingen-er-ivrigt-et-af-de-marine-blddyr-som-bedst-taaler-brakvand-og-den-findes-flgelig-langt-op-i-ster-sen-i-den-botniske-bugt-image259293969.htmlRMW1RT2W–Archive image from page 77 of Danmarks fauna; illustrerede haandbøger over. Danmarks fauna; illustrerede haandbøger over den danske dyreverden.. danmarksfaunaill40dans Year: 1907 74 paa større Dyb, er Østersøen, hvor den er fundet ud til over 40 m, og hvor den er et vigtigt Fødedyr for Flad- fiskene. Blaamuslingen i Østersøen er dog betydelig mere tyndskallet og mindre end i Kattegat og Limfjorden; ved Gotland bliver den f. Eks. sjældent over 4 cm. Blaamus- lingen er iøvrigt et af de marine Bløddyr, som bedst taaler Brakvand, og den findes følgelig langt op i Øster- søen, i den botniske Bugt
Quadrans (Coin) Depicting the Hero Hercules, 225/217 BC, Roman, Italy, Bronze, Diam. 4.5 cm, 77.39 g Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quadrans-coin-depicting-the-hero-hercules-225217-bc-roman-italy-bronze-diam-45-cm-7739-g-image328625158.htmlRM2A2J4MP–Quadrans (Coin) Depicting the Hero Hercules, 225/217 BC, Roman, Italy, Bronze, Diam. 4.5 cm, 77.39 g
. English: Accession Number: 1986.34 Display Artist: Yoshida Hiroshi Display Title: Kagurazaka Street after a Night Rain Series Title: Twelve Scenes of Tokyo Suite Name: Tokyo junidai Creation Date: 1929 Height: 14 13/16 in. Width: 9 3/4 in. Display Dimensions: 14 13/16 in. x 9 3/4 in. (37.62 cm x 24.77 cm) Publisher: Yoshida Credit Line: Gift of Mary Ann and Clancy Boyd in memory of Mary and Jesse McComb Label Copy: Fuji form Ko-ishi kawa (Series - 36 views of Fuji) Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 4 Jul Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-accession-number-198634-display-artist-yoshida-hiroshi-display-title-kagurazaka-street-after-a-night-rain-series-title-twelve-scenes-of-tokyo-suite-name-tokyo-junidai-creation-date-1929-height-14-1316-in-width-9-34-in-display-dimensions-14-1316-in-x-9-34-in-3762-cm-x-2477-cm-publisher-yoshida-credit-line-gift-of-mary-ann-and-clancy-boyd-in-memory-of-mary-and-jesse-mccomb-label-copy-fuji-form-ko-ishi-kawa-series-36-views-of-fuji-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-4-jul-image185823634.htmlRMMP8YXA–. English: Accession Number: 1986.34 Display Artist: Yoshida Hiroshi Display Title: Kagurazaka Street after a Night Rain Series Title: Twelve Scenes of Tokyo Suite Name: Tokyo junidai Creation Date: 1929 Height: 14 13/16 in. Width: 9 3/4 in. Display Dimensions: 14 13/16 in. x 9 3/4 in. (37.62 cm x 24.77 cm) Publisher: Yoshida Credit Line: Gift of Mary Ann and Clancy Boyd in memory of Mary and Jesse McComb Label Copy: Fuji form Ko-ishi kawa (Series - 36 views of Fuji) Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 4 Jul
N.N., petrol engine 'Schwan': floor plan, cuts 1:25. Lithography on cardboard, 44 x 77.4 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nn-petrol-engine-schwan-floor-plan-cuts-125-lithography-on-cardboard-44-x-774-cm-including-scan-edges-image477636922.htmlRM2JN26NE–N.N., petrol engine 'Schwan': floor plan, cuts 1:25. Lithography on cardboard, 44 x 77.4 cm (including scan edges)
Portrait of Mrs Marie Jeannette de Lange. Portrait of Marie Jeanette de Lange. Dating: 1900. Measurements: h 70.5 cm × w 77.4 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Toorop (mentioned on object). Jan Toorop. TOOROP, JAN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-mrs-marie-jeannette-de-lange-portrait-of-marie-jeanette-de-lange-dating-1900-measurements-h-705-cm-w-774-cm-museum-rijksmuseum-amsterdam-author-jan-toorop-mentioned-on-object-jan-toorop-toorop-jan-image232924445.htmlRMREXHE5–Portrait of Mrs Marie Jeannette de Lange. Portrait of Marie Jeanette de Lange. Dating: 1900. Measurements: h 70.5 cm × w 77.4 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Toorop (mentioned on object). Jan Toorop. TOOROP, JAN.
Art inspired by Cover, 17th or 18th century, Italian or Spanish, silk; metal; cotton., 30 x 20 3/4 in. (77.2 x 53.2 cm), Textiles-Velvets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-cover-17th-or-18th-century-italian-or-spanish-silk-metal-cotton-30-x-20-34-in-772-x-532-cm-textiles-velvets-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462826561.htmlRF2HTYG01–Art inspired by Cover, 17th or 18th century, Italian or Spanish, silk; metal; cotton., 30 x 20 3/4 in. (77.2 x 53.2 cm), Textiles-Velvets, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Stefano Nani - 1528 - Oil on canvas 91,4 x 77 cm - Licinio Bernardino Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-stefano-nani-1528-oil-on-canvas-914-x-77-cm-licinio-bernardino-image457733119.htmlRF2HGKF7B–Portrait of Stefano Nani - 1528 - Oil on canvas 91,4 x 77 cm - Licinio Bernardino
Frieze (England); block printed and flocked on paper; 77.5 x 26 cm (30 1/2 x 10 1/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frieze-england-block-printed-and-flocked-on-paper-775-x-26-cm-30-12-x-10-14-in-image546108588.htmlRM2PMDB24–Frieze (England); block printed and flocked on paper; 77.5 x 26 cm (30 1/2 x 10 1/4 in.)
Bottle MET DP244527 620 British, Bottle, ca. 1760, Opaque glass with enamel decoration, H. 4 in. (10.2 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. J. Insley Blair, 1951 (52.77.35) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bottle-met-dp244527-620-british-bottle-ca-1760-opaque-glass-with-enamel-168029845.htmlRMKNABNW–Bottle MET DP244527 620 British, Bottle, ca. 1760, Opaque glass with enamel decoration, H. 4 in. (10.2 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. J. Insley Blair, 1951 (52.77.35)
. De flora van Nederland. Plants. 564 — ROSACEAE. — FAMILIE 77. mig en niet afgerond als bij Fragaria, zij zijn nauwelijks grooter dan de kelk. De vruclitbodem is droog, daarop staan de onbehaarde vruchtjes. 4- 5-10 cM. April, Mei. De plant gelijkt veel op Fragaria vesca, doch is in bloeienden toestand daarvan te onderscheiden door de kleinere, elkaar niet aanrakende kroon- bladen, in den herfst door de bebladerde, stijve, bijna houtige uitloopers en steeds door de van onderen donkerder blauwgroene, niet witachtige, aan den rand sterker behaarde blaadjes. Voorkomen in Europa en in Nederland. D Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/de-flora-van-nederland-plants-564-rosaceae-familie-77-mig-en-niet-afgerond-als-bij-fragaria-zij-zijn-nauwelijks-grooter-dan-de-kelk-de-vruclitbodem-is-droog-daarop-staan-de-onbehaarde-vruchtjes-4-5-10-cm-april-mei-de-plant-gelijkt-veel-op-fragaria-vesca-doch-is-in-bloeienden-toestand-daarvan-te-onderscheiden-door-de-kleinere-elkaar-niet-aanrakende-kroon-bladen-in-den-herfst-door-de-bebladerde-stijve-bijna-houtige-uitloopers-en-steeds-door-de-van-onderen-donkerder-blauwgroene-niet-witachtige-aan-den-rand-sterker-behaarde-blaadjes-voorkomen-in-europa-en-in-nederland-d-image216191940.htmlRMPFMB0M–. De flora van Nederland. Plants. 564 — ROSACEAE. — FAMILIE 77. mig en niet afgerond als bij Fragaria, zij zijn nauwelijks grooter dan de kelk. De vruclitbodem is droog, daarop staan de onbehaarde vruchtjes. 4- 5-10 cM. April, Mei. De plant gelijkt veel op Fragaria vesca, doch is in bloeienden toestand daarvan te onderscheiden door de kleinere, elkaar niet aanrakende kroon- bladen, in den herfst door de bebladerde, stijve, bijna houtige uitloopers en steeds door de van onderen donkerder blauwgroene, niet witachtige, aan den rand sterker behaarde blaadjes. Voorkomen in Europa en in Nederland. D
Jacques Louis David, Frans schilder Penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift boven anker, brandende olielamp en liggende leeuw binnen binnen omschrift. Manufacturer : Auguste Francois MichautPlaats manufacture: Nederland Dating: 1819 Material: legering Techniek: slaan Dimensions: d 3,4 cm. × g 17,77 gr Subject: Sabijnse MaagdenroofWanneer: 1819 - 1819 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-louis-david-frans-schilder-penning-voorzijde-borststuk-man-binnen-omschrift-keerzijde-opschrift-boven-anker-brandende-olielamp-en-liggende-leeuw-binnen-binnen-omschrift-manufacturer-auguste-francois-michautplaats-manufacture-nederland-dating-1819-material-legering-techniek-slaan-dimensions-d-34-cm-g-1777-gr-subject-sabijnse-maagdenroofwanneer-1819-1819-image348459251.htmlRM2B6WK97–Jacques Louis David, Frans schilder Penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift boven anker, brandende olielamp en liggende leeuw binnen binnen omschrift. Manufacturer : Auguste Francois MichautPlaats manufacture: Nederland Dating: 1819 Material: legering Techniek: slaan Dimensions: d 3,4 cm. × g 17,77 gr Subject: Sabijnse MaagdenroofWanneer: 1819 - 1819
Title: Figures in a Landscape Artist: Georges Seurat Date: c. 1883 Medium: Oil on wood Dimensions: 15.24 × 24.77 cm (6 × 9 3/4 in.) Location: Collection of Mr. and Mrs. Paul Mellon, National Gallery of Art, Washington, D.C. Content: A painting of two figures walking in a landscape. The figures are rendered in a Pointillist style, using small dots of color to create an image. The background is a landscape with trees and bushes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-figures-in-a-landscape-artist-georges-seurat-date-c-1883-medium-oil-on-wood-dimensions-1524-2477-cm-6-9-34-in-location-collection-of-mr-and-mrs-paul-mellon-national-gallery-of-art-washington-dc-content-a-painting-of-two-figures-walking-in-a-landscape-the-figures-are-rendered-in-a-pointillist-style-using-small-dots-of-color-to-create-an-image-the-background-is-a-landscape-with-trees-and-bushes-image566570563.htmlRM2RWNEEY–Title: Figures in a Landscape Artist: Georges Seurat Date: c. 1883 Medium: Oil on wood Dimensions: 15.24 × 24.77 cm (6 × 9 3/4 in.) Location: Collection of Mr. and Mrs. Paul Mellon, National Gallery of Art, Washington, D.C. Content: A painting of two figures walking in a landscape. The figures are rendered in a Pointillist style, using small dots of color to create an image. The background is a landscape with trees and bushes.
Landscape with the Castle of Massa di Carrara; Leo von Klenze (German, 1784 - 1864); 1827; Oil on canvas; 77.2 × 101 cm (30 3/8 × 39 3/4 in.); 86.PA.540 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-the-castle-of-massa-di-carrara-leo-von-klenze-german-1784-1864-1827-oil-on-canvas-772-101-cm-30-38-39-34-in-86pa540-image597274459.htmlRF2WKM5JK–Landscape with the Castle of Massa di Carrara; Leo von Klenze (German, 1784 - 1864); 1827; Oil on canvas; 77.2 × 101 cm (30 3/8 × 39 3/4 in.); 86.PA.540
Stencil, Japan, 19th century, Japan, Paper, 9 3/4 x 16 in. (24.77 x 40.64 cm), Stencils Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stencil-japan-19th-century-japan-paper-9-34-x-16-in-2477-x-4064-cm-stencils-image344613218.htmlRM2B0JDJX–Stencil, Japan, 19th century, Japan, Paper, 9 3/4 x 16 in. (24.77 x 40.64 cm), Stencils
. English: Accession Number: 1981.17 Display Artist: Yoshida Hiroshi Display Title: Spring in a Hot Spring Creation Date: 1940 Height: 9 3/4 in. Width: 14 3/4 in. Display Dimensions: 9 3/4 in. x 14 3/4 in. (24.77 cm x 37.47 cm) Credit Line: Gift of Colonel and Mrs. A. C. Johansson Label Copy: 'Estas oiran eran como modelos de modas famosas y la gente de Edo admiraba cmo se peinaban y llevaban sus kimonos. Tambin eran admiradas porque saban leer, podan escribir con caligrafa excelente y eran versadas en la poesa y la literatura.' Collection: <a href='http://www.sdmart.org/art/our-collection/asi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-accession-number-198117-display-artist-yoshida-hiroshi-display-title-spring-in-a-hot-spring-creation-date-1940-height-9-34-in-width-14-34-in-display-dimensions-9-34-in-x-14-34-in-2477-cm-x-3747-cm-credit-line-gift-of-colonel-and-mrs-a-c-johansson-label-copy-estas-oiran-eran-como-modelos-de-modas-famosas-y-la-gente-de-edo-admiraba-cmo-se-peinaban-y-llevaban-sus-kimonos-tambin-eran-admiradas-porque-saban-leer-podan-escribir-con-caligrafa-excelente-y-eran-versadas-en-la-poesa-y-la-literatura-collection-a-href=httpwwwsdmartorgartour-collectionasi-image185823623.htmlRMMP8YWY–. English: Accession Number: 1981.17 Display Artist: Yoshida Hiroshi Display Title: Spring in a Hot Spring Creation Date: 1940 Height: 9 3/4 in. Width: 14 3/4 in. Display Dimensions: 9 3/4 in. x 14 3/4 in. (24.77 cm x 37.47 cm) Credit Line: Gift of Colonel and Mrs. A. C. Johansson Label Copy: 'Estas oiran eran como modelos de modas famosas y la gente de Edo admiraba cmo se peinaban y llevaban sus kimonos. Tambin eran admiradas porque saban leer, podan escribir con caligrafa excelente y eran versadas en la poesa y la literatura.' Collection: <a href='http://www.sdmart.org/art/our-collection/asi
N.N., steam feature excavator No. XI for the Oder regulation: cut 1:50. Lithograph on cardboard, 53.6 x 77.4 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nn-steam-feature-excavator-no-xi-for-the-oder-regulation-cut-150-lithograph-on-cardboard-536-x-774-cm-including-scan-edges-image477637038.htmlRM2JN26WJ–N.N., steam feature excavator No. XI for the Oder regulation: cut 1:50. Lithograph on cardboard, 53.6 x 77.4 cm (including scan edges)
Foyer's Men's Club, 1880-1910. Dated: c. 1946. Dimensions: overall: 56.8 x 77.4 cm (22 3/8 x 30 1/2 in.). Medium: watercolor, gouache, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Perkins Harnly. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/foyers-mens-club-1880-1910-dated-c-1946-dimensions-overall-568-x-774-cm-22-38-x-30-12-in-medium-watercolor-gouache-pen-and-ink-and-graphite-on-paper-museum-national-gallery-of-art-washington-dc-author-perkins-harnly-image225560291.htmlRMR2Y4CK–Foyer's Men's Club, 1880-1910. Dated: c. 1946. Dimensions: overall: 56.8 x 77.4 cm (22 3/8 x 30 1/2 in.). Medium: watercolor, gouache, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Perkins Harnly.
Art inspired by Wallpaper, ca. 1790, Made in Paris, France, Paper, 77 x 40 1/4 in. (195.6 x 102.2 cm), Natural Substances, Arthur and Robert Wallpapers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-wallpaper-ca-1790-made-in-paris-france-paper-77-x-40-14-in-1956-x-1022-cm-natural-substances-arthur-and-robert-wallpapers-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462896352.htmlRF2HW2N0G–Art inspired by Wallpaper, ca. 1790, Made in Paris, France, Paper, 77 x 40 1/4 in. (195.6 x 102.2 cm), Natural Substances, Arthur and Robert Wallpapers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Trois baigneuses - 1876 77 - Oil on canvas 25,4 x 33,7 cm - Cézanne Paul Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trois-baigneuses-1876-77-oil-on-canvas-254-x-337-cm-cezanne-paul-image457741846.htmlRF2HGKXB2–Trois baigneuses - 1876 77 - Oil on canvas 25,4 x 33,7 cm - Cézanne Paul
Sidewall (possibly France); flocking on gilt canvas; 197 x 84.5 cm (77 9/16 x 33 1/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-possibly-france-flocking-on-gilt-canvas-197-x-845-cm-77-916-x-33-14-in-image546134898.htmlRM2PMEGHP–Sidewall (possibly France); flocking on gilt canvas; 197 x 84.5 cm (77 9/16 x 33 1/4 in.)
Bottle MET DP244094 620 British, Bottle, ca. 1760, Opaque glass with enamel decoration, H. 4 in. (10.2 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. J. Insley Blair, 1951 (52.77.35) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bottle-met-dp244094-620-british-bottle-ca-1760-opaque-glass-with-enamel-168029846.htmlRMKNABNX–Bottle MET DP244094 620 British, Bottle, ca. 1760, Opaque glass with enamel decoration, H. 4 in. (10.2 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. J. Insley Blair, 1951 (52.77.35)
![. The encyclopedia of practical horticulture; a reference system of commercial horticulture, covering the practical and scientific phases of horticulture, with special reference to fruits and vegetables;. Gardening; Fruit-culture; Vegetable gardening. IS? e!VE«»»o» 3» ©r*f s«»o« »« lCW«8»SO« *?* &i*t:«SS'â L Si/ ^miin T« JCiritUAKKif *^»f»«« l^mim^ CM^37317 "'BtIS^*^'. i 5^' /. 4 ' / - / ^ /?,/77 / ^"X 2-.^ ff ^3 Fij ment warns the carrier and ofttimes prevents loss and a claim, or, if warn- ing does not suffice and the car is de- layed or damaged, the record Stock Photo](https://c8.alamy.com/comp/PFY0RT/the-encyclopedia-of-practical-horticulture-a-reference-system-of-commercial-horticulture-covering-the-practical-and-scientific-phases-of-horticulture-with-special-reference-to-fruits-and-vegetables-gardening-fruit-culture-vegetable-gardening-is-e!veo-3-rf-so-lcw8so-ampitss-l-si-miin-t-jcirituakkif-f-lmim-cm37317-quotbtis-i-5-4-77-quotx-2-ff-3-fij-ment-warns-the-carrier-and-ofttimes-prevents-loss-and-a-claim-or-if-warn-ing-does-not-suffice-and-the-car-is-de-layed-or-damaged-the-record-PFY0RT.jpg ". The encyclopedia of practical horticulture; a reference system of commercial horticulture, covering the practical and scientific phases of horticulture, with special reference to fruits and vegetables;. Gardening; Fruit-culture; Vegetable gardening. IS? e!VE«»»o» 3» ©r*f s«»o« »« lCW«8»SO« *?* &i*t:«SS'â L Si/ ^miin T« JCiritUAKKif *^»f»«« l^mim^ CM^37317 "'BtIS^*^'. i 5^' /. 4 ' / - / ^ /?,/77 / ^"X 2-.^ ff ^3 Fij ment warns the carrier and ofttimes prevents loss and a claim, or, if warn- ing does not suffice and the car is de- layed or damaged, the record Stock Photo")
. The encyclopedia of practical horticulture; a reference system of commercial horticulture, covering the practical and scientific phases of horticulture, with special reference to fruits and vegetables;. Gardening; Fruit-culture; Vegetable gardening. IS? e!VE«»»o» 3» ©r*f s«»o« »« lCW«8»SO« *?* &i*t:«SS'â L Si/ ^miin T« JCiritUAKKif *^»f»«« l^mim^ CM^37317 "'BtIS^*^'. i 5^' /. 4 ' / - / ^ /?,/77 / ^"X 2-.^ ff ^3 Fij ment warns the carrier and ofttimes prevents loss and a claim, or, if warn- ing does not suffice and the car is de- layed or damaged, the record Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-encyclopedia-of-practical-horticulture-a-reference-system-of-commercial-horticulture-covering-the-practical-and-scientific-phases-of-horticulture-with-special-reference-to-fruits-and-vegetables-gardening-fruit-culture-vegetable-gardening-is-e!veo-3-rf-so-lcw8so-ampitss-l-si-miin-t-jcirituakkif-f-lmim-cm37317-quotbtis-i-5-4-77-quotx-2-ff-3-fij-ment-warns-the-carrier-and-ofttimes-prevents-loss-and-a-claim-or-if-warn-ing-does-not-suffice-and-the-car-is-de-layed-or-damaged-the-record-image216337628.htmlRMPFY0RT–. The encyclopedia of practical horticulture; a reference system of commercial horticulture, covering the practical and scientific phases of horticulture, with special reference to fruits and vegetables;. Gardening; Fruit-culture; Vegetable gardening. IS? e!VE«»»o» 3» ©r*f s«»o« »« lCW«8»SO« *?* &i*t:«SS'â L Si/ ^miin T« JCiritUAKKif *^»f»«« l^mim^ CM^37317 "'BtIS^*^'. i 5^' /. 4 ' / - / ^ /?,/77 / ^"X 2-.^ ff ^3 Fij ment warns the carrier and ofttimes prevents loss and a claim, or, if warn- ing does not suffice and the car is de- layed or damaged, the record
Korendragers- en -stortersgilde van Amsterdam, gildepenning van Adryaen Benne van hier Koperen penning met twee gaten erin; v.z:naar rechts gewende man met last op hoofd. Keerzijde: opschrift Manufacturer : anoniemPlaats manufacture: Amsterdam Dating: 1700 Physical kenmerken: koper Material: koper Techniek: graveren (inkerven) Dimensions: d 3,4 cm. × g 8,77 gr Date: 1700 - 1700 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/korendragers-en-stortersgilde-van-amsterdam-gildepenning-van-adryaen-benne-van-hier-koperen-penning-met-twee-gaten-erin-vznaar-rechts-gewende-man-met-last-op-hoofd-keerzijde-opschrift-manufacturer-anoniemplaats-manufacture-amsterdam-dating-1700-physical-kenmerken-koper-material-koper-techniek-graveren-inkerven-dimensions-d-34-cm-g-877-gr-date-1700-1700-image348525517.htmlRM2B70KRW–Korendragers- en -stortersgilde van Amsterdam, gildepenning van Adryaen Benne van hier Koperen penning met twee gaten erin; v.z:naar rechts gewende man met last op hoofd. Keerzijde: opschrift Manufacturer : anoniemPlaats manufacture: Amsterdam Dating: 1700 Physical kenmerken: koper Material: koper Techniek: graveren (inkerven) Dimensions: d 3,4 cm. × g 8,77 gr Date: 1700 - 1700
Perseus Confronting Phineus with the Head of Medusa; Sebastiano Ricci (Italian, 1659 - 1734); about 1705 - 1710; Oil on canvas; 64.1 × 77.2 cm (25 1/4 × 30 3/8 in.); 86.PA.591 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/perseus-confronting-phineus-with-the-head-of-medusa-sebastiano-ricci-italian-1659-1734-about-1705-1710-oil-on-canvas-641-772-cm-25-14-30-38-in-86pa591-image597364332.htmlRM2WKT88C–Perseus Confronting Phineus with the Head of Medusa; Sebastiano Ricci (Italian, 1659 - 1734); about 1705 - 1710; Oil on canvas; 64.1 × 77.2 cm (25 1/4 × 30 3/8 in.); 86.PA.591
Stencil, Japan, 19th century, Japan, Paper, 9 3/4 x 17 in. (24.77 x 43.18 cm), Stencils Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stencil-japan-19th-century-japan-paper-9-34-x-17-in-2477-x-4318-cm-stencils-image344613221.htmlRM2B0JDK1–Stencil, Japan, 19th century, Japan, Paper, 9 3/4 x 17 in. (24.77 x 43.18 cm), Stencils
. 43 Attributed to Henri Biva, Fishing on a sunny afternoon, oil on canvas, 100.4 x 77.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/43-attributed-to-henri-biva-fishing-on-a-sunny-afternoon-oil-on-canvas-1004-x-775-cm-image211872252.htmlRMP8KH64–. 43 Attributed to Henri Biva, Fishing on a sunny afternoon, oil on canvas, 100.4 x 77.5 cm
N.N., Japan (without dat.): Floor plan 1: 800000. Print colored on paper, 111 x 77.4 cm (including scan edges) N.N. : Japan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nn-japan-without-dat-floor-plan-1-800000-print-colored-on-paper-111-x-774-cm-including-scan-edges-nn-japan-image477610705.htmlRM2JN1195–N.N., Japan (without dat.): Floor plan 1: 800000. Print colored on paper, 111 x 77.4 cm (including scan edges) N.N. : Japan
Blanket. Navajo (Diné); United States, New Mexico. Date: 1890-1899. Dimensions: 88.7 x 77.4 cm (34 7/8 x 30 1/2 in.). Cotton and wool, single interlocking tapestry weave; main warp knotted cut fringe; twined selvages and heading terminating in tassels; needle-made fringe. Origin: New Mexico. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blanket-navajo-din-united-states-new-mexico-date-1890-1899-dimensions-887-x-774-cm-34-78-x-30-12-in-cotton-and-wool-single-interlocking-tapestry-weave-main-warp-knotted-cut-fringe-twined-selvages-and-heading-terminating-in-tassels-needle-made-fringe-origin-new-mexico-museum-the-chicago-art-institute-image240193561.htmlRMRXNN9D–Blanket. Navajo (Diné); United States, New Mexico. Date: 1890-1899. Dimensions: 88.7 x 77.4 cm (34 7/8 x 30 1/2 in.). Cotton and wool, single interlocking tapestry weave; main warp knotted cut fringe; twined selvages and heading terminating in tassels; needle-made fringe. Origin: New Mexico. Museum: The Chicago Art Institute.
Art inspired by New England Town, Allen Tucker, American, 1866-1939, Oil on canvas, 30 5/16 x 36 1/4 in., 77 x 92 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-new-england-town-allen-tucker-american-1866-1939-oil-on-canvas-30-516-x-36-14-in-77-x-92-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568960.htmlRF2HKK4W4–Art inspired by New England Town, Allen Tucker, American, 1866-1939, Oil on canvas, 30 5/16 x 36 1/4 in., 77 x 92 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Woman with Flower Corsage - 1912 - pastel on carta colorata 77,2 x 65,4 cm - Redon Odilon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-with-flower-corsage-1912-pastel-on-carta-colorata-772-x-654-cm-redon-odilon-image457732822.htmlRF2HGKETP–Woman with Flower Corsage - 1912 - pastel on carta colorata 77,2 x 65,4 cm - Redon Odilon
Sarong (Thailand); cotton; Warp x Weft (weft 2 lengths sewn together): 374 x 197.5 cm (147 1/4 x 77 3/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sarong-thailand-cotton-warp-x-weft-weft-2-lengths-sewn-together-374-x-1975-cm-147-14-x-77-34-in-image546078449.htmlRM2PMC0HN–Sarong (Thailand); cotton; Warp x Weft (weft 2 lengths sewn together): 374 x 197.5 cm (147 1/4 x 77 3/4 in.)
Bottle MET DP245211 624 British, Bottle, 1760?70, Opaque glass with enamel decoration, H. 4 1/8 in. (10.5 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. J. Insley Blair, 1951 (52.77.43) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bottle-met-dp245211-624-british-bottle-176070-opaque-glass-with-enamel-168029979.htmlRMKNABXK–Bottle MET DP245211 624 British, Bottle, 1760?70, Opaque glass with enamel decoration, H. 4 1/8 in. (10.5 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. J. Insley Blair, 1951 (52.77.43)
. De flora van Nederland. Plants. 568 â ROSACEAE. FAMILIE 77, P. Tormentilla -) Neck. De kroonbladen zijn omgekeerd hartvormig, langer dan de kelk, aan den voet vaak donkerder. 2|. 5-15 cM. April, Mei, soms in October nog weer. P. Tabernaemontani Aschers. Bij deze zijn de bladen van onderen of aan weerszijden met langere, aan- gedrukte haren bekleed. De onderste bladen zijn 5-7-tallig. De blaadjes zijn wigvormig-omgekeerd eirond tot langwerpig, naar voren ingesneden gezaagd. Overigens als de vorige. 4- 5-15 cM. April, Mei, soms ook later, P. riibens Zimmeter. (P. opaca Rth.). Hier zijn de sten Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/de-flora-van-nederland-plants-568-rosaceae-familie-77-p-tormentilla-neck-de-kroonbladen-zijn-omgekeerd-hartvormig-langer-dan-de-kelk-aan-den-voet-vaak-donkerder-2-5-15-cm-april-mei-soms-in-october-nog-weer-p-tabernaemontani-aschers-bij-deze-zijn-de-bladen-van-onderen-of-aan-weerszijden-met-langere-aan-gedrukte-haren-bekleed-de-onderste-bladen-zijn-5-7-tallig-de-blaadjes-zijn-wigvormig-omgekeerd-eirond-tot-langwerpig-naar-voren-ingesneden-gezaagd-overigens-als-de-vorige-4-5-15-cm-april-mei-soms-ook-later-p-riibens-zimmeter-p-opaca-rth-hier-zijn-de-sten-image216191922.htmlRMPFMB02–. De flora van Nederland. Plants. 568 â ROSACEAE. FAMILIE 77, P. Tormentilla -) Neck. De kroonbladen zijn omgekeerd hartvormig, langer dan de kelk, aan den voet vaak donkerder. 2|. 5-15 cM. April, Mei, soms in October nog weer. P. Tabernaemontani Aschers. Bij deze zijn de bladen van onderen of aan weerszijden met langere, aan- gedrukte haren bekleed. De onderste bladen zijn 5-7-tallig. De blaadjes zijn wigvormig-omgekeerd eirond tot langwerpig, naar voren ingesneden gezaagd. Overigens als de vorige. 4- 5-15 cM. April, Mei, soms ook later, P. riibens Zimmeter. (P. opaca Rth.). Hier zijn de sten
The Conquest of Sluis outweighs the loss of Ostend Zilveren penning. Voorzijde: kaart van zeelandschap. Keerzijde: opschrift. Manufacturer : Gerard van BylaerPlaats manufacture: Dordrecht Dating: 1604 Material: zilver Techniek: slaan Dimensions: d 5,4 cm. × g 52,77 grToelichtingPenning geslagen op last van de Staten-Generaal. Subject: Tachtigjarige OorlogBeleg en inname van Sluis (1604)Overgave van Oostende (1604)Wanneer: 1604-09-22 - 1604-09-22 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-conquest-of-sluis-outweighs-the-loss-of-ostend-zilveren-penning-voorzijde-kaart-van-zeelandschap-keerzijde-opschrift-manufacturer-gerard-van-bylaerplaats-manufacture-dordrecht-dating-1604-material-zilver-techniek-slaan-dimensions-d-54-cm-g-5277-grtoelichtingpenning-geslagen-op-last-van-de-staten-generaal-subject-tachtigjarige-oorlogbeleg-en-inname-van-sluis-1604overgave-van-oostende-1604wanneer-1604-09-22-1604-09-22-image348301222.htmlRM2B6JDNA–The Conquest of Sluis outweighs the loss of Ostend Zilveren penning. Voorzijde: kaart van zeelandschap. Keerzijde: opschrift. Manufacturer : Gerard van BylaerPlaats manufacture: Dordrecht Dating: 1604 Material: zilver Techniek: slaan Dimensions: d 5,4 cm. × g 52,77 grToelichtingPenning geslagen op last van de Staten-Generaal. Subject: Tachtigjarige OorlogBeleg en inname van Sluis (1604)Overgave van Oostende (1604)Wanneer: 1604-09-22 - 1604-09-22
Nativity Painting; Gentile da Fabriano (Italian, about 1370 - 1427); about 1420 - 1422; Tempera and gold leaf on panel; 72.4 × 42.6 cm (28 1/2 × 16 3/4 in.); 77.PB.27 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nativity-painting-gentile-da-fabriano-italian-about-1370-1427-about-1420-1422-tempera-and-gold-leaf-on-panel-724-426-cm-28-12-16-34-in-77pb27-image597364024.htmlRM2WKT7WC–Nativity Painting; Gentile da Fabriano (Italian, about 1370 - 1427); about 1420 - 1422; Tempera and gold leaf on panel; 72.4 × 42.6 cm (28 1/2 × 16 3/4 in.); 77.PB.27
Stencil, Japan, 19th century, Japan, Paper, 16 x 9 3/4 in. (40.64 x 24.77 cm), Stencils Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stencil-japan-19th-century-japan-paper-16-x-9-34-in-4064-x-2477-cm-stencils-image344587153.htmlRM2B0H8C1–Stencil, Japan, 19th century, Japan, Paper, 16 x 9 3/4 in. (40.64 x 24.77 cm), Stencils
Painting; oil on panel; overall: 77.5 × 128.9 cm (30 1/2 × 50 3/4 in.); 7 CLAESZ Still life with a peacock pie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-oil-on-panel-overall-775-1289-cm-30-12-50-34-in-7-claesz-still-life-with-a-peacock-pie-image206560195.htmlRMP01HHR–Painting; oil on panel; overall: 77.5 × 128.9 cm (30 1/2 × 50 3/4 in.); 7 CLAESZ Still life with a peacock pie
Knoblauch Eduard (1801-1865), residential building in Schönebeck (1858): floor plan ground and upper floor. Ink and pencil watercolored, 55.9 x 77.4 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/knoblauch-eduard-1801-1865-residential-building-in-schnebeck-1858-floor-plan-ground-and-upper-floor-ink-and-pencil-watercolored-559-x-774-cm-including-scan-edges-image477443169.htmlRM2JMNBHN–Knoblauch Eduard (1801-1865), residential building in Schönebeck (1858): floor plan ground and upper floor. Ink and pencil watercolored, 55.9 x 77.4 cm (including scan edges)
The Adoration of the Child. Dated: after 1477. Dimensions: overall: 127.8 × 77.4 cm (50 5/16 × 30 1/2 in.) framed: 104.1 x 77.5 x 13.8 cm (41 x 30 1/2 x 5 7/16 in.) gross weight: 90.719 kg (200 lb.). Medium: glazed terracotta. Museum: National Gallery of Art, Washington DC. Author: ANDREA DELLA ROBBIA. ROBBIA, ANDREA DELLA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-child-dated-after-1477-dimensions-overall-1278-774-cm-50-516-30-12-in-framed-1041-x-775-x-138-cm-41-x-30-12-x-5-716-in-gross-weight-90719-kg-200-lb-medium-glazed-terracotta-museum-national-gallery-of-art-washington-dc-author-andrea-della-robbia-robbia-andrea-della-image225393419.htmlRMR2KFGY–The Adoration of the Child. Dated: after 1477. Dimensions: overall: 127.8 × 77.4 cm (50 5/16 × 30 1/2 in.) framed: 104.1 x 77.5 x 13.8 cm (41 x 30 1/2 x 5 7/16 in.) gross weight: 90.719 kg (200 lb.). Medium: glazed terracotta. Museum: National Gallery of Art, Washington DC. Author: ANDREA DELLA ROBBIA. ROBBIA, ANDREA DELLA.
Art inspired by Noble of Edward III (r. 1327–77), 1361–69, British, Gold, Overall: 1 1/4 x 1/16 in. (3.2 x 0.1 cm), Coins, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-noble-of-edward-iii-r-132777-136169-british-gold-overall-1-14-x-116-in-32-x-01-cm-coins-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462837970.htmlRF2HW02FE–Art inspired by Noble of Edward III (r. 1327–77), 1361–69, British, Gold, Overall: 1 1/4 x 1/16 in. (3.2 x 0.1 cm), Coins, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Veux-do sortir avec moi, Fido - 1859 - Oil on canvas 77,4 x 64 cm - Stevens Alfred Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/veux-do-sortir-avec-moi-fido-1859-oil-on-canvas-774-x-64-cm-stevens-alfred-image457729266.htmlRF2HGKA9P–Veux-do sortir avec moi, Fido - 1859 - Oil on canvas 77,4 x 64 cm - Stevens Alfred
Galerie métallique des grands hommes français (Great Men of France) Medal; Designed by Raymond Gayrard; cast bronze; Diam.: 4.1 cm (1 5/8 in.); 1907-17-77 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/galerie-mtallique-des-grands-hommes-franais-great-men-of-france-medal-designed-by-raymond-gayrard-cast-bronze-diam-41-cm-1-58-in-1907-17-77-image546215828.htmlRM2PMJ7T4–Galerie métallique des grands hommes français (Great Men of France) Medal; Designed by Raymond Gayrard; cast bronze; Diam.: 4.1 cm (1 5/8 in.); 1907-17-77
Bottle MET DP244573 624 British, Bottle, 1760?70, Opaque glass with enamel decoration, H. 4 1/8 in. (10.5 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. J. Insley Blair, 1951 (52.77.43) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bottle-met-dp244573-624-british-bottle-176070-opaque-glass-with-enamel-168029978.htmlRMKNABXJ–Bottle MET DP244573 624 British, Bottle, 1760?70, Opaque glass with enamel decoration, H. 4 1/8 in. (10.5 cm). The Metropolitan Museum of Art, New York. Bequest of Mrs. J. Insley Blair, 1951 (52.77.43)
. De flora van Nederland. Plants. 570 ROSACEAE. â FAMILIE 77. De bloemen staan alleen of 2 bijeen, hare stelen zijn even lang als of langer dan de bladen. Zij zijn geel, groot (1,5-3 cM in middellijn), 5-tallig. De bijkelk is langer dan de kelk. De kroonbladen zijn omgekeerd hart- vormig, langer dan de kelk. De vruchten zijn knobbelig, niet gerimpeld. 4- JuniâAugustus. Volksnamen. Op verschillende plaatsen gebruikt men den naam vijfvin- gerkruid, in Zuid-Holland den naam vijfblad, ook op Walcheren, in Noord- Overijsel noemt men haar boterbloem. Voorkomen in Europa en in Nederland. De plant kom Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/de-flora-van-nederland-plants-570-rosaceae-familie-77-de-bloemen-staan-alleen-of-2-bijeen-hare-stelen-zijn-even-lang-als-of-langer-dan-de-bladen-zij-zijn-geel-groot-15-3-cm-in-middellijn-5-tallig-de-bijkelk-is-langer-dan-de-kelk-de-kroonbladen-zijn-omgekeerd-hart-vormig-langer-dan-de-kelk-de-vruchten-zijn-knobbelig-niet-gerimpeld-4-juniaugustus-volksnamen-op-verschillende-plaatsen-gebruikt-men-den-naam-vijfvin-gerkruid-in-zuid-holland-den-naam-vijfblad-ook-op-walcheren-in-noord-overijsel-noemt-men-haar-boterbloem-voorkomen-in-europa-en-in-nederland-de-plant-kom-image216191911.htmlRMPFMAYK–. De flora van Nederland. Plants. 570 ROSACEAE. â FAMILIE 77. De bloemen staan alleen of 2 bijeen, hare stelen zijn even lang als of langer dan de bladen. Zij zijn geel, groot (1,5-3 cM in middellijn), 5-tallig. De bijkelk is langer dan de kelk. De kroonbladen zijn omgekeerd hart- vormig, langer dan de kelk. De vruchten zijn knobbelig, niet gerimpeld. 4- JuniâAugustus. Volksnamen. Op verschillende plaatsen gebruikt men den naam vijfvin- gerkruid, in Zuid-Holland den naam vijfblad, ook op Walcheren, in Noord- Overijsel noemt men haar boterbloem. Voorkomen in Europa en in Nederland. De plant kom
Leeuwe bij nacht door de Fransen ingenomen Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: Overwinning met sluier van de nacht en kroon boven de ingenomen stad binnen omschrift; afsnede: opschrift Manufacturer : Jean MaugerPlaats manufacture: Parijs Dating: 1699 - 1703 Material: brons Techniek: slaan Dimensions: d 4,1 cm. × g 29,77 gr Subject: Guerre de HollandeInname van Zoutleeuw (1678)Wanneer: 1678-05-03 - 1678-05-04 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leeuwe-bij-nacht-door-de-fransen-ingenomen-bronzen-penning-voorzijde-borststuk-man-binnen-omschrift-keerzijde-overwinning-met-sluier-van-de-nacht-en-kroon-boven-de-ingenomen-stad-binnen-omschrift-afsnede-opschrift-manufacturer-jean-maugerplaats-manufacture-parijs-dating-1699-1703-material-brons-techniek-slaan-dimensions-d-41-cm-g-2977-gr-subject-guerre-de-hollandeinname-van-zoutleeuw-1678wanneer-1678-05-03-1678-05-04-image348553915.htmlRM2B72023–Leeuwe bij nacht door de Fransen ingenomen Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: Overwinning met sluier van de nacht en kroon boven de ingenomen stad binnen omschrift; afsnede: opschrift Manufacturer : Jean MaugerPlaats manufacture: Parijs Dating: 1699 - 1703 Material: brons Techniek: slaan Dimensions: d 4,1 cm. × g 29,77 gr Subject: Guerre de HollandeInname van Zoutleeuw (1678)Wanneer: 1678-05-03 - 1678-05-04
CARRACCI, Annibale (b. 1560, Bologna, d. 1609, Roma) Domine quo vadis? 1601-02 Oil on panel, 77,4 x 56,3 cm National Gallery, London This tale from the life of St Peter is recorded in the collection of legends written down by Jacobus a Voragine in the 13th century. It tells how the apostle, having triumphed over Simon Magus, was persuaded by the Christians of Rome to leave town. Jacobus a Voragine relates how Peter encountered Christ on the Appian way and asked 'Quo vadis domine' (Whither goest thou, master?), to which Christ replied 'To Rome, to be crucified anew.' This apocryphal legend i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carracci-annibale-b-1560-bologna-d-1609-roma-domine-quo-vadis-1601-02-oil-on-panel-774-x-563-cm-national-gallery-london-this-tale-from-the-life-of-st-peter-is-recorded-in-the-collection-of-legends-written-down-by-jacobus-a-voragine-in-the-13th-century-it-tells-how-the-apostle-having-triumphed-over-simon-magus-was-persuaded-by-the-christians-of-rome-to-leave-town-jacobus-a-voragine-relates-how-peter-encountered-christ-on-the-appian-way-and-asked-quo-vadis-domine-whither-goest-thou-master-to-which-christ-replied-to-rome-to-be-crucified-anew-this-apocryphal-legend-i-image616244559.htmlRM2XPGA67–CARRACCI, Annibale (b. 1560, Bologna, d. 1609, Roma) Domine quo vadis? 1601-02 Oil on panel, 77,4 x 56,3 cm National Gallery, London This tale from the life of St Peter is recorded in the collection of legends written down by Jacobus a Voragine in the 13th century. It tells how the apostle, having triumphed over Simon Magus, was persuaded by the Christians of Rome to leave town. Jacobus a Voragine relates how Peter encountered Christ on the Appian way and asked 'Quo vadis domine' (Whither goest thou, master?), to which Christ replied 'To Rome, to be crucified anew.' This apocryphal legend i
Stencil, Japan, 19th century, Japan, Paper, 9 3/4 x 16 in. (24.77 x 40.64 cm), Stencils Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stencil-japan-19th-century-japan-paper-9-34-x-16-in-2477-x-4064-cm-stencils-image344613232.htmlRM2B0JDKC–Stencil, Japan, 19th century, Japan, Paper, 9 3/4 x 16 in. (24.77 x 40.64 cm), Stencils
. Der hl. Georg mit dem Drachen. Öl auf Leinwand. 11,4 x 77,5 cm. Oberitalien, um 1730. . English: see description field 238 Georg mit dem Drachen oberitalienisch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/der-hl-georg-mit-dem-drachen-l-auf-leinwand-114-x-775-cm-oberitalien-um-1730-english-see-description-field-238-georg-mit-dem-drachen-oberitalienisch-image187742210.htmlRMMWCB2X–. Der hl. Georg mit dem Drachen. Öl auf Leinwand. 11,4 x 77,5 cm. Oberitalien, um 1730. . English: see description field 238 Georg mit dem Drachen oberitalienisch
Unknown architect, anatomical institute of the Christian Albrechts University in Kiel. Expansion (09.1902): O view 1: 100. Lithograph, 57.5 x 77.4 cm (including scan edges) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-architect-anatomical-institute-of-the-christian-albrechts-university-in-kiel-expansion-091902-o-view-1-100-lithograph-575-x-774-cm-including-scan-edges-image477439145.htmlRM2JMN6E1–Unknown architect, anatomical institute of the Christian Albrechts University in Kiel. Expansion (09.1902): O view 1: 100. Lithograph, 57.5 x 77.4 cm (including scan edges)
