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77 5 x 64 1 cm Stock Photos and Images
Art inspired by The Annunciation, ca. 1450, Oil on wood, Overall 31 x 25 7/8 in. (78.7 x 65.7 cm); painted surface 30 1/2 x 25 1/4 in. (77.5 x 64.1 cm), Paintings, Attributed to Petrus Christus (Netherlandish, Baarle-Hertog (Baerle-Duc), active by 1444–died 1475/76 Bruges), This, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-annunciation-ca-1450-oil-on-wood-overall-31-x-25-78-in-787-x-657-cm-painted-surface-30-12-x-25-14-in-775-x-641-cm-paintings-attributed-to-petrus-christus-netherlandish-baarle-hertog-baerle-duc-active-by-1444died-147576-bruges-this-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463024166.htmlRF2HW8G1A–Art inspired by The Annunciation, ca. 1450, Oil on wood, Overall 31 x 25 7/8 in. (78.7 x 65.7 cm); painted surface 30 1/2 x 25 1/4 in. (77.5 x 64.1 cm), Paintings, Attributed to Petrus Christus (Netherlandish, Baarle-Hertog (Baerle-Duc), active by 1444–died 1475/76 Bruges), This, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Annunciation. Artist: Attributed to Petrus Christus (Netherlandish, Baarle-Hertog (Baerle-Duc), active by 1444-died 1475/76 Bruges). Dimensions: Overall 31 x 25 7/8 in. (78.7 x 65.7 cm); painted surface 30 1/2 x 25 1/4 in. (77.5 x 64.1 cm). Date: ca. 1450. This Annunciation is exceptional for its bird's-eye view and outdoor setting. Sheltered in the doorway of a church and greeted by Gabriel, Mary is presented not only as the recipient of the message of the Incarnation, but also as the personification of the Church (<i>Ecclesia</i>). The architecture, which is part Romanesque (right) and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-annunciation-artist-attributed-to-petrus-christus-netherlandish-baarle-hertog-baerle-duc-active-by-1444-died-147576-bruges-dimensions-overall-31-x-25-78-in-787-x-657-cm-painted-surface-30-12-x-25-14-in-775-x-641-cm-date-ca-1450-this-annunciation-is-exceptional-for-its-birds-eye-view-and-outdoor-setting-sheltered-in-the-doorway-of-a-church-and-greeted-by-gabriel-mary-is-presented-not-only-as-the-recipient-of-the-message-of-the-incarnation-but-also-as-the-personification-of-the-church-iecclesiai-the-architecture-which-is-part-romanesque-right-and-image213146937.htmlRMPANK2H–The Annunciation. Artist: Attributed to Petrus Christus (Netherlandish, Baarle-Hertog (Baerle-Duc), active by 1444-died 1475/76 Bruges). Dimensions: Overall 31 x 25 7/8 in. (78.7 x 65.7 cm); painted surface 30 1/2 x 25 1/4 in. (77.5 x 64.1 cm). Date: ca. 1450. This Annunciation is exceptional for its bird's-eye view and outdoor setting. Sheltered in the doorway of a church and greeted by Gabriel, Mary is presented not only as the recipient of the message of the Incarnation, but also as the personification of the Church (<i>Ecclesia</i>). The architecture, which is part Romanesque (right) and
Portrait of a Lady, Joseph Wright of Derby, English, 1734–1797, c.1760, Oil on canvas, Made in England, Europe, Paintings, 30 1/2 x 25 1/4 in. (77.5 x 64.1 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-lady-joseph-wright-of-derby-english-17341797-c1760-oil-on-canvas-made-in-england-europe-paintings-30-12-x-25-14-in-775-x-641-cm-image454292558.htmlRM2HB2PP6–Portrait of a Lady, Joseph Wright of Derby, English, 1734–1797, c.1760, Oil on canvas, Made in England, Europe, Paintings, 30 1/2 x 25 1/4 in. (77.5 x 64.1 cm
Inspired by Portrait of a Lady, Joseph Wright of Derby, English, 1734–1797, c.1760, Oil on canvas, Made in England, Europe, Paintings, 30 1/2 x 25 1/4 in. (77.5 x 64.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-portrait-of-a-lady-joseph-wright-of-derby-english-17341797-c1760-oil-on-canvas-made-in-england-europe-paintings-30-12-x-25-14-in-775-x-641-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459280753.htmlRF2HK6181–Inspired by Portrait of a Lady, Joseph Wright of Derby, English, 1734–1797, c.1760, Oil on canvas, Made in England, Europe, Paintings, 30 1/2 x 25 1/4 in. (77.5 x 64.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
James Thomson (1700-1748), Stephen Slaughter, 1697–1765, British, 1736, Oil on canvas, Support (PTG): 30 1/2 x 25 1/4 inches (77.5 x 64.1 cm), drawing, engageantes, man, playwright, poet, portrait, ruffles, Scottish Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-thomson-1700-1748-stephen-slaughter-16971765-british-1736-oil-on-canvas-support-ptg-30-12-x-25-14-inches-775-x-641-cm-drawing-engageantes-man-playwright-poet-portrait-ruffles-scottish-image389599562.htmlRM2DHRP62–James Thomson (1700-1748), Stephen Slaughter, 1697–1765, British, 1736, Oil on canvas, Support (PTG): 30 1/2 x 25 1/4 inches (77.5 x 64.1 cm), drawing, engageantes, man, playwright, poet, portrait, ruffles, Scottish
Painting; oil on canvas; overall: 68.8 x 56 cm (27 1/16 x 22 1/16 in.) framed: 77.4 x 64.7 x 5.3 cm (30 1/2 x 25 1/2 x 2 1/16 in.); 14 Little Girl with Slate A16306 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-688-x-56-cm-27-116-x-22-116-in-framed-774-x-647-x-53-cm-30-12-x-25-12-x-2-116-in-14-little-girl-with-slate-a16306-image206554226.htmlRMP01A0J–Painting; oil on canvas; overall: 68.8 x 56 cm (27 1/16 x 22 1/16 in.) framed: 77.4 x 64.7 x 5.3 cm (30 1/2 x 25 1/2 x 2 1/16 in.); 14 Little Girl with Slate A16306
Door Panel, 14th century, 65 x 25 1/2 x 2 in. (165.1 x 64.77 x 5.08 cm)7 1/2 x 13 1/2 x 29 1/2 in. (19.05 x 34.29 x 74.93 cm) (base), Wood and ivory, Egypt, 14th century, Mamluk artisans in Cairo were excellent woodworkers whose creations included window grilles, cupboards, doors, and furniture for both secular and religious buildings. These panels most likely served as doors within the spectacular decorative screens that partitioned spaces inside the standard Mamluk mosque. Islamic craftsmen devised geometric compositions in wood, ivory, stone, and tile. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/door-panel-14th-century-65-x-25-12-x-2-in-1651-x-6477-x-508-cm7-12-x-13-12-x-29-12-in-1905-x-3429-x-7493-cm-base-wood-and-ivory-egypt-14th-century-mamluk-artisans-in-cairo-were-excellent-woodworkers-whose-creations-included-window-grilles-cupboards-doors-and-furniture-for-both-secular-and-religious-buildings-these-panels-most-likely-served-as-doors-within-the-spectacular-decorative-screens-that-partitioned-spaces-inside-the-standard-mamluk-mosque-islamic-craftsmen-devised-geometric-compositions-in-wood-ivory-stone-and-tile-image573503534.htmlRM2T919H2–Door Panel, 14th century, 65 x 25 1/2 x 2 in. (165.1 x 64.77 x 5.08 cm)7 1/2 x 13 1/2 x 29 1/2 in. (19.05 x 34.29 x 74.93 cm) (base), Wood and ivory, Egypt, 14th century, Mamluk artisans in Cairo were excellent woodworkers whose creations included window grilles, cupboards, doors, and furniture for both secular and religious buildings. These panels most likely served as doors within the spectacular decorative screens that partitioned spaces inside the standard Mamluk mosque. Islamic craftsmen devised geometric compositions in wood, ivory, stone, and tile.
The Holy Family; Giulio Romano (Giulio Pippi) (Italian, before 1499 - 1546); Italy; about 1520 - 1523; Oil (possibly mixed with tempera) on panel; 77.5 x 61.9 cm (30 1/2 x 24 3/8 in.); 95.PB.64 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-holy-family-giulio-romano-giulio-pippi-italian-before-1499-1546-italy-about-1520-1523-oil-possibly-mixed-with-tempera-on-panel-775-x-619-cm-30-12-x-24-38-in-95pb64-image597346334.htmlRM2WKRD9J–The Holy Family; Giulio Romano (Giulio Pippi) (Italian, before 1499 - 1546); Italy; about 1520 - 1523; Oil (possibly mixed with tempera) on panel; 77.5 x 61.9 cm (30 1/2 x 24 3/8 in.); 95.PB.64
The Annunciation, 1506, Oil on wood, Angel, overall 31 1/8 x 25 in. (79.1 x 63.5 cm), painted surface 30 1/4 x 24 3/8 in. (76.8 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-annunciation-1506-oil-on-wood-angel-overall-31-18-x-25-in-791-162559379.htmlRMKCD643–The Annunciation, 1506, Oil on wood, Angel, overall 31 1/8 x 25 in. (79.1 x 63.5 cm), painted surface 30 1/4 x 24 3/8 in. (76.8
Washerwomen at Goyen, 1917. Abel George Warshawsky (American, 1883-1962). Oil on canvas; framed: 77.5 x 93.5 x 9 cm (30 1/2 x 36 13/16 x 3 9/16 in.); unframed: 64.8 x 81.3 cm (25 1/2 x 32 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/washerwomen-at-goyen-1917-abel-george-warshawsky-american-1883-1962-oil-on-canvas-framed-775-x-935-x-9-cm-30-12-x-36-1316-x-3-916-in-unframed-648-x-813-cm-25-12-x-32-in-image448116595.htmlRM2H11D83–Washerwomen at Goyen, 1917. Abel George Warshawsky (American, 1883-1962). Oil on canvas; framed: 77.5 x 93.5 x 9 cm (30 1/2 x 36 13/16 x 3 9/16 in.); unframed: 64.8 x 81.3 cm (25 1/2 x 32 in.).
Coronation of the Virgin, c. 1410. Master of the Fröndenberg Altarpiece (German). Tempera and gold on wood; framed: 77 x 59.5 x 8 cm (30 5/16 x 23 7/16 x 3 1/8 in.); unframed: 64.8 x 47.5 cm (25 1/2 x 18 11/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coronation-of-the-virgin-c-1410-master-of-the-frndenberg-altarpiece-german-tempera-and-gold-on-wood-framed-77-x-595-x-8-cm-30-516-x-23-716-x-3-18-in-unframed-648-x-475-cm-25-12-x-18-1116-in-image240393703.htmlRMRY2THB–Coronation of the Virgin, c. 1410. Master of the Fröndenberg Altarpiece (German). Tempera and gold on wood; framed: 77 x 59.5 x 8 cm (30 5/16 x 23 7/16 x 3 1/8 in.); unframed: 64.8 x 47.5 cm (25 1/2 x 18 11/16 in
The Abduction of Europa; Rembrandt Harmensz. van Rijn, Dutch, 1606 - 1669; 1632; Oil on single oak panel; Unframed: 64.6 x 78.7 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-abduction-of-europa-rembrandt-harmensz-van-rijn-dutch-1606-1669-image60296720.htmlRMDE2N28–The Abduction of Europa; Rembrandt Harmensz. van Rijn, Dutch, 1606 - 1669; 1632; Oil on single oak panel; Unframed: 64.6 x 78.7
The Annunciation. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: Angel, overall 31 1/8 x 25 in. (79.1 x 63.5 cm), painted surface 30 1/4 x 24 3/8 in. (76.8 x 61.9 cm); Virgin, overall 31 1/8 x 25 1/4 in. (79.1 x 64.1 cm), painted surface 30 1/2 x 24 3/4 in. (77.5 x61.9 cm). Date: 1506. These panels were part of a spectacular multi-storied polyptych commissioned by Vincenzo Sauli, a wealthy Italian banker and diplomat with connections to Bruges, for the high altar of the Benedictine abbey church of San Gerolamo della Cervara, near Genoa. Taking the placemen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-annunciation-artist-gerard-david-netherlandish-oudewater-ca-1455-1523-bruges-dimensions-angel-overall-31-18-x-25-in-791-x-635-cm-painted-surface-30-14-x-24-38-in-768-x-619-cm-virgin-overall-31-18-x-25-14-in-791-x-641-cm-painted-surface-30-12-x-24-34-in-775-x619-cm-date-1506-these-panels-were-part-of-a-spectacular-multi-storied-polyptych-commissioned-by-vincenzo-sauli-a-wealthy-italian-banker-and-diplomat-with-connections-to-bruges-for-the-high-altar-of-the-benedictine-abbey-church-of-san-gerolamo-della-cervara-near-genoa-taking-the-placemen-image213111691.htmlRMPAM23R–The Annunciation. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: Angel, overall 31 1/8 x 25 in. (79.1 x 63.5 cm), painted surface 30 1/4 x 24 3/8 in. (76.8 x 61.9 cm); Virgin, overall 31 1/8 x 25 1/4 in. (79.1 x 64.1 cm), painted surface 30 1/2 x 24 3/4 in. (77.5 x61.9 cm). Date: 1506. These panels were part of a spectacular multi-storied polyptych commissioned by Vincenzo Sauli, a wealthy Italian banker and diplomat with connections to Bruges, for the high altar of the Benedictine abbey church of San Gerolamo della Cervara, near Genoa. Taking the placemen
Art inspired by Portrait of a Lady, Joseph Wright of Derby, English, 1734-1797, c.1760, Oil on canvas, Made in England, Europe, Paintings, 30 1/2 x 25 1/4 in. (77.5 x 64.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portrait-of-a-lady-joseph-wright-of-derby-english-1734-1797-c1760-oil-on-canvas-made-in-england-europe-paintings-30-12-x-25-14-in-775-x-641-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459592856.htmlRF2HKM7AG–Art inspired by Portrait of a Lady, Joseph Wright of Derby, English, 1734-1797, c.1760, Oil on canvas, Made in England, Europe, Paintings, 30 1/2 x 25 1/4 in. (77.5 x 64.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Annunciation, 1506, Oil on wood, Angel, overall 31 1/8 x 25 in. (79.1 x 63.5 cm), painted surface 30 1/4 x 24 3/8 in. (76.8 x 61.9 cm); Virgin, overall 31 1/8 x 25 1/4 in. (79.1 x 64.1 cm), painted surface 30 1/2 x 24 3/4 in. (77.5 x61.9 cm), Paintings, Gerard David, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-annunciation-1506-oil-on-wood-angel-overall-31-18-x-25-in-791-x-635-cm-painted-surface-30-14-x-24-38-in-768-x-619-cm-virgin-overall-31-18-x-25-14-in-791-x-641-cm-painted-surface-30-12-x-24-34-in-775-x619-cm-paintings-gerard-david-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462814751.htmlRF2HTY0X7–Art inspired by The Annunciation, 1506, Oil on wood, Angel, overall 31 1/8 x 25 in. (79.1 x 63.5 cm), painted surface 30 1/4 x 24 3/8 in. (76.8 x 61.9 cm); Virgin, overall 31 1/8 x 25 1/4 in. (79.1 x 64.1 cm), painted surface 30 1/2 x 24 3/4 in. (77.5 x61.9 cm), Paintings, Gerard David, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Painting; oil on panel; overall: 39.2 x 77 cm (15 7/16 x 30 5/16 in.) framed: 64.8 x 102.2 x 5.7 cm (25 1/2 x 40 1/4 x 2 1/4 in.); 185 A Scene on the Ice Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-panel-overall-392-x-77-cm-15-716-x-30-516-in-framed-648-x-1022-x-57-cm-25-12-x-40-14-x-2-14-in-185-a-scene-on-the-ice-image206781687.htmlRMP0BM47–Painting; oil on panel; overall: 39.2 x 77 cm (15 7/16 x 30 5/16 in.) framed: 64.8 x 102.2 x 5.7 cm (25 1/2 x 40 1/4 x 2 1/4 in.); 185 A Scene on the Ice
Coronation of the Virgin, c. 1410. Master of the Fröndenberg Altarpiece (German). Tempera and gold on wood; framed: 77 x 59.5 x 8 cm (30 5/16 x 23 7/16 x 3 1/8 in.); unframed: 64.8 x 47.5 cm (25 1/2 x 18 11/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coronation-of-the-virgin-c-1410-master-of-the-frndenberg-altarpiece-german-tempera-and-gold-on-wood-framed-77-x-595-x-8-cm-30-516-x-23-716-x-3-18-in-unframed-648-x-475-cm-25-12-x-18-1116-in-image448098576.htmlRM2H10J8G–Coronation of the Virgin, c. 1410. Master of the Fröndenberg Altarpiece (German). Tempera and gold on wood; framed: 77 x 59.5 x 8 cm (30 5/16 x 23 7/16 x 3 1/8 in.); unframed: 64.8 x 47.5 cm (25 1/2 x 18 11/16 in.).
Virgin and Child under a Canopy, 1520s. South Netherlands, 16th century. Oil on wood panel; framed: 77.5 x 53.5 x 7 cm (30 1/2 x 21 1/16 x 2 3/4 in.); unframed: 64.8 x 40 cm (25 1/2 x 15 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-and-child-under-a-canopy-1520s-south-netherlands-16th-century-oil-on-wood-panel-framed-775-x-535-x-7-cm-30-12-x-21-116-x-2-34-in-unframed-648-x-40-cm-25-12-x-15-34-in-image240427091.htmlRMRY4B5R–Virgin and Child under a Canopy, 1520s. South Netherlands, 16th century. Oil on wood panel; framed: 77.5 x 53.5 x 7 cm (30 1/2 x 21 1/16 x 2 3/4 in.); unframed: 64.8 x 40 cm (25 1/2 x 15 3/4 in
John Singleton Copley, (painter), American, 1738 - 1815, Harrison Gray, c. 1767, oil on canvas, overall: 77.5 x 64 cm (30 1/2 x 25 3/16 in.), framed: 78.1 x 90.8 x 10.2 cm (30 3/4 x 35 3/4 x 4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-singleton-copley-painter-american-1738-1815-harrison-gray-c-1767-oil-on-canvas-overall-775-x-64-cm-30-12-x-25-316-in-framed-781-x-908-x-102-cm-30-34-x-35-34-x-4-in-image386215848.htmlRM2DC9J74–John Singleton Copley, (painter), American, 1738 - 1815, Harrison Gray, c. 1767, oil on canvas, overall: 77.5 x 64 cm (30 1/2 x 25 3/16 in.), framed: 78.1 x 90.8 x 10.2 cm (30 3/4 x 35 3/4 x 4 in
Harrison Gray. Dated: c. 1767. Dimensions: overall: 77.5 x 64 cm (30 1/2 x 25 3/16 in.) framed: 78.1 x 90.8 x 10.2 cm (30 3/4 x 35 3/4 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: John Singleton Copley. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harrison-gray-dated-c-1767-dimensions-overall-775-x-64-cm-30-12-x-25-316-in-framed-781-x-908-x-102-cm-30-34-x-35-34-x-4-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-john-singleton-copley-image218799287.htmlRMPKY4M7–Harrison Gray. Dated: c. 1767. Dimensions: overall: 77.5 x 64 cm (30 1/2 x 25 3/16 in.) framed: 78.1 x 90.8 x 10.2 cm (30 3/4 x 35 3/4 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: John Singleton Copley.
Painting; oil on panel; overall: 77 x 57.5 cm (30 5/16 x 22 5/8 in.) framed: 119.54 x 103.51 x 10.64 cm (47 1/16 x 40 3/4 x 4 3/16 in.); Bernardino Luini Lady with a Flea Fur Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-panel-overall-77-x-575-cm-30-516-x-22-58-in-framed-11954-x-10351-x-1064-cm-47-116-x-40-34-x-4-316-in-bernardino-luini-lady-with-a-flea-fur-image184914018.htmlRMMMRFM2–Painting; oil on panel; overall: 77 x 57.5 cm (30 5/16 x 22 5/8 in.) framed: 119.54 x 103.51 x 10.64 cm (47 1/16 x 40 3/4 x 4 3/16 in.); Bernardino Luini Lady with a Flea Fur
Virgin and Child under a Canopy, 1520s. South Netherlands, 16th century. Oil on wood panel; framed: 77.5 x 53.5 x 7 cm (30 1/2 x 21 1/16 x 2 3/4 in.); unframed: 64.8 x 40 cm (25 1/2 x 15 3/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-and-child-under-a-canopy-1520s-south-netherlands-16th-century-oil-on-wood-panel-framed-775-x-535-x-7-cm-30-12-x-21-116-x-2-34-in-unframed-648-x-40-cm-25-12-x-15-34-in-image448103189.htmlRM2H10T59–Virgin and Child under a Canopy, 1520s. South Netherlands, 16th century. Oil on wood panel; framed: 77.5 x 53.5 x 7 cm (30 1/2 x 21 1/16 x 2 3/4 in.); unframed: 64.8 x 40 cm (25 1/2 x 15 3/4 in.).
Florentine 15th Century, (painter), Matteo Olivieri (?), 1430s, tempera (and oil?) on panel transferred to canvas, overall: 48 x 34.1 cm (18 7/8 x 13 7/16 in.), framed: 77.5 x 64.5 x 7 cm (30 1/2 x 25 3/8 x 2 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/florentine-15th-century-painter-matteo-olivieri-1430s-tempera-and-oil-on-panel-transferred-to-canvas-overall-48-x-341-cm-18-78-x-13-716-in-framed-775-x-645-x-7-cm-30-12-x-25-38-x-2-34-in-image386264836.htmlRM2DCBTMM–Florentine 15th Century, (painter), Matteo Olivieri (?), 1430s, tempera (and oil?) on panel transferred to canvas, overall: 48 x 34.1 cm (18 7/8 x 13 7/16 in.), framed: 77.5 x 64.5 x 7 cm (30 1/2 x 25 3/8 x 2 3/4 in
Niche with Falconry Gear. Dated: probably 1660s. Dimensions: overall: 80.5 x 64.5 cm (31 11/16 x 25 3/8 in.) framed: 94 x 77.8 x 4.5 cm (37 x 30 5/8 x 1 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Christoffel Pierson. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/niche-with-falconry-gear-dated-probably-1660s-dimensions-overall-805-x-645-cm-31-1116-x-25-38-in-framed-94-x-778-x-45-cm-37-x-30-58-x-1-34-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-christoffel-pierson-image218823335.htmlRMPM07B3–Niche with Falconry Gear. Dated: probably 1660s. Dimensions: overall: 80.5 x 64.5 cm (31 11/16 x 25 3/8 in.) framed: 94 x 77.8 x 4.5 cm (37 x 30 5/8 x 1 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Christoffel Pierson.
. English: John Neagle, American, 1796–1865 John Kintzing Kane, 1828 Oil on canvas 77 x 64 cm. (30 5/16 x 25 3/16 in.) frame: 96.3 × 86 × 8 cm (37 15/16 × 33 7/8 × 3 1/8 in.) Museum purchase y1945-207 . 1828. 1828, Neagle, John, John Kintzing Kane Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-john-neagle-american-17961865-john-kintzing-kane-1828-oil-on-canvas-77-x-64-cm-30-516-x-25-316-in-frame-963-86-8-cm-37-1516-33-78-3-18-in-museum-purchase-y1945-207-1828-1828-neagle-john-john-kintzing-kane-image184937775.htmlRMMMTJ0F–. English: John Neagle, American, 1796–1865 John Kintzing Kane, 1828 Oil on canvas 77 x 64 cm. (30 5/16 x 25 3/16 in.) frame: 96.3 × 86 × 8 cm (37 15/16 × 33 7/8 × 3 1/8 in.) Museum purchase y1945-207 . 1828. 1828, Neagle, John, John Kintzing Kane
Orchid Pavilion Gathering, 1777. Soga Shōhaku (Japanese, 1730-1781). Hanging scroll, ink on silk; image: 122.7 x 55.7 cm (48 5/16 x 21 15/16 in.); overall: 197.4 x 58.8 cm (77 11/16 x 23 1/8 in.); with knobs: 197.4 x 64.3 cm (77 11/16 x 25 5/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/orchid-pavilion-gathering-1777-soga-shhaku-japanese-1730-1781-hanging-scroll-ink-on-silk-image-1227-x-557-cm-48-516-x-21-1516-in-overall-1974-x-588-cm-77-1116-x-23-18-in-with-knobs-1974-x-643-cm-77-1116-x-25-516-in-image448111496.htmlRM2H116P0–Orchid Pavilion Gathering, 1777. Soga Shōhaku (Japanese, 1730-1781). Hanging scroll, ink on silk; image: 122.7 x 55.7 cm (48 5/16 x 21 15/16 in.); overall: 197.4 x 58.8 cm (77 11/16 x 23 1/8 in.); with knobs: 197.4 x 64.3 cm (77 11/16 x 25 5/16 in.).
Portrait of a Woman, 1635 or earlier. Rembrandt van Rijn (Dutch, 1606-1669), and Studio. Oil on wood; framed: 97.8 x 83.8 x 6.4 cm (38 1/2 x 33 x 2 1/2 in.); unframed: 77.5 x 64.8 cm (30 1/2 x 25 1/2 in.). At the age of 25, Rembrandt moved from his hometown of Leiden to the bustling city of Amsterdam. Within a few years he had become one of the city’s most successful portrait painters, creating remarkably vivid likenesses that seemed to express the personality and soul of the sitter. Here, Rembrandt used smooth, fluid brushstrokes to recreate the soft texture of the woman’s skin. In contrast, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-1635-or-earlier-rembrandt-van-rijn-dutch-1606-1669-and-studio-oil-on-wood-framed-978-x-838-x-64-cm-38-12-x-33-x-2-12-in-unframed-775-x-648-cm-30-12-x-25-12-in-at-the-age-of-25-rembrandt-moved-from-his-hometown-of-leiden-to-the-bustling-city-of-amsterdam-within-a-few-years-he-had-become-one-of-the-citys-most-successful-portrait-painters-creating-remarkably-vivid-likenesses-that-seemed-to-express-the-personality-and-soul-of-the-sitter-here-rembrandt-used-smooth-fluid-brushstrokes-to-recreate-the-soft-texture-of-the-womans-skin-in-contrast-image448063909.htmlRM2H0Y22D–Portrait of a Woman, 1635 or earlier. Rembrandt van Rijn (Dutch, 1606-1669), and Studio. Oil on wood; framed: 97.8 x 83.8 x 6.4 cm (38 1/2 x 33 x 2 1/2 in.); unframed: 77.5 x 64.8 cm (30 1/2 x 25 1/2 in.). At the age of 25, Rembrandt moved from his hometown of Leiden to the bustling city of Amsterdam. Within a few years he had become one of the city’s most successful portrait painters, creating remarkably vivid likenesses that seemed to express the personality and soul of the sitter. Here, Rembrandt used smooth, fluid brushstrokes to recreate the soft texture of the woman’s skin. In contrast,
American 18th Century, (artist), Christ on the Road to Emmaus, c. 1725/1730, oil on canvas, overall: 64.2 x 77.1 cm (25 1/4 x 30 3/8 in.), framed: 75.5 x 88.9 x 4.4 cm (29 3/4 x 35 x 1 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/american-18th-century-artist-christ-on-the-road-to-emmaus-c-17251730-oil-on-canvas-overall-642-x-771-cm-25-14-x-30-38-in-framed-755-x-889-x-44-cm-29-34-x-35-x-1-34-in-image386361740.htmlRM2DCG89G–American 18th Century, (artist), Christ on the Road to Emmaus, c. 1725/1730, oil on canvas, overall: 64.2 x 77.1 cm (25 1/4 x 30 3/8 in.), framed: 75.5 x 88.9 x 4.4 cm (29 3/4 x 35 x 1 3/4 in
Overmantel Decoration, c. 1675–77. Grinling Gibbons (British, 1648-1721). Lindenwood; part 1: 69.3 x 178.4 cm (27 5/16 x 70 1/4 in.); part 2: 164.5 x 27.3 cm (64 3/4 x 10 3/4 in.); part 3: 177.8 x 26.7 cm (70 x 10 1/2 in.). The arrangement of architectural elements within grand interior spaces in the late 1600s and early 1700s emphasized symmetry and height. Decorative elements such as elaborately carved mantels, mirrors, paintings, and applied wall decorations were often stacked to achieve a visual focal point at one or both ends of the room. This particular overmantel decoration once hung a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/overmantel-decoration-c-167577-grinling-gibbons-british-1648-1721-lindenwood-part-1-693-x-1784-cm-27-516-x-70-14-in-part-2-1645-x-273-cm-64-34-x-10-34-in-part-3-1778-x-267-cm-70-x-10-12-in-the-arrangement-of-architectural-elements-within-grand-interior-spaces-in-the-late-1600s-and-early-1700s-emphasized-symmetry-and-height-decorative-elements-such-as-elaborately-carved-mantels-mirrors-paintings-and-applied-wall-decorations-were-often-stacked-to-achieve-a-visual-focal-point-at-one-or-both-ends-of-the-room-this-particular-overmantel-decoration-once-hung-a-image448089627.htmlRM2H106TY–Overmantel Decoration, c. 1675–77. Grinling Gibbons (British, 1648-1721). Lindenwood; part 1: 69.3 x 178.4 cm (27 5/16 x 70 1/4 in.); part 2: 164.5 x 27.3 cm (64 3/4 x 10 3/4 in.); part 3: 177.8 x 26.7 cm (70 x 10 1/2 in.). The arrangement of architectural elements within grand interior spaces in the late 1600s and early 1700s emphasized symmetry and height. Decorative elements such as elaborately carved mantels, mirrors, paintings, and applied wall decorations were often stacked to achieve a visual focal point at one or both ends of the room. This particular overmantel decoration once hung a
Portrait of a Woman, 1635 or earlier. Rembrandt van Rijn (Dutch, 1606-1669), and Studio. Oil on wood; framed: 97.8 x 83.8 x 6.4 cm (38 1/2 x 33 x 2 1/2 in.); unframed: 77.5 x 64.8 cm (30 1/2 x 25 1/2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-1635-or-earlier-rembrandt-van-rijn-dutch-1606-1669-and-studio-oil-on-wood-framed-978-x-838-x-64-cm-38-12-x-33-x-2-12-in-unframed-775-x-648-cm-30-12-x-25-12-in-image240417830.htmlRMRY3YB2–Portrait of a Woman, 1635 or earlier. Rembrandt van Rijn (Dutch, 1606-1669), and Studio. Oil on wood; framed: 97.8 x 83.8 x 6.4 cm (38 1/2 x 33 x 2 1/2 in.); unframed: 77.5 x 64.8 cm (30 1/2 x 25 1/2 in
![Huntsman presenting captured heron to lady falconer. unknown c. 1500-1530 Tapestry Dimensions: H 7'7' x W 11' Tapestry Materials/Techniques: wool (warp: 11.5-13/in.; 4.5-5/cm); wool & silk (wefts) Culture: Southern Netherlands Ownership History: Stanford White coll.; sold Gramercy Park 1907. Charles T. Barney coll., New York. French & Co. purchased from Barney Estate 11/1/1916; sold to Andrew W. Mellon 3/31/1918. Mrs. David K. E. [Mellon] Bruce coll. (by 1938); given to museum in 1964. United States, New York, New York, The Metropolitan Museum of Art, accno. 64.277. On millefleurs ground with Stock Photo](https://c8.alamy.com/comp/2WTG7FE/huntsman-presenting-captured-heron-to-lady-falconer-unknown-c-1500-1530-tapestry-dimensions-h-77-x-w-11-tapestry-materialstechniques-wool-warp-115-13in-45-5cm-wool-silk-wefts-culture-southern-netherlands-ownership-history-stanford-white-coll-sold-gramercy-park-1907-charles-t-barney-coll-new-york-french-co-purchased-from-barney-estate-1111916-sold-to-andrew-w-mellon-3311918-mrs-david-k-e-mellon-bruce-coll-by-1938-given-to-museum-in-1964-united-states-new-york-new-york-the-metropolitan-museum-of-art-accno-64277-on-millefleurs-ground-with-2WTG7FE.jpg "Huntsman presenting captured heron to lady falconer. unknown c. 1500-1530 Tapestry Dimensions: H 7'7' x W 11' Tapestry Materials/Techniques: wool (warp: 11.5-13/in.; 4.5-5/cm); wool & silk (wefts) Culture: Southern Netherlands Ownership History: Stanford White coll.; sold Gramercy Park 1907. Charles T. Barney coll., New York. French & Co. purchased from Barney Estate 11/1/1916; sold to Andrew W. Mellon 3/31/1918. Mrs. David K. E. [Mellon] Bruce coll. (by 1938); given to museum in 1964. United States, New York, New York, The Metropolitan Museum of Art, accno. 64.277. On millefleurs ground with Stock Photo")
Huntsman presenting captured heron to lady falconer. unknown c. 1500-1530 Tapestry Dimensions: H 7'7' x W 11' Tapestry Materials/Techniques: wool (warp: 11.5-13/in.; 4.5-5/cm); wool & silk (wefts) Culture: Southern Netherlands Ownership History: Stanford White coll.; sold Gramercy Park 1907. Charles T. Barney coll., New York. French & Co. purchased from Barney Estate 11/1/1916; sold to Andrew W. Mellon 3/31/1918. Mrs. David K. E. [Mellon] Bruce coll. (by 1938); given to museum in 1964. United States, New York, New York, The Metropolitan Museum of Art, accno. 64.277. On millefleurs ground with Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/huntsman-presenting-captured-heron-to-lady-falconer-unknown-c-1500-1530-tapestry-dimensions-h-77-x-w-11-tapestry-materialstechniques-wool-warp-115-13in-45-5cm-wool-silk-wefts-culture-southern-netherlands-ownership-history-stanford-white-coll-sold-gramercy-park-1907-charles-t-barney-coll-new-york-french-co-purchased-from-barney-estate-1111916-sold-to-andrew-w-mellon-3311918-mrs-david-k-e-mellon-bruce-coll-by-1938-given-to-museum-in-1964-united-states-new-york-new-york-the-metropolitan-museum-of-art-accno-64277-on-millefleurs-ground-with-image600261410.htmlRM2WTG7FE–Huntsman presenting captured heron to lady falconer. unknown c. 1500-1530 Tapestry Dimensions: H 7'7' x W 11' Tapestry Materials/Techniques: wool (warp: 11.5-13/in.; 4.5-5/cm); wool & silk (wefts) Culture: Southern Netherlands Ownership History: Stanford White coll.; sold Gramercy Park 1907. Charles T. Barney coll., New York. French & Co. purchased from Barney Estate 11/1/1916; sold to Andrew W. Mellon 3/31/1918. Mrs. David K. E. [Mellon] Bruce coll. (by 1938); given to museum in 1964. United States, New York, New York, The Metropolitan Museum of Art, accno. 64.277. On millefleurs ground with
Bernardino Luini, (artist), Milanese, c. 1480 - 1532, Portrait of a Lady, 1520/1525, oil on panel, overall: 77 x 57.5 cm (30 5/16 x 22 5/8 in.), framed: 119.54 x 103.51 x 10.64 cm (47 1/16 x 40 3/4 x 4 3/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bernardino-luini-artist-milanese-c-1480-1532-portrait-of-a-lady-15201525-oil-on-panel-overall-77-x-575-cm-30-516-x-22-58-in-framed-11954-x-10351-x-1064-cm-47-116-x-40-34-x-4-316-in-image386249559.htmlRM2DCB573–Bernardino Luini, (artist), Milanese, c. 1480 - 1532, Portrait of a Lady, 1520/1525, oil on panel, overall: 77 x 57.5 cm (30 5/16 x 22 5/8 in.), framed: 119.54 x 103.51 x 10.64 cm (47 1/16 x 40 3/4 x 4 3/16 in
Portrait of a Lady. Dated: 1520/1525. Dimensions: overall: 77 x 57.5 cm (30 5/16 x 22 5/8 in.) framed: 119.54 x 103.51 x 10.64 cm (47 1/16 x 40 3/4 x 4 3/16 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: BERNARDINO LUINI. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-lady-dated-15201525-dimensions-overall-77-x-575-cm-30-516-x-22-58-in-framed-11954-x-10351-x-1064-cm-47-116-x-40-34-x-4-316-in-medium-oil-on-panel-museum-national-gallery-of-art-washington-dc-author-bernardino-luini-image218777114.htmlRMPKX4CA–Portrait of a Lady. Dated: 1520/1525. Dimensions: overall: 77 x 57.5 cm (30 5/16 x 22 5/8 in.) framed: 119.54 x 103.51 x 10.64 cm (47 1/16 x 40 3/4 x 4 3/16 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: BERNARDINO LUINI.
Hendrick Avercamp, (artist), Dutch, 1585 - 1634, A Scene on the Ice, c. 1625, oil on panel, overall: 39.2 x 77 cm (15 7/16 x 30 5/16 in.), framed: 64.8 x 102.2 x 5.7 cm (25 1/2 x 40 1/4 x 2 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hendrick-avercamp-artist-dutch-1585-1634-a-scene-on-the-ice-c-1625-oil-on-panel-overall-392-x-77-cm-15-716-x-30-516-in-framed-648-x-1022-x-57-cm-25-12-x-40-14-x-2-14-in-image386354383.htmlRM2DCFXXR–Hendrick Avercamp, (artist), Dutch, 1585 - 1634, A Scene on the Ice, c. 1625, oil on panel, overall: 39.2 x 77 cm (15 7/16 x 30 5/16 in.), framed: 64.8 x 102.2 x 5.7 cm (25 1/2 x 40 1/4 x 2 1/4 in
Christ on the Road to Emmaus. Dated: c. 1725/1730. Dimensions: overall: 64.2 x 77.1 cm (25 1/4 x 30 3/8 in.) framed: 75.5 x 88.9 x 4.4 cm (29 3/4 x 35 x 1 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: American 18th Century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-on-the-road-to-emmaus-dated-c-17251730-dimensions-overall-642-x-771-cm-25-14-x-30-38-in-framed-755-x-889-x-44-cm-29-34-x-35-x-1-34-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-american-18th-century-image218988850.htmlRMPM7PEA–Christ on the Road to Emmaus. Dated: c. 1725/1730. Dimensions: overall: 64.2 x 77.1 cm (25 1/4 x 30 3/8 in.) framed: 75.5 x 88.9 x 4.4 cm (29 3/4 x 35 x 1 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: American 18th Century.
Prior-Hamblin School, (painter), American, active mid 19th century, Little Girl with Slate, c. 1845, oil on canvas, overall: 68.8 x 56 cm (27 1/16 x 22 1/16 in.), framed: 77.4 x 64.7 x 5.3 cm (30 1/2 x 25 1/2 x 2 1/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/prior-hamblin-school-painter-american-active-mid-19th-century-little-girl-with-slate-c-1845-oil-on-canvas-overall-688-x-56-cm-27-116-x-22-116-in-framed-774-x-647-x-53-cm-30-12-x-25-12-x-2-116-in-image386227247.htmlRM2DCA4P7–Prior-Hamblin School, (painter), American, active mid 19th century, Little Girl with Slate, c. 1845, oil on canvas, overall: 68.8 x 56 cm (27 1/16 x 22 1/16 in.), framed: 77.4 x 64.7 x 5.3 cm (30 1/2 x 25 1/2 x 2 1/16 in
Orchid Pavilion Gathering, 1777. Soga Shohaku (Japanese, 1730-1781). Hanging scroll, ink on silk; image: 122.7 x 55.7 cm (48 5/16 x 21 15/16 in.); overall: 197.4 x 58.8 cm (77 11/16 x 23 1/8 in.); with knobs: 197.4 x 64.3 cm (77 11/16 x 25 5/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/orchid-pavilion-gathering-1777-soga-shohaku-japanese-1730-1781-hanging-scroll-ink-on-silk-image-1227-x-557-cm-48-516-x-21-1516-in-overall-1974-x-588-cm-77-1116-x-23-18-in-with-knobs-1974-x-643-cm-77-1116-x-25-516-in-image240450973.htmlRMRY5DJN–Orchid Pavilion Gathering, 1777. Soga Shohaku (Japanese, 1730-1781). Hanging scroll, ink on silk; image: 122.7 x 55.7 cm (48 5/16 x 21 15/16 in.); overall: 197.4 x 58.8 cm (77 11/16 x 23 1/8 in.); with knobs: 197.4 x 64.3 cm (77 11/16 x 25 5/16 in
Little Girl with Slate. Dated: c. 1845. Dimensions: overall: 68.8 x 56 cm (27 1/16 x 22 1/16 in.) framed: 77.4 x 64.7 x 5.3 cm (30 1/2 x 25 1/2 x 2 1/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Prior-Hamblin School. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/little-girl-with-slate-dated-c-1845-dimensions-overall-688-x-56-cm-27-116-x-22-116-in-framed-774-x-647-x-53-cm-30-12-x-25-12-x-2-116-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-prior-hamblin-school-image218799411.htmlRMPKY4TK–Little Girl with Slate. Dated: c. 1845. Dimensions: overall: 68.8 x 56 cm (27 1/16 x 22 1/16 in.) framed: 77.4 x 64.7 x 5.3 cm (30 1/2 x 25 1/2 x 2 1/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Prior-Hamblin School.
Frans Hals, (artist), Dutch, c. 1582/1583 - 1666, Willem Coymans, 1645, oil on canvas, overall: 77 x 64 cm (30 5/16 x 25 3/16 in.), framed: 105.4 x 92.1 x 10.8 cm (41 1/2 x 36 1/4 x 4 1/4 in.), The crest bearing three cows’ heads, visible on the wall behind the sitter, indicates that this young man is a member of the prosperous Coymans family of Haarlem. The cows’ heads refer directly to the Dutch family name, which translates as 'cow man.' Archival and genealogical information, combined with the Latin inscription 'AETA SVAE.22 / 1645' below the shield, identifies the sitter as Willem Coymans Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frans-hals-artist-dutch-c-15821583-1666-willem-coymans-1645-oil-on-canvas-overall-77-x-64-cm-30-516-x-25-316-in-framed-1054-x-921-x-108-cm-41-12-x-36-14-x-4-14-in-the-crest-bearing-three-cows-heads-visible-on-the-wall-behind-the-sitter-indicates-that-this-young-man-is-a-member-of-the-prosperous-coymans-family-of-haarlem-the-cows-heads-refer-directly-to-the-dutch-family-name-which-translates-as-cow-man-archival-and-genealogical-information-combined-with-the-latin-inscription-aeta-svae22-1645-below-the-shield-identifies-the-sitter-as-willem-coymans-image386347254.htmlRM2DCFHT6–Frans Hals, (artist), Dutch, c. 1582/1583 - 1666, Willem Coymans, 1645, oil on canvas, overall: 77 x 64 cm (30 5/16 x 25 3/16 in.), framed: 105.4 x 92.1 x 10.8 cm (41 1/2 x 36 1/4 x 4 1/4 in.), The crest bearing three cows’ heads, visible on the wall behind the sitter, indicates that this young man is a member of the prosperous Coymans family of Haarlem. The cows’ heads refer directly to the Dutch family name, which translates as 'cow man.' Archival and genealogical information, combined with the Latin inscription 'AETA SVAE.22 / 1645' below the shield, identifies the sitter as Willem Coymans
Christ and the Woman Taken in Adultery, 1720s, Sebastiano Ricci, Italian, (Venice), 1659–1734, 15 5/8 x 19 7/8 in. (39.69 x 50.48 cm) (canvas)15 1/8 x 19 3/8 in. (38.42 x 49.21 cm) (sight)25 1/2 x 29 7/8 x 3 in. (64.77 x 75.88 x 7.62 cm) (outer frame), Oil on canvas, Italy, 18th century, The Venetian painter Sebastiano Ricci traveled from capital to capital—Rome, Vienna, London—producing vast frescoes for princely patrons. Even in this small-scale work, his celebrated elegance, fluid brushwork, and brilliant coloring are on display. The subject here is biblical. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-the-woman-taken-in-adultery-1720s-sebastiano-ricci-italian-venice-16591734-15-58-x-19-78-in-3969-x-5048-cm-canvas15-18-x-19-38-in-3842-x-4921-cm-sight25-12-x-29-78-x-3-in-6477-x-7588-x-762-cm-outer-frame-oil-on-canvas-italy-18th-century-the-venetian-painter-sebastiano-ricci-traveled-from-capital-to-capitalrome-vienna-londonproducing-vast-frescoes-for-princely-patrons-even-in-this-small-scale-work-his-celebrated-elegance-fluid-brushwork-and-brilliant-coloring-are-on-display-the-subject-here-is-biblical-image573492228.htmlRM2T90R58–Christ and the Woman Taken in Adultery, 1720s, Sebastiano Ricci, Italian, (Venice), 1659–1734, 15 5/8 x 19 7/8 in. (39.69 x 50.48 cm) (canvas)15 1/8 x 19 3/8 in. (38.42 x 49.21 cm) (sight)25 1/2 x 29 7/8 x 3 in. (64.77 x 75.88 x 7.62 cm) (outer frame), Oil on canvas, Italy, 18th century, The Venetian painter Sebastiano Ricci traveled from capital to capital—Rome, Vienna, London—producing vast frescoes for princely patrons. Even in this small-scale work, his celebrated elegance, fluid brushwork, and brilliant coloring are on display. The subject here is biblical.
Matteo Olivieri (?). Dated: 1430s. Dimensions: overall: 48 x 34.1 cm (18 7/8 x 13 7/16 in.) framed: 77.5 x 64.5 x 7 cm (30 1/2 x 25 3/8 x 2 3/4 in.). Medium: tempera (and oil?) on panel transferred to canvas. Museum: National Gallery of Art, Washington DC. Author: Florentine 15th Century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matteo-olivieri-dated-1430s-dimensions-overall-48-x-341-cm-18-78-x-13-716-in-framed-775-x-645-x-7-cm-30-12-x-25-38-x-2-34-in-medium-tempera-and-oil-on-panel-transferred-to-canvas-museum-national-gallery-of-art-washington-dc-author-florentine-15th-century-image219015194.htmlRMPM9036–Matteo Olivieri (?). Dated: 1430s. Dimensions: overall: 48 x 34.1 cm (18 7/8 x 13 7/16 in.) framed: 77.5 x 64.5 x 7 cm (30 1/2 x 25 3/8 x 2 3/4 in.). Medium: tempera (and oil?) on panel transferred to canvas. Museum: National Gallery of Art, Washington DC. Author: Florentine 15th Century.
Panel, late 16th century, 67 5/8 x 25 1/4 in. (171.77 x 64.14 cm) (irregular), Silk, cotton, metallic thread; voided velvet on gold ground, Turkey, 16th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-late-16th-century-67-58-x-25-14-in-17177-x-6414-cm-irregular-silk-cotton-metallic-thread-voided-velvet-on-gold-ground-turkey-16th-century-image573507135.htmlRM2T91E5K–Panel, late 16th century, 67 5/8 x 25 1/4 in. (171.77 x 64.14 cm) (irregular), Silk, cotton, metallic thread; voided velvet on gold ground, Turkey, 16th century
View of Benjamin Reber's Farm. Dated: 1872. Dimensions: overall: 64 x 88.5 cm (25 3/16 x 34 13/16 in.) framed: 77.1 x 100.9 x 5 cm (30 3/8 x 39 3/4 x 1 15/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Charles C. Hofmann. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-benjamin-rebers-farm-dated-1872-dimensions-overall-64-x-885-cm-25-316-x-34-1316-in-framed-771-x-1009-x-5-cm-30-38-x-39-34-x-1-1516-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-charles-c-hofmann-image225412763.htmlRMR2MC7R–View of Benjamin Reber's Farm. Dated: 1872. Dimensions: overall: 64 x 88.5 cm (25 3/16 x 34 13/16 in.) framed: 77.1 x 100.9 x 5 cm (30 3/8 x 39 3/4 x 1 15/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Charles C. Hofmann.
Pad Saddle, 19th century, 25 1/2 x 20 x 3 5/8 in. (64.77 x 50.8 x 9.21 cm) (without flaps or center tabs), Animal hide, beads, wool, cotton, Canada, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pad-saddle-19th-century-25-12-x-20-x-3-58-in-6477-x-508-x-921-cm-without-flaps-or-center-tabs-animal-hide-beads-wool-cotton-canada-19th-century-image573479684.htmlRM2T90758–Pad Saddle, 19th century, 25 1/2 x 20 x 3 5/8 in. (64.77 x 50.8 x 9.21 cm) (without flaps or center tabs), Animal hide, beads, wool, cotton, Canada, 19th century
Landscape with the Good Samaritan, c. 1837, Gabriel Alexandre Decamps, French, Paris 1803–Fontainebleau 1860, 18 1/8 x 25 3/8 in. (46.04 x 64.45 cm) (canvas)30 1/2 x 37 1/4 x 5 in. (77.47 x 94.62 x 12.7 cm) (outer frame), Oil on canvas, France, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-the-good-samaritan-c-1837-gabriel-alexandre-decamps-french-paris-1803fontainebleau-1860-18-18-x-25-38-in-4604-x-6445-cm-canvas30-12-x-37-14-x-5-in-7747-x-9462-x-127-cm-outer-frame-oil-on-canvas-france-19th-century-image573489142.htmlRM2T90K72–Landscape with the Good Samaritan, c. 1837, Gabriel Alexandre Decamps, French, Paris 1803–Fontainebleau 1860, 18 1/8 x 25 3/8 in. (46.04 x 64.45 cm) (canvas)30 1/2 x 37 1/4 x 5 in. (77.47 x 94.62 x 12.7 cm) (outer frame), Oil on canvas, France, 19th century
Ruins of Paestum, 1858, Albert Bierstadt, American, 1830 - 1902, 22 x 36 in. (55.88 x 91.44 cm) (canvas)21 1/2 x 35 5/8 in. (54.61 x 90.49 cm) (sight)39 5/8 x 25 1/2 x 2 in. (100.65 x 64.77 x 5.08 cm) (outer frame), Oil on canvas, United States, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruins-of-paestum-1858-albert-bierstadt-american-1830-1902-22-x-36-in-5588-x-9144-cm-canvas21-12-x-35-58-in-5461-x-9049-cm-sight39-58-x-25-12-x-2-in-10065-x-6477-x-508-cm-outer-frame-oil-on-canvas-united-states-19th-century-image573493551.htmlRM2T90TTF–Ruins of Paestum, 1858, Albert Bierstadt, American, 1830 - 1902, 22 x 36 in. (55.88 x 91.44 cm) (canvas)21 1/2 x 35 5/8 in. (54.61 x 90.49 cm) (sight)39 5/8 x 25 1/2 x 2 in. (100.65 x 64.77 x 5.08 cm) (outer frame), Oil on canvas, United States, 19th century
Mantel clock, c. 1884, J. & J.G. Low Patent Art Tile Works; Manufacturer: New Haven Clock Company (works), Chelsea, Massachussets, 1877-1907, 12 1/16 x 9 3/4 x 5 7/8 in. (30.64 x 24.77 x 14.92 cm), Brass, glazed earthenware, United States, 19th century, The high-glaze tiles incorporated into this clock feature leaves and insects in the Japanese style, while the brass clock case’s form and feet are related to Chinese furniture. They reflect the popularity of Asian prints and decorative objects at this time in Europe and the United States. Tiles were also all the rage Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mantel-clock-c-1884-j-jg-low-patent-art-tile-works-manufacturer-new-haven-clock-company-works-chelsea-massachussets-1877-1907-12-116-x-9-34-x-5-78-in-3064-x-2477-x-1492-cm-brass-glazed-earthenware-united-states-19th-century-the-high-glaze-tiles-incorporated-into-this-clock-feature-leaves-and-insects-in-the-japanese-style-while-the-brass-clock-cases-form-and-feet-are-related-to-chinese-furniture-they-reflect-the-popularity-of-asian-prints-and-decorative-objects-at-this-time-in-europe-and-the-united-states-tiles-were-also-all-the-rage-image573504618.htmlRM2T91AYP–Mantel clock, c. 1884, J. & J.G. Low Patent Art Tile Works; Manufacturer: New Haven Clock Company (works), Chelsea, Massachussets, 1877-1907, 12 1/16 x 9 3/4 x 5 7/8 in. (30.64 x 24.77 x 14.92 cm), Brass, glazed earthenware, United States, 19th century, The high-glaze tiles incorporated into this clock feature leaves and insects in the Japanese style, while the brass clock case’s form and feet are related to Chinese furniture. They reflect the popularity of Asian prints and decorative objects at this time in Europe and the United States. Tiles were also all the rage
Search Results for 77 5 x 64 1 cm Stock Photos and Images (48)
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