Three bodied warrior Cyprus 7th century BC Pyrga Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-three-bodied-warrior-cyprus-7th-century-bc-pyrga-18469855.html
RMB21ADK–Three bodied warrior Cyprus 7th century BC Pyrga
Marble Stamp Seal, 8th-7th Century BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marble-stamp-seal-8th-7th-century-bc-135090857.html
RMHRNWND–Marble Stamp Seal, 8th-7th Century BC
The Epic of Gilgamesh. Neo-Assyrian clay tablet. Epic of Gilgamesh, Tablet 11: Story of the Flood. Known as the 'Flood Tablet'. 7th century BC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-epic-of-gilgamesh-neo-assyrian-clay-tablet-epic-of-gilgamesh-tablet-11-story-of-the-flood-known-as-the-flood-tablet-7th-century-bc-image607560204.html
RM2X8CN6M–The Epic of Gilgamesh. Neo-Assyrian clay tablet. Epic of Gilgamesh, Tablet 11: Story of the Flood. Known as the 'Flood Tablet'. 7th century BC.
Babylonian clay tablet with text. 7th century BC. Table with syllabary. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-babylonian-clay-tablet-with-text-7th-century-bc-table-with-syllabary-57288018.html
RMD95KCJ–Babylonian clay tablet with text. 7th century BC. Table with syllabary.
transport / transportation, navigation, ancient world, Phoenician war galley, 7th century BC, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/transport-transportation-navigation-ancient-world-phoenician-war-galley-7th-century-bc-additional-rights-clearance-info-not-available-image426054930.html
RM2FN4DBE–transport / transportation, navigation, ancient world, Phoenician war galley, 7th century BC, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE
Cycladic relief. Pithos. Depiction of Potnia Theron, the Mistress of the Animals. Goddess of nature, crowned with flowers and shotts, flanked by two rampant lionesses and two submissive women. Second half 7th century BC. Island of Delos. National Archaeological Museum. Athens, Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-relief-pithos-depiction-of-potnia-theron-the-mistress-of-the-animals-goddess-of-nature-crowned-with-flowers-and-shotts-flanked-by-two-rampant-lionesses-and-two-submissive-women-second-half-7th-century-bc-island-of-delos-national-archaeological-museum-athens-greece-image337428821.html
RM2AGY5W9–Cycladic relief. Pithos. Depiction of Potnia Theron, the Mistress of the Animals. Goddess of nature, crowned with flowers and shotts, flanked by two rampant lionesses and two submissive women. Second half 7th century BC. Island of Delos. National Archaeological Museum. Athens, Greece.
Head of a griffin, based on a 7th century BC Greek original, which formed part of a votive tripod, now in the Museum at Olympia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-a-griffin-based-on-a-7th-century-bc-greek-original-which-formed-part-of-a-votive-tripod-now-in-the-museum-at-olympia-image179623849.html
RMMC6G1D–Head of a griffin, based on a 7th century BC Greek original, which formed part of a votive tripod, now in the Museum at Olympia.
Assyrian relief from the Palace of Ashurbanipal : Mesopotamian chariot , 7th Century BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/assyrian-relief-from-the-palace-of-ashurbanipal-mesopotamian-chariot-7th-century-bc-image268855014.html
RMWHBB8P–Assyrian relief from the Palace of Ashurbanipal : Mesopotamian chariot , 7th Century BC
Handle of a flywhisk or fan, ca. 8th–7th century BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-handle-of-a-flywhisk-or-fan-ca-8th7th-century-bc-162411169.html
RMKC6D2W–Handle of a flywhisk or fan, ca. 8th–7th century BC
Sphinx/siren. Sandstone 7th century BC. Necropolis of Villaricos, Almanzora, Almeria, Spain. Phoenician. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sphinxsiren-sandstone-7th-century-bc-necropolis-of-villaricos-almanzora-131056340.html
RMHH63KG–Sphinx/siren. Sandstone 7th century BC. Necropolis of Villaricos, Almanzora, Almeria, Spain. Phoenician.
Ashurbanipal II's lion-hunt scene. 7th century BC. From the North Palace at Nineveh, now in the British Museum, London, UKcivilisation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ashurbanipal-iis-lion-hunt-scene-7th-century-bc-from-the-north-palace-at-nineveh-now-in-the-british-museum-london-ukcivilisation-image397734858.html
RM2E32ATA–Ashurbanipal II's lion-hunt scene. 7th century BC. From the North Palace at Nineveh, now in the British Museum, London, UKcivilisation
Ruins of Greek temple from 7th Century BC at Selinunte in Trapani Province on Sicily Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruins-of-greek-temple-from-7th-century-bc-at-selinunte-in-trapani-image6504095.html
RMA5TEJ0–Ruins of Greek temple from 7th Century BC at Selinunte in Trapani Province on Sicily
Inspired by Appliqué in the Form of a Winged Genie, Near Eastern, Mesopotamian, Assyrian, Neo-Assyrian period, 883–612 BC, 7th century BC, Gold, Ziwiye, Kurdistan province, Iran, Asia, Sculpture, 1 11/16 in. (4.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-appliqu-in-the-form-of-a-winged-genie-near-eastern-mesopotamian-assyrian-neo-assyrian-period-883612-bc-7th-century-bc-gold-ziwiye-kurdistan-province-iran-asia-sculpture-1-1116-in-43-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459278735.html
RF2HK5XKY–Inspired by Appliqué in the Form of a Winged Genie, Near Eastern, Mesopotamian, Assyrian, Neo-Assyrian period, 883–612 BC, 7th century BC, Gold, Ziwiye, Kurdistan province, Iran, Asia, Sculpture, 1 11/16 in. (4.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMBEPJFM–Assyrian bas-relief (8th-7th century BC), Pergamon Museum, Berlin, Germany
Amon of Judah, c. 664 BC - c. 641 BC. 7th-century BC King of Judah. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-amon-of-judah-c-664-bc-c-641-bc-7th-century-bc-king-of-judah-93051303.html
RMFBARTR–Amon of Judah, c. 664 BC - c. 641 BC. 7th-century BC King of Judah.
Illot des Porros, Talayotic necropolis, approximately 7th century BC. c, Son Real, Santa Margarita, Majorca, Balearic Islands, Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illot-des-porros-talayotic-necropolis-approximately-7th-century-bc-c-son-real-santa-margarita-majorca-balearic-islands-spain-image612224001.html
RF2XG15XW–Illot des Porros, Talayotic necropolis, approximately 7th century BC. c, Son Real, Santa Margarita, Majorca, Balearic Islands, Spain
The Dromos of Sparta, a prominent city-state in ancient Greece on the banks of the Eurotas River in Laconia, in south-eastern Peloponnese. Around 650 BC, it rose to become the dominant military land-power in ancient Greece. The 5th century BCE Dromos, racecourse and gymnasia was a course for foot races where young Spartans were integrated into the city by offering sacrifices at the statue of Herakles when they reached adulthood. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-dromos-of-sparta-a-prominent-city-state-in-ancient-greece-on-the-banks-of-the-eurotas-river-in-laconia-in-south-eastern-peloponnese-around-650-bc-it-rose-to-become-the-dominant-military-land-power-in-ancient-greece-the-5th-century-bce-dromos-racecourse-and-gymnasia-was-a-course-for-foot-races-where-young-spartans-were-integrated-into-the-city-by-offering-sacrifices-at-the-statue-of-herakles-when-they-reached-adulthood-image256754938.html
RMTWM5F6–The Dromos of Sparta, a prominent city-state in ancient Greece on the banks of the Eurotas River in Laconia, in south-eastern Peloponnese. Around 650 BC, it rose to become the dominant military land-power in ancient Greece. The 5th century BCE Dromos, racecourse and gymnasia was a course for foot races where young Spartans were integrated into the city by offering sacrifices at the statue of Herakles when they reached adulthood.
Ex Voto, Iberian Sanctuary 7th century BC Museum of the 'Cueva de la Lobera', Castellar, Jaen-province, Andalusia, Spain, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ex-voto-iberian-sanctuary-7th-century-bc-museum-of-the-cueva-de-la-59254601.html
RMDCB7RN–Ex Voto, Iberian Sanctuary 7th century BC Museum of the 'Cueva de la Lobera', Castellar, Jaen-province, Andalusia, Spain, Europe
Square Hu ( Wine Vessel ) with dragon Design 770, 7th century BC Bronze Shanghai Museum of ancient Chinese art China Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-square-hu-wine-vessel-with-dragon-design-770-7th-century-bc-bronze-85628756.html
RMEY8M9T–Square Hu ( Wine Vessel ) with dragon Design 770, 7th century BC Bronze Shanghai Museum of ancient Chinese art China
Scaraboid Stamp Seal, 8th-7th Century BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scaraboid-stamp-seal-8th-7th-century-bc-135090855.html
RMHRNWNB–Scaraboid Stamp Seal, 8th-7th Century BC
Yemen: The Temple of Awwam (Mahram Bilqis) dedicated to the Moon God Almaqah at Ma'rib, former capital of the Sabaean Kingdom, c. 7th-5th century BCE. Ma'rib or Marib is the capital city of the Ma'rib Governorate, Yemen and was the capital of the Sabaean kingdom, which some scholars believe to be the ancient Sheba of biblical fame. It is located at approximately 120 kilometres east of Yemen's modern capital, Sana'a. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yemen-the-temple-of-awwam-mahram-bilqis-dedicated-to-the-moon-god-almaqah-at-marib-former-capital-of-the-sabaean-kingdom-c-7th-5th-century-bce-marib-or-marib-is-the-capital-city-of-the-marib-governorate-yemen-and-was-the-capital-of-the-sabaean-kingdom-which-some-scholars-believe-to-be-the-ancient-sheba-of-biblical-fame-it-is-located-at-approximately-120-kilometres-east-of-yemens-modern-capital-sanaa-image344249543.html
RM2B01WPF–Yemen: The Temple of Awwam (Mahram Bilqis) dedicated to the Moon God Almaqah at Ma'rib, former capital of the Sabaean Kingdom, c. 7th-5th century BCE. Ma'rib or Marib is the capital city of the Ma'rib Governorate, Yemen and was the capital of the Sabaean kingdom, which some scholars believe to be the ancient Sheba of biblical fame. It is located at approximately 120 kilometres east of Yemen's modern capital, Sana'a.
Bell idol. Terracotta figurine, 7th century BC (Late Geometric period). Theban workshop (Oinochoe type) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bell-idol-terracotta-figurine-7th-century-bc-late-geometric-period-131280185.html
RMHHG961–Bell idol. Terracotta figurine, 7th century BC (Late Geometric period). Theban workshop (Oinochoe type)
writing, script, wedge writing, Assyria, prism with inscription of the King Assur-ahhe-iddina about his military campaigns, Nineveh, clay, 676 BC, National Museum Baghdad, Iraq, Assur ahhe iddina, Esarhaddon, Assyrian, Assyrian empire, campaign, campaigns, war, wars, document, documents, report, reports, deed report, Mesopotamia, stone, stones, 7th century BC, ancient world, ancient times, historic, historical, ancient world, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-writing-script-wedge-writing-assyria-prism-with-inscription-of-the-111308975.html
RMGD2FMF–writing, script, wedge writing, Assyria, prism with inscription of the King Assur-ahhe-iddina about his military campaigns, Nineveh, clay, 676 BC, National Museum Baghdad, Iraq, Assur ahhe iddina, Esarhaddon, Assyrian, Assyrian empire, campaign, campaigns, war, wars, document, documents, report, reports, deed report, Mesopotamia, stone, stones, 7th century BC, ancient world, ancient times, historic, historical, ancient world, Additional-Rights-Clearences-Not Available
Archers of the Royal Guard. Relief from the Palace of Ashurbanipal, Niniveh, Iraq. 7th century BC. Louvre Museum. Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archers-of-the-royal-guard-relief-from-the-palace-of-ashurbanipal-niniveh-iraq-7th-century-bc-louvre-museum-paris-france-image179919347.html
RMMCM0XY–Archers of the Royal Guard. Relief from the Palace of Ashurbanipal, Niniveh, Iraq. 7th century BC. Louvre Museum. Paris, France.
Detalle decorativo del medallón de Trayamar.Oro,con técnicas de filigrana y granulado.Época fenicia,siglo VII a.C.Necrópolis de Trayamar,Algarrobo.Decorative detail of the Trayamar medallion, Gold, with filigree and granulated techniques. Phoenician period, 7th century BC Necropolis of Trayamar, Algarrobo. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detalle-decorativo-del-medalln-de-trayamarorocon-tcnicas-de-filigrana-y-granuladopoca-feniciasiglo-vii-acnecrpolis-de-trayamaralgarrobodecorative-detail-of-the-trayamar-medallion-gold-with-filigree-and-granulated-techniques-phoenician-period-7th-century-bc-necropolis-of-trayamar-algarrobo-image454521906.html
RM2HBD796–Detalle decorativo del medallón de Trayamar.Oro,con técnicas de filigrana y granulado.Época fenicia,siglo VII a.C.Necrópolis de Trayamar,Algarrobo.Decorative detail of the Trayamar medallion, Gold, with filigree and granulated techniques. Phoenician period, 7th century BC Necropolis of Trayamar, Algarrobo.
Etruscan Bronze Cauldron with horsemen detail on legs Early 7th Century BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/etruscan-bronze-cauldron-with-horsemen-detail-on-legs-early-7th-century-bc-image268856804.html
RMWHBDGM–Etruscan Bronze Cauldron with horsemen detail on legs Early 7th Century BC
Corinthian Skyphos, 600s. Greece, 7th Century BC. Earthenware; overall: 7.3 cm (2 7/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/corinthian-skyphos-600s-greece-7th-century-bc-earthenware-overall-73-cm-2-78-in-image240381187.html
RMRY28JB–Corinthian Skyphos, 600s. Greece, 7th Century BC. Earthenware; overall: 7.3 cm (2 7/8 in
Shutruru stele. Limestone. 7th century BC. Found in the Acropolis of Susa, Iran. Louvre Museum. Paris. France. Detail. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-shutruru-stele-limestone-7th-century-bc-found-in-the-acropolis-of-89912328.html
RMF67T2G–Shutruru stele. Limestone. 7th century BC. Found in the Acropolis of Susa, Iran. Louvre Museum. Paris. France. Detail.
Cuneiform tablet relating part of the Epic of Gilgamesh, Neo-Assyrian, 7th century BC. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cuneiform-tablet-relating-part-of-the-epic-of-gilgamesh-neo-assyrian-image8373055.html
RMAJ84M0–Cuneiform tablet relating part of the Epic of Gilgamesh, Neo-Assyrian, 7th century BC. Artist: Unknown
Woman walking through ruins of Greek temple from 7th Century BC at Selinunte in Trapani Province on Sicily Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-walking-through-ruins-of-greek-temple-from-7th-century-bc-at-image7267738.html
RMAAXFNB–Woman walking through ruins of Greek temple from 7th Century BC at Selinunte in Trapani Province on Sicily
Inspired by Pair of Appliqués in the Form of Winged Genies, Near Eastern, Mesopotamian, Assyrian, Neo-Assyrian period, 883–612 BC, 7th century BC, Gold, Ziwiye, Kurdistan province, Iran, Asia, Metalwork, height: 1 3/4 in. (4.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-pair-of-appliqus-in-the-form-of-winged-genies-near-eastern-mesopotamian-assyrian-neo-assyrian-period-883612-bc-7th-century-bc-gold-ziwiye-kurdistan-province-iran-asia-metalwork-height-1-34-in-44-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459278732.html
RF2HK5XKT–Inspired by Pair of Appliqués in the Form of Winged Genies, Near Eastern, Mesopotamian, Assyrian, Neo-Assyrian period, 883–612 BC, 7th century BC, Gold, Ziwiye, Kurdistan province, Iran, Asia, Metalwork, height: 1 3/4 in. (4.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Bowl, 7th century BC. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bowl-7th-century-bc-artist-unknown-image186168239.html
RMMPTKDK–Bowl, 7th century BC. Artist: Unknown.
Stone altar with drawings- Khirbat al-Mu'allaq - edomite - 8th century BC - 7th century BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stone-altar-with-drawings-khirbat-al-muallaq-edomite-8th-century-bc-7th-century-bc-image563298078.html
RM2RMCCCE–Stone altar with drawings- Khirbat al-Mu'allaq - edomite - 8th century BC - 7th century BC
Zaleucus, 7th century BC. Greek lawgiver of Epizephyrian Locri in Italy, and Pythagorean philosopher. Deviser of first written Greek law code Locrian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-zaleucus-7th-century-bc-greek-lawgiver-of-epizephyrian-locri-in-italy-17727342.html
RMB0RFBA–Zaleucus, 7th century BC. Greek lawgiver of Epizephyrian Locri in Italy, and Pythagorean philosopher. Deviser of first written Greek law code Locrian.
Son Real necropolis archaeological site, Talayotic necropolis from the 7th century BC, Santa Margarita, Majorca, Balearic Islands, Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/son-real-necropolis-archaeological-site-talayotic-necropolis-from-the-7th-century-bc-santa-margarita-majorca-balearic-islands-spain-image612223506.html
RF2XG1596–Son Real necropolis archaeological site, Talayotic necropolis from the 7th century BC, Santa Margarita, Majorca, Balearic Islands, Spain
Photo of two joined postage stamps from Cyprus Vase Decoration 7th century BC Definitive Issues 1971 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-of-two-joined-postage-stamps-from-cyprus-vase-decoration-7th-century-bc-definitive-issues-1971-image499539782.html
RM2M0M02E–Photo of two joined postage stamps from Cyprus Vase Decoration 7th century BC Definitive Issues 1971
. Tomba della scimmia . end of 7th century BC. see filename or category 611 Tomba della scimmia 03 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tomba-della-scimmia-end-of-7th-century-bc-see-filename-or-category-611-tomba-della-scimmia-03-image188023361.html
RMMWW5M1–. Tomba della scimmia . end of 7th century BC. see filename or category 611 Tomba della scimmia 03
MOLOCH the Phoenician deity to whom live children were sacrificed by fire Date: 7th century BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-moloch-the-phoenician-deity-to-whom-live-children-were-sacrificed-105320252.html
RMG39N1G–MOLOCH the Phoenician deity to whom live children were sacrificed by fire Date: 7th century BC
Lapis Stamp Seal, 8th-7th Century BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lapis-stamp-seal-8th-7th-century-bc-135090856.html
RMHRNWNC–Lapis Stamp Seal, 8th-7th Century BC
Yemen: The Temple of Awwam (Mahram Bilqis) dedicated to the Moon God Almaqah at Ma'rib, former capital of the Sabaean Kingdom, c. 7th-5th century BCE. Ma'rib or Marib is the capital city of the Ma'rib Governorate, Yemen and was the capital of the Sabaean kingdom, which some scholars believe to be the ancient Sheba of biblical fame. It is located at approximately 120 kilometres east of Yemen's modern capital, Sana'a. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yemen-the-temple-of-awwam-mahram-bilqis-dedicated-to-the-moon-god-almaqah-at-marib-former-capital-of-the-sabaean-kingdom-c-7th-5th-century-bce-marib-or-marib-is-the-capital-city-of-the-marib-governorate-yemen-and-was-the-capital-of-the-sabaean-kingdom-which-some-scholars-believe-to-be-the-ancient-sheba-of-biblical-fame-it-is-located-at-approximately-120-kilometres-east-of-yemens-modern-capital-sanaa-image344249542.html
RM2B01WPE–Yemen: The Temple of Awwam (Mahram Bilqis) dedicated to the Moon God Almaqah at Ma'rib, former capital of the Sabaean Kingdom, c. 7th-5th century BCE. Ma'rib or Marib is the capital city of the Ma'rib Governorate, Yemen and was the capital of the Sabaean kingdom, which some scholars believe to be the ancient Sheba of biblical fame. It is located at approximately 120 kilometres east of Yemen's modern capital, Sana'a.
Storage Jar, Assyrian, late 7th century BC From Nimrud. This jar was found in one of the wine-cellars in the arsenal at Nimrud Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-storage-jar-assyrian-late-7th-century-bc-from-nimrud-this-jar-was-84979629.html
RMEX74AN–Storage Jar, Assyrian, late 7th century BC From Nimrud. This jar was found in one of the wine-cellars in the arsenal at Nimrud
Draco, first lawgiver of ancient Athens, 621 BC, portrait, side view, engraving, circa 18th century, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-draco-first-lawgiver-of-ancient-athens-621-bc-portrait-side-view-engraving-19852457.html
RMB48A09–Draco, first lawgiver of ancient Athens, 621 BC, portrait, side view, engraving, circa 18th century, Artist's Copyright has not to be cleared
Palace of Ashurbanipal, Nineveh, Iraq. Relief, detail. Music scene. Upper Mesopotamia. Neo-Assyrian Empire, 7th century BC. Louvre Museum. Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/palace-of-ashurbanipal-nineveh-iraq-relief-detail-music-scene-upper-mesopotamia-neo-assyrian-empire-7th-century-bc-louvre-museum-paris-france-image179919360.html
RMMCM0YC–Palace of Ashurbanipal, Nineveh, Iraq. Relief, detail. Music scene. Upper Mesopotamia. Neo-Assyrian Empire, 7th century BC. Louvre Museum. Paris, France.
Silver Statuette Priestess Kybele 7th Century BC Bayindir Elmali Turkey Greek Greece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-silver-statuette-priestess-kybele-7th-century-bc-bayindir-elmali-turkey-38110507.html
RMC6029F–Silver Statuette Priestess Kybele 7th Century BC Bayindir Elmali Turkey Greek Greece
Five women prisoners in a palm grove. Assyrian 7th century BC. limestone Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/five-women-prisoners-in-a-palm-grove-assyrian-7th-century-bc-limestone-image268833650.html
RMWHAC1P–Five women prisoners in a palm grove. Assyrian 7th century BC. limestone
Treasure of El Carambolo. Tartessian and Phoecian culture. 5th-7th century BC. Camas, Andalusia, Spain. Archaeological Museum of Seville. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/treasure-of-el-carambolo-tartessian-and-phoecian-culture-5th-7th-century-bc-camas-andalusia-spain-archaeological-museum-of-seville-spain-image247103081.html
RMTA0EE1–Treasure of El Carambolo. Tartessian and Phoecian culture. 5th-7th century BC. Camas, Andalusia, Spain. Archaeological Museum of Seville. Spain.
Taharqa in front of the falcon Hemen, Ancient Egyptian, 7th century BC. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-taharqa-in-front-of-the-falcon-hemen-ancient-egyptian-7th-century-11068111.html
RMA4K3DM–Taharqa in front of the falcon Hemen, Ancient Egyptian, 7th century BC. Artist: Unknown
Delphi - the Pythian Priestess who also served as the oracle on the tripod in Apollo's Temple. The Pythia was established at the latest in the 8th century BC, and was widely credited for her prophecies inspired by being filled by the spirit of the god (or enthusiasmos), in this case Apollo. The Pythian priestess emerged pre-eminent by the end of 7th century BC and would continue to be consulted until the 4th century AD. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-delphi-the-pythian-priestess-who-also-served-as-the-oracle-on-the-148188006.html
RMJH2F8P–Delphi - the Pythian Priestess who also served as the oracle on the tripod in Apollo's Temple. The Pythia was established at the latest in the 8th century BC, and was widely credited for her prophecies inspired by being filled by the spirit of the god (or enthusiasmos), in this case Apollo. The Pythian priestess emerged pre-eminent by the end of 7th century BC and would continue to be consulted until the 4th century AD.
Art inspired by Terracotta two-handled jar, Orientalizing, early 7th–mid 7th century BC, Italic, Villanovan, Terracotta, H. 2 5/8 in. (6.7 cm), Vases, Reddish-brown, two-handled, with incised curvilinear decoration, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-terracotta-two-handled-jar-orientalizing-early-7thmid-7th-century-bc-italic-villanovan-terracotta-h-2-58-in-67-cm-vases-reddish-brown-two-handled-with-incised-curvilinear-decoration-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462928923.html
RF2HW46FR–Art inspired by Terracotta two-handled jar, Orientalizing, early 7th–mid 7th century BC, Italic, Villanovan, Terracotta, H. 2 5/8 in. (6.7 cm), Vases, Reddish-brown, two-handled, with incised curvilinear decoration, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Fibula, 7th century BC. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fibula-7th-century-bc-artist-unknown-image186201010.html
RMMPX582–Fibula, 7th century BC. Artist: Unknown.
Terracotta two-handled jar. Culture: Italic, Villanovan. Dimensions: H. 2 5/8 in. (6.7 cm). Date: early 7th-mid 7th century BC. Reddish-brown, two-handled, with incised curvilinear decoration. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/terracotta-two-handled-jar-culture-italic-villanovan-dimensions-h-2-58-in-67-cm-date-early-7th-mid-7th-century-bc-reddish-brown-two-handled-with-incised-curvilinear-decoration-museum-metropolitan-museum-of-art-new-york-usa-image213248652.html
RMPAX8R8–Terracotta two-handled jar. Culture: Italic, Villanovan. Dimensions: H. 2 5/8 in. (6.7 cm). Date: early 7th-mid 7th century BC. Reddish-brown, two-handled, with incised curvilinear decoration. Museum: Metropolitan Museum of Art, New York, USA.
Nineveh.Limestone relief showing soldiers and horse.7th century BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ninevehlimestone-relief-showing-soldiers-and-horse7th-century-bc-164973944.html
RMKGB5XG–Nineveh.Limestone relief showing soldiers and horse.7th century BC
Stele of Mesa, King of Moab, mortuary stone, height 1m, width 60 cm, 7th century BC, cemetery, material baslat, inscription, Moabite dialect Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stele-of-mesa-king-of-moab-mortuary-stone-height-1m-width-60-cm-7th-century-bc-cemetery-material-baslat-inscription-moabite-dialect-image591187958.html
RM2W9PX7J–Stele of Mesa, King of Moab, mortuary stone, height 1m, width 60 cm, 7th century BC, cemetery, material baslat, inscription, Moabite dialect
religious sanctuary from Troy 8, 7th century BC, Troy Historic Site, Biga Peninsula, Turkey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-religious-sanctuary-from-troy-8-7th-century-bc-troy-historic-site-91719094.html
RMF964HX–religious sanctuary from Troy 8, 7th century BC, Troy Historic Site, Biga Peninsula, Turkey
. Tomba della scimmia . end of 7th century BC. see filename or category 610 Tomba della scimmia 02 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tomba-della-scimmia-end-of-7th-century-bc-see-filename-or-category-610-tomba-della-scimmia-02-image187511238.html
RMMW1TDX–. Tomba della scimmia . end of 7th century BC. see filename or category 610 Tomba della scimmia 02
A Phoenician deity to whom live children were sacrificed by fire Date: 7th century BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-phoenician-deity-to-whom-live-children-were-sacrificed-by-fire-date-105320255.html
RMG39N1K–A Phoenician deity to whom live children were sacrificed by fire Date: 7th century BC
Mesopotamian Cylinder Seal, 7th Century BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mesopotamian-cylinder-seal-7th-century-bc-135090764.html
RMHRNWJ4–Mesopotamian Cylinder Seal, 7th Century BC
Yemen: A limestone altar dedicated to 'Almaqah, the Sun God of the South Arabian Kingdom of Saba', Marib, 7th-6th centuries BCE. South Arabia as a general term refers to several regions as currently recognised, in chief the Republic of Yemen; yet it has historically also included Najran, Jizan, and 'Asir which are presently in Saudi Arabia, and Dhofar presently in Oman. The frontiers of South Arabia as linguistically conceived would include the historic peoples speaking the related South Arabian languages as well as neighbouring dialects of Arabic, and their descendants. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yemen-a-limestone-altar-dedicated-to-almaqah-the-sun-god-of-the-south-arabian-kingdom-of-saba-marib-7th-6th-centuries-bce-south-arabia-as-a-general-term-refers-to-several-regions-as-currently-recognised-in-chief-the-republic-of-yemen-yet-it-has-historically-also-included-najran-jizan-and-asir-which-are-presently-in-saudi-arabia-and-dhofar-presently-in-oman-the-frontiers-of-south-arabia-as-linguistically-conceived-would-include-the-historic-peoples-speaking-the-related-south-arabian-languages-as-well-as-neighbouring-dialects-of-arabic-and-their-descendants-image344249666.html
RM2B01WXX–Yemen: A limestone altar dedicated to 'Almaqah, the Sun God of the South Arabian Kingdom of Saba', Marib, 7th-6th centuries BCE. South Arabia as a general term refers to several regions as currently recognised, in chief the Republic of Yemen; yet it has historically also included Najran, Jizan, and 'Asir which are presently in Saudi Arabia, and Dhofar presently in Oman. The frontiers of South Arabia as linguistically conceived would include the historic peoples speaking the related South Arabian languages as well as neighbouring dialects of Arabic, and their descendants.
Anthropomorphic female statutte, Kaluraz, Iran, Iron Age 9th -7th century BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anthropomorphic-female-statutte-kaluraz-iran-iron-age-9th-7th-century-bc-image328361803.html
RM2A264R7–Anthropomorphic female statutte, Kaluraz, Iran, Iron Age 9th -7th century BC
Luristan bronze plate in the shape of the winged bull (lamassu) dated from the 8th or 7th century BC on display in the Louvre Museum in Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/luristan-bronze-plate-in-the-shape-of-the-winged-bull-lamassu-dated-from-the-8th-or-7th-century-bc-on-display-in-the-louvre-museum-in-paris-france-image348894871.html
RM2B7HEY3–Luristan bronze plate in the shape of the winged bull (lamassu) dated from the 8th or 7th century BC on display in the Louvre Museum in Paris, France.
Assyrians. Palace of Nineveh. 7th century BC. Relief depicting a knight on horseback. Access ramp R. Louvre Museum. Paris. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/assyrians-palace-of-nineveh-7th-century-bc-relief-depicting-a-knight-on-horseback-access-ramp-r-louvre-museum-paris-image340734567.html
RM2AP9PBK–Assyrians. Palace of Nineveh. 7th century BC. Relief depicting a knight on horseback. Access ramp R. Louvre Museum. Paris.
Bo ( musical instrument ) OF DUKE OF QIN 7th Century BC Shanghai Museum of ancient Chinese art China Bronze Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bo-musical-instrument-of-duke-of-qin-7th-century-bc-shanghai-museum-85603392.html
RMEY7G00–Bo ( musical instrument ) OF DUKE OF QIN 7th Century BC Shanghai Museum of ancient Chinese art China Bronze
King Ashurbanipal in a relief depicting a lion hunt - 7th Century BC , Nineveh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-ashurbanipal-in-a-relief-depicting-a-lion-hunt-7th-century-bc-nineveh-image268855015.html
RMWHBB8R–King Ashurbanipal in a relief depicting a lion hunt - 7th Century BC , Nineveh
Villanovan, Italic, Axe Head, 8th/early 7th Century BC, bronze, 6 x 2 1/2 x 1 1/2in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/villanovan-italic-axe-head-8thearly-7th-century-bc-bronze-6-x-2-12-x-1-12in-image328731104.html
RM2A2PYTG–Villanovan, Italic, Axe Head, 8th/early 7th Century BC, bronze, 6 x 2 1/2 x 1 1/2in
Treasure of El Carambolo. Tartessian and Phoecian culture. 5th-7th century BC. Camas, Andalusia, Spain. Archaeological Museum of Seville. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/treasure-of-el-carambolo-tartessian-and-phoecian-culture-5th-7th-century-bc-camas-andalusia-spain-archaeological-museum-of-seville-spain-image247103079.html
RMTA0EDY–Treasure of El Carambolo. Tartessian and Phoecian culture. 5th-7th century BC. Camas, Andalusia, Spain. Archaeological Museum of Seville. Spain.
Hilt of an early bronze sword, 7th century BC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hilt-of-an-early-bronze-sword-7th-century-bc-image262770644.html
RMW7E6HT–Hilt of an early bronze sword, 7th century BC.
An Assyrian pointed, conical bronze helmet, 8th - 7th century BC Featuring an indistinct medial ridge and long stem crowned by a conical spike, probably used for the fastening of a crest. Ap ancient world, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-assyrian-pointed-conical-bronze-helmet-8th-7th-century-bc-featuring-an-indistinct-medial-ridge-and-long-stem-crowned-by-a-conical-spike-probably-used-for-the-fastening-of-a-crest-ap-ancient-world-additional-rights-clearance-info-not-available-image246357255.html
RMT8PF5B–An Assyrian pointed, conical bronze helmet, 8th - 7th century BC Featuring an indistinct medial ridge and long stem crowned by a conical spike, probably used for the fastening of a crest. Ap ancient world, Additional-Rights-Clearance-Info-Not-Available
Art inspired by Appliqué in the Form of a Winged Genie, Near Eastern, Mesopotamian, Assyrian, Neo-Assyrian period, 883-612 BC, 7th century BC, Gold, Ziwiye, Kurdistan province, Iran, Asia, Sculpture, 1 11/16 in. (4.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-appliqu-in-the-form-of-a-winged-genie-near-eastern-mesopotamian-assyrian-neo-assyrian-period-883-612-bc-7th-century-bc-gold-ziwiye-kurdistan-province-iran-asia-sculpture-1-1116-in-43-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459590747.html
RF2HKM4K7–Art inspired by Appliqué in the Form of a Winged Genie, Near Eastern, Mesopotamian, Assyrian, Neo-Assyrian period, 883-612 BC, 7th century BC, Gold, Ziwiye, Kurdistan province, Iran, Asia, Sculpture, 1 11/16 in. (4.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMPTKA4–Geometric Attic neck-amphora, 8th-7th century BC. Artist: Tapestry Workshop.
The mortal combat between the Horatii triplets from Rome and the Curiatii triplets from Alba Longa, 7th century BC. The last Roman Horatius brother emerges victorious before the watching armies. During the reign of the legendary third king of Rome, Tullus Hostilius. Combat des Horaces et des Curiaces. Copperplate engraving by David Weis after a design by Gabriel de St. Aubin from Professor Joseph Rudolf Zappes Gemalde aus der romischen Geschichte, Pictures of Roman History, Joseph Schalbacher, Vienna, 1800. German edition of Abbe Claude Francois Xavier Millots Abrege de lHistoire Romaine. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-mortal-combat-between-the-horatii-triplets-from-rome-and-the-curiatii-triplets-from-alba-longa-7th-century-bc-the-last-roman-horatius-brother-emerges-victorious-before-the-watching-armies-during-the-reign-of-the-legendary-third-king-of-rome-tullus-hostilius-combat-des-horaces-et-des-curiaces-copperplate-engraving-by-david-weis-after-a-design-by-gabriel-de-st-aubin-from-professor-joseph-rudolf-zappes-gemalde-aus-der-romischen-geschichte-pictures-of-roman-history-joseph-schalbacher-vienna-1800-german-edition-of-abbe-claude-francois-xavier-millots-abrege-de-lhistoire-romaine-image571909577.html
RM2T6CME1–The mortal combat between the Horatii triplets from Rome and the Curiatii triplets from Alba Longa, 7th century BC. The last Roman Horatius brother emerges victorious before the watching armies. During the reign of the legendary third king of Rome, Tullus Hostilius. Combat des Horaces et des Curiaces. Copperplate engraving by David Weis after a design by Gabriel de St. Aubin from Professor Joseph Rudolf Zappes Gemalde aus der romischen Geschichte, Pictures of Roman History, Joseph Schalbacher, Vienna, 1800. German edition of Abbe Claude Francois Xavier Millots Abrege de lHistoire Romaine.
Nineveh.Alabaster relief with two servants in front of a table.7th century BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ninevehalabaster-relief-with-two-servants-in-front-of-a-table7th-century-164962454.html
RMKGAK86–Nineveh.Alabaster relief with two servants in front of a table.7th century BC
An antique round tumulus grave, Tomba della Capanna, 7th century BC, Etruscan Necropolis of La Banditaccia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-antique-round-tumulus-grave-tomba-della-capanna-7th-century-bc-image62084410.html
RMDH058A–An antique round tumulus grave, Tomba della Capanna, 7th century BC, Etruscan Necropolis of La Banditaccia
religious sanctuary from Troy 8, 7th century BC, Troy Historic Site, Biga Peninsula, Turkey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-religious-sanctuary-from-troy-8-7th-century-bc-troy-historic-site-91719095.html
RMF964HY–religious sanctuary from Troy 8, 7th century BC, Troy Historic Site, Biga Peninsula, Turkey
. Tomba della scimmia . end of 7th century BC. see filename or category 610 Tomba della scimmia 04 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tomba-della-scimmia-end-of-7th-century-bc-see-filename-or-category-610-tomba-della-scimmia-04-image187511242.html
RMMW1TE2–. Tomba della scimmia . end of 7th century BC. see filename or category 610 Tomba della scimmia 04
Zaleucus, Greek lawgiver of Epizephyrian Locris in Italy, 7th century BC. Devised the Locrian code. Copperplate engraving after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zaleucus-greek-lawgiver-of-epizephyrian-locris-in-italy-7th-century-bc-devised-the-locrian-code-copperplate-engraving-after-an-illustration-by-joachim-von-sandrart-from-his-lacademia-todesca-della-architectura-scultura-pittura-oder-teutsche-academie-der-edlen-bau-bild-und-mahlerey-kunste-german-academy-of-architecture-sculpture-and-painting-jacob-von-sandrart-nuremberg-1675-image551464312.html
RM2R15AA0–Zaleucus, Greek lawgiver of Epizephyrian Locris in Italy, 7th century BC. Devised the Locrian code. Copperplate engraving after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
Venus Tablet of Ammisaduqa, 7th Century BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-venus-tablet-of-ammisaduqa-7th-century-bc-135044845.html
RMHRKR25–Venus Tablet of Ammisaduqa, 7th Century BC
Madness of King Nebuchadnezzar. Although by his ability and military prowess Nebuchadnezzar restored Babylonia to the position of first empire in the world, his mind gave way, and for a time he became a beast of the field. Fancying himself to be an animal, he spent his days in the grounds of the palace and tried to feed upon grass. The prophet Daniel, who tells us of this madness, says: “He was driven from men, and did eat grass as oxen, and his body was wet with the dew of heaven, til his hairs were grown like eagles’ feathers and his nails like birds’ claws. Nebuchadnezzar was king of Babylo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madness-of-king-nebuchadnezzar-although-by-his-ability-and-military-prowess-nebuchadnezzar-restored-babylonia-to-the-position-of-first-empire-in-the-world-his-mind-gave-way-and-for-a-time-he-became-a-beast-of-the-field-fancying-himself-to-be-an-animal-he-spent-his-days-in-the-grounds-of-the-palace-and-tried-to-feed-upon-grass-the-prophet-daniel-who-tells-us-of-this-madness-says-he-was-driven-from-men-and-did-eat-grass-as-oxen-and-his-body-was-wet-with-the-dew-of-heaven-til-his-hairs-were-grown-like-eagles-feathers-and-his-nails-like-birds-claws-nebuchadnezzar-was-king-of-babylo-image437476695.html
RF2GBMNYK–Madness of King Nebuchadnezzar. Although by his ability and military prowess Nebuchadnezzar restored Babylonia to the position of first empire in the world, his mind gave way, and for a time he became a beast of the field. Fancying himself to be an animal, he spent his days in the grounds of the palace and tried to feed upon grass. The prophet Daniel, who tells us of this madness, says: “He was driven from men, and did eat grass as oxen, and his body was wet with the dew of heaven, til his hairs were grown like eagles’ feathers and his nails like birds’ claws. Nebuchadnezzar was king of Babylo
Fragment of gold beltIron Age, 8th-7th century BC.Perhaps from Ziwiyeh, north-west Iran. Ibexes, stags and heads of lions appear on this fragment of gold sheet is said to come from Ziwiyeh in north-west Iran. This site is a large mountain top citadel fortified by a massive wall. The citadel is approached by a monumental staircase cut out of the rock which winds around the mountain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fragment-of-gold-beltiron-age-8th-7th-century-bcperhaps-from-ziwiyeh-57345167.html
RMD9889K–Fragment of gold beltIron Age, 8th-7th century BC.Perhaps from Ziwiyeh, north-west Iran. Ibexes, stags and heads of lions appear on this fragment of gold sheet is said to come from Ziwiyeh in north-west Iran. This site is a large mountain top citadel fortified by a massive wall. The citadel is approached by a monumental staircase cut out of the rock which winds around the mountain.
Deer or elk depicted on the bronze terminal of Tagar culture from Minusinsk Steppe dated from the 8th or 7th century BC on display in the Hermitage Museum in Saint Petersburg, Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deer-or-elk-depicted-on-the-bronze-terminal-of-tagar-culture-from-minusinsk-steppe-dated-from-the-8th-or-7th-century-bc-on-display-in-the-hermitage-museum-in-saint-petersburg-russia-image212146709.html
RMP94385–Deer or elk depicted on the bronze terminal of Tagar culture from Minusinsk Steppe dated from the 8th or 7th century BC on display in the Hermitage Museum in Saint Petersburg, Russia.
Assyrians. Upper Mesopotamia. Palace of Ashurbanipal, Nineveh, Iraq. 7th century BC. War chariot and riders of the Assyrian army. Alabaster. Louvre Museum. Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/assyrians-upper-mesopotamia-palace-of-ashurbanipal-nineveh-iraq-7th-century-bc-war-chariot-and-riders-of-the-assyrian-army-alabaster-louvre-museum-paris-france-image340734561.html
RM2AP9PBD–Assyrians. Upper Mesopotamia. Palace of Ashurbanipal, Nineveh, Iraq. 7th century BC. War chariot and riders of the Assyrian army. Alabaster. Louvre Museum. Paris, France.
Jewellery 7th Century BC Greek, Kamiros ,Rhodes, Melos, Dodona, Greece, ( Gold , Electrum, silvers, Bronze, 700 - 600 BC , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jewellery-7th-century-bc-greek-kamiros-rhodes-melos-dodona-greece-134281627.html
RMHPD1GB–Jewellery 7th Century BC Greek, Kamiros ,Rhodes, Melos, Dodona, Greece, ( Gold , Electrum, silvers, Bronze, 700 - 600 BC ,
Seated Etruscan . 7th Century BC , terracotta , height 57 1/8 inches or 144 cm. The Capitoline Museum and Gallery , Rome , Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seated-etruscan-7th-century-bc-terracotta-height-57-18-inches-or-144-cm-the-capitoline-museum-and-gallery-rome-italy-image268854911.html
RMWHBB53–Seated Etruscan . 7th Century BC , terracotta , height 57 1/8 inches or 144 cm. The Capitoline Museum and Gallery , Rome , Italy
Etruscan, Spear Head, 8th/7th Century BC, bronze, 11 3/4 x 1 7/8 x 1 1/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/etruscan-spear-head-8th7th-century-bc-bronze-11-34-x-1-78-x-1-18-in-image328731103.html
RM2A2PYTF–Etruscan, Spear Head, 8th/7th Century BC, bronze, 11 3/4 x 1 7/8 x 1 1/8 in
Treasure of El Carambolo. Tartessian and Phoecian culture. 5th-7th century BC. Camas, Andalusia, Spain. Archaeological Museum of Seville. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/treasure-of-el-carambolo-tartessian-and-phoecian-culture-5th-7th-century-bc-camas-andalusia-spain-archaeological-museum-of-seville-spain-image247103076.html
RMTA0EDT–Treasure of El Carambolo. Tartessian and Phoecian culture. 5th-7th century BC. Camas, Andalusia, Spain. Archaeological Museum of Seville. Spain.
Excavated House Walls, 7th century BC. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/excavated-house-walls-7th-century-bc-artist-unknown-image262776607.html
RMW7EE6R–Excavated House Walls, 7th century BC. Artist: Unknown
An Assyrian pointed, conical bronze helmet, 8th - 7th century BC Featuring an indistinct medial ridge and long stem crowned by a conical spike, probably used for the fastening of a crest. Ap ancient world, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-assyrian-pointed-conical-bronze-helmet-8th-7th-century-bc-featuring-an-indistinct-medial-ridge-and-long-stem-crowned-by-a-conical-spike-probably-used-for-the-fastening-of-a-crest-ap-ancient-world-additional-rights-clearance-info-not-available-image246357311.html
RMT8PF7B–An Assyrian pointed, conical bronze helmet, 8th - 7th century BC Featuring an indistinct medial ridge and long stem crowned by a conical spike, probably used for the fastening of a crest. Ap ancient world, Additional-Rights-Clearance-Info-Not-Available
Art inspired by Pair of Appliqués in the Form of Winged Genies, Near Eastern, Mesopotamian, Assyrian, Neo-Assyrian period, 883-612 BC, 7th century BC, Gold, Ziwiye, Kurdistan province, Iran, Asia, Metalwork, height: 1 3/4 in. (4.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pair-of-appliqus-in-the-form-of-winged-genies-near-eastern-mesopotamian-assyrian-neo-assyrian-period-883-612-bc-7th-century-bc-gold-ziwiye-kurdistan-province-iran-asia-metalwork-height-1-34-in-44-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459590764.html
RF2HKM4KT–Art inspired by Pair of Appliqués in the Form of Winged Genies, Near Eastern, Mesopotamian, Assyrian, Neo-Assyrian period, 883-612 BC, 7th century BC, Gold, Ziwiye, Kurdistan province, Iran, Asia, Metalwork, height: 1 3/4 in. (4.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Engraving of Tripoli, the capital of Libya, circa 1900. Tripoli was founded in the 7th century BC by the Phoenicians, who gave it the Libyco-Berber name Oyat before passing into the hands of the Greek rulers of Cyrenaica as Oea. Due to the city's long history, there are many sites of archeological significance in Tripoli. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-tripoli-the-capital-of-libya-circa-1900-tripoli-was-founded-in-the-7th-century-bc-by-the-phoenicians-who-gave-it-the-libyco-berber-name-oyat-before-passing-into-the-hands-of-the-greek-rulers-of-cyrenaica-as-oea-due-to-the-citys-long-history-there-are-many-sites-of-archeological-significance-in-tripoli-image596504370.html
RM2WJD3BE–Engraving of Tripoli, the capital of Libya, circa 1900. Tripoli was founded in the 7th century BC by the Phoenicians, who gave it the Libyco-Berber name Oyat before passing into the hands of the Greek rulers of Cyrenaica as Oea. Due to the city's long history, there are many sites of archeological significance in Tripoli.
Handle of a flywhisk or fan. Culture: Assyrian. Dimensions: H. 4 x W. 1 3/8 in. (10.2 x 3.5 cm). Date: ca. 8th-7th century BC. Both sides of this handle are decorated with two figures kneeling before a stylized tree, an image perhaps related to similar ritual scenes on reliefs from Assyrian palaces. Such Assyrian style ivories are usually carved using an incised technique, but this is a rare example carved in relief. As the figures are beardless, they may be eunuchs or, more likely, women. They are shown plucking what may be pomegranates, a fruit whose many seeds led it to be associated with Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/handle-of-a-flywhisk-or-fan-culture-assyrian-dimensions-h-4-x-w-1-38-in-102-x-35-cm-date-ca-8th-7th-century-bc-both-sides-of-this-handle-are-decorated-with-two-figures-kneeling-before-a-stylized-tree-an-image-perhaps-related-to-similar-ritual-scenes-on-reliefs-from-assyrian-palaces-such-assyrian-style-ivories-are-usually-carved-using-an-incised-technique-but-this-is-a-rare-example-carved-in-relief-as-the-figures-are-beardless-they-may-be-eunuchs-or-more-likely-women-they-are-shown-plucking-what-may-be-pomegranates-a-fruit-whose-many-seeds-led-it-to-be-associated-with-image212848836.html
RMPA82T4–Handle of a flywhisk or fan. Culture: Assyrian. Dimensions: H. 4 x W. 1 3/8 in. (10.2 x 3.5 cm). Date: ca. 8th-7th century BC. Both sides of this handle are decorated with two figures kneeling before a stylized tree, an image perhaps related to similar ritual scenes on reliefs from Assyrian palaces. Such Assyrian style ivories are usually carved using an incised technique, but this is a rare example carved in relief. As the figures are beardless, they may be eunuchs or, more likely, women. They are shown plucking what may be pomegranates, a fruit whose many seeds led it to be associated with
Aristomenes was a king of Messenia, celebrated for his struggle with the Spartans in the Second Messenian War (685–668 BC), and his resistance to them on Mount Eira for 11 years. At length the mountain, near the Kakaletri, in the Peloponnese in Greece, fell to the enemy, while he escaped and, according to legend, was snatched up by the gods; in fact he died at Rhodes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aristomenes-was-a-king-of-messenia-celebrated-for-his-struggle-with-the-spartans-in-the-second-messenian-war-685668-bc-and-his-resistance-to-them-on-mount-eira-for-11-years-at-length-the-mountain-near-the-kakaletri-in-the-peloponnese-in-greece-fell-to-the-enemy-while-he-escaped-and-according-to-legend-was-snatched-up-by-the-gods-in-fact-he-died-at-rhodes-image258577628.html
RMW0K6B8–Aristomenes was a king of Messenia, celebrated for his struggle with the Spartans in the Second Messenian War (685–668 BC), and his resistance to them on Mount Eira for 11 years. At length the mountain, near the Kakaletri, in the Peloponnese in Greece, fell to the enemy, while he escaped and, according to legend, was snatched up by the gods; in fact he died at Rhodes
The city of Sardis or Sardes captured by the Cimmerians in the 7th century BC. From Hutchinson's History of the Nations, published 1915. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-city-of-sardis-or-sardes-captured-by-the-cimmerians-in-the-7th-160354011.html
RMK8TN4Y–The city of Sardis or Sardes captured by the Cimmerians in the 7th century BC. From Hutchinson's History of the Nations, published 1915.
. Tomba della scimmia . end of 7th century BC. see filename or category 611 Tomba della scimmia 01 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tomba-della-scimmia-end-of-7th-century-bc-see-filename-or-category-611-tomba-della-scimmia-01-image188023357.html
RMMWW5KW–. Tomba della scimmia . end of 7th century BC. see filename or category 611 Tomba della scimmia 01
Ancus Marcius, legendary fourth king of Rome, sending priests or Fetials to declare war against the Latins, 7th century BC. Ancus Martius envoie des Feciales declarer la guerre aux Latins. Copperplate engraving by János Blaschke after a design by Gabriel de St. Aubin from Professor Joseph Rudolf Zappe’s Gemalde aus der romischen Geschichte, Pictures of Roman History, Joseph Schalbacher, Vienna, 1800. German edition of Abbe Claude Francois Xavier Millot’s Abrege de l’Histoire Romaine. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancus-marcius-legendary-fourth-king-of-rome-sending-priests-or-fetials-to-declare-war-against-the-latins-7th-century-bc-ancus-martius-envoie-des-feciales-declarer-la-guerre-aux-latins-copperplate-engraving-by-jnos-blaschke-after-a-design-by-gabriel-de-st-aubin-from-professor-joseph-rudolf-zappes-gemalde-aus-der-romischen-geschichte-pictures-of-roman-history-joseph-schalbacher-vienna-1800-german-edition-of-abbe-claude-francois-xavier-millots-abrege-de-lhistoire-romaine-image463342993.html
RM2HWR2M1–Ancus Marcius, legendary fourth king of Rome, sending priests or Fetials to declare war against the Latins, 7th century BC. Ancus Martius envoie des Feciales declarer la guerre aux Latins. Copperplate engraving by János Blaschke after a design by Gabriel de St. Aubin from Professor Joseph Rudolf Zappe’s Gemalde aus der romischen Geschichte, Pictures of Roman History, Joseph Schalbacher, Vienna, 1800. German edition of Abbe Claude Francois Xavier Millot’s Abrege de l’Histoire Romaine.
Colorized illustration of Aesop (620 - 564 BC, Greek fabulist and storyteller. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/colorized-illustration-of-aesop-620-564-bc-greek-fabulist-and-storyteller-image440582834.html
RF2GGP7W6–Colorized illustration of Aesop (620 - 564 BC, Greek fabulist and storyteller.
Spin, Extremadura, Zalamea de la Serena, Sanctuary of Tartessian origin. It was occupied between the 7th and 4th centuries BC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spin-extremadura-zalamea-de-la-serena-sanctuary-of-tartessian-origin-it-was-occupied-between-the-7th-and-4th-centuries-bc-image469986291.html
RM2J8HM8K–Spin, Extremadura, Zalamea de la Serena, Sanctuary of Tartessian origin. It was occupied between the 7th and 4th centuries BC.
Fragment of gold beltIron Age, 8th-7th century BC.Perhaps from Ziwiyeh, north-west Iran. Ibexes, stags and heads of lions appear on this fragment of gold sheet is said to come from Ziwiyeh in north-west Iran. This site is a large mountain top citadel fortified by a massive wall. The citadel is approached by a monumental staircase cut out of the rock which winds around the mountain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fragment-of-gold-beltiron-age-8th-7th-century-bcperhaps-from-ziwiyeh-57345276.html
RMD988DG–Fragment of gold beltIron Age, 8th-7th century BC.Perhaps from Ziwiyeh, north-west Iran. Ibexes, stags and heads of lions appear on this fragment of gold sheet is said to come from Ziwiyeh in north-west Iran. This site is a large mountain top citadel fortified by a massive wall. The citadel is approached by a monumental staircase cut out of the rock which winds around the mountain.
Siberian ibex (Capra sibirica) depicted on the bronze terminal of Tagar culture from Minusinsk Steppe dated from the 8th or 7th century BC on display in the Hermitage Museum in Saint Petersburg, Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/siberian-ibex-capra-sibirica-depicted-on-the-bronze-terminal-of-tagar-culture-from-minusinsk-steppe-dated-from-the-8th-or-7th-century-bc-on-display-in-the-hermitage-museum-in-saint-petersburg-russia-image212146828.html
RMP943CC–Siberian ibex (Capra sibirica) depicted on the bronze terminal of Tagar culture from Minusinsk Steppe dated from the 8th or 7th century BC on display in the Hermitage Museum in Saint Petersburg, Russia.
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