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8,79 cm Black & White Stock Photos
Werkbundsiedlung, house 8 (Veitingerg. 79), interior view, Martin Gerlach jun. (1879-1944), photographer, Josef Hoffmann (1870-1956), architect, 1932, glass, negative, height 17.8 cm, width 23.8 cm, architecture, Red Vienna, exhibitions, housing, 13: Hietzing, civic architecture; buildings; apartments - AA - Civic architecture: interior, furniture and household goods, interior representation of a building, The Vienna Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/werkbundsiedlung-house-8-veitingerg-79-interior-view-martin-gerlach-jun-1879-1944-photographer-josef-hoffmann-1870-1956-architect-1932-glass-negative-height-178-cm-width-238-cm-architecture-red-vienna-exhibitions-housing-13-hietzing-civic-architecture-buildings-apartments-aa-civic-architecture-interior-furniture-and-household-goods-interior-representation-of-a-building-the-vienna-collection-image573444472.htmlRM2T8XJ7M–Werkbundsiedlung, house 8 (Veitingerg. 79), interior view, Martin Gerlach jun. (1879-1944), photographer, Josef Hoffmann (1870-1956), architect, 1932, glass, negative, height 17.8 cm, width 23.8 cm, architecture, Red Vienna, exhibitions, housing, 13: Hietzing, civic architecture; buildings; apartments - AA - Civic architecture: interior, furniture and household goods, interior representation of a building, The Vienna Collection
Desk and Bookcase. Culture: American. Dimensions: 79 3/4 x 44 x 25 1/4 in. (202.6 x 111.8 x 64.1 cm). Date: 1786. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/desk-and-bookcase-culture-american-dimensions-79-34-x-44-x-25-14-in-2026-x-1118-x-641-cm-date-1786-museum-metropolitan-museum-of-art-new-york-usa-image212915531.htmlRMPAB3X3–Desk and Bookcase. Culture: American. Dimensions: 79 3/4 x 44 x 25 1/4 in. (202.6 x 111.8 x 64.1 cm). Date: 1786. Museum: Metropolitan Museum of Art, New York, USA.
Quilt, 18th century, French, Silk, wool on linen, L. 94 x W. 79 1/2 inches (with border) (238.8 x 201.9 cm), Textiles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-quilt-18th-century-french-silk-wool-on-linen-l-94-x-w-79-12-inches-162359532.htmlRMKC436M–Quilt, 18th century, French, Silk, wool on linen, L. 94 x W. 79 1/2 inches (with border) (238.8 x 201.9 cm), Textiles
The Dutch ship Zeven Provincien (1665-1694) *graphite and grey wash on three joined sheets *36,8 x 79,1 cm *inscribed b.r.: d seffe provense *inscribed c.l.: nañer The Dutch ship Zeven Provincien, by Willem van de Velde the elde 1172 The Dutch ship Zeven Provincien, by Willem van de Velde the elder Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-dutch-ship-zeven-provincien-1665-1694-graphite-and-grey-wash-on-three-joined-sheets-368-x-791-cm-inscribed-br-d-seffe-provense-inscribed-cl-naer-the-dutch-ship-zeven-provincien-by-willem-van-de-velde-the-elde-1172-the-dutch-ship-zeven-provincien-by-willem-van-de-velde-the-elder-image185745573.htmlRMMP5CAD–The Dutch ship Zeven Provincien (1665-1694) *graphite and grey wash on three joined sheets *36,8 x 79,1 cm *inscribed b.r.: d seffe provense *inscribed c.l.: nañer The Dutch ship Zeven Provincien, by Willem van de Velde the elde 1172 The Dutch ship Zeven Provincien, by Willem van de Velde the elder
Lake Henderson, Adirondacks Charles Day Hunt (American, 1840-1914). Lake Henderson, Adirondacks, 1881. Oil on canvas, 38 9/16 x 31 1/8 in. (98 x 79 cm). American Art 1881 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-henderson-adirondacks-charles-day-hunt-american-1840-1914-lake-henderson-adirondacks-1881-oil-on-canvas-38-916-x-31-18-in-98-x-79-cm-american-art-1881-image504704356.htmlRM2M937FG–Lake Henderson, Adirondacks Charles Day Hunt (American, 1840-1914). Lake Henderson, Adirondacks, 1881. Oil on canvas, 38 9/16 x 31 1/8 in. (98 x 79 cm). American Art 1881
Bottle MET 30226 594 American, Bottle, 1800?1830, Earthenware, 6 1/8 x 2 1/2 in. (15.6 x 6.4 cm). The Metropolitan Museum of Art, New York. Gift of Charles M. Baldwin, 1915 (15.79.10) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bottle-met-30226-594-american-bottle-18001830-earthenware-6-18-x-2-168108939.htmlRMKNE0JK–Bottle MET 30226 594 American, Bottle, 1800?1830, Earthenware, 6 1/8 x 2 1/2 in. (15.6 x 6.4 cm). The Metropolitan Museum of Art, New York. Gift of Charles M. Baldwin, 1915 (15.79.10)
![Recenseamento Geral do Império de 1872Sergipe. . siderada em relação ás idades. Presentes. (População de facto) Mezes Brancos..Pardos.... Pretos Caboclos.!Pardos....!i.Pretos i. Brancas..Pardas.... Frotas....Caboclas.]Pardas...JPretas 13 1612 22 4 611 ! 19 .... ! 3 59 1418 1014 12 23 12 23 1 50 59 60 06 13 14 13 16 1 1 64 13 262 1325 79 13 25 1 1316 68 Annos completos 53 1107!7457 116421 412 65 43 127 195 16 13 1 3 8 4 6 5 88 83 163 196 6 8 3 2 2 3 3 3 488 558 46 121 14 4 0 99 145 12 1 4 3 455 180 195 7 2 9 25 981723621014 750 Qninquennios O IQ O »o O i—< CM CO 83 «3 o3 s3 03 !—< CD i— Stock Photo](https://c8.alamy.com/comp/2AXH6RC/recenseamento-geral-do-imperio-de-1872sergipe-siderada-em-relao-s-idades-presentes-populao-de-facto-mezes-brancospardos-pretos-caboclos!pardos!ipretos-i-brancaspardas-frotascaboclas-pardasjpretas-13-1612-22-4-611-!-19-!-3-59-1418-1014-12-23-12-23-1-50-59-60-06-13-14-13-16-1-1-64-13-262-1325-79-13-25-1-1316-68-annos-completos-53-1107!7457-116421-412-65-43-127-195-16-13-1-3-8-4-6-5-88-83-163-196-6-8-3-2-2-3-3-3-488-558-46-121-14-4-0-99-145-12-1-4-3-455-180-195-7-2-9-25-981723621014-750-qninquennios-o-iq-o-o-o-ilt-cm-co-83-3-o3-s3-03-!lt-cd-i-2AXH6RC.jpg "Recenseamento Geral do Império de 1872Sergipe. . siderada em relação ás idades. Presentes. (População de facto) Mezes Brancos..Pardos.... Pretos Caboclos.!Pardos....!i.Pretos i. Brancas..Pardas.... Frotas....Caboclas.]Pardas...JPretas 13 1612 22 4 611 ! 19 .... ! 3 59 1418 1014 12 23 12 23 1 50 59 60 06 13 14 13 16 1 1 64 13 262 1325 79 13 25 1 1316 68 Annos completos 53 1107!7457 116421 412 65 43 127 195 16 13 1 3 8 4 6 5 88 83 163 196 6 8 3 2 2 3 3 3 488 558 46 121 14 4 0 99 145 12 1 4 3 455 180 195 7 2 9 25 981723621014 750 Qninquennios O IQ O »o O i—< CM CO 83 «3 o3 s3 03 !—< CD i— Stock Photo")
Recenseamento Geral do Império de 1872Sergipe. . siderada em relação ás idades. Presentes. (População de facto) Mezes Brancos..Pardos.... Pretos Caboclos.!Pardos....!i.Pretos i. Brancas..Pardas.... Frotas....Caboclas.]Pardas...JPretas 13 1612 22 4 611 ! 19 .... ! 3 59 1418 1014 12 23 12 23 1 50 59 60 06 13 14 13 16 1 1 64 13 262 1325 79 13 25 1 1316 68 Annos completos 53 1107!7457 116421 412 65 43 127 195 16 13 1 3 8 4 6 5 88 83 163 196 6 8 3 2 2 3 3 3 488 558 46 121 14 4 0 99 145 12 1 4 3 455 180 195 7 2 9 25 981723621014 750 Qninquennios O IQ O »o O i—< CM CO 83 «3 o3 s3 03 !—< CD i— Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/recenseamento-geral-do-imperio-de-1872sergipe-siderada-em-relao-s-idades-presentes-populao-de-facto-mezes-brancospardos-pretos-caboclos!pardos!ipretos-i-brancaspardas-frotascaboclas-pardasjpretas-13-1612-22-4-611-!-19-!-3-59-1418-1014-12-23-12-23-1-50-59-60-06-13-14-13-16-1-1-64-13-262-1325-79-13-25-1-1316-68-annos-completos-53-1107!7457-116421-412-65-43-127-195-16-13-1-3-8-4-6-5-88-83-163-196-6-8-3-2-2-3-3-3-488-558-46-121-14-4-0-99-145-12-1-4-3-455-180-195-7-2-9-25-981723621014-750-qninquennios-o-iq-o-o-o-ilt-cm-co-83-3-o3-s3-03-!lt-cd-i-image343356592.htmlRM2AXH6RC–Recenseamento Geral do Império de 1872Sergipe. . siderada em relação ás idades. Presentes. (População de facto) Mezes Brancos..Pardos.... Pretos Caboclos.!Pardos....!i.Pretos i. Brancas..Pardas.... Frotas....Caboclas.]Pardas...JPretas 13 1612 22 4 611 ! 19 .... ! 3 59 1418 1014 12 23 12 23 1 50 59 60 06 13 14 13 16 1 1 64 13 262 1325 79 13 25 1 1316 68 Annos completos 53 1107!7457 116421 412 65 43 127 195 16 13 1 3 8 4 6 5 88 83 163 196 6 8 3 2 2 3 3 3 488 558 46 121 14 4 0 99 145 12 1 4 3 455 180 195 7 2 9 25 981723621014 750 Qninquennios O IQ O »o O i—< CM CO 83 «3 o3 s3 03 !—< CD i—
. The fungi which cause plant disease . Plant diseases; Fungi. 428 THE FUNGI WHICH CAUSE PLANT DISEASE Fomes Fries (p. 417) Sporophore sessile, ungulate or applanate; surface varnished, encrusted, sulcate, vinose, or anoderm, rarely zonate; context corky to punky; tubes cylindric, stratiose; spores smooth, hyaline or brown. A genus of some three hundred species. T, . . /T /-111 88, 67, 78, 79 F. igmanus (L.) Gill. Pileus woody, ungulate, sessile, 6-7 x 8-10 x 5-12 cm.; surface smooth, encrusted, opaque, velvety to glabrous, ferruginous to. Fig. 307.—Fomes igniarius, from maple. After Atkinso Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fungi-which-cause-plant-disease-plant-diseases-fungi-428-the-fungi-which-cause-plant-disease-fomes-fries-p-417-sporophore-sessile-ungulate-or-applanate-surface-varnished-encrusted-sulcate-vinose-or-anoderm-rarely-zonate-context-corky-to-punky-tubes-cylindric-stratiose-spores-smooth-hyaline-or-brown-a-genus-of-some-three-hundred-species-t-t-111-88-67-78-79-f-igmanus-l-gill-pileus-woody-ungulate-sessile-6-7-x-8-10-x-5-12-cm-surface-smooth-encrusted-opaque-velvety-to-glabrous-ferruginous-to-fig-307fomes-igniarius-from-maple-after-atkinso-image216377388.htmlRMPG0RFT–. The fungi which cause plant disease . Plant diseases; Fungi. 428 THE FUNGI WHICH CAUSE PLANT DISEASE Fomes Fries (p. 417) Sporophore sessile, ungulate or applanate; surface varnished, encrusted, sulcate, vinose, or anoderm, rarely zonate; context corky to punky; tubes cylindric, stratiose; spores smooth, hyaline or brown. A genus of some three hundred species. T, . . /T /-111 88, 67, 78, 79 F. igmanus (L.) Gill. Pileus woody, ungulate, sessile, 6-7 x 8-10 x 5-12 cm.; surface smooth, encrusted, opaque, velvety to glabrous, ferruginous to. Fig. 307.—Fomes igniarius, from maple. After Atkinso
Library and Chapel, University of Michigan, Ann Arbor (front elevation). Artist: Alexander Jackson Davis (American, New York 1803-1892 West Orange, New Jersey). Dimensions: sheet: 31 3/8 x 26 1/8 in. (79.7 x 66.4 cm). Date: 1838-39. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/library-and-chapel-university-of-michigan-ann-arbor-front-elevation-artist-alexander-jackson-davis-american-new-york-1803-1892-west-orange-new-jersey-dimensions-sheet-31-38-x-26-18-in-797-x-664-cm-date-1838-39-museum-metropolitan-museum-of-art-new-york-usa-image213082270.htmlRMPAJMH2–Library and Chapel, University of Michigan, Ann Arbor (front elevation). Artist: Alexander Jackson Davis (American, New York 1803-1892 West Orange, New Jersey). Dimensions: sheet: 31 3/8 x 26 1/8 in. (79.7 x 66.4 cm). Date: 1838-39. Museum: Metropolitan Museum of Art, New York, USA.
Needlepoint valance (one of three), 1604, Swiss, Silk and metal thread on canvas, H. 9 3/4 x L. 79 1/2 inches (24.8 x 201.9 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-needlepoint-valance-one-of-three-1604-swiss-silk-and-metal-thread-162352142.htmlRMKC3NPP–Needlepoint valance (one of three), 1604, Swiss, Silk and metal thread on canvas, H. 9 3/4 x L. 79 1/2 inches (24.8 x 201.9 cm
Grave Stele with the Busts of a Father and Son; Syria; mid-2nd century; Limestone; 79 × 67.3 × 26 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grave-stele-with-the-busts-of-a-father-and-son-syria-mid-2nd-century-limestone-79-673-26-cm-image220575423.htmlRMPPT25K–Grave Stele with the Busts of a Father and Son; Syria; mid-2nd century; Limestone; 79 × 67.3 × 26 cm
Lake Henderson, Adirondacks Charles Day Hunt (American, 1840-1914). Lake Henderson, Adirondacks, 1881. Oil on canvas, 38 9/16 x 31 1/8 in. (98 x 79 cm). American Art 1881 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-henderson-adirondacks-charles-day-hunt-american-1840-1914-lake-henderson-adirondacks-1881-oil-on-canvas-38-916-x-31-18-in-98-x-79-cm-american-art-1881-image504704332.htmlRM2M937EM–Lake Henderson, Adirondacks Charles Day Hunt (American, 1840-1914). Lake Henderson, Adirondacks, 1881. Oil on canvas, 38 9/16 x 31 1/8 in. (98 x 79 cm). American Art 1881
![Cup and saucer MET 58434 188637 probably French, Paris, Cup and saucer, early 19th century, Hard-paste porcelain, Height (cup [.78]): 4 1/8 in. (10.5 cm); Diameter (saucer [.79]): 5 in. (12.7 cm). The Metropolitan Museum of Art, New York. Gift of Alfred Duane Pell, 1902 (02.6.78, .79) Stock Photo](https://c8.alamy.com/comp/KNFNTH/cup-and-saucer-met-58434-188637-probably-french-paris-cup-and-saucer-KNFNTH.jpg "Cup and saucer MET 58434 188637 probably French, Paris, Cup and saucer, early 19th century, Hard-paste porcelain, Height (cup [.78]): 4 1/8 in. (10.5 cm); Diameter (saucer [.79]): 5 in. (12.7 cm). The Metropolitan Museum of Art, New York. Gift of Alfred Duane Pell, 1902 (02.6.78, .79) Stock Photo")
Cup and saucer MET 58434 188637 probably French, Paris, Cup and saucer, early 19th century, Hard-paste porcelain, Height (cup [.78]): 4 1/8 in. (10.5 cm); Diameter (saucer [.79]): 5 in. (12.7 cm). The Metropolitan Museum of Art, New York. Gift of Alfred Duane Pell, 1902 (02.6.78, .79) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-cup-and-saucer-met-58434-188637-probably-french-paris-cup-and-saucer-168147521.htmlRMKNFNTH–Cup and saucer MET 58434 188637 probably French, Paris, Cup and saucer, early 19th century, Hard-paste porcelain, Height (cup [.78]): 4 1/8 in. (10.5 cm); Diameter (saucer [.79]): 5 in. (12.7 cm). The Metropolitan Museum of Art, New York. Gift of Alfred Duane Pell, 1902 (02.6.78, .79)
Dancing children (one of a pair) 1770–90 After a composition by Donatello Italian This overdoor and its companion (07.225.251b) appear to be free versions of portions of Donatello's Cantoria, Museo dell'Opera del Duomo, Florence.. Dancing children (one of a pair) 189522 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Artist: French Painter, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-1/2 x 31-1/8 in. (44.5 x 79.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251a) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dancing-children-one-of-a-pair-177090-after-a-composition-by-donatello-italian-this-overdoor-and-its-companion-07225251b-appear-to-be-free-versions-of-portions-of-donatellos-cantoria-museo-dellopera-del-duomo-florence-dancing-children-one-of-a-pair-189522-artist-after-a-composition-by-donatello-italian-florence-ca-13861466-florence-artist-french-painter-dancing-children-one-of-a-pair-177090-oil-on-canvas-17-12-x-31-18-in-445-x-791-cm-the-metropolitan-museum-of-art-new-york-gift-of-j-pierpont-morgan-1906-07225251a-image458153610.htmlRM2HHAKGX–Dancing children (one of a pair) 1770–90 After a composition by Donatello Italian This overdoor and its companion (07.225.251b) appear to be free versions of portions of Donatello's Cantoria, Museo dell'Opera del Duomo, Florence.. Dancing children (one of a pair) 189522 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Artist: French Painter, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-1/2 x 31-1/8 in. (44.5 x 79.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251a)
Chest-on-chest MET 177482 2025 American, Chest-on-chest, ca. 1799, Maple, white pine, 79 5/8 x 43 1/8 x 21 7/8 in. (202.2 x 109.5 x 55.6 cm). The Metropolitan Museum of Art, New York. Gift of Dorothy O. and Diana Schubart, in memory of William Howard Schubart, 1953 (53.198a?c) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-chest-on-chest-met-177482-2025-american-chest-on-chest-ca-1799-maple-168195741.htmlRMKNHYAN–Chest-on-chest MET 177482 2025 American, Chest-on-chest, ca. 1799, Maple, white pine, 79 5/8 x 43 1/8 x 21 7/8 in. (202.2 x 109.5 x 55.6 cm). The Metropolitan Museum of Art, New York. Gift of Dorothy O. and Diana Schubart, in memory of William Howard Schubart, 1953 (53.198a?c)
Smallsword with Scabbard, ca. 1785, Paris, French, Paris, Steel, gold, wood, skin, L. with scabbard 38 3/4 in. (98.4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-smallsword-with-scabbard-ca-1785-paris-french-paris-steel-gold-wood-162581676.htmlRMKCE6GC–Smallsword with Scabbard, ca. 1785, Paris, French, Paris, Steel, gold, wood, skin, L. with scabbard 38 3/4 in. (98.4 cm
Chest-on-chest MET 156528 2025 American, Chest-on-chest, ca. 1799, Maple, white pine, 79 5/8 x 43 1/8 x 21 7/8 in. (202.2 x 109.5 x 55.6 cm). The Metropolitan Museum of Art, New York. Gift of Dorothy O. and Diana Schubart, in memory of William Howard Schubart, 1953 (53.198a?c) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-chest-on-chest-met-156528-2025-american-chest-on-chest-ca-1799-maple-168109442.htmlRMKNE18J–Chest-on-chest MET 156528 2025 American, Chest-on-chest, ca. 1799, Maple, white pine, 79 5/8 x 43 1/8 x 21 7/8 in. (202.2 x 109.5 x 55.6 cm). The Metropolitan Museum of Art, New York. Gift of Dorothy O. and Diana Schubart, in memory of William Howard Schubart, 1953 (53.198a?c)
. Experience with geared propeller drives for aviation engines . n-Bouton)12 Gyl. Engl. Daim-ler 8 Cyl. 3ng. Daim-ler 12 Cyl, RAF-Napier12 Cyl, 130 130 1650: lS.:93-79 825: 30:187.5 16^0; 825: 2^: 2P 50. 180 100 :2000: 13.000; 18: 9016: 180 .2000 15°;iooo; 18:114-. ??3^:228,6 ?tfQQ; 250; 900: g4-: 12c4-8: 2P b :tmm=m ,TT: Vn : Pu : Pu: Pu Pi - om j ;ia/sk : kg :kg/;kg/cm2jn^np: : : : cm: :?? *%y 3 : ^5,7= : 6.9 : 760:25V: 16s 139300 3.* LSi52.it: «-i ; 790 ^5 ;,6-iaV; «-a 5.2 3.3 4-.0 3.95 i4-a4- =4-1/2^ =5 . TT ,1^?5- TT 15-97 =5-1/12 • TT 7.s 9.5 12 11.5 1205 1260 800 94-0 I63O 232; 13^ ; 3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/experience-with-geared-propeller-drives-for-aviation-engines-n-bouton12-gyl-engl-daim-ler-8-cyl-3ng-daim-ler-12-cyl-raf-napier12-cyl-130-130-1650-ls93-79-825-301875-160-825-2-2p-50-180-100-2000-13000-18-9016-180-2000-15iooo-18114-32286-tfqq-250-900-g4-12c4-8-2p-b-tmm=m-tt-vn-pu-pu-pu-pi-om-j-iask-kg-kgkgcm2jnnp-cm-y-3-57=-69-76025v-16s-139300-3-lsi52it-i-790-5-6-iav-a-52-33-4-0-395-i4-a4-=4-12-=5-tt-15-tt-15-97-=5-112-tt-7s-95-12-115-1205-1260-800-94-0-i63o-232-13-3-image369663539.htmlRM2CDBHH7–. Experience with geared propeller drives for aviation engines . n-Bouton)12 Gyl. Engl. Daim-ler 8 Cyl. 3ng. Daim-ler 12 Cyl, RAF-Napier12 Cyl, 130 130 1650: lS.:93-79 825: 30:187.5 16^0; 825: 2^: 2P 50. 180 100 :2000: 13.000; 18: 9016: 180 .2000 15°;iooo; 18:114-. ??3^:228,6 ?tfQQ; 250; 900: g4-: 12c4-8: 2P b :tmm=m ,TT: Vn : Pu : Pu: Pu Pi - om j ;ia/sk : kg :kg/;kg/cm2jn^np: : : : cm: :?? *%y 3 : ^5,7= : 6.9 : 760:25V: 16s 139300 3.* LSi52.it: «-i ; 790 ^5 ;,6-iaV; «-a 5.2 3.3 4-.0 3.95 i4-a4- =4-1/2^ =5 . TT ,1^?5- TT 15-97 =5-1/12 • TT 7.s 9.5 12 11.5 1205 1260 800 94-0 I63O 232; 13^ ; 3
Dancing children (one of a pair) MET 5071 Dancing children (one of a pair) MET 5071 /189523 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-3/4 x 31-3/8 in. (45.1 x 79.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-dancing-children-one-of-a-pair-met-5071-dancing-children-one-of-a-168005909.htmlRMKN9971–Dancing children (one of a pair) MET 5071 Dancing children (one of a pair) MET 5071 /189523 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-3/4 x 31-3/8 in. (45.1 x 79.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251b)
Dancing children (one of a pair) MET ep07.225.251b.bw.R Dancing children (one of a pair) MET ep07.225.251b.bw.R /189523 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-3/4 x 31-3/8 in. (45.1 x 79.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-dancing-children-one-of-a-pair-met-ep07225251bbwr-dancing-children-168438684.htmlRMKP1178–Dancing children (one of a pair) MET ep07.225.251b.bw.R Dancing children (one of a pair) MET ep07.225.251b.bw.R /189523 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-3/4 x 31-3/8 in. (45.1 x 79.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251b)
Vase. Culture: American. Dimensions: Overall: 15 1/2 x 8 3/4 x 5 13/16 in. (39.4 x 22.2 x 14.8 cm); 79 oz. 1 dwt. (2459.6 g) Foot: Diam. 4 5/8 in. (11.7 cm). Maker: Tiffany & Co. (1837-present). Date: 1869. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vase-culture-american-dimensions-overall-15-12-x-8-34-x-5-1316-in-394-x-222-x-148-cm-79-oz-1-dwt-24596-g-foot-diam-4-58-in-117-cm-maker-tiffany-co-1837-present-date-1869-museum-metropolitan-museum-of-art-new-york-usa-image212855781.htmlRMPA8BM5–Vase. Culture: American. Dimensions: Overall: 15 1/2 x 8 3/4 x 5 13/16 in. (39.4 x 22.2 x 14.8 cm); 79 oz. 1 dwt. (2459.6 g) Foot: Diam. 4 5/8 in. (11.7 cm). Maker: Tiffany & Co. (1837-present). Date: 1869. Museum: Metropolitan Museum of Art, New York, USA.
Dancing children (one of a pair) 1770–90 After a composition by Donatello Italian This overdoor and its companion (07.225.251a) appear to be free versions of portions of Donatello's Cantoria, Museo dell'Opera del Duomo, Florence.. Dancing children (one of a pair) 189523 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-3/4 x 31-3/8 in. (45.1 x 79.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dancing-children-one-of-a-pair-177090-after-a-composition-by-donatello-italian-this-overdoor-and-its-companion-07225251a-appear-to-be-free-versions-of-portions-of-donatellos-cantoria-museo-dellopera-del-duomo-florence-dancing-children-one-of-a-pair-189523-artist-after-a-composition-by-donatello-italian-florence-ca-13861466-florence-dancing-children-one-of-a-pair-177090-oil-on-canvas-17-34-x-31-38-in-451-x-797-cm-the-metropolitan-museum-of-art-new-york-gift-of-j-pierpont-morgan-1906-07225251b-image458187823.htmlRM2HHC76R–Dancing children (one of a pair) 1770–90 After a composition by Donatello Italian This overdoor and its companion (07.225.251a) appear to be free versions of portions of Donatello's Cantoria, Museo dell'Opera del Duomo, Florence.. Dancing children (one of a pair) 189523 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-3/4 x 31-3/8 in. (45.1 x 79.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251b)
Arghan Div Brings the Chest of Armor to Hamza Indian. Arghan Div Brings the Chest of Armor to Hamza, 1562-1577. Opaque watercolor and gold on cotton, sheet: 31 1/8 x 24 15/16 in. (79.1 x 63.3 cm). The Hamzanama recounts the picturesque exploits of Hamza, the uncle of the Prophet Muhammad. The Mughal emperor Akbar (ruled 1556–1605) ordered his artists to prepare an illustrated copy of the Hamzanama on a scale never seen before: 1,400 paintings on sheets of paper backed with cloth. Literary sources record that though more than fifty painters busied themselves with the colossal undertaking, it t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arghan-div-brings-the-chest-of-armor-to-hamza-indian-arghan-div-brings-the-chest-of-armor-to-hamza-1562-1577-opaque-watercolor-and-gold-on-cotton-sheet-31-18-x-24-1516-in-791-x-633-cm-the-hamzanama-recounts-the-picturesque-exploits-of-hamza-the-uncle-of-the-prophet-muhammad-the-mughal-emperor-akbar-ruled-15561605-ordered-his-artists-to-prepare-an-illustrated-copy-of-the-hamzanama-on-a-scale-never-seen-before-1400-paintings-on-sheets-of-paper-backed-with-cloth-literary-sources-record-that-though-more-than-fifty-painters-busied-themselves-with-the-colossal-undertaking-it-t-image504678100.htmlRM2M9221T–Arghan Div Brings the Chest of Armor to Hamza Indian. Arghan Div Brings the Chest of Armor to Hamza, 1562-1577. Opaque watercolor and gold on cotton, sheet: 31 1/8 x 24 15/16 in. (79.1 x 63.3 cm). The Hamzanama recounts the picturesque exploits of Hamza, the uncle of the Prophet Muhammad. The Mughal emperor Akbar (ruled 1556–1605) ordered his artists to prepare an illustrated copy of the Hamzanama on a scale never seen before: 1,400 paintings on sheets of paper backed with cloth. Literary sources record that though more than fifty painters busied themselves with the colossal undertaking, it t
Composed Armor, 15th century and later, Landshut, European, Italian and German, Steel, iron, copper alloy (latten), leather Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-composed-armor-15th-century-and-later-landshut-european-italian-and-162356737.htmlRMKC3YJW–Composed Armor, 15th century and later, Landshut, European, Italian and German, Steel, iron, copper alloy (latten), leather
. The fungi which cause plant disease . Plant diseases; Fungi. 428 THE FUNGI WHICH CAUSE PLANT DISEASE Fomes Fries (p. 417) Sporophore sessile, ungulate or applanate; surface varnished, encrusted, sulcate, vinose, or anoderm, rarely zonate; context corky to punky; tubes cylindric, stratiose; spores smooth, hyaline or brown. A genus of some three hundred species. T, . . /T /-111 88, 67, 78, 79 F. igmanus (L.) Gill. Pileus woody, ungulate, sessile, 6-7 x 8-10 x 5-12 cm.; surface smooth, encrusted, opaque, velvety to glabrous, ferruginous to. Fig. 307.—Fomes igniarius, from maple. After Atkinso Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fungi-which-cause-plant-disease-plant-diseases-fungi-428-the-fungi-which-cause-plant-disease-fomes-fries-p-417-sporophore-sessile-ungulate-or-applanate-surface-varnished-encrusted-sulcate-vinose-or-anoderm-rarely-zonate-context-corky-to-punky-tubes-cylindric-stratiose-spores-smooth-hyaline-or-brown-a-genus-of-some-three-hundred-species-t-t-111-88-67-78-79-f-igmanus-l-gill-pileus-woody-ungulate-sessile-6-7-x-8-10-x-5-12-cm-surface-smooth-encrusted-opaque-velvety-to-glabrous-ferruginous-to-fig-307fomes-igniarius-from-maple-after-atkinso-image232037122.htmlRMRDE5M2–. The fungi which cause plant disease . Plant diseases; Fungi. 428 THE FUNGI WHICH CAUSE PLANT DISEASE Fomes Fries (p. 417) Sporophore sessile, ungulate or applanate; surface varnished, encrusted, sulcate, vinose, or anoderm, rarely zonate; context corky to punky; tubes cylindric, stratiose; spores smooth, hyaline or brown. A genus of some three hundred species. T, . . /T /-111 88, 67, 78, 79 F. igmanus (L.) Gill. Pileus woody, ungulate, sessile, 6-7 x 8-10 x 5-12 cm.; surface smooth, encrusted, opaque, velvety to glabrous, ferruginous to. Fig. 307.—Fomes igniarius, from maple. After Atkinso
Dancing children (one of a pair) MET ep07.225.251b.bw.R Dancing children (one of a pair) MET ep07.225.251b.bw.R /189523 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-3/4 x 31-3/8 in. (45.1 x 79.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251b) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-dancing-children-one-of-a-pair-met-ep07225251bbwr-dancing-children-168279922.htmlRMKNNPN6–Dancing children (one of a pair) MET ep07.225.251b.bw.R Dancing children (one of a pair) MET ep07.225.251b.bw.R /189523 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-3/4 x 31-3/8 in. (45.1 x 79.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251b)
Smallsword with Scabbard. Culture: French, Paris. Dimensions: L. with scabbard 38 3/4 in. (98.4 cm); L. without scabbard 37 13/16 in. (96 cm); L. of blade 31 3/8 in. (79.7 cm); W. 4 5/16 in. (11 cm); D. 1 3/4 in. (4.5 cm); Wt. 12 oz. (340 g); Wt. of scabbard 2 oz. (56.7 g). Date: ca. 1785. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/smallsword-with-scabbard-culture-french-paris-dimensions-l-with-scabbard-38-34-in-984-cm-l-without-scabbard-37-1316-in-96-cm-l-of-blade-31-38-in-797-cm-w-4-516-in-11-cm-d-1-34-in-45-cm-wt-12-oz-340-g-wt-of-scabbard-2-oz-567-g-date-ca-1785-museum-metropolitan-museum-of-art-new-york-usa-image213250777.htmlRMPAXBF5–Smallsword with Scabbard. Culture: French, Paris. Dimensions: L. with scabbard 38 3/4 in. (98.4 cm); L. without scabbard 37 13/16 in. (96 cm); L. of blade 31 3/8 in. (79.7 cm); W. 4 5/16 in. (11 cm); D. 1 3/4 in. (4.5 cm); Wt. 12 oz. (340 g); Wt. of scabbard 2 oz. (56.7 g). Date: ca. 1785. Museum: Metropolitan Museum of Art, New York, USA.
Arghan Div Brings the Chest of Armor to Hamza Indian. Arghan Div Brings the Chest of Armor to Hamza, 1562-1577. Opaque watercolor and gold on cotton, sheet: 31 1/8 x 24 15/16 in. (79.1 x 63.3 cm). The Hamzanama recounts the picturesque exploits of Hamza, the uncle of the Prophet Muhammad. The Mughal emperor Akbar (ruled 1556–1605) ordered his artists to prepare an illustrated copy of the Hamzanama on a scale never seen before: 1,400 paintings on sheets of paper backed with cloth. Literary sources record that though more than fifty painters busied themselves with the colossal undertaking, it t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arghan-div-brings-the-chest-of-armor-to-hamza-indian-arghan-div-brings-the-chest-of-armor-to-hamza-1562-1577-opaque-watercolor-and-gold-on-cotton-sheet-31-18-x-24-1516-in-791-x-633-cm-the-hamzanama-recounts-the-picturesque-exploits-of-hamza-the-uncle-of-the-prophet-muhammad-the-mughal-emperor-akbar-ruled-15561605-ordered-his-artists-to-prepare-an-illustrated-copy-of-the-hamzanama-on-a-scale-never-seen-before-1400-paintings-on-sheets-of-paper-backed-with-cloth-literary-sources-record-that-though-more-than-fifty-painters-busied-themselves-with-the-colossal-undertaking-it-t-image504678113.htmlRM2M92229–Arghan Div Brings the Chest of Armor to Hamza Indian. Arghan Div Brings the Chest of Armor to Hamza, 1562-1577. Opaque watercolor and gold on cotton, sheet: 31 1/8 x 24 15/16 in. (79.1 x 63.3 cm). The Hamzanama recounts the picturesque exploits of Hamza, the uncle of the Prophet Muhammad. The Mughal emperor Akbar (ruled 1556–1605) ordered his artists to prepare an illustrated copy of the Hamzanama on a scale never seen before: 1,400 paintings on sheets of paper backed with cloth. Literary sources record that though more than fifty painters busied themselves with the colossal undertaking, it t
. The topography of the chlorophyll apparatus in desert plants. Chlorophyll; Desert plants; Plants. 10 TOPOGRAPHY OF CHLOROPHYLL APPARATUS IN DESERT PLANTS. stant relation was not learned. In a branch 1.6 cm. in diameter, as well as one 1 cm. in diameter, the chlorophyll was confined to the cortex. The following measurements were made: Distance of section from tip. Diameter of stem. Width of cortex. Depth of phelioderm. Width of phelioderm. Depth of chlorophyll band. Width of chlorophyll band. cm. 6 21 34 49 64 79 144 178 mm. 2 3-5 4 V 8 10 16 1^ 320 300 4'5 „ 547.8 547.8 581 1079 54-4 80 80 7 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-topography-of-the-chlorophyll-apparatus-in-desert-plants-chlorophyll-desert-plants-plants-10-topography-of-chlorophyll-apparatus-in-desert-plants-stant-relation-was-not-learned-in-a-branch-16-cm-in-diameter-as-well-as-one-1-cm-in-diameter-the-chlorophyll-was-confined-to-the-cortex-the-following-measurements-were-made-distance-of-section-from-tip-diameter-of-stem-width-of-cortex-depth-of-phelioderm-width-of-phelioderm-depth-of-chlorophyll-band-width-of-chlorophyll-band-cm-6-21-34-49-64-79-144-178-mm-2-3-5-4-v-8-10-16-1-320-300-45-5478-5478-581-1079-54-4-80-80-7-image232411070.htmlRMRE36KA–. The topography of the chlorophyll apparatus in desert plants. Chlorophyll; Desert plants; Plants. 10 TOPOGRAPHY OF CHLOROPHYLL APPARATUS IN DESERT PLANTS. stant relation was not learned. In a branch 1.6 cm. in diameter, as well as one 1 cm. in diameter, the chlorophyll was confined to the cortex. The following measurements were made: Distance of section from tip. Diameter of stem. Width of cortex. Depth of phelioderm. Width of phelioderm. Depth of chlorophyll band. Width of chlorophyll band. cm. 6 21 34 49 64 79 144 178 mm. 2 3-5 4 V 8 10 16 1^ 320 300 4'5 „ 547.8 547.8 581 1079 54-4 80 80 7
Dancing children (one of a pair) MET ep07.225.251a.bw.R Dancing children (one of a pair) MET ep07.225.251a.bw.R /189522 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Artist: French Painter, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-1/2 x 31-1/8 in. (44.5 x 79.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251a) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-dancing-children-one-of-a-pair-met-ep07225251abwr-dancing-children-168279921.htmlRMKNNPN5–Dancing children (one of a pair) MET ep07.225.251a.bw.R Dancing children (one of a pair) MET ep07.225.251a.bw.R /189522 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Artist: French Painter, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-1/2 x 31-1/8 in. (44.5 x 79.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251a)
Bedstead. Culture: American. Decorator: Painting attributed to John Ritto Penniman (American, Milford, Massachusetts 1782-1841 Baltimore, Maryland); Carving attributed to Samuel McIntire (1757-1811); Carving attibuted to Thomas Wightman (American, active 1802-20 (?)). Dimensions: 106 3/4 x 58 5/8 x 79 1/2 in. (271.1 x 148.9 x 201.9 cm). Maker: Possibly by Thomas Seymour (1771-1848); Cornice attributed to John Doggett (1780-1857). Date: 1810-15. According to the most recent scholarship on Thomas Seymour, there is no Boston carving of the Federal period more spectacular than the lavish decorati Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bedstead-culture-american-decorator-painting-attributed-to-john-ritto-penniman-american-milford-massachusetts-1782-1841-baltimore-maryland-carving-attributed-to-samuel-mcintire-1757-1811-carving-attibuted-to-thomas-wightman-american-active-1802-20-dimensions-106-34-x-58-58-x-79-12-in-2711-x-1489-x-2019-cm-maker-possibly-by-thomas-seymour-1771-1848-cornice-attributed-to-john-doggett-1780-1857-date-1810-15-according-to-the-most-recent-scholarship-on-thomas-seymour-there-is-no-boston-carving-of-the-federal-period-more-spectacular-than-the-lavish-decorati-image213320075.htmlRMPB1FX3–Bedstead. Culture: American. Decorator: Painting attributed to John Ritto Penniman (American, Milford, Massachusetts 1782-1841 Baltimore, Maryland); Carving attributed to Samuel McIntire (1757-1811); Carving attibuted to Thomas Wightman (American, active 1802-20 (?)). Dimensions: 106 3/4 x 58 5/8 x 79 1/2 in. (271.1 x 148.9 x 201.9 cm). Maker: Possibly by Thomas Seymour (1771-1848); Cornice attributed to John Doggett (1780-1857). Date: 1810-15. According to the most recent scholarship on Thomas Seymour, there is no Boston carving of the Federal period more spectacular than the lavish decorati
Arghan Div Brings the Chest of Armor to Hamza Indian. Arghan Div Brings the Chest of Armor to Hamza, 1562-1577. Opaque watercolor and gold on cotton, sheet: 31 1/8 x 24 15/16 in. (79.1 x 63.3 cm). The Hamzanama recounts the picturesque exploits of Hamza, the uncle of the Prophet Muhammad. The Mughal emperor Akbar (ruled 1556–1605) ordered his artists to prepare an illustrated copy of the Hamzanama on a scale never seen before: 1,400 paintings on sheets of paper backed with cloth. Literary sources record that though more than fifty painters busied themselves with the colossal undertaking, it t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arghan-div-brings-the-chest-of-armor-to-hamza-indian-arghan-div-brings-the-chest-of-armor-to-hamza-1562-1577-opaque-watercolor-and-gold-on-cotton-sheet-31-18-x-24-1516-in-791-x-633-cm-the-hamzanama-recounts-the-picturesque-exploits-of-hamza-the-uncle-of-the-prophet-muhammad-the-mughal-emperor-akbar-ruled-15561605-ordered-his-artists-to-prepare-an-illustrated-copy-of-the-hamzanama-on-a-scale-never-seen-before-1400-paintings-on-sheets-of-paper-backed-with-cloth-literary-sources-record-that-though-more-than-fifty-painters-busied-themselves-with-the-colossal-undertaking-it-t-image504678120.htmlRM2M9222G–Arghan Div Brings the Chest of Armor to Hamza Indian. Arghan Div Brings the Chest of Armor to Hamza, 1562-1577. Opaque watercolor and gold on cotton, sheet: 31 1/8 x 24 15/16 in. (79.1 x 63.3 cm). The Hamzanama recounts the picturesque exploits of Hamza, the uncle of the Prophet Muhammad. The Mughal emperor Akbar (ruled 1556–1605) ordered his artists to prepare an illustrated copy of the Hamzanama on a scale never seen before: 1,400 paintings on sheets of paper backed with cloth. Literary sources record that though more than fifty painters busied themselves with the colossal undertaking, it t
Dancing children (one of a pair) MET ep07.225.251a.bw.R Dancing children (one of a pair) MET ep07.225.251a.bw.R /189522 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Artist: French Painter, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-1/2 x 31-1/8 in. (44.5 x 79.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251a) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-dancing-children-one-of-a-pair-met-ep07225251abwr-dancing-children-168438678.htmlRMKP1172–Dancing children (one of a pair) MET ep07.225.251a.bw.R Dancing children (one of a pair) MET ep07.225.251a.bw.R /189522 Artist: After a composition by Donatello, Italian, Florence ca. 1386?1466 Florence, Artist: French Painter, Dancing children (one of a pair), 1770?90, Oil on canvas, 17-1/2 x 31-1/8 in. (44.5 x 79.1 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.251a)
Right Thigh and Knee Defense. Armorer: Attributed to Wolfgang Grosschedel (German, Landshut, active ca. 1517-62); Attributed to Franz Grosschedel (German, Landshut, recorded 1555-79). Culture: German, Landshut. Dimensions: L. 20 in. (50.8 cm); W. 8 1/2 in. (21.6 cm); Wt. 3 lb. 3 oz. (1445.8 g). Date: ca. 1555-60. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/right-thigh-and-knee-defense-armorer-attributed-to-wolfgang-grosschedel-german-landshut-active-ca-1517-62-attributed-to-franz-grosschedel-german-landshut-recorded-1555-79-culture-german-landshut-dimensions-l-20-in-508-cm-w-8-12-in-216-cm-wt-3-lb-3-oz-14458-g-date-ca-1555-60-museum-metropolitan-museum-of-art-new-york-usa-image213315805.htmlRMPB1ADH–Right Thigh and Knee Defense. Armorer: Attributed to Wolfgang Grosschedel (German, Landshut, active ca. 1517-62); Attributed to Franz Grosschedel (German, Landshut, recorded 1555-79). Culture: German, Landshut. Dimensions: L. 20 in. (50.8 cm); W. 8 1/2 in. (21.6 cm); Wt. 3 lb. 3 oz. (1445.8 g). Date: ca. 1555-60. Museum: Metropolitan Museum of Art, New York, USA.
Arghan Div Brings the Chest of Armor to Hamza Indian. Arghan Div Brings the Chest of Armor to Hamza, 1562-1577. Opaque watercolor and gold on cotton, sheet: 31 1/8 x 24 15/16 in. (79.1 x 63.3 cm). The Hamzanama recounts the picturesque exploits of Hamza, the uncle of the Prophet Muhammad. The Mughal emperor Akbar (ruled 1556–1605) ordered his artists to prepare an illustrated copy of the Hamzanama on a scale never seen before: 1,400 paintings on sheets of paper backed with cloth. Literary sources record that though more than fifty painters busied themselves with the colossal undertaking, it t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arghan-div-brings-the-chest-of-armor-to-hamza-indian-arghan-div-brings-the-chest-of-armor-to-hamza-1562-1577-opaque-watercolor-and-gold-on-cotton-sheet-31-18-x-24-1516-in-791-x-633-cm-the-hamzanama-recounts-the-picturesque-exploits-of-hamza-the-uncle-of-the-prophet-muhammad-the-mughal-emperor-akbar-ruled-15561605-ordered-his-artists-to-prepare-an-illustrated-copy-of-the-hamzanama-on-a-scale-never-seen-before-1400-paintings-on-sheets-of-paper-backed-with-cloth-literary-sources-record-that-though-more-than-fifty-painters-busied-themselves-with-the-colossal-undertaking-it-t-image504678115.htmlRM2M9222B–Arghan Div Brings the Chest of Armor to Hamza Indian. Arghan Div Brings the Chest of Armor to Hamza, 1562-1577. Opaque watercolor and gold on cotton, sheet: 31 1/8 x 24 15/16 in. (79.1 x 63.3 cm). The Hamzanama recounts the picturesque exploits of Hamza, the uncle of the Prophet Muhammad. The Mughal emperor Akbar (ruled 1556–1605) ordered his artists to prepare an illustrated copy of the Hamzanama on a scale never seen before: 1,400 paintings on sheets of paper backed with cloth. Literary sources record that though more than fifty painters busied themselves with the colossal undertaking, it t
Bedstead MET 41840 444 Maker: Possibly by Thomas Seymour, 1771?1848, Maker: Cornice attributed to John Doggett, 1780?1857, Decorator: Painting attributed to John Ritto Penniman, American, Milford, Massachusetts 1782?1841 Baltimore, Maryland, Decorator: Carving attributed to Samuel McIntire, 1757?1811, Decorator: Carving attibuted to Thomas Wightman, American, active 1802?20 (?), Bedstead, 1810?15, Mahogany, mahogany veneer, mahoganized maple and white pine, painted and gilded wood, 106 3/4 x 58 5/8 x 79 1/2 in. (271.1 x 148.9 x 201.9 cm). The Metropolitan Museum of Art, New York. John Stewart Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bedstead-met-41840-444-maker-possibly-by-thomas-seymour-17711848-maker-168098877.htmlRMKNDFR9–Bedstead MET 41840 444 Maker: Possibly by Thomas Seymour, 1771?1848, Maker: Cornice attributed to John Doggett, 1780?1857, Decorator: Painting attributed to John Ritto Penniman, American, Milford, Massachusetts 1782?1841 Baltimore, Maryland, Decorator: Carving attributed to Samuel McIntire, 1757?1811, Decorator: Carving attibuted to Thomas Wightman, American, active 1802?20 (?), Bedstead, 1810?15, Mahogany, mahogany veneer, mahoganized maple and white pine, painted and gilded wood, 106 3/4 x 58 5/8 x 79 1/2 in. (271.1 x 148.9 x 201.9 cm). The Metropolitan Museum of Art, New York. John Stewart
![Head of Christ. Artist: Emmanuel Tzanès (Greek, active by 1636-died 1690). Dimensions: 8 3/8 x 7 1/8 in. (21.3 x 18.1 cm). These exquisitely detailed images of the Virgin [33.79.15] and Christ are by one of the greatest artists of the post-Byzantine period, Emmanuel Tzanès, who worked on the island of Crete. They are arranged on the left and right, as is standard on templons and later on the iconostasis. Their poses and dress follow the Byzantine tradition. The elaborate detailing of the halos reflects contemporary Western influence. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PA821J/head-of-christ-artist-emmanuel-tzans-greek-active-by-1636-died-1690-dimensions-8-38-x-7-18-in-213-x-181-cm-these-exquisitely-detailed-images-of-the-virgin-337915-and-christ-are-by-one-of-the-greatest-artists-of-the-post-byzantine-period-emmanuel-tzans-who-worked-on-the-island-of-crete-they-are-arranged-on-the-left-and-right-as-is-standard-on-templons-and-later-on-the-iconostasis-their-poses-and-dress-follow-the-byzantine-tradition-the-elaborate-detailing-of-the-halos-reflects-contemporary-western-influence-museum-metropolitan-museum-of-art-new-york-usa-PA821J.jpg "Head of Christ. Artist: Emmanuel Tzanès (Greek, active by 1636-died 1690). Dimensions: 8 3/8 x 7 1/8 in. (21.3 x 18.1 cm). These exquisitely detailed images of the Virgin [33.79.15] and Christ are by one of the greatest artists of the post-Byzantine period, Emmanuel Tzanès, who worked on the island of Crete. They are arranged on the left and right, as is standard on templons and later on the iconostasis. Their poses and dress follow the Byzantine tradition. The elaborate detailing of the halos reflects contemporary Western influence. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
Head of Christ. Artist: Emmanuel Tzanès (Greek, active by 1636-died 1690). Dimensions: 8 3/8 x 7 1/8 in. (21.3 x 18.1 cm). These exquisitely detailed images of the Virgin [33.79.15] and Christ are by one of the greatest artists of the post-Byzantine period, Emmanuel Tzanès, who worked on the island of Crete. They are arranged on the left and right, as is standard on templons and later on the iconostasis. Their poses and dress follow the Byzantine tradition. The elaborate detailing of the halos reflects contemporary Western influence. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-christ-artist-emmanuel-tzans-greek-active-by-1636-died-1690-dimensions-8-38-x-7-18-in-213-x-181-cm-these-exquisitely-detailed-images-of-the-virgin-337915-and-christ-are-by-one-of-the-greatest-artists-of-the-post-byzantine-period-emmanuel-tzans-who-worked-on-the-island-of-crete-they-are-arranged-on-the-left-and-right-as-is-standard-on-templons-and-later-on-the-iconostasis-their-poses-and-dress-follow-the-byzantine-tradition-the-elaborate-detailing-of-the-halos-reflects-contemporary-western-influence-museum-metropolitan-museum-of-art-new-york-usa-image212848206.htmlRMPA821J–Head of Christ. Artist: Emmanuel Tzanès (Greek, active by 1636-died 1690). Dimensions: 8 3/8 x 7 1/8 in. (21.3 x 18.1 cm). These exquisitely detailed images of the Virgin [33.79.15] and Christ are by one of the greatest artists of the post-Byzantine period, Emmanuel Tzanès, who worked on the island of Crete. They are arranged on the left and right, as is standard on templons and later on the iconostasis. Their poses and dress follow the Byzantine tradition. The elaborate detailing of the halos reflects contemporary Western influence. Museum: Metropolitan Museum of Art, New York, USA.
Mont Sainte-Victoire Marsden Hartley (American, 1877-1943). Mont Sainte-Victoire, 1926-1927. Graphite on thick, roughly textured, cream-colored wove paper, Sheet: 22 5/8 x 31 3/16 in. (57.5 x 79.2 cm). As an homage to Paul Cézanne, the modernist Marsden Hartley spent a period living and working in the French artist’s favorite landscape, Aix-en- Provence, in the South of France. As Cézanne had done, Hartley depicted the distinctive profile of Mont Sainte-Victoire repeatedly. In this spare drawing, he captured the stark monumentality and sculptural contours of the mountain while using a flatter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mont-sainte-victoire-marsden-hartley-american-1877-1943-mont-sainte-victoire-1926-1927-graphite-on-thick-roughly-textured-cream-colored-wove-paper-sheet-22-58-x-31-316-in-575-x-792-cm-as-an-homage-to-paul-czanne-the-modernist-marsden-hartley-spent-a-period-living-and-working-in-the-french-artists-favorite-landscape-aix-en-provence-in-the-south-of-france-as-czanne-had-done-hartley-depicted-the-distinctive-profile-of-mont-sainte-victoire-repeatedly-in-this-spare-drawing-he-captured-the-stark-monumentality-and-sculptural-contours-of-the-mountain-while-using-a-flatter-image504686179.htmlRM2M92CAB–Mont Sainte-Victoire Marsden Hartley (American, 1877-1943). Mont Sainte-Victoire, 1926-1927. Graphite on thick, roughly textured, cream-colored wove paper, Sheet: 22 5/8 x 31 3/16 in. (57.5 x 79.2 cm). As an homage to Paul Cézanne, the modernist Marsden Hartley spent a period living and working in the French artist’s favorite landscape, Aix-en- Provence, in the South of France. As Cézanne had done, Hartley depicted the distinctive profile of Mont Sainte-Victoire repeatedly. In this spare drawing, he captured the stark monumentality and sculptural contours of the mountain while using a flatter
Bedstead MET 139067 444 Maker: Possibly by Thomas Seymour, 1771?1848, Maker: Cornice attributed to John Doggett, 1780?1857, Decorator: Painting attributed to John Ritto Penniman, American, Milford, Massachusetts 1782?1841 Baltimore, Maryland, Decorator: Carving attributed to Samuel McIntire, 1757?1811, Decorator: Carving attibuted to Thomas Wightman, American, active 1802?20 (?), Bedstead, 1810?15, Mahogany, mahogany veneer, mahoganized maple and white pine, painted and gilded wood, 106 3/4 x 58 5/8 x 79 1/2 in. (271.1 x 148.9 x 201.9 cm). The Metropolitan Museum of Art, New York. John Stewart Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bedstead-met-139067-444-maker-possibly-by-thomas-seymour-17711848-168098876.htmlRMKNDFR8–Bedstead MET 139067 444 Maker: Possibly by Thomas Seymour, 1771?1848, Maker: Cornice attributed to John Doggett, 1780?1857, Decorator: Painting attributed to John Ritto Penniman, American, Milford, Massachusetts 1782?1841 Baltimore, Maryland, Decorator: Carving attributed to Samuel McIntire, 1757?1811, Decorator: Carving attibuted to Thomas Wightman, American, active 1802?20 (?), Bedstead, 1810?15, Mahogany, mahogany veneer, mahoganized maple and white pine, painted and gilded wood, 106 3/4 x 58 5/8 x 79 1/2 in. (271.1 x 148.9 x 201.9 cm). The Metropolitan Museum of Art, New York. John Stewart
![Head of the Virgin. Artist: Emmanuel Tzanès (Greek, active by 1636-died 1690). Dimensions: 8 3/8 x 7 1/8 in. (21.3 x 18.1 cm). These exquisitely detailed images of the Virgin and Christ [33.79.14] are by one of the greatest artists of the post-Byzantine period, Emmanuel Tzanès, who worked on the island of Crete. They are arranged on the left and right, as is standard on templons and later on the iconostasis. Their poses and dress follow the Byzantine tradition. The elaborate detailing of the halos reflects contemporary Western influence. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PAXBTH/head-of-the-virgin-artist-emmanuel-tzans-greek-active-by-1636-died-1690-dimensions-8-38-x-7-18-in-213-x-181-cm-these-exquisitely-detailed-images-of-the-virgin-and-christ-337914-are-by-one-of-the-greatest-artists-of-the-post-byzantine-period-emmanuel-tzans-who-worked-on-the-island-of-crete-they-are-arranged-on-the-left-and-right-as-is-standard-on-templons-and-later-on-the-iconostasis-their-poses-and-dress-follow-the-byzantine-tradition-the-elaborate-detailing-of-the-halos-reflects-contemporary-western-influence-museum-metropolitan-museum-of-art-new-york-usa-PAXBTH.jpg "Head of the Virgin. Artist: Emmanuel Tzanès (Greek, active by 1636-died 1690). Dimensions: 8 3/8 x 7 1/8 in. (21.3 x 18.1 cm). These exquisitely detailed images of the Virgin and Christ [33.79.14] are by one of the greatest artists of the post-Byzantine period, Emmanuel Tzanès, who worked on the island of Crete. They are arranged on the left and right, as is standard on templons and later on the iconostasis. Their poses and dress follow the Byzantine tradition. The elaborate detailing of the halos reflects contemporary Western influence. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
Head of the Virgin. Artist: Emmanuel Tzanès (Greek, active by 1636-died 1690). Dimensions: 8 3/8 x 7 1/8 in. (21.3 x 18.1 cm). These exquisitely detailed images of the Virgin and Christ [33.79.14] are by one of the greatest artists of the post-Byzantine period, Emmanuel Tzanès, who worked on the island of Crete. They are arranged on the left and right, as is standard on templons and later on the iconostasis. Their poses and dress follow the Byzantine tradition. The elaborate detailing of the halos reflects contemporary Western influence. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-the-virgin-artist-emmanuel-tzans-greek-active-by-1636-died-1690-dimensions-8-38-x-7-18-in-213-x-181-cm-these-exquisitely-detailed-images-of-the-virgin-and-christ-337914-are-by-one-of-the-greatest-artists-of-the-post-byzantine-period-emmanuel-tzans-who-worked-on-the-island-of-crete-they-are-arranged-on-the-left-and-right-as-is-standard-on-templons-and-later-on-the-iconostasis-their-poses-and-dress-follow-the-byzantine-tradition-the-elaborate-detailing-of-the-halos-reflects-contemporary-western-influence-museum-metropolitan-museum-of-art-new-york-usa-image213251041.htmlRMPAXBTH–Head of the Virgin. Artist: Emmanuel Tzanès (Greek, active by 1636-died 1690). Dimensions: 8 3/8 x 7 1/8 in. (21.3 x 18.1 cm). These exquisitely detailed images of the Virgin and Christ [33.79.14] are by one of the greatest artists of the post-Byzantine period, Emmanuel Tzanès, who worked on the island of Crete. They are arranged on the left and right, as is standard on templons and later on the iconostasis. Their poses and dress follow the Byzantine tradition. The elaborate detailing of the halos reflects contemporary Western influence. Museum: Metropolitan Museum of Art, New York, USA.
Arghan Div Brings the Chest of Armor to Hamza Indian. Arghan Div Brings the Chest of Armor to Hamza, 1562-1577. Opaque watercolor and gold on cotton, sheet: 31 1/8 x 24 15/16 in. (79.1 x 63.3 cm). The Hamzanama recounts the picturesque exploits of Hamza, the uncle of the Prophet Muhammad. The Mughal emperor Akbar (ruled 1556–1605) ordered his artists to prepare an illustrated copy of the Hamzanama on a scale never seen before: 1,400 paintings on sheets of paper backed with cloth. Literary sources record that though more than fifty painters busied themselves with the colossal undertaking, it t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arghan-div-brings-the-chest-of-armor-to-hamza-indian-arghan-div-brings-the-chest-of-armor-to-hamza-1562-1577-opaque-watercolor-and-gold-on-cotton-sheet-31-18-x-24-1516-in-791-x-633-cm-the-hamzanama-recounts-the-picturesque-exploits-of-hamza-the-uncle-of-the-prophet-muhammad-the-mughal-emperor-akbar-ruled-15561605-ordered-his-artists-to-prepare-an-illustrated-copy-of-the-hamzanama-on-a-scale-never-seen-before-1400-paintings-on-sheets-of-paper-backed-with-cloth-literary-sources-record-that-though-more-than-fifty-painters-busied-themselves-with-the-colossal-undertaking-it-t-image504678109.htmlRM2M92225–Arghan Div Brings the Chest of Armor to Hamza Indian. Arghan Div Brings the Chest of Armor to Hamza, 1562-1577. Opaque watercolor and gold on cotton, sheet: 31 1/8 x 24 15/16 in. (79.1 x 63.3 cm). The Hamzanama recounts the picturesque exploits of Hamza, the uncle of the Prophet Muhammad. The Mughal emperor Akbar (ruled 1556–1605) ordered his artists to prepare an illustrated copy of the Hamzanama on a scale never seen before: 1,400 paintings on sheets of paper backed with cloth. Literary sources record that though more than fifty painters busied themselves with the colossal undertaking, it t
Bedstead MET 217261 444 Maker: Possibly by Thomas Seymour, 1771?1848, Maker: Cornice attributed to John Doggett, 1780?1857, Decorator: Painting attributed to John Ritto Penniman, American, Milford, Massachusetts 1782?1841 Baltimore, Maryland, Decorator: Carving attributed to Samuel McIntire, 1757?1811, Decorator: Carving attibuted to Thomas Wightman, American, active 1802?20 (?), Bedstead, 1810?15, Mahogany, mahogany veneer, mahoganized maple and white pine, painted and gilded wood, 106 3/4 x 58 5/8 x 79 1/2 in. (271.1 x 148.9 x 201.9 cm). The Metropolitan Museum of Art, New York. John Stewart Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bedstead-met-217261-444-maker-possibly-by-thomas-seymour-17711848-168098874.htmlRMKNDFR6–Bedstead MET 217261 444 Maker: Possibly by Thomas Seymour, 1771?1848, Maker: Cornice attributed to John Doggett, 1780?1857, Decorator: Painting attributed to John Ritto Penniman, American, Milford, Massachusetts 1782?1841 Baltimore, Maryland, Decorator: Carving attributed to Samuel McIntire, 1757?1811, Decorator: Carving attibuted to Thomas Wightman, American, active 1802?20 (?), Bedstead, 1810?15, Mahogany, mahogany veneer, mahoganized maple and white pine, painted and gilded wood, 106 3/4 x 58 5/8 x 79 1/2 in. (271.1 x 148.9 x 201.9 cm). The Metropolitan Museum of Art, New York. John Stewart
Elements of an Armor Garniture. Armorer: Attributed to Wolfgang Grosschedel (German, Landshut, active ca. 1517-62); Attributed to Franz Grosschedel (German, Landshut, recorded 1555-79). Culture: German, Landshut. Dimensions: right shoulder and arm defense (32.109.1a, b): H. approx. 28 in. (71.1 cm); W. approx. 10 in. (25.4 cm); Wt. 5 lb. 9 oz. (2523.1 g); left shoulder and arm defense (32.109.2a, b): L. approx. 28 in. (71.1 cm); W. approx. 10 in. (25.4 cm); Wt. 5 lb. 6 oz. (2438.1 g); right thigh and knee defense (32.109.3a-c): L. 20 in. (50.8 cm); W. 8 1/2 in. (21.6 cm); Wt. 3 lb. 3 oz. (1445 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elements-of-an-armor-garniture-armorer-attributed-to-wolfgang-grosschedel-german-landshut-active-ca-1517-62-attributed-to-franz-grosschedel-german-landshut-recorded-1555-79-culture-german-landshut-dimensions-right-shoulder-and-arm-defense-321091a-b-h-approx-28-in-711-cm-w-approx-10-in-254-cm-wt-5-lb-9-oz-25231-g-left-shoulder-and-arm-defense-321092a-b-l-approx-28-in-711-cm-w-approx-10-in-254-cm-wt-5-lb-6-oz-24381-g-right-thigh-and-knee-defense-321093a-c-l-20-in-508-cm-w-8-12-in-216-cm-wt-3-lb-3-oz-1445-image213206012.htmlRMPATACC–Elements of an Armor Garniture. Armorer: Attributed to Wolfgang Grosschedel (German, Landshut, active ca. 1517-62); Attributed to Franz Grosschedel (German, Landshut, recorded 1555-79). Culture: German, Landshut. Dimensions: right shoulder and arm defense (32.109.1a, b): H. approx. 28 in. (71.1 cm); W. approx. 10 in. (25.4 cm); Wt. 5 lb. 9 oz. (2523.1 g); left shoulder and arm defense (32.109.2a, b): L. approx. 28 in. (71.1 cm); W. approx. 10 in. (25.4 cm); Wt. 5 lb. 6 oz. (2438.1 g); right thigh and knee defense (32.109.3a-c): L. 20 in. (50.8 cm); W. 8 1/2 in. (21.6 cm); Wt. 3 lb. 3 oz. (1445
Arghan Div Brings the Chest of Armor to Hamza Indian. Arghan Div Brings the Chest of Armor to Hamza, 1562-1577. Opaque watercolor and gold on cotton, sheet: 31 1/8 x 24 15/16 in. (79.1 x 63.3 cm). The Hamzanama recounts the picturesque exploits of Hamza, the uncle of the Prophet Muhammad. The Mughal emperor Akbar (ruled 1556–1605) ordered his artists to prepare an illustrated copy of the Hamzanama on a scale never seen before: 1,400 paintings on sheets of paper backed with cloth. Literary sources record that though more than fifty painters busied themselves with the colossal undertaking, it t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arghan-div-brings-the-chest-of-armor-to-hamza-indian-arghan-div-brings-the-chest-of-armor-to-hamza-1562-1577-opaque-watercolor-and-gold-on-cotton-sheet-31-18-x-24-1516-in-791-x-633-cm-the-hamzanama-recounts-the-picturesque-exploits-of-hamza-the-uncle-of-the-prophet-muhammad-the-mughal-emperor-akbar-ruled-15561605-ordered-his-artists-to-prepare-an-illustrated-copy-of-the-hamzanama-on-a-scale-never-seen-before-1400-paintings-on-sheets-of-paper-backed-with-cloth-literary-sources-record-that-though-more-than-fifty-painters-busied-themselves-with-the-colossal-undertaking-it-t-image504678106.htmlRM2M92222–Arghan Div Brings the Chest of Armor to Hamza Indian. Arghan Div Brings the Chest of Armor to Hamza, 1562-1577. Opaque watercolor and gold on cotton, sheet: 31 1/8 x 24 15/16 in. (79.1 x 63.3 cm). The Hamzanama recounts the picturesque exploits of Hamza, the uncle of the Prophet Muhammad. The Mughal emperor Akbar (ruled 1556–1605) ordered his artists to prepare an illustrated copy of the Hamzanama on a scale never seen before: 1,400 paintings on sheets of paper backed with cloth. Literary sources record that though more than fifty painters busied themselves with the colossal undertaking, it t
Bedstead MET 136522 444 Maker: Possibly by Thomas Seymour, 1771?1848, Maker: Cornice attributed to John Doggett, 1780?1857, Decorator: Painting attributed to John Ritto Penniman, American, Milford, Massachusetts 1782?1841 Baltimore, Maryland, Decorator: Carving attributed to Samuel McIntire, 1757?1811, Decorator: Carving attibuted to Thomas Wightman, American, active 1802?20 (?), Bedstead, 1810?15, Mahogany, mahogany veneer, mahoganized maple and white pine, painted and gilded wood, 106 3/4 x 58 5/8 x 79 1/2 in. (271.1 x 148.9 x 201.9 cm). The Metropolitan Museum of Art, New York. John Stewart Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bedstead-met-136522-444-maker-possibly-by-thomas-seymour-17711848-168098875.htmlRMKNDFR7–Bedstead MET 136522 444 Maker: Possibly by Thomas Seymour, 1771?1848, Maker: Cornice attributed to John Doggett, 1780?1857, Decorator: Painting attributed to John Ritto Penniman, American, Milford, Massachusetts 1782?1841 Baltimore, Maryland, Decorator: Carving attributed to Samuel McIntire, 1757?1811, Decorator: Carving attibuted to Thomas Wightman, American, active 1802?20 (?), Bedstead, 1810?15, Mahogany, mahogany veneer, mahoganized maple and white pine, painted and gilded wood, 106 3/4 x 58 5/8 x 79 1/2 in. (271.1 x 148.9 x 201.9 cm). The Metropolitan Museum of Art, New York. John Stewart
Shawl. France. Date: 1801-1825. Dimensions: 200.7 × 101.6 cm (79 × 39 3/8 in.). Cotton, plain weave; embroidered with cotton. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shawl-france-date-1801-1825-dimensions-2007-1016-cm-79-39-38-in-cotton-plain-weave-embroidered-with-cotton-origin-france-museum-the-chicago-art-institute-image240165122.htmlRMRXMD1P–Shawl. France. Date: 1801-1825. Dimensions: 200.7 × 101.6 cm (79 × 39 3/8 in.). Cotton, plain weave; embroidered with cotton. Origin: France. Museum: The Chicago Art Institute.
![Trojans offer Dido and her companions gifts during banquet. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 418.8 x W 634.6 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.2. Inscriptions: Woven signature in central field at base of column, Stock Photo](https://c8.alamy.com/comp/2WTG2MM/trojans-offer-dido-and-her-companions-gifts-during-banquet-romanelli-giovanni-francesco-italian-1610-1662-cartoon-creator-painter-wauters-michel-netherlandish-after-1600-act1651-d1679-workshop-weaver-c-1655-1679-tapestry-dimensions-h-4188-x-w-6346-cm-tapestry-materialstechniques-wool-silk-culture-flemish-weaving-center-antwerp-ownership-history-french-co-francis-f-prentiss-coll-gift-of-mrs-francis-f-prentiss-1915-united-states-ohio-cleveland-cleveland-museum-of-art-accno-1915792-inscriptions-woven-signature-in-central-field-at-base-of-column-2WTG2MM.jpg "Trojans offer Dido and her companions gifts during banquet. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 418.8 x W 634.6 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.2. Inscriptions: Woven signature in central field at base of column, Stock Photo")
Trojans offer Dido and her companions gifts during banquet. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 418.8 x W 634.6 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.2. Inscriptions: Woven signature in central field at base of column, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trojans-offer-dido-and-her-companions-gifts-during-banquet-romanelli-giovanni-francesco-italian-1610-1662-cartoon-creator-painter-wauters-michel-netherlandish-after-1600-act1651-d1679-workshop-weaver-c-1655-1679-tapestry-dimensions-h-4188-x-w-6346-cm-tapestry-materialstechniques-wool-silk-culture-flemish-weaving-center-antwerp-ownership-history-french-co-francis-f-prentiss-coll-gift-of-mrs-francis-f-prentiss-1915-united-states-ohio-cleveland-cleveland-museum-of-art-accno-1915792-inscriptions-woven-signature-in-central-field-at-base-of-column-image600257636.htmlRM2WTG2MM–Trojans offer Dido and her companions gifts during banquet. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 418.8 x W 634.6 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.2. Inscriptions: Woven signature in central field at base of column,
Plate. Culture: Sasanian. Dimensions: Height: 1.9 inches (4.8 cm) Diameter: 9.13 inches (23.2 cm). Date: ca. A.D. 310-79. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-culture-sasanian-dimensions-height-19-inches-48-cm-diameter-913-inches-232-cm-date-ca-ad-310-79-museum-metropolitan-museum-of-art-new-york-usa-image212906952.htmlRMPAAMYM–Plate. Culture: Sasanian. Dimensions: Height: 1.9 inches (4.8 cm) Diameter: 9.13 inches (23.2 cm). Date: ca. A.D. 310-79. Museum: Metropolitan Museum of Art, New York, USA.
![Trojans offer Dido and her companions gifts during banquet. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 418.8 x W 634.6 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.2. Inscriptions: Woven signature in central field at base of column, Stock Photo](https://c8.alamy.com/comp/2WTG1MD/trojans-offer-dido-and-her-companions-gifts-during-banquet-romanelli-giovanni-francesco-italian-1610-1662-cartoon-creator-painter-wauters-michel-netherlandish-after-1600-act1651-d1679-workshop-weaver-c-1655-1679-tapestry-dimensions-h-4188-x-w-6346-cm-tapestry-materialstechniques-wool-silk-culture-flemish-weaving-center-antwerp-ownership-history-french-co-francis-f-prentiss-coll-gift-of-mrs-francis-f-prentiss-1915-united-states-ohio-cleveland-cleveland-museum-of-art-accno-1915792-inscriptions-woven-signature-in-central-field-at-base-of-column-2WTG1MD.jpg "Trojans offer Dido and her companions gifts during banquet. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 418.8 x W 634.6 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.2. Inscriptions: Woven signature in central field at base of column, Stock Photo")
Trojans offer Dido and her companions gifts during banquet. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 418.8 x W 634.6 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.2. Inscriptions: Woven signature in central field at base of column, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trojans-offer-dido-and-her-companions-gifts-during-banquet-romanelli-giovanni-francesco-italian-1610-1662-cartoon-creator-painter-wauters-michel-netherlandish-after-1600-act1651-d1679-workshop-weaver-c-1655-1679-tapestry-dimensions-h-4188-x-w-6346-cm-tapestry-materialstechniques-wool-silk-culture-flemish-weaving-center-antwerp-ownership-history-french-co-francis-f-prentiss-coll-gift-of-mrs-francis-f-prentiss-1915-united-states-ohio-cleveland-cleveland-museum-of-art-accno-1915792-inscriptions-woven-signature-in-central-field-at-base-of-column-image600256845.htmlRM2WTG1MD–Trojans offer Dido and her companions gifts during banquet. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 418.8 x W 634.6 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.2. Inscriptions: Woven signature in central field at base of column,
Fire Tool Stand. Culture: American. Dimensions: 31 1/4 x 8 x 8 in. (79.4 x 20.3 x 20.3 cm). Date: 1770-1830. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fire-tool-stand-culture-american-dimensions-31-14-x-8-x-8-in-794-x-203-x-203-cm-date-1770-1830-museum-metropolitan-museum-of-art-new-york-usa-image212872258.htmlRMPA94MJ–Fire Tool Stand. Culture: American. Dimensions: 31 1/4 x 8 x 8 in. (79.4 x 20.3 x 20.3 cm). Date: 1770-1830. Museum: Metropolitan Museum of Art, New York, USA.
![Aeneas and Dido take shelter in cave. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 416.4 x W 418.8 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.5. Inscriptions: Woven signature in lower guard, right: M. WAVTERS While hunting, Dido & Ae Stock Photo](https://c8.alamy.com/comp/2WTFW4M/aeneas-and-dido-take-shelter-in-cave-romanelli-giovanni-francesco-italian-1610-1662-cartoon-creator-painter-wauters-michel-netherlandish-after-1600-act1651-d1679-workshop-weaver-c-1655-1679-tapestry-dimensions-h-4164-x-w-4188-cm-tapestry-materialstechniques-wool-silk-culture-flemish-weaving-center-antwerp-ownership-history-french-co-francis-f-prentiss-coll-gift-of-mrs-francis-f-prentiss-1915-united-states-ohio-cleveland-cleveland-museum-of-art-accno-1915795-inscriptions-woven-signature-in-lower-guard-right-m-wavters-while-hunting-dido-ae-2WTFW4M.jpg "Aeneas and Dido take shelter in cave. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 416.4 x W 418.8 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.5. Inscriptions: Woven signature in lower guard, right: M. WAVTERS While hunting, Dido & Ae Stock Photo")
Aeneas and Dido take shelter in cave. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 416.4 x W 418.8 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.5. Inscriptions: Woven signature in lower guard, right: M. WAVTERS While hunting, Dido & Ae Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aeneas-and-dido-take-shelter-in-cave-romanelli-giovanni-francesco-italian-1610-1662-cartoon-creator-painter-wauters-michel-netherlandish-after-1600-act1651-d1679-workshop-weaver-c-1655-1679-tapestry-dimensions-h-4164-x-w-4188-cm-tapestry-materialstechniques-wool-silk-culture-flemish-weaving-center-antwerp-ownership-history-french-co-francis-f-prentiss-coll-gift-of-mrs-francis-f-prentiss-1915-united-states-ohio-cleveland-cleveland-museum-of-art-accno-1915795-inscriptions-woven-signature-in-lower-guard-right-m-wavters-while-hunting-dido-ae-image600253268.htmlRM2WTFW4M–Aeneas and Dido take shelter in cave. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 416.4 x W 418.8 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.5. Inscriptions: Woven signature in lower guard, right: M. WAVTERS While hunting, Dido & Ae
Late 17th-century style Ogee frame. Culture: French. Dimensions: Overall, 112.5 x 95 cm; sight, 79.3 x 63.4 cm; rebate, 82.7 x 66.8 cm.. Date: 1870-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/late-17th-century-style-ogee-frame-culture-french-dimensions-overall-1125-x-95-cm-sight-793-x-634-cm-rebate-827-x-668-cm-date-1870-80-museum-metropolitan-museum-of-art-new-york-usa-image212903210.htmlRMPAAG62–Late 17th-century style Ogee frame. Culture: French. Dimensions: Overall, 112.5 x 95 cm; sight, 79.3 x 63.4 cm; rebate, 82.7 x 66.8 cm.. Date: 1870-80. Museum: Metropolitan Museum of Art, New York, USA.
![Aeneas and Dido take shelter in cave. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 416.4 x W 418.8 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.5. Inscriptions: Woven signature in lower guard, right: M. WAVTERS While hunting, Dido & Ae Stock Photo](https://c8.alamy.com/comp/2WTGC00/aeneas-and-dido-take-shelter-in-cave-romanelli-giovanni-francesco-italian-1610-1662-cartoon-creator-painter-wauters-michel-netherlandish-after-1600-act1651-d1679-workshop-weaver-c-1655-1679-tapestry-dimensions-h-4164-x-w-4188-cm-tapestry-materialstechniques-wool-silk-culture-flemish-weaving-center-antwerp-ownership-history-french-co-francis-f-prentiss-coll-gift-of-mrs-francis-f-prentiss-1915-united-states-ohio-cleveland-cleveland-museum-of-art-accno-1915795-inscriptions-woven-signature-in-lower-guard-right-m-wavters-while-hunting-dido-ae-2WTGC00.jpg "Aeneas and Dido take shelter in cave. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 416.4 x W 418.8 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.5. Inscriptions: Woven signature in lower guard, right: M. WAVTERS While hunting, Dido & Ae Stock Photo")
Aeneas and Dido take shelter in cave. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 416.4 x W 418.8 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.5. Inscriptions: Woven signature in lower guard, right: M. WAVTERS While hunting, Dido & Ae Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aeneas-and-dido-take-shelter-in-cave-romanelli-giovanni-francesco-italian-1610-1662-cartoon-creator-painter-wauters-michel-netherlandish-after-1600-act1651-d1679-workshop-weaver-c-1655-1679-tapestry-dimensions-h-4164-x-w-4188-cm-tapestry-materialstechniques-wool-silk-culture-flemish-weaving-center-antwerp-ownership-history-french-co-francis-f-prentiss-coll-gift-of-mrs-francis-f-prentiss-1915-united-states-ohio-cleveland-cleveland-museum-of-art-accno-1915795-inscriptions-woven-signature-in-lower-guard-right-m-wavters-while-hunting-dido-ae-image600264896.htmlRM2WTGC00–Aeneas and Dido take shelter in cave. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 416.4 x W 418.8 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.5. Inscriptions: Woven signature in lower guard, right: M. WAVTERS While hunting, Dido & Ae
Kantele. Culture: Finnish. Dimensions: Length 90.5 cm., Greatest width 38.7 cm., Depth of soundbox 4.1 cm., Sounding length of longest string 79.0 cm., Sounding length of shortest string 9.8 cm.. Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kantele-culture-finnish-dimensions-length-905-cm-greatest-width-387-cm-depth-of-soundbox-41-cm-sounding-length-of-longest-string-790-cm-sounding-length-of-shortest-string-98-cm-date-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213178746.htmlRMPAR3JJ–Kantele. Culture: Finnish. Dimensions: Length 90.5 cm., Greatest width 38.7 cm., Depth of soundbox 4.1 cm., Sounding length of longest string 79.0 cm., Sounding length of shortest string 9.8 cm.. Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
![Dido's suicide. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 414 x W 466.5 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.8. Inscriptions: Woven signature in lower guard, right: M. WAVTERS Dido lies atop funeral pyre & falls upon sword o Stock Photo](https://c8.alamy.com/comp/2WTFWPJ/didos-suicide-romanelli-giovanni-francesco-italian-1610-1662-cartoon-creator-painter-wauters-michel-netherlandish-after-1600-act1651-d1679-workshop-weaver-c-1655-1679-tapestry-dimensions-h-414-x-w-4665-cm-tapestry-materialstechniques-wool-silk-culture-flemish-weaving-center-antwerp-ownership-history-french-co-francis-f-prentiss-coll-gift-of-mrs-francis-f-prentiss-1915-united-states-ohio-cleveland-cleveland-museum-of-art-accno-1915798-inscriptions-woven-signature-in-lower-guard-right-m-wavters-dido-lies-atop-funeral-pyre-falls-upon-sword-o-2WTFWPJ.jpg "Dido's suicide. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 414 x W 466.5 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.8. Inscriptions: Woven signature in lower guard, right: M. WAVTERS Dido lies atop funeral pyre & falls upon sword o Stock Photo")
Dido's suicide. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 414 x W 466.5 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.8. Inscriptions: Woven signature in lower guard, right: M. WAVTERS Dido lies atop funeral pyre & falls upon sword o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/didos-suicide-romanelli-giovanni-francesco-italian-1610-1662-cartoon-creator-painter-wauters-michel-netherlandish-after-1600-act1651-d1679-workshop-weaver-c-1655-1679-tapestry-dimensions-h-414-x-w-4665-cm-tapestry-materialstechniques-wool-silk-culture-flemish-weaving-center-antwerp-ownership-history-french-co-francis-f-prentiss-coll-gift-of-mrs-francis-f-prentiss-1915-united-states-ohio-cleveland-cleveland-museum-of-art-accno-1915798-inscriptions-woven-signature-in-lower-guard-right-m-wavters-dido-lies-atop-funeral-pyre-falls-upon-sword-o-image600253770.htmlRM2WTFWPJ–Dido's suicide. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 414 x W 466.5 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.8. Inscriptions: Woven signature in lower guard, right: M. WAVTERS Dido lies atop funeral pyre & falls upon sword o
Panels. Culture: French. Dimensions: Overall (.466a): 94 × 37 3/4 in. (238.8 × 95.9 cm); Overall (.466b): 94 × 35 1/2 in. (238.8 × 90.2 cm); Overall (.466c): 94 × 31 3/16 in. (238.8 × 79.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panels-culture-french-dimensions-overall-466a-94-37-34-in-2388-959-cm-overall-466b-94-35-12-in-2388-902-cm-overall-466c-94-31-316-in-2388-792-cm-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213423217.htmlRMPB67DN–Panels. Culture: French. Dimensions: Overall (.466a): 94 × 37 3/4 in. (238.8 × 95.9 cm); Overall (.466b): 94 × 35 1/2 in. (238.8 × 90.2 cm); Overall (.466c): 94 × 31 3/16 in. (238.8 × 79.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
![Dido's suicide. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 414 x W 466.5 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.8. Inscriptions: Woven signature in lower guard, right: M. WAVTERS Dido lies atop funeral pyre & falls upon sword o Stock Photo](https://c8.alamy.com/comp/2WTFXCR/didos-suicide-romanelli-giovanni-francesco-italian-1610-1662-cartoon-creator-painter-wauters-michel-netherlandish-after-1600-act1651-d1679-workshop-weaver-c-1655-1679-tapestry-dimensions-h-414-x-w-4665-cm-tapestry-materialstechniques-wool-silk-culture-flemish-weaving-center-antwerp-ownership-history-french-co-francis-f-prentiss-coll-gift-of-mrs-francis-f-prentiss-1915-united-states-ohio-cleveland-cleveland-museum-of-art-accno-1915798-inscriptions-woven-signature-in-lower-guard-right-m-wavters-dido-lies-atop-funeral-pyre-falls-upon-sword-o-2WTFXCR.jpg "Dido's suicide. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 414 x W 466.5 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.8. Inscriptions: Woven signature in lower guard, right: M. WAVTERS Dido lies atop funeral pyre & falls upon sword o Stock Photo")
Dido's suicide. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 414 x W 466.5 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.8. Inscriptions: Woven signature in lower guard, right: M. WAVTERS Dido lies atop funeral pyre & falls upon sword o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/didos-suicide-romanelli-giovanni-francesco-italian-1610-1662-cartoon-creator-painter-wauters-michel-netherlandish-after-1600-act1651-d1679-workshop-weaver-c-1655-1679-tapestry-dimensions-h-414-x-w-4665-cm-tapestry-materialstechniques-wool-silk-culture-flemish-weaving-center-antwerp-ownership-history-french-co-francis-f-prentiss-coll-gift-of-mrs-francis-f-prentiss-1915-united-states-ohio-cleveland-cleveland-museum-of-art-accno-1915798-inscriptions-woven-signature-in-lower-guard-right-m-wavters-dido-lies-atop-funeral-pyre-falls-upon-sword-o-image600254279.htmlRM2WTFXCR–Dido's suicide. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) [painter] Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) [weaver] c. 1655-1679 Tapestry Dimensions: H 414 x W 466.5 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.8. Inscriptions: Woven signature in lower guard, right: M. WAVTERS Dido lies atop funeral pyre & falls upon sword o
Le Vampire (The Vampyre) (Furnishing Fabric). France. Date: 1819-1830. Dimensions: a: 261.4 × 86 cm (102 7/8 × 33 7/8 in.) b: 79 × 88.2 cm (31 1/8 × 34 3/4 in.) c: 38.8 × 61.3 cm (15 1/4 × 24 1/8 in.). Cotton, plain weave; engraved roller printed. Origin: France. Museum: The Chicago Art Institute. Author: Borni. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-vampire-the-vampyre-furnishing-fabric-france-date-1819-1830-dimensions-a-2614-86-cm-102-78-33-78-in-b-79-882-cm-31-18-34-34-in-c-388-613-cm-15-14-24-18-in-cotton-plain-weave-engraved-roller-printed-origin-france-museum-the-chicago-art-institute-author-borni-image240139683.htmlRMRXK8H7–Le Vampire (The Vampyre) (Furnishing Fabric). France. Date: 1819-1830. Dimensions: a: 261.4 × 86 cm (102 7/8 × 33 7/8 in.) b: 79 × 88.2 cm (31 1/8 × 34 3/4 in.) c: 38.8 × 61.3 cm (15 1/4 × 24 1/8 in.). Cotton, plain weave; engraved roller printed. Origin: France. Museum: The Chicago Art Institute. Author: Borni.
Insertion (For a Cover). Belgium, Possibly Flanders. Date: 1550-1600. Dimensions: a: 10.5 × 79.7 cm (4 1/8 × 31 3/8 in.) b: 10.3 × 78.8 cm (4 × 31 in.) Width repeat: 32.8-33 cm (12 7/8-13 in.). Linen, needle lace worked on plain weave; cut and drawn thread grid; embroidered in chained border, double hem, eyelet, and stem stitches. Origin: Flanders. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/insertion-for-a-cover-belgium-possibly-flanders-date-1550-1600-dimensions-a-105-797-cm-4-18-31-38-in-b-103-788-cm-4-31-in-width-repeat-328-33-cm-12-78-13-in-linen-needle-lace-worked-on-plain-weave-cut-and-drawn-thread-grid-embroidered-in-chained-border-double-hem-eyelet-and-stem-stitches-origin-flanders-museum-the-chicago-art-institute-image239840214.htmlRMRX5JHX–Insertion (For a Cover). Belgium, Possibly Flanders. Date: 1550-1600. Dimensions: a: 10.5 × 79.7 cm (4 1/8 × 31 3/8 in.) b: 10.3 × 78.8 cm (4 × 31 in.) Width repeat: 32.8-33 cm (12 7/8-13 in.). Linen, needle lace worked on plain weave; cut and drawn thread grid; embroidered in chained border, double hem, eyelet, and stem stitches. Origin: Flanders. Museum: The Chicago Art Institute.
Souvenir with portrait of a man. Artist: Miniature by French Painter. Culture: French, Paris. Dimensions: 3 9/16 × 2 in. (9 × 5.1 cm); miniature, oval: 1 1/8 × 7/8 in. (2.9 × 2.2 cm). Date: 1778-79. In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/souvenir-with-portrait-of-a-man-artist-miniature-by-french-painter-culture-french-paris-dimensions-3-916-2-in-9-51-cm-miniature-oval-1-18-78-in-29-22-cm-date-1778-79-in-eighteenth-century-europe-paris-led-the-production-of-high-quality-luxury-goods-parisian-goldsmiths-made-a-wide-range-of-small-personal-articles-such-as-snuffboxes-tuis-to-hold-sealing-wax-tweezers-or-utensils-for-sewing-souvenirs-which-contained-thin-ivory-tablets-for-note-taking-and-shuttles-for-knotting-lace-gold-snuffboxes-and-boxes-decorated-with-portrait-miniatures-were-prized-image213262721.htmlRMPAXXNN–Souvenir with portrait of a man. Artist: Miniature by French Painter. Culture: French, Paris. Dimensions: 3 9/16 × 2 in. (9 × 5.1 cm); miniature, oval: 1 1/8 × 7/8 in. (2.9 × 2.2 cm). Date: 1778-79. In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized
Search Results for 8,79 cm Black & White Stock Photos and Images (60)
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