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8 63 cm Stock Photos and Images
elongated hole and head, side bit ??, organic, antler, 8,63 cm, vmec, Netherlands, Friesland, unknown, unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elongated-hole-and-head-side-bit-organic-antler-863-cm-vmec-netherlands-friesland-unknown-unknown-image344477998.htmlRM2B0C95J–elongated hole and head, side bit ??, organic, antler, 8,63 cm, vmec, Netherlands, Friesland, unknown, unknown
Matthias Corvinus, 1443-1490. King of Hungary 1458. Dated: late 15th - early 16th century. Dimensions: overall (diameter): 8.63 cm (3 3/8 in.) gross weight: 186.93 gr (0.412 lb.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matthias-corvinus-1443-1490-king-of-hungary-1458-dated-late-15th-early-16th-century-dimensions-overall-diameter-863-cm-3-38-in-gross-weight-18693-gr-0412-lb-medium-bronze-museum-national-gallery-of-art-washington-dc-author-italian-16th-century-image225771372.htmlRMR38NK8–Matthias Corvinus, 1443-1490. King of Hungary 1458. Dated: late 15th - early 16th century. Dimensions: overall (diameter): 8.63 cm (3 3/8 in.) gross weight: 186.93 gr (0.412 lb.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century.
Inspired by Textile, Silk damask, Registered April 18, 1873, 25 x 22 in., 63.5 x 55.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-textile-silk-damask-registered-april-18-1873-25-x-22-in-635-x-558-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459246049.htmlRF2HK4D0H–Inspired by Textile, Silk damask, Registered April 18, 1873, 25 x 22 in., 63.5 x 55.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. Italiano: Autore Santo Zago (attibuzione) Anagrafica Venezia 1500 circa - ante 1568 Titolo Ritratto di senatore veneziano Datazione 1550 circa Provenienza collezione Guglielmo Lochis, 1866 Tipologia dipinto Tecnica olio su tela Inventario 81LC00149 Misure 77 x 63 cm Collocazione non esposto . 8 April 2017. Santo Zago 1095 Santo Zago - Senatore Veneziano - Accademia Carrara - Bergamo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italiano-autore-santo-zago-attibuzione-anagrafica-venezia-1500-circa-ante-1568-titolo-ritratto-di-senatore-veneziano-datazione-1550-circa-provenienza-collezione-guglielmo-lochis-1866-tipologia-dipinto-tecnica-olio-su-tela-inventario-81lc00149-misure-77-x-63-cm-collocazione-non-esposto-8-april-2017-santo-zago-1095-santo-zago-senatore-veneziano-accademia-carrara-bergamo-image185585081.htmlRMMNX3JH–. Italiano: Autore Santo Zago (attibuzione) Anagrafica Venezia 1500 circa - ante 1568 Titolo Ritratto di senatore veneziano Datazione 1550 circa Provenienza collezione Guglielmo Lochis, 1866 Tipologia dipinto Tecnica olio su tela Inventario 81LC00149 Misure 77 x 63 cm Collocazione non esposto . 8 April 2017. Santo Zago 1095 Santo Zago - Senatore Veneziano - Accademia Carrara - Bergamo
John F. Carroll C 8 ft 7.5 in (2 m 63 cm) was referred to as the 'Buffalo Giant' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-f-carroll-c-8-ft-75-in-2-m-63-cm-was-referred-to-as-the-buffalo-giant-image345133091.htmlRM2B1E4NR–John F. Carroll C 8 ft 7.5 in (2 m 63 cm) was referred to as the 'Buffalo Giant'
Georges Valmier, 1914-15, Portrait de Commandant Lambert, gouache and watercolor over pencil, 63.2 x 50.8 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/georges-valmier-1914-15-portrait-de-commandant-lambert-gouache-and-watercolor-over-pencil-632-x-508-cm-image348703211.htmlRM2B78PE3–Georges Valmier, 1914-15, Portrait de Commandant Lambert, gouache and watercolor over pencil, 63.2 x 50.8 cm.
Georges Valmier, 1914 15, Portrait de Commandant Lambert, gouache and watercolor over pencil, 63.2 x 50.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-georges-valmier-1914-15-portrait-de-commandant-lambert-gouache-and-162258697.htmlRMKBYEHD–Georges Valmier, 1914 15, Portrait de Commandant Lambert, gouache and watercolor over pencil, 63.2 x 50.8 cm
Camille Pissarro (French, 1830E280931903), The Hay-makers, 1884. Gouache and watercolor, (63.8 x 79.7 cm). Denver Art Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-camille-pissarro-french-1830e280931903-the-hay-makers-1884-gouache-137873319.htmlRMJ08JR3–Camille Pissarro (French, 1830E280931903), The Hay-makers, 1884. Gouache and watercolor, (63.8 x 79.7 cm). Denver Art Museum
![ENVIRONS de CONQUERNEAU. Map information: Title: ENVIRONS de CONQUERNEAU. 60.12. Date of publication: [about 1650] Item type: 1 map Medium: ink and wash Dimensions: 42 x 63.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9F9G2/environs-de-conquerneau-map-information-title-environs-de-conquerneau-6012-date-of-publication-about-1650-item-type-1-map-medium-ink-and-wash-dimensions-42-x-638-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9F9G2.jpg "ENVIRONS de CONQUERNEAU. Map information: Title: ENVIRONS de CONQUERNEAU. 60.12. Date of publication: [about 1650] Item type: 1 map Medium: ink and wash Dimensions: 42 x 63.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
ENVIRONS de CONQUERNEAU. Map information: Title: ENVIRONS de CONQUERNEAU. 60.12. Date of publication: [about 1650] Item type: 1 map Medium: ink and wash Dimensions: 42 x 63.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/environs-de-conquerneau-map-information-title-environs-de-conquerneau-6012-date-of-publication-about-1650-item-type-1-map-medium-ink-and-wash-dimensions-42-x-638-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401707154.htmlRM2E9F9G2–ENVIRONS de CONQUERNEAU. Map information: Title: ENVIRONS de CONQUERNEAU. 60.12. Date of publication: [about 1650] Item type: 1 map Medium: ink and wash Dimensions: 42 x 63.8 cm Former owner: George III, King of Great Britain, 1738-1820
Government Hospital for the Insane (Saint Elizabeths Hospital), Washington, D.C. Nichols Avenue underpass. Rendering Abstract/medium: 1 drawing : crayon and graphite on trace sheet 63.8 x 91.7 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/government-hospital-for-the-insane-saint-elizabeths-hospital-washington-dc-nichols-avenue-underpass-rendering-abstractmedium-1-drawing-crayon-and-graphite-on-trace-sheet-638-x-917-cm-image266611611.htmlRMWDN5R7–Government Hospital for the Insane (Saint Elizabeths Hospital), Washington, D.C. Nichols Avenue underpass. Rendering Abstract/medium: 1 drawing : crayon and graphite on trace sheet 63.8 x 91.7 cm.
John Constable (1776-1837). British artits. English landscape painter. Romanticism movement. Portrait by Ramsay Richard Reinagle (1775-1862). Oil on canvas (76,2 x 63,8 cm), c. 1799. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-constable-1776-1837-british-artits-english-landscape-painter-romanticism-movement-portrait-by-ramsay-richard-reinagle-1775-1862-oil-on-canvas-762-x-638-cm-c-1799-national-portrait-gallery-london-england-united-kingdom-image384800938.htmlRM2DA15EJ–John Constable (1776-1837). British artits. English landscape painter. Romanticism movement. Portrait by Ramsay Richard Reinagle (1775-1862). Oil on canvas (76,2 x 63,8 cm), c. 1799. National Portrait Gallery. London, England, United Kingdom.
Portrait of George de Ligne Gregory (1740 - 1822); John Russell, R.A., British, 1745 - 1806; 1793; Pastel on paper, laid on canvas; Unframed: 75.9 x 63.2 cm (29 7/8 x 24 7/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-george-de-ligne-gregory-1740-1822-john-russell-ra-british-76531777.htmlRFECE91N–Portrait of George de Ligne Gregory (1740 - 1822); John Russell, R.A., British, 1745 - 1806; 1793; Pastel on paper, laid on canvas; Unframed: 75.9 x 63.2 cm (29 7/8 x 24 7/8 in.)
Angelica Kauffmann, Ariadne Abandoned by Theseus (1774), 63.8 x 90.9 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angelica-kauffmann-ariadne-abandoned-by-theseus-1774-638-x-909-cm-image604063573.htmlRF2X2ND71–Angelica Kauffmann, Ariadne Abandoned by Theseus (1774), 63.8 x 90.9 cm.
The Loge - 1878 80 - Oil on canvas 79,8 x 63,8 cm - Cassatt Mary Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-loge-1878-80-oil-on-canvas-798-x-638-cm-cassatt-mary-image457728680.htmlRF2HGK9GT–The Loge - 1878 80 - Oil on canvas 79,8 x 63,8 cm - Cassatt Mary
Sidewall (USA); oatmeal paper; 161 x 59 cm (63 3/8 x 23 1/4 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-usa-oatmeal-paper-161-x-59-cm-63-38-x-23-14-in-image546109813.htmlRM2PMDCHW–Sidewall (USA); oatmeal paper; 161 x 59 cm (63 3/8 x 23 1/4 in.)
'Earl of Caithness and William Bambridge, Queen Adelaide's Beech, 1864, albumen print from collodion negative mounted on paperboard, sheet (trimmed to image): 29 x 23.3 cm (11 7/16 x 9 3/16 in.) support: 56.8 x 42.9 cm (22 3/8 x 16 7/8 in.), Patrons' Permanent Fund, 1995.36.63' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/earl-of-caithness-and-william-bambridge-queen-adelaides-beech-1864-albumen-print-from-collodion-negative-mounted-on-paperboard-sheet-trimmed-to-image-29-x-233-cm-11-716-x-9-316-in-support-568-x-429-cm-22-38-x-16-78-in-patrons-permanent-fund-19953663-image560023436.htmlRM2RF37H0–'Earl of Caithness and William Bambridge, Queen Adelaide's Beech, 1864, albumen print from collodion negative mounted on paperboard, sheet (trimmed to image): 29 x 23.3 cm (11 7/16 x 9 3/16 in.) support: 56.8 x 42.9 cm (22 3/8 x 16 7/8 in.), Patrons' Permanent Fund, 1995.36.63'
A 'sketch by compass of the town and harbour of Tchusan;' drawn by J. Barrow. . A collection of eighty views, maps, portraits and drawings illustrative of the Embassy sent to China under George, Earl of Macartney, in 1793; drawn chiefly by William Alexander, some by Sir John Barrow, Bart., some by Sir Henry Woodbine Parish, and one by William Gomm. Many of them are engraved in Sir George Staunton's Narrative of the Embassy, published in 1797. Engraved in Staunton, Atlas, No. 5. ca. 1793. Ms. 2 f. 3 in. x 1 f. 8 in.; 69 x 51 cm. Source: Maps 8 TAB.c.8.63. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-sketch-by-compass-of-the-town-and-harbour-of-tchusan-drawn-by-j-barrow-a-collection-of-eighty-views-maps-portraits-and-drawings-illustrative-of-the-embassy-sent-to-china-under-george-earl-of-macartney-in-1793-drawn-chiefly-by-william-alexander-some-by-sir-john-barrow-bart-some-by-sir-henry-woodbine-parish-and-one-by-william-gomm-many-of-them-are-engraved-in-sir-george-stauntons-narrative-of-the-embassy-published-in-1797-engraved-in-staunton-atlas-no-5-ca-1793-ms-2-f-3-in-x-1-f-8-in-69-x-51-cm-source-maps-8-tabc863-image227020769.htmlRMR59K8H–A 'sketch by compass of the town and harbour of Tchusan;' drawn by J. Barrow. . A collection of eighty views, maps, portraits and drawings illustrative of the Embassy sent to China under George, Earl of Macartney, in 1793; drawn chiefly by William Alexander, some by Sir John Barrow, Bart., some by Sir Henry Woodbine Parish, and one by William Gomm. Many of them are engraved in Sir George Staunton's Narrative of the Embassy, published in 1797. Engraved in Staunton, Atlas, No. 5. ca. 1793. Ms. 2 f. 3 in. x 1 f. 8 in.; 69 x 51 cm. Source: Maps 8 TAB.c.8.63.
London, England, UK. 17th June, 2024. Bonhams staff member stands by Christopher Wood (British, 1901-1930) At Marseilles, 54.2 x 65.1 cm. (21 1/4 x 25 5/8 in.), estimated at GBP 150,000 - GBP 200,000 (left) and Patrick Heron (British, 1920-1999) The Langdale Pikes, Dusk: 1949-50, 76.2 x 63.5 cm. (30 x 25 in.), estimated at GBP 200,000 - GBP 300,000 (right), during the photocall for the Modern British Art Sale at Bonhams London. (Credit Image: © Thomas Krych/ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE! Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-england-uk-17th-june-2024-bonhams-staff-member-stands-by-christopher-wood-british-1901-1930-at-marseilles-542-x-651-cm-21-14-x-25-58-in-estimated-at-gbp-150000-gbp-200000-left-and-patrick-heron-british-1920-1999-the-langdale-pikes-dusk-1949-50-762-x-635-cm-30-x-25-in-estimated-at-gbp-200000-gbp-300000-right-during-the-photocall-for-the-modern-british-art-sale-at-bonhams-london-credit-image-thomas-krychzuma-press-wire-editorial-usage-only!-not-for-commercial-usage!-image610124671.htmlRM2XCHG6R–London, England, UK. 17th June, 2024. Bonhams staff member stands by Christopher Wood (British, 1901-1930) At Marseilles, 54.2 x 65.1 cm. (21 1/4 x 25 5/8 in.), estimated at GBP 150,000 - GBP 200,000 (left) and Patrick Heron (British, 1920-1999) The Langdale Pikes, Dusk: 1949-50, 76.2 x 63.5 cm. (30 x 25 in.), estimated at GBP 200,000 - GBP 300,000 (right), during the photocall for the Modern British Art Sale at Bonhams London. (Credit Image: © Thomas Krych/ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE!
Sir John Lavery, R.A., R.S.A., R.H.A. (1856-1941) A Villa on the Riviera signed 'J Lavery' (lower left), signed again, inscribed and dated 'John Lavery A Villa on the Riviera 1920' (on the reverse) oil on canvas 28 x 25 in. (71.1 x 63.5 cm.) Painted in 1921. on display at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-john-lavery-ra-rsa-rha-1856-1941-a-villa-on-the-riviera-signed-j-lavery-lower-left-signed-again-inscribed-and-dated-john-lavery-a-villa-on-the-riviera-1920-on-the-reverse-oil-on-canvas-28-x-25-in-711-x-635-cm-painted-in-1921-on-display-at-visionary-the-paul-g-allen-collection-presented-at-christies-new-york-galleries-in-rockefeller-center-in-new-york-ny-on-nov-8-2022-the-auction-is-set-to-take-place-nov-9-10-2022-and-it-has-been-valued-in-excess-of-1-billion-the-collection-of-philanthropist-paul-g-allen-co-founder-of-microsoft-includes-more-than-1-image490429841.htmlRM2KDW07D–Sir John Lavery, R.A., R.S.A., R.H.A. (1856-1941) A Villa on the Riviera signed 'J Lavery' (lower left), signed again, inscribed and dated 'John Lavery A Villa on the Riviera 1920' (on the reverse) oil on canvas 28 x 25 in. (71.1 x 63.5 cm.) Painted in 1921. on display at Visionary: The Paul G. Allen Collection presented at Christie's New York Galleries in Rockefeller Center in New York, NY on Nov. 8, 2022. The auction is set to take place Nov 9-10, 2022 and it has been valued in excess of $1 billion. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 1
Italian 16th Century, (artist), Matthias Corvinus, 1443-1490. King of Hungary 1458, late 15th - early 16th century, bronze, overall (diameter): 8.63 cm (3 3/8 in.), gross weight: 186.93 gr (0.412 lb Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italian-16th-century-artist-matthias-corvinus-1443-1490-king-of-hungary-1458-late-15th-early-16th-century-bronze-overall-diameter-863-cm-3-38-in-gross-weight-18693-gr-0412-lb-image386348033.htmlRM2DCFJT1–Italian 16th Century, (artist), Matthias Corvinus, 1443-1490. King of Hungary 1458, late 15th - early 16th century, bronze, overall (diameter): 8.63 cm (3 3/8 in.), gross weight: 186.93 gr (0.412 lb
Sword. Culture: American. Dimensions: L. 25 1/8 in. (63.8 cm). Maker: Edward Winslow (1669-1753). Date: 1725-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sword-culture-american-dimensions-l-25-18-in-638-cm-maker-edward-winslow-1669-1753-date-1725-50-museum-metropolitan-museum-of-art-new-york-usa-image213105815.htmlRMPAKPHY–Sword. Culture: American. Dimensions: L. 25 1/8 in. (63.8 cm). Maker: Edward Winslow (1669-1753). Date: 1725-50. Museum: Metropolitan Museum of Art, New York, USA.
Inspired by Wallpaper, Paper, ca. 1900, 19 3/4 x 25 1/8 in., 50.2 x 63.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-wallpaper-paper-ca-1900-19-34-x-25-18-in-502-x-638-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459266393.htmlRF2HK5AY5–Inspired by Wallpaper, Paper, ca. 1900, 19 3/4 x 25 1/8 in., 50.2 x 63.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
63 Blindgänger einer 28 cm Granate bei Vojscica.27.8.17. (BildID 15599758) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/63-blindgnger-einer-28-cm-granate-bei-vojscica27817-bildid-15599758-image211942326.htmlRMP8PPGP–63 Blindgänger einer 28 cm Granate bei Vojscica.27.8.17. (BildID 15599758)
Albert Cahen d'Anvers; Pierre-Auguste Renoir (French, 1841 - 1919); France; 1881; Oil on canvas; 80 × 63.8 cm (31 1/2 × 25 1/8 in.); 88.PA.133Digital Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-cahen-danvers-pierre-auguste-renoir-french-1841-1919-france-1881-oil-on-canvas-80-638-cm-31-12-25-18-in-88pa133digital-image239285332.htmlRMRW8ATM–Albert Cahen d'Anvers; Pierre-Auguste Renoir (French, 1841 - 1919); France; 1881; Oil on canvas; 80 × 63.8 cm (31 1/2 × 25 1/8 in.); 88.PA.133Digital
A Landscape with Shepherds Resting Under a Tree by a Cascade. A Landscape with Shepherds Resting Under a Tree by a Cascade (recto); Francesco Zuccarelli (Italian, 1702 - 1778); mid-1700s; Black chalk, pen and brown ink, brown and gray wash heightened with white gouache (recto); black chalk (verso); 47.8 x 63 cm (18 13/16 x 24 13/16 in.); 2000.61 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-landscape-with-shepherds-resting-under-a-tree-by-a-cascade-a-landscape-with-shepherds-resting-under-a-tree-by-a-cascade-recto-francesco-zuccarelli-italian-1702-1778-mid-1700s-black-chalk-pen-and-brown-ink-brown-and-gray-wash-heightened-with-white-gouache-recto-black-chalk-verso-478-x-63-cm-18-1316-x-24-1316-in-200061-image212325912.htmlRMP9C7T8–A Landscape with Shepherds Resting Under a Tree by a Cascade. A Landscape with Shepherds Resting Under a Tree by a Cascade (recto); Francesco Zuccarelli (Italian, 1702 - 1778); mid-1700s; Black chalk, pen and brown ink, brown and gray wash heightened with white gouache (recto); black chalk (verso); 47.8 x 63 cm (18 13/16 x 24 13/16 in.); 2000.61
Camille Pissarro (French, 1830-1903), The Hay-makers, 1884. Gouache and watercolor, (63.8 x 79.7 cm). Denver Art Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-camille-pissarro-french-1830-1903-the-hay-makers-1884-gouache-and-147465793.htmlRMJFWJ3D–Camille Pissarro (French, 1830-1903), The Hay-makers, 1884. Gouache and watercolor, (63.8 x 79.7 cm). Denver Art Museum
Camille Pissarro (French, 1830E280931903), The Hay-makers, 1884. Gouache and watercolor, (63.8 x 79.7 cm). Denver Art Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-camille-pissarro-french-1830e280931903-the-hay-makers-1884-gouache-137870461.htmlRMJ08F51–Camille Pissarro (French, 1830E280931903), The Hay-makers, 1884. Gouache and watercolor, (63.8 x 79.7 cm). Denver Art Museum
BlayÃàe 1689 sur la Garonne Author Le Roy du Quesnel, Alexandre 63.34. Date of publication: 1689. Item type: 1 map Medium: ink and wash Dimensions: 38.8 x 30.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blaye-1689-sur-la-garonne-author-le-roy-du-quesnel-alexandre-6334-date-of-publication-1689-item-type-1-map-medium-ink-and-wash-dimensions-388-x-301-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401708022.htmlRM2E9FAK2–BlayÃàe 1689 sur la Garonne Author Le Roy du Quesnel, Alexandre 63.34. Date of publication: 1689. Item type: 1 map Medium: ink and wash Dimensions: 38.8 x 30.1 cm Former owner: George III, King of Great Britain, 1738-1820
Great conflagration at Pittsburgh. View of the ruins of the city of Pittsburgh from near Birmingham / lith. of Wagner & McGuigan, No. 100 Chestnut Street, Philada. Abstract/medium: 1 print : lithograph sheet 29.8 x 63.3 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/great-conflagration-at-pittsburgh-view-of-the-ruins-of-the-city-of-pittsburgh-from-near-birmingham-lith-of-wagner-mcguigan-no-100-chestnut-street-philada-abstractmedium-1-print-lithograph-sheet-298-x-633-cm-image266649632.htmlRMWDPX94–Great conflagration at Pittsburgh. View of the ruins of the city of Pittsburgh from near Birmingham / lith. of Wagner & McGuigan, No. 100 Chestnut Street, Philada. Abstract/medium: 1 print : lithograph sheet 29.8 x 63.3 cm.
Sir Frederick William Trench (1775-1859). British military officer and Tory politician. He was colonel in the British Army. Amateur artist and architect who proposed several improvement schemes for London. Anonymous portrait showing Trench working on a long panoramic drawing of this embankment. Oil on canvas (75,9 x 63,8 cm), c. 1827. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-frederick-william-trench-1775-1859-british-military-officer-and-tory-politician-he-was-colonel-in-the-british-army-amateur-artist-and-architect-who-proposed-several-improvement-schemes-for-london-anonymous-portrait-showing-trench-working-on-a-long-panoramic-drawing-of-this-embankment-oil-on-canvas-759-x-638-cm-c-1827-national-portrait-gallery-london-england-united-kingdom-image384881905.htmlRM2DA4TP9–Sir Frederick William Trench (1775-1859). British military officer and Tory politician. He was colonel in the British Army. Amateur artist and architect who proposed several improvement schemes for London. Anonymous portrait showing Trench working on a long panoramic drawing of this embankment. Oil on canvas (75,9 x 63,8 cm), c. 1827. National Portrait Gallery. London, England, United Kingdom.
Carpet; Made in the Chaillot Workshops of Philippe Lourdet (French), and Simon Lourdet, Savonnerie Manufactory (French, active 1627 - present); Paris, France; about 1665 - 1666; Wool and linen; modern cotton lining; 642.1 x 428.8 cm (252 13/16 x 168 13/16 in.); 70.DC.63 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carpet-made-in-the-chaillot-workshops-of-philippe-lourdet-french-and-simon-lourdet-savonnerie-manufactory-french-active-1627-present-paris-france-about-1665-1666-wool-and-linen-modern-cotton-lining-6421-x-4288-cm-252-1316-x-168-1316-in-70dc63-image333546751.htmlRM2AAJA7Y–Carpet; Made in the Chaillot Workshops of Philippe Lourdet (French), and Simon Lourdet, Savonnerie Manufactory (French, active 1627 - present); Paris, France; about 1665 - 1666; Wool and linen; modern cotton lining; 642.1 x 428.8 cm (252 13/16 x 168 13/16 in.); 70.DC.63
Ariadne Abandoned by Theseus (1774), oil on canvas, 63.8 x 90.9 cm., Museum of Fine Arts, Houston Angelica Kauffmann Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ariadne-abandoned-by-theseus-1774-oil-on-canvas-638-x-909-cm-museum-of-fine-arts-houston-angelica-kauffmann-image603969294.htmlRM2X2H4YX–Ariadne Abandoned by Theseus (1774), oil on canvas, 63.8 x 90.9 cm., Museum of Fine Arts, Houston Angelica Kauffmann
The Seine at Chatou - 1874 - Oil on canvas 50,8 x 63,5 cm - re07Renoir Auguste Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-seine-at-chatou-1874-oil-on-canvas-508-x-635-cm-re07renoir-auguste-image457744646.htmlRF2HGM1Y2–The Seine at Chatou - 1874 - Oil on canvas 50,8 x 63,5 cm - re07Renoir Auguste
Sidewall (USA); block-printed; 63 x 48 cm (24 13/16 x 18 7/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-usa-block-printed-63-x-48-cm-24-1316-x-18-78-in-image546114876.htmlRM2PMDK2M–Sidewall (USA); block-printed; 63 x 48 cm (24 13/16 x 18 7/8 in.)
'Earl of Caithness and William Bambridge, Queen Adelaide's Beech, 1864, albumen print from collodion negative mounted on paperboard, sheet (trimmed to image): 29 x 23.3 cm (11 7/16 x 9 3/16 in.) support: 56.8 x 42.9 cm (22 3/8 x 16 7/8 in.), Patrons' Permanent Fund, 1995.36.63' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/earl-of-caithness-and-william-bambridge-queen-adelaides-beech-1864-albumen-print-from-collodion-negative-mounted-on-paperboard-sheet-trimmed-to-image-29-x-233-cm-11-716-x-9-316-in-support-568-x-429-cm-22-38-x-16-78-in-patrons-permanent-fund-19953663-image560023440.htmlRM2RF37H4–'Earl of Caithness and William Bambridge, Queen Adelaide's Beech, 1864, albumen print from collodion negative mounted on paperboard, sheet (trimmed to image): 29 x 23.3 cm (11 7/16 x 9 3/16 in.) support: 56.8 x 42.9 cm (22 3/8 x 16 7/8 in.), Patrons' Permanent Fund, 1995.36.63'
Goethe, Johann Wolfgang, von, 28.8.1749 - 22.3.1832, German author / writer, half length, painting by Joseph Karl Stieler (1781 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-goethe-johann-wolfgang-von-2881749-2231832-german-author-writer-half-10875034.htmlRMA3XGRR–Goethe, Johann Wolfgang, von, 28.8.1749 - 22.3.1832, German author / writer, half length, painting by Joseph Karl Stieler (1781
Still Life with Blue Pot; Paul Cézanne (French, 1839 - 1906); France; about 1900–1906; Watercolor over graphite; 48.1 × 63.2 cm (18 15/16 × 24 7/8 in.); 83.GC.221 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/still-life-with-blue-pot-paul-czanne-french-1839-1906-france-about-19001906-watercolor-over-graphite-481-632-cm-18-1516-24-78-in-83gc221-image336832657.htmlRF2AG01DN–Still Life with Blue Pot; Paul Cézanne (French, 1839 - 1906); France; about 1900–1906; Watercolor over graphite; 48.1 × 63.2 cm (18 15/16 × 24 7/8 in.); 83.GC.221
London, UK. 23rd Feb, 2022. PABLO PICASSO (1881-1973) La fenêtre ouverte signed and dated ‘Picasso XXIX' (lower left) oil on canvas 51 3⁄8 x 63 3⁄8 in. (130.5 x 163.4 cm.) Painted in Paris on 22 November 1929 Estimate: GBP 14,000,000 - GBP 24,000,000, Credit: Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-23rd-feb-2022-pablo-picasso-1881-1973-la-fentre-ouverte-signed-and-dated-picasso-xxix-lower-left-oil-on-canvas-51-38-x-63-38-in-1305-x-1634-cm-painted-in-paris-on-22-november-1929-estimate-gbp-14000000-gbp-24000000-credit-paul-quezada-neimanalamy-live-news-image461508397.htmlRM2HPREJN–London, UK. 23rd Feb, 2022. PABLO PICASSO (1881-1973) La fenêtre ouverte signed and dated ‘Picasso XXIX' (lower left) oil on canvas 51 3⁄8 x 63 3⁄8 in. (130.5 x 163.4 cm.) Painted in Paris on 22 November 1929 Estimate: GBP 14,000,000 - GBP 24,000,000, Credit: Paul Quezada-Neiman/Alamy Live News
Seitaka Dôji, 15th century, Japan, Wood with traces of polychromy, H. 63.8 cm (25 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seitaka-dji-15th-century-japan-wood-with-traces-of-polychromy-h-638-cm-25-in-image328650319.htmlRM2A2K8RB–Seitaka Dôji, 15th century, Japan, Wood with traces of polychromy, H. 63.8 cm (25 in
Portrait of a Man. Artist: Spanish (Andalusian) Painter (late 17th century). Dimensions: 25 x 20 5/8 in. (63.5 x 52.4 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-man-artist-spanish-andalusian-painter-late-17th-century-dimensions-25-x-20-58-in-635-x-524-cm-museum-metropolitan-museum-of-art-new-york-usa-image212934419.htmlRMPAC00K–Portrait of a Man. Artist: Spanish (Andalusian) Painter (late 17th century). Dimensions: 25 x 20 5/8 in. (63.5 x 52.4 cm). Museum: Metropolitan Museum of Art, New York, USA.
Inspired by Portrait of Henry P. Martin, Oil on canvas, 30 1/4 x 25 in., 76.8 x 63.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-henry-p-martin-oil-on-canvas-30-14-x-25-in-768-x-635-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459250515.htmlRF2HK4JM3–Inspired by Portrait of Henry P. Martin, Oil on canvas, 30 1/4 x 25 in., 76.8 x 63.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Self portrait *oil on canvas *75 x 63.8 cm *circa 1830 604 Thomas Brigstocke, by Thomas Brigstocke Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-oil-on-canvas-75-x-638-cm-circa-1830-604-thomas-brigstocke-by-thomas-brigstocke-image214104742.htmlRMPC98NX–Self portrait *oil on canvas *75 x 63.8 cm *circa 1830 604 Thomas Brigstocke, by Thomas Brigstocke
14 Sammlung Eybl Österreich. Alfred Offner (1879-1937). Zeichnet 8. Kriegsanleihe. 1918. 95 x 63 cm. (Slg.Nr. 325). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/14-sammlung-eybl-sterreich-alfred-offner-1879-1937-zeichnet-8-kriegsanleihe-1918-95-x-63-cm-slgnr-325-image209277655.htmlRMP4DBNY–14 Sammlung Eybl Österreich. Alfred Offner (1879-1937). Zeichnet 8. Kriegsanleihe. 1918. 95 x 63 cm. (Slg.Nr. 325).
Chandelier MET 188456 1966 Chandelier, ca. 1853, Gilt bronze, glass, 63 1/2 x 29 7/8 in. (161.3 x 75.9 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Frederick Wildman, 1964 (64.36.3a?I) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-chandelier-met-188456-1966-chandelier-ca-1853-gilt-bronze-glass-63-167905704.htmlRMKN4NC8–Chandelier MET 188456 1966 Chandelier, ca. 1853, Gilt bronze, glass, 63 1/2 x 29 7/8 in. (161.3 x 75.9 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Frederick Wildman, 1964 (64.36.3a?I)
. Cultural chronology and change as reflected in the ceramics of the Virú Valley, Peru. Pottery -- Viru Valley, Peru; Mounds -- Peru Viru Valley; Viru Valley, Peru -- Antiquities. n c Fig. 64. Rim profiles of Gloria Polished Plain; rim exteriors to the right. X 0.4. The Castillo jar of this shape from Burial 1 at V-302 (p. 71 and fig. 34, E) has a lip lug with two reed punctates on its upper surface. 7. Small, globular jars with cambered neck and flaring rim (fig. 63, H). Rim diameter 11-15 cm., mean 13.6; body thickness 5-8 mm., mean 5.9. With the exception of two sherds from the Estero perio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cultural-chronology-and-change-as-reflected-in-the-ceramics-of-the-vir-valley-peru-pottery-viru-valley-peru-mounds-peru-viru-valley-viru-valley-peru-antiquities-n-c-fig-64-rim-profiles-of-gloria-polished-plain-rim-exteriors-to-the-right-x-04-the-castillo-jar-of-this-shape-from-burial-1-at-v-302-p-71-and-fig-34-e-has-a-lip-lug-with-two-reed-punctates-on-its-upper-surface-7-small-globular-jars-with-cambered-neck-and-flaring-rim-fig-63-h-rim-diameter-11-15-cm-mean-136-body-thickness-5-8-mm-mean-59-with-the-exception-of-two-sherds-from-the-estero-perio-image216318376.htmlRMPFX488–. Cultural chronology and change as reflected in the ceramics of the Virú Valley, Peru. Pottery -- Viru Valley, Peru; Mounds -- Peru Viru Valley; Viru Valley, Peru -- Antiquities. n c Fig. 64. Rim profiles of Gloria Polished Plain; rim exteriors to the right. X 0.4. The Castillo jar of this shape from Burial 1 at V-302 (p. 71 and fig. 34, E) has a lip lug with two reed punctates on its upper surface. 7. Small, globular jars with cambered neck and flaring rim (fig. 63, H). Rim diameter 11-15 cm., mean 13.6; body thickness 5-8 mm., mean 5.9. With the exception of two sherds from the Estero perio
![A Prospect of Hurst Castle. Author Phillips, Thomas 14.63.1.a. Date of publication: [about 1690] Item type: 1 drawing Medium: watercolour over pencil Dimensions: sheet 48.8 x 70.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9H1YA/a-prospect-of-hurst-castle-author-phillips-thomas-14631a-date-of-publication-about-1690-item-type-1-drawing-medium-watercolour-over-pencil-dimensions-sheet-488-x-705-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9H1YA.jpg "A Prospect of Hurst Castle. Author Phillips, Thomas 14.63.1.a. Date of publication: [about 1690] Item type: 1 drawing Medium: watercolour over pencil Dimensions: sheet 48.8 x 70.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A Prospect of Hurst Castle. Author Phillips, Thomas 14.63.1.a. Date of publication: [about 1690] Item type: 1 drawing Medium: watercolour over pencil Dimensions: sheet 48.8 x 70.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-prospect-of-hurst-castle-author-phillips-thomas-14631a-date-of-publication-about-1690-item-type-1-drawing-medium-watercolour-over-pencil-dimensions-sheet-488-x-705-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401745102.htmlRM2E9H1YA–A Prospect of Hurst Castle. Author Phillips, Thomas 14.63.1.a. Date of publication: [about 1690] Item type: 1 drawing Medium: watercolour over pencil Dimensions: sheet 48.8 x 70.5 cm Former owner: George III, King of Great Britain, 1738-1820
First anniversary of the Belgian revolution Bronzen penning. Voorzijde: opschrift binnen eikekrans. Keerzijde: opschrift binnen omschrift Manufacturer : M. Borrel Dating: 1831 Material: brons Techniek: slaan Dimensions: d 1,8 cm. × g 3,63 gr Subject: Belgische RevolutieWanneer: 1830-09 - 1831-09 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/first-anniversary-of-the-belgian-revolution-bronzen-penning-voorzijde-opschrift-binnen-eikekrans-keerzijde-opschrift-binnen-omschrift-manufacturer-m-borrel-dating-1831-material-brons-techniek-slaan-dimensions-d-18-cm-g-363-gr-subject-belgische-revolutiewanneer-1830-09-1831-09-image348330531.htmlRM2B6KR43–First anniversary of the Belgian revolution Bronzen penning. Voorzijde: opschrift binnen eikekrans. Keerzijde: opschrift binnen omschrift Manufacturer : M. Borrel Dating: 1831 Material: brons Techniek: slaan Dimensions: d 1,8 cm. × g 3,63 gr Subject: Belgische RevolutieWanneer: 1830-09 - 1831-09
William Wyndham Grenville (1759-1834). 1st Baron Grenville. British politician. Pittite Tory who served as Speaker of the House of Commons in 1879 and Foreign Secretary (1791-1801). Prime Minister of the United Kingdom from 1806 to 1807. Portrait by John Hoppner (1758-1810). Oil on canvas (76,8 x 63,5 cm), c. 1800. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-wyndham-grenville-1759-1834-1st-baron-grenville-british-politician-pittite-tory-who-served-as-speaker-of-the-house-of-commons-in-1879-and-foreign-secretary-1791-1801-prime-minister-of-the-united-kingdom-from-1806-to-1807-portrait-by-john-hoppner-1758-1810-oil-on-canvas-768-x-635-cm-c-1800-national-portrait-gallery-london-england-united-kingdom-image384881971.htmlRM2DA4TTK–William Wyndham Grenville (1759-1834). 1st Baron Grenville. British politician. Pittite Tory who served as Speaker of the House of Commons in 1879 and Foreign Secretary (1791-1801). Prime Minister of the United Kingdom from 1806 to 1807. Portrait by John Hoppner (1758-1810). Oil on canvas (76,8 x 63,5 cm), c. 1800. National Portrait Gallery. London, England, United Kingdom.
Tapestry: The Abandonment of Psyche; After design by François Boucher (French, 1703 - 1770), and woven under the direction of Nicolas Besnier (French, 1714 - 1754), and Jean-Baptiste Oudry (French, 1686 - 1755), Beauvais Manufactory (French, founded 1664); Beauvais, France; about 1741 - 1742; Silk and wool; modern cotton lining; 377.8 x 282.2 cm (148 3/4 x 111 1/8 in.); 63.DD.3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tapestry-the-abandonment-of-psyche-after-design-by-franois-boucher-french-1703-1770-and-woven-under-the-direction-of-nicolas-besnier-french-1714-1754-and-jean-baptiste-oudry-french-1686-1755-beauvais-manufactory-french-founded-1664-beauvais-france-about-1741-1742-silk-and-wool-modern-cotton-lining-3778-x-2822-cm-148-34-x-111-18-in-63dd3-image333546613.htmlRM2AAJA31–Tapestry: The Abandonment of Psyche; After design by François Boucher (French, 1703 - 1770), and woven under the direction of Nicolas Besnier (French, 1714 - 1754), and Jean-Baptiste Oudry (French, 1686 - 1755), Beauvais Manufactory (French, founded 1664); Beauvais, France; about 1741 - 1742; Silk and wool; modern cotton lining; 377.8 x 282.2 cm (148 3/4 x 111 1/8 in.); 63.DD.3
Venus and Adonis; Titian (Tiziano Vecellio) (Italian, about 1487 - 1576); about 1555 - 1560; Oil on canvas; 160 × 196.5 cm (63 × 77 3/8 in.); 92.PA.42 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/venus-and-adonis-titian-tiziano-vecellio-italian-about-1487-1576-about-1555-1560-oil-on-canvas-160-1965-cm-63-77-38-in-92pa42-image597274650.htmlRF2WKM5WE–Venus and Adonis; Titian (Tiziano Vecellio) (Italian, about 1487 - 1576); about 1555 - 1560; Oil on canvas; 160 × 196.5 cm (63 × 77 3/8 in.); 92.PA.42
The Italian Comedians - 1720c. - oil on canvas 63,8 x 76,2 cm - Watteau Antoine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-italian-comedians-1720c-oil-on-canvas-638-x-762-cm-watteau-antoine-image457744976.htmlRF2HGM2AT–The Italian Comedians - 1720c. - oil on canvas 63,8 x 76,2 cm - Watteau Antoine
Sidewall; Ericson & Weiss; block-printed; 63.5 x 50.5 cm (25 x 19 7/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-ericson-weiss-block-printed-635-x-505-cm-25-x-19-78-in-image546111297.htmlRM2PMDEEW–Sidewall; Ericson & Weiss; block-printed; 63.5 x 50.5 cm (25 x 19 7/8 in.)
'Jean-Baptiste-Camille Corot, Souvenir of Terracina, 1864, reworked slightly later, oil on canvas, overall: 66.04 × 81.28 cm (26 × 32 in.) framed: 91.76 × 107.63 × 8.57 cm (36 1/8 × 42 3/8 × 3 3/8 in.), Corcoran Collection (William A. Clark Collection), 2014.136.26' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-baptiste-camille-corot-souvenir-of-terracina-1864-reworked-slightly-later-oil-on-canvas-overall-6604-8128-cm-26-32-in-framed-9176-10763-857-cm-36-18-42-38-3-38-in-corcoran-collection-william-a-clark-collection-201413626-image560339859.htmlRM2RFHK5R–'Jean-Baptiste-Camille Corot, Souvenir of Terracina, 1864, reworked slightly later, oil on canvas, overall: 66.04 × 81.28 cm (26 × 32 in.) framed: 91.76 × 107.63 × 8.57 cm (36 1/8 × 42 3/8 × 3 3/8 in.), Corcoran Collection (William A. Clark Collection), 2014.136.26'
Street Amazake Seller; Kusakabe Kimbei (Japanese, 1841 - 1934, active 1880s - about 1912); Japan; 1870s - 1890s; Hand-colored albumen silver print; 20.3 x 26.4 cm (8 x 10 3/8 in.); 84.XA.700.4.63 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/street-amazake-seller-kusakabe-kimbei-japanese-1841-1934-active-1880s-about-1912-japan-1870s-1890s-hand-colored-albumen-silver-print-203-x-264-cm-8-x-10-38-in-84xa700463-image184305953.htmlRMMKRT3D–Street Amazake Seller; Kusakabe Kimbei (Japanese, 1841 - 1934, active 1880s - about 1912); Japan; 1870s - 1890s; Hand-colored albumen silver print; 20.3 x 26.4 cm (8 x 10 3/8 in.); 84.XA.700.4.63
London, UK. 23rd Feb, 2022. PABLO PICASSO (1881-1973) La fenêtre ouverte signed and dated ‘Picasso XXIX' (lower left) oil on canvas 51 3⁄8 x 63 3⁄8 in. (130.5 x 163.4 cm.) Painted in Paris on 22 November 1929 Estimate: GBP 14,000,000 - GBP 24,000,000, Credit: Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-23rd-feb-2022-pablo-picasso-1881-1973-la-fentre-ouverte-signed-and-dated-picasso-xxix-lower-left-oil-on-canvas-51-38-x-63-38-in-1305-x-1634-cm-painted-in-paris-on-22-november-1929-estimate-gbp-14000000-gbp-24000000-credit-paul-quezada-neimanalamy-live-news-image461508453.htmlRM2HPREMN–London, UK. 23rd Feb, 2022. PABLO PICASSO (1881-1973) La fenêtre ouverte signed and dated ‘Picasso XXIX' (lower left) oil on canvas 51 3⁄8 x 63 3⁄8 in. (130.5 x 163.4 cm.) Painted in Paris on 22 November 1929 Estimate: GBP 14,000,000 - GBP 24,000,000, Credit: Paul Quezada-Neiman/Alamy Live News
crockery, pottery, B 8 cm, Roman Period, Byzantine Period 63 BC. - 640 AD, Palestine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crockery-pottery-b-8-cm-roman-period-byzantine-period-63-bc-640-ad-palestine-image344521084.htmlRM2B0E84C–crockery, pottery, B 8 cm, Roman Period, Byzantine Period 63 BC. - 640 AD, Palestine
Tabernacle frame. Culture: Italian, Tuscany. Dimensions: 78.7 x 63.2, 47.7 x 32.8, 50.2 x 35.7 cm.. Date: ca. 1485. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tabernacle-frame-culture-italian-tuscany-dimensions-787-x-632-477-x-328-502-x-357-cm-date-ca-1485-museum-metropolitan-museum-of-art-new-york-usa-image213330348.htmlRMPB2110–Tabernacle frame. Culture: Italian, Tuscany. Dimensions: 78.7 x 63.2, 47.7 x 32.8, 50.2 x 35.7 cm.. Date: ca. 1485. Museum: Metropolitan Museum of Art, New York, USA.
Inspired by Fanning C. Tucker, Oil on canvas, 1886, 29 13/16 x 24 15/16 in., 75.8 x 63.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-fanning-c-tucker-oil-on-canvas-1886-29-1316-x-24-1516-in-758-x-633-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459266863.htmlRF2HK5BFY–Inspired by Fanning C. Tucker, Oil on canvas, 1886, 29 13/16 x 24 15/16 in., 75.8 x 63.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. Damenporträt, signiert und 1840 datiert. Öl auf Leinwand 63,8 x 52 cm . 1840. Friedrich Rantz Damenportrait 1840 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/damenportrt-signiert-und-1840-datiert-l-auf-leinwand-638-x-52-cm-1840-friedrich-rantz-damenportrait-1840-image184851434.htmlRMMMMKTX–. Damenporträt, signiert und 1840 datiert. Öl auf Leinwand 63,8 x 52 cm . 1840. Friedrich Rantz Damenportrait 1840
The Baptism of the Eunuch, Pieter Lastman, 1615 to 1620, oil on panel, 63.5 by 98.8 cm, Fondation Custodia, Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-baptism-of-the-eunuch-pieter-lastman-1615-to-1620-oil-on-panel-635-by-988-cm-fondation-custodia-paris-image477876977.htmlRM2JND4XW–The Baptism of the Eunuch, Pieter Lastman, 1615 to 1620, oil on panel, 63.5 by 98.8 cm, Fondation Custodia, Paris
Hairpin MET sf17-191-63s1 465112 Roman, Hairpin, 1st?4th century, Glass, Overall: 3 3/8 x 1/8 in. (8.5 x 0.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.63) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-hairpin-met-sf17-191-63s1-465112-roman-hairpin-1st4th-century-glass-168256699.htmlRMKNMN3R–Hairpin MET sf17-191-63s1 465112 Roman, Hairpin, 1st?4th century, Glass, Overall: 3 3/8 x 1/8 in. (8.5 x 0.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.63)
. Danmarks fauna; illustrerede haandbøger over den danske dyreverden... 111 ned over Haandsvingfjerenes Spidser. Den ret korte Hale er mørkegraa, mod Spidsen graasort. Iris rød. Næbbet graagrønt, mod Spidsen orangerød- ligt. Næbbet 63—72 mm langt, Vingen 45—52 cm. Benene. Fig. 25. Jomfrutrane. (Efter Mivart). sorte; Mellemfoden 17—22 cm lang, Mellemtaaen 7—8 cm lang. Hannen stedse noget større end Hunnen. Unge Fugle kendes paa, at deres Hoved og Hals er graa; den ligeledes graa Øredusk er meget kort; For- halsens Fjer graa og ligesom de indre Armsvingfjer kun ubetydeligt forlængede. Denne smuk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/danmarks-fauna-illustrerede-haandbger-over-den-danske-dyreverden-111-ned-over-haandsvingfjerenes-spidser-den-ret-korte-hale-er-mrkegraa-mod-spidsen-graasort-iris-rd-nbbet-graagrnt-mod-spidsen-orangerd-ligt-nbbet-6372-mm-langt-vingen-4552-cm-benene-fig-25-jomfrutrane-efter-mivart-sorte-mellemfoden-1722-cm-lang-mellemtaaen-78-cm-lang-hannen-stedse-noget-strre-end-hunnen-unge-fugle-kendes-paa-at-deres-hoved-og-hals-er-graa-den-ligeledes-graa-redusk-er-meget-kort-for-halsens-fjer-graa-og-ligesom-de-indre-armsvingfjer-kun-ubetydeligt-forlngede-denne-smuk-image216136361.htmlRMPFHT3N–. Danmarks fauna; illustrerede haandbøger over den danske dyreverden... 111 ned over Haandsvingfjerenes Spidser. Den ret korte Hale er mørkegraa, mod Spidsen graasort. Iris rød. Næbbet graagrønt, mod Spidsen orangerød- ligt. Næbbet 63—72 mm langt, Vingen 45—52 cm. Benene. Fig. 25. Jomfrutrane. (Efter Mivart). sorte; Mellemfoden 17—22 cm lang, Mellemtaaen 7—8 cm lang. Hannen stedse noget større end Hunnen. Unge Fugle kendes paa, at deres Hoved og Hals er graa; den ligeledes graa Øredusk er meget kort; For- halsens Fjer graa og ligesom de indre Armsvingfjer kun ubetydeligt forlængede. Denne smuk
PLAN de ZUTPHEN. Map information: Title: PLAN de ZUTPHEN. ; 108.63.2. Date of publication: 1702. Item type: 1 map Medium: pen and ink drawing with coloured wash Dimensions: 48.1 x 69.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plan-de-zutphen-map-information-title-plan-de-zutphen-108632-date-of-publication-1702-item-type-1-map-medium-pen-and-ink-drawing-with-coloured-wash-dimensions-481-x-698-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401716545.htmlRM2E9FNFD–PLAN de ZUTPHEN. Map information: Title: PLAN de ZUTPHEN. ; 108.63.2. Date of publication: 1702. Item type: 1 map Medium: pen and ink drawing with coloured wash Dimensions: 48.1 x 69.8 cm Former owner: George III, King of Great Britain, 1738-1820
Kuilenburg 30 Augustus 1868 Foto op karton van de spoorbrug bij Culemborg, vooraanzicht. Manufacturer : fotograaf: Johann Heinrich SchönscheidtPlaats manufacture: Keulen Dating: 30-aug-1868 Material: karton papier Techniek: fotografie / plakken Dimensions: h 47,5 cm. × b 63,8 cm. Date: 1868 - 1868 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kuilenburg-30-augustus-1868-foto-op-karton-van-de-spoorbrug-bij-culemborg-vooraanzicht-manufacturer-fotograaf-johann-heinrich-schnscheidtplaats-manufacture-keulen-dating-30-aug-1868-material-karton-papier-techniek-fotografie-plakken-dimensions-h-475-cm-b-638-cm-date-1868-1868-image348531730.htmlRM2B70YNP–Kuilenburg 30 Augustus 1868 Foto op karton van de spoorbrug bij Culemborg, vooraanzicht. Manufacturer : fotograaf: Johann Heinrich SchönscheidtPlaats manufacture: Keulen Dating: 30-aug-1868 Material: karton papier Techniek: fotografie / plakken Dimensions: h 47,5 cm. × b 63,8 cm. Date: 1868 - 1868
Bust of Juliette Récamier (1777 - 1849); Joseph Chinard, French, 1756 - 1813; France, Europe; about 1801 - 1802; Terracotta; Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bust-of-juliette-rcamier-1777-1849-joseph-chinard-french-1756-1813-73246874.htmlRME74K3P–Bust of Juliette Récamier (1777 - 1849); Joseph Chinard, French, 1756 - 1813; France, Europe; about 1801 - 1802; Terracotta;
Italian Landscape; Jean-Baptiste-Camille Corot (French, 1796 - 1875); about 1835; Oil on canvas; 63.5 × 101.3 cm (25 × 39 7/8 in.); 84.PA.78 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italian-landscape-jean-baptiste-camille-corot-french-1796-1875-about-1835-oil-on-canvas-635-1013-cm-25-39-78-in-84pa78-image597274561.htmlRF2WKM5P9–Italian Landscape; Jean-Baptiste-Camille Corot (French, 1796 - 1875); about 1835; Oil on canvas; 63.5 × 101.3 cm (25 × 39 7/8 in.); 84.PA.78
Allegory of Fortune - no date - Oil on canvas 76,2 x 63,8 cm - Lippi Lorenzo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-fortune-no-date-oil-on-canvas-762-x-638-cm-lippi-lorenzo-image454772197.htmlRF2HBTJG5–Allegory of Fortune - no date - Oil on canvas 76,2 x 63,8 cm - Lippi Lorenzo
Textile, 19th century; silk; Overall: 74 x 63.2 cm (29 1/8 x 24 7/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-19th-century-silk-overall-74-x-632-cm-29-18-x-24-78-in-image546246633.htmlRM2PMKK49–Textile, 19th century; silk; Overall: 74 x 63.2 cm (29 1/8 x 24 7/8 in.)
'Louis-Marin Bonnet after François Boucher, Young Woman Seated on a Bed, 1767, chalk manner printed in black and white inks on blue paper, Overall (5th framing line): 40.9 x 29.2 cm (16 1/8 x 11 1/2 in.) image: 35.5 x 23.8 cm (14 x 9 3/8 in.), Gift of Ivan E. and Winifred Phillips in memory of Neil Phillips, 1998.63.2' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-marin-bonnet-after-franois-boucher-young-woman-seated-on-a-bed-1767-chalk-manner-printed-in-black-and-white-inks-on-blue-paper-overall-5th-framing-line-409-x-292-cm-16-18-x-11-12-in-image-355-x-238-cm-14-x-9-38-in-gift-of-ivan-e-and-winifred-phillips-in-memory-of-neil-phillips-1998632-image559760010.htmlRM2REK7GX–'Louis-Marin Bonnet after François Boucher, Young Woman Seated on a Bed, 1767, chalk manner printed in black and white inks on blue paper, Overall (5th framing line): 40.9 x 29.2 cm (16 1/8 x 11 1/2 in.) image: 35.5 x 23.8 cm (14 x 9 3/8 in.), Gift of Ivan E. and Winifred Phillips in memory of Neil Phillips, 1998.63.2'
Christo (Christo Javacheff). (American, born Bulgaria, 1935). Store Front Project. 1964. Wood, plexiglass, paper, fabric, pencil, charcoal, enamel paint, wire mesh, and electric light, 48 1/8 x 63 x 4' (122.2 x 160 x 10.2 cm). Gift of Agnes Gund. © 2008 Christo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-christo-christo-javacheff-american-born-bulgaria-1935-store-front-166868788.htmlRMKKDERG–Christo (Christo Javacheff). (American, born Bulgaria, 1935). Store Front Project. 1964. Wood, plexiglass, paper, fabric, pencil, charcoal, enamel paint, wire mesh, and electric light, 48 1/8 x 63 x 4' (122.2 x 160 x 10.2 cm). Gift of Agnes Gund. © 2008 Christo
London, UK. 23rd Feb, 2022. PABLO PICASSO (1881-1973) La fenêtre ouverte signed and dated ‘Picasso XXIX' (lower left) oil on canvas 51 3⁄8 x 63 3⁄8 in. (130.5 x 163.4 cm.) Painted in Paris on 22 November 1929 Estimate: GBP 14,000,000 - GBP 24,000,000, Credit: Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-23rd-feb-2022-pablo-picasso-1881-1973-la-fentre-ouverte-signed-and-dated-picasso-xxix-lower-left-oil-on-canvas-51-38-x-63-38-in-1305-x-1634-cm-painted-in-paris-on-22-november-1929-estimate-gbp-14000000-gbp-24000000-credit-paul-quezada-neimanalamy-live-news-image461503521.htmlRM2HPR8CH–London, UK. 23rd Feb, 2022. PABLO PICASSO (1881-1973) La fenêtre ouverte signed and dated ‘Picasso XXIX' (lower left) oil on canvas 51 3⁄8 x 63 3⁄8 in. (130.5 x 163.4 cm.) Painted in Paris on 22 November 1929 Estimate: GBP 14,000,000 - GBP 24,000,000, Credit: Paul Quezada-Neiman/Alamy Live News
Spoon, 1761/63, Augsburg, Germany, Augsburg, Silver, H. 19.4 cm (7 5/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spoon-176163-augsburg-germany-augsburg-silver-h-194-cm-7-58-in-image328641972.htmlRM2A2JX58–Spoon, 1761/63, Augsburg, Germany, Augsburg, Silver, H. 19.4 cm (7 5/8 in
The Resurrection. Artist: Spanish (Aragonese) Painter (mid-15th century). Dimensions: 31 x 24 7/8 in. (78.7 x 63.2 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-resurrection-artist-spanish-aragonese-painter-mid-15th-century-dimensions-31-x-24-78-in-787-x-632-cm-museum-metropolitan-museum-of-art-new-york-usa-image213371712.htmlRMPB3WP8–The Resurrection. Artist: Spanish (Aragonese) Painter (mid-15th century). Dimensions: 31 x 24 7/8 in. (78.7 x 63.2 cm). Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Textile, Silk damask, Registered April 18, 1873, 25 x 22 in., 63.5 x 55.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-textile-silk-damask-registered-april-18-1873-25-x-22-in-635-x-558-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459563063.htmlRF2HKJWAF–Art inspired by Textile, Silk damask, Registered April 18, 1873, 25 x 22 in., 63.5 x 55.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. 300 Georges Valmier, 1914-15, Portrait de Commandant Lambert, gouache and watercolor over pencil, 63.2 x 50.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/300-georges-valmier-1914-15-portrait-de-commandant-lambert-gouache-and-watercolor-over-pencil-632-x-508-cm-image211953309.htmlRMP8R8H1–. 300 Georges Valmier, 1914-15, Portrait de Commandant Lambert, gouache and watercolor over pencil, 63.2 x 50.8 cm
Archive image from page 118 of Danmarks fauna; illustrerede haandbøger over. Danmarks fauna; illustrerede haandbøger over den danske dyreverden.. danmarksfaunaill30dans Year: 1907 111 ned over Haandsvingfjerenes Spidser. Den ret korte Hale er mørkegraa, mod Spidsen graasort. Iris rød. Næbbet graagrønt, mod Spidsen orangerød- ligt. Næbbet 63—72 mm langt, Vingen 45—52 cm. Benene Fig. 25. Jomfrutrane. (Efter Mivart). sorte; Mellemfoden 17—22 cm lang, Mellemtaaen 7—8 cm lang. Hannen stedse noget større end Hunnen. Unge Fugle kendes paa, at deres Hoved og Hals er graa; den ligeledes graa Øredu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-118-of-danmarks-fauna-illustrerede-haandbger-over-danmarks-fauna-illustrerede-haandbger-over-den-danske-dyreverden-danmarksfaunaill30dans-year-1907-111-ned-over-haandsvingfjerenes-spidser-den-ret-korte-hale-er-mrkegraa-mod-spidsen-graasort-iris-rd-nbbet-graagrnt-mod-spidsen-orangerd-ligt-nbbet-6372-mm-langt-vingen-4552-cm-benene-fig-25-jomfrutrane-efter-mivart-sorte-mellemfoden-1722-cm-lang-mellemtaaen-78-cm-lang-hannen-stedse-noget-strre-end-hunnen-unge-fugle-kendes-paa-at-deres-hoved-og-hals-er-graa-den-ligeledes-graa-redu-image259450309.htmlRMW22YED–Archive image from page 118 of Danmarks fauna; illustrerede haandbøger over. Danmarks fauna; illustrerede haandbøger over den danske dyreverden.. danmarksfaunaill30dans Year: 1907 111 ned over Haandsvingfjerenes Spidser. Den ret korte Hale er mørkegraa, mod Spidsen graasort. Iris rød. Næbbet graagrønt, mod Spidsen orangerød- ligt. Næbbet 63—72 mm langt, Vingen 45—52 cm. Benene Fig. 25. Jomfrutrane. (Efter Mivart). sorte; Mellemfoden 17—22 cm lang, Mellemtaaen 7—8 cm lang. Hannen stedse noget større end Hunnen. Unge Fugle kendes paa, at deres Hoved og Hals er graa; den ligeledes graa Øredu
Hairpin MET sf17-191-63s1 465112 Roman, Hairpin, 1st?4th century, Glass, Overall: 3 3/8 x 1/8 in. (8.5 x 0.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.63) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-hairpin-met-sf17-191-63s1-465112-roman-hairpin-1st4th-century-glass-168406547.htmlRMKNYG7F–Hairpin MET sf17-191-63s1 465112 Roman, Hairpin, 1st?4th century, Glass, Overall: 3 3/8 x 1/8 in. (8.5 x 0.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.63)
. Denkschriften - Österreichische Akademie der Wissenschaften. '48 A. D efa ii t, Tabelle 20. Selbständige Gezeit des Kanalteils II Mitschwingungsgezeit des Kanalteils I (Nordsee) unter Einwirkung der perio- (englischer Kanal) mit der selbständigen dischen Kraft 7 cos (at + p). Gezeit des Kanalteils II. Quer- schnitt '7 km:' 2A7) cm 2-ri cm 17 0 500 + 2 21 1 a — 0 472 + 0 98 -t- 3 19 18 — 0 444 -+- 1 16 + 4 35 18 (? — 0 416 + 1 24 -f- 5 59 19 — 0 385 -f- 1 25 + 6 84 19 <7 — 0 323 + 0 79 -1- 7 63 20 — 0 199 Hh 0 44 + 8 07 21 + 0 121 H- 0 12 + 8 19 22 + 0 525 — 0 50 -t- 7 69 23 -t- 0 942 — 0 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/denkschriften-sterreichische-akademie-der-wissenschaften-48-a-d-efa-ii-t-tabelle-20-selbstndige-gezeit-des-kanalteils-ii-mitschwingungsgezeit-des-kanalteils-i-nordsee-unter-einwirkung-der-perio-englischer-kanal-mit-der-selbstndigen-dischen-kraft-7-cos-at-p-gezeit-des-kanalteils-ii-quer-schnitt-7-km-2a7-cm-2-ri-cm-17-0-500-2-21-1-a-0-472-0-98-t-3-19-18-0-444-1-16-4-35-18-0-416-1-24-f-5-59-19-0-385-f-1-25-6-84-19-lt7-0-323-0-79-1-7-63-20-0-199-hh-0-44-8-07-21-0-121-h-0-12-8-19-22-0-525-0-50-t-7-69-23-t-0-942-0-image216166348.htmlRMPFK6AM–. Denkschriften - Österreichische Akademie der Wissenschaften. '48 A. D efa ii t, Tabelle 20. Selbständige Gezeit des Kanalteils II Mitschwingungsgezeit des Kanalteils I (Nordsee) unter Einwirkung der perio- (englischer Kanal) mit der selbständigen dischen Kraft 7 cos (at + p). Gezeit des Kanalteils II. Quer- schnitt '7 km:' 2A7) cm 2-ri cm 17 0 500 + 2 21 1 a — 0 472 + 0 98 -t- 3 19 18 — 0 444 -+- 1 16 + 4 35 18 (? — 0 416 + 1 24 -f- 5 59 19 — 0 385 -f- 1 25 + 6 84 19 <7 — 0 323 + 0 79 -1- 7 63 20 — 0 199 Hh 0 44 + 8 07 21 + 0 121 H- 0 12 + 8 19 22 + 0 525 — 0 50 -t- 7 69 23 -t- 0 942 — 0
A PLAN of the Intended Harbour between Sandwich Town & Sandown Castle. Author Harris, John 17.11.1. Date of publication: 1740 c. Item type: 1 map Medium: copperplate engraving Dimensions: 39.2 x 63.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-plan-of-the-intended-harbour-between-sandwich-town-sandown-castle-author-harris-john-17111-date-of-publication-1740-c-item-type-1-map-medium-copperplate-engraving-dimensions-392-x-638-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401749107.htmlRM2E9H72B–A PLAN of the Intended Harbour between Sandwich Town & Sandown Castle. Author Harris, John 17.11.1. Date of publication: 1740 c. Item type: 1 map Medium: copperplate engraving Dimensions: 39.2 x 63.8 cm Former owner: George III, King of Great Britain, 1738-1820
Huwelijk van Frederik, prins der Nederlanden en Louise, prinses van Pruisen te Berlijn Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: borststuk vrouw binnen bloemenkrans Manufacturer : Jean Barthélemy FonsonPlaats manufacture: Brussel Dating: 1825 Material: brons Techniek: slaan / plaquettepenning Dimensions: d 5,8 cm. × g 33,63 gr Date: 1825-05-21 - 1825-05-21 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/huwelijk-van-frederik-prins-der-nederlanden-en-louise-prinses-van-pruisen-te-berlijn-bronzen-penning-voorzijde-borststuk-man-binnen-omschrift-keerzijde-borststuk-vrouw-binnen-bloemenkrans-manufacturer-jean-barthlemy-fonsonplaats-manufacture-brussel-dating-1825-material-brons-techniek-slaan-plaquettepenning-dimensions-d-58-cm-g-3363-gr-date-1825-05-21-1825-05-21-image348448190.htmlRM2B6W566–Huwelijk van Frederik, prins der Nederlanden en Louise, prinses van Pruisen te Berlijn Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: borststuk vrouw binnen bloemenkrans Manufacturer : Jean Barthélemy FonsonPlaats manufacture: Brussel Dating: 1825 Material: brons Techniek: slaan / plaquettepenning Dimensions: d 5,8 cm. × g 33,63 gr Date: 1825-05-21 - 1825-05-21
Venus and Adonis; Titian (Tiziano Vecellio), Italian, about 1487 - 1576; about 1555 - 1560; Oil on canvas; Unframed: 160 x 196.5 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/venus-and-adonis-titian-tiziano-vecellio-italian-about-1487-1576-about-image60296700.htmlRMDE2N1G–Venus and Adonis; Titian (Tiziano Vecellio), Italian, about 1487 - 1576; about 1555 - 1560; Oil on canvas; Unframed: 160 x 196.5
The Apostle Simon; Anthony van Dyck (Flemish, 1599 - 1641); about 1618; Oil on panel; 63.8 × 47.9 cm (25 1/8 × 18 7/8 in.); 85.PB.99 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-apostle-simon-anthony-van-dyck-flemish-1599-1641-about-1618-oil-on-panel-638-479-cm-25-18-18-78-in-85pb99-image597346294.htmlRM2WKRD86–The Apostle Simon; Anthony van Dyck (Flemish, 1599 - 1641); about 1618; Oil on panel; 63.8 × 47.9 cm (25 1/8 × 18 7/8 in.); 85.PB.99
Nonchaloir - Repose - 1911 - Oil on canvas 63,8 x 76,2 cm - Sargent John Singer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nonchaloir-repose-1911-oil-on-canvas-638-x-762-cm-sargent-john-singer-image457745186.htmlRF2HGM2JA–Nonchaloir - Repose - 1911 - Oil on canvas 63,8 x 76,2 cm - Sargent John Singer
Fragment; silk; Warp x Weft (both selvedges present): 63.8 x 73.7 cm (25 1/8 x 29 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-silk-warp-x-weft-both-selvedges-present-638-x-737-cm-25-18-x-29-in-image546258689.htmlRM2PMM6EW–Fragment; silk; Warp x Weft (both selvedges present): 63.8 x 73.7 cm (25 1/8 x 29 in.)
!['Bernard van Orley, Putto with Arms of Jacques Coëne [reverse], c. 1513, oil on panel, painted surface: 54.4 x 32.9 cm (21 7/16 x 12 15/16 in.) overall (panel): 54.9 x 33.3 cm (21 5/8 x 13 1/8 in.) framed: 63 x 41.8 x 5.7 cm (24 13/16 x 16 7/16 x 2 1/4 in.), Samuel H. Kress Collection, 1952.5.47.b' Stock Photo](https://c8.alamy.com/comp/2RBNEDJ/bernard-van-orley-putto-with-arms-of-jacques-cone-reverse-c-1513-oil-on-panel-painted-surface-544-x-329-cm-21-716-x-12-1516-in-overall-panel-549-x-333-cm-21-58-x-13-18-in-framed-63-x-418-x-57-cm-24-1316-x-16-716-x-2-14-in-samuel-h-kress-collection-1952547b-2RBNEDJ.jpg "'Bernard van Orley, Putto with Arms of Jacques Coëne [reverse], c. 1513, oil on panel, painted surface: 54.4 x 32.9 cm (21 7/16 x 12 15/16 in.) overall (panel): 54.9 x 33.3 cm (21 5/8 x 13 1/8 in.) framed: 63 x 41.8 x 5.7 cm (24 13/16 x 16 7/16 x 2 1/4 in.), Samuel H. Kress Collection, 1952.5.47.b' Stock Photo")
'Bernard van Orley, Putto with Arms of Jacques Coëne [reverse], c. 1513, oil on panel, painted surface: 54.4 x 32.9 cm (21 7/16 x 12 15/16 in.) overall (panel): 54.9 x 33.3 cm (21 5/8 x 13 1/8 in.) framed: 63 x 41.8 x 5.7 cm (24 13/16 x 16 7/16 x 2 1/4 in.), Samuel H. Kress Collection, 1952.5.47.b' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bernard-van-orley-putto-with-arms-of-jacques-cone-reverse-c-1513-oil-on-panel-painted-surface-544-x-329-cm-21-716-x-12-1516-in-overall-panel-549-x-333-cm-21-58-x-13-18-in-framed-63-x-418-x-57-cm-24-1316-x-16-716-x-2-14-in-samuel-h-kress-collection-1952547b-image557965342.htmlRM2RBNEDJ–'Bernard van Orley, Putto with Arms of Jacques Coëne [reverse], c. 1513, oil on panel, painted surface: 54.4 x 32.9 cm (21 7/16 x 12 15/16 in.) overall (panel): 54.9 x 33.3 cm (21 5/8 x 13 1/8 in.) framed: 63 x 41.8 x 5.7 cm (24 13/16 x 16 7/16 x 2 1/4 in.), Samuel H. Kress Collection, 1952.5.47.b'
Jim Dine. (American, born 1935). Braid. 1973. Etching, plate: 33 13/16 x 16 1/16' (85.9 x 40.8 cm); sheet: 38 5/16 x 25 1/8' (97 x 63.9 cm). Publisher: Petersburg Press Inc., New York. Printer: Alan Uglow and Winston Roeth at Petersburg Press Inc., New York. Edition: 50. Gift of the artist. © 2008 Jim Dine / Artists Rights Society (ARS), New York Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-jim-dine-american-born-1935-braid-1973-etching-plate-33-1316-x-16-166920864.htmlRMKKFW7C–Jim Dine. (American, born 1935). Braid. 1973. Etching, plate: 33 13/16 x 16 1/16' (85.9 x 40.8 cm); sheet: 38 5/16 x 25 1/8' (97 x 63.9 cm). Publisher: Petersburg Press Inc., New York. Printer: Alan Uglow and Winston Roeth at Petersburg Press Inc., New York. Edition: 50. Gift of the artist. © 2008 Jim Dine / Artists Rights Society (ARS), New York
London, UK. 23rd Feb, 2022. PABLO PICASSO (1881-1973) La fenêtre ouverte signed and dated ‘Picasso XXIX' (lower left) oil on canvas 51 3⁄8 x 63 3⁄8 in. (130.5 x 163.4 cm.) Painted in Paris on 22 November 1929 Estimate: GBP 14,000,000 - GBP 24,000,000, Credit: Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-23rd-feb-2022-pablo-picasso-1881-1973-la-fentre-ouverte-signed-and-dated-picasso-xxix-lower-left-oil-on-canvas-51-38-x-63-38-in-1305-x-1634-cm-painted-in-paris-on-22-november-1929-estimate-gbp-14000000-gbp-24000000-credit-paul-quezada-neimanalamy-live-news-image461508407.htmlRM2HPREK3–London, UK. 23rd Feb, 2022. PABLO PICASSO (1881-1973) La fenêtre ouverte signed and dated ‘Picasso XXIX' (lower left) oil on canvas 51 3⁄8 x 63 3⁄8 in. (130.5 x 163.4 cm.) Painted in Paris on 22 November 1929 Estimate: GBP 14,000,000 - GBP 24,000,000, Credit: Paul Quezada-Neiman/Alamy Live News
A fragment of an earpiece, crockery, earthenware, L 8.5 cm, Roman Period 63 BC. - 324 AD, Palestine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-fragment-of-an-earpiece-crockery-earthenware-l-85-cm-roman-period-63-bc-324-ad-palestine-image344520774.htmlRM2B0E7NA–A fragment of an earpiece, crockery, earthenware, L 8.5 cm, Roman Period 63 BC. - 324 AD, Palestine
Armchair. Culture: American. Dimensions: 47 1/2 x 25 x 20 in. (120.7 x 63.5 x 50.8 cm). Date: 1800-1810. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/armchair-culture-american-dimensions-47-12-x-25-x-20-in-1207-x-635-x-508-cm-date-1800-1810-museum-metropolitan-museum-of-art-new-york-usa-image213324781.htmlRMPB1NX5–Armchair. Culture: American. Dimensions: 47 1/2 x 25 x 20 in. (120.7 x 63.5 x 50.8 cm). Date: 1800-1810. Museum: Metropolitan Museum of Art, New York, USA.
Inspired by Mrs. Neall, Charles Cromwell Ingham, American, 1796-1863, Oil on canvas, ca. 1845, 29 15/16 x 24 7/8 in., 76 x 63.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-mrs-neall-charles-cromwell-ingham-american-1796-1863-oil-on-canvas-ca-1845-29-1516-x-24-78-in-76-x-632-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459252449.htmlRF2HK4N55–Inspired by Mrs. Neall, Charles Cromwell Ingham, American, 1796-1863, Oil on canvas, ca. 1845, 29 15/16 x 24 7/8 in., 76 x 63.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. English: Biew of Nyhavn. Oil on cancas. 47 x 63 cm. (18.5 x 24.8 in.) 92 Screenshot (203) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-biew-of-nyhavn-oil-on-cancas-47-x-63-cm-185-x-248-in-92-screenshot-203-image206545475.htmlRMP00XT3–. English: Biew of Nyhavn. Oil on cancas. 47 x 63 cm. (18.5 x 24.8 in.) 92 Screenshot (203)
Archive image from page 194 of Cultural chronology and change as. Cultural chronology and change as reflected in the ceramics of the Virú Valley, Peru culturalchronolo431coll Year: 1955 ( n c Fig. 64. Rim profiles of Gloria Polished Plain; rim exteriors to the right. X 0.4. The Castillo jar of this shape from Burial 1 at V-302 (p. 71 and fig. 34, E) has a lip lug with two reed punctates on its upper surface. 7. Small, globular jars with cambered neck and flaring rim (fig. 63, H). Rim diameter 11-15 cm., mean 13.6; body thickness 5-8 mm., mean 5.9. With the exception of two sherds from the Est Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-194-of-cultural-chronology-and-change-as-cultural-chronology-and-change-as-reflected-in-the-ceramics-of-the-vir-valley-peru-culturalchronolo431coll-year-1955-n-c-fig-64-rim-profiles-of-gloria-polished-plain-rim-exteriors-to-the-right-x-04-the-castillo-jar-of-this-shape-from-burial-1-at-v-302-p-71-and-fig-34-e-has-a-lip-lug-with-two-reed-punctates-on-its-upper-surface-7-small-globular-jars-with-cambered-neck-and-flaring-rim-fig-63-h-rim-diameter-11-15-cm-mean-136-body-thickness-5-8-mm-mean-59-with-the-exception-of-two-sherds-from-the-est-image264049618.htmlRMW9GDYE–Archive image from page 194 of Cultural chronology and change as. Cultural chronology and change as reflected in the ceramics of the Virú Valley, Peru culturalchronolo431coll Year: 1955 ( n c Fig. 64. Rim profiles of Gloria Polished Plain; rim exteriors to the right. X 0.4. The Castillo jar of this shape from Burial 1 at V-302 (p. 71 and fig. 34, E) has a lip lug with two reed punctates on its upper surface. 7. Small, globular jars with cambered neck and flaring rim (fig. 63, H). Rim diameter 11-15 cm., mean 13.6; body thickness 5-8 mm., mean 5.9. With the exception of two sherds from the Est
Creamer MET DP260586 2703 Maker: Tucker Factory, 1826?1838, Creamer, ca. 1838, Porcelain, H. 6 1/4 in. (15.9 cm); Diam. 4 15/16 in. (12.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1963 (63.88.8) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-creamer-met-dp260586-2703-maker-tucker-factory-18261838-creamer-ca-168033699.htmlRMKNAGKF–Creamer MET DP260586 2703 Maker: Tucker Factory, 1826?1838, Creamer, ca. 1838, Porcelain, H. 6 1/4 in. (15.9 cm); Diam. 4 15/16 in. (12.5 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1963 (63.88.8)
. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STATISTICS OF CURRENTS LflT- 42 16.2N LONG- DEPTH 22.8 METERS NUriHER OF OBSERVflTIONS = OBSERVATION TCRIOD Z4/VII/67 TO 20/V11/67 70 16.6H 5500 MEAN VARIANCE Cn/SEC I CM/SEC 12 ST-DEV Cn/SEC 6KEM KURT MAX Cn/SEC niN Cn/SEC S 36.49 288-63 U .61 1369-87 V 3.89 234-69 16.99 97.01 15-32 -262 -187 .319 2.30 1-86 4.03 81-28 78-92 60.18 2.57 -78-70 -55.00 S = SPEED U = EAST-WEST COMPONENT OF VELOCITY. EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELOCITY. NORTH = POSITIVE V 330 z o (X > 220 â ⢠S Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/current-meter-observations-in-massachusetts-bay-oceanographic-buoys-oceanographic-instruments-statistics-of-currents-lflt-42-162n-long-depth-228-meters-nuriher-of-observfltions-=-observation-tcriod-z4vii67-to-20v1167-70-166h-5500-mean-variance-cnsec-i-cmsec-12-st-dev-cnsec-6kem-kurt-max-cnsec-nin-cnsec-s-3649-288-63-u-61-1369-87-v-389-234-69-1699-9701-15-32-262-187-319-230-1-86-403-81-28-78-92-6018-257-78-70-5500-s-=-speed-u-=-east-west-component-of-velocity-east-=-positive-u-v-=-north-south-component-of-velocity-north-=-positive-v-330-z-o-x-gt-220-s-image216342118.htmlRMPFY6G6–. Current meter observations in Massachusetts Bay. Oceanographic buoys; Oceanographic instruments. STATISTICS OF CURRENTS LflT- 42 16.2N LONG- DEPTH 22.8 METERS NUriHER OF OBSERVflTIONS = OBSERVATION TCRIOD Z4/VII/67 TO 20/V11/67 70 16.6H 5500 MEAN VARIANCE Cn/SEC I CM/SEC 12 ST-DEV Cn/SEC 6KEM KURT MAX Cn/SEC niN Cn/SEC S 36.49 288-63 U .61 1369-87 V 3.89 234-69 16.99 97.01 15-32 -262 -187 .319 2.30 1-86 4.03 81-28 78-92 60.18 2.57 -78-70 -55.00 S = SPEED U = EAST-WEST COMPONENT OF VELOCITY. EAST = POSITIVE U V = NORTH-SOUTH COMPONENT OF VELOCITY. NORTH = POSITIVE V 330 z o (X > 220 â ⢠S
![VALESIVM Ducatus = VALOIS. Author Blaeu, Joan 63.58. Place of publication: [Amsterdam] Publisher: Guiljelmus Blaeu excudit, Date of publication: [between 1640 and 1670] Item type: 1 map Medium: copperplate engraving Dimensions: 37 x 47.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FAR6/valesivm-ducatus-=-valois-author-blaeu-joan-6358-place-of-publication-amsterdam-publisher-guiljelmus-blaeu-excudit-date-of-publication-between-1640-and-1670-item-type-1-map-medium-copperplate-engraving-dimensions-37-x-478-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FAR6.jpg "VALESIVM Ducatus = VALOIS. Author Blaeu, Joan 63.58. Place of publication: [Amsterdam] Publisher: Guiljelmus Blaeu excudit, Date of publication: [between 1640 and 1670] Item type: 1 map Medium: copperplate engraving Dimensions: 37 x 47.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
VALESIVM Ducatus = VALOIS. Author Blaeu, Joan 63.58. Place of publication: [Amsterdam] Publisher: Guiljelmus Blaeu excudit, Date of publication: [between 1640 and 1670] Item type: 1 map Medium: copperplate engraving Dimensions: 37 x 47.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/valesivm-ducatus-=-valois-author-blaeu-joan-6358-place-of-publication-amsterdam-publisher-guiljelmus-blaeu-excudit-date-of-publication-between-1640-and-1670-item-type-1-map-medium-copperplate-engraving-dimensions-37-x-478-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401708138.htmlRM2E9FAR6–VALESIVM Ducatus = VALOIS. Author Blaeu, Joan 63.58. Place of publication: [Amsterdam] Publisher: Guiljelmus Blaeu excudit, Date of publication: [between 1640 and 1670] Item type: 1 map Medium: copperplate engraving Dimensions: 37 x 47.8 cm Former owner: George III, King of Great Britain, 1738-1820
Korbeel met gesneden voorstelling van een keurvorst Korbeel van eikenhout met een gesneden voorstelling van een keurvorst onder een baldakijn. Afkomstig uit het afgebroken huis Warmoesstraat 145 te Amsterdam. Manufacturer : vervaardiger: anoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1550 - ca. 1600 Material: eikenhout Dimensions: h 45,5 cm. × b 25,8 cm. × d 63,0 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/korbeel-met-gesneden-voorstelling-van-een-keurvorst-korbeel-van-eikenhout-met-een-gesneden-voorstelling-van-een-keurvorst-onder-een-baldakijn-afkomstig-uit-het-afgebroken-huis-warmoesstraat-145-te-amsterdam-manufacturer-vervaardiger-anoniemplaats-manufacture-noordelijke-nederlanden-dating-ca-1550-ca-1600-material-eikenhout-dimensions-h-455-cm-b-258-cm-d-630-cm-image348525452.htmlRM2B70KNG–Korbeel met gesneden voorstelling van een keurvorst Korbeel van eikenhout met een gesneden voorstelling van een keurvorst onder een baldakijn. Afkomstig uit het afgebroken huis Warmoesstraat 145 te Amsterdam. Manufacturer : vervaardiger: anoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1550 - ca. 1600 Material: eikenhout Dimensions: h 45,5 cm. × b 25,8 cm. × d 63,0 cm.
Still Life with Blue Pot; Paul Cézanne, French, 1839 - 1906; France, Europe; about 1900; Watercolor over graphite Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-still-life-with-blue-pot-paul-czanne-french-1839-1906-france-europe-73246147.htmlRME74J5R–Still Life with Blue Pot; Paul Cézanne, French, 1839 - 1906; France, Europe; about 1900; Watercolor over graphite
Albert Cahen d'Anvers; Pierre-Auguste Renoir (French, 1841 - 1919); France; 1881; Oil on canvas; 80 × 63.8 cm (31 1/2 × 25 1/8 in.); 88.PA.133 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-cahen-danvers-pierre-auguste-renoir-french-1841-1919-france-1881-oil-on-canvas-80-638-cm-31-12-25-18-in-88pa133-image597274208.htmlRF2WKM59M–Albert Cahen d'Anvers; Pierre-Auguste Renoir (French, 1841 - 1919); France; 1881; Oil on canvas; 80 × 63.8 cm (31 1/2 × 25 1/8 in.); 88.PA.133
On the Delaware River - 1861 63 - Oil on canvas 71,8 x 122 cm - Inness George Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/on-the-delaware-river-1861-63-oil-on-canvas-718-x-122-cm-inness-george-image457737738.htmlRF2HGKN4A–On the Delaware River - 1861 63 - Oil on canvas 71,8 x 122 cm - Inness George
Sidewall (France); block-printed on handmade paper; 63 x 50.5 cm (24 13/16 x 19 7/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-france-block-printed-on-handmade-paper-63-x-505-cm-24-1316-x-19-78-in-image546198813.htmlRM2PMHE4D–Sidewall (France); block-printed on handmade paper; 63 x 50.5 cm (24 13/16 x 19 7/8 in.)
