Juan estevez hi-res stock photography and images

GUANTANAMO BAY, Cuba – Navy Hospital Corpsman 3rd Class Juan Estevez, a member of Joint Task Force Guantanamo’s Joint Medical Group, performs a routine dental cleaning procedure on Seaman Timothy Wilson of the Navy Expeditionary Guard Battalion at the Joint Troop Clinic aboard U.S. Naval Station Guantanamo Bay, March 2, 2010. The dental wing of the Joint Troop Clinic performs roughly 170 cleanings each calendar quarter for service members assigned to JTF Guantanamo. In addition to routine cleanings, the clinic performs routine operatives, fillings, surgeries, root canals and extractions. JTF G Stock Photo

RMHFB716–GUANTANAMO BAY, Cuba – Navy Hospital Corpsman 3rd Class Juan Estevez, a member of Joint Task Force Guantanamo’s Joint Medical Group, performs a routine dental cleaning procedure on Seaman Timothy Wilson of the Navy Expeditionary Guard Battalion at the Joint Troop Clinic aboard U.S. Naval Station Guantanamo Bay, March 2, 2010. The dental wing of the Joint Troop Clinic performs roughly 170 cleanings each calendar quarter for service members assigned to JTF Guantanamo. In addition to routine cleanings, the clinic performs routine operatives, fillings, surgeries, root canals and extractions. JTF G

SÃO PAULO, SP - 12.11.2024: ITF M25 SÃO PAULO - Brazilian João Lucas Reis during a doubles match against Argentines Julian Cundom and Juan Estevez, valid for the first round of the Brasil Tennis Classic Year VI (ITF M25 São Paulo) on Tuesday afternoon (12) at Clube Paineiras Morumby in São Paulo, SP. (Photo: Rodilei Morais/Fotoarena) Credit: Foto Arena LTDA/Alamy Live News Stock Photo

RM2YHWPFT–SÃO PAULO, SP - 12.11.2024: ITF M25 SÃO PAULO - Brazilian João Lucas Reis during a doubles match against Argentines Julian Cundom and Juan Estevez, valid for the first round of the Brasil Tennis Classic Year VI (ITF M25 São Paulo) on Tuesday afternoon (12) at Clube Paineiras Morumby in São Paulo, SP. (Photo: Rodilei Morais/Fotoarena) Credit: Foto Arena LTDA/Alamy Live News

Pablo Estevez, pachuco, retires and walks in front of a mural in front of the Plaza de la Ciudadela near Mexico City's Centro Histórico where music such as mambo, danzón, salsa and jazz is danced to during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such Stock Photo

RM2KCYEMN–Pablo Estevez, pachuco, retires and walks in front of a mural in front of the Plaza de la Ciudadela near Mexico City's Centro Histórico where music such as mambo, danzón, salsa and jazz is danced to during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such

Madrid, 02-11-2004 delivery by the Minister of Justice JM Michavilla of the great cross of Saint Raimundo de Peñafort to Exmos Carlos Carnicer -Juan Carlos Estévez -Juan Bolas and Fernando Méndez photo Jaime García. Credit: Album / Archivo ABC / Jaime García Stock Photo

RM2TDHYCB–Madrid, 02-11-2004 delivery by the Minister of Justice JM Michavilla of the great cross of Saint Raimundo de Peñafort to Exmos Carlos Carnicer -Juan Carlos Estévez -Juan Bolas and Fernando Méndez photo Jaime García. Credit: Album / Archivo ABC / Jaime García

233 M. PITA JOSE (ESP), C. ESTEVEZ JUAN (ESP), GPR SPORT, FORD RANGER GPR18, auto, car during the Baja Aragon 2018 in Teruel, Spain, July 20 to 22. during the Baja Aragon, from july 20 to 22 , at Teruel, Spain - Photo: Xavi Bonilla / DPPI Stock Photo

RM2F3YRNK–233 M. PITA JOSE (ESP), C. ESTEVEZ JUAN (ESP), GPR SPORT, FORD RANGER GPR18, auto, car during the Baja Aragon 2018 in Teruel, Spain, July 20 to 22. during the Baja Aragon, from july 20 to 22 , at Teruel, Spain - Photo: Xavi Bonilla / DPPI

RMHFB714–GUANTANAMO BAY, Cuba – Navy Hospital Corpsman 3rd Class Juan Estevez, a member of Joint Task Force Guantanamo’s Joint Medical Group, performs a routine dental cleaning procedure on Seaman Timothy Wilson of the Navy Expeditionary Guard Battalion at the Joint Troop Clinic aboard U.S. Naval Station Guantanamo Bay, March 2, 2010. The dental wing of the Joint Troop Clinic performs roughly 170 cleanings each calendar quarter for service members assigned to JTF Guantanamo. In addition to routine cleanings, the clinic performs routine operatives, fillings, surgeries, root canals and extractions. JTF G

RM2YHWPFR–SÃO PAULO, SP - 12.11.2024: ITF M25 SÃO PAULO - Brazilian João Lucas Reis during a doubles match against Argentines Julian Cundom and Juan Estevez, valid for the first round of the Brasil Tennis Classic Year VI (ITF M25 São Paulo) on Tuesday afternoon (12) at Clube Paineiras Morumby in São Paulo, SP. (Photo: Rodilei Morais/Fotoarena) Credit: Foto Arena LTDA/Alamy Live News

Pablo Estevez, pachuco, inside Balderas station in Mexico City during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexicans. On 25 December, 2021, in Mexico City. (Photo by Gerardo Vieyra/NurPhoto) Stock Photo

RM2KCYEN0–Pablo Estevez, pachuco, inside Balderas station in Mexico City during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexicans. On 25 December, 2021, in Mexico City. (Photo by Gerardo Vieyra/NurPhoto)

RM2TDC89M–Madrid, 02-11-2004 delivery by the Minister of Justice JM Michavilla of the great cross of Saint Raimundo de Peñafort to Exmos Carlos Carnicer -Juan Carlos Estévez -Juan Bolas and Fernando Méndez photo Jaime García. Credit: Album / Archivo ABC / Jaime García

RM2YHWP5R–SÃO PAULO, SP - 12.11.2024: ITF M25 SÃO PAULO - Brazilian João Lucas Reis during a doubles match against Argentines Julian Cundom and Juan Estevez, valid for the first round of the Brasil Tennis Classic Year VI (ITF M25 São Paulo) on Tuesday afternoon (12) at Clube Paineiras Morumby in São Paulo, SP. (Photo: Rodilei Morais/Fotoarena) Credit: Foto Arena LTDA/Alamy Live News

Pablo Estevez, pachuco, arrives at the Plaza de la Ciudadela near the Historic Centre of Mexico City to dance to music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexica Stock Photo

RM2KCYEMF–Pablo Estevez, pachuco, arrives at the Plaza de la Ciudadela near the Historic Centre of Mexico City to dance to music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexica

RM2TDHY71–Madrid, 02-11-2004 delivery by the Minister of Justice JM Michavilla of the great cross of Saint Raimundo de Peñafort to Exmos Carlos Carnicer -Juan Carlos Estévez -Juan Bolas and Fernando Méndez photo Jaime García. Credit: Album / Archivo ABC / Jaime García

RM2YHWPF8–SÃO PAULO, SP - 12.11.2024: ITF M25 SÃO PAULO - Brazilian João Lucas Reis during a doubles match against Argentines Julian Cundom and Juan Estevez, valid for the first round of the Brasil Tennis Classic Year VI (ITF M25 São Paulo) on Tuesday afternoon (12) at Clube Paineiras Morumby in São Paulo, SP. (Photo: Rodilei Morais/Fotoarena) Credit: Foto Arena LTDA/Alamy Live News

RM2KCYEMJ–Pablo Estevez, pachuco, retires and walks in front of a mural in front of the Plaza de la Ciudadela near Mexico City's Centro Histórico where music such as mambo, danzón, salsa and jazz is danced to during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such

RM2YHWPFF–SÃO PAULO, SP - 12.11.2024: ITF M25 SÃO PAULO - Brazilian João Lucas Reis during a doubles match against Argentines Julian Cundom and Juan Estevez, valid for the first round of the Brasil Tennis Classic Year VI (ITF M25 São Paulo) on Tuesday afternoon (12) at Clube Paineiras Morumby in São Paulo, SP. (Photo: Rodilei Morais/Fotoarena) Credit: Foto Arena LTDA/Alamy Live News

Pablo Estevez, pachuco, poses before leaving a mural in front of the Plaza de la Ciudadela near Mexico City's Centro Histórico where people dance to music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as It Stock Photo

RM2KCYEMW–Pablo Estevez, pachuco, poses before leaving a mural in front of the Plaza de la Ciudadela near Mexico City's Centro Histórico where people dance to music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as It

RM2YHWPEY–SÃO PAULO, SP - 12.11.2024: ITF M25 SÃO PAULO - Brazilian João Lucas Reis during a doubles match against Argentines Julian Cundom and Juan Estevez, valid for the first round of the Brasil Tennis Classic Year VI (ITF M25 São Paulo) on Tuesday afternoon (12) at Clube Paineiras Morumby in São Paulo, SP. (Photo: Rodilei Morais/Fotoarena) Credit: Foto Arena LTDA/Alamy Live News

Pablo Estevez, pachuco, poses inside a Mexico City underground car during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexicans. On 25 December, 2021, in Mexico City. (Photo by Gerardo Vieyra/NurPhoto) Stock Photo

RM2KCYEN7–Pablo Estevez, pachuco, poses inside a Mexico City underground car during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexicans. On 25 December, 2021, in Mexico City. (Photo by Gerardo Vieyra/NurPhoto)

RM2YHWPG9–SÃO PAULO, SP - 12.11.2024: ITF M25 SÃO PAULO - Brazilian João Lucas Reis during a doubles match against Argentines Julian Cundom and Juan Estevez, valid for the first round of the Brasil Tennis Classic Year VI (ITF M25 São Paulo) on Tuesday afternoon (12) at Clube Paineiras Morumby in São Paulo, SP. (Photo: Rodilei Morais/Fotoarena) Credit: Foto Arena LTDA/Alamy Live News

Pablo Estevez, pachuco, crosses Avenida Juárez near Mexico City's Centro Histórico in search of a public square to dance to music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventua Stock Photo

RM2KCYEMG–Pablo Estevez, pachuco, crosses Avenida Juárez near Mexico City's Centro Histórico in search of a public square to dance to music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventua

SÃO PAULO, SP - 12.11.2024: ITF M25 SÃO PAULO - Brazilian Gabriel Rovery Sidney during a doubles match against Argentines Julian Cundom and Juan Estevez, valid for the first round of the Brasil Tennis Classic Year VI (ITF M25 São Paulo) on Tuesday afternoon (12) at Clube Paineiras Morumby in São Paulo, SP. (Photo: Rodilei Morais/Fotoarena) Credit: Foto Arena LTDA/Alamy Live News Stock Photo

RM2YHWPEW–SÃO PAULO, SP - 12.11.2024: ITF M25 SÃO PAULO - Brazilian Gabriel Rovery Sidney during a doubles match against Argentines Julian Cundom and Juan Estevez, valid for the first round of the Brasil Tennis Classic Year VI (ITF M25 São Paulo) on Tuesday afternoon (12) at Clube Paineiras Morumby in São Paulo, SP. (Photo: Rodilei Morais/Fotoarena) Credit: Foto Arena LTDA/Alamy Live News

Pablo Estevez, pachuco, walks the streets of Mexico City's historic centre in search of a public square to dance to music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mex Stock Photo

RM2KCYEM7–Pablo Estevez, pachuco, walks the streets of Mexico City's historic centre in search of a public square to dance to music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mex

RM2KCYEN1–Pablo Estevez, pachuco, inside Balderas station in Mexico City during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexicans. On 25 December, 2021, in Mexico City. (Photo by Gerardo Vieyra/NurPhoto)

RM2KCYEMD–Pablo Estevez, pachuco, arrives at the Plaza de la Ciudadela near the Historic Centre of Mexico City to dance to music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexica

RM2KCYEM4–Pablo Estevez, pachuco, walks the streets of Mexico City's historic centre in search of a public square to dance to music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mex

RM2KCYEN4–Pablo Estevez, pachuco, poses inside a Mexico City underground car during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexicans. On 25 December, 2021, in Mexico City. (Photo by Gerardo Vieyra/NurPhoto)

RM2KCYEN5–Pablo Estevez, pachuco, poses inside a Mexico City underground car during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexicans. On 25 December, 2021, in Mexico City. (Photo by Gerardo Vieyra/NurPhoto)

Pablo Estevez, pachuco, crosses the Eje Central near Mexico City's Centro Histórico in search of a public square to dance to music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventu Stock Photo

RM2KCYEMA–Pablo Estevez, pachuco, crosses the Eje Central near Mexico City's Centro Histórico in search of a public square to dance to music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventu

RM2KCYEME–Pablo Estevez, pachuco, arrives at the Plaza de la Ciudadela near the Historic Centre of Mexico City to dance to music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexica

Pablo Estevez, pachuco, walks along Avenida Balderas near Mexico City's Centro Histórico in search of a public square to dance to music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, e Stock Photo

RM2KCYEM8–Pablo Estevez, pachuco, walks along Avenida Balderas near Mexico City's Centro Histórico in search of a public square to dance to music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, e

RM2KCYEM9–Pablo Estevez, pachuco, crosses the Eje Central near Mexico City's Centro Histórico in search of a public square to dance to music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventu

RM2KCYEMM–Pablo Estevez, pachuco, retires and walks in front of a mural in front of the Plaza de la Ciudadela near Mexico City's Centro Histórico where music such as mambo, danzón, salsa and jazz is danced to during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such

RM2KCYEMX–Pablo Estevez, pachuco, retires and walks in front of a mural in front of the Plaza de la Ciudadela near Mexico City's Centro Histórico where music such as mambo, danzón, salsa and jazz is danced to during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such

Pablo Estevez, pachuco, sitting inside a Mexico City underground car during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexicans. On 25 December, 2021, in Mexico City. (Photo by Gerardo Vieyra/NurPhoto) Stock Photo

RM2KCYEN2–Pablo Estevez, pachuco, sitting inside a Mexico City underground car during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexicans. On 25 December, 2021, in Mexico City. (Photo by Gerardo Vieyra/NurPhoto)

RM2KCYEMT–Pablo Estevez, pachuco, retires and walks in front of a mural in front of the Plaza de la Ciudadela near Mexico City's Centro Histórico where music such as mambo, danzón, salsa and jazz is danced to during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such

Pablo Estevez, pachuco, enters the Balderas station in Mexico City during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexicans. On 25 December, 2021, in Mexico City. (Photo by Gerardo Vieyra/NurPhoto) Stock Photo

RM2KCYEMY–Pablo Estevez, pachuco, enters the Balderas station in Mexico City during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexicans. On 25 December, 2021, in Mexico City. (Photo by Gerardo Vieyra/NurPhoto)

Pablo Estevez, pachuco, smokes a cigarette in the Plaza de la Ciudadela near Mexico City's Centro Histórico in search of dancing music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, ev Stock Photo

RM2KCYEMH–Pablo Estevez, pachuco, smokes a cigarette in the Plaza de la Ciudadela near Mexico City's Centro Histórico in search of dancing music such as mambo, danzón, salsa and jazz, during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, ev

Pablo Estevez, pachuco, waits to board a metro car inside Balderas station in Mexico City during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexicans. On 25 December, 2021, in Mexico City. (Photo by Gerardo Vieyra/N Stock Photo

RM2KCYEN3–Pablo Estevez, pachuco, waits to board a metro car inside Balderas station in Mexico City during the COVID-19 health emergency and the green epidemiological traffic light in the city. It is a style of being and dressing that emerged in the 1930s among young people in the border area of Mexico and the United States. The baggy zoot suit emerged in the 1930s in Harlem, New York, among jazz musicians and was called drapes. Subsequently, its use spread among non-Anglo-Saxon communities such as Italians, Jews and, eventually, Mexicans. On 25 December, 2021, in Mexico City. (Photo by Gerardo Vieyra/N

A group of people dance to music such as mambo, danzón, salsa and jazz in the Plaza de la Ciudadela near the Historic Centre of Mexico City, during the COVID-19 health emergency and the green epidemiological traffic light in the city. On 25 December, 2021, in Mexico City. (Photo by Gerardo Vieyra/NurPhoto) Stock Photo

RM2KCYEMP–A group of people dance to music such as mambo, danzón, salsa and jazz in the Plaza de la Ciudadela near the Historic Centre of Mexico City, during the COVID-19 health emergency and the green epidemiological traffic light in the city. On 25 December, 2021, in Mexico City. (Photo by Gerardo Vieyra/NurPhoto)

RM2KCYEMK–A group of people dance to music such as mambo, danzón, salsa and jazz in the Plaza de la Ciudadela near the Historic Centre of Mexico City, during the COVID-19 health emergency and the green epidemiological traffic light in the city. On 25 December, 2021, in Mexico City. (Photo by Gerardo Vieyra/NurPhoto)

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