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A charcoal drawing Stock Photos and Images
Australian Indigenous art is the oldest unbroken tradition of art in the world. The oldest firmly dated rock art painting in Australia is a charcoal drawing on a rock fragment found during the excavation of the Narwala Gabarnmang rock shelter in south-western Arnhem Land in the Northern Territory. Dated at 28,000 years, it is one of the oldest known pieces of rock art on Earth with a confirmed date. Rock art, including painting and engraving or carving, can be found at sites throughout Australia. Aboriginal rock art has been around for a long period of time, with the oldest examples, in Wester Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/australian-indigenous-art-is-the-oldest-unbroken-tradition-of-art-image151886864.htmlRMJR316T–Australian Indigenous art is the oldest unbroken tradition of art in the world. The oldest firmly dated rock art painting in Australia is a charcoal drawing on a rock fragment found during the excavation of the Narwala Gabarnmang rock shelter in south-western Arnhem Land in the Northern Territory. Dated at 28,000 years, it is one of the oldest known pieces of rock art on Earth with a confirmed date. Rock art, including painting and engraving or carving, can be found at sites throughout Australia. Aboriginal rock art has been around for a long period of time, with the oldest examples, in Wester
Wolfgang Willrich (1897 - 1948), a charcoal drawing of the Bearer of the Knight's Cross Major Erich Löffler Charcoal on paper, a portrait of Löffler in utility uniform and helmet with camouflage cover, applied Knight's Cross, German Cross in Gold and four tank destroyer patches on the right upper arm. The face drawn in colour, the gold star of the 9th infantry division on the upper right, the autograph 'E. Löffler' on the upper left. Unsigned, mounted, framed, and under glass. Frame ca. 54 x 68 cm. Small bends on the edge. Erich Lö, Artist's Copyright has not to be cleared | Editorial-Use-Only Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wolfgang-willrich-1897-1948-a-charcoal-drawing-of-the-bearer-of-the-knights-cross-major-erich-lffler-charcoal-on-paper-a-portrait-of-lffler-in-utility-uniform-and-helmet-with-camouflage-cover-applied-knights-cross-german-cross-in-gold-and-four-tank-destroyer-patches-on-the-right-upper-arm-the-face-drawn-in-colour-the-gold-star-of-the-9th-infantry-division-on-the-upper-right-the-autograph-e-lffler-on-the-upper-left-unsigned-mounted-framed-and-under-glass-frame-ca-54-x-68-cm-small-bends-on-the-edge-erich-l-artists-copyright-has-not-to-be-cleared-editorial-use-only-image243043805.htmlRMT3BGRW–Wolfgang Willrich (1897 - 1948), a charcoal drawing of the Bearer of the Knight's Cross Major Erich Löffler Charcoal on paper, a portrait of Löffler in utility uniform and helmet with camouflage cover, applied Knight's Cross, German Cross in Gold and four tank destroyer patches on the right upper arm. The face drawn in colour, the gold star of the 9th infantry division on the upper right, the autograph 'E. Löffler' on the upper left. Unsigned, mounted, framed, and under glass. Frame ca. 54 x 68 cm. Small bends on the edge. Erich Lö, Artist's Copyright has not to be cleared | Editorial-Use-Only
1951, a charcoal drawing or sketch by the French artist Henri Matisse displayed at an exhibition of his sketchings for the interior of the Chapel de Vence in France, a small catholic chapel built on the French Riviera. Also known as the Rosary Chapel or the Vence Chapel, it was built and decorated between 1947 and 1951 based on plans and drawings by Matisse, who began work on the project when he was 77 years old. Asked to help with the design of the chapel by a young nurse who looked after him when he had been ill and who had entered the convent, it became the artist's final years work. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1951-a-charcoal-drawing-or-sketch-by-the-french-artist-henri-matisse-displayed-at-an-exhibition-of-his-sketchings-for-the-interior-of-the-chapel-de-vence-in-france-a-small-catholic-chapel-built-on-the-french-riviera-also-known-as-the-rosary-chapel-or-the-vence-chapel-it-was-built-and-decorated-between-1947-and-1951-based-on-plans-and-drawings-by-matisse-who-began-work-on-the-project-when-he-was-77-years-old-asked-to-help-with-the-design-of-the-chapel-by-a-young-nurse-who-looked-after-him-when-he-had-been-ill-and-who-had-entered-the-convent-it-became-the-artists-final-years-work-image435042056.htmlRM2G7NTG8–1951, a charcoal drawing or sketch by the French artist Henri Matisse displayed at an exhibition of his sketchings for the interior of the Chapel de Vence in France, a small catholic chapel built on the French Riviera. Also known as the Rosary Chapel or the Vence Chapel, it was built and decorated between 1947 and 1951 based on plans and drawings by Matisse, who began work on the project when he was 77 years old. Asked to help with the design of the chapel by a young nurse who looked after him when he had been ill and who had entered the convent, it became the artist's final years work.
On the Upper Delaware (after a charcoal drawing), Thomas Moran, American, b. Britain, 1837–1926, Calotype with brush and dark-brown and white watercolor on thin off-white wove paper, Horizontal view of the merging of a stream with a river, with a recumbent figure at lower left and high hills in the distance., USA, 1865, landscapes, Photograph, Photograph Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/on-the-upper-delaware-after-a-charcoal-drawing-thomas-moran-american-b-britain-18371926-calotype-with-brush-and-dark-brown-and-white-watercolor-on-thin-off-white-wove-paper-horizontal-view-of-the-merging-of-a-stream-with-a-river-with-a-recumbent-figure-at-lower-left-and-high-hills-in-the-distance-usa-1865-landscapes-photograph-photograph-image391499596.htmlRM2DMX9MC–On the Upper Delaware (after a charcoal drawing), Thomas Moran, American, b. Britain, 1837–1926, Calotype with brush and dark-brown and white watercolor on thin off-white wove paper, Horizontal view of the merging of a stream with a river, with a recumbent figure at lower left and high hills in the distance., USA, 1865, landscapes, Photograph, Photograph
Death - A Charcoal drawing of two dying roses Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-death-a-charcoal-drawing-of-two-dying-roses-25462880.htmlRMBDBX4G–Death - A Charcoal drawing of two dying roses
. Modern Dutch Painters Woman sewing From a charcoal drawing by D. A. C. Artz Owned by William Macbeth . 1898. D. A. C. Artz 653 Woman sewing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/modern-dutch-painters-woman-sewing-from-a-charcoal-drawing-by-d-a-c-artz-owned-by-william-macbeth-1898-d-a-c-artz-653-woman-sewing-image187517230.htmlRMMW243X–. Modern Dutch Painters Woman sewing From a charcoal drawing by D. A. C. Artz Owned by William Macbeth . 1898. D. A. C. Artz 653 Woman sewing
Photograph, On the Upper Delaware (after a charcoal drawing), 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photograph-on-the-upper-delaware-after-a-charcoal-drawing-1865-image410962912.htmlRM2ETGYAT–Photograph, On the Upper Delaware (after a charcoal drawing), 1865
Charcoal drawing of a ascetic persons on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charcoal-drawing-of-a-ascetic-persons-on-paper-88266857.htmlRMF3GW7N–Charcoal drawing of a ascetic persons on paper
Calling the Cows Home. Artist: Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: 37 1/4 x 25 1/2 in. (94.6 x 64.8 cm). Date: ca. 1872. Millet mentioned this painting in a letter of August 1872 to his friend and biographer, Alfred Sensier: 'I've groaned more than I've worked, since I've done hardly anything but a sketch. You know the subject, a cowherd sounding his horn to collect his cattle at the end of the day.' Millet had treated this subject in a charcoal drawing of 1857-58 and a pastel of 1866. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/calling-the-cows-home-artist-jean-franois-millet-french-gruchy-1814-1875-barbizon-dimensions-37-14-x-25-12-in-946-x-648-cm-date-ca-1872-millet-mentioned-this-painting-in-a-letter-of-august-1872-to-his-friend-and-biographer-alfred-sensier-ive-groaned-more-than-ive-worked-since-ive-done-hardly-anything-but-a-sketch-you-know-the-subject-a-cowherd-sounding-his-horn-to-collect-his-cattle-at-the-end-of-the-day-millet-had-treated-this-subject-in-a-charcoal-drawing-of-1857-58-and-a-pastel-of-1866-museum-metropolitan-museum-of-art-new-york-usa-image213301617.htmlRMPB0MAW–Calling the Cows Home. Artist: Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: 37 1/4 x 25 1/2 in. (94.6 x 64.8 cm). Date: ca. 1872. Millet mentioned this painting in a letter of August 1872 to his friend and biographer, Alfred Sensier: 'I've groaned more than I've worked, since I've done hardly anything but a sketch. You know the subject, a cowherd sounding his horn to collect his cattle at the end of the day.' Millet had treated this subject in a charcoal drawing of 1857-58 and a pastel of 1866. Museum: Metropolitan Museum of Art, New York, USA.
On the Upper Delaware after a charcoal drawing. Research in ProgressHorizontal view of the merging of a stream with a river, with a recumbent figure at lower left and high hills in the distance. On the Upper Delaware after a charcoal drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/on-the-upper-delaware-after-a-charcoal-drawing-research-in-progresshorizontal-view-of-the-merging-of-a-stream-with-a-river-with-a-recumbent-figure-at-lower-left-and-high-hills-in-the-distance-on-the-upper-delaware-after-a-charcoal-drawing-image352171138.htmlRM2BCXNTJ–On the Upper Delaware after a charcoal drawing. Research in ProgressHorizontal view of the merging of a stream with a river, with a recumbent figure at lower left and high hills in the distance. On the Upper Delaware after a charcoal drawing
Edgar Degas, drawing, Dancer leaning on a column, charcoal on paper, 1895-1898 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edgar-degas-drawing-dancer-leaning-on-a-column-charcoal-on-paper-1895-1898-image555989114.htmlRM2R8FDP2–Edgar Degas, drawing, Dancer leaning on a column, charcoal on paper, 1895-1898
A painter draws a charcoal drawing on the banks of the Amper under the protection of a parasol held by an Asian woman. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-painter-draws-a-charcoal-drawing-on-the-banks-of-the-amper-under-the-protection-of-a-parasol-held-by-an-asian-woman-image247154554.htmlRMTA2T4A–A painter draws a charcoal drawing on the banks of the Amper under the protection of a parasol held by an Asian woman.
Photograph, On the Upper Delaware (after a charcoal drawing); Thomas Moran (American, b. Britain, 1837–1926); USA; calotype with brush and dark-brown and white watercolor on thin off-white wove paper; 23 x 34.8 cm (9 1/16 x 13 11/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photograph-on-the-upper-delaware-after-a-charcoal-drawing-thomas-moran-american-b-britain-18371926-usa-calotype-with-brush-and-dark-brown-and-white-watercolor-on-thin-off-white-wove-paper-23-x-348-cm-9-116-x-13-1116-in-image546224013.htmlRM2PMJJ8D–Photograph, On the Upper Delaware (after a charcoal drawing); Thomas Moran (American, b. Britain, 1837–1926); USA; calotype with brush and dark-brown and white watercolor on thin off-white wove paper; 23 x 34.8 cm (9 1/16 x 13 11/16 in.)
A charcoal drawing of Virgin Mary Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-charcoal-drawing-of-virgin-mary-image490060447.htmlRF2KD852R–A charcoal drawing of Virgin Mary
Edouard Manet, Seated, Holding His Hat, by Edgar Degas, 1865, French impressionist drawing on paper. This drawing was a study for an etching of Manet, indicating their familiarity as Degas adopted the Impressionist style (BSLOC 2017 3 98) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-edouard-manet-seated-holding-his-hat-by-edgar-degas-1865-french-impressionist-170544178.htmlRMKWCXRE–Edouard Manet, Seated, Holding His Hat, by Edgar Degas, 1865, French impressionist drawing on paper. This drawing was a study for an etching of Manet, indicating their familiarity as Degas adopted the Impressionist style (BSLOC 2017 3 98)
Humboldt as a young man. Charcoal drawing by Daniel Caffe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/humboldt-as-a-young-man-charcoal-drawing-by-daniel-caffe-image268812730.htmlRMWH9DAJ–Humboldt as a young man. Charcoal drawing by Daniel Caffe
A charcoal drawing of a clown by Honoré Daumier, dating from his lifetime between 1808 and 1879. Known for his critical and satirical depictions of Parisian society, Daumier was considered a master of capturing the human condition in its various forms, often with a particular focus on the underrepresented or marginalized figures of his time. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-charcoal-drawing-of-a-clown-by-honor-daumier-dating-from-his-lifetime-between-1808-and-1879-known-for-his-critical-and-satirical-depictions-of-parisian-society-daumier-was-considered-a-master-of-capturing-the-human-condition-in-its-various-forms-often-with-a-particular-focus-on-the-underrepresented-or-marginalized-figures-of-his-time-image601211561.htmlRM2WX3FDD–A charcoal drawing of a clown by Honoré Daumier, dating from his lifetime between 1808 and 1879. Known for his critical and satirical depictions of Parisian society, Daumier was considered a master of capturing the human condition in its various forms, often with a particular focus on the underrepresented or marginalized figures of his time.
Hamburg, Germany. 29th Sep, 2017. A charcoal drawing of former German chancellor Helmut Schmidt, a pipe and a casket with cigarettes, snuff and a lighter at the Auktionshaus Stahl auction house in Hamburg, Germany, 29 September 2017. Posessions belonging to former German chancellor Helmut Schmidt (1918-2015) are to be auctioned in Hamburg on 30 September 2017. Credit: Axel Heimken/dpa/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-hamburg-germany-29th-sep-2017-a-charcoal-drawing-of-former-german-162179091.htmlRMKBRW2B–Hamburg, Germany. 29th Sep, 2017. A charcoal drawing of former German chancellor Helmut Schmidt, a pipe and a casket with cigarettes, snuff and a lighter at the Auktionshaus Stahl auction house in Hamburg, Germany, 29 September 2017. Posessions belonging to former German chancellor Helmut Schmidt (1918-2015) are to be auctioned in Hamburg on 30 September 2017. Credit: Axel Heimken/dpa/Alamy Live News
a man sketching drawing a library interior using charcoal and pastels crayon chalks, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-man-sketching-drawing-a-library-interior-using-charcoal-and-pastels-48229056.htmlRMCPD0J8–a man sketching drawing a library interior using charcoal and pastels crayon chalks, UK
Closeup sidewalk artist hand holding charcoal drawing a caricature portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-closeup-sidewalk-artist-hand-holding-charcoal-drawing-a-caricature-13203832.htmlRMACP3PH–Closeup sidewalk artist hand holding charcoal drawing a caricature portrait
Eis, Maria, 22.2.1896 - 18.12.1954, Austrian actress, portrait, after a charcoal drawing by W. V. Krausz, 1920s, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-eis-maria-2221896-18121954-austrian-actress-portrait-after-a-charcoal-47971892.htmlRMCP18HT–Eis, Maria, 22.2.1896 - 18.12.1954, Austrian actress, portrait, after a charcoal drawing by W. V. Krausz, 1920s,
Mediterranean Mission. This image depicts a charcoal drawing of amphibious operations in the Mediterranean. Artwork by Hunter Wood. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mediterranean-mission-this-image-depicts-a-charcoal-drawing-of-amphibious-operations-in-the-mediterranean-artwork-by-hunter-wood-image507637415.htmlRM2MDTTKK–Mediterranean Mission. This image depicts a charcoal drawing of amphibious operations in the Mediterranean. Artwork by Hunter Wood.
Der Geiz, Alfred Cossmann, Graz 1870 - 1951 Vienna, drawing, pencil, charcoal, 236 x 244 mm, l.l. 'A. Coßmann, Austria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/der-geiz-alfred-cossmann-graz-1870-1951-vienna-drawing-pencil-charcoal-236-x-244-mm-ll-a-comann-austria-image573264928.htmlRM2T8JD7C–Der Geiz, Alfred Cossmann, Graz 1870 - 1951 Vienna, drawing, pencil, charcoal, 236 x 244 mm, l.l. 'A. Coßmann, Austria
Brooklyn Bridge rendered as a charcoal drawing or sketch Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/brooklyn-bridge-rendered-as-a-charcoal-drawing-or-sketch-image3049565.htmlRMATT85E–Brooklyn Bridge rendered as a charcoal drawing or sketch
. Modern Dutch Painters Woman sewing From a charcoal drawing by D. A. C. Artz Owned by William Macbeth . 1898. D. A. C. Artz 568 Woman sewing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/modern-dutch-painters-woman-sewing-from-a-charcoal-drawing-by-d-a-c-artz-owned-by-william-macbeth-1898-d-a-c-artz-568-woman-sewing-image188768314.htmlRMMY33WE–. Modern Dutch Painters Woman sewing From a charcoal drawing by D. A. C. Artz Owned by William Macbeth . 1898. D. A. C. Artz 568 Woman sewing
Sir St. Clair Thomson. Photograph by Paul Laib after a charcoal drawing by John Singer Sargent, 1913. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-st-clair-thomson-photograph-by-paul-laib-after-a-charcoal-drawing-by-john-singer-sargent-1913-image450024047.htmlRM2H44A7B–Sir St. Clair Thomson. Photograph by Paul Laib after a charcoal drawing by John Singer Sargent, 1913.
Charcoal drawing of a bearded man on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charcoal-drawing-of-a-bearded-man-on-paper-88266854.htmlRMF3GW7J–Charcoal drawing of a bearded man on paper
'Rehearsal of a Performative Homage II' (2023), a charcoal drawing by Wang Tuo and the two-channel video 'The Second Interrogation' (part 1) showing in the background. Part of Wang's solo exhibition at Blindspot Gallery in Hong Kong which opened on March 21, 2023 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rehearsal-of-a-performative-homage-ii-2023-a-charcoal-drawing-by-wang-tuo-and-the-two-channel-video-the-second-interrogation-part-1-showing-in-the-background-part-of-wangs-solo-exhibition-at-blindspot-gallery-in-hong-kong-which-opened-on-march-21-2023-image545062970.htmlRM2PJNNAJ–'Rehearsal of a Performative Homage II' (2023), a charcoal drawing by Wang Tuo and the two-channel video 'The Second Interrogation' (part 1) showing in the background. Part of Wang's solo exhibition at Blindspot Gallery in Hong Kong which opened on March 21, 2023
Drawing material laid out on a sketch book Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-material-laid-out-on-a-sketch-book-image216269655.htmlRMPFRX47–Drawing material laid out on a sketch book
Vincent van Gogh, Man with a scythe, drawing, circa 1884 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vincent-van-gogh-man-with-a-scythe-drawing-circa-1884-image402602193.htmlRM2EB035N–Vincent van Gogh, Man with a scythe, drawing, circa 1884
Portrait drawing of Isabella d'Este, in charcoal and pastel; 1500, by Leonardo da Vinci (1452-1519), Italian artist and polymath; Isabella d'Este (1474 - 1539) Marchioness of Mantua; one of the leading women of the Italian Renaissance as a major cultural and political figure. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-drawing-of-isabella-deste-in-charcoal-and-pastel-1500-by-leonardo-da-vinci-1452-1519-italian-artist-and-polymath-isabella-deste-1474-1539-marchioness-of-mantua-one-of-the-leading-women-of-the-italian-renaissance-as-a-major-cultural-and-political-figure-image328358332.htmlRM2A260B8–Portrait drawing of Isabella d'Este, in charcoal and pastel; 1500, by Leonardo da Vinci (1452-1519), Italian artist and polymath; Isabella d'Este (1474 - 1539) Marchioness of Mantua; one of the leading women of the Italian Renaissance as a major cultural and political figure.
South African contemporary artist William Kentridge poses for a photo in front of a charcoal drawing in his major exhibition in the Israel Museum in Jerusalem, March 6, 2011. Kentridge's large scale exhibition examines political and social conflicts around the world. UPI/Debbie Hill Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/south-african-contemporary-artist-william-kentridge-poses-for-a-photo-in-front-of-a-charcoal-drawing-in-his-major-exhibition-in-the-israel-museum-in-jerusalem-march-6-2011-kentridges-large-scale-exhibition-examines-political-and-social-conflicts-around-the-world-upidebbie-hill-image257483399.htmlRMTXWAKK–South African contemporary artist William Kentridge poses for a photo in front of a charcoal drawing in his major exhibition in the Israel Museum in Jerusalem, March 6, 2011. Kentridge's large scale exhibition examines political and social conflicts around the world. UPI/Debbie Hill
A charcoal drawing of Virgin Mary Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-charcoal-drawing-of-virgin-mary-image490060417.htmlRF2KD851N–A charcoal drawing of Virgin Mary
The Dancers, by Edgar Degas, 1900, French impressionist drawing, pastel and charcoal on paper. Degas told art dealer Ambroise Vollard, for me the dance is a pretext for painting pretty costumes and rendering movement (BSLOC 2017 3 111) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-dancers-by-edgar-degas-1900-french-impressionist-drawing-pastel-170543810.htmlRMKWCXAA–The Dancers, by Edgar Degas, 1900, French impressionist drawing, pastel and charcoal on paper. Degas told art dealer Ambroise Vollard, for me the dance is a pretext for painting pretty costumes and rendering movement (BSLOC 2017 3 111)
Sepia & charcoal sketches (1947-61) figures in a boat by Brenda Chamberlain, upstairs landing wall Carreg Fawr farmhouse, Bardsey Island, North Wales. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sepia-charcoal-sketches-1947-61-figures-in-a-boat-by-brenda-chamberlain-74098803.htmlRME8FDNR–Sepia & charcoal sketches (1947-61) figures in a boat by Brenda Chamberlain, upstairs landing wall Carreg Fawr farmhouse, Bardsey Island, North Wales.
People around a table with G. Mahler, A. Schonberg and Hermann Bahr Charcoal, wood panel 19th century Paris, Exhibition Mahler, Musee de la ville Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-people-around-a-table-with-g-mahler-a-schonberg-and-hermann-bahr-charcoal-133440420.htmlRMHN2MH8–People around a table with G. Mahler, A. Schonberg and Hermann Bahr Charcoal, wood panel 19th century Paris, Exhibition Mahler, Musee de la ville
Inspired by The Coffee Grinder, Le Moulin à Café, Juan Gris, Spanish, 1887-1927, Charcoal on laid paper, Europe, 1911, Image: 18 3/4 x 12 1/2 in., 47.6 x 31.7 cm, cafe, chair, coffee, drawing, machine, mechanical, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-the-coffee-grinder-le-moulin-caf-juan-gris-spanish-1887-1927-charcoal-on-laid-paper-europe-1911-image-18-34-x-12-12-in-476-x-317-cm-cafe-chair-coffee-drawing-machine-mechanical-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459263165.htmlRF2HK56RW–Inspired by The Coffee Grinder, Le Moulin à Café, Juan Gris, Spanish, 1887-1927, Charcoal on laid paper, Europe, 1911, Image: 18 3/4 x 12 1/2 in., 47.6 x 31.7 cm, cafe, chair, coffee, drawing, machine, mechanical, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
(published 02/20/2003; B-1:6) - Perla Ocampo, 17, and her five-month-old caughter Catherine, work on a charcoal drawing for a still life assignment in a mural painting class. Behind them is a mural about various student activities at the MAAC Charter School, for which Ocampo was the model. The well-known local muralist Victor Ochoa runs the class. He painted several of the murals i Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/published-02202003-b-16-perla-ocampo-17-and-her-five-month-old-caughter-image65476480.htmlRMDPEKWM–(published 02/20/2003; B-1:6) - Perla Ocampo, 17, and her five-month-old caughter Catherine, work on a charcoal drawing for a still life assignment in a mural painting class. Behind them is a mural about various student activities at the MAAC Charter School, for which Ocampo was the model. The well-known local muralist Victor Ochoa runs the class. He painted several of the murals i
1962 GRAND NATIONAL STEEPLECHASE vintage sport advertising poster for horse racing, titled Grand National Meeting - The World's Blue Riband of Steeplechasing, Liverpool Races, charcoal drawing of two horses and jockeys in action, jumping over an obstacle on a steeplechase course. The Grand National is a National Hunt horse race held annually at Aintree Racecourse, near Liverpool, England. It is the most valuable jump race in Europe. The event was held on 31st March 1962, Saturday. Printed by Turner and Dunnett Limited, Liverpool. UK, 1962 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1962-grand-national-steeplechase-vintage-sport-advertising-poster-for-horse-racing-titled-grand-national-meeting-the-worlds-blue-riband-of-steeplechasing-liverpool-races-charcoal-drawing-of-two-horses-and-jockeys-in-action-jumping-over-an-obstacle-on-a-steeplechase-course-the-grand-national-is-a-national-hunt-horse-race-held-annually-at-aintree-racecourse-near-liverpool-england-it-is-the-most-valuable-jump-race-in-europe-the-event-was-held-on-31st-march-1962-saturday-printed-by-turner-and-dunnett-limited-liverpool-uk-1962-image397203931.htmlRM2E265JK–1962 GRAND NATIONAL STEEPLECHASE vintage sport advertising poster for horse racing, titled Grand National Meeting - The World's Blue Riband of Steeplechasing, Liverpool Races, charcoal drawing of two horses and jockeys in action, jumping over an obstacle on a steeplechase course. The Grand National is a National Hunt horse race held annually at Aintree Racecourse, near Liverpool, England. It is the most valuable jump race in Europe. The event was held on 31st March 1962, Saturday. Printed by Turner and Dunnett Limited, Liverpool. UK, 1962
Oberleutnant Max Immelmann - a portrait drawing by Oscar Graf, . Charcoal on paper. Expressive half-length portrait of the 'Eagle of Lille' in uniform with Pour le mérite around his neck and Iron Cross on his chest. Signed and dated 'O. Graf 6.3.16' on the right, the lower edge hand-signed by Immelmann 'Max Immelmann Leutnant', the reverse with a hand-written dedication in pencil reading 'Zur Erinnerung! M. Immelmann Leutnant.' The frame of later date, mounted and under glass. 61 x 50 cm. Professor Oskar Graf (1873 - 1957) member of the Secession in 1896, studi, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-oberleutnant-max-immelmann-a-portrait-drawing-by-oscar-graf-charcoal-51638578.htmlRMD009EX–Oberleutnant Max Immelmann - a portrait drawing by Oscar Graf, . Charcoal on paper. Expressive half-length portrait of the 'Eagle of Lille' in uniform with Pour le mérite around his neck and Iron Cross on his chest. Signed and dated 'O. Graf 6.3.16' on the right, the lower edge hand-signed by Immelmann 'Max Immelmann Leutnant', the reverse with a hand-written dedication in pencil reading 'Zur Erinnerung! M. Immelmann Leutnant.' The frame of later date, mounted and under glass. 61 x 50 cm. Professor Oskar Graf (1873 - 1957) member of the Secession in 1896, studi,
The Continental Frigate Hancock. This image depicts a charcoal drawing of the Continental frigate Hancock. Painted by Hunter Wood. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-continental-frigate-hancock-this-image-depicts-a-charcoal-drawing-of-the-continental-frigate-hancock-painted-by-hunter-wood-image507647407.htmlRM2MDW9CF–The Continental Frigate Hancock. This image depicts a charcoal drawing of the Continental frigate Hancock. Painted by Hunter Wood.
Sketch, Ludwig Rösch, Vienna 1864 - 1936 Vienna, drawing, graphite, charcoal, 110 x 164 mm, a.k. 'London - L. Rösch 1887, Austria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sketch-ludwig-rsch-vienna-1864-1936-vienna-drawing-graphite-charcoal-110-x-164-mm-ak-london-l-rsch-1887-austria-image573270852.htmlRM2T8JMR0–Sketch, Ludwig Rösch, Vienna 1864 - 1936 Vienna, drawing, graphite, charcoal, 110 x 164 mm, a.k. 'London - L. Rösch 1887, Austria
Olympic Tower in Olympic Park in Montreal Quebec Canada rendered as a charcoal drawing or pencil drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/olympic-tower-in-olympic-park-in-montreal-quebec-canada-rendered-as-image5205255.htmlRMAR5H08–Olympic Tower in Olympic Park in Montreal Quebec Canada rendered as a charcoal drawing or pencil drawing
Charcoal drawing of a beached ship, Whizgle Dutch News: Historic Images Tailored for the Future. Explore The Netherlands past with modern perspectives through Dutch agency imagery. Bridging yesterday's events with tomorrow's insights. Embark on a timeless journey with stories that shape our future. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charcoal-drawing-of-a-beached-ship-whizgle-dutch-news-historic-images-tailored-for-the-future-explore-the-netherlands-past-with-modern-perspectives-through-dutch-agency-imagery-bridging-yesterdays-events-with-tomorrows-insights-embark-on-a-timeless-journey-with-stories-that-shape-our-future-image616582722.htmlRM2XR3NFE–Charcoal drawing of a beached ship, Whizgle Dutch News: Historic Images Tailored for the Future. Explore The Netherlands past with modern perspectives through Dutch agency imagery. Bridging yesterday's events with tomorrow's insights. Embark on a timeless journey with stories that shape our future.
Abklatsch of a charcoal drawing, 1865 - 1913 The drawing, which is no longer present in the sketchbook, represents a man with a cross. Page 56 Recto from a sketchbook with 65 sheets. paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abklatsch-of-a-charcoal-drawing-1865-1913-the-drawing-which-is-no-longer-present-in-the-sketchbook-represents-a-man-with-a-cross-page-56-recto-from-a-sketchbook-with-65-sheets-paper-image595507777.htmlRM2WGRM6W–Abklatsch of a charcoal drawing, 1865 - 1913 The drawing, which is no longer present in the sketchbook, represents a man with a cross. Page 56 Recto from a sketchbook with 65 sheets. paper
Charcoal drawing of a ascetic persons on mount board Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charcoal-drawing-of-a-ascetic-persons-on-mount-board-88266855.htmlRMF3GW7K–Charcoal drawing of a ascetic persons on mount board
'Rehearsal of a Performative Homage II' (2023), a charcoal drawing by Wang Tuo and the two-channel video 'The Second Interrogation' (part 1) showing in the background. Part of Wang's solo exhibition at Blindspot Gallery in Hong Kong which opened on March 21, 2023 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rehearsal-of-a-performative-homage-ii-2023-a-charcoal-drawing-by-wang-tuo-and-the-two-channel-video-the-second-interrogation-part-1-showing-in-the-background-part-of-wangs-solo-exhibition-at-blindspot-gallery-in-hong-kong-which-opened-on-march-21-2023-image545285623.htmlRM2PK3WAF–'Rehearsal of a Performative Homage II' (2023), a charcoal drawing by Wang Tuo and the two-channel video 'The Second Interrogation' (part 1) showing in the background. Part of Wang's solo exhibition at Blindspot Gallery in Hong Kong which opened on March 21, 2023
Charcoal drawing of a female figure, c1472-c1519 (1883). Artist: Leonardo da Vinci. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charcoal-drawing-of-a-female-figure-c1472-c1519-1883-artist-leonardo-135244236.htmlRMHT0WB8–Charcoal drawing of a female figure, c1472-c1519 (1883). Artist: Leonardo da Vinci.
Sofonisba Anguissola, Portrait of a Woman, portrait drawing, 1540-1626 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sofonisba-anguissola-portrait-of-a-woman-portrait-drawing-1540-1626-image433748598.htmlRM2G5JXNA–Sofonisba Anguissola, Portrait of a Woman, portrait drawing, 1540-1626
London, UK. 13 March 2018. A member of the public views a charcoal drawing 'Woman with a flower (Femma a la fleur)' on display at 'Picasso 1932 - Love, Fame, Tragedy', the Tate Modern's first ever solo exhibition of the work of Pablo Picasso. More than 100 paintings, sculptures and works on paper covering the year 1932, a pivotal time in Picasso's life, are on display 8 March to 9 September 2018, in one of the year's most popular shows at Tate Modern. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-uk-13-march-2018-a-member-of-the-public-views-a-charcoal-drawing-176957746.htmlRMM7W3BE–London, UK. 13 March 2018. A member of the public views a charcoal drawing 'Woman with a flower (Femma a la fleur)' on display at 'Picasso 1932 - Love, Fame, Tragedy', the Tate Modern's first ever solo exhibition of the work of Pablo Picasso. More than 100 paintings, sculptures and works on paper covering the year 1932, a pivotal time in Picasso's life, are on display 8 March to 9 September 2018, in one of the year's most popular shows at Tate Modern. Credit: Stephen Chung / Alamy Live News
Scenes of a trade: charcoal burners. Woodcut, 1500/01. From Les Ordonnances de Paris. A Charcoal Burner's job was a humble one, but one that in pre industrial society was extremely important none the less. For centuries many trades depended on charcoal as Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-scenes-of-a-trade-charcoal-burners-woodcut-150001-from-les-ordonnances-103997906.htmlRMG15EAX–Scenes of a trade: charcoal burners. Woodcut, 1500/01. From Les Ordonnances de Paris. A Charcoal Burner's job was a humble one, but one that in pre industrial society was extremely important none the less. For centuries many trades depended on charcoal as
A charcoal drawing of Virgin Mary Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-charcoal-drawing-of-virgin-mary-image490060393.htmlRF2KD850W–A charcoal drawing of Virgin Mary
Nunraw House, built 1860 in a castellated deep red sandstone, included a 16th-century tower house,East Lothian, Scotland. (From 'Sketches in East Lothian' by Thomas B. Blacklock...1892) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nunraw-house-built-1860-in-a-castellated-deep-red-sandstone-included-116136703.htmlRMGMXDFB–Nunraw House, built 1860 in a castellated deep red sandstone, included a 16th-century tower house,East Lothian, Scotland. (From 'Sketches in East Lothian' by Thomas B. Blacklock...1892)
AJAXNETPHOTO. 2019. ENGLAND. - EARLY 20TH CENTURY ART - UNSIGNED ARTWORK OF WOMAN WITH APRON PERHAPS MAKING PASTRY (INDISTINCT); AQUATINT AND CHARCOAL OR GRAPHITE. PHOTO:© IN THIS DIGITAL COPY OF THE ORIGINAL WORK/AJAX NEWS & FEATURE SERVICE. SOURCE: PRIVATE COLLECTION. REF:GX191702 20006 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ajaxnetphoto-2019-england-early-20th-century-art-unsigned-artwork-of-woman-with-apron-perhaps-making-pastry-indistinct-aquatint-and-charcoal-or-graphite-photo-in-this-digital-copy-of-the-original-workajax-news-feature-service-source-private-collection-refgx191702-20006-image237115806.htmlRMRNNFHJ–AJAXNETPHOTO. 2019. ENGLAND. - EARLY 20TH CENTURY ART - UNSIGNED ARTWORK OF WOMAN WITH APRON PERHAPS MAKING PASTRY (INDISTINCT); AQUATINT AND CHARCOAL OR GRAPHITE. PHOTO:© IN THIS DIGITAL COPY OF THE ORIGINAL WORK/AJAX NEWS & FEATURE SERVICE. SOURCE: PRIVATE COLLECTION. REF:GX191702 20006
Charcoal still life drawing illustrating a pear with stoneware bottles in the background. UK. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charcoal-still-life-drawing-illustrating-a-pear-with-stoneware-bottles-96421210.htmlRMFGTA6J–Charcoal still life drawing illustrating a pear with stoneware bottles in the background. UK.
Art inspired by The Coffee Grinder, Le Moulin à Café, Juan Gris, Spanish, 1887-1927, Charcoal on laid paper, Europe, 1911, Image: 18 3/4 x 12 1/2 in., 47.6 x 31.7 cm, cafe, chair, coffee, drawing, machine, mechanical, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-coffee-grinder-le-moulin-caf-juan-gris-spanish-1887-1927-charcoal-on-laid-paper-europe-1911-image-18-34-x-12-12-in-476-x-317-cm-cafe-chair-coffee-drawing-machine-mechanical-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459573029.htmlRF2HKKA2D–Art inspired by The Coffee Grinder, Le Moulin à Café, Juan Gris, Spanish, 1887-1927, Charcoal on laid paper, Europe, 1911, Image: 18 3/4 x 12 1/2 in., 47.6 x 31.7 cm, cafe, chair, coffee, drawing, machine, mechanical, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
WASHINGTON DC, United States — A large-format charcoal on paper drawing titled 'The Whale (United States Capitol)' by American artist Robert Longo on display in the East Wing of the National Gallery of Art. This striking artwork depicts the United States Capitol in meticulous detail, showcasing Longo's skill in creating powerful monochromatic images that engage with political themes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/washington-dc-united-states-a-large-format-charcoal-on-paper-drawing-titled-the-whale-united-states-capitol-by-american-artist-robert-longo-on-display-in-the-east-wing-of-the-national-gallery-of-art-this-striking-artwork-depicts-the-united-states-capitol-in-meticulous-detail-showcasing-longos-skill-in-creating-powerful-monochromatic-images-that-engage-with-political-themes-image563795466.htmlRM2RN72TA–WASHINGTON DC, United States — A large-format charcoal on paper drawing titled 'The Whale (United States Capitol)' by American artist Robert Longo on display in the East Wing of the National Gallery of Art. This striking artwork depicts the United States Capitol in meticulous detail, showcasing Longo's skill in creating powerful monochromatic images that engage with political themes.
Model in Profile', c1853-1922. Artist: Leon Joseph Florentin Bonnat. Leon Joseph Florentin Bonnat (1833-1922) was a French painter, Grand Officer of the Legion d'Honneur and professor at the Ecole des Beaux Arts. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/model-in-profile-c1853-1922-artist-leon-joseph-florentin-bonnat-leon-joseph-florentin-bonnat-1833-1922-was-a-french-painter-grand-officer-of-the-legion-dhonneur-and-professor-at-the-ecole-des-beaux-arts-image377038073.htmlRM2CWBFWD–Model in Profile', c1853-1922. Artist: Leon Joseph Florentin Bonnat. Leon Joseph Florentin Bonnat (1833-1922) was a French painter, Grand Officer of the Legion d'Honneur and professor at the Ecole des Beaux Arts.
Snow covered mountains and tundra in Iceland in February looking like a charcoal drawing with delicate colours Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/snow-covered-mountains-and-tundra-in-iceland-in-february-looking-like-a-charcoal-drawing-with-delicate-colours-image339740223.htmlRM2AMME3B–Snow covered mountains and tundra in Iceland in February looking like a charcoal drawing with delicate colours
Direct Hit in the Gilberts. This image depicts a charcoal drawing of Japanese bombers and LST craft during amphibious operations. Painted by Hunter Wood. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/direct-hit-in-the-gilberts-this-image-depicts-a-charcoal-drawing-of-japanese-bombers-and-lst-craft-during-amphibious-operations-painted-by-hunter-wood-image507639124.htmlRM2MDTXTM–Direct Hit in the Gilberts. This image depicts a charcoal drawing of Japanese bombers and LST craft during amphibious operations. Painted by Hunter Wood.
Harbor view, Ludwig Rösch, Vienna 1864 - 1936 Vienna, drawing, graphite, charcoal, 110 x 164 mm, a.k. 'London - L. Rösch 1887, Austria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harbor-view-ludwig-rsch-vienna-1864-1936-vienna-drawing-graphite-charcoal-110-x-164-mm-ak-london-l-rsch-1887-austria-image573270862.htmlRM2T8JMRA–Harbor view, Ludwig Rösch, Vienna 1864 - 1936 Vienna, drawing, graphite, charcoal, 110 x 164 mm, a.k. 'London - L. Rösch 1887, Austria
Brooklyn Bridge as a Charcoal or drawing, digitally rendered Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-brooklyn-bridge-as-a-charcoal-or-drawing-digitally-rendered-11006011.htmlRFA4CEJM–Brooklyn Bridge as a Charcoal or drawing, digitally rendered
A charcoal sketch artist at work near Central Park in New York City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-charcoal-sketch-artist-at-work-near-central-park-in-new-york-city-33377183.htmlRMBX8CX7–A charcoal sketch artist at work near Central Park in New York City.
The Grote Markt with the right -hand side of the Waaggebouw on the right. Left from the middle the st. Stevenstoren, to the right of the Kerkboog and there again to the right of the more than 50 meter long Laeckenhal. It is a postcard and is probably a charcoal drawing. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-grote-markt-with-the-right-hand-side-of-the-waaggebouw-on-the-right-left-from-the-middle-the-st-stevenstoren-to-the-right-of-the-kerkboog-and-there-again-to-the-right-of-the-more-than-50-meter-long-laeckenhal-it-is-a-postcard-and-is-probably-a-charcoal-drawing-image474424436.htmlRM2JFRW5T–The Grote Markt with the right -hand side of the Waaggebouw on the right. Left from the middle the st. Stevenstoren, to the right of the Kerkboog and there again to the right of the more than 50 meter long Laeckenhal. It is a postcard and is probably a charcoal drawing.
Man with a flower charcoal drawing on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-man-with-a-flower-charcoal-drawing-on-paper-88266327.htmlRMF3GTGR–Man with a flower charcoal drawing on paper
'Rehearsal of a Performative Homage II' (2023), a charcoal drawing by Wang Tuo and the two-channel video 'The Second Interrogation' (part 1) showing in the background. Part of Wang's solo exhibition at Blindspot Gallery in Hong Kong which opened on March 21, 2023 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rehearsal-of-a-performative-homage-ii-2023-a-charcoal-drawing-by-wang-tuo-and-the-two-channel-video-the-second-interrogation-part-1-showing-in-the-background-part-of-wangs-solo-exhibition-at-blindspot-gallery-in-hong-kong-which-opened-on-march-21-2023-image545176960.htmlRM2PJXXNM–'Rehearsal of a Performative Homage II' (2023), a charcoal drawing by Wang Tuo and the two-channel video 'The Second Interrogation' (part 1) showing in the background. Part of Wang's solo exhibition at Blindspot Gallery in Hong Kong which opened on March 21, 2023
Edouard Manet, Seated, Holding His Hat, by Edgar Degas, 1865, French impressionist drawing on paper. This drawing was a study for an etching of Manet, indicating their familiarity as Degas adopted the Impressionist style (BSLOC 2017 3 98) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-edouard-manet-seated-holding-his-hat-by-edgar-degas-1865-french-impressionist-170545131.htmlRMKWD01F–Edouard Manet, Seated, Holding His Hat, by Edgar Degas, 1865, French impressionist drawing on paper. This drawing was a study for an etching of Manet, indicating their familiarity as Degas adopted the Impressionist style (BSLOC 2017 3 98)
Juan Gris, Une rue à Montmartre, drawing with watercolour, 1911 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/juan-gris-une-rue-montmartre-drawing-with-watercolour-1911-image247414404.htmlRMTAEKGM–Juan Gris, Une rue à Montmartre, drawing with watercolour, 1911
Top view of a close up of the hands of a person drawing a portrait in charcoal on a canvas. Concept of painting classes. Selective focus. Space for te Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/top-view-of-a-close-up-of-the-hands-of-a-person-drawing-a-portrait-in-charcoal-on-a-canvas-concept-of-painting-classes-selective-focus-space-for-te-image417492215.htmlRF2F76BG7–Top view of a close up of the hands of a person drawing a portrait in charcoal on a canvas. Concept of painting classes. Selective focus. Space for te
charcoal portrait of a smiling boy made by Dirk v. Mallinckrodt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charcoal-portrait-of-a-smiling-boy-made-by-dirk-v-mallinckrodt-image5574457.htmlRMAYDK3A–charcoal portrait of a smiling boy made by Dirk v. Mallinckrodt
Using charcoal and blender to add tone and shade to a drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/using-charcoal-and-blender-to-add-tone-and-shade-to-a-drawing-image311936643.htmlRMS3DXAB–Using charcoal and blender to add tone and shade to a drawing
Charcoil drawing - black wildebeest or white-tailed gnu (Connochaetes gnou) running Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charcoil-drawing-black-wildebeest-or-white-tailed-gnu-connochaetes-gnou-running-image265924796.htmlRFWCHWP4–Charcoil drawing - black wildebeest or white-tailed gnu (Connochaetes gnou) running
Charcoal drawing of an old wooden chair in a hallway in a house with subtle sunlight shining through a small window in a door in West Sussex, England, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charcoal-drawing-of-an-old-wooden-chair-in-a-hallway-in-a-house-with-subtle-sunlight-shining-through-a-small-window-in-a-door-in-west-sussex-england-image383670641.htmlRM2D85KPW–Charcoal drawing of an old wooden chair in a hallway in a house with subtle sunlight shining through a small window in a door in West Sussex, England,
A charcoal sketch (Boston Public Library) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-charcoal-sketch-boston-public-library-132624985.htmlRMHKNGEH–A charcoal sketch (Boston Public Library)
Inspired by Ploughing, Anton Mauve, Dutch, 1838-1888, Charcoal drawing on wove paper, Netherlands, Sheet: 9 13/16 x 13 1/4 in., 25 x 33.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-ploughing-anton-mauve-dutch-1838-1888-charcoal-drawing-on-wove-paper-netherlands-sheet-9-1316-x-13-14-in-25-x-337-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459248822.htmlRF2HK4GFJ–Inspired by Ploughing, Anton Mauve, Dutch, 1838-1888, Charcoal drawing on wove paper, Netherlands, Sheet: 9 13/16 x 13 1/4 in., 25 x 33.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
WASHINGTON DC, United States — A large-format charcoal on paper drawing titled 'The Whale (United States Capitol)' by American artist Robert Longo on display in the East Wing of the National Gallery of Art. This striking artwork depicts the United States Capitol in meticulous detail, showcasing Longo's skill in creating powerful monochromatic images that engage with political themes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/washington-dc-united-states-a-large-format-charcoal-on-paper-drawing-titled-the-whale-united-states-capitol-by-american-artist-robert-longo-on-display-in-the-east-wing-of-the-national-gallery-of-art-this-striking-artwork-depicts-the-united-states-capitol-in-meticulous-detail-showcasing-longos-skill-in-creating-powerful-monochromatic-images-that-engage-with-political-themes-image563795418.htmlRM2RN72PJ–WASHINGTON DC, United States — A large-format charcoal on paper drawing titled 'The Whale (United States Capitol)' by American artist Robert Longo on display in the East Wing of the National Gallery of Art. This striking artwork depicts the United States Capitol in meticulous detail, showcasing Longo's skill in creating powerful monochromatic images that engage with political themes.
Charcoal Sketch of a Young Girl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charcoal-sketch-of-a-young-girl-image1487386.htmlRMAPB21B–Charcoal Sketch of a Young Girl
Snow covered mountains and tundra in Iceland in February looking like a charcoal drawing with delicate colours Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/snow-covered-mountains-and-tundra-in-iceland-in-february-looking-like-a-charcoal-drawing-with-delicate-colours-image339739801.htmlRM2AMMDG9–Snow covered mountains and tundra in Iceland in February looking like a charcoal drawing with delicate colours
Storming Ashore to Attack. This image depicts a charcoal drawing of a manned landing craft in heavy surf in the South Pacific. Artwork by Hunter Wood. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/storming-ashore-to-attack-this-image-depicts-a-charcoal-drawing-of-a-manned-landing-craft-in-heavy-surf-in-the-south-pacific-artwork-by-hunter-wood-image507635220.htmlRM2MDTNW8–Storming Ashore to Attack. This image depicts a charcoal drawing of a manned landing craft in heavy surf in the South Pacific. Artwork by Hunter Wood.
For a Lessing monument: study sheet with uniforms from the 18th century, Hermann Heller (Vienna 1866 - 1949 Klagenfurt), drawing, charcoal, passe-partout: 304 x 455 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/for-a-lessing-monument-study-sheet-with-uniforms-from-the-18th-century-hermann-heller-vienna-1866-1949-klagenfurt-drawing-charcoal-passe-partout-304-x-455-mm-image573310499.htmlRM2T8MFAY–For a Lessing monument: study sheet with uniforms from the 18th century, Hermann Heller (Vienna 1866 - 1949 Klagenfurt), drawing, charcoal, passe-partout: 304 x 455 mm
Richard Penlennon had just time to lift his wife and lash her to a spar, charcoal, circa 1921 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-richard-penlennon-had-just-time-to-lift-his-wife-and-lash-her-to-a-55232998.htmlRMD5T272–Richard Penlennon had just time to lift his wife and lash her to a spar, charcoal, circa 1921
Welcome back to school lettering in chalk and charcoal on a transparent and dark background. Vector Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/welcome-back-to-school-lettering-in-chalk-and-charcoal-on-a-transparent-and-dark-background-vector-image435684490.htmlRF2G8R40A–Welcome back to school lettering in chalk and charcoal on a transparent and dark background. Vector
Calling the Cows Home ca. 1872 Jean-François Millet French Millet mentioned this painting in a letter of August 1872 to his friend and biographer, Alfred Sensier: 'I've groaned more than I've worked, since I've done hardly anything but a sketch. You know the subject, a cowherd sounding his horn to collect his cattle at the end of the day.' Millet had treated this subject in a charcoal drawing of 1857–58 and a pastel of 1866.. Calling the Cows Home 437095 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/calling-the-cows-home-ca-1872-jean-franois-millet-french-millet-mentioned-this-painting-in-a-letter-of-august-1872-to-his-friend-and-biographer-alfred-sensier-ive-groaned-more-than-ive-worked-since-ive-done-hardly-anything-but-a-sketch-you-know-the-subject-a-cowherd-sounding-his-horn-to-collect-his-cattle-at-the-end-of-the-day-millet-had-treated-this-subject-in-a-charcoal-drawing-of-185758-and-a-pastel-of-1866-calling-the-cows-home-437095-image458516275.htmlRM2HHY657–Calling the Cows Home ca. 1872 Jean-François Millet French Millet mentioned this painting in a letter of August 1872 to his friend and biographer, Alfred Sensier: 'I've groaned more than I've worked, since I've done hardly anything but a sketch. You know the subject, a cowherd sounding his horn to collect his cattle at the end of the day.' Millet had treated this subject in a charcoal drawing of 1857–58 and a pastel of 1866.. Calling the Cows Home 437095
Man with a peacock charcoal drawing on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-man-with-a-peacock-charcoal-drawing-on-paper-88266326.htmlRMF3GTGP–Man with a peacock charcoal drawing on paper
'Rehearsal of a Performative Homage II' (2023), a charcoal drawing by Wang Tuo and the two-channel video 'The Second Interrogation' (part 1) showing in the background. Part of Wang's solo exhibition at Blindspot Gallery in Hong Kong which opened on March 21, 2023 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rehearsal-of-a-performative-homage-ii-2023-a-charcoal-drawing-by-wang-tuo-and-the-two-channel-video-the-second-interrogation-part-1-showing-in-the-background-part-of-wangs-solo-exhibition-at-blindspot-gallery-in-hong-kong-which-opened-on-march-21-2023-image544818981.htmlRM2PJAJ4N–'Rehearsal of a Performative Homage II' (2023), a charcoal drawing by Wang Tuo and the two-channel video 'The Second Interrogation' (part 1) showing in the background. Part of Wang's solo exhibition at Blindspot Gallery in Hong Kong which opened on March 21, 2023
London, UK. 13th Dec, 2023. Portraits on Paper exhibition at Thaddaeus Ropac includes a massive charcoal drawing by Robert Longo titled X Ray of A Bar at the Folies-Bergere, 1882, after Manet (2017). Credit: Malcolm Park/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-13th-dec-2023-portraits-on-paper-exhibition-at-thaddaeus-ropac-includes-a-massive-charcoal-drawing-by-robert-longo-titled-x-ray-of-a-bar-at-the-folies-bergere-1882-after-manet-2017-credit-malcolm-parkalamy-live-news-image575727630.htmlRM2TCJJD2–London, UK. 13th Dec, 2023. Portraits on Paper exhibition at Thaddaeus Ropac includes a massive charcoal drawing by Robert Longo titled X Ray of A Bar at the Folies-Bergere, 1882, after Manet (2017). Credit: Malcolm Park/Alamy Live News
Sir Joshua Reynolds, Head and Bust of a Woman, portrait drawing, before 1792 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-joshua-reynolds-head-and-bust-of-a-woman-portrait-drawing-before-1792-image343536658.htmlRM2AXWCEA–Sir Joshua Reynolds, Head and Bust of a Woman, portrait drawing, before 1792
An artist drawing a girls portrait with charcoal pencil. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-artist-drawing-a-girls-portrait-with-charcoal-pencil-image228325327.htmlRFR7D37Y–An artist drawing a girls portrait with charcoal pencil.
Charcoal drawing on paper of a young antelope by Kurt Tessmann, 1937 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charcoal-drawing-on-paper-of-a-young-antelope-by-kurt-tessmann-1937-32444728.htmlRMBTNYG8–Charcoal drawing on paper of a young antelope by Kurt Tessmann, 1937
One day in Malaga; Impressions from this city in Andalusia, Spain. Street artist draws a portrait with charcoal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-day-in-malaga-impressions-from-this-city-in-andalusia-spain-street-artist-draws-a-portrait-with-charcoal-image347124434.htmlRM2B4MTN6–One day in Malaga; Impressions from this city in Andalusia, Spain. Street artist draws a portrait with charcoal.
Women Carrying Faggots. Artist: Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: 13 1/2 x 10 7/8 in. (34.3 x 27.6 cm). Date: ca. 1858. This extraordinary drawing in charcoal and gouache was once in the collection of the Dutch landscape painter Hendrick Mesdag (1831-1915), a collector of French artists of the Barbizon School. Millet was fascinated by the sight of peasants gathering, cutting, binding, and carrying faggots in the forest of Fontainebleau, his native landscape for much of his life. The Lehman sheet may relate to a painting of the same title now in the Hermi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/women-carrying-faggots-artist-jean-franois-millet-french-gruchy-1814-1875-barbizon-dimensions-13-12-x-10-78-in-343-x-276-cm-date-ca-1858-this-extraordinary-drawing-in-charcoal-and-gouache-was-once-in-the-collection-of-the-dutch-landscape-painter-hendrick-mesdag-1831-1915-a-collector-of-french-artists-of-the-barbizon-school-millet-was-fascinated-by-the-sight-of-peasants-gathering-cutting-binding-and-carrying-faggots-in-the-forest-of-fontainebleau-his-native-landscape-for-much-of-his-life-the-lehman-sheet-may-relate-to-a-painting-of-the-same-title-now-in-the-hermi-image212911141.htmlRMPAAX99–Women Carrying Faggots. Artist: Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: 13 1/2 x 10 7/8 in. (34.3 x 27.6 cm). Date: ca. 1858. This extraordinary drawing in charcoal and gouache was once in the collection of the Dutch landscape painter Hendrick Mesdag (1831-1915), a collector of French artists of the Barbizon School. Millet was fascinated by the sight of peasants gathering, cutting, binding, and carrying faggots in the forest of Fontainebleau, his native landscape for much of his life. The Lehman sheet may relate to a painting of the same title now in the Hermi
hand drawn charcoal drawing illustrating a diffuse human portrait Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hand-drawn-charcoal-drawing-illustrating-a-diffuse-human-portrait-image61721778.htmlRFDGBJN6–hand drawn charcoal drawing illustrating a diffuse human portrait
Drawing a Charcoal Pit - - 2129420 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-drawing-a-charcoal-pit-2129420-59664695.htmlRMDD1XWY–Drawing a Charcoal Pit - - 2129420
Inspired by Line Drawing of a Fanciful Boat, Indian, Ink and charcoal on paper, 19th century, sheet: 8 5/8 x 11 5/8 in., 21.9 x 29.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-line-drawing-of-a-fanciful-boat-indian-ink-and-charcoal-on-paper-19th-century-sheet-8-58-x-11-58-in-219-x-295-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459261294.htmlRF2HK54D2–Inspired by Line Drawing of a Fanciful Boat, Indian, Ink and charcoal on paper, 19th century, sheet: 8 5/8 x 11 5/8 in., 21.9 x 29.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
WASHINGTON DC, United States — A large-format charcoal on paper drawing titled 'The Whale (United States Capitol)' by American artist Robert Longo on display in the East Wing of the National Gallery of Art. This striking artwork depicts the United States Capitol in meticulous detail, showcasing Longo's skill in creating powerful monochromatic images that engage with political themes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/washington-dc-united-states-a-large-format-charcoal-on-paper-drawing-titled-the-whale-united-states-capitol-by-american-artist-robert-longo-on-display-in-the-east-wing-of-the-national-gallery-of-art-this-striking-artwork-depicts-the-united-states-capitol-in-meticulous-detail-showcasing-longos-skill-in-creating-powerful-monochromatic-images-that-engage-with-political-themes-image563795686.htmlRM2RN7346–WASHINGTON DC, United States — A large-format charcoal on paper drawing titled 'The Whale (United States Capitol)' by American artist Robert Longo on display in the East Wing of the National Gallery of Art. This striking artwork depicts the United States Capitol in meticulous detail, showcasing Longo's skill in creating powerful monochromatic images that engage with political themes.
Tahitian Woman with a Flower in Her Hair, by Paul Gauguin, 1891-92, French Post-Impressionism. This is a mixed media drawing of charcoal, pastel, and wash (BSLOC 2017 5 29) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-tahitian-woman-with-a-flower-in-her-hair-by-paul-gauguin-1891-92-french-170544592.htmlRMKWCYA8–Tahitian Woman with a Flower in Her Hair, by Paul Gauguin, 1891-92, French Post-Impressionism. This is a mixed media drawing of charcoal, pastel, and wash (BSLOC 2017 5 29)
Snow covered mountains and tundra in Iceland in February looking like a charcoal drawing with delicate colours Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-snow-covered-mountains-and-tundra-in-iceland-in-february-looking-like-94991345.htmlRMFEF6C1–Snow covered mountains and tundra in Iceland in February looking like a charcoal drawing with delicate colours
Celebration in a Chinese public house. The drawing shows a celebration in progress to pay homage to the woman seated cross-legged at the right. The celebration is taking place in a public house with an ornate interior and western influences with a stove, charcoal burner, and wall clock next to shelves, and a 'kang' or raised heated bench for sitting. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-celebration-in-a-chinese-public-house-the-drawing-shows-a-celebration-76386455.htmlRMEC7KKK–Celebration in a Chinese public house. The drawing shows a celebration in progress to pay homage to the woman seated cross-legged at the right. The celebration is taking place in a public house with an ornate interior and western influences with a stove, charcoal burner, and wall clock next to shelves, and a 'kang' or raised heated bench for sitting.
The miraculous salvation of Eutychus by Paulus, Joachim von Sandrart d. Ä. (Frankfurt am Main 1606 - 1688 Nuremberg), 1684, drawing, charcoal and chalk with brown washes and white highlights on light brown paper, 42.7 x 31.3 cm, l. and Duke Albert of Saxe-Teschen, l.u. '(dated) 77 ann Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-miraculous-salvation-of-eutychus-by-paulus-joachim-von-sandrart-d-frankfurt-am-main-1606-1688-nuremberg-1684-drawing-charcoal-and-chalk-with-brown-washes-and-white-highlights-on-light-brown-paper-427-x-313-cm-l-and-duke-albert-of-saxe-teschen-lu-dated-77-ann-image573311037.htmlRM2T8MG25–The miraculous salvation of Eutychus by Paulus, Joachim von Sandrart d. Ä. (Frankfurt am Main 1606 - 1688 Nuremberg), 1684, drawing, charcoal and chalk with brown washes and white highlights on light brown paper, 42.7 x 31.3 cm, l. and Duke Albert of Saxe-Teschen, l.u. '(dated) 77 ann
'The Pigeon' by Pierre Puvis de Chavannes (1824-1898), a French painter best known for his mural painting, who came to be known as 'the painter for France'. He became the co-founder and president of the Société Nationale des Beaux-Arts, and his work influenced many other artists, notably Robert Genin. Puvis de Chavannes was a prominent painter in the early Third Republic. Émile Zola described his work as 'an art made of reason, passion, and will'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-pigeon-by-pierre-puvis-de-chavannes-1824-1898-a-french-painter-best-known-for-his-mural-painting-who-came-to-be-known-as-the-painter-for-france-he-became-the-co-founder-and-president-of-the-socit-nationale-des-beaux-arts-and-his-work-influenced-many-other-artists-notably-robert-genin-puvis-de-chavannes-was-a-prominent-painter-in-the-early-third-republic-mile-zola-described-his-work-as-an-art-made-of-reason-passion-and-will-image357806283.htmlRM2BP3DFR–'The Pigeon' by Pierre Puvis de Chavannes (1824-1898), a French painter best known for his mural painting, who came to be known as 'the painter for France'. He became the co-founder and president of the Société Nationale des Beaux-Arts, and his work influenced many other artists, notably Robert Genin. Puvis de Chavannes was a prominent painter in the early Third Republic. Émile Zola described his work as 'an art made of reason, passion, and will'.
Search Results for A charcoal drawing Stock Photos and Images (3,250)
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