Page 1 of 1
Active 1450 Cut Out Stock Images
Saint Francis of Assisi, part of an altarpiece, Bartolomeo Vivarini, Italian, School of Venice, active 1450-1491, Tempera and tooled gold on poplar panel, Italy, ca. 1460, 51 3/8 x 15 1/2 in., 130.5 x 39.4 cm, altarpiece, catholic, Cross, gothic, Italian, man, quattrocento, robe, saint, saint francis of assisi, standing figure Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-francis-of-assisi-part-of-an-altarpiece-bartolomeo-vivarini-italian-school-of-venice-active-1450-1491-tempera-and-tooled-gold-on-poplar-panel-italy-ca-1460-51-38-x-15-12-in-1305-x-394-cm-altarpiece-catholic-cross-gothic-italian-man-quattrocento-robe-saint-saint-francis-of-assisi-standing-figure-image454271714.htmlRM2HB1T5P–Saint Francis of Assisi, part of an altarpiece, Bartolomeo Vivarini, Italian, School of Venice, active 1450-1491, Tempera and tooled gold on poplar panel, Italy, ca. 1460, 51 3/8 x 15 1/2 in., 130.5 x 39.4 cm, altarpiece, catholic, Cross, gothic, Italian, man, quattrocento, robe, saint, saint francis of assisi, standing figure
Art inspired by Saint Francis of Assisi, part of an altarpiece, Bartolomeo Vivarini, Italian, School of Venice, active 1450-1491, Tempera and tooled gold on poplar panel, Italy, ca. 1460, 51 3/8 x 15 1/2 in., 130.5 x 39.4 cm, altarpiece, catholic, Cross, gothic, Italian, man, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-saint-francis-of-assisi-part-of-an-altarpiece-bartolomeo-vivarini-italian-school-of-venice-active-1450-1491-tempera-and-tooled-gold-on-poplar-panel-italy-ca-1460-51-38-x-15-12-in-1305-x-394-cm-altarpiece-catholic-cross-gothic-italian-man-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459567129.htmlRF2HKK2FN–Art inspired by Saint Francis of Assisi, part of an altarpiece, Bartolomeo Vivarini, Italian, School of Venice, active 1450-1491, Tempera and tooled gold on poplar panel, Italy, ca. 1460, 51 3/8 x 15 1/2 in., 130.5 x 39.4 cm, altarpiece, catholic, Cross, gothic, Italian, man, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Saint Francis of Assisi, part of an altarpiece Bartolomeo Vivarini (Italian, School of Venice, active 1450-1491). , ca. 1460. Tempera and tooled gold on poplar panel, 51 3/8 x 15 1/2 in. (130.5 x 39.4 cm). The Vivarini brothers, Bartolomeo and Antonio, were significant figures in Venetian painting of the second half of the fifteenth century. This image was part of a larger polyptych (or multi-panel work) whose other elements have not been identified. Active in the early thirteenth century, Saint Francis made a great contribution not only to the reform of monastic practice, but also to the evo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-francis-of-assisi-part-of-an-altarpiece-bartolomeo-vivarini-italian-school-of-venice-active-1450-1491-ca-1460-tempera-and-tooled-gold-on-poplar-panel-51-38-x-15-12-in-1305-x-394-cm-the-vivarini-brothers-bartolomeo-and-antonio-were-significant-figures-in-venetian-painting-of-the-second-half-of-the-fifteenth-century-this-image-was-part-of-a-larger-polyptych-or-multi-panel-work-whose-other-elements-have-not-been-identified-active-in-the-early-thirteenth-century-saint-francis-made-a-great-contribution-not-only-to-the-reform-of-monastic-practice-but-also-to-the-evo-image504690446.htmlRM2M92HPP–Saint Francis of Assisi, part of an altarpiece Bartolomeo Vivarini (Italian, School of Venice, active 1450-1491). , ca. 1460. Tempera and tooled gold on poplar panel, 51 3/8 x 15 1/2 in. (130.5 x 39.4 cm). The Vivarini brothers, Bartolomeo and Antonio, were significant figures in Venetian painting of the second half of the fifteenth century. This image was part of a larger polyptych (or multi-panel work) whose other elements have not been identified. Active in the early thirteenth century, Saint Francis made a great contribution not only to the reform of monastic practice, but also to the evo
German artist unknown, active c. 1450, engraving on laid paper, The Martyrdom of Saint Barbara, c. 1450 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/german-artist-unknown-active-c-1450-engraving-on-laid-paper-the-martyrdom-of-saint-barbara-c-1450-image555753723.htmlRF2R84NF7–German artist unknown, active c. 1450, engraving on laid paper, The Martyrdom of Saint Barbara, c. 1450
Christ on the Cross with Saints Vincent Ferrer, John the Baptist, Mark and Antoninus. Master of the Fiesole Epiphany (Italy, Florence, active circa 1450-1500). Italy, circa 1491-1495. Paintings. Tempera and oil (?) on panel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-on-the-cross-with-saints-vincent-ferrer-john-the-baptist-mark-and-antoninus-master-of-the-fiesole-epiphany-italy-florence-active-circa-1450-1500-italy-circa-1491-1495-paintings-tempera-and-oil-on-panel-image464753165.htmlRM2J039B9–Christ on the Cross with Saints Vincent Ferrer, John the Baptist, Mark and Antoninus. Master of the Fiesole Epiphany (Italy, Florence, active circa 1450-1500). Italy, circa 1491-1495. Paintings. Tempera and oil (?) on panel
Virgin with a Bird on a Grassy Bank mid-15th century Master ES German. Virgin with a Bird on a Grassy Bank. Master ES (German, active ca. 1450–67). mid-15th century. Engraving, printed with white ink on black prepared paper, heightened with white. Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-with-a-bird-on-a-grassy-bank-mid-15th-century-master-es-german-virgin-with-a-bird-on-a-grassy-bank-master-es-german-active-ca-145067-mid-15th-century-engraving-printed-with-white-ink-on-black-prepared-paper-heightened-with-white-prints-image458476398.htmlRM2HHWB92–Virgin with a Bird on a Grassy Bank mid-15th century Master ES German. Virgin with a Bird on a Grassy Bank. Master ES (German, active ca. 1450–67). mid-15th century. Engraving, printed with white ink on black prepared paper, heightened with white. Prints
Master of Girart de Roussillon, (artist), Netherlandish, active c. 1450 - 1470, Meeting of Achilles and Hector, Miniature from a 'Roman de Troie' (Romance of Troy), (portfolio), c. 1450 - 1460, miniature on vellum, overall: 11.6 x 20.9 cm (4 9/16 x 8 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/master-of-girart-de-roussillon-artist-netherlandish-active-c-1450-1470-meeting-of-achilles-and-hector-miniature-from-a-roman-de-troie-romance-of-troy-portfolio-c-1450-1460-miniature-on-vellum-overall-116-x-209-cm-4-916-x-8-14-in-image386235178.htmlRM2DCAEWE–Master of Girart de Roussillon, (artist), Netherlandish, active c. 1450 - 1470, Meeting of Achilles and Hector, Miniature from a 'Roman de Troie' (Romance of Troy), (portfolio), c. 1450 - 1460, miniature on vellum, overall: 11.6 x 20.9 cm (4 9/16 x 8 1/4 in
Search Results for Active 1450 Cut Out Stock Images & Pictures (7)
Page 1 of 1