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After last supper Stock Photos and Images
Unterlinden Museum. Jesus praying in the gardenof Gethsemane after the Last Supper, while the disciples sleep. Oil on wood panel. Martin Schongauer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unterlinden-museum-jesus-praying-in-the-gardenof-gethsemane-after-the-last-supper-while-the-disciples-sleep-oil-on-wood-panel-martin-schongauer-image177664749.htmlRFM9195H–Unterlinden Museum. Jesus praying in the gardenof Gethsemane after the Last Supper, while the disciples sleep. Oil on wood panel. Martin Schongauer
Bradshaw & Blacklock, The Last Supper, (19th Century copy after Leonardo Da Vinci), woodcut print, circa 1854 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bradshaw-blacklock-the-last-supper-19th-century-copy-after-leonardo-da-vinci-woodcut-print-circa-1854-image330215016.htmlRM2A56GHC–Bradshaw & Blacklock, The Last Supper, (19th Century copy after Leonardo Da Vinci), woodcut print, circa 1854
Christ the Redeemer, Last Supper. After an engraving by W French. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-christ-the-redeemer-last-supper-after-an-engraving-by-w-french-83339427.htmlRMERGC83–Christ the Redeemer, Last Supper. After an engraving by W French.
Nikolai Ge - Christ Disciples Going out into Garden Nikolai Gethsemane After Last Supper 1889 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nikolai-ge-christ-disciples-going-out-into-garden-nikolai-gethsemane-after-last-supper-1889-image415551301.htmlRF2F41YWW–Nikolai Ge - Christ Disciples Going out into Garden Nikolai Gethsemane After Last Supper 1889
The Last Supper - after the fresco by Leonardo da Vinci, 15 April 1452 - 2 May 1519 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-last-supper-after-the-fresco-by-leonardo-da-vinci-15-april-1452-83364437.htmlRMERHG59–The Last Supper - after the fresco by Leonardo da Vinci, 15 April 1452 - 2 May 1519
Lucas Hugensz. van Leyden (1488, 1499 or 1494 - 1533), artist, Last Supper, Jan Harmensz. Muller (1571 - 1628), artist Lucas Hugensz. van Leyden (1488, 1499 or 1494 - 1533), copy after Last Supper, sheet 1 of the series 'The Passion of Christ', Jan Harmensz. Muller (1571 - 1628), artist Lucas Hugensz. van Leyden (1488, 1499 resp. 1494 - 1533), copy after Last Supper, Jan Harmensz. Muller (1571 - 1628), artist Lucas Hugensz. van Leyden (1488, 1499 or 1494 - 1533), copy after, Capture of Christ, origin of the print: c. 1615 - 1620, copperplate engraving, sheet size: 11.4 x 7.3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lucas-hugensz-van-leyden-1488-1499-or-1494-1533-artist-last-supper-jan-harmensz-muller-1571-1628-artist-lucas-hugensz-van-leyden-1488-1499-or-1494-1533-copy-after-last-supper-sheet-1-of-the-series-the-passion-of-christ-jan-harmensz-muller-1571-1628-artist-lucas-hugensz-van-leyden-1488-1499-resp-1494-1533-copy-after-last-supper-jan-harmensz-muller-1571-1628-artist-lucas-hugensz-van-leyden-1488-1499-or-1494-1533-copy-after-capture-of-christ-origin-of-the-print-c-1615-1620-copperplate-engraving-sheet-size-114-x-73-cm-image573212447.htmlRM2T8G293–Lucas Hugensz. van Leyden (1488, 1499 or 1494 - 1533), artist, Last Supper, Jan Harmensz. Muller (1571 - 1628), artist Lucas Hugensz. van Leyden (1488, 1499 or 1494 - 1533), copy after Last Supper, sheet 1 of the series 'The Passion of Christ', Jan Harmensz. Muller (1571 - 1628), artist Lucas Hugensz. van Leyden (1488, 1499 resp. 1494 - 1533), copy after Last Supper, Jan Harmensz. Muller (1571 - 1628), artist Lucas Hugensz. van Leyden (1488, 1499 or 1494 - 1533), copy after, Capture of Christ, origin of the print: c. 1615 - 1620, copperplate engraving, sheet size: 11.4 x 7.3 cm
The Last Supper. Bible, Corinthians XI, 25: 'After the same manner also he took the cup, when he had supped, saying, This cup is the New Testament in my blood: this do ye, as oft as ye drink it, in remembrance of me.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-last-supper-bible-corinthians-xi-25-after-the-same-manner-also-83334288.htmlRMERG5MG–The Last Supper. Bible, Corinthians XI, 25: 'After the same manner also he took the cup, when he had supped, saying, This cup is the New Testament in my blood: this do ye, as oft as ye drink it, in remembrance of me.'
Passion Play Oberammergau 2022, after Last Supper, Lamentation on the Mount of Olives, Oberammergau, Bavaria, Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/passion-play-oberammergau-2022-after-last-supper-lamentation-on-the-mount-of-olives-oberammergau-bavaria-germany-image471550989.htmlRM2JB502N–Passion Play Oberammergau 2022, after Last Supper, Lamentation on the Mount of Olives, Oberammergau, Bavaria, Germany
The Last Supper. Bible, Corinthians XI, 25: 'After the same manner also he took the cup, when he had supped, saying, This cup is the New Testament in my blood: this do ye, as oft as ye drink it, in remembrance of me.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-last-supper-bible-corinthians-xi-25-after-the-same-manner-also-83334052.htmlRMERG5C4–The Last Supper. Bible, Corinthians XI, 25: 'After the same manner also he took the cup, when he had supped, saying, This cup is the New Testament in my blood: this do ye, as oft as ye drink it, in remembrance of me.'
Passion Play Oberammergau 2022, after Last Supper, Lamentation on the Mount of Olives, Oberammergau, Bavaria, Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/passion-play-oberammergau-2022-after-last-supper-lamentation-on-the-mount-of-olives-oberammergau-bavaria-germany-image506519646.htmlRM2MC1XYA–Passion Play Oberammergau 2022, after Last Supper, Lamentation on the Mount of Olives, Oberammergau, Bavaria, Germany
The Last Supper. Bible, Corinthians XI, 25: 'After the same manner also he took the cup, when he had supped, saying, This cup is the New Testament in my blood: this do ye, as oft as ye drink it, in remembrance of me.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-last-supper-bible-corinthians-xi-25-after-the-same-manner-also-83338070.htmlRMERGAFJ–The Last Supper. Bible, Corinthians XI, 25: 'After the same manner also he took the cup, when he had supped, saying, This cup is the New Testament in my blood: this do ye, as oft as ye drink it, in remembrance of me.'
The Last Supper, from The Passion of Christ, Anonymous, After Hendrick Goltzius, ca. 1598–1617 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-last-supper-from-the-passion-of-christ-anonymous-after-hendrick-162519092.htmlRMKCBAN8–The Last Supper, from The Passion of Christ, Anonymous, After Hendrick Goltzius, ca. 1598–1617
Reproduction of The Last Supper, topical moment of the New Testament with Jesus at the center surrounded by his disciples. After Leonardo da Vinci published on Magasin Pittoresque Paris 1834 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/reproduction-of-the-last-supper-topical-moment-of-the-new-testament-image156904117.htmlRFK37GPD–Reproduction of The Last Supper, topical moment of the New Testament with Jesus at the center surrounded by his disciples. After Leonardo da Vinci published on Magasin Pittoresque Paris 1834
religion, Christianity, Jesus Christ, 'The Last Supper', steel engraving by Rothbart, after painting by Leonardo da Vinci, illustration from 'Denkmaeler der Kunst' (Monuments of Art), by Wilhelm Luebke and Carl von Luetzow, 3rd edition, Stuttgart 1879, volume 2, chapter on painting, plate XVII, Denkmaler, Denkmäler, Lubke, Lübke, Lutzow, Lützow, historic, historical, meal, table, disciples, Easter, biblical scene, scenes, fine arts, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/religion-christianity-jesus-christ-the-last-supper-steel-engraving-by-rothbart-after-painting-by-leonardo-da-vinci-illustration-from-denkmaeler-der-kunst-monuments-of-art-by-wilhelm-luebke-and-carl-von-luetzow-3rd-edition-stuttgart-1879-volume-2-chapter-on-painting-plate-xvii-denkmaler-denkmler-lubke-lbke-lutzow-ltzow-historic-historical-meal-table-disciples-easter-biblical-scene-scenes-fine-arts-additional-rights-clearance-info-not-available-image241367947.htmlRMT0K77R–religion, Christianity, Jesus Christ, 'The Last Supper', steel engraving by Rothbart, after painting by Leonardo da Vinci, illustration from 'Denkmaeler der Kunst' (Monuments of Art), by Wilhelm Luebke and Carl von Luetzow, 3rd edition, Stuttgart 1879, volume 2, chapter on painting, plate XVII, Denkmaler, Denkmäler, Lubke, Lübke, Lutzow, Lützow, historic, historical, meal, table, disciples, Easter, biblical scene, scenes, fine arts, Additional-Rights-Clearance-Info-Not-Available
The Last Supper. After a 19th century engraving by Raphael Morghen from the fresco by Leonardo da Vinci Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-after-a-19th-century-engraving-by-raphael-morghen-from-the-fresco-by-leonardo-da-vinci-image448967547.htmlRM2H2C6K7–The Last Supper. After a 19th century engraving by Raphael Morghen from the fresco by Leonardo da Vinci
TURIN, ITALY - MARCH 13, 2017: The painting of Last Supper in Duomo after Leonardo da Vinci by Vercellese Luigi Cagna (1836). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-turin-italy-march-13-2017-the-painting-of-last-supper-in-duomo-after-174653132.htmlRFM443RT–TURIN, ITALY - MARCH 13, 2017: The painting of Last Supper in Duomo after Leonardo da Vinci by Vercellese Luigi Cagna (1836).
Jesus Christ and his apostles at the Last Supper. From an engraving by Abraham de Blois after a work by Bernard Picart. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-christ-and-his-apostles-at-the-last-supper-from-an-engraving-by-abraham-de-blois-after-a-work-by-bernard-picart-image543553987.htmlRM2PG90JB–Jesus Christ and his apostles at the Last Supper. From an engraving by Abraham de Blois after a work by Bernard Picart.
FORLÍ, ITALY - NOVEMBER 10, 2021: The carved relief of Last Supper in the altar of church Basilica di San Pellegrino Laziosi after Leonardo da Vinci Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/forl-italy-november-10-2021-the-carved-relief-of-last-supper-in-the-altar-of-church-basilica-di-san-pellegrino-laziosi-after-leonardo-da-vinci-image451668565.htmlRF2H6R7T5–FORLÍ, ITALY - NOVEMBER 10, 2021: The carved relief of Last Supper in the altar of church Basilica di San Pellegrino Laziosi after Leonardo da Vinci
Woodcut style image of Jesus at the last supper after Leonardo Da Vinci. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-woodcut-style-image-of-jesus-at-the-last-supper-after-leonardo-da-72602125.htmlRFE638N1–Woodcut style image of Jesus at the last supper after Leonardo Da Vinci.
religion, Christianity, Jesus Christ, 'The Last Supper', copper engraving by Raphael Morghen, after painting by Leonardo da Vinci, 1787, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-religion-christianity-jesus-christ-the-last-supper-copper-engraving-47871868.htmlRMCNTN1G–religion, Christianity, Jesus Christ, 'The Last Supper', copper engraving by Raphael Morghen, after painting by Leonardo da Vinci, 1787, Additional-Rights-Clearences-Not Available
The German inscription for this 1899 image reads in English: “Christ in Gethsemane by Hans Thoma, after the original 1894.” The Agony in the Garden of Gethsemane was an episode in the life of Jesus—the name of the man who Christians believe was the son of God, and whose teachings are the basis of Christianity—which appears in the four canonical gospels, between the Farewell Discourse at the conclusion of the Last Supper and Jesus' arrest. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-german-inscription-for-this-1899-image-reads-in-english-christ-in-gethsemane-by-hans-thoma-after-the-original-1894-the-agony-in-the-garden-of-gethsemane-was-an-episode-in-the-life-of-jesusthe-name-of-the-man-who-christians-believe-was-the-son-of-god-and-whose-teachings-are-the-basis-of-christianitywhich-appears-in-the-four-canonical-gospels-between-the-farewell-discourse-at-the-conclusion-of-the-last-supper-and-jesus-arrest-image466354217.htmlRF2J2M7FN–The German inscription for this 1899 image reads in English: “Christ in Gethsemane by Hans Thoma, after the original 1894.” The Agony in the Garden of Gethsemane was an episode in the life of Jesus—the name of the man who Christians believe was the son of God, and whose teachings are the basis of Christianity—which appears in the four canonical gospels, between the Farewell Discourse at the conclusion of the Last Supper and Jesus' arrest.
TURIN, ITALY - MARCH 13, 2017: The painting of Last Supper in Duomo after Leonardo da Vinci by Vercellese Luigi Cagna (1836). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-turin-italy-march-13-2017-the-painting-of-last-supper-in-duomo-after-140221403.htmlRFJ43HR7–TURIN, ITALY - MARCH 13, 2017: The painting of Last Supper in Duomo after Leonardo da Vinci by Vercellese Luigi Cagna (1836).
Art inspired by The Last Supper, from The Small Passion (copy), n.d., Engraving, Sheet: 4 15/16 × 3 3/4 in. (12.6 × 9.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Possibly Abraham Waesberge (Dutch, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-last-supper-from-the-small-passion-copy-nd-engraving-sheet-4-1516-3-34-in-126-96-cm-prints-after-albrecht-drer-german-nuremberg-14711528-nuremberg-possibly-abraham-waesberge-dutch-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462997535.htmlRF2HW7A27–Art inspired by The Last Supper, from The Small Passion (copy), n.d., Engraving, Sheet: 4 15/16 × 3 3/4 in. (12.6 × 9.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Possibly Abraham Waesberge (Dutch, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
UNKNOWN ARTIST OF THE 16TH CENTURY. COPY AFTER LEONARDO'S LAST SUPPER . OIL ON CANVAS. 4.18 M X 7.94 M. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-of-the-16th-century-copy-after-leonardos-last-supper-oil-on-canvas-418-m-x-794-m-image242883919.htmlRFT348WK–UNKNOWN ARTIST OF THE 16TH CENTURY. COPY AFTER LEONARDO'S LAST SUPPER . OIL ON CANVAS. 4.18 M X 7.94 M.
May 05, 1978 - Walk-out by Mrs. Trudeau at London supper club : Mrs. Margaret Trudeau, estranged wife of the Canadian prime minister, walked out last night of London's latest super club, Madison's in camera town. She arrived about (9 o'clock with six other friends to see the American comedy trio goths. but she and her party left after about 30 minutes which was only halfway through the group's act because champagne had been spiel over one of the women guests in her party. photo shows Mrs. Trudeau arriving for the first night of Madison's supper club in Camden town, London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/may-05-1978-walk-out-by-mrs-trudeau-at-london-supper-club-mrs-margaret-image69492781.htmlRME11JN1–May 05, 1978 - Walk-out by Mrs. Trudeau at London supper club : Mrs. Margaret Trudeau, estranged wife of the Canadian prime minister, walked out last night of London's latest super club, Madison's in camera town. She arrived about (9 o'clock with six other friends to see the American comedy trio goths. but she and her party left after about 30 minutes which was only halfway through the group's act because champagne had been spiel over one of the women guests in her party. photo shows Mrs. Trudeau arriving for the first night of Madison's supper club in Camden town, London.
last supper feast christ disciples bread wine religion wood carving block period dress scripture plates plate drawing print desi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-last-supper-feast-christ-disciples-bread-wine-religion-wood-carving-22799785.htmlRMB92HA1–last supper feast christ disciples bread wine religion wood carving block period dress scripture plates plate drawing print desi
The Last Supper - New Testament by Artist Vinci, Leonardo da (1452-1519) (after) Italian. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-new-testament-by-artist-vinci-leonardo-da-1452-1519-after-italian-image592504516.htmlRF2WBXWFG–The Last Supper - New Testament by Artist Vinci, Leonardo da (1452-1519) (after) Italian.
Jesus last supper with his twelve apostles in Jerusalem, bible, New Testament, Leonardo da Vinci, historical Illustration 1890 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-last-supper-with-his-twelve-apostles-in-jerusalem-bible-new-testament-leonardo-da-vinci-historical-illustration-1890-image546532162.htmlRM2PN4K9P–Jesus last supper with his twelve apostles in Jerusalem, bible, New Testament, Leonardo da Vinci, historical Illustration 1890
The last supper Leonardo di ser Piero da Vinci Religion religious God Christ Jesus church messiah worship prayer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-last-supper-leonardo-di-ser-piero-da-vinci-religion-religious-39785315.htmlRFC8MAG3–The last supper Leonardo di ser Piero da Vinci Religion religious God Christ Jesus church messiah worship prayer
Condorce's Last Meal in Prison Marie Jean Antoine Nicolas de Caritat, Marquis of Condorcet (17 September 1743 – 29 March 1794), known as Nicolas de Condorcet, was a French philosopher and mathematician. His ideas, including support for a liberal economy, free and equal public instruction, constitutional government, and equal rights for women and people of all races, have been said to embody the ideals of the Age of Enlightenment and Enlightenment rationalism. He died in prison after a period of flight from French Revolutionary authorities. From the book La ciencia y sus hombres : vidas de los Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/condorces-last-meal-in-prison-marie-jean-antoine-nicolas-de-caritat-marquis-of-condorcet-17-september-1743-29-march-1794-known-as-nicolas-de-condorcet-was-a-french-philosopher-and-mathematician-his-ideas-including-support-for-a-liberal-economy-free-and-equal-public-instruction-constitutional-government-and-equal-rights-for-women-and-people-of-all-races-have-been-said-to-embody-the-ideals-of-the-age-of-enlightenment-and-enlightenment-rationalism-he-died-in-prison-after-a-period-of-flight-from-french-revolutionary-authorities-from-the-book-la-ciencia-y-sus-hombres-vidas-de-los-image368110629.htmlRM2CATTT5–Condorce's Last Meal in Prison Marie Jean Antoine Nicolas de Caritat, Marquis of Condorcet (17 September 1743 – 29 March 1794), known as Nicolas de Condorcet, was a French philosopher and mathematician. His ideas, including support for a liberal economy, free and equal public instruction, constitutional government, and equal rights for women and people of all races, have been said to embody the ideals of the Age of Enlightenment and Enlightenment rationalism. He died in prison after a period of flight from French Revolutionary authorities. From the book La ciencia y sus hombres : vidas de los
The Last Supper, from The Passion of Christ, Nicolas Cochin, mid 17th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-last-supper-from-the-passion-of-christ-nicolas-cochin-mid-17th-162519146.htmlRMKCBAR6–The Last Supper, from The Passion of Christ, Nicolas Cochin, mid 17th century
Jesus Last Supper, life-sized statue, Shrine of St. Joseph, Stations of the Cross, reopened after Yarnell Hill Fire 2013, near Granite Mountain Hotshots Memorial, Yarnell, AZ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-last-supper-life-sized-statue-shrine-of-st-joseph-stations-of-the-cross-reopened-after-yarnell-hill-fire-2013-near-granite-mountain-hotshots-memorial-yarnell-az-image312358567.htmlRMS454F3–Jesus Last Supper, life-sized statue, Shrine of St. Joseph, Stations of the Cross, reopened after Yarnell Hill Fire 2013, near Granite Mountain Hotshots Memorial, Yarnell, AZ
Anton Maria Zanetti (1680 - 1767), artist Francesco Parmigianino (1503 - 1540), after, Seated Madonna with Child and Boy John and Joseph, Jan Harmensz. Muller (1571 - 1628), artist Lucas Hugensz. van Leyden (1488, 1499 and 1494 - 1533 respectively), copy after, Last Supper, origin of the print medium: c. 1615 - 1620, copperplate engraving, sheet size: 11.3 x 7.4 cm, bottom left on panel inscribed and dated 'L, 1521' and next to it inscribed 'JMuller excud.' ge Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anton-maria-zanetti-1680-1767-artist-francesco-parmigianino-1503-1540-after-seated-madonna-with-child-and-boy-john-and-joseph-jan-harmensz-muller-1571-1628-artist-lucas-hugensz-van-leyden-1488-1499-and-1494-1533-respectively-copy-after-last-supper-origin-of-the-print-medium-c-1615-1620-copperplate-engraving-sheet-size-113-x-74-cm-bottom-left-on-panel-inscribed-and-dated-l-1521-and-next-to-it-inscribed-jmuller-excud-ge-image573212455.htmlRM2T8G29B–Anton Maria Zanetti (1680 - 1767), artist Francesco Parmigianino (1503 - 1540), after, Seated Madonna with Child and Boy John and Joseph, Jan Harmensz. Muller (1571 - 1628), artist Lucas Hugensz. van Leyden (1488, 1499 and 1494 - 1533 respectively), copy after, Last Supper, origin of the print medium: c. 1615 - 1620, copperplate engraving, sheet size: 11.3 x 7.4 cm, bottom left on panel inscribed and dated 'L, 1521' and next to it inscribed 'JMuller excud.' ge
Christ after the Last Supper at Gethsemane, 1888. Artist: Ge, Nikolai Nikolayevich (1831-1894) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-after-the-last-supper-at-gethsemane-1888-artist-ge-nikolai-image66618579.htmlRMDTAMJY–Christ after the Last Supper at Gethsemane, 1888. Artist: Ge, Nikolai Nikolayevich (1831-1894)
The Last Supper - after Leonardo da Vinci; Great Britain; 1865; Albumen silver print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-after-leonardo-da-vinci-great-britain-1865-albumen-silver-print-image220663169.htmlRMPR023D–The Last Supper - after Leonardo da Vinci; Great Britain; 1865; Albumen silver print
The Last Supper Lord Saviour Jesus Christ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-last-supper-lord-saviour-jesus-christ-22798920.htmlRFB92G74–The Last Supper Lord Saviour Jesus Christ
The Last Supper, after Leonardo da Vinci, Rembrandt, 1634–35 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-last-supper-after-leonardo-da-vinci-rembrandt-163435-162449671.htmlRMKC865Y–The Last Supper, after Leonardo da Vinci, Rembrandt, 1634–35
Italian school. The Last Supper (after restoration). 1495-1497. Fresco (480 x 880 cm). Milan, Santa Maria delle Grazie, refectory. Author: Leonardo da Vinci (1452-1519). Location: SANTA MARIA DELLE GRAZIE, MILAN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italian-school-the-last-supper-after-restoration-1495-1497-fresco-480-x-880-cm-milan-santa-maria-delle-grazie-refectory-author-leonardo-da-vinci-1452-1519-location-santa-maria-delle-grazie-milan-image209316754.htmlRMP4F5JA–Italian school. The Last Supper (after restoration). 1495-1497. Fresco (480 x 880 cm). Milan, Santa Maria delle Grazie, refectory. Author: Leonardo da Vinci (1452-1519). Location: SANTA MARIA DELLE GRAZIE, MILAN.
The Last Supper, Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after unknown artist, undated, Engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-francesco-bartolozzi-ra-17281815-italian-active-in-britain-176499-after-unknown-artist-undated-engraving-image389741730.htmlRM2DJ27FE–The Last Supper, Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after unknown artist, undated, Engraving
The Promise of the Holy Spirit, after the Last Supper, New Testament, steel engraving 1853, digitally restored Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-promise-of-the-holy-spirit-after-the-last-supper-new-testament-steel-engraving-1853-digitally-restored-image394566091.htmlRM2DWX123–The Promise of the Holy Spirit, after the Last Supper, New Testament, steel engraving 1853, digitally restored
British 19th Century, (artist), Leonardo da Vinci, (artist after), Florentine, 1452 - 1519, The Last Supper, probably 19th century, etching Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/british-19th-century-artist-leonardo-da-vinci-artist-after-florentine-1452-1519-the-last-supper-probably-19th-century-etching-image386301076.htmlRM2DCDEY0–British 19th Century, (artist), Leonardo da Vinci, (artist after), Florentine, 1452 - 1519, The Last Supper, probably 19th century, etching
Art inspired by The Last Supper, from The Passion of Christ, ca. 1598–1617, Engraving, Sheet: 7 13/16 x 5 3/16 in. (19.8 x 13.1 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-last-supper-from-the-passion-of-christ-ca-15981617-engraving-sheet-7-1316-x-5-316-in-198-x-131-cm-prints-anonymous-after-hendrick-goltzius-netherlandish-mhlbracht-15581617-haarlem-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462999554.htmlRF2HW7CJA–Art inspired by The Last Supper, from The Passion of Christ, ca. 1598–1617, Engraving, Sheet: 7 13/16 x 5 3/16 in. (19.8 x 13.1 cm), Prints, Anonymous, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
UNKNOWN ARTIST OF THE 16TH CENTURY. COPY AFTER LEONARDO'S LAST SUPPER . OIL ON CANVAS. 4.18 M X 7.94 M Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-of-the-16th-century-copy-after-leonardos-last-supper-oil-on-canvas-418-m-x-794-m-image471159856.htmlRF2JAF55M–UNKNOWN ARTIST OF THE 16TH CENTURY. COPY AFTER LEONARDO'S LAST SUPPER . OIL ON CANVAS. 4.18 M X 7.94 M
Art inspired by The Last Supper, 1551, Engraving, sheet: 13 3/4 x 21 in. (34.9 x 53.3 cm) (trimmed), Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Lambert Lombard (Netherlandish, Liège 1506–1566 Liège, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-last-supper-1551-engraving-sheet-13-34-x-21-in-349-x-533-cm-trimmed-prints-engraved-by-giorgio-ghisi-italian-mantua-ca-15201582-mantua-after-lambert-lombard-netherlandish-lige-15061566-lige-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462804618.htmlRF2HTXG0A–Art inspired by The Last Supper, 1551, Engraving, sheet: 13 3/4 x 21 in. (34.9 x 53.3 cm) (trimmed), Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Lambert Lombard (Netherlandish, Liège 1506–1566 Liège, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Rembrandt van Rijn. Last Supper after Leonardo da Vinci. 1635. Red chalk. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rembrandt-van-rijn-last-supper-after-leonardo-da-vinci-1635-red-chalk-image383887563.htmlRF2D8FGE3–Rembrandt van Rijn. Last Supper after Leonardo da Vinci. 1635. Red chalk.
Art inspired by The Last Supper, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 3/8 × 7 13/16 in. (13.6 × 19.8 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-last-supper-from-the-passion-of-christ-mid-17th-century-etching-sheet-5-38-7-1316-in-136-198-cm-prints-nicolas-cochin-french-troyes-16101686-paris-after-hendrick-goltzius-netherlandish-mhlbracht-15581617-haarlem-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462999500.htmlRF2HW7CGC–Art inspired by The Last Supper, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 3/8 × 7 13/16 in. (13.6 × 19.8 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
UNKNOWN ARTIST OF THE 16TH CENTURY. COPY AFTER LEONARDO'S LAST SUPPER . OIL ON CANVAS. 4.18 M X 7.94 M Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-artist-of-the-16th-century-copy-after-leonardos-last-supper-oil-on-canvas-418-m-x-794-m-image471818573.htmlRF2JBH5B9–UNKNOWN ARTIST OF THE 16TH CENTURY. COPY AFTER LEONARDO'S LAST SUPPER . OIL ON CANVAS. 4.18 M X 7.94 M
Art inspired by The Last Supper, 1585, Engraving; second state of three, sheet: 10 9/16 x 14 1/8 in. (26.8 x 35.8 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), After Pieter Coecke van Aelst (Netherlandish, Aelst 1502–1550 Brussels, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-last-supper-1585-engraving-second-state-of-three-sheet-10-916-x-14-18-in-268-x-358-cm-prints-hendrick-goltzius-netherlandish-mhlbracht-15581617-haarlem-after-pieter-coecke-van-aelst-netherlandish-aelst-15021550-brussels-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462802803.htmlRF2HTXDKF–Art inspired by The Last Supper, 1585, Engraving; second state of three, sheet: 10 9/16 x 14 1/8 in. (26.8 x 35.8 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), After Pieter Coecke van Aelst (Netherlandish, Aelst 1502–1550 Brussels, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
0030s THE LAST SUPPER AFTER LEONARDO DA VINCI BY GIAMPIETRINO CIRCA 1520 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-0030s-the-last-supper-after-leonardo-da-vinci-by-giampietrino-circa-83248746.htmlRMERC8HE–0030s THE LAST SUPPER AFTER LEONARDO DA VINCI BY GIAMPIETRINO CIRCA 1520
Art inspired by The Last Supper, ca. 1761–64, Etching on laid paper, sheet: 5 1/8 x 7 3/16 in. (13 x 18.3 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After Sebastiano Ricci (Italian, Belluno 1659–1734 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-last-supper-ca-176164-etching-on-laid-paper-sheet-5-18-x-7-316-in-13-x-183-cm-prints-jean-honor-fragonard-french-grasse-17321806-paris-after-sebastiano-ricci-italian-belluno-16591734-venice-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462998506.htmlRF2HW7B8X–Art inspired by The Last Supper, ca. 1761–64, Etching on laid paper, sheet: 5 1/8 x 7 3/16 in. (13 x 18.3 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After Sebastiano Ricci (Italian, Belluno 1659–1734 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The last supper - a messy table after a party Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-last-supper-a-messy-table-after-a-party-309990034.htmlRMS097CJ–The last supper - a messy table after a party
Art inspired by The Last Supper, ca. 1764, Etching, first state of two, Sheet: 6 5/8 x 8 1/2 in. (16.8 x 21.6 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After Sebastiano Ricci (Italian, Belluno 1659–1734 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-last-supper-ca-1764-etching-first-state-of-two-sheet-6-58-x-8-12-in-168-x-216-cm-prints-jean-honor-fragonard-french-grasse-17321806-paris-after-sebastiano-ricci-italian-belluno-16591734-venice-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462805598.htmlRF2HTXH7A–Art inspired by The Last Supper, ca. 1764, Etching, first state of two, Sheet: 6 5/8 x 8 1/2 in. (16.8 x 21.6 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After Sebastiano Ricci (Italian, Belluno 1659–1734 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Last Supper, ca. 1761-64. After Sebastiano Ricci Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-ca-1761-64-after-sebastiano-ricci-image349005717.htmlRM2B7PG9W–The Last Supper, ca. 1761-64. After Sebastiano Ricci
Art inspired by The Last Supper, from The Passion of Christ, ca. 1623, Engraving; first state of three, sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.6 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-last-supper-from-the-passion-of-christ-ca-1623-engraving-first-state-of-three-sheet-8-116-x-5-38-in-205-x-136-cm-prints-ludovicus-siceram-flemish-active-antwerp-ca-1623-after-hendrick-goltzius-netherlandish-mhlbracht-15581617-haarlem-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462984976.htmlRF2HW6P1M–Art inspired by The Last Supper, from The Passion of Christ, ca. 1623, Engraving; first state of three, sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.6 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
La Nouvelle Cene', Paris Commune, 1871. Cartoon comparing the downfall of the Paris Commune to the betrayal of Christ at the Last Supper. The Paris Commune was established when the citizens of Paris, many of them armed National Guards, rebelled against the policies of the conservative government formed after the end of the Franco-Prussian War. The left-wing regime of the Commune held sway in Paris for two months until government troops retook the city in bloody fighting in May 1871. The events of the Commune were an inspiration to Karl Marx as well as later communist leaders including Lenin, T Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-nouvelle-cene-paris-commune-1871-cartoon-comparing-the-downfall-of-the-paris-commune-to-the-betrayal-of-christ-at-the-last-supper-the-paris-commune-was-established-when-the-citizens-of-paris-many-of-them-armed-national-guards-rebelled-against-the-policies-of-the-conservative-government-formed-after-the-end-of-the-franco-prussian-war-the-left-wing-regime-of-the-commune-held-sway-in-paris-for-two-months-until-government-troops-retook-the-city-in-bloody-fighting-in-may-1871-the-events-of-the-commune-were-an-inspiration-to-karl-marx-as-well-as-later-communist-leaders-including-lenin-t-image377038459.htmlRM2CWBGB7–La Nouvelle Cene', Paris Commune, 1871. Cartoon comparing the downfall of the Paris Commune to the betrayal of Christ at the Last Supper. The Paris Commune was established when the citizens of Paris, many of them armed National Guards, rebelled against the policies of the conservative government formed after the end of the Franco-Prussian War. The left-wing regime of the Commune held sway in Paris for two months until government troops retook the city in bloody fighting in May 1871. The events of the Commune were an inspiration to Karl Marx as well as later communist leaders including Lenin, T
Art inspired by The Last Supper, 1564, Engraving, 13 11/16 x 21 5/16 in. (34.7 x 54.2 cm); trimmed, Prints, Gaspare Osello (Italian, ca. 1536–1560/80), After Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Lambert Lombard (Netherlandish, Liège 1506–1566 Liège, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-last-supper-1564-engraving-13-1116-x-21-516-in-347-x-542-cm-trimmed-prints-gaspare-osello-italian-ca-1536156080-after-giorgio-ghisi-italian-mantua-ca-15201582-mantua-after-lambert-lombard-netherlandish-lige-15061566-lige-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462811561.htmlRF2HTXTT9–Art inspired by The Last Supper, 1564, Engraving, 13 11/16 x 21 5/16 in. (34.7 x 54.2 cm); trimmed, Prints, Gaspare Osello (Italian, ca. 1536–1560/80), After Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Lambert Lombard (Netherlandish, Liège 1506–1566 Liège, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Last Supper. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); After Pieter Coecke van Aelst (Netherlandish, Aelst 1502-1550 Brussels). Dimensions: sheet: 10 9/16 x 14 1/8 in. (26.8 x 35.8 cm). Date: 1585. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-artist-hendrick-goltzius-netherlandish-mhlbracht-1558-1617-haarlem-after-pieter-coecke-van-aelst-netherlandish-aelst-1502-1550-brussels-dimensions-sheet-10-916-x-14-18-in-268-x-358-cm-date-1585-museum-metropolitan-museum-of-art-new-york-usa-image233224327.htmlRMRFC807–The Last Supper. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); After Pieter Coecke van Aelst (Netherlandish, Aelst 1502-1550 Brussels). Dimensions: sheet: 10 9/16 x 14 1/8 in. (26.8 x 35.8 cm). Date: 1585. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by The Last Supper; The last supper with Christ sitting in the center embracing John, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/16 × 4 1/16 in. (12.8 × 10.3 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-last-supper-the-last-supper-with-christ-sitting-in-the-center-embracing-john-ca-15001534-engraving-second-state-of-three-sheet-5-116-4-116-in-128-103-cm-prints-marcantonio-raimondi-italian-argini-ca-1480before-1534-bologna-after-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462955973.htmlRF2HW5D1W–Art inspired by The Last Supper; The last supper with Christ sitting in the center embracing John, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/16 × 4 1/16 in. (12.8 × 10.3 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Promise of the Holy Spirit, after the Last Supper, New Testament, steel engraving 1853, digitally restored Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-promise-of-the-holy-spirit-after-the-last-supper-new-testament-steel-engraving-1853-digitally-restored-image394565686.htmlRM2DWX0FJ–The Promise of the Holy Spirit, after the Last Supper, New Testament, steel engraving 1853, digitally restored
Giovanni Domenico Tiepolo, (artist), Venetian, 1727 - 1804, Giovanni Battista Tiepolo, (artist after), Venetian, 1696 - 1770, The Last Supper, etching Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-domenico-tiepolo-artist-venetian-1727-1804-giovanni-battista-tiepolo-artist-after-venetian-1696-1770-the-last-supper-etching-image386301055.htmlRM2DCDEX7–Giovanni Domenico Tiepolo, (artist), Venetian, 1727 - 1804, Giovanni Battista Tiepolo, (artist after), Venetian, 1696 - 1770, The Last Supper, etching
Inspired by Photoreproduction of a print after a fresco, depicting the Last Supper, S. Maria delle Grazie, c. 1865 - c. 1870, albumen print, height 52 mm × width 109 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-photoreproduction-of-a-print-after-a-fresco-depicting-the-last-supper-s-maria-delle-grazie-c-1865-c-1870-albumen-print-height-52-mm-width-109-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459450834.htmlRF2HKDP6A–Inspired by Photoreproduction of a print after a fresco, depicting the Last Supper, S. Maria delle Grazie, c. 1865 - c. 1870, albumen print, height 52 mm × width 109 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Jean Penicaud I, Plaque with the Last Supper, French, c. 1480 - after 1541, c. 1530, enamel painted on copper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jean-penicaud-i-plaque-with-the-last-supper-french-c-1480-after-1541-123325097.htmlRMH4HXBN–Jean Penicaud I, Plaque with the Last Supper, French, c. 1480 - after 1541, c. 1530, enamel painted on copper
The Last Supper by Leonardo da Vinci. After the copper engraving by Rahpael Morghen , Leonardo da Vinci (encyclopedia, 1898) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-by-leonardo-da-vinci-after-the-copper-engraving-by-rahpael-morghen-leonardo-da-vinci-encyclopedia-1898-image247279675.htmlRMTA8FMY–The Last Supper by Leonardo da Vinci. After the copper engraving by Rahpael Morghen , Leonardo da Vinci (encyclopedia, 1898)
'The Last Supper', after 1420 (1955). Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-after-1420-1955-artist-unknown-image262764838.htmlRMW7DY6E–'The Last Supper', after 1420 (1955). Artist: Unknown
Britain's Queen Elizabeth II accepts flowers from children outside the Convent of Santa Maria delle Grazie, after seeing Leonardo da Vinci's Last Supper, in Milan on the final day of the state visit to Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-britains-queen-elizabeth-ii-accepts-flowers-from-children-outside-106445972.htmlRMG550WT–Britain's Queen Elizabeth II accepts flowers from children outside the Convent of Santa Maria delle Grazie, after seeing Leonardo da Vinci's Last Supper, in Milan on the final day of the state visit to Italy.
. English: copy of Leonardo da Vinci's fresco 'The Last Supper' Oil on canvas (transferred from panel). 77x132 cm , The State Hermitage Museum Русский: Тайная вечеря (копия) Неизвестный художник. Автор оригинала Леонардо да Винчи Холст (переведена с дерева), масло. 77x132 см Италия. 16 в. Italy. 16th century. Unknown Artist after Leonardo da Vinci 804 Leonardo last supper hermitage Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-copy-of-leonardo-da-vincis-fresco-the-last-supper-oil-on-canvas-transferred-from-panel-77x132-cm-the-state-hermitage-museum-77x132-16-italy-16th-century-unknown-artist-after-leonardo-da-vinci-804-leonardo-last-supper-hermitage-image185718781.htmlRMMP465H–. English: copy of Leonardo da Vinci's fresco 'The Last Supper' Oil on canvas (transferred from panel). 77x132 cm , The State Hermitage Museum Русский: Тайная вечеря (копия) Неизвестный художник. Автор оригинала Леонардо да Винчи Холст (переведена с дерева), масло. 77x132 см Италия. 16 в. Italy. 16th century. Unknown Artist after Leonardo da Vinci 804 Leonardo last supper hermitage
Jesus Christ and the apostles at the Last Supper. Jesus-Christ apres avoir celebre la derniere Paque ave ces Disciples. Matthew XXVI v. 26. From Le Passion de Notre Seigneur, The Passion of our Lord, 1784. Copperplate engraving by Christian Mechel after Hans Holbein in Christian von Mechel's Oeuvre de Jean Holbein, Chez Guillaume Haas, Basel, 1784. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-christ-and-the-apostles-at-the-last-supper-jesus-christ-apres-avoir-celebre-la-derniere-paque-ave-ces-disciples-matthew-xxvi-v-26-from-le-passion-de-notre-seigneur-the-passion-of-our-lord-1784-copperplate-engraving-by-christian-mechel-after-hans-holbein-in-christian-von-mechels-oeuvre-de-jean-holbein-chez-guillaume-haas-basel-1784-image473019641.htmlRM2JDFWAH–Jesus Christ and the apostles at the Last Supper. Jesus-Christ apres avoir celebre la derniere Paque ave ces Disciples. Matthew XXVI v. 26. From Le Passion de Notre Seigneur, The Passion of our Lord, 1784. Copperplate engraving by Christian Mechel after Hans Holbein in Christian von Mechel's Oeuvre de Jean Holbein, Chez Guillaume Haas, Basel, 1784.
The painting of Last Supper in Turin Duomo after Leonardo da Vinci Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-painting-of-last-supper-in-turin-duomo-after-leonardo-da-vinci-image567760815.htmlRF2RYKMKY–The painting of Last Supper in Turin Duomo after Leonardo da Vinci
JERUSALEM, ISRAEL - MARCH 4, 2015: The Coenaculum (after tradicon the Last Supper hall). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jerusalem-israel-march-4-2015-the-coenaculum-after-tradicon-the-last-95429697.htmlRFFF75FD–JERUSALEM, ISRAEL - MARCH 4, 2015: The Coenaculum (after tradicon the Last Supper hall).
The Last Supper, after Leonardo da Vinci by Rembrandt 01 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-last-supper-after-leonardo-da-vinci-by-rembrandt-01-134799452.htmlRMHR8J24–The Last Supper, after Leonardo da Vinci by Rembrandt 01
Ghe Nikolay - Christ and the Disciples Going out into the Garden of Gethsemane After the Last Supper - Russian School - 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ghe-nikolay-christ-and-the-disciples-going-out-into-the-garden-of-gethsemane-after-the-last-supper-russian-school-19th-century-image382100256.htmlRM2D5J4NM–Ghe Nikolay - Christ and the Disciples Going out into the Garden of Gethsemane After the Last Supper - Russian School - 19th Century
The Last Supper.. after 1704. Jouvenet Last Supper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-after-1704-jouvenet-last-supper-image184871795.htmlRMMMNHT3–The Last Supper.. after 1704. Jouvenet Last Supper
Jacob Cornelisz van Oostsanen after Albrecht Dürer - The Last Supper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacob-cornelisz-van-oostsanen-after-albrecht-drer-the-last-supper-image367310869.htmlRM2C9GCN9–Jacob Cornelisz van Oostsanen after Albrecht Dürer - The Last Supper.
The Denial of Peter, c. 1624-1628. Wtewael depicted the moment after the Last Supper when the apostle Peter (at the left) denied knowing Jesus in order to protect himself from Roman soldiers searching for Christ's followers. Few works by this artist are known, and he draws on an unusual combination of styles. The dramatic use of light derives from Dutch followers of the Italian painter Caravaggio, in vogue around 1625, while the twisting bodies, startlingly low viewpoint, and tight detailing come from a more refined, courtly mode more popular earlier in the century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-denial-of-peter-c-1624-1628-wtewael-depicted-the-moment-after-the-last-supper-when-the-apostle-peter-at-the-left-denied-knowing-jesus-in-order-to-protect-himself-from-roman-soldiers-searching-for-christs-followers-few-works-by-this-artist-are-known-and-he-draws-on-an-unusual-combination-of-styles-the-dramatic-use-of-light-derives-from-dutch-followers-of-the-italian-painter-caravaggio-in-vogue-around-1625-while-the-twisting-bodies-startlingly-low-viewpoint-and-tight-detailing-come-from-a-more-refined-courtly-mode-more-popular-earlier-in-the-century-image330125908.htmlRM2A52EY0–The Denial of Peter, c. 1624-1628. Wtewael depicted the moment after the Last Supper when the apostle Peter (at the left) denied knowing Jesus in order to protect himself from Roman soldiers searching for Christ's followers. Few works by this artist are known, and he draws on an unusual combination of styles. The dramatic use of light derives from Dutch followers of the Italian painter Caravaggio, in vogue around 1625, while the twisting bodies, startlingly low viewpoint, and tight detailing come from a more refined, courtly mode more popular earlier in the century.
Jan Sadeler (I), after Marcus Gheeraerts (I) - Passio verbigenae quae nostra redemptio Christi - The last supper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-sadeler-i-after-marcus-gheeraerts-i-passio-verbigenae-quae-nostra-redemptio-christi-the-last-supper-image367373840.htmlRM2C9K928–Jan Sadeler (I), after Marcus Gheeraerts (I) - Passio verbigenae quae nostra redemptio Christi - The last supper.
The Last Supper, from The Small Passion (copy). Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg); Possibly Abraham Waesberge (Dutch). Dimensions: Sheet: 4 15/16 × 3 3/4 in. (12.6 × 9.6 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-from-the-small-passion-copy-artist-after-albrecht-drer-german-nuremberg-1471-1528-nuremberg-possibly-abraham-waesberge-dutch-dimensions-sheet-4-1516-3-34-in-126-96-cm-date-nd-museum-metropolitan-museum-of-art-new-york-usa-image213501428.htmlRMPB9R70–The Last Supper, from The Small Passion (copy). Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg); Possibly Abraham Waesberge (Dutch). Dimensions: Sheet: 4 15/16 × 3 3/4 in. (12.6 × 9.6 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
Rembrandt The Last Supper, after Leonardo da Vinci Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rembrandt-the-last-supper-after-leonardo-da-vinci-171849990.htmlRMKYGCBJ–Rembrandt The Last Supper, after Leonardo da Vinci
The Promise of the Holy Spirit, after the Last Supper, New Testament, steel engraving 1853, digitally restored Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-promise-of-the-holy-spirit-after-the-last-supper-new-testament-steel-engraving-1853-digitally-restored-image394565700.htmlRM2DWX0G4–The Promise of the Holy Spirit, after the Last Supper, New Testament, steel engraving 1853, digitally restored
St Marks Cathedral Sheffield after German air raid WW2 Statue of Last Supper is all that remains undamaged 1940 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-st-marks-cathedral-sheffield-after-german-air-raid-ww2-statue-of-last-19774513.htmlRMB44PGH–St Marks Cathedral Sheffield after German air raid WW2 Statue of Last Supper is all that remains undamaged 1940
Inspired by Photoreproduction of a print after a painting, depicting the Last Supper., Negretti & Zambra, after: Leonardo da Vinci, c. 1853 - in or before 1863, albumen print, height 140 mm × width 66 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-photoreproduction-of-a-print-after-a-painting-depicting-the-last-supper-negretti-zambra-after-leonardo-da-vinci-c-1853-in-or-before-1863-albumen-print-height-140-mm-width-66-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459449579.htmlRF2HKDMHF–Inspired by Photoreproduction of a print after a painting, depicting the Last Supper., Negretti & Zambra, after: Leonardo da Vinci, c. 1853 - in or before 1863, albumen print, height 140 mm × width 66 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Jean Penicaud I, Plaque with the Last Supper, French, c. 1480 - after 1541, c. 1530, enamel painted on copper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jean-penicaud-i-plaque-with-the-last-supper-french-c-1480-after-1541-77362433.htmlRMEDT4G1–Jean Penicaud I, Plaque with the Last Supper, French, c. 1480 - after 1541, c. 1530, enamel painted on copper
Art inspired by The Last Supper, after Leonardo da Vinci, 1634–35, Red chalk, 14 1/4 x 18 11/16 in. (36.2 x 47.5 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), This unusually large red-chalk drawing by Rembrandt is closely based on an early print, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-last-supper-after-leonardo-da-vinci-163435-red-chalk-14-14-x-18-1116-in-362-x-475-cm-drawings-rembrandt-rembrandt-van-rijn-dutch-leiden-16061669-amsterdam-this-unusually-large-red-chalk-drawing-by-rembrandt-is-closely-based-on-an-early-print-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463030051.htmlRF2HW8RFF–Art inspired by The Last Supper, after Leonardo da Vinci, 1634–35, Red chalk, 14 1/4 x 18 11/16 in. (36.2 x 47.5 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), This unusually large red-chalk drawing by Rembrandt is closely based on an early print, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Last Supper (pair), about 1500. Lucantonio degli Uberti (Italian), after Perugino (Italian, c1450/55-1523). Engraving on two sheets printed from two plates Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-pair-about-1500-lucantonio-degli-uberti-italian-after-perugino-italian-c145055-1523-engraving-on-two-sheets-printed-from-two-plates-image240414379.htmlRMRY3PYR–The Last Supper (pair), about 1500. Lucantonio degli Uberti (Italian), after Perugino (Italian, c1450/55-1523). Engraving on two sheets printed from two plates
![The Last Supper, 17th century, (1908). 'La Cène'. Jesus and his disciples. Possibly after a work by Jean-Baptiste de Champaigne. From "La Revue De L'Art - Ancien et Moderne" - Volume XXIV, July-December 1908, [Paris, 1908] Stock Photo](https://c8.alamy.com/comp/2A41XK0/the-last-supper-17th-century-1908-la-cxe8ne-jesus-and-his-disciples-possibly-after-a-work-by-jean-baptiste-de-champaigne-from-quotla-revue-de-lart-ancien-et-modernequot-volume-xxiv-july-december-1908-paris-1908-2A41XK0.jpg "The Last Supper, 17th century, (1908). 'La Cène'. Jesus and his disciples. Possibly after a work by Jean-Baptiste de Champaigne. From "La Revue De L'Art - Ancien et Moderne" - Volume XXIV, July-December 1908, [Paris, 1908] Stock Photo")
The Last Supper, 17th century, (1908). 'La Cène'. Jesus and his disciples. Possibly after a work by Jean-Baptiste de Champaigne. From "La Revue De L'Art - Ancien et Moderne" - Volume XXIV, July-December 1908, [Paris, 1908] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-17th-century-1908-la-cxe8ne-jesus-and-his-disciples-possibly-after-a-work-by-jean-baptiste-de-champaigne-from-quotla-revue-de-lart-ancien-et-modernequot-volume-xxiv-july-december-1908-paris-1908-image329498484.htmlRM2A41XK0–The Last Supper, 17th century, (1908). 'La Cène'. Jesus and his disciples. Possibly after a work by Jean-Baptiste de Champaigne. From "La Revue De L'Art - Ancien et Moderne" - Volume XXIV, July-December 1908, [Paris, 1908]
After Albrecht Dürer, German, 1471–1528, The Last Supper, 1514, Engraving on paper, Image: 5 x 3 13/16 in. (12.7 x 9.7 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/after-albrecht-drer-german-14711528-the-last-supper-1514-engraving-on-paper-image-5-x-3-1316-in-127-x-97-cm-image344574905.htmlRM2B0GMPH–After Albrecht Dürer, German, 1471–1528, The Last Supper, 1514, Engraving on paper, Image: 5 x 3 13/16 in. (12.7 x 9.7 cm
!['Jesus said, - one of you that eateth with me shall betray me', mid 19th century. Biblical scene, from Mark 14: 18: 'And as they sat and did eat, Jesus said, Verily I say unto you, One of you which eateth with me shall betray me. They began to be grieved and to ask Him one after another, "Surely not I?". Jesus predicts that one of his Apostles present at the meal will betray him, despite their assertions to the contrary. Engraving after 'The Last Supper', a mural painting of the 1490s by Leonardo da Vinci, in the Convent of Santa Maria delle Grazie in Milan, Italy. Stock Photo](https://c8.alamy.com/comp/WX0BF7/jesus-said-one-of-you-that-eateth-with-me-shall-betray-me-mid-19th-century-biblical-scene-from-mark-14-18-and-as-they-sat-and-did-eat-jesus-said-verily-i-say-unto-you-one-of-you-which-eateth-with-me-shall-betray-me-they-began-to-be-grieved-and-to-ask-him-one-after-another-quotsurely-not-iquot-jesus-predicts-that-one-of-his-apostles-present-at-the-meal-will-betray-him-despite-their-assertions-to-the-contrary-engraving-after-the-last-supper-a-mural-painting-of-the-1490s-by-leonardo-da-vinci-in-the-convent-of-santa-maria-delle-grazie-in-milan-italy-WX0BF7.jpg "'Jesus said, - one of you that eateth with me shall betray me', mid 19th century. Biblical scene, from Mark 14: 18: 'And as they sat and did eat, Jesus said, Verily I say unto you, One of you which eateth with me shall betray me. They began to be grieved and to ask Him one after another, "Surely not I?". Jesus predicts that one of his Apostles present at the meal will betray him, despite their assertions to the contrary. Engraving after 'The Last Supper', a mural painting of the 1490s by Leonardo da Vinci, in the Convent of Santa Maria delle Grazie in Milan, Italy. Stock Photo")
'Jesus said, - one of you that eateth with me shall betray me', mid 19th century. Biblical scene, from Mark 14: 18: 'And as they sat and did eat, Jesus said, Verily I say unto you, One of you which eateth with me shall betray me. They began to be grieved and to ask Him one after another, "Surely not I?". Jesus predicts that one of his Apostles present at the meal will betray him, despite their assertions to the contrary. Engraving after 'The Last Supper', a mural painting of the 1490s by Leonardo da Vinci, in the Convent of Santa Maria delle Grazie in Milan, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-said-one-of-you-that-eateth-with-me-shall-betray-me-mid-19th-century-biblical-scene-from-mark-14-18-and-as-they-sat-and-did-eat-jesus-said-verily-i-say-unto-you-one-of-you-which-eateth-with-me-shall-betray-me-they-began-to-be-grieved-and-to-ask-him-one-after-another-quotsurely-not-iquot-jesus-predicts-that-one-of-his-apostles-present-at-the-meal-will-betray-him-despite-their-assertions-to-the-contrary-engraving-after-the-last-supper-a-mural-painting-of-the-1490s-by-leonardo-da-vinci-in-the-convent-of-santa-maria-delle-grazie-in-milan-italy-image274145627.htmlRMWX0BF7–'Jesus said, - one of you that eateth with me shall betray me', mid 19th century. Biblical scene, from Mark 14: 18: 'And as they sat and did eat, Jesus said, Verily I say unto you, One of you which eateth with me shall betray me. They began to be grieved and to ask Him one after another, "Surely not I?". Jesus predicts that one of his Apostles present at the meal will betray him, despite their assertions to the contrary. Engraving after 'The Last Supper', a mural painting of the 1490s by Leonardo da Vinci, in the Convent of Santa Maria delle Grazie in Milan, Italy.
Sep. 09, 1963 - Treasures of the Royal Academy on show. Photo shows ''The Last Supper'' after Leonardo Da Vinci, attributed to Marco D' Oggiono. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sep-09-1963-treasures-of-the-royal-academy-on-show-photo-shows-the-image69406468.htmlRME0WMJC–Sep. 09, 1963 - Treasures of the Royal Academy on show. Photo shows ''The Last Supper'' after Leonardo Da Vinci, attributed to Marco D' Oggiono.
![Title page of a scriptural geology, The annals of the world, with border vignettes of Biblical kings Solomon and Nebuchadnezzar, temples before and after destruction, Cyrus, Vespasian, Adam and Eve, and the last supper] / R. Gaywood, fecit Stock Photo](https://c8.alamy.com/comp/2A4F8TY/title-page-of-a-scriptural-geology-the-annals-of-the-world-with-border-vignettes-of-biblical-kings-solomon-and-nebuchadnezzar-temples-before-and-after-destruction-cyrus-vespasian-adam-and-eve-and-the-last-supper-r-gaywood-fecit-2A4F8TY.jpg "Title page of a scriptural geology, The annals of the world, with border vignettes of Biblical kings Solomon and Nebuchadnezzar, temples before and after destruction, Cyrus, Vespasian, Adam and Eve, and the last supper] / R. Gaywood, fecit Stock Photo")
Title page of a scriptural geology, The annals of the world, with border vignettes of Biblical kings Solomon and Nebuchadnezzar, temples before and after destruction, Cyrus, Vespasian, Adam and Eve, and the last supper] / R. Gaywood, fecit Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-page-of-a-scriptural-geology-the-annals-of-the-world-with-border-vignettes-of-biblical-kings-solomon-and-nebuchadnezzar-temples-before-and-after-destruction-cyrus-vespasian-adam-and-eve-and-the-last-supper-r-gaywood-fecit-image329791867.htmlRM2A4F8TY–Title page of a scriptural geology, The annals of the world, with border vignettes of Biblical kings Solomon and Nebuchadnezzar, temples before and after destruction, Cyrus, Vespasian, Adam and Eve, and the last supper] / R. Gaywood, fecit
Jul. 07, 1958 - Britain's Motor Racing Champion Engaged... Stirling Moss and Miss Katie Molson. The engagement was announced last evening between Stirling Moss Britain's motor racing Champion - Miss Katie Molson 22 year old daughter of a Montreal brewer... The couple met in Nassama for years ago - when he was on holiday there - and she was working in a theatre... Keystone Photo Shows: Katie Molson prepares a celebration supper - with Stirling Moss - after announcement of their engagement last night. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jul-07-1958-britains-motor-racing-champion-engaged-stirling-moss-and-image69352583.htmlRME0R7WY–Jul. 07, 1958 - Britain's Motor Racing Champion Engaged... Stirling Moss and Miss Katie Molson. The engagement was announced last evening between Stirling Moss Britain's motor racing Champion - Miss Katie Molson 22 year old daughter of a Montreal brewer... The couple met in Nassama for years ago - when he was on holiday there - and she was working in a theatre... Keystone Photo Shows: Katie Molson prepares a celebration supper - with Stirling Moss - after announcement of their engagement last night.
The robed pastor of St. Timothy's Catholic Church, Laguna Niguel, CA, washes the feet of parishioners on Holy Thursday mass in memory of Christ washing the feet of his disciples at the Last Supper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-robed-pastor-of-st-timothys-catholic-church-laguna-niguel-ca-washes-image69111594.htmlRME0C8F6–The robed pastor of St. Timothy's Catholic Church, Laguna Niguel, CA, washes the feet of parishioners on Holy Thursday mass in memory of Christ washing the feet of his disciples at the Last Supper.
1176 The Last Supper, after Leonardo da Vinci by Rembrandt 01 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1176-the-last-supper-after-leonardo-da-vinci-by-rembrandt-01-image185736332.htmlRMMP50GC–1176 The Last Supper, after Leonardo da Vinci by Rembrandt 01
The Last Supper by Rubens after Leonardo da Vinci (Dutuit 64) Pieter Claesz Soutman. Pierre-Paul Rubens. La Cène par Rubens d'après Léonard de de Vinci (Dutuit 64). Eau-forte, burin, XVème-XVIème siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-supper-by-rubens-after-leonardo-da-vinci-dutuit-64-pieter-claesz-soutman-pierre-paul-rubens-la-cne-par-rubens-daprs-lonard-de-de-vinci-dutuit-64-eau-forte-burin-xvme-xvime-sicle-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image350218734.htmlRM2B9NRFX–The Last Supper by Rubens after Leonardo da Vinci (Dutuit 64) Pieter Claesz Soutman. Pierre-Paul Rubens. La Cène par Rubens d'après Léonard de de Vinci (Dutuit 64). Eau-forte, burin, XVème-XVIème siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Jacob Cornelisz van Oostsanen after Albrecht Dürer (Netherlandish, 1470 or before - 1533 ), The Last Supper, 1511/1514, woodcut, Rosenwald Collection R-20111108-0012.jpg 681 Jacob Cornelisz van Oostsanen after Albrecht Dürer - The Last Supper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacob-cornelisz-van-oostsanen-after-albrecht-drer-netherlandish-1470-or-before-1533-the-last-supper-15111514-woodcut-rosenwald-collection-r-20111108-0012jpg-681-jacob-cornelisz-van-oostsanen-after-albrecht-drer-the-last-supper-image185707132.htmlRMMP3K9G–Jacob Cornelisz van Oostsanen after Albrecht Dürer (Netherlandish, 1470 or before - 1533 ), The Last Supper, 1511/1514, woodcut, Rosenwald Collection R-20111108-0012.jpg 681 Jacob Cornelisz van Oostsanen after Albrecht Dürer - The Last Supper
The Large Passion: The Last Supper, 1510. Two distinct styles are evident in the scenes of The Large Passion designed before 1500 and those made 10 years later, after Dürer's second journey to Venice. While the effect of the early scenes relies on using line, those executed after 1500 depend on tonal contrasts. Dürer expanded the number of tones from black and white to a range of grays by using parallel hatchings and by varying the widths of lines and the spaces between them. Areas of white paper seem more or less bright depending on the density of black around them—compare Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-large-passion-the-last-supper-1510-two-distinct-styles-are-evident-in-the-scenes-of-the-large-passion-designed-before-1500-and-those-made-10-years-later-after-dxfcrers-second-journey-to-venice-while-the-effect-of-the-early-scenes-relies-on-using-line-those-executed-after-1500-depend-on-tonal-contrasts-dxfcrer-expanded-the-number-of-tones-from-black-and-white-to-a-range-of-grays-by-using-parallel-hatchings-and-by-varying-the-widths-of-lines-and-the-spaces-between-them-areas-of-white-paper-seem-more-or-less-bright-depending-on-the-density-of-black-around-themx2014compare-image330128647.htmlRM2A52JCR–The Large Passion: The Last Supper, 1510. Two distinct styles are evident in the scenes of The Large Passion designed before 1500 and those made 10 years later, after Dürer's second journey to Venice. While the effect of the early scenes relies on using line, those executed after 1500 depend on tonal contrasts. Dürer expanded the number of tones from black and white to a range of grays by using parallel hatchings and by varying the widths of lines and the spaces between them. Areas of white paper seem more or less bright depending on the density of black around them—compare
Last Supper from the Passion of Christ. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp); Johann Sadeler I (Netherlandish, Brussels 1550-1600/1601 Venice). Dimensions: sheet: 9 7/16 x 7 7/8 in. (23.9 x 20 cm). Date: 1582. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/last-supper-from-the-passion-of-christ-artist-after-maerten-de-vos-netherlandish-antwerp-1532-1603-antwerp-johann-sadeler-i-netherlandish-brussels-1550-16001601-venice-dimensions-sheet-9-716-x-7-78-in-239-x-20-cm-date-1582-museum-metropolitan-museum-of-art-new-york-usa-image213365830.htmlRMPB3J86–Last Supper from the Passion of Christ. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp); Johann Sadeler I (Netherlandish, Brussels 1550-1600/1601 Venice). Dimensions: sheet: 9 7/16 x 7 7/8 in. (23.9 x 20 cm). Date: 1582. Museum: Metropolitan Museum of Art, New York, USA.
. English: 'The Last Supper' Engraving of the Last Supper by P.W. Tomkins after Jacopo da Pontormo. It depicts the last supper Jesus shared with his disciples before his arrest and crucifiction (John 13:21). The print shows the moment Jesus announces that one of them would betray him. The individual reactions of the apostles are vividly portrayed; Saint John's position with Jesus's arm around his neck, and a dish in front of him can be seen as a prefiguration of his behading and the presentation of his head on a silver dish. Below the print is inscribed 'With desire I have desired to eat this Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-the-last-supper-engraving-of-the-last-supper-by-pw-tomkins-after-jacopo-da-pontormo-it-depicts-the-last-supper-jesus-shared-with-his-disciples-before-his-arrest-and-crucifiction-john-1321-the-print-shows-the-moment-jesus-announces-that-one-of-them-would-betray-him-the-individual-reactions-of-the-apostles-are-vividly-portrayed-saint-johns-position-with-jesuss-arm-around-his-neck-and-a-dish-in-front-of-him-can-be-seen-as-a-prefiguration-of-his-behading-and-the-presentation-of-his-head-on-a-silver-dish-below-the-print-is-inscribed-with-desire-i-have-desired-to-eat-this-image206594841.htmlRMP035R5–. English: 'The Last Supper' Engraving of the Last Supper by P.W. Tomkins after Jacopo da Pontormo. It depicts the last supper Jesus shared with his disciples before his arrest and crucifiction (John 13:21). The print shows the moment Jesus announces that one of them would betray him. The individual reactions of the apostles are vividly portrayed; Saint John's position with Jesus's arm around his neck, and a dish in front of him can be seen as a prefiguration of his behading and the presentation of his head on a silver dish. Below the print is inscribed 'With desire I have desired to eat this
In a little while you will not see Me, after the Last Supper, New Testament, steel engraving 1853, digitally restored Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/in-a-little-while-you-will-not-see-me-after-the-last-supper-new-testament-steel-engraving-1853-digitally-restored-image394564933.htmlRM2DWWYGN–In a little while you will not see Me, after the Last Supper, New Testament, steel engraving 1853, digitally restored
Rembrandt The Last Supper, after Leonardo da Vinci (Berlin) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rembrandt-the-last-supper-after-leonardo-da-vinci-berlin-image152832742.htmlRMJTJ3M6–Rembrandt The Last Supper, after Leonardo da Vinci (Berlin)
RELEASE DATE: February 25, 2004. MOVIE TITLE: The Passion of the Christ. STUDIO: Icon Productions. PLOT: A depiction of the last twelve hours in the life of Jesus of Nazareth, on the day of his crucifixion in Jerusalem. The story opens in the Garden of Olives where Jesus has gone to pray after the Last Supper. Betrayed by Judas Iscariot, the controversial Jesus--who has performed 'miracles' and has publicly announced that he is 'the Son of God'--is arrested and taken back within the city walls of Jerusalem. PICTURED: JAMES CAVIEZEL as Jesus. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-release-date-february-25-2004-movie-title-the-passion-of-the-christ-90145934.htmlRMF6JE1J–RELEASE DATE: February 25, 2004. MOVIE TITLE: The Passion of the Christ. STUDIO: Icon Productions. PLOT: A depiction of the last twelve hours in the life of Jesus of Nazareth, on the day of his crucifixion in Jerusalem. The story opens in the Garden of Olives where Jesus has gone to pray after the Last Supper. Betrayed by Judas Iscariot, the controversial Jesus--who has performed 'miracles' and has publicly announced that he is 'the Son of God'--is arrested and taken back within the city walls of Jerusalem. PICTURED: JAMES CAVIEZEL as Jesus.
fine arts, Konrad von Soest, (circa 1370 - after 1422), painting, Wildungen altar, central panel, the last supper, circa 1403, collegiate church, Bad Wildungen, Germany, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-konrad-von-soest-circa-1370-after-1422-painting-wildungen-17937552.htmlRMB153ET–fine arts, Konrad von Soest, (circa 1370 - after 1422), painting, Wildungen altar, central panel, the last supper, circa 1403, collegiate church, Bad Wildungen, Germany, Artist's Copyright has not to be cleared
Search Results for After last supper Stock Photos and Images (712)
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