Jan Miense Molenaer - Allegory of Vanity Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jan-miense-molenaer-allegory-of-vanity-112668403.html
RMGF8DKF–Jan Miense Molenaer - Allegory of Vanity
Antonio de Pereda, painting, Allegory of Vanity, 1632-1636 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonio-de-pereda-painting-allegory-of-vanity-1632-1636-image339765889.html
RM2AMNJT1–Antonio de Pereda, painting, Allegory of Vanity, 1632-1636
Le Vieille coquette ou allégorie de la Vanite -The Old Coquette or Allegory of Vanity Bernardo Strozzi 1581-1644 Italy Italian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-le-vieille-coquette-ou-allgorie-de-la-vanite-the-old-coquette-or-allegory-177506263.html
RMM8P31B–Le Vieille coquette ou allégorie de la Vanite -The Old Coquette or Allegory of Vanity Bernardo Strozzi 1581-1644 Italy Italian
Pieter Isaacsz painting, Allegory of Vanity, oil on wood, 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pieter-isaacsz-painting-allegory-of-vanity-oil-on-wood-1600-image575636365.html
RM2TCEE1H–Pieter Isaacsz painting, Allegory of Vanity, oil on wood, 1600
Antonio de Pereda, Allegory of Vanity 1632-1636 Oil on canvas. Kunsthistorisches Museum, Vienna, Austria Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-antonio-de-pereda-allegory-of-vanity-1632-1636-oil-on-canvas-kunsthistorisches-56374170.html
RMD7M1R6–Antonio de Pereda, Allegory of Vanity 1632-1636 Oil on canvas. Kunsthistorisches Museum, Vienna, Austria
Allegory on Vanity, Anonymous, German, 17th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-allegory-on-vanity-anonymous-german-17th-century-162510750.html
RMKCB03A–Allegory on Vanity, Anonymous, German, 17th century
Hierbey sollman spA1/4rn, by Hieronymus NA1/4tzel, approximately 1590, Allegory of vanity (presumptuousness) showing five demon-like figures confronting a man and a woman wearing elaborate collars. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hierbey-sollman-spa14rn-by-hieronymus-na14tzel-approximately-1590-allegory-of-vanity-presumptuousness-showing-five-demon-like-figures-confronting-a-man-and-a-woman-wearing-elaborate-collars-image230631376.html
RMRB64JT–Hierbey sollman spA1/4rn, by Hieronymus NA1/4tzel, approximately 1590, Allegory of vanity (presumptuousness) showing five demon-like figures confronting a man and a woman wearing elaborate collars.
Cornelis Schut I (Flemish, 1597 - 1655), Allegory of Vanity, etching on laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cornelis-schut-i-flemish-1597-1655-allegory-of-vanity-etching-on-laid-77364254.html
RMEDT6W2–Cornelis Schut I (Flemish, 1597 - 1655), Allegory of Vanity, etching on laid paper
Allegory of Vanity, c. 1640. Artist: Bramer, Leonaert (1596-1674) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-c-1640-artist-bramer-leonaert-1596-1674-image60392312.html
RMDE7308–Allegory of Vanity, c. 1640. Artist: Bramer, Leonaert (1596-1674)
Art inspired by Allegory on Vanity, Engraving, sheet: 17 1/16 x 12 1/2 in. (43.3 x 31.8 cm), Prints, Anonymous, German, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-allegory-on-vanity-engraving-sheet-17-116-x-12-12-in-433-x-318-cm-prints-anonymous-german-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462991766.html
RF2HW72M6–Art inspired by Allegory on Vanity, Engraving, sheet: 17 1/16 x 12 1/2 in. (43.3 x 31.8 cm), Prints, Anonymous, German, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Hierbey sollman spürn, by Hieronymus Nützel, approximately 1590, Allegory of vanity (presumptuousness) showing five demon-like figures confronting a man and a woman wearing elaborate collars. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hierbey-sollman-sprn-by-hieronymus-ntzel-approximately-1590-allegory-image69823212.html
RME1GM64–Hierbey sollman spürn, by Hieronymus Nützel, approximately 1590, Allegory of vanity (presumptuousness) showing five demon-like figures confronting a man and a woman wearing elaborate collars.
Allegory of Vanity. Museum: Art History Museum, Vienne. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-museum-art-history-museum-vienne-image212324630.html
RMP9C66E–Allegory of Vanity. Museum: Art History Museum, Vienne.
Jacques de L'Ange Allegory of Vanity Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jacques-de-lange-allegory-of-vanity-142956020.html
RMJ8G5T4–Jacques de L'Ange Allegory of Vanity
Peter Candid (attr) Allegory of vanity Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-peter-candid-attr-allegory-of-vanity-134715444.html
RMHR4PWT–Peter Candid (attr) Allegory of vanity
Jan Miense Molenaer - Allegory of Vanity Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-miense-molenaer-allegory-of-vanity-image367373009.html
RM2C9K80H–Jan Miense Molenaer - Allegory of Vanity
927 Nicolas Régnier - Allegory of Vanity (Pandora) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/927-nicolas-rgnier-allegory-of-vanity-pandora-image185880252.html
RMMPBG4C–927 Nicolas Régnier - Allegory of Vanity (Pandora)
Allegory of Vanity MET 201593 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-met-201593-image155514888.html
RMK108R4–Allegory of Vanity MET 201593
Allegory of vanity and repentance.. 1616. Allegory of Repentance mg 0014 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-and-repentance-1616-allegory-of-repentance-mg-0014-image184812777.html
RMMMJXG9–Allegory of vanity and repentance.. 1616. Allegory of Repentance mg 0014
Allegory of Vanity MET 56741 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-met-56741-image155582786.html
RMK13BC2–Allegory of Vanity MET 56741
Allegory of vanity between 1626 and 1678. 995 Pietro della Vecchia - Allegory of vanity Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-between-1626-and-1678-995-pietro-della-vecchia-allegory-of-vanity-image185546112.html
RMMNT9XT–Allegory of vanity between 1626 and 1678. 995 Pietro della Vecchia - Allegory of vanity
Gérard de LAIRESSE - Allegory of Constancy or Vanity - 1685 - Museum of Fine Arts - Budapest, Hungary Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grard-de-lairesse-allegory-of-constancy-or-vanity-1685-museum-of-fine-image61303373.html
RMDFMH25–Gérard de LAIRESSE - Allegory of Constancy or Vanity - 1685 - Museum of Fine Arts - Budapest, Hungary
Le Vieille coquette ou allégorie de la Vanite -The Old Coquette or Allegory of Vanity Bernardo Strozzi 1581-1644 Italy Italian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-le-vieille-coquette-ou-allgorie-de-la-vanite-the-old-coquette-or-allegory-177506242.html
RMM8P30J–Le Vieille coquette ou allégorie de la Vanite -The Old Coquette or Allegory of Vanity Bernardo Strozzi 1581-1644 Italy Italian
Jan Miense Molenaer, Allegory of Vanity, painting in oil on canvas, 1633 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-miense-molenaer-allegory-of-vanity-painting-in-oil-on-canvas-1633-image575636591.html
RM2TCEE9K–Jan Miense Molenaer, Allegory of Vanity, painting in oil on canvas, 1633
Jan Sanders van Hemessen 1500-1560 Allegory of vanity Belgium Belgian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-sanders-van-hemessen-1500-1560-allegory-of-vanity-belgium-belgian-image65951225.html
RMDR89CW–Jan Sanders van Hemessen 1500-1560 Allegory of vanity Belgium Belgian
Leonaert Bramer, Allegory of Vanity (Vanitas), still life painting in oil on wood, 1630-1650 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leonaert-bramer-allegory-of-vanity-vanitas-still-life-painting-in-oil-on-wood-1630-1650-image554946093.html
RM2R6RYB9–Leonaert Bramer, Allegory of Vanity (Vanitas), still life painting in oil on wood, 1630-1650
A Youth Smiling and Poking Fun at a Man Admiring his Reflection in a Mirror - Allegory of Vanity. by Michael Sweerts 1618-1664 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-youth-smiling-and-poking-fun-at-a-man-admiring-his-reflection-in-a-mirror-allegory-of-vanity-by-michael-sweerts-1618-1664-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598154239.html
RM2WN47RB–A Youth Smiling and Poking Fun at a Man Admiring his Reflection in a Mirror - Allegory of Vanity. by Michael Sweerts 1618-1664 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Cornelis Schut I (Flemish, 1597 - 1655), Allegory of Vanity, etching on laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cornelis-schut-i-flemish-1597-1655-allegory-of-vanity-etching-on-laid-123396132.html
RMH4N50M–Cornelis Schut I (Flemish, 1597 - 1655), Allegory of Vanity, etching on laid paper
Allegory of Vanity, 1632-1636. Artist: Pereda y Salgado, Antonio, de (1611-1678) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-1632-1636-artist-pereda-y-salgado-antonio-de-1611-image60435661.html
RMDE928D–Allegory of Vanity, 1632-1636. Artist: Pereda y Salgado, Antonio, de (1611-1678)
Allegory of vanity (presumptuousness) showing five demon-like figures confronting a man and a woman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-presumptuousness-showing-five-demon-like-figures-image60206209.html
RMDDXHHN–Allegory of vanity (presumptuousness) showing five demon-like figures confronting a man and a woman
Allegory of Vanity Cornelis Schut I, Allegory of Vanity Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-cornelis-schut-i-allegory-of-vanity-image335685251.html
RM2AE3NXY–Allegory of Vanity Cornelis Schut I, Allegory of Vanity
Allegory of Vanity (Presumptuousness) Showing Five Demon-Like Figures Confronting a Man and a Woman Wearing Elaborate Collars. Nützel, Hieronymus Active Approximately 1584/5-1590, Engraver. Etching and Engraving, Hand-Colored Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-presumptuousness-showing-five-demon-like-figures-confronting-a-man-and-a-woman-wearing-elaborate-collars-ntzel-hieronymus-active-approximately-15845-1590-engraver-etching-and-engraving-hand-colored-image240635334.html
RMRYDTR2–Allegory of Vanity (Presumptuousness) Showing Five Demon-Like Figures Confronting a Man and a Woman Wearing Elaborate Collars. Nützel, Hieronymus Active Approximately 1584/5-1590, Engraver. Etching and Engraving, Hand-Colored
Allegory of Vanity. Museum: Art History Museum, Vienne. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-museum-art-history-museum-vienne-image212324530.html
RMP9C62X–Allegory of Vanity. Museum: Art History Museum, Vienne.
Italian 16th Century, (artist), Allegory of Vanity (Death Surprising a Woman), 16th century, engraving, sheet (trimmed to plate mark): 35.9 x 25.2 cm (14 1/8 x 9 15/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italian-16th-century-artist-allegory-of-vanity-death-surprising-a-woman-16th-century-engraving-sheet-trimmed-to-plate-mark-359-x-252-cm-14-18-x-9-1516-in-image386192223.html
RM2DC8G3B–Italian 16th Century, (artist), Allegory of Vanity (Death Surprising a Woman), 16th century, engraving, sheet (trimmed to plate mark): 35.9 x 25.2 cm (14 1/8 x 9 15/16 in
Jacques de L'Ange - Allegory of Vanity. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-de-lange-allegory-of-vanity-image367347763.html
RM2C9J3PY–Jacques de L'Ange - Allegory of Vanity.
Jan Miense Molenaer - Allegory of Vanity (detail) - WGA16108 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jan-miense-molenaer-allegory-of-vanity-detail-wga16108-132807723.html
RMHM1WGY–Jan Miense Molenaer - Allegory of Vanity (detail) - WGA16108
Allegory on Vanity 1966 by Anonymous, German, 17th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-on-vanity-1966-by-anonymous-german-17th-century-image590626457.html
RM2W8WA21–Allegory on Vanity 1966 by Anonymous, German, 17th century
The Vanity of the World, Titian, circa 1520, Alte Pinakothek, Munich, Germany, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-vanity-of-the-world-titian-circa-1520-alte-pinakothek-munich-germany-europe-image476402600.html
RM2JK20AG–The Vanity of the World, Titian, circa 1520, Alte Pinakothek, Munich, Germany, Europe
Jan Miense Molenaer - Allegory of Vanity - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jan-miense-molenaer-allegory-of-vanity-148397279.html
RMJHC26R–Jan Miense Molenaer - Allegory of Vanity -
Allegory of Vanity. detail . 1633. 699 Jan Miense Molenaer - Allegory of Vanity (detail) - WGA16108 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-detail-1633-699-jan-miense-molenaer-allegory-of-vanity-detail-wga16108-image185796643.html
RMMP7NEB–Allegory of Vanity. detail . 1633. 699 Jan Miense Molenaer - Allegory of Vanity (detail) - WGA16108
Allegory of Vanity (Vanitas) Leonaert Bramer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-vanitas-leonaert-bramer-image600362535.html
RF2WTMTF3–Allegory of Vanity (Vanitas) Leonaert Bramer
Antonio de Pereda - Allegory of Vanity Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonio-de-pereda-allegory-of-vanity-image457742763.html
RF2HGKYFR–Antonio de Pereda - Allegory of Vanity
Allegory of Vanity and Repentance (1616) (oil on panel) Cornelis van Haarlem Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-and-repentance-1616-oil-on-panel-cornelis-van-haarlem-image612754771.html
RM2XGWAXY–Allegory of Vanity and Repentance (1616) (oil on panel) Cornelis van Haarlem
De Pereda Antonio - Allegory of Vanity (1632 36) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/de-pereda-antonio-allegory-of-vanity-1632-36-image597990015.html
RF2WMTPA7–De Pereda Antonio - Allegory of Vanity (1632 36)
PROVOST, Jan (b. ca. 1465, Mons, d. 1529, Bruges) Death and the Miser - Oil on oak panel, 120 x 79 cm (each) Groeninge Museum, Bruges These panels were on the reverse side of the donor panels which belonged to a triptych from the former Dominican monastery in Bruges. They were detached from the donor panels and are exhibited separately. Entitled Death and the Miser, it is an allegory of vanity; the precise import of which is no longer known. --- Keywords: -------------- Author: PROVOST, Jan Title: Death and the Miser Time-line: 1501-1550 School: Flemish Form: paint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/provost-jan-b-ca-1465-mons-d-1529-bruges-death-and-the-miser-oil-on-oak-panel-120-x-79-cm-each-groeninge-museum-bruges-these-panels-were-on-the-reverse-side-of-the-donor-panels-which-belonged-to-a-triptych-from-the-former-dominican-monastery-in-bruges-they-were-detached-from-the-donor-panels-and-are-exhibited-separately-entitled-death-and-the-miser-it-is-an-allegory-of-vanity-the-precise-import-of-which-is-no-longer-known-keywords-author-provost-jan-title-death-and-the-miser-time-line-1501-1550-school-flemish-form-paint-image624405789.html
RM2Y7T3XN–PROVOST, Jan (b. ca. 1465, Mons, d. 1529, Bruges) Death and the Miser - Oil on oak panel, 120 x 79 cm (each) Groeninge Museum, Bruges These panels were on the reverse side of the donor panels which belonged to a triptych from the former Dominican monastery in Bruges. They were detached from the donor panels and are exhibited separately. Entitled Death and the Miser, it is an allegory of vanity; the precise import of which is no longer known. --- Keywords: -------------- Author: PROVOST, Jan Title: Death and the Miser Time-line: 1501-1550 School: Flemish Form: paint
A Youth Smiling and Poking Fun at a Man Admiring his Reflection in a Mirror - Allegory of Vanity. by Michael Sweerts 1618-1664 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-youth-smiling-and-poking-fun-at-a-man-admiring-his-reflection-in-a-mirror-allegory-of-vanity-by-michael-sweerts-1618-1664-royal-museum-of-fine-arts-antwerp-belgium-belgian-image598154187.html
RM2WN47NF–A Youth Smiling and Poking Fun at a Man Admiring his Reflection in a Mirror - Allegory of Vanity. by Michael Sweerts 1618-1664 Royal Museum of Fine Arts, Antwerp, Belgium, Belgian.
Antonio de Pereda - Allegory of Vanity (c.1634) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonio-de-pereda-allegory-of-vanity-c1634-image452181033.html
RF2H7JHEH–Antonio de Pereda - Allegory of Vanity (c.1634)
Allegory of vanity. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-image565260144.html
RM2RRHR28–Allegory of vanity.
Allegory on Vanity Anonymous, German, 17th century German. Allegory on Vanity 392445 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-on-vanity-anonymous-german-17th-century-german-allegory-on-vanity-392445-image458066235.html
RM2HH6M4B–Allegory on Vanity Anonymous, German, 17th century German. Allegory on Vanity 392445
Italian 16th Century, Allegory of Vanity (Death Surprising a Woman), 16th century Allegory of Vanity (Death Surprising a Woman); 16th century date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italian-16th-century-allegory-of-vanity-death-surprising-a-woman-16th-century-allegory-of-vanity-death-surprising-a-woman-16th-century-date-image335919633.html
RM2AEECWN–Italian 16th Century, Allegory of Vanity (Death Surprising a Woman), 16th century Allegory of Vanity (Death Surprising a Woman); 16th century date
Kings examine the skeleton of King Croesus; allegory of vanity in the face of death. Etching by A. Allard. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kings-examine-the-skeleton-of-king-croesus-allegory-of-vanity-in-the-face-of-death-etching-by-a-allard-image450069624.html
RM2H46CB4–Kings examine the skeleton of King Croesus; allegory of vanity in the face of death. Etching by A. Allard.
Allegory of Vanity. Museum: State Hermitage, St. Petersburg. Author: VON SANDRART, JOACHIM. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-museum-state-hermitage-st-petersburg-author-von-sandrart-joachim-image231378900.html
RMRCC644–Allegory of Vanity. Museum: State Hermitage, St. Petersburg. Author: VON SANDRART, JOACHIM.
Allegory of Vanity, 1600, oil on oak, 36.4 x 43.5 cm, Signed and dated right above the three putti with the bubbles Peter Isaac f., 1600 (heavily faded), Pieter Isaacsz., Helsingør 1569–1625 Helsingør Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-1600-oil-on-oak-364-x-435-cm-signed-and-dated-right-above-the-three-putti-with-the-bubbles-peter-isaac-f-1600-heavily-faded-pieter-isaacsz-helsingr-15691625-helsingr-image328708128.html
RM2A2NXG0–Allegory of Vanity, 1600, oil on oak, 36.4 x 43.5 cm, Signed and dated right above the three putti with the bubbles Peter Isaac f., 1600 (heavily faded), Pieter Isaacsz., Helsingør 1569–1625 Helsingør
Jan Miense Molenaer - Allegory of Vanity (detail) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-miense-molenaer-allegory-of-vanity-detail-image367372985.html
RM2C9K7YN–Jan Miense Molenaer - Allegory of Vanity (detail)
Hieronymus Janssens and Daniel Seghers - A garland of mixed flowers adorning a stone cartouche surrounding an allegory of vanity Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hieronymus-janssens-and-daniel-seghers-a-garland-of-mixed-flowers-132842949.html
RMHM3EF1–Hieronymus Janssens and Daniel Seghers - A garland of mixed flowers adorning a stone cartouche surrounding an allegory of vanity
Allegory of Vanity - by Lambert Sustris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-by-lambert-sustris-image574101102.html
RM2TA0FPP–Allegory of Vanity - by Lambert Sustris
Allegory of Vanity (oil on canvas) by Bigot, Trophime (c.1595-p.1650); Palazzo Barberini, Gallerie Nazionali Barberini Corsini, Rome, Italy; French, out of copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-oil-on-canvas-by-bigot-trophime-c1595-p1650-palazzo-barberini-gallerie-nazionali-barberini-corsini-rome-italy-french-out-of-copyright-image469978572.html
RM2J8HAD0–Allegory of Vanity (oil on canvas) by Bigot, Trophime (c.1595-p.1650); Palazzo Barberini, Gallerie Nazionali Barberini Corsini, Rome, Italy; French, out of copyright.
Allegory on Vanity MET DP808220 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-on-vanity-met-dp808220-image155585180.html
RMK13EDG–Allegory on Vanity MET DP808220
. Allegory of Vanity . (1632 - 1636) 371 Antonio de Pereda - Allegory of Vanity - Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-1632-1636-371-antonio-de-pereda-allegory-of-vanity-google-art-project-image189269957.html
RMMYWYN9–. Allegory of Vanity . (1632 - 1636) 371 Antonio de Pereda - Allegory of Vanity - Google Art Project
Optical Illusion, All Is Vanity, 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-optical-illusion-all-is-vanity-1892-135095669.html
RMHRP3W9–Optical Illusion, All Is Vanity, 1892
‘Evangelist warning Christian and Faithful of the dangers in the town of Vanity’ from the ‘Pictorial Pilgrim's Progress’ published by H. H. Lloyd & Co. NYC in 1862 based on ‘The Pilgrim’s Progress From This World, To That Which Is To Come’ by John Bunyan (1628-1688) first published in 1678. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-evangelist-warning-christian-and-faithful-of-the-dangers-in-the-town-165074476.html
RMKGFP50–‘Evangelist warning Christian and Faithful of the dangers in the town of Vanity’ from the ‘Pictorial Pilgrim's Progress’ published by H. H. Lloyd & Co. NYC in 1862 based on ‘The Pilgrim’s Progress From This World, To That Which Is To Come’ by John Bunyan (1628-1688) first published in 1678.
An Allegory of the Vanities of Human Life', c1640. Artist: Harmen van Steenwyck. Harmen van Steenwyck (1612-1656) was a Dutch Golden Age painter of still lifes and produced many Vanitas artworks. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-allegory-of-the-vanities-of-human-life-c1640-artist-harmen-van-steenwyck-harmen-van-steenwyck-1612-1656-was-a-dutch-golden-age-painter-of-still-lifes-and-produced-many-vanitas-artworks-image377037394.html
RM2CWBF16–An Allegory of the Vanities of Human Life', c1640. Artist: Harmen van Steenwyck. Harmen van Steenwyck (1612-1656) was a Dutch Golden Age painter of still lifes and produced many Vanitas artworks.
‘Hopeful and Christian’ from ‘The Pilgrim’s Progress From This World, To That Which Is To Come’ by John Bunyan (1628-1688) illustration by Thomas Dalziel (1823–1906). Hopeful from the town of Vanity joins Christian on his journey. See more information below. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-hopeful-and-christian-from-the-pilgrims-progress-from-this-world-to-165070245.html
RMKGFGNW–‘Hopeful and Christian’ from ‘The Pilgrim’s Progress From This World, To That Which Is To Come’ by John Bunyan (1628-1688) illustration by Thomas Dalziel (1823–1906). Hopeful from the town of Vanity joins Christian on his journey. See more information below.
MOLENAER, Jan Miense (b. ca. 1610, Haarlem, d. 1668, Haarlem) Allegory of Vanity (detail) 1633 Oil on canvas, 102 x 127 cm (full painting) Toledo Museum of Art, Toledo, Ohio The mellowly coloured painting, from which this picture shows the central part, is rich in detail and it is the still-life treatment of a medieval allegory. The female figure personifying all of the temptations and vain pleasures of the world had the globe as her permanent attribute; originally she used to carry it over her head, but in this painting it is present in the form of a world map on the wall behind her. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/molenaer-jan-miense-b-ca-1610-haarlem-d-1668-haarlem-allegory-of-vanity-detail-1633-oil-on-canvas-102-x-127-cm-full-painting-toledo-museum-of-art-toledo-ohio-the-mellowly-coloured-painting-from-which-this-picture-shows-the-central-part-is-rich-in-detail-and-it-is-the-still-life-treatment-of-a-medieval-allegory-the-female-figure-personifying-all-of-the-temptations-and-vain-pleasures-of-the-world-had-the-globe-as-her-permanent-attribute-originally-she-used-to-carry-it-over-her-head-but-in-this-painting-it-is-present-in-the-form-of-a-world-map-on-the-wall-behind-her-image625411755.html
RM2Y9DY23–MOLENAER, Jan Miense (b. ca. 1610, Haarlem, d. 1668, Haarlem) Allegory of Vanity (detail) 1633 Oil on canvas, 102 x 127 cm (full painting) Toledo Museum of Art, Toledo, Ohio The mellowly coloured painting, from which this picture shows the central part, is rich in detail and it is the still-life treatment of a medieval allegory. The female figure personifying all of the temptations and vain pleasures of the world had the globe as her permanent attribute; originally she used to carry it over her head, but in this painting it is present in the form of a world map on the wall behind her.
Heinrich Krenes - Vanitas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heinrich-krenes-vanitas-image626135788.html
RF2YAJXGC–Heinrich Krenes - Vanitas
'An Allegory of the Vanities of Human Life', c1640. Artist: Harmen van Steenwyck Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-allegory-of-the-vanities-of-human-life-c1640-artist-harmen-van-17630448.html
RMB0K3PT–'An Allegory of the Vanities of Human Life', c1640. Artist: Harmen van Steenwyck
Allegory of Vanity. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-image506202527.html
RM2MBFEDK–Allegory of Vanity.
The skeleton of Death in perruque and his skeletal dog visit a woman dressing in her boudoir. 18th century woman doing her hair and makeup in front of a mirror in her bedroom. Vanity. The visitor at toilette. Toiletten Besuch. Copperplate engraving by drawn and engraved by Johann Rudolf Schellenberg from Johan Karl Musaus’s Freund Heins Erscheinungen in Holbeins Manier, (Apparitions of Death in the manner of Holbein), Heinrich Steiner, Winterthur, 1785. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-skeleton-of-death-in-perruque-and-his-skeletal-dog-visit-a-woman-dressing-in-her-boudoir-18th-century-woman-doing-her-hair-and-makeup-in-front-of-a-mirror-in-her-bedroom-vanity-the-visitor-at-toilette-toiletten-besuch-copperplate-engraving-by-drawn-and-engraved-by-johann-rudolf-schellenberg-from-johan-karl-musauss-freund-heins-erscheinungen-in-holbeins-manier-apparitions-of-death-in-the-manner-of-holbein-heinrich-steiner-winterthur-1785-image596526464.html
RM2WJE3GG–The skeleton of Death in perruque and his skeletal dog visit a woman dressing in her boudoir. 18th century woman doing her hair and makeup in front of a mirror in her bedroom. Vanity. The visitor at toilette. Toiletten Besuch. Copperplate engraving by drawn and engraved by Johann Rudolf Schellenberg from Johan Karl Musaus’s Freund Heins Erscheinungen in Holbeins Manier, (Apparitions of Death in the manner of Holbein), Heinrich Steiner, Winterthur, 1785.
Allegory of Vanity Allegory Vanity Object Type: drawing Object number: RP-T-1940-610 Manufacturer : draftsman: Franz Aspruck Dating: 1606 Physical characteristics: pen in brown and dark blue, brush in blue material: paper Ink Technique: pen / brush dimensions: h 132 mm × W 196 mm Subject: scenes symbolizing 'Vanitas'scenes symbolizing' Vanitas' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-allegory-vanity-object-type-drawing-object-number-rp-t-1940-610-manufacturer-draftsman-franz-aspruck-dating-1606-physical-characteristics-pen-in-brown-and-dark-blue-brush-in-blue-material-paper-ink-technique-pen-brush-dimensions-h-132-mm-w-196-mm-subject-scenes-symbolizing-vanitasscenes-symbolizing-vanitas-image348122450.html
RM2B6A9MJ–Allegory of Vanity Allegory Vanity Object Type: drawing Object number: RP-T-1940-610 Manufacturer : draftsman: Franz Aspruck Dating: 1606 Physical characteristics: pen in brown and dark blue, brush in blue material: paper Ink Technique: pen / brush dimensions: h 132 mm × W 196 mm Subject: scenes symbolizing 'Vanitas'scenes symbolizing' Vanitas'
Allegory on vanity, Franz Aspruck, 1606 drawing paper. ink pen / brush scenes symbolizing 'Vanitas'. scenes symbolizing 'Vanitas' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-on-vanity-franz-aspruck-1606-drawing-paper-ink-pen-brush-scenes-symbolizing-vanitas-scenes-symbolizing-vanitas-image595616870.html
RM2WH0KB2–Allegory on vanity, Franz Aspruck, 1606 drawing paper. ink pen / brush scenes symbolizing 'Vanitas'. scenes symbolizing 'Vanitas'
'Allegory of Vanity'. Series 'The Seven Deadly Sins'. Germany, 1642. Dimensions: 125x110 cm. Museum: State Hermitage, St. Petersburg. Author: Joachim von Sandrart I. JOACHIM VON SANDRART. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-series-the-seven-deadly-sins-germany-1642-dimensions-125x110-cm-museum-state-hermitage-st-petersburg-author-joachim-von-sandrart-i-joachim-von-sandrart-image241205359.html
RMT0BRW3–'Allegory of Vanity'. Series 'The Seven Deadly Sins'. Germany, 1642. Dimensions: 125x110 cm. Museum: State Hermitage, St. Petersburg. Author: Joachim von Sandrart I. JOACHIM VON SANDRART.
Superbia (allegory of pride and vanity), print, print maker: Lambert Cornelisz., after design by: Jacob Leendertsz, print maker: Amsterdam, after design by: Europe, c. 1590 - c. 1610, paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/superbia-allegory-of-pride-and-vanity-print-print-maker-lambert-cornelisz-after-design-by-jacob-leendertsz-print-maker-amsterdam-after-design-by-europe-c-1590-c-1610-paper-image606666161.html
RM2X700TH–Superbia (allegory of pride and vanity), print, print maker: Lambert Cornelisz., after design by: Jacob Leendertsz, print maker: Amsterdam, after design by: Europe, c. 1590 - c. 1610, paper
Hieronymus Janssens and Daniel Seghers - A garland of mixed flowers adorning a stone cartouche surrounding an allegory of vanity. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hieronymus-janssens-and-daniel-seghers-a-garland-of-mixed-flowers-adorning-a-stone-cartouche-surrounding-an-allegory-of-vanity-image354414754.html
RM2BGGYHP–Hieronymus Janssens and Daniel Seghers - A garland of mixed flowers adorning a stone cartouche surrounding an allegory of vanity.
Nicolas Régnier - Allegory of Vanity (Pandora) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-nicolas-rgnier-allegory-of-vanity-pandora-137885888.html
RMJ096T0–Nicolas Régnier - Allegory of Vanity (Pandora)
Allegory of Vanity - by Peter Candid Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-by-peter-candid-image573639936.html
RM2T97FGG–Allegory of Vanity - by Peter Candid
Two ladies of opulence take tea whilst the image of a skull reminds the observer that death lies in wait. All is Vanity by Charles Allan Gilbert. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-ladies-of-opulence-take-tea-whilst-the-image-of-a-skull-reminds-the-observer-that-death-lies-in-wait-all-is-vanity-by-charles-allan-gilbert-image399003108.html
RF2E544F0–Two ladies of opulence take tea whilst the image of a skull reminds the observer that death lies in wait. All is Vanity by Charles Allan Gilbert.
Allegory on Vanity MET DP818683 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-on-vanity-met-dp818683-image155585181.html
RMK13EDH–Allegory on Vanity MET DP818683
English: A garland of mixed flowers adorning a stone cartouche surrounding an allegory of vanity . between 1640 and 1661. Hieronymus Janssens and Daniel Seghers - A garland of mixed flowers adorning a stone cartouche surrounding an allegory of vanity Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-garland-of-mixed-flowers-adorning-a-stone-cartouche-surrounding-an-allegory-of-vanity-between-1640-and-1661-hieronymus-janssens-and-daniel-seghers-a-garland-of-mixed-flowers-adorning-a-stone-cartouche-surrounding-an-allegory-of-vanity-image185014297.html
RMMN03HD–English: A garland of mixed flowers adorning a stone cartouche surrounding an allegory of vanity . between 1640 and 1661. Hieronymus Janssens and Daniel Seghers - A garland of mixed flowers adorning a stone cartouche surrounding an allegory of vanity
Charles Meynier 1763-1832 Milo of Croton, Attempting to Test His Strength, Is Caught and Devoured by a Lion 1795 France, French, ( The story of the ancient Greek athlete Milo of Croton is an allegory of pride and vanity. The aging Milo wants to show his strength by pulling a split tree trunk apart. His hand gets caught and, unable to escape, he is devoured by wild beasts. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-meynier-1763-1832-milo-of-croton-attempting-to-test-his-strength-is-caught-and-devoured-by-a-lion-1795-france-french-the-story-of-the-ancient-greek-athlete-milo-of-croton-is-an-allegory-of-pride-and-vanity-the-aging-milo-wants-to-show-his-strength-by-pulling-a-split-tree-trunk-apart-his-hand-gets-caught-and-unable-to-escape-he-is-devoured-by-wild-beasts-image398180951.html
RM2E3PKT7–Charles Meynier 1763-1832 Milo of Croton, Attempting to Test His Strength, Is Caught and Devoured by a Lion 1795 France, French, ( The story of the ancient Greek athlete Milo of Croton is an allegory of pride and vanity. The aging Milo wants to show his strength by pulling a split tree trunk apart. His hand gets caught and, unable to escape, he is devoured by wild beasts. )
The Vanity of the World, Titian, circa 1520, Alte Pinakothek, Munich, Germany, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-vanity-of-the-world-titian-circa-1520-alte-pinakothek-munich-germany-europe-image481882538.html
RM2JYYJ2J–The Vanity of the World, Titian, circa 1520, Alte Pinakothek, Munich, Germany, Europe
The Massacre of the Innocents (panel) by Mazzolino, Lodovico (c.1479-c.1528); 39x59 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; Italian, out of copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-massacre-of-the-innocents-panel-by-mazzolino-lodovico-c1479-c1528-39x59-cm-galleria-degli-uffizi-florence-tuscany-italy-italian-out-of-copyright-image469741780.html
RM2J86GC4–The Massacre of the Innocents (panel) by Mazzolino, Lodovico (c.1479-c.1528); 39x59 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; Italian, out of copyright.
Gillis Mostaert The Haywagon, Allegory of the Vanity of the World Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-gillis-mostaert-the-haywagon-allegory-of-the-vanity-of-the-world-164831443.html
RMKG4M57–Gillis Mostaert The Haywagon, Allegory of the Vanity of the World
Cornelis Schut I (Flemish, 1597 - 1655), Allegory of Vanity, etching on laid paper. Reimagined by Gibon. Classic art reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cornelis-schut-i-flemish-1597-1655-allegory-of-vanity-etching-on-laid-paper-reimagined-by-gibon-classic-art-reimagined-image230422574.html
RFRATJ9J–Cornelis Schut I (Flemish, 1597 - 1655), Allegory of Vanity, etching on laid paper. Reimagined by Gibon. Classic art reimagined
“The Scourging of Faithful” from ‘The Pilgrim’s Progress From This World, To That Which Is To Come’ by John Bunyan (1628-1688) illustration by William Strang (1859-1921). Faithful is tortured after his trial in the town of Vanity. See more information below. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-scourging-of-faithful-from-the-pilgrims-progress-from-this-world-164920145.html
RMKG8N95–“The Scourging of Faithful” from ‘The Pilgrim’s Progress From This World, To That Which Is To Come’ by John Bunyan (1628-1688) illustration by William Strang (1859-1921). Faithful is tortured after his trial in the town of Vanity. See more information below.
An early illustration from Pilgrims Progress by John Bunyan showing Christian and Faithful arriving at Vanity Fair. 'The Pilgrim's Progress from This World, to That Which Is to Come' is a 1678 Christian allegory written by Englishman John Bunyan being a religious, theological work of fiction. It is regarded as the first real novel to be written in English Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-early-illustration-from-pilgrims-progress-by-john-bunyan-showing-christian-and-faithful-arriving-at-vanity-fair-the-pilgrims-progress-from-this-world-to-that-which-is-to-come-is-a-1678-christian-allegory-written-by-englishman-john-bunyan-being-a-religious-theological-work-of-fiction-it-is-regarded-as-the-first-real-novel-to-be-written-in-english-image354179987.html
RM2BG6857–An early illustration from Pilgrims Progress by John Bunyan showing Christian and Faithful arriving at Vanity Fair. 'The Pilgrim's Progress from This World, to That Which Is to Come' is a 1678 Christian allegory written by Englishman John Bunyan being a religious, theological work of fiction. It is regarded as the first real novel to be written in English
Allegory on Vanity. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-on-vanity-image348999119.html
RM2B7P7X7–Allegory on Vanity.
“The Jury” from ‘The Pilgrim’s Progress From This World, To That Which Is To Come’ by John Bunyan (1628-1688). Illustration by Byam Shaw (1872-1919) showing the corrupt jury at Faithful’s trial in Vanity. See more information below. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-jury-from-the-pilgrims-progress-from-this-world-to-that-which-164717220.html
RMKFYEDT–“The Jury” from ‘The Pilgrim’s Progress From This World, To That Which Is To Come’ by John Bunyan (1628-1688). Illustration by Byam Shaw (1872-1919) showing the corrupt jury at Faithful’s trial in Vanity. See more information below.
Allegory of Vanity (Death and the girl) Vanitasvoorstelling in the form of a woman, dressed in expensive clothes, sat at a table Where: in jewelry, coins and other symbols of vanity. Death, in the guise of an old woman with hourglass and burning arrow, stands behind her. Among the show a four-line text in Latin and Dutch translation daarvan. Manufacturer : printmaker: Andries Jacobsz. Stock (attributed to), designed by Jacob the Gheyn (II) (listed building) Publisher: Hendrick Hondius (I) (listed building) Place manufacture: Den Haag Date: 1608 - 1612 Physical features: car material: paper Tec Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-death-and-the-girl-vanitasvoorstelling-in-the-form-of-a-woman-dressed-in-expensive-clothes-sat-at-a-table-where-in-jewelry-coins-and-other-symbols-of-vanity-death-in-the-guise-of-an-old-woman-with-hourglass-and-burning-arrow-stands-behind-her-among-the-show-a-four-line-text-in-latin-and-dutch-translation-daarvan-manufacturer-printmaker-andries-jacobsz-stock-attributed-to-designed-by-jacob-the-gheyn-ii-listed-building-publisher-hendrick-hondius-i-listed-building-place-manufacture-den-haag-date-1608-1612-physical-features-car-material-paper-tec-image348123906.html
RM2B6ABGJ–Allegory of Vanity (Death and the girl) Vanitasvoorstelling in the form of a woman, dressed in expensive clothes, sat at a table Where: in jewelry, coins and other symbols of vanity. Death, in the guise of an old woman with hourglass and burning arrow, stands behind her. Among the show a four-line text in Latin and Dutch translation daarvan. Manufacturer : printmaker: Andries Jacobsz. Stock (attributed to), designed by Jacob the Gheyn (II) (listed building) Publisher: Hendrick Hondius (I) (listed building) Place manufacture: Den Haag Date: 1608 - 1612 Physical features: car material: paper Tec
Woman with Pauw looks at herself in a hand mirror, Anonymous, Hans Weiditz (II), 1514 - 1532 print Allegory on vanity. Print is part of an album. paper letterpress printing (woman) looking in a mirror scene symbolizing 'Vanitas'. looking in the mirror; (possibly: contemplation of own beauty - AA - (for) women). ornamental birds: peacock Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-with-pauw-looks-at-herself-in-a-hand-mirror-anonymous-hans-weiditz-ii-1514-1532-print-allegory-on-vanity-print-is-part-of-an-album-paper-letterpress-printing-woman-looking-in-a-mirror-scene-symbolizing-vanitas-looking-in-the-mirror-possibly-contemplation-of-own-beauty-aa-for-women-ornamental-birds-peacock-image592766235.html
RM2WCARAK–Woman with Pauw looks at herself in a hand mirror, Anonymous, Hans Weiditz (II), 1514 - 1532 print Allegory on vanity. Print is part of an album. paper letterpress printing (woman) looking in a mirror scene symbolizing 'Vanitas'. looking in the mirror; (possibly: contemplation of own beauty - AA - (for) women). ornamental birds: peacock
Allegory of Vanity (Vanitas). Date/Period: 1630 - 1650. Painting. Height: 800 mm (31.49 in); Width: 613 mm (24.13 in). Author: Leonaert Bramer. Bramer, Leonaert. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-vanitas-dateperiod-1630-1650-painting-height-800-mm-3149-in-width-613-mm-2413-in-author-leonaert-bramer-bramer-leonaert-image219697695.html
RMPNC2J7–Allegory of Vanity (Vanitas). Date/Period: 1630 - 1650. Painting. Height: 800 mm (31.49 in); Width: 613 mm (24.13 in). Author: Leonaert Bramer. Bramer, Leonaert.
Hierbey sollman spürn und w...ercken, ..., HNFecit, B.C. excu., Allegory of vanity (presumptuousness) showing five demon-like figures confronting a man and a woman wearing elaborate collars., Nützel, Hieronymus active approximately 1584/5-1590, engraver, 1590., Clothing & dress, 1590, Allegorical prints, German, 1590., Allegorical prints, German, 1590, Intaglio prints, German, Hand-colored, 1590, 1 print: etching and engraving, hand-colored Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hierbey-sollman-sprn-und-wercken-hnfecit-bc-excu-allegory-of-vanity-presumptuousness-showing-five-demon-like-figures-confronting-a-man-and-a-woman-wearing-elaborate-collars-ntzel-hieronymus-active-approximately-15845-1590-engraver-1590-clothing-dress-1590-allegorical-prints-german-1590-allegorical-prints-german-1590-intaglio-prints-german-hand-colored-1590-1-print-etching-and-engraving-hand-colored-image599544248.html
RM2WRBGPG–Hierbey sollman spürn und w...ercken, ..., HNFecit, B.C. excu., Allegory of vanity (presumptuousness) showing five demon-like figures confronting a man and a woman wearing elaborate collars., Nützel, Hieronymus active approximately 1584/5-1590, engraver, 1590., Clothing & dress, 1590, Allegorical prints, German, 1590., Allegorical prints, German, 1590, Intaglio prints, German, Hand-colored, 1590, 1 print: etching and engraving, hand-colored
Pietro della Vecchia - Allegory of vanity. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-della-vecchia-allegory-of-vanity-image413133795.html
RM2F03TAB–Pietro della Vecchia - Allegory of vanity.
Leonaert Bramer Allegory of Vanity (Vanitas) Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-leonaert-bramer-allegory-of-vanity-vanitas-google-art-project-137407834.html
RMHYFD2J–Leonaert Bramer Allegory of Vanity (Vanitas) Google Art Project
Allegory of Vanity 1633 by Jan Miense Molenaer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-vanity-1633-by-jan-miense-molenaer-image557746654.html
RM2RBBFFA–Allegory of Vanity 1633 by Jan Miense Molenaer
'An Allegory of Statecraft', c1480 (1945). Artist: Leonardo da Vinci. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-allegory-of-statecraft-c1480-1945-artist-leonardo-da-vinci-135316862.html
RMHT4612–'An Allegory of Statecraft', c1480 (1945). Artist: Leonardo da Vinci.
Leonaert Bramer - Allegory of Vanity (Vanitas) - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-leonaert-bramer-allegory-of-vanity-vanitas-148454248.html
RMJHEJWC–Leonaert Bramer - Allegory of Vanity (Vanitas) -
The Haywain, Allegory of the Vanity of the World. Artist: Mostaert, Gillis (1534-1598) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-haywain-allegory-of-the-vanity-of-the-world-artist-mostaert-gillis-74091852.html
RME8F4WG–The Haywain, Allegory of the Vanity of the World. Artist: Mostaert, Gillis (1534-1598)
Charles Meynier 1763-1832 Milo of Croton, Attempting to Test His Strength, Is Caught and Devoured by a Lion 1795 France, French, ( The story of the ancient Greek athlete Milo of Croton is an allegory of pride and vanity. The aging Milo wants to show his strength by pulling a split tree trunk apart. His hand gets caught and, unable to escape, he is devoured by wild beasts. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-meynier-1763-1832-milo-of-croton-attempting-to-test-his-strength-is-caught-and-devoured-by-a-lion-1795-france-french-the-story-of-the-ancient-greek-athlete-milo-of-croton-is-an-allegory-of-pride-and-vanity-the-aging-milo-wants-to-show-his-strength-by-pulling-a-split-tree-trunk-apart-his-hand-gets-caught-and-unable-to-escape-he-is-devoured-by-wild-beasts-image398180959.html
RM2E3PKTF–Charles Meynier 1763-1832 Milo of Croton, Attempting to Test His Strength, Is Caught and Devoured by a Lion 1795 France, French, ( The story of the ancient Greek athlete Milo of Croton is an allegory of pride and vanity. The aging Milo wants to show his strength by pulling a split tree trunk apart. His hand gets caught and, unable to escape, he is devoured by wild beasts. )
Allegory of the Vanity of Earthly Things circa 1630. 1214 Unknown French Master - Allegory of the Vanity of Earthly Things - WGA23679 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-the-vanity-of-earthly-things-circa-1630-1214-unknown-french-master-allegory-of-the-vanity-of-earthly-things-wga23679-image185605564.html
RMMNY1P4–Allegory of the Vanity of Earthly Things circa 1630. 1214 Unknown French Master - Allegory of the Vanity of Earthly Things - WGA23679
'An Allegory of Statecraft', c1480 (1945). Artist: Leonardo da Vinci. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-allegory-of-statecraft-c1480-1945-artist-leonardo-da-vinci-image262793756.html
RMW7F838–'An Allegory of Statecraft', c1480 (1945). Artist: Leonardo da Vinci.
woman plunges in mirror in the desert landscape disseminated of pieces of statues of admirers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-plunges-in-mirror-in-the-desert-landscape-disseminated-of-pieces-of-statues-of-admirers-image234690858.html
RFRHR2GA–woman plunges in mirror in the desert landscape disseminated of pieces of statues of admirers