Mark Rothko. Portrait of the American abstract artist, Mark Rothko (Markus Yakovlevich Rothkowitz until 1940; 1903-1970), c. 1949 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mark-rothko-portrait-of-the-american-abstract-artist-mark-rothko-markus-yakovlevich-rothkowitz-until-1940-1903-1970-c-1949-image613896167.html
RM2XJNAR3–Mark Rothko. Portrait of the American abstract artist, Mark Rothko (Markus Yakovlevich Rothkowitz until 1940; 1903-1970), c. 1949
Untitled, from the portfolio American Abstract Artists 1937 by Rupert D. Turnbull, born East Orange, NJ 1899-died 1943 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/untitled-from-the-portfolio-american-abstract-artists-1937-by-rupert-d-turnbull-born-east-orange-nj-1899-died-1943-image555987208.html
RM2R8FBA0–Untitled, from the portfolio American Abstract Artists 1937 by Rupert D. Turnbull, born East Orange, NJ 1899-died 1943
Movements by the American Modernist painter, Marsden Hartley (1877-1943), oil on canvas, 1913 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/movements-by-the-american-modernist-painter-marsden-hartley-1877-1943-oil-on-canvas-1913-image460700472.html
RM2HNEM48–Movements by the American Modernist painter, Marsden Hartley (1877-1943), oil on canvas, 1913
Jackson Pollock, American abstract expressionist, at work at his studio in Long Island. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jackson-pollock-american-abstract-expressionist-at-work-at-his-studio-18783166.html
RMB2FJ3A–Jackson Pollock, American abstract expressionist, at work at his studio in Long Island.
Willem de Kooning. Portrait of the Dutch-American artist, Willem de Kooning (1904-1997), 1968 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/willem-de-kooning-portrait-of-the-dutch-american-artist-willem-de-kooning-1904-1997-1968-image415025791.html
RM2F361HK–Willem de Kooning. Portrait of the Dutch-American artist, Willem de Kooning (1904-1997), 1968
Portrait of Ralph Dusenberry. Artist: Arthur Dove (American, Canandaigua, New York 1880-1946 Huntington, New York). Dimensions: 22 x 18 in. (55.9 x 45.7 cm). Date: 1924. Among the most accomplished abstract American artists, Dove created inventive symbolic portraits of friends using found materials. Ralph Dusenberry, Dove's neighbor, lived in a houseboat on the North Shore of Long Island. The artist selected the objects in this work for their associations with Dusenberry's personality and interests: the sheet music pasted at the bottom is a hymn that Dusenberry often sang, while the folding ru Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-ralph-dusenberry-artist-arthur-dove-american-canandaigua-new-york-1880-1946-huntington-new-york-dimensions-22-x-18-in-559-x-457-cm-date-1924-among-the-most-accomplished-abstract-american-artists-dove-created-inventive-symbolic-portraits-of-friends-using-found-materials-ralph-dusenberry-doves-neighbor-lived-in-a-houseboat-on-the-north-shore-of-long-island-the-artist-selected-the-objects-in-this-work-for-their-associations-with-dusenberrys-personality-and-interests-the-sheet-music-pasted-at-the-bottom-is-a-hymn-that-dusenberry-often-sang-while-the-folding-ru-image630984268.html
RM2YJFPTC–Portrait of Ralph Dusenberry. Artist: Arthur Dove (American, Canandaigua, New York 1880-1946 Huntington, New York). Dimensions: 22 x 18 in. (55.9 x 45.7 cm). Date: 1924. Among the most accomplished abstract American artists, Dove created inventive symbolic portraits of friends using found materials. Ralph Dusenberry, Dove's neighbor, lived in a houseboat on the North Shore of Long Island. The artist selected the objects in this work for their associations with Dusenberry's personality and interests: the sheet music pasted at the bottom is a hymn that Dusenberry often sang, while the folding ru
Still Life with Fruit by the American Modernist painter, Marsden Hartley (1877-1943), oil on canvas, 1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/still-life-with-fruit-by-the-american-modernist-painter-marsden-hartley-1877-1943-oil-on-canvas-1916-image443269982.html
RM2GN4KAP–Still Life with Fruit by the American Modernist painter, Marsden Hartley (1877-1943), oil on canvas, 1916
Milton Avery, American mid-20th century modernist painter, active from the 1920s to 1960s. 1946 Photo by Katherine Young. (BSLOC 2015 14 177) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-milton-avery-american-mid-20th-century-modernist-painter-active-from-170526147.html
RMKWC3RF–Milton Avery, American mid-20th century modernist painter, active from the 1920s to 1960s. 1946 Photo by Katherine Young. (BSLOC 2015 14 177)
Abstraction: Blue, Yellow and Green by the American Modernist painter, Marsden Hartley (1877-1943), oil on canvas, c. 1913 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abstraction-blue-yellow-and-green-by-the-american-modernist-painter-marsden-hartley-1877-1943-oil-on-canvas-c-1913-image453534807.html
RM2H9T87K–Abstraction: Blue, Yellow and Green by the American Modernist painter, Marsden Hartley (1877-1943), oil on canvas, c. 1913
Art inspired by The Beach - Scheveningen, Lilian Haines Crittenden, American, 1858-1919, Pastel on emery sandpaper, No. 00, 9 1/2 x 12 3/16 in., 24.1 x 31 cm, abstract, beautiful, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-beach-scheveningen-lilian-haines-crittenden-american-1858-1919-pastel-on-emery-sandpaper-no-00-9-12-x-12-316-in-241-x-31-cm-abstract-beautiful-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459562358.html
RF2HKJTDA–Art inspired by The Beach - Scheveningen, Lilian Haines Crittenden, American, 1858-1919, Pastel on emery sandpaper, No. 00, 9 1/2 x 12 3/16 in., 24.1 x 31 cm, abstract, beautiful, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Composition by the American artist, Albert Eugene Gallatin (1881-1952), oil on canvas, 1937 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/composition-by-the-american-artist-albert-eugene-gallatin-1881-1952-oil-on-canvas-1937-image461898923.html
RM2HRD8P3–Composition by the American artist, Albert Eugene Gallatin (1881-1952), oil on canvas, 1937
London, UK. 8 February 2023. 'April Mood', 1974, by Helen Frankenthaler at a preview of ‘Action, Gesture, Paint: Women Artists and Global Abstraction’, 1940-70, a new exhibition which seeks to revise the notion that Abstract Expressionism was a movement predominantly associated with male, American painters. Over 150 paintings by an overlooked generation of 80 international women artists are on display at the Whitechapel Gallery 9 February to 7 May 2023. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-8-february-2023-april-mood-1974-by-helen-frankenthaler-at-a-preview-of-action-gesture-paint-women-artists-and-global-abstraction-1940-70-a-new-exhibition-which-seeks-to-revise-the-notion-that-abstract-expressionism-was-a-movement-predominantly-associated-with-male-american-painters-over-150-paintings-by-an-overlooked-generation-of-80-international-women-artists-are-on-display-at-the-whitechapel-gallery-9-february-to-7-may-2023-credit-stephen-chung-alamy-live-news-image518831464.html
RM2N42PR4–London, UK. 8 February 2023. 'April Mood', 1974, by Helen Frankenthaler at a preview of ‘Action, Gesture, Paint: Women Artists and Global Abstraction’, 1940-70, a new exhibition which seeks to revise the notion that Abstract Expressionism was a movement predominantly associated with male, American painters. Over 150 paintings by an overlooked generation of 80 international women artists are on display at the Whitechapel Gallery 9 February to 7 May 2023. Credit: Stephen Chung / Alamy Live News
Figure by the American modernist painter, Morton Livingston Schamberg (1881-1918), oil on canvas, 1913 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-by-the-american-modernist-painter-morton-livingston-schamberg-1881-1918-oil-on-canvas-1913-image452273562.html
RM2H7PRF6–Figure by the American modernist painter, Morton Livingston Schamberg (1881-1918), oil on canvas, 1913
The Artist's Wife (2019) directed by Tom Dolby and starring Lena Olin, Bruce Dern, Juliet Rylance and Avan Jogia. An artist preparing for a show is diagnised with Alzheimer's disease and his wife finds herself in a crisis with incomplete artwork. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-artists-wife-2019-directed-by-tom-dolby-and-starring-lena-olin-bruce-dern-juliet-rylance-and-avan-jogia-an-artist-preparing-for-a-show-is-diagnised-with-alzheimers-disease-and-his-wife-finds-herself-in-a-crisis-with-incomplete-artwork-image364297703.html
RM2C4K5C7–The Artist's Wife (2019) directed by Tom Dolby and starring Lena Olin, Bruce Dern, Juliet Rylance and Avan Jogia. An artist preparing for a show is diagnised with Alzheimer's disease and his wife finds herself in a crisis with incomplete artwork.
Painting by the American cubist painter, Patrick Henry Bruce (1881-1936), oil on canvas, c. 1921/22 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-by-the-american-cubist-painter-patrick-henry-bruce-1881-1936-oil-on-canvas-c-192122-image556589477.html
RM2R9ERFH–Painting by the American cubist painter, Patrick Henry Bruce (1881-1936), oil on canvas, c. 1921/22
WASHINGTON DC, United States — A vibrant abstract painting by Manabu Mabe, a renowned Japanese-Brazilian artist, on display at the Art Museum of the Americas. This artwork is part of the 'Fusion: Tracing Asian Migration to the Americas Through AMA's Collection' exhibit, showcasing the cultural intersections and artistic expressions resulting from Asian migration to South America, set within the museum's historic 1912 Spanish colonial building in the Foggy Bottom district. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/washington-dc-united-states-a-vibrant-abstract-painting-by-manabu-image60299971.html
RMDE2W6B–WASHINGTON DC, United States — A vibrant abstract painting by Manabu Mabe, a renowned Japanese-Brazilian artist, on display at the Art Museum of the Americas. This artwork is part of the 'Fusion: Tracing Asian Migration to the Americas Through AMA's Collection' exhibit, showcasing the cultural intersections and artistic expressions resulting from Asian migration to South America, set within the museum's historic 1912 Spanish colonial building in the Foggy Bottom district.
Willem de Kooning. Portrait of the Dutch-American artist, Willem de Kooning (1904-1997) in his studio in 1961 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/willem-de-kooning-portrait-of-the-dutch-american-artist-willem-de-kooning-1904-1997-in-his-studio-in-1961-image623263886.html
RM2Y603CE–Willem de Kooning. Portrait of the Dutch-American artist, Willem de Kooning (1904-1997) in his studio in 1961
Toshiko Takaezu shaping abstraction show at the Museum of Fine Arts in Boston MA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/toshiko-takaezu-shaping-abstraction-show-at-the-museum-of-fine-arts-in-boston-ma-image593885699.html
RM2WE5R7F–Toshiko Takaezu shaping abstraction show at the Museum of Fine Arts in Boston MA
Church Street El by the American artist, Charles Sheeler (1883-1965), oil on canvas, 1920 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/church-street-el-by-the-american-artist-charles-sheeler-1883-1965-oil-on-canvas-1920-image454278075.html
RM2HB248Y–Church Street El by the American artist, Charles Sheeler (1883-1965), oil on canvas, 1920
Two female artists hang both representational and abstract works at a Fullerton, CA, art gallery in preparation for an exhibition. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-female-artists-hang-both-representational-and-abstract-works-at-a-fullerton-ca-art-gallery-in-preparation-for-an-exhibition-image226641131.html
RMR4MB23–Two female artists hang both representational and abstract works at a Fullerton, CA, art gallery in preparation for an exhibition.
The Old Bars, Dogtown by the American Modernist painter, Marsden Hartley (1877-1943), oil on composition board, c. 1936 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-old-bars-dogtown-by-the-american-modernist-painter-marsden-hartley-1877-1943-oil-on-composition-board-c-1936-image556589416.html
RM2R9ERDC–The Old Bars, Dogtown by the American Modernist painter, Marsden Hartley (1877-1943), oil on composition board, c. 1936
New York City, USA, November 14, 2012. Will Barnet 1911-2012 (photographed in 1998), American artist known both for figurative & abstract work, was also an educator. During his long life he inspired generations of artists. He received the National Medal of the Arts from President Obama in 2011 & in 2012 France awarded him the insignia of Chevalier of the Order of Arts and Letters. Image taken December 10th, 1998 at the Pace Gallery in New York City at the inauguration of an exhibit honoring the Centennial of the American Academy of Arts & Letters. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-new-york-city-usa-november-14-2012-will-barnet-1911-2012-photographed-51671046.html
RMD01PXE–New York City, USA, November 14, 2012. Will Barnet 1911-2012 (photographed in 1998), American artist known both for figurative & abstract work, was also an educator. During his long life he inspired generations of artists. He received the National Medal of the Arts from President Obama in 2011 & in 2012 France awarded him the insignia of Chevalier of the Order of Arts and Letters. Image taken December 10th, 1998 at the Pace Gallery in New York City at the inauguration of an exhibit honoring the Centennial of the American Academy of Arts & Letters.
Hans Hofmann (1880-1966) in Provincetown, Massachusetts, 1963. Hofmann was a German-born American abstract expressionist painter, who was a mentor and teacher to many abstract expressionist artists, including Lee Krasner and Joan Mitchell. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hans-hofmann-1880-1966-in-provincetown-massachusetts-1963-hofmann-was-a-german-born-american-abstract-expressionist-painter-who-was-a-mentor-and-teacher-to-many-abstract-expressionist-artists-including-lee-krasner-and-joan-mitchell-image458812777.html
RM2HJCMAH–Hans Hofmann (1880-1966) in Provincetown, Massachusetts, 1963. Hofmann was a German-born American abstract expressionist painter, who was a mentor and teacher to many abstract expressionist artists, including Lee Krasner and Joan Mitchell.
The Last of New England—The Beginning of New Mexico by the American Modernist painter, Marsden Hartley (1877-1943), oil on canvas, 1918/19 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-last-of-new-englandthe-beginning-of-new-mexico-by-the-american-modernist-painter-marsden-hartley-1877-1943-oil-on-canvas-191819-image460700468.html
RM2HNEM44–The Last of New England—The Beginning of New Mexico by the American Modernist painter, Marsden Hartley (1877-1943), oil on canvas, 1918/19
I Saw the Figure 5 in Gold. Artist: Charles Demuth (American, Lancaster, Pennsylvania 1883-1935 Lancaster, Pennsylvania). Dimensions: 35 1/2 x 30 in. (90.2 x 76.2 cm). Date: 1928. Demuth completed eight abstract portraits between 1924 and 1929 as tributes to modern American artists, writers, and performers. Though not a physical likeness, Demuth created this portrait of his friend, the poet and physician William Carlos Williams, using imagery from Williams's poem 'The Great Figure,' which evokes the sights and sounds of a fire engine speeding down the street. The intersecting lines, repeated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/i-saw-the-figure-5-in-gold-artist-charles-demuth-american-lancaster-pennsylvania-1883-1935-lancaster-pennsylvania-dimensions-35-12-x-30-in-902-x-762-cm-date-1928-demuth-completed-eight-abstract-portraits-between-1924-and-1929-as-tributes-to-modern-american-artists-writers-and-performers-though-not-a-physical-likeness-demuth-created-this-portrait-of-his-friend-the-poet-and-physician-william-carlos-williams-using-imagery-from-williamss-poem-the-great-figure-which-evokes-the-sights-and-sounds-of-a-fire-engine-speeding-down-the-street-the-intersecting-lines-repeated-image213179383.html
RMPAR4DB–I Saw the Figure 5 in Gold. Artist: Charles Demuth (American, Lancaster, Pennsylvania 1883-1935 Lancaster, Pennsylvania). Dimensions: 35 1/2 x 30 in. (90.2 x 76.2 cm). Date: 1928. Demuth completed eight abstract portraits between 1924 and 1929 as tributes to modern American artists, writers, and performers. Though not a physical likeness, Demuth created this portrait of his friend, the poet and physician William Carlos Williams, using imagery from Williams's poem 'The Great Figure,' which evokes the sights and sounds of a fire engine speeding down the street. The intersecting lines, repeated
Synchromy by the American artist, Morgan Russell (1886-1953), oil on composition board, c. 1914 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/synchromy-by-the-american-artist-morgan-russell-1886-1953-oil-on-composition-board-c-1914-image543802988.html
RM2PGMA78–Synchromy by the American artist, Morgan Russell (1886-1953), oil on composition board, c. 1914
John Frederick Kensett, Untitled (landscape), 1850-1872, watercolor on off-white wove paper, 4 3/8 in. x 7 in. (11.11 cm x 17.78 cm), John Kensett began his artistic career as an engraver but embraced landscape painting while studying and traveling in Europe during the 1840s within a large circle of American artists.A successful painter in oils, he developed his style into one of great simplicity with abstract qualities. As a masterful luminist, he rendered atmospheric effects as pure light and color. By laying down washes, he achieved these effects with a monumentality that belies the small s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-frederick-kensett-untitled-landscape-1850-1872-watercolor-on-off-white-wove-paper-4-38-in-x-7-in-1111-cm-x-1778-cm-john-kensett-began-his-artistic-career-as-an-engraver-but-embraced-landscape-painting-while-studying-and-traveling-in-europe-during-the-1840s-within-a-large-circle-of-american-artistsa-successful-painter-in-oils-he-developed-his-style-into-one-of-great-simplicity-with-abstract-qualities-as-a-masterful-luminist-he-rendered-atmospheric-effects-as-pure-light-and-color-by-laying-down-washes-he-achieved-these-effects-with-a-monumentality-that-belies-the-small-s-image344471044.html
RM2B0C098–John Frederick Kensett, Untitled (landscape), 1850-1872, watercolor on off-white wove paper, 4 3/8 in. x 7 in. (11.11 cm x 17.78 cm), John Kensett began his artistic career as an engraver but embraced landscape painting while studying and traveling in Europe during the 1840s within a large circle of American artists.A successful painter in oils, he developed his style into one of great simplicity with abstract qualities. As a masterful luminist, he rendered atmospheric effects as pure light and color. By laying down washes, he achieved these effects with a monumentality that belies the small s
Industry by the American artist, Preston Dickinson (1889-1930), gouache on wove paper, c. 1924 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/industry-by-the-american-artist-preston-dickinson-1889-1930-gouache-on-wove-paper-c-1924-image465887042.html
RM2J1XYJX–Industry by the American artist, Preston Dickinson (1889-1930), gouache on wove paper, c. 1924
Art inspired by The Sheepfold, Albert Pinkham Ryder, American, 1847-1917, Oil on canvas, late 1870s, 8 7/16 x 8 7/8 in., 21.5 x 22.6 cm, 19th Century, abstract, cracked, craquelure, landscape, oil on canvas, painting, sky, sunset, x-ray, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-sheepfold-albert-pinkham-ryder-american-1847-1917-oil-on-canvas-late-1870s-8-716-x-8-78-in-215-x-226-cm-19th-century-abstract-cracked-craquelure-landscape-oil-on-canvas-painting-sky-sunset-x-ray-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459561862.html
RF2HKJRRJ–Art inspired by The Sheepfold, Albert Pinkham Ryder, American, 1847-1917, Oil on canvas, late 1870s, 8 7/16 x 8 7/8 in., 21.5 x 22.6 cm, 19th Century, abstract, cracked, craquelure, landscape, oil on canvas, painting, sky, sunset, x-ray, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Winter, Harlem River by the American artist, Preston Dickinson (1889-1930), oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/winter-harlem-river-by-the-american-artist-preston-dickinson-1889-1930-oil-on-canvas-image555187867.html
RM2R76YP3–Winter, Harlem River by the American artist, Preston Dickinson (1889-1930), oil on canvas
Art inspired by From My Window at An American Place, Southwest, 1932, Gelatin silver print, 19.2 x 24.1 cm (7 9/16 x 9 1/2 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), Stieglitz was captivated by the naturally abstract forms of the skyscrapers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-from-my-window-at-an-american-place-southwest-1932-gelatin-silver-print-192-x-241-cm-7-916-x-9-12-in-photographs-alfred-stieglitz-american-hoboken-new-jersey-18641946-new-york-stieglitz-was-captivated-by-the-naturally-abstract-forms-of-the-skyscrapers-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462938128.html
RF2HW4J8G–Art inspired by From My Window at An American Place, Southwest, 1932, Gelatin silver print, 19.2 x 24.1 cm (7 9/16 x 9 1/2 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), Stieglitz was captivated by the naturally abstract forms of the skyscrapers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Composition VI by the American cubist painter, Patrick Henry Bruce (1881-1936), oil on canvas, 1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/composition-vi-by-the-american-cubist-painter-patrick-henry-bruce-1881-1936-oil-on-canvas-1916-image454278387.html
RM2HB24M3–Composition VI by the American cubist painter, Patrick Henry Bruce (1881-1936), oil on canvas, 1916
Art inspired by The Gorge, Appledore, Frederick Childe Hassam, American, 1859-1935, Transparent watercolor with touches of opaque watercolor on cream, moderately thick, moderately textured wove paper, 1912, 13 13/16 x 19 7/8 in., 35.1 x 50.5 cm, abstract, American Painting, blue, canyon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-gorge-appledore-frederick-childe-hassam-american-1859-1935-transparent-watercolor-with-touches-of-opaque-watercolor-on-cream-moderately-thick-moderately-textured-wove-paper-1912-13-1316-x-19-78-in-351-x-505-cm-abstract-american-painting-blue-canyon-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459567025.html
RF2HKK2C1–Art inspired by The Gorge, Appledore, Frederick Childe Hassam, American, 1859-1935, Transparent watercolor with touches of opaque watercolor on cream, moderately thick, moderately textured wove paper, 1912, 13 13/16 x 19 7/8 in., 35.1 x 50.5 cm, abstract, American Painting, blue, canyon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Der Rosenkavalier by the Italian-American artist, Joseph Stella (1877-1946), oil on linen, 1913/14 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/der-rosenkavalier-by-the-italian-american-artist-joseph-stella-1877-1946-oil-on-linen-191314-image556589387.html
RM2R9ERCB–Der Rosenkavalier by the Italian-American artist, Joseph Stella (1877-1946), oil on linen, 1913/14
Art inspired by Coney Island, 1914, Oil on canvas, Diameter: 41-3/4 in. (106 cm.), Paintings, Joseph Stella (American (born Italy) Muro Lucano 1877–1946 New York, New York), A kaleidoscope of dazzling color and fragmented form, Stella’s abstract painting evokes the electric lights and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-coney-island-1914-oil-on-canvas-diameter-41-34-in-106-cm-paintings-joseph-stella-american-born-italy-muro-lucano-18771946-new-york-new-york-a-kaleidoscope-of-dazzling-color-and-fragmented-form-stellas-abstract-painting-evokes-the-electric-lights-and-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462847618.html
RF2HW0ET2–Art inspired by Coney Island, 1914, Oil on canvas, Diameter: 41-3/4 in. (106 cm.), Paintings, Joseph Stella (American (born Italy) Muro Lucano 1877–1946 New York, New York), A kaleidoscope of dazzling color and fragmented form, Stella’s abstract painting evokes the electric lights and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Still Life in Interior by the American artist, Preston Dickinson (1889-1930), oil on canvas, c. 1920-22 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/still-life-in-interior-by-the-american-artist-preston-dickinson-1889-1930-oil-on-canvas-c-1920-22-image460840789.html
RM2HNN33H–Still Life in Interior by the American artist, Preston Dickinson (1889-1930), oil on canvas, c. 1920-22
Art inspired by Winter Landscape: Washington Bridge, Ernest Lawson, American, 1873-1939, Oil on canvas, ca. 1907-1910, 18 1/16 x 24 in., 45.8 x 61 cm, 20th century, abstract, american, American Impressionism, american painting, aquaduct, bridge, Ernest Lawson, landscape, Lawson, oil, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-winter-landscape-washington-bridge-ernest-lawson-american-1873-1939-oil-on-canvas-ca-1907-1910-18-116-x-24-in-458-x-61-cm-20th-century-abstract-american-american-impressionism-american-painting-aquaduct-bridge-ernest-lawson-landscape-lawson-oil-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459570464.html
RF2HKK6PT–Art inspired by Winter Landscape: Washington Bridge, Ernest Lawson, American, 1873-1939, Oil on canvas, ca. 1907-1910, 18 1/16 x 24 in., 45.8 x 61 cm, 20th century, abstract, american, American Impressionism, american painting, aquaduct, bridge, Ernest Lawson, landscape, Lawson, oil, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Luna Park by the Italian-American artist, Joseph Stella (1877-1946), oil on composition board, c. 1913 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/luna-park-by-the-italian-american-artist-joseph-stella-1877-1946-oil-on-composition-board-c-1913-image556589371.html
RM2R9ERBR–Luna Park by the Italian-American artist, Joseph Stella (1877-1946), oil on composition board, c. 1913
London, UK. 8 February 2023. 'April Mood', 1974, by Helen Frankenthaler at a preview of ‘Action, Gesture, Paint: Women Artists and Global Abstraction’, 1940-70, a new exhibition which seeks to revise the notion that Abstract Expressionism was a movement predominantly associated with male, American painters. Over 150 paintings by an overlooked generation of 80 international women artists are on display at the Whitechapel Gallery 9 February to 7 May 2023. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-8-february-2023-april-mood-1974-by-helen-frankenthaler-at-a-preview-of-action-gesture-paint-women-artists-and-global-abstraction-1940-70-a-new-exhibition-which-seeks-to-revise-the-notion-that-abstract-expressionism-was-a-movement-predominantly-associated-with-male-american-painters-over-150-paintings-by-an-overlooked-generation-of-80-international-women-artists-are-on-display-at-the-whitechapel-gallery-9-february-to-7-may-2023-credit-stephen-chung-alamy-live-news-image518831460.html
RM2N42PR0–London, UK. 8 February 2023. 'April Mood', 1974, by Helen Frankenthaler at a preview of ‘Action, Gesture, Paint: Women Artists and Global Abstraction’, 1940-70, a new exhibition which seeks to revise the notion that Abstract Expressionism was a movement predominantly associated with male, American painters. Over 150 paintings by an overlooked generation of 80 international women artists are on display at the Whitechapel Gallery 9 February to 7 May 2023. Credit: Stephen Chung / Alamy Live News
Yliaster (Paracelsus) by the American Modernist painter, Marsden Hartley (1877-1943), oil on paperboard mounted on particleboard, 1932 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yliaster-paracelsus-by-the-american-modernist-painter-marsden-hartley-1877-1943-oil-on-paperboard-mounted-on-particleboard-1932-image461899356.html
RM2HRD99G–Yliaster (Paracelsus) by the American Modernist painter, Marsden Hartley (1877-1943), oil on paperboard mounted on particleboard, 1932
Toshiko Takaezu shaping abstraction show at the Museum of Fine Arts in Boston MA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/toshiko-takaezu-shaping-abstraction-show-at-the-museum-of-fine-arts-in-boston-ma-image593885686.html
RM2WE5R72–Toshiko Takaezu shaping abstraction show at the Museum of Fine Arts in Boston MA
Landscape No 26 by the American Modernist painter, Marsden Hartley (1877-1943), oil on cardboard, c. 1909/10 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-no-26-by-the-american-modernist-painter-marsden-hartley-1877-1943-oil-on-cardboard-c-190910-image461364887.html
RM2HPGYHB–Landscape No 26 by the American Modernist painter, Marsden Hartley (1877-1943), oil on cardboard, c. 1909/10
Norman Lewis African-American painter in 1935 with one of his figurative paintings. In the 1940s he evolved into an abstract Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-norman-lewis-african-american-painter-in-1935-with-one-of-his-figurative-59780705.html
RMDD76W5–Norman Lewis African-American painter in 1935 with one of his figurative paintings. In the 1940s he evolved into an abstract
Arthur Dove. Dogs Chasing Each Other by the American artist, Arthur Garfield Dove (1880-1946), oil on canvas, 1929 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arthur-dove-dogs-chasing-each-other-by-the-american-artist-arthur-garfield-dove-1880-1946-oil-on-canvas-1929-image460700322.html
RM2HNEKXX–Arthur Dove. Dogs Chasing Each Other by the American artist, Arthur Garfield Dove (1880-1946), oil on canvas, 1929
Shapero Modern, London, UK. 5th Apr, 2024. The Abstract Expressionism exhibition focusses on the maverick of modern printmaking and second-generation Abstract Expressionist, American artist Helen Frankenthaler (1928-2011) together with artists that inspired her and worked alongside her. Image: Helen Frankenthaler. Flotilla, 2006. Credit: Malcolm Park/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shapero-modern-london-uk-5th-apr-2024-the-abstract-expressionism-exhibition-focusses-on-the-maverick-of-modern-printmaking-and-second-generation-abstract-expressionist-american-artist-helen-frankenthaler-1928-2011-together-with-artists-that-inspired-her-and-worked-alongside-her-image-helen-frankenthaler-flotilla-2006-credit-malcolm-parkalamy-live-news-image601968226.html
RM2WYA0H6–Shapero Modern, London, UK. 5th Apr, 2024. The Abstract Expressionism exhibition focusses on the maverick of modern printmaking and second-generation Abstract Expressionist, American artist Helen Frankenthaler (1928-2011) together with artists that inspired her and worked alongside her. Image: Helen Frankenthaler. Flotilla, 2006. Credit: Malcolm Park/Alamy Live News
Artists rendition of the American flag on display at a grocery stores promotion of the fourth of July. Battle Lake Minnesota MN USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-artists-rendition-of-the-american-flag-on-display-at-a-grocery-stores-172696936.html
RFM0Y0KM–Artists rendition of the American flag on display at a grocery stores promotion of the fourth of July. Battle Lake Minnesota MN USA
Eyes in the Heat 1947 by Jackson Pollock, 1912-1956. Eyes in the Heat is one of the artist's poured paintings. Oil and enamel on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eyes-in-the-heat-1947-by-jackson-pollock-1912-1956-eyes-in-the-heat-is-one-of-the-artists-poured-paintings-oil-and-enamel-on-canvas-image377037716.html
RM2CWBFCM–Eyes in the Heat 1947 by Jackson Pollock, 1912-1956. Eyes in the Heat is one of the artist's poured paintings. Oil and enamel on canvas
Beautiful artists rendition of the American flag observing Fourth of July Independence Day. Battle Lake Minnesota MN USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beautiful-artists-rendition-of-the-american-flag-observing-fourth-of-july-independence-day-battle-lake-minnesota-mn-usa-image177700945.html
RFM92YA9–Beautiful artists rendition of the American flag observing Fourth of July Independence Day. Battle Lake Minnesota MN USA
Full-length portrait of an African American man seated with a cane facing slightly left] / Gihon & Jones, Artists Abstract/medium: 1 photographic print on carte de visite mount : albumen ; 10 x 6 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/full-length-portrait-of-an-african-american-man-seated-with-a-cane-facing-slightly-left-gihon-jones-artists-abstractmedium-1-photographic-print-on-carte-de-visite-mount-albumen-10-x-6-cm-image265237435.html
RMWBEH1F–Full-length portrait of an African American man seated with a cane facing slightly left] / Gihon & Jones, Artists Abstract/medium: 1 photographic print on carte de visite mount : albumen ; 10 x 6 cm.
Painting by Henry Lyman Saÿen - The Artist’s Daughter (ca. 1916) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-by-henry-lyman-sayen-the-artists-daughter-ca-1916-image468364374.html
RM2J5YRF2–Painting by Henry Lyman Saÿen - The Artist’s Daughter (ca. 1916)
Abstract view of a Hot rod typically old classic American cars with large engines modified for linear speed. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abstract-view-of-a-hot-rod-typically-old-classic-american-cars-with-image68990530.html
RME06P3E–Abstract view of a Hot rod typically old classic American cars with large engines modified for linear speed.
Artist Anya Gallacio's 'Red on Green' consisting of 10,000 english tea roses in which the heads are laid on a bed of thorns, at the Tate Britain's 'Art of the Garden' exhibition in central London. The title of Gallacio's work refers to work by the American abstract painter Mark Rothko. The show celebrates the long provided inspiration of the garden for artists and brings together over one hundred works from both period and contemporary times. The show is set to open on June 3 and runs until August 30. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-artist-anya-gallacios-red-on-green-consisting-of-10000-english-tea-107589460.html
RMG713CM–Artist Anya Gallacio's 'Red on Green' consisting of 10,000 english tea roses in which the heads are laid on a bed of thorns, at the Tate Britain's 'Art of the Garden' exhibition in central London. The title of Gallacio's work refers to work by the American abstract painter Mark Rothko. The show celebrates the long provided inspiration of the garden for artists and brings together over one hundred works from both period and contemporary times. The show is set to open on June 3 and runs until August 30.
London, UK. 25th June, 2024. Equinox, 1995 - Al Held: About Space, a major survey of the trailblazing work of the late-American abstract painter at White Cube Bermondsey. The exhibition includes key works being shown publicly for the first time, including colossal paintings measuring over 4m x 9m, and marks the first European presentation of works from late in the artist's career. Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-25th-june-2024-equinox-1995-al-held-about-space-a-major-survey-of-the-trailblazing-work-of-the-late-american-abstract-painter-at-white-cube-bermondsey-the-exhibition-includes-key-works-being-shown-publicly-for-the-first-time-including-colossal-paintings-measuring-over-4m-x-9m-and-marksthe-first-european-presentation-of-works-from-late-in-the-artists-career-credit-guy-bellalamy-live-news-image610966190.html
RM2XDYWH2–London, UK. 25th June, 2024. Equinox, 1995 - Al Held: About Space, a major survey of the trailblazing work of the late-American abstract painter at White Cube Bermondsey. The exhibition includes key works being shown publicly for the first time, including colossal paintings measuring over 4m x 9m, and marks the first European presentation of works from late in the artist's career. Credit: Guy Bell/Alamy Live News
Oscar Bluemner. City Scene at Night by Oscar Florianus Bluemner (1867-1938), transparent and opaque watercolor on paper, c. 1927 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oscar-bluemner-city-scene-at-night-by-oscar-florianus-bluemner-1867-1938-transparent-and-opaque-watercolor-on-paper-c-1927-image556589486.html
RM2R9ERFX–Oscar Bluemner. City Scene at Night by Oscar Florianus Bluemner (1867-1938), transparent and opaque watercolor on paper, c. 1927
Art inspired by Roofs and Steeple, Charles Demuth, American, 1883-1935, Watercolor and graphite on textured wove paper, 1921, 14 3/8 x 10 7/16 in., 36.5 x 26.5 cm, 1921, abstract, American, American art, American painting, American watercolor, architecture, building, Charles Demuth, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-roofs-and-steeple-charles-demuth-american-1883-1935-watercolor-and-graphite-on-textured-wove-paper-1921-14-38-x-10-716-in-365-x-265-cm-1921-abstract-american-american-art-american-painting-american-watercolor-architecture-building-charles-demuth-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459569197.html
RF2HKK55H–Art inspired by Roofs and Steeple, Charles Demuth, American, 1883-1935, Watercolor and graphite on textured wove paper, 1921, 14 3/8 x 10 7/16 in., 36.5 x 26.5 cm, 1921, abstract, American, American art, American painting, American watercolor, architecture, building, Charles Demuth, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Evening Tones by Oscar Florianus Bluemner (1867-1938), oil on canvas, 1911-17 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/evening-tones-by-oscar-florianus-bluemner-1867-1938-oil-on-canvas-1911-17-image440510588.html
RM2GGJYN0–Evening Tones by Oscar Florianus Bluemner (1867-1938), oil on canvas, 1911-17
London, UK. 8 February 2023. (L) 'Bald Eagle', 1955, and 'Feathering', 1959, both by Lee Krasner at a preview of ‘Action, Gesture, Paint: Women Artists and Global Abstraction’, 1940-70, a new exhibition which seeks to revise the notion that Abstract Expressionism was a movement predominantly associated with male, American painters. Over 150 paintings by an overlooked generation of 80 international women artists are on display at the Whitechapel Gallery 9 February to 7 May 2023. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-8-february-2023-l-bald-eagle-1955-and-feathering-1959-both-by-lee-krasner-at-a-preview-of-action-gesture-paint-women-artists-and-global-abstraction-1940-70-a-new-exhibition-which-seeks-to-revise-the-notion-that-abstract-expressionism-was-a-movement-predominantly-associated-with-male-american-painters-over-150-paintings-by-an-overlooked-generation-of-80-international-women-artists-are-on-display-at-the-whitechapel-gallery-9-february-to-7-may-2023-credit-stephen-chung-alamy-live-news-image518830868.html
RM2N42P1T–London, UK. 8 February 2023. (L) 'Bald Eagle', 1955, and 'Feathering', 1959, both by Lee Krasner at a preview of ‘Action, Gesture, Paint: Women Artists and Global Abstraction’, 1940-70, a new exhibition which seeks to revise the notion that Abstract Expressionism was a movement predominantly associated with male, American painters. Over 150 paintings by an overlooked generation of 80 international women artists are on display at the Whitechapel Gallery 9 February to 7 May 2023. Credit: Stephen Chung / Alamy Live News
Oscar Bluemner. Last Evening of the Year by Oscar Florianus Bluemner (1867-1938), oil on composition board, c. 1929 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oscar-bluemner-last-evening-of-the-year-by-oscar-florianus-bluemner-1867-1938-oil-on-composition-board-c-1929-image556589407.html
RM2R9ERD3–Oscar Bluemner. Last Evening of the Year by Oscar Florianus Bluemner (1867-1938), oil on composition board, c. 1929
Toshiko Takaezu shaping abstraction show at the Museum of Fine Arts in Boston MA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/toshiko-takaezu-shaping-abstraction-show-at-the-museum-of-fine-arts-in-boston-ma-image593885693.html
RM2WE5R79–Toshiko Takaezu shaping abstraction show at the Museum of Fine Arts in Boston MA
The Artist's Daughter. watercolor on paper mounted on paperboard. Date: ca. 1916. Museum: Smithsonian American Art Museum. Anne Sayen. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-artists-daughter-watercolor-on-paper-mounted-on-paperboard-date-ca-1916-museum-smithsonian-american-art-museum-anne-sayen-image554749439.html
RM2R6F0FY–The Artist's Daughter. watercolor on paper mounted on paperboard. Date: ca. 1916. Museum: Smithsonian American Art Museum. Anne Sayen.
Milton Avery, American mid-20th century modernist painter, active from the 1920s to 1960s. 1946 Photo by Katherine Young. (BSLOC 2015 14 177) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-milton-avery-american-mid-20th-century-modernist-painter-active-from-170527347.html
RMKWC5AB–Milton Avery, American mid-20th century modernist painter, active from the 1920s to 1960s. 1946 Photo by Katherine Young. (BSLOC 2015 14 177)
Artist's Studio With Model, 1974, pop art by Roy Lichtenstein Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artists-studio-with-model-1974-pop-art-by-roy-lichtenstein-image605820781.html
RM2X5HEGD–Artist's Studio With Model, 1974, pop art by Roy Lichtenstein
Shapero Modern, London, UK. 5th Apr, 2024. The Abstract Expressionism exhibition focusses on the maverick of modern printmaking and second-generation Abstract Expressionist, American artist Helen Frankenthaler (1928-2011) together with artists that inspired her and worked alongside her. Image: Helen Frankenthaler. Contentment Island, 2004. Credit: Malcolm Park/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shapero-modern-london-uk-5th-apr-2024-the-abstract-expressionism-exhibition-focusses-on-the-maverick-of-modern-printmaking-and-second-generation-abstract-expressionist-american-artist-helen-frankenthaler-1928-2011-together-with-artists-that-inspired-her-and-worked-alongside-her-image-helen-frankenthaler-contentment-island-2004-credit-malcolm-parkalamy-live-news-image601968239.html
RM2WYA0HK–Shapero Modern, London, UK. 5th Apr, 2024. The Abstract Expressionism exhibition focusses on the maverick of modern printmaking and second-generation Abstract Expressionist, American artist Helen Frankenthaler (1928-2011) together with artists that inspired her and worked alongside her. Image: Helen Frankenthaler. Contentment Island, 2004. Credit: Malcolm Park/Alamy Live News
WASHINGTON DC, United States — 'Untitled' (1980) by Manabu Mabe, a Japanese-Brazilian artist, on display at the Art Museum of the Americas in Washington DC. This artwork is part of the 'Fusion: Tracing Asian Migration to the Americas Through AMA's Collection' exhibit, showcasing the cultural intersections and artistic expressions resulting from Asian migration to South America, set within the museum's historic 1912 Spanish colonial building. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/washington-dc-united-states-untitled-1980-by-manabu-mabe-a-japanese-image60299939.html
RMDE2W57–WASHINGTON DC, United States — 'Untitled' (1980) by Manabu Mabe, a Japanese-Brazilian artist, on display at the Art Museum of the Americas in Washington DC. This artwork is part of the 'Fusion: Tracing Asian Migration to the Americas Through AMA's Collection' exhibit, showcasing the cultural intersections and artistic expressions resulting from Asian migration to South America, set within the museum's historic 1912 Spanish colonial building.
Native American national art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/native-american-national-art-image503124471.html
RF2M6F8B3–Native American national art
Futurist Composition by the Italian-American artist, Joseph Stella (1877-1946), pastel over graphite on paper, 1909 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/futurist-composition-by-the-italian-american-artist-joseph-stella-1877-1946-pastel-over-graphite-on-paper-1909-image452273552.html
RM2H7PRET–Futurist Composition by the Italian-American artist, Joseph Stella (1877-1946), pastel over graphite on paper, 1909
Festival of American dance featuring Myra Kinch with modern dance group of 23 artists Abstract: Poster for Federal Theatre Project presentation of a festival of American dance with choreography by Myra Kinch and music by Manuela Galea at the Laguna Beach High School auditorium. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/festival-of-american-dance-featuring-myra-kinch-with-modern-dance-group-of-23-artists-abstract-poster-for-federal-theatre-project-presentation-of-a-festival-of-american-dance-with-choreography-by-myra-kinch-and-music-by-manuela-galea-at-the-laguna-beach-high-school-auditorium-image265075414.html
RMWB76B2–Festival of American dance featuring Myra Kinch with modern dance group of 23 artists Abstract: Poster for Federal Theatre Project presentation of a festival of American dance with choreography by Myra Kinch and music by Manuela Galea at the Laguna Beach High School auditorium.
Mark Rothko, No. 3/No. 13, oil on canvas 1949, young artist man standing in front of famous abstract Rothko’s painting, Museum of Modern Art, New York Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mark-rothko-no-3no-13-oil-on-canvas-1949-young-artist-man-standing-in-front-of-famous-abstract-rothkos-painting-museum-of-modern-art-new-york-image217990589.html
RMPJJ965–Mark Rothko, No. 3/No. 13, oil on canvas 1949, young artist man standing in front of famous abstract Rothko’s painting, Museum of Modern Art, New York
Abstract view of a Hot rod typically old classic American cars with large engines modified for linear speed. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abstract-view-of-a-hot-rod-typically-old-classic-american-cars-with-image68990555.html
RME06P4B–Abstract view of a Hot rod typically old classic American cars with large engines modified for linear speed.
Abstract artwork with dancing couple on modern background using different shapes and lines Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-abstract-artwork-with-dancing-couple-on-modern-background-using-different-91414074.html
RFF8M7GA–Abstract artwork with dancing couple on modern background using different shapes and lines
London, UK. 25th June, 2024. Equinox, 1995 - Al Held: About Space, a major survey of the trailblazing work of the late-American abstract painter at White Cube Bermondsey. The exhibition includes key works being shown publicly for the first time, including colossal paintings measuring over 4m x 9m, and marks the first European presentation of works from late in the artist's career. Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-25th-june-2024-equinox-1995-al-held-about-space-a-major-survey-of-the-trailblazing-work-of-the-late-american-abstract-painter-at-white-cube-bermondsey-the-exhibition-includes-key-works-being-shown-publicly-for-the-first-time-including-colossal-paintings-measuring-over-4m-x-9m-and-marksthe-first-european-presentation-of-works-from-late-in-the-artists-career-credit-guy-bellalamy-live-news-image610966193.html
RM2XDYWH5–London, UK. 25th June, 2024. Equinox, 1995 - Al Held: About Space, a major survey of the trailblazing work of the late-American abstract painter at White Cube Bermondsey. The exhibition includes key works being shown publicly for the first time, including colossal paintings measuring over 4m x 9m, and marks the first European presentation of works from late in the artist's career. Credit: Guy Bell/Alamy Live News
abstract painting modern art palm trees acrylic painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-abstract-painting-modern-art-palm-trees-acrylic-painting-31237512.html
RMBPPYNC–abstract painting modern art palm trees acrylic painting
Art inspired by Philadelphia Bridge, Robert Henri, American, 1865-1929, Brown ink and graphite on off-white, medium thick, smooth wove paper, 1894, Sheet: 9 1/4 x 8 3/8 in., 23.5 x 21.3 cm, 1894, abstract, american, bridge, drawing, movement, water, watercolor, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-philadelphia-bridge-robert-henri-american-1865-1929-brown-ink-and-graphite-on-off-white-medium-thick-smooth-wove-paper-1894-sheet-9-14-x-8-38-in-235-x-213-cm-1894-abstract-american-bridge-drawing-movement-water-watercolor-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459569901.html
RF2HKK62N–Art inspired by Philadelphia Bridge, Robert Henri, American, 1865-1929, Brown ink and graphite on off-white, medium thick, smooth wove paper, 1894, Sheet: 9 1/4 x 8 3/8 in., 23.5 x 21.3 cm, 1894, abstract, american, bridge, drawing, movement, water, watercolor, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
WASHINGTON DC, United States — The Four-Sided Pyramid by Sol LeWitt, located in the National Gallery of Art Sculpture Garden, was first installed in 1997 and fabricated in 1999. This minimalist artwork, made of concrete blocks and mortar, is one of the key public art installations in Washington, DC, highlighting LeWitt's signature geometric and abstract style. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/washington-dc-united-states-the-four-sided-pyramid-by-sol-lewitt-located-in-the-national-gallery-of-art-sculpture-garden-was-first-installed-in-1997-and-fabricated-in-1999-this-minimalist-artwork-made-of-concrete-blocks-and-mortar-is-one-of-the-key-public-art-installations-in-washington-dc-highlighting-lewitts-signature-geometric-and-abstract-style-image627078693.html
RM2YC5W7H–WASHINGTON DC, United States — The Four-Sided Pyramid by Sol LeWitt, located in the National Gallery of Art Sculpture Garden, was first installed in 1997 and fabricated in 1999. This minimalist artwork, made of concrete blocks and mortar, is one of the key public art installations in Washington, DC, highlighting LeWitt's signature geometric and abstract style.
London, UK. 8 February 2023. 'The Bull', 1959, by Elaine de Kooning at a preview of ‘Action, Gesture, Paint: Women Artists and Global Abstraction’, 1940-70, a new exhibition which seeks to revise the notion that Abstract Expressionism was a movement predominantly associated with male, American painters. Over 150 paintings by an overlooked generation of 80 international women artists are on display at the Whitechapel Gallery 9 February to 7 May 2023. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-8-february-2023-the-bull-1959-by-elaine-de-kooning-at-a-preview-of-action-gesture-paint-women-artists-and-global-abstraction-1940-70-a-new-exhibition-which-seeks-to-revise-the-notion-that-abstract-expressionism-was-a-movement-predominantly-associated-with-male-american-painters-over-150-paintings-by-an-overlooked-generation-of-80-international-women-artists-are-on-display-at-the-whitechapel-gallery-9-february-to-7-may-2023-credit-stephen-chung-alamy-live-news-image518830419.html
RM2N42NDR–London, UK. 8 February 2023. 'The Bull', 1959, by Elaine de Kooning at a preview of ‘Action, Gesture, Paint: Women Artists and Global Abstraction’, 1940-70, a new exhibition which seeks to revise the notion that Abstract Expressionism was a movement predominantly associated with male, American painters. Over 150 paintings by an overlooked generation of 80 international women artists are on display at the Whitechapel Gallery 9 February to 7 May 2023. Credit: Stephen Chung / Alamy Live News
Native crafted jewely & art for sale; John Ford's Point; Navajo Tribal Park; Monument Valley; Utah; USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/native-crafted-jewely-art-for-sale-john-fords-point-navajo-tribal-park-monument-valley-utah-usa-image552101206.html
RM2R26AM6–Native crafted jewely & art for sale; John Ford's Point; Navajo Tribal Park; Monument Valley; Utah; USA
Toshiko Takaezu shaping abstraction show at the Museum of Fine Arts in Boston MA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/toshiko-takaezu-shaping-abstraction-show-at-the-museum-of-fine-arts-in-boston-ma-image593885695.html
RM2WE5R7B–Toshiko Takaezu shaping abstraction show at the Museum of Fine Arts in Boston MA
Mary Callery, sculptor, in her workshop, 1950. The exact date in unknown, but the year is 1950. The location is also unknown, though it is likely New York City. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-callery-sculptor-in-her-workshop-1950-the-exact-date-in-unknown-but-the-year-is-1950-the-location-is-also-unknown-though-it-is-likely-new-york-city-image455528607.html
RM2HD33AR–Mary Callery, sculptor, in her workshop, 1950. The exact date in unknown, but the year is 1950. The location is also unknown, though it is likely New York City.
Street art painting and mural art are seen on the buildings at the central part of the Kramatorsk. Ukraine's street art culture is bold and refreshing, and showcases the powerful spirit of the nation's youth. Artists seamlessly blend Soviet influences with familiar touchstones like American hip-hop culture and Abstract Expressionism, a kind of fusion with sometimes national art traditions. Street art painters in modern Ukraine often travel from West to East part of the country to make city's streets more colorful and curious. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/street-art-painting-and-mural-art-are-seen-on-the-buildings-at-the-central-part-of-the-kramatorsk-ukraines-street-art-culture-is-bold-and-refreshing-and-showcases-the-powerful-spirit-of-the-nations-youth-artists-seamlessly-blend-soviet-influences-with-familiar-touchstones-like-american-hip-hop-culture-and-abstract-expressionism-a-kind-of-fusion-with-sometimes-national-art-traditions-street-art-painters-in-modern-ukraine-often-travel-from-west-to-east-part-of-the-country-to-make-citys-streets-more-colorful-and-curious-image433939360.html
RM2G5YJ28–Street art painting and mural art are seen on the buildings at the central part of the Kramatorsk. Ukraine's street art culture is bold and refreshing, and showcases the powerful spirit of the nation's youth. Artists seamlessly blend Soviet influences with familiar touchstones like American hip-hop culture and Abstract Expressionism, a kind of fusion with sometimes national art traditions. Street art painters in modern Ukraine often travel from West to East part of the country to make city's streets more colorful and curious.
Annie 1858 James McNeill Whistler American During a stay in London with his sister Deborah Delano Haden while recuperating from a fall, Whistler made this etching of his niece Annie. His brother-in-law, Seymour Haden, a gifted printmaker, encouraged the artist’s first serious efforts in the medium. Here, the emphasis on alternating lights and darks, and the omission of the figure’s legs, demonstrate a greater interest in abstract patterning than portraiture. Whistler gave this print to Thomas Winans, the Baltimore friend who funded his move to Paris in 1855.. Annie 372461 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annie-1858-james-mcneill-whistler-american-during-a-stay-in-london-with-his-sister-deborah-delano-haden-while-recuperating-from-a-fall-whistler-made-this-etching-of-his-niece-annie-his-brother-in-law-seymour-haden-a-gifted-printmaker-encouraged-the-artists-first-serious-efforts-in-the-medium-here-the-emphasis-on-alternating-lights-and-darks-and-the-omission-of-the-figures-legs-demonstrate-a-greater-interest-in-abstract-patterning-than-portraiture-whistler-gave-this-print-to-thomas-winans-the-baltimore-friend-who-funded-his-move-to-paris-in-1855-annie-372461-image458583869.html
RM2HJ28B9–Annie 1858 James McNeill Whistler American During a stay in London with his sister Deborah Delano Haden while recuperating from a fall, Whistler made this etching of his niece Annie. His brother-in-law, Seymour Haden, a gifted printmaker, encouraged the artist’s first serious efforts in the medium. Here, the emphasis on alternating lights and darks, and the omission of the figure’s legs, demonstrate a greater interest in abstract patterning than portraiture. Whistler gave this print to Thomas Winans, the Baltimore friend who funded his move to Paris in 1855.. Annie 372461
Shapero Modern, London, UK. 5th Apr, 2024. The Abstract Expressionism exhibition focusses on the maverick of modern printmaking and second-generation Abstract Expressionist, American artist Helen Frankenthaler (1928-2011) together with artists that inspired her and worked alongside her. Image: Works by Sam Francis (Aquatint in colours). Credit: Malcolm Park/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shapero-modern-london-uk-5th-apr-2024-the-abstract-expressionism-exhibition-focusses-on-the-maverick-of-modern-printmaking-and-second-generation-abstract-expressionist-american-artist-helen-frankenthaler-1928-2011-together-with-artists-that-inspired-her-and-worked-alongside-her-image-works-by-sam-francis-aquatint-in-colours-credit-malcolm-parkalamy-live-news-image601968176.html
RM2WYA0FC–Shapero Modern, London, UK. 5th Apr, 2024. The Abstract Expressionism exhibition focusses on the maverick of modern printmaking and second-generation Abstract Expressionist, American artist Helen Frankenthaler (1928-2011) together with artists that inspired her and worked alongside her. Image: Works by Sam Francis (Aquatint in colours). Credit: Malcolm Park/Alamy Live News
Bowl Tlingit, Native American ca. 1750–1800 During potlatch feasts across the Northwest Coast, food is served in a variety of carved wooden bowls. Guests receive bowls sized according to their position in the community—the higher the rank, the larger the bowl. Artists imbue serving dishes with energy through graphic elements, including abstract humans, animals, and supernatural beings. The master carver of this deep container inlaid the incurving rim with four sets of nine white opercula—the removable coverings that secure a marine mollusk’s shell—which contrast with the dark wood. This bowl i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bowl-tlingit-native-american-ca-17501800-during-potlatch-feasts-across-the-northwest-coast-food-is-served-in-a-variety-of-carved-wooden-bowls-guests-receive-bowls-sized-according-to-their-position-in-the-communitythe-higher-the-rank-the-larger-the-bowl-artists-imbue-serving-dishes-with-energy-through-graphic-elements-including-abstract-humans-animals-and-supernatural-beings-the-master-carver-of-this-deep-container-inlaid-the-incurving-rim-with-four-sets-of-nine-white-operculathe-removable-coverings-that-secure-a-marine-mollusks-shellwhich-contrast-with-the-dark-wood-this-bowl-i-image569498192.html
RM2T2ETN4–Bowl Tlingit, Native American ca. 1750–1800 During potlatch feasts across the Northwest Coast, food is served in a variety of carved wooden bowls. Guests receive bowls sized according to their position in the community—the higher the rank, the larger the bowl. Artists imbue serving dishes with energy through graphic elements, including abstract humans, animals, and supernatural beings. The master carver of this deep container inlaid the incurving rim with four sets of nine white opercula—the removable coverings that secure a marine mollusk’s shell—which contrast with the dark wood. This bowl i
Painting of mountains and trees Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-painting-of-mountains-and-trees-101256548.html
RFFTMHN8–Painting of mountains and trees
Annie 1858 James McNeill Whistler American Early in 1858 Whistler went to London from Paris to recuperate from a bad fall and stayed with his sister Deborah and her husband Seymour Haden. A gifted etcher, the latter encouraged the artist’s first serious efforts in the medium. This example centers on Whistler's niece and emphasizes an abstract pattern of darks and lights over portraiture, omitting the figure's legs. In November 1858, Whistler included the print in his first published set, 'Douze eau-fortes d'apres Nature' ('Twelve Etchings from Nature'), known as the 'French Set.'. Annie 37247 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annie-1858-james-mcneill-whistler-american-early-in-1858-whistler-went-to-london-from-paris-to-recuperate-from-a-bad-fall-and-stayed-with-his-sister-deborah-and-her-husband-seymour-haden-a-gifted-etcher-the-latter-encouraged-the-artists-first-serious-efforts-in-the-medium-this-example-centers-on-whistlers-niece-and-emphasizes-an-abstract-pattern-of-darks-and-lights-over-portraiture-omitting-the-figures-legs-in-november-1858-whistler-included-the-print-in-his-first-published-set-douze-eau-fortes-dapres-nature-twelve-etchings-from-nature-known-as-the-french-set-annie-37247-image458587119.html
RM2HJ2CFB–Annie 1858 James McNeill Whistler American Early in 1858 Whistler went to London from Paris to recuperate from a bad fall and stayed with his sister Deborah and her husband Seymour Haden. A gifted etcher, the latter encouraged the artist’s first serious efforts in the medium. This example centers on Whistler's niece and emphasizes an abstract pattern of darks and lights over portraiture, omitting the figure's legs. In November 1858, Whistler included the print in his first published set, 'Douze eau-fortes d'apres Nature' ('Twelve Etchings from Nature'), known as the 'French Set.'. Annie 37247
Distribution of the American Art Union prizes, at the Tabernacle, Broadway, New York, 24th Dec. 1847 Abstract: Print shows a large audience at the Broadway Tabernacle attending the annual distribution of the American Art Union prizes and lottery of paintings by American artists; the galleries are full and many well-dressed men and women are standing in the foreground, an indication of the rising interest in fine art collecting in New York City. There is a simple chandelier at center and globes for gas lighting around the balcony, there is also a large organ in the background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/distribution-of-the-american-art-union-prizes-at-the-tabernacle-broadway-new-york-24th-dec-1847-abstract-print-shows-a-large-audience-at-the-broadway-tabernacle-attending-the-annual-distribution-of-the-american-art-union-prizes-and-lottery-of-paintings-by-american-artists-the-galleries-are-full-and-many-well-dressed-men-and-women-are-standing-in-the-foreground-an-indication-of-the-rising-interest-in-fine-art-collecting-in-new-york-city-there-is-a-simple-chandelier-at-center-and-globes-for-gas-lighting-around-the-balcony-there-is-also-a-large-organ-in-the-background-image264815087.html
RMWARA9K–Distribution of the American Art Union prizes, at the Tabernacle, Broadway, New York, 24th Dec. 1847 Abstract: Print shows a large audience at the Broadway Tabernacle attending the annual distribution of the American Art Union prizes and lottery of paintings by American artists; the galleries are full and many well-dressed men and women are standing in the foreground, an indication of the rising interest in fine art collecting in New York City. There is a simple chandelier at center and globes for gas lighting around the balcony, there is also a large organ in the background.
NEW MEXICO MUSEUM OF ART SANTA FE NEW MEXICO USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-mexico-museum-of-art-santa-fe-new-mexico-usa-image627443294.html
RM2YCPE92–NEW MEXICO MUSEUM OF ART SANTA FE NEW MEXICO USA
Boulder Artist Bill Snider displays his paintings at a Dakota Ridge neighbrohood event. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-boulder-artist-bill-snider-displays-his-paintings-at-a-dakota-ridge-122403011.html
RMH33X83–Boulder Artist Bill Snider displays his paintings at a Dakota Ridge neighbrohood event.
Arthur Dove. Swing Music (Louis Armstrong) by the American artist, Arthur Garfield Dove (1880-1946), emulsion oil and wax on canvas, 1938 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arthur-dove-swing-music-louis-armstrong-by-the-american-artist-arthur-garfield-dove-1880-1946-emulsion-oil-and-wax-on-canvas-1938-image461100352.html
RM2HP4X5M–Arthur Dove. Swing Music (Louis Armstrong) by the American artist, Arthur Garfield Dove (1880-1946), emulsion oil and wax on canvas, 1938
London, UK. 25th June, 2024. Equinox, 1995 - Al Held: About Space, a major survey of the trailblazing work of the late-American abstract painter at White Cube Bermondsey. The exhibition includes key works being shown publicly for the first time, including colossal paintings measuring over 4m x 9m, and marks the first European presentation of works from late in the artist's career. Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-25th-june-2024-equinox-1995-al-held-about-space-a-major-survey-of-the-trailblazing-work-of-the-late-american-abstract-painter-at-white-cube-bermondsey-the-exhibition-includes-key-works-being-shown-publicly-for-the-first-time-including-colossal-paintings-measuring-over-4m-x-9m-and-marksthe-first-european-presentation-of-works-from-late-in-the-artists-career-credit-guy-bellalamy-live-news-image610966189.html
RM2XDYWH1–London, UK. 25th June, 2024. Equinox, 1995 - Al Held: About Space, a major survey of the trailblazing work of the late-American abstract painter at White Cube Bermondsey. The exhibition includes key works being shown publicly for the first time, including colossal paintings measuring over 4m x 9m, and marks the first European presentation of works from late in the artist's career. Credit: Guy Bell/Alamy Live News
abstract paintings, Japanese cherry blossom oil and acrylic landscape modern art on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-abstract-paintings-japanese-cherry-blossom-oil-and-acrylic-landscape-31237541.html
RMBPPYPD–abstract paintings, Japanese cherry blossom oil and acrylic landscape modern art on canvas
Art inspired by The Long Road--Argilla Road, Ipswich, Arthur Wesley Dow, American, 1857-1922, Color woodcut, ca. 1898, Sheet: 5 3/8 x 8 1/2 in., 13.7 x 21.6 cm, 1898, 19th Century, abstract, green, Japanese influence, landscape, meadow, peace, print, road, sky, tree, woodcut, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-long-road-argilla-road-ipswich-arthur-wesley-dow-american-1857-1922-color-woodcut-ca-1898-sheet-5-38-x-8-12-in-137-x-216-cm-1898-19th-century-abstract-green-japanese-influence-landscape-meadow-peace-print-road-sky-tree-woodcut-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566077.html
RF2HKK165–Art inspired by The Long Road--Argilla Road, Ipswich, Arthur Wesley Dow, American, 1857-1922, Color woodcut, ca. 1898, Sheet: 5 3/8 x 8 1/2 in., 13.7 x 21.6 cm, 1898, 19th Century, abstract, green, Japanese influence, landscape, meadow, peace, print, road, sky, tree, woodcut, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
WASHINGTON DC, United States — Tony Smith's Moondog, a large minimalist sculpture modeled in 1964 and fabricated in 1998-1999, is on display in the National Gallery of Art Sculpture Garden. This geometric sculpture, made of painted aluminum, is a key example of Smith's exploration of abstract forms and space, making it a significant work in Washington, DC’s outdoor art scene. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/washington-dc-united-states-tony-smiths-moondog-a-large-minimalist-sculpture-modeled-in-1964-and-fabricated-in-1998-1999-is-on-display-in-the-national-gallery-of-art-sculpture-garden-this-geometric-sculpture-made-of-painted-aluminum-is-a-key-example-of-smiths-exploration-of-abstract-forms-and-space-making-it-a-significant-work-in-washington-dcs-outdoor-art-scene-image627078661.html
RM2YC5W6D–WASHINGTON DC, United States — Tony Smith's Moondog, a large minimalist sculpture modeled in 1964 and fabricated in 1998-1999, is on display in the National Gallery of Art Sculpture Garden. This geometric sculpture, made of painted aluminum, is a key example of Smith's exploration of abstract forms and space, making it a significant work in Washington, DC’s outdoor art scene.
London, UK. 8 February 2023. (L) 'The Map' and 'The Queen', both 1958, by Sonia Gechtoff at a preview of ‘Action, Gesture, Paint: Women Artists and Global Abstraction’, 1940-70, a new exhibition which seeks to revise the notion that Abstract Expressionism was a movement predominantly associated with male, American painters. Over 150 paintings by an overlooked generation of 80 international women artists are on display at the Whitechapel Gallery 9 February to 7 May 2023. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-8-february-2023-l-the-map-and-the-queen-both-1958-by-sonia-gechtoff-at-a-preview-of-action-gesture-paint-women-artists-and-global-abstraction-1940-70-a-new-exhibition-which-seeks-to-revise-the-notion-that-abstract-expressionism-was-a-movement-predominantly-associated-with-male-american-painters-over-150-paintings-by-an-overlooked-generation-of-80-international-women-artists-are-on-display-at-the-whitechapel-gallery-9-february-to-7-may-2023-credit-stephen-chung-alamy-live-news-image518830336.html
RM2N42NAT–London, UK. 8 February 2023. (L) 'The Map' and 'The Queen', both 1958, by Sonia Gechtoff at a preview of ‘Action, Gesture, Paint: Women Artists and Global Abstraction’, 1940-70, a new exhibition which seeks to revise the notion that Abstract Expressionism was a movement predominantly associated with male, American painters. Over 150 paintings by an overlooked generation of 80 international women artists are on display at the Whitechapel Gallery 9 February to 7 May 2023. Credit: Stephen Chung / Alamy Live News
Willem de Kooning (1904-1997) examining a sculpture with Chaim Gross (1904-1991) in an art gallery in 1959. Both American artists, born in Europe, were part of the mid-20th century modernist school that transformed New York into a world art capital. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-willem-de-kooning-1904-1997-examining-a-sculpture-with-chaim-gross-32381546.html
RMBTK2YP–Willem de Kooning (1904-1997) examining a sculpture with Chaim Gross (1904-1991) in an art gallery in 1959. Both American artists, born in Europe, were part of the mid-20th century modernist school that transformed New York into a world art capital.
Toshiko Takaezu shaping abstraction show at the Museum of Fine Arts in Boston MA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/toshiko-takaezu-shaping-abstraction-show-at-the-museum-of-fine-arts-in-boston-ma-image593885683.html
RM2WE5R6Y–Toshiko Takaezu shaping abstraction show at the Museum of Fine Arts in Boston MA
Mary Callery, sculptor, in her workshop, 1950. The exact date in unknown, but the year is 1950. The location is also unknown, though it is likely New York City. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-callery-sculptor-in-her-workshop-1950-the-exact-date-in-unknown-but-the-year-is-1950-the-location-is-also-unknown-though-it-is-likely-new-york-city-image455528631.html
RM2HD33BK–Mary Callery, sculptor, in her workshop, 1950. The exact date in unknown, but the year is 1950. The location is also unknown, though it is likely New York City.
A resident of Kramatorsk walks past the street art paintings at the central part of the city. Ukraine's street art culture is bold and refreshing, and showcases the powerful spirit of the nation's youth. Artists seamlessly blend Soviet influences with familiar touchstones like American hip-hop culture and Abstract Expressionism, a kind of fusion with sometimes national art traditions. Street art painters in modern Ukraine often travel from West to East part of the country to make city's streets more colorful and curious. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-resident-of-kramatorsk-walks-past-the-street-art-paintings-at-the-central-part-of-the-city-ukraines-street-art-culture-is-bold-and-refreshing-and-showcases-the-powerful-spirit-of-the-nations-youth-artists-seamlessly-blend-soviet-influences-with-familiar-touchstones-like-american-hip-hop-culture-and-abstract-expressionism-a-kind-of-fusion-with-sometimes-national-art-traditions-street-art-painters-in-modern-ukraine-often-travel-from-west-to-east-part-of-the-country-to-make-citys-streets-more-colorful-and-curious-image433939359.html
RM2G5YJ27–A resident of Kramatorsk walks past the street art paintings at the central part of the city. Ukraine's street art culture is bold and refreshing, and showcases the powerful spirit of the nation's youth. Artists seamlessly blend Soviet influences with familiar touchstones like American hip-hop culture and Abstract Expressionism, a kind of fusion with sometimes national art traditions. Street art painters in modern Ukraine often travel from West to East part of the country to make city's streets more colorful and curious.
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