Amitabha Buddha Triad, Hanging scroll, ink, color, and gold on hemp, Korea, ca. 16th century, Joseon dynasty, Image: 36 5/16 x 20 7/8 in., 92.2 x 53 cm, Amitabha, Asian Art, Blue, Bodhisattva, Buddha, Buddhism, Gold, Green, Hemp, ink, Joseon, King, Korea, Korean, painting, pigment, Prince, Queen, Red, religion, religious, religious art, Ritual, scroll, seonghwan, silk, sky, Triad Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amitabha-buddha-triad-hanging-scroll-ink-color-and-gold-on-hemp-korea-ca-16th-century-joseon-dynasty-image-36-516-x-20-78-in-922-x-53-cm-amitabha-asian-art-blue-bodhisattva-buddha-buddhism-gold-green-hemp-ink-joseon-king-korea-korean-painting-pigment-prince-queen-red-religion-religious-religious-art-ritual-scroll-seonghwan-silk-sky-triad-image454285401.html
RM2HB2DJH–Amitabha Buddha Triad, Hanging scroll, ink, color, and gold on hemp, Korea, ca. 16th century, Joseon dynasty, Image: 36 5/16 x 20 7/8 in., 92.2 x 53 cm, Amitabha, Asian Art, Blue, Bodhisattva, Buddha, Buddhism, Gold, Green, Hemp, ink, Joseon, King, Korea, Korean, painting, pigment, Prince, Queen, Red, religion, religious, religious art, Ritual, scroll, seonghwan, silk, sky, Triad
Inspired by Amitabha Buddha Triad, Hanging scroll, ink, color, and gold on hemp, Korea, ca. 16th century, Joseon dynasty, Image: 36 5/16 x 20 7/8 in., 92.2 x 53 cm, Amitabha, Asian Art, Blue, Bodhisattva, Buddha, Buddhism, Gold, Green, Hemp, ink, Joseon, King, Korea, Korean, painting, pigment, Prince, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-amitabha-buddha-triad-hanging-scroll-ink-color-and-gold-on-hemp-korea-ca-16th-century-joseon-dynasty-image-36-516-x-20-78-in-922-x-53-cm-amitabha-asian-art-blue-bodhisattva-buddha-buddhism-gold-green-hemp-ink-joseon-king-korea-korean-painting-pigment-prince-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459267168.html
RF2HK5BXT–Inspired by Amitabha Buddha Triad, Hanging scroll, ink, color, and gold on hemp, Korea, ca. 16th century, Joseon dynasty, Image: 36 5/16 x 20 7/8 in., 92.2 x 53 cm, Amitabha, Asian Art, Blue, Bodhisattva, Buddha, Buddhism, Gold, Green, Hemp, ink, Joseon, King, Korea, Korean, painting, pigment, Prince, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Brooklyn Museum - Amitabha Buddha Triad Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-brooklyn-museum-amitabha-buddha-triad-139505092.html
RMJ2Y04M–Brooklyn Museum - Amitabha Buddha Triad
99 Brooklyn Museum - Amitabha Buddha Triad Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/99-brooklyn-museum-amitabha-buddha-triad-image214241407.html
RMPCFF2R–99 Brooklyn Museum - Amitabha Buddha Triad
Brooklyn Museum Amitabha Buddha Triad Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-brooklyn-museum-amitabha-buddha-triad-132411205.html
RMHKBRRH–Brooklyn Museum Amitabha Buddha Triad
Amitabha Buddha Triad , ca. 16th century. Hanging scroll, ink, color, and gold on hemp, Image: 36 5/16 x 20 7/8 in. (92.2 x 53 cm). Asian Art ca. 16th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amitabha-buddha-triad-ca-16th-century-hanging-scroll-ink-color-and-gold-on-hemp-image-36-516-x-20-78-in-922-x-53-cm-asian-art-ca-16th-century-image504724514.html
RM2M9457E–Amitabha Buddha Triad , ca. 16th century. Hanging scroll, ink, color, and gold on hemp, Image: 36 5/16 x 20 7/8 in. (92.2 x 53 cm). Asian Art ca. 16th century
아미타삼존도 고려, 阿彌陀三尊圖 高麗, Amitabha triad, Unidentified Artist, ca. 13th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-amitabha-triad-unidentified-artist-ca-13th-century-162560031.html
RMKCD6YB–아미타삼존도 고려, 阿彌陀三尊圖 高麗, Amitabha triad, Unidentified Artist, ca. 13th century
Amitabha triad. Artist: Unidentified Artist. Culture: Korea. Dimensions: Image: 45 1/4 x 23 1/4 in. (114.9 x 59.1 cm) Overall with mounting: 83 1/4 x 31 1/2 in. (211.5 x 80 cm) Overall with knobs: 83 1/4 x 34 in. (211.5 x 86.4 cm). Date: ca. 13th century. The Amitabha Buddha (Korean: Amita) was the focus of worship in Pure Land Buddhism, which enjoyed great popularity during the Goryeo period. Devotees were promised entrance to Amitabha's Western Paradise upon recitation of his name. Seated high on an elaborate lotus throne, Amitabha is flanked by two bodhisattvas, Avalokiteshvara (Korean: Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amitabha-triad-artist-unidentified-artist-culture-korea-dimensions-image-45-14-x-23-14-in-1149-x-591-cm-overall-with-mounting-83-14-x-31-12-in-2115-x-80-cm-overall-with-knobs-83-14-x-34-in-2115-x-864-cm-date-ca-13th-century-the-amitabha-buddha-korean-amita-was-the-focus-of-worship-in-pure-land-buddhism-which-enjoyed-great-popularity-during-the-goryeo-period-devotees-were-promised-entrance-to-amitabhas-western-paradise-upon-recitation-of-his-name-seated-high-on-an-elaborate-lotus-throne-amitabha-is-flanked-by-two-bodhisattvas-avalokiteshvara-korean-image212917110.html
RMPAB5XE–Amitabha triad. Artist: Unidentified Artist. Culture: Korea. Dimensions: Image: 45 1/4 x 23 1/4 in. (114.9 x 59.1 cm) Overall with mounting: 83 1/4 x 31 1/2 in. (211.5 x 80 cm) Overall with knobs: 83 1/4 x 34 in. (211.5 x 86.4 cm). Date: ca. 13th century. The Amitabha Buddha (Korean: Amita) was the focus of worship in Pure Land Buddhism, which enjoyed great popularity during the Goryeo period. Devotees were promised entrance to Amitabha's Western Paradise upon recitation of his name. Seated high on an elaborate lotus throne, Amitabha is flanked by two bodhisattvas, Avalokiteshvara (Korean:
Amit'a Triad, Ink, color and gold on silk, Korea, 14th century, Goryeo Dynasty, 51 1/4 x 32 1/4in., 130.2 x 81.9cm, 14th century, Amitabha, Asian Art, bodhisattvas, Buddha Amit'a, Buddhism, Buddhist, color, Fabric, gold, Goryeo, hanging scroll, ink, Korea, Korean, Koryo dynasty, Kwan'um, painting, religious, Seji, silk, three figures, Triad Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amita-triad-ink-color-and-gold-on-silk-korea-14th-century-goryeo-dynasty-51-14-x-32-14in-1302-x-819cm-14th-century-amitabha-asian-art-bodhisattvas-buddha-amita-buddhism-buddhist-color-fabric-gold-goryeo-hanging-scroll-ink-korea-korean-koryo-dynasty-kwanum-painting-religious-seji-silk-three-figures-triad-image454277993.html
RM2HB2461–Amit'a Triad, Ink, color and gold on silk, Korea, 14th century, Goryeo Dynasty, 51 1/4 x 32 1/4in., 130.2 x 81.9cm, 14th century, Amitabha, Asian Art, bodhisattvas, Buddha Amit'a, Buddhism, Buddhist, color, Fabric, gold, Goryeo, hanging scroll, ink, Korea, Korean, Koryo dynasty, Kwan'um, painting, religious, Seji, silk, three figures, Triad
Buddhist Triad, Amitabha Buddha with Two Boddhisattvas, probably Avalokiteshvara and Mahasthamaprapta, Korea, Choson dynasty, mid 1400s, gilt silver - Arthur M. Sackler Museum, Harvard University - DSC00882 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-buddhist-triad-amitabha-buddha-with-two-boddhisattvas-probably-avalokiteshvara-172210632.html
RMM04TBM–Buddhist Triad, Amitabha Buddha with Two Boddhisattvas, probably Avalokiteshvara and Mahasthamaprapta, Korea, Choson dynasty, mid 1400s, gilt silver - Arthur M. Sackler Museum, Harvard University - DSC00882
Buddhist Triad, Amitabha Buddha with Two Boddhisattvas, probably Avalokiteshvara and Mahasthamaprapta, Korea, Choson dynasty, mid 1400s, gilt silver Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/buddhist-triad-amitabha-buddha-with-two-boddhisattvas-probably-avalokiteshvara-and-mahasthamaprapta-korea-choson-dynasty-mid-1400s-gilt-silver-image222250543.html
RMPWGARB–Buddhist Triad, Amitabha Buddha with Two Boddhisattvas, probably Avalokiteshvara and Mahasthamaprapta, Korea, Choson dynasty, mid 1400s, gilt silver
Amitabha Triad bodhisattvas asian illustration holy black background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amitabha-triad-bodhisattvas-asian-illustration-holy-black-background-image366337236.html
RF2C802TM–Amitabha Triad bodhisattvas asian illustration holy black background
Amitabha triad 1930 by Unidentified artist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amitabha-triad-1930-by-unidentified-artist-image574959354.html
RM2TBBJEJ–Amitabha triad 1930 by Unidentified artist
Stele with the Bodhisattvas Avalokiteshvara (Guanyin) and Mahasthamaprapta (Dashizi) mid- to late 7th century China (Henan province) The two bodhisattvas seen here can be identified by the symbols on their headdresses: the figure on the right is Avalokiteshvara (as indicated by the presence of a small Buddha), and the figure on the left, wearing the symbol of a vase, is Mahasthamaprapta. The latter bodhisattva, who represents wisdom, is not found as an independent icon in Buddhist texts and art. Instead, he is usually part of a triad that includes both Avalokiteshvara and the Buddha Amitabha, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stele-with-the-bodhisattvas-avalokiteshvara-guanyin-and-mahasthamaprapta-dashizi-mid-to-late-7th-century-china-henan-province-the-two-bodhisattvas-seen-here-can-be-identified-by-the-symbols-on-their-headdresses-the-figure-on-the-right-is-avalokiteshvara-as-indicated-by-the-presence-of-a-small-buddha-and-the-figure-on-the-left-wearing-the-symbol-of-a-vase-is-mahasthamaprapta-the-latter-bodhisattva-who-represents-wisdom-is-not-found-as-an-independent-icon-in-buddhist-texts-and-art-instead-he-is-usually-part-of-a-triad-that-includes-both-avalokiteshvara-and-the-buddha-amitabha-image458568316.html
RM2HJ1GFT–Stele with the Bodhisattvas Avalokiteshvara (Guanyin) and Mahasthamaprapta (Dashizi) mid- to late 7th century China (Henan province) The two bodhisattvas seen here can be identified by the symbols on their headdresses: the figure on the right is Avalokiteshvara (as indicated by the presence of a small Buddha), and the figure on the left, wearing the symbol of a vase, is Mahasthamaprapta. The latter bodhisattva, who represents wisdom, is not found as an independent icon in Buddhist texts and art. Instead, he is usually part of a triad that includes both Avalokiteshvara and the Buddha Amitabha,
Amitabha triad, ca. 13th century. Amitabha with mudra, representing the preaching of Buddhist law, sits with two bodhisattvas, Avalokiteshvara and Mahasthamaprapta. Goryeo dynasty (918-1392). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amitabha-triad-ca-13th-century-amitabha-with-mudra-representing-the-preaching-of-buddhist-law-sits-with-two-bodhisattvas-avalokiteshvara-and-mahasthamaprapta-goryeo-dynasty-918-1392-image343007634.html
RM2AX19MJ–Amitabha triad, ca. 13th century. Amitabha with mudra, representing the preaching of Buddhist law, sits with two bodhisattvas, Avalokiteshvara and Mahasthamaprapta. Goryeo dynasty (918-1392).
Attendant Bodhisattva Seishi late 12th–13th century Japan Amida Nyorai (Sanskrit: Amitabha Tathagata), the Buddha of Limitless Light, sits upon a lotus pedestal at the center of the altar. His hands form a mudra of meditation. His benevolent gaze, directed toward the devotee below, is symbolic of his boundless compassion. Amida is flanked by his attendant bodhisattvas (ky?ji ), Kannon (Sanskrit: Avalokiteshvara) at right, and Seishi (Sanskrit: Mahasthamaprapta) at left, and is escorted by flying celestial beings. This sculptural configuration, known as an Amida Triad, or Amida-sanzon in Japane Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attendant-bodhisattva-seishi-late-12th13th-century-japan-amida-nyorai-sanskrit-amitabha-tathagata-the-buddha-of-limitless-light-sits-upon-a-lotus-pedestal-at-the-center-of-the-altar-his-hands-form-a-mudra-of-meditation-his-benevolent-gaze-directed-toward-the-devotee-below-is-symbolic-of-his-boundless-compassion-amida-is-flanked-by-his-attendant-bodhisattvas-kyji-kannon-sanskrit-avalokiteshvara-at-right-and-seishi-sanskrit-mahasthamaprapta-at-left-and-is-escorted-by-flying-celestial-beings-this-sculptural-configuration-known-as-an-amida-triad-or-amida-sanzon-in-japane-image458110032.html
RM2HH8M0G–Attendant Bodhisattva Seishi late 12th–13th century Japan Amida Nyorai (Sanskrit: Amitabha Tathagata), the Buddha of Limitless Light, sits upon a lotus pedestal at the center of the altar. His hands form a mudra of meditation. His benevolent gaze, directed toward the devotee below, is symbolic of his boundless compassion. Amida is flanked by his attendant bodhisattvas (ky?ji ), Kannon (Sanskrit: Avalokiteshvara) at right, and Seishi (Sanskrit: Mahasthamaprapta) at left, and is escorted by flying celestial beings. This sculptural configuration, known as an Amida Triad, or Amida-sanzon in Japane
Amitabha Triad bodhisattvas asian illustration holy black background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amitabha-triad-bodhisattvas-asian-illustration-holy-black-background-image363324346.html
RF2C32RWE–Amitabha Triad bodhisattvas asian illustration holy black background
Buddha Attended by Bodhisattvas Avalokiteshvara and Maitreya second half of the 8th century Sumatra or southern Thailand The iconographic configuration in this Buddhist triad was favored in the Mon territories of Thailand and widely propagated in the Srivijayan regions of peninsular Thailand and Sumatra. This triad with a central Buddha flanked by Avalokiteshvara and Maitreya identified by their crown insignias—the Amitabha Buddha and a stupa, respectively—came to be of paramount importance in early ninth-century central Java. Several major temples were built under royal patronage with these e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/buddha-attended-by-bodhisattvas-avalokiteshvara-and-maitreya-second-half-of-the-8th-century-sumatra-or-southern-thailand-the-iconographic-configuration-in-this-buddhist-triad-was-favored-in-the-mon-territories-of-thailand-and-widely-propagated-in-the-srivijayan-regions-of-peninsular-thailand-and-sumatra-this-triad-with-a-central-buddha-flanked-by-avalokiteshvara-and-maitreya-identified-by-their-crown-insigniasthe-amitabha-buddha-and-a-stupa-respectivelycame-to-be-of-paramount-importance-in-early-ninth-century-central-java-several-major-temples-were-built-under-royal-patronage-with-these-e-image458480852.html
RM2HHWH04–Buddha Attended by Bodhisattvas Avalokiteshvara and Maitreya second half of the 8th century Sumatra or southern Thailand The iconographic configuration in this Buddhist triad was favored in the Mon territories of Thailand and widely propagated in the Srivijayan regions of peninsular Thailand and Sumatra. This triad with a central Buddha flanked by Avalokiteshvara and Maitreya identified by their crown insignias—the Amitabha Buddha and a stupa, respectively—came to be of paramount importance in early ninth-century central Java. Several major temples were built under royal patronage with these e
. International studio. BUDDHA MAITREYA, MESSIAH : BUDDHA SAKVAMUM, HISTORIC : BUDDHA AMITABHA, OF BOUNDLESS AGESTHE BUDDHISTIC TRIAD, THE FIRST AND SECOND OF THE MING, THE THIRD OF THE HAN DYNASTIES BUDDHISTIC IMAgES o/CHINA /ndia, the original homeot Buddhism, had manycults prior to the adventof Buddha in the sixth cen-tury B.C. The earliestreligion seems to have beenanimism, the cult of spirit- These religious symbols,inspired by India, wereIdler modified by ChineseTaoism by FRANK H. q. KEEBLE manism, such as the longvigils of the ascetic and thelaceration of the body of thefanatic. The Bud Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/international-studio-buddha-maitreya-messiah-buddha-sakvamum-historic-buddha-amitabha-of-boundless-agesthe-buddhistic-triad-the-first-and-second-of-the-ming-the-third-of-the-han-dynasties-buddhistic-images-ochina-ndia-the-original-homeot-buddhism-had-manycults-prior-to-the-adventof-buddha-in-the-sixth-cen-tury-bc-the-earliestreligion-seems-to-have-beenanimism-the-cult-of-spirit-these-religious-symbolsinspired-by-india-wereidler-modified-by-chinesetaoism-by-frank-h-q-keeble-manism-such-as-the-longvigils-of-the-ascetic-and-thelaceration-of-the-body-of-thefanatic-the-bud-image336643660.html
RM2AFKCBT–. International studio. BUDDHA MAITREYA, MESSIAH : BUDDHA SAKVAMUM, HISTORIC : BUDDHA AMITABHA, OF BOUNDLESS AGESTHE BUDDHISTIC TRIAD, THE FIRST AND SECOND OF THE MING, THE THIRD OF THE HAN DYNASTIES BUDDHISTIC IMAgES o/CHINA /ndia, the original homeot Buddhism, had manycults prior to the adventof Buddha in the sixth cen-tury B.C. The earliestreligion seems to have beenanimism, the cult of spirit- These religious symbols,inspired by India, wereIdler modified by ChineseTaoism by FRANK H. q. KEEBLE manism, such as the longvigils of the ascetic and thelaceration of the body of thefanatic. The Bud
Amitabha and Kshitigarba first half of the 14th century Unidentified artist The combination of the Amitabha Buddha (Korean: Amita) and the bodhisattva Kshitigarbha (Korean: Jijang)—on the right and left, respectively, standing under a canopy—is the only known example of this iconography in Goryeo Buddhist painting. A more typical composition features these two figures with the bodhisattva Avalokiteshvara (Korean: Gwaneum), forming a triad in which Amitabha is the central deity, or just the two bodhisattvas. Both deities in this painting enjoyed a strong following during the Goryeo dynasty due Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amitabha-and-kshitigarba-first-half-of-the-14th-century-unidentified-artist-the-combination-of-the-amitabha-buddha-korean-amita-and-the-bodhisattva-kshitigarbha-korean-jijangon-the-right-and-left-respectively-standing-under-a-canopyis-the-only-known-example-of-this-iconography-in-goryeo-buddhist-painting-a-more-typical-composition-features-these-two-figures-with-the-bodhisattva-avalokiteshvara-korean-gwaneum-forming-a-triad-in-which-amitabha-is-the-central-deity-or-just-the-two-bodhisattvas-both-deities-in-this-painting-enjoyed-a-strong-following-during-the-goryeo-dynasty-due-image457888814.html
RM2HGXHRX–Amitabha and Kshitigarba first half of the 14th century Unidentified artist The combination of the Amitabha Buddha (Korean: Amita) and the bodhisattva Kshitigarbha (Korean: Jijang)—on the right and left, respectively, standing under a canopy—is the only known example of this iconography in Goryeo Buddhist painting. A more typical composition features these two figures with the bodhisattva Avalokiteshvara (Korean: Gwaneum), forming a triad in which Amitabha is the central deity, or just the two bodhisattvas. Both deities in this painting enjoyed a strong following during the Goryeo dynasty due
Art inspired by Amitabha Buddha Triad, Hanging scroll, ink, color, and gold on hemp, Korea, ca. 16th century, Joseon dynasty, Image: 36 5/16 x 20 7/8 in., 92.2 x 53 cm, Amitabha, Asian Art, Blue, Bodhisattva, Buddha, Buddhism, Gold, Green, Hemp, ink, Joseon, King, Korea, Korean, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-amitabha-buddha-triad-hanging-scroll-ink-color-and-gold-on-hemp-korea-ca-16th-century-joseon-dynasty-image-36-516-x-20-78-in-922-x-53-cm-amitabha-asian-art-blue-bodhisattva-buddha-buddhism-gold-green-hemp-ink-joseon-king-korea-korean-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459575669.html
RF2HKKDCN–Art inspired by Amitabha Buddha Triad, Hanging scroll, ink, color, and gold on hemp, Korea, ca. 16th century, Joseon dynasty, Image: 36 5/16 x 20 7/8 in., 92.2 x 53 cm, Amitabha, Asian Art, Blue, Bodhisattva, Buddha, Buddhism, Gold, Green, Hemp, ink, Joseon, King, Korea, Korean, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Amida Triad in the Form of Sacred Sanskrit Syllables 13th century Japan Embroidered Buddhist images were introduced to Japan from China in the sixth century. Large embroideries were prominent among icons from the sixth through the ninth century and were often hung in temple lecture halls. In the Kamakura period, practices focused on attaining birth in the Buddha Amida’s (Sanskrit: Amitābha) Western Paradise became widespread, and many small embroideries like this one were produced for individual devotional practice and deathbed ritual. In place of anthropomorphic images, the Sanskrit syllables Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amida-triad-in-the-form-of-sacred-sanskrit-syllables-13th-century-japan-embroidered-buddhist-images-were-introduced-to-japan-from-china-in-the-sixth-century-large-embroideries-were-prominent-among-icons-from-the-sixth-through-the-ninth-century-and-were-often-hung-in-temple-lecture-halls-in-the-kamakura-period-practices-focused-on-attaining-birth-in-the-buddha-amidas-sanskrit-amitbha-western-paradise-became-widespread-and-many-small-embroideries-like-this-one-were-produced-for-individual-devotional-practice-and-deathbed-ritual-in-place-of-anthropomorphic-images-the-sanskrit-syllables-image458559255.html
RM2HJ1507–Amida Triad in the Form of Sacred Sanskrit Syllables 13th century Japan Embroidered Buddhist images were introduced to Japan from China in the sixth century. Large embroideries were prominent among icons from the sixth through the ninth century and were often hung in temple lecture halls. In the Kamakura period, practices focused on attaining birth in the Buddha Amida’s (Sanskrit: Amitābha) Western Paradise became widespread, and many small embroideries like this one were produced for individual devotional practice and deathbed ritual. In place of anthropomorphic images, the Sanskrit syllables
Amitabha Buddha Triad. between 1475 and 1625. 99 Brooklyn Museum - Amitabha Buddha Triad Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amitabha-buddha-triad-between-1475-and-1625-99-brooklyn-museum-amitabha-buddha-triad-image184862828.html
RMMMN6BT–Amitabha Buddha Triad. between 1475 and 1625. 99 Brooklyn Museum - Amitabha Buddha Triad
Art inspired by 아미타삼존도 고려, 阿彌陀三尊圖 高麗, Amitabha triad, Goryeo dynasty (918–1392), ca. 13th century, Korea, Hanging scroll; ink, color and gold on silk, Image: 45 1/4 x 23 1/4 in. (114.9 x 59.1 cm), Paintings, Unidentified Artist, The Amitabha Buddha (Korean: Amita) was the focus of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-amitabha-triad-goryeo-dynasty-9181392-ca-13th-century-korea-hanging-scroll-ink-color-and-gold-on-silk-image-45-14-x-23-14-in-1149-x-591-cm-paintings-unidentified-artist-the-amitabha-buddha-korean-amita-was-the-focus-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462908492.html
RF2HW38E4–Art inspired by 아미타삼존도 고려, 阿彌陀三尊圖 高麗, Amitabha triad, Goryeo dynasty (918–1392), ca. 13th century, Korea, Hanging scroll; ink, color and gold on silk, Image: 45 1/4 x 23 1/4 in. (114.9 x 59.1 cm), Paintings, Unidentified Artist, The Amitabha Buddha (Korean: Amita) was the focus of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Amitabha triad ca. 13th century Unidentified artist The Amitabha Buddha (Korean: Amita) was the focus of worship in Pure Land Buddhism, which enjoyed great popularity during the Goryeo period. Devotees were promised entrance to Amitabha’s Western Paradise upon recitation of his name. Seated high on an elaborate lotus throne, Amitabha is flanked by two bodhisattvas, Avalokiteshvara (Korean: Gwaneum) on his left and Mahasthamaprapta (Korean: Dae Seji) on his right. The identifying attributes of the former include a miniature image of Amitabha in her crown and a ritual sprinkler, or kundika, in h Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amitabha-triad-ca-13th-century-unidentified-artist-the-amitabha-buddha-korean-amita-was-the-focus-of-worship-in-pure-land-buddhism-which-enjoyed-great-popularity-during-the-goryeo-period-devotees-were-promised-entrance-to-amitabhas-western-paradise-upon-recitation-of-his-name-seated-high-on-an-elaborate-lotus-throne-amitabha-is-flanked-by-two-bodhisattvas-avalokiteshvara-korean-gwaneum-on-his-left-and-mahasthamaprapta-korean-dae-seji-on-his-right-the-identifying-attributes-of-the-former-include-a-miniature-image-of-amitabha-in-her-crown-and-a-ritual-sprinkler-or-kundika-in-h-image457918305.html
RM2HGYYD5–Amitabha triad ca. 13th century Unidentified artist The Amitabha Buddha (Korean: Amita) was the focus of worship in Pure Land Buddhism, which enjoyed great popularity during the Goryeo period. Devotees were promised entrance to Amitabha’s Western Paradise upon recitation of his name. Seated high on an elaborate lotus throne, Amitabha is flanked by two bodhisattvas, Avalokiteshvara (Korean: Gwaneum) on his left and Mahasthamaprapta (Korean: Dae Seji) on his right. The identifying attributes of the former include a miniature image of Amitabha in her crown and a ritual sprinkler, or kundika, in h
Inspired by Amit'a Triad, Ink, color and gold on silk, Korea, 14th century, Goryeo Dynasty, 51 1/4 x 32 1/4in., 130.2 x 81.9cm, 14th century, Amitabha, Asian Art, bodhisattvas, Buddha Amit'a, Buddhism, Buddhist, color, Fabric, gold, Goryeo, hanging scroll, ink, Korea, Korean, Koryo dynasty, Kwan'um, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-amita-triad-ink-color-and-gold-on-silk-korea-14th-century-goryeo-dynasty-51-14-x-32-14in-1302-x-819cm-14th-century-amitabha-asian-art-bodhisattvas-buddha-amita-buddhism-buddhist-color-fabric-gold-goryeo-hanging-scroll-ink-korea-korean-koryo-dynasty-kwanum-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459256809.html
RF2HK4XMW–Inspired by Amit'a Triad, Ink, color and gold on silk, Korea, 14th century, Goryeo Dynasty, 51 1/4 x 32 1/4in., 130.2 x 81.9cm, 14th century, Amitabha, Asian Art, bodhisattvas, Buddha Amit'a, Buddhism, Buddhist, color, Fabric, gold, Goryeo, hanging scroll, ink, Korea, Korean, Koryo dynasty, Kwan'um, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Seated bodhisattva (left attendant of a triad). Culture: Korea. Dimensions: H. 20 1/4 In. (51.4 cm); W. 14 1/4 in. (51.4 cm); D. 12 3/4 in. (36.2 cm) H. to flame elements: 21 1/2 in. (54.6 cm). Date: ca. mid- 17th century. This elegant figure represents a bodhisattva--a compassionate, enlightened being who has chosen to remain on earth to help mortals attain enlightenment. This statue was originally one of two attendant bodhisattvas that flanked a Shakyamuni or Amitabha Buddha. The tall, ornate crown, oblong face, and drapery with cascading folds indicate that the statue was likely produced Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seated-bodhisattva-left-attendant-of-a-triad-culture-korea-dimensions-h-20-14-in-514-cm-w-14-14-in-514-cm-d-12-34-in-362-cm-h-to-flame-elements-21-12-in-546-cm-date-ca-mid-17th-century-this-elegant-figure-represents-a-bodhisattva-a-compassionate-enlightened-being-who-has-chosen-to-remain-on-earth-to-help-mortals-attain-enlightenment-this-statue-was-originally-one-of-two-attendant-bodhisattvas-that-flanked-a-shakyamuni-or-amitabha-buddha-the-tall-ornate-crown-oblong-face-and-drapery-with-cascading-folds-indicate-that-the-statue-was-likely-produced-image213402480.html
RMPB5914–Seated bodhisattva (left attendant of a triad). Culture: Korea. Dimensions: H. 20 1/4 In. (51.4 cm); W. 14 1/4 in. (51.4 cm); D. 12 3/4 in. (36.2 cm) H. to flame elements: 21 1/2 in. (54.6 cm). Date: ca. mid- 17th century. This elegant figure represents a bodhisattva--a compassionate, enlightened being who has chosen to remain on earth to help mortals attain enlightenment. This statue was originally one of two attendant bodhisattvas that flanked a Shakyamuni or Amitabha Buddha. The tall, ornate crown, oblong face, and drapery with cascading folds indicate that the statue was likely produced
Seated bodhisattva (left attendant of a triad) ca. mid-17th century Korea This elegant figure represents a bodhisattva—a compassionate, enlightened being who has chosen to remain on earth to help mortals attain enlightenment. This statue was originally one of two attendant bodhisattvas that flanked a Shakyamuni or Amitabha Buddha. The tall, ornate crown, oblong face, and drapery with cascading folds indicate that the statue was likely produced by an esteemed school of Buddhist monksculptors led by Ingyun (active 1615–63) for a temple in the South Jeolla Province, an important Buddhist power ba Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seated-bodhisattva-left-attendant-of-a-triad-ca-mid-17th-century-korea-this-elegant-figure-represents-a-bodhisattvaa-compassionate-enlightened-being-who-has-chosen-to-remain-on-earth-to-help-mortals-attain-enlightenment-this-statue-was-originally-one-of-two-attendant-bodhisattvas-that-flanked-a-shakyamuni-or-amitabha-buddha-the-tall-ornate-crown-oblong-face-and-drapery-with-cascading-folds-indicate-that-the-statue-was-likely-produced-by-an-esteemed-school-of-buddhist-monksculptors-led-by-ingyun-active-161563-for-a-temple-in-the-south-jeolla-province-an-important-buddhist-power-ba-image458528542.html
RM2HHYNRA–Seated bodhisattva (left attendant of a triad) ca. mid-17th century Korea This elegant figure represents a bodhisattva—a compassionate, enlightened being who has chosen to remain on earth to help mortals attain enlightenment. This statue was originally one of two attendant bodhisattvas that flanked a Shakyamuni or Amitabha Buddha. The tall, ornate crown, oblong face, and drapery with cascading folds indicate that the statue was likely produced by an esteemed school of Buddhist monksculptors led by Ingyun (active 1615–63) for a temple in the South Jeolla Province, an important Buddhist power ba
Buddhist Triad, Amitabha Buddha with Two Boddhisattvas, probably Avalokiteshvara and Mahasthamaprapta, Korea, Choson dynasty, mid 1400s, gilt silver Arthur M Sackler Museum, Harvard University DSC00882 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/buddhist-triad-amitabha-buddha-with-two-boddhisattvas-probably-avalokiteshvara-image153147102.html
RMJW4CKA–Buddhist Triad, Amitabha Buddha with Two Boddhisattvas, probably Avalokiteshvara and Mahasthamaprapta, Korea, Choson dynasty, mid 1400s, gilt silver Arthur M Sackler Museum, Harvard University DSC00882
This rare bronze triad from the 1400s shows Amitabha (???? in Korean), or the Buddha of the Western Paradise, seated on a lotus pedestal at the center. He is flanked by two sacred attendants, Ksitigarbha (???? in Korean) on his left and Avalokitesvara (???? in Korean) on his right. The combination of these three Buddhist deities was particularly popular in the early Joseon period. The small scale suggests that this triad might have been displayed in a personal shrine rather than a large worship hall. Amitabha Triad, 1400s. Korea, Joseon dynasty (1392-1910). Bronze with traces of gilding; overa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/this-rare-bronze-triad-from-the-1400s-shows-amitabha-in-korean-or-the-buddha-of-the-western-paradise-seated-on-a-lotus-pedestal-at-the-center-he-is-flanked-by-two-sacred-attendants-ksitigarbha-in-korean-on-his-left-and-avalokitesvara-in-korean-on-his-right-the-combination-of-these-three-buddhist-deities-was-particularly-popular-in-the-early-joseon-period-the-small-scale-suggests-that-this-triad-might-have-been-displayed-in-a-personal-shrine-rather-than-a-large-worship-hall-amitabha-triad-1400s-korea-joseon-dynasty-1392-1910-bronze-with-traces-of-gilding-overa-image573086903.html
RM2T8AA5B–This rare bronze triad from the 1400s shows Amitabha (???? in Korean), or the Buddha of the Western Paradise, seated on a lotus pedestal at the center. He is flanked by two sacred attendants, Ksitigarbha (???? in Korean) on his left and Avalokitesvara (???? in Korean) on his right. The combination of these three Buddhist deities was particularly popular in the early Joseon period. The small scale suggests that this triad might have been displayed in a personal shrine rather than a large worship hall. Amitabha Triad, 1400s. Korea, Joseon dynasty (1392-1910). Bronze with traces of gilding; overa
Plaque with the Image of Amitabha Triad, 676-935. This plate is embossed with an image of the Amita Buddha flanked by two attendants. The plate, created by hammering softly from the back of the metal sheet, highlights the advanced metalworking techniques of the Unified Shilla period. Similar plates were used to decorate boxes that contained sacred relics. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plaque-with-the-image-of-amitabha-triad-676-935-this-plate-is-embossed-with-an-image-of-the-amita-buddha-flanked-by-two-attendants-the-plate-created-by-hammering-softly-from-the-back-of-the-metal-sheet-highlights-the-advanced-metalworking-techniques-of-the-unified-shilla-period-similar-plates-were-used-to-decorate-boxes-that-contained-sacred-relics-image330112659.html
RM2A51X1R–Plaque with the Image of Amitabha Triad, 676-935. This plate is embossed with an image of the Amita Buddha flanked by two attendants. The plate, created by hammering softly from the back of the metal sheet, highlights the advanced metalworking techniques of the Unified Shilla period. Similar plates were used to decorate boxes that contained sacred relics.
Amitabha Triad bodhisattvas asian illustration holy black background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amitabha-triad-bodhisattvas-asian-illustration-holy-black-background-image385490171.html
RF2DB4GJ3–Amitabha Triad bodhisattvas asian illustration holy black background
. International studio. e-cious jewel. This dig-nified figure is finishedin black and gold lac- DIIA DESIGNATE, c|ue,. anc[ js .,,-, t.xamp]eHAN DYNASI Y - ol the best periodof the Ming dynasty, famed for this sculpture. Amitabha, the last of the triad, is theIdeal Buddha of Boundless Age andLight. He is seated with legs trussedand clothed in a simple robe, enrichedwith a necklace of beads, a mantle overhis shoulders, and a five pointeccrown. His downcast features andslightly extended right hand con-vey an expression of m st ie pra er.I here is a distincl Indian influenceover this figure wln Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/international-studio-e-cious-jewel-this-dig-nified-figure-is-finishedin-black-and-gold-lac-diia-designate-cue-anc-js-txamp-ehan-dynasi-y-ol-the-best-periodof-the-ming-dynasty-famed-for-this-sculpture-amitabha-the-last-of-the-triad-is-theideal-buddha-of-boundless-age-andlight-he-is-seated-with-legs-trussedand-clothed-in-a-simple-robe-enrichedwith-a-necklace-of-beads-a-mantle-overhis-shoulders-and-a-five-pointeccrown-his-downcast-features-andslightly-extended-right-hand-con-vey-an-expression-of-m-st-ie-pra-eri-here-is-a-distincl-indian-influenceover-this-figure-wln-image336642614.html
RM2AFKB2E–. International studio. e-cious jewel. This dig-nified figure is finishedin black and gold lac- DIIA DESIGNATE, c|ue,. anc[ js .,,-, t.xamp]eHAN DYNASI Y - ol the best periodof the Ming dynasty, famed for this sculpture. Amitabha, the last of the triad, is theIdeal Buddha of Boundless Age andLight. He is seated with legs trussedand clothed in a simple robe, enrichedwith a necklace of beads, a mantle overhis shoulders, and a five pointeccrown. His downcast features andslightly extended right hand con-vey an expression of m st ie pra er.I here is a distincl Indian influenceover this figure wln
. Amitabha Buddha Triad . between 1475 and 1625 99 Brooklyn Museum - Amitabha Buddha Triad Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amitabha-buddha-triad-between-1475-and-1625-99-brooklyn-museum-amitabha-buddha-triad-image187677226.html
RMMW9C62–. Amitabha Buddha Triad . between 1475 and 1625 99 Brooklyn Museum - Amitabha Buddha Triad
Art inspired by Amit'a Triad, Ink, color and gold on silk, Korea, 14th century, Goryeo Dynasty, 51 1/4 x 32 1/4in., 130.2 x 81.9cm, 14th century, Amitabha, Asian Art, bodhisattvas, Buddha Amit'a, Buddhism, Buddhist, color, Fabric, gold, Goryeo, hanging scroll, ink, Korea, Korean, Koryo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-amita-triad-ink-color-and-gold-on-silk-korea-14th-century-goryeo-dynasty-51-14-x-32-14in-1302-x-819cm-14th-century-amitabha-asian-art-bodhisattvas-buddha-amita-buddhism-buddhist-color-fabric-gold-goryeo-hanging-scroll-ink-korea-korean-koryo-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459569808.html
RF2HKK5YC–Art inspired by Amit'a Triad, Ink, color and gold on silk, Korea, 14th century, Goryeo Dynasty, 51 1/4 x 32 1/4in., 130.2 x 81.9cm, 14th century, Amitabha, Asian Art, bodhisattvas, Buddha Amit'a, Buddhism, Buddhist, color, Fabric, gold, Goryeo, hanging scroll, ink, Korea, Korean, Koryo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Amitabha Triad, 1400s. This rare bronze triad from the 1400s shows Amitabha (???? in Korean), or the Buddha of the Western Paradise, seated on a lotus pedestal at the center. He is flanked by two sacred attendants, Ksitigarbha (???? in Korean) on his left and Avalokitesvara (???? in Korean) on his right. The combination of these three Buddhist deities was particularly popular in the early Joseon period. The small scale suggests that this triad might have been displayed in a personal shrine rather than a large worship hall. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amitabha-triad-1400s-this-rare-bronze-triad-from-the-1400s-shows-amitabha-in-korean-or-the-buddha-of-the-western-paradise-seated-on-a-lotus-pedestal-at-the-center-he-is-flanked-by-two-sacred-attendants-ksitigarbha-in-korean-on-his-left-and-avalokitesvara-in-korean-on-his-right-the-combination-of-these-three-buddhist-deities-was-particularly-popular-in-the-early-joseon-period-the-small-scale-suggests-that-this-triad-might-have-been-displayed-in-a-personal-shrine-rather-than-a-large-worship-hall-image330073750.html
RM2A504C6–Amitabha Triad, 1400s. This rare bronze triad from the 1400s shows Amitabha (???? in Korean), or the Buddha of the Western Paradise, seated on a lotus pedestal at the center. He is flanked by two sacred attendants, Ksitigarbha (???? in Korean) on his left and Avalokitesvara (???? in Korean) on his right. The combination of these three Buddhist deities was particularly popular in the early Joseon period. The small scale suggests that this triad might have been displayed in a personal shrine rather than a large worship hall.
. Amitabha Buddha Triad . between 1475 and 1625 99 Brooklyn Museum - Amitabha Buddha Triad Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amitabha-buddha-triad-between-1475-and-1625-99-brooklyn-museum-amitabha-buddha-triad-image188214549.html
RMMX5WG5–. Amitabha Buddha Triad . between 1475 and 1625 99 Brooklyn Museum - Amitabha Buddha Triad
Amitabha Triad, possibly 1400s. This hanging scroll illustrates a dramatic apparition of Buddha Amitabha (??? in Chinese) and the two attendant bodhisattvas, or saintly beings, in the midst of colourful light and swirling clouds. The one who carries a miniature image of Amitabha in its jeweled crown is Avalokitesvara (?? in Chinese); and the other who carries a flower vase is Mahasthamaprapta (??? in Chinese). Previously, this work was identified as a rare example of a Korean Buddhist painting from the early Joseon period. In contrast to surviving Korean works from this time the scroll stands Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amitabha-triad-possibly-1400s-this-hanging-scroll-illustrates-a-dramatic-apparition-of-buddha-amitabha-in-chinese-and-the-two-attendant-bodhisattvas-or-saintly-beings-in-the-midst-of-colourful-light-and-swirling-clouds-the-one-who-carries-a-miniature-image-of-amitabha-in-its-jeweled-crown-is-avalokitesvara-in-chinese-and-the-other-who-carries-a-flower-vase-is-mahasthamaprapta-in-chinese-previously-this-work-was-identified-as-a-rare-example-of-a-korean-buddhist-painting-from-the-early-joseon-period-in-contrast-to-surviving-korean-works-from-this-time-the-scroll-stands-image330073756.html
RM2A504CC–Amitabha Triad, possibly 1400s. This hanging scroll illustrates a dramatic apparition of Buddha Amitabha (??? in Chinese) and the two attendant bodhisattvas, or saintly beings, in the midst of colourful light and swirling clouds. The one who carries a miniature image of Amitabha in its jeweled crown is Avalokitesvara (?? in Chinese); and the other who carries a flower vase is Mahasthamaprapta (??? in Chinese). Previously, this work was identified as a rare example of a Korean Buddhist painting from the early Joseon period. In contrast to surviving Korean works from this time the scroll stands
Amida Triad in the Form of Sacred Sanskrit Syllables, 13th century. Embroidered Buddhist image Sanskrit syllables for Amida, Kannon (Sanskrit: Avalokiteshvara), and Seishi (Sanskrit: Mahasthamaprapta). Kamakura period (1185-1333) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amida-triad-in-the-form-of-sacred-sanskrit-syllables-13th-century-embroidered-buddhist-image-sanskrit-syllables-for-amida-kannon-sanskrit-avalokiteshvara-and-seishi-sanskrit-mahasthamaprapta-kamakura-period-1185-1333-image343009388.html
RM2AX1BY8–Amida Triad in the Form of Sacred Sanskrit Syllables, 13th century. Embroidered Buddhist image Sanskrit syllables for Amida, Kannon (Sanskrit: Avalokiteshvara), and Seishi (Sanskrit: Mahasthamaprapta). Kamakura period (1185-1333)
Download Confirmation
Please complete the form below. The information provided will be included in your download confirmation