Arm reliquary hi-res stock photography and images

Arm reliquary from Hildesheim dated from the beginning of the 16th century on display in the Cathedral Museum (Dom-Museum) in Hildesheim in Lower Saxony, Germany. Stock Photo

RMM2D8TB–Arm reliquary from Hildesheim dated from the beginning of the 16th century on display in the Cathedral Museum (Dom-Museum) in Hildesheim in Lower Saxony, Germany.

Arm Reliquary MET cdi47-101-33s2 Stock Photo

RMKT6JJW–Arm Reliquary MET cdi47-101-33s2

RMRDXCH0–Arm Reliquary

Arm Reliquary, 13th century, with 15th century additions Stock Photo

RMKC7PN2–Arm Reliquary, 13th century, with 15th century additions

Art inspired by Arm Reliquary, ca. 1230, Made in Meuse Valley, South Netherlands, South Netherlandish, Silver, gilded silver, niello, and gems; wood core, 25 1/2 x 6 1/2 x 4 in. (64.8 x 16.5 x 10.2 cm), Metalwork-Silver, This container for the precious remains of a saint adopts the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0495–Art inspired by Arm Reliquary, ca. 1230, Made in Meuse Valley, South Netherlands, South Netherlandish, Silver, gilded silver, niello, and gems; wood core, 25 1/2 x 6 1/2 x 4 in. (64.8 x 16.5 x 10.2 cm), Metalwork-Silver, This container for the precious remains of a saint adopts the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Arm Reliquary, ca. 1230, Made in Meuse Valley, South Netherlands, South Netherlandish, Silver, gilded silver, niello, and gems Stock Photo

RMKC5AJX–Arm Reliquary, ca. 1230, Made in Meuse Valley, South Netherlands, South Netherlandish, Silver, gilded silver, niello, and gems

Art inspired by Arm Reliquary, 13th century, with 15th century additions, French, Silver, silver-gilt, glass and rock crystal cabochons over wood core, Overall: 20 5/16 x 6 1/4 x 2 15/16in. (51.6 x 15.8 x 7.4cm), Metalwork-Silver, Glistening silver, rock crystal, and glass gems enliven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8YG3–Art inspired by Arm Reliquary, 13th century, with 15th century additions, French, Silver, silver-gilt, glass and rock crystal cabochons over wood core, Overall: 20 5/16 x 6 1/4 x 2 15/16in. (51.6 x 15.8 x 7.4cm), Metalwork-Silver, Glistening silver, rock crystal, and glass gems enliven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Arm Reliquary of the Apostles, c. 1190. Germany, Lower Saxony, Hildesheim, Romanesque period, late 12th century. Gilt silver, champlevé enamel, oak; overall: 51 x 14 x 9.2 cm (20 1/16 x 5 1/2 x 3 5/8 in Stock Photo

RMRY2W6W–Arm Reliquary of the Apostles, c. 1190. Germany, Lower Saxony, Hildesheim, Romanesque period, late 12th century. Gilt silver, champlevé enamel, oak; overall: 51 x 14 x 9.2 cm (20 1/16 x 5 1/2 x 3 5/8 in

Arm reliquary of Charlemagne, Aachen, Germany, Europe Stock Photo

RMB59GC3–Arm reliquary of Charlemagne, Aachen, Germany, Europe

.Arm reliquary. Hildesheim (?). First half of the 12th century. Oak, gilt silver, rock crystal. Germany. Museum Schnütgen. Cologne, Germany. Stock Photo

RMM8HD19–.Arm reliquary. Hildesheim (?). First half of the 12th century. Oak, gilt silver, rock crystal. Germany. Museum Schnütgen. Cologne, Germany.

Arm Reliquary. Culture: South Netherlandish. Dimensions: 25 1/2 x 6 1/2 x 4 in. (64.8 x 16.5 x 10.2 cm). Date: ca. 1230. This container for the precious remains of a saint adopts the form of the relics it likely once held--fragments of a saint's arm. When the reliquary was set on an altar, the sacred bones could be perceived in the two windows, once covered with crystal, which are cut into the silver. When carried in procession, the imposing image of the saint's arm raised in blessing could be seen easily by the faithful, even from a distance. The rich combination of materials used for the s Stock Photo

RMPAM32N–Arm Reliquary. Culture: South Netherlandish. Dimensions: 25 1/2 x 6 1/2 x 4 in. (64.8 x 16.5 x 10.2 cm). Date: ca. 1230. This container for the precious remains of a saint adopts the form of the relics it likely once held--fragments of a saint's arm. When the reliquary was set on an altar, the sacred bones could be perceived in the two windows, once covered with crystal, which are cut into the silver. When carried in procession, the imposing image of the saint's arm raised in blessing could be seen easily by the faithful, even from a distance. The rich combination of materials used for the s

RMKT6JJ6–Arm Reliquary MET DP240172

122 Arm reliquary, probably Germany, 1600s, silver - Museum Schnütgen - Cologne, Germany - DSC00134 Stock Photo

RMP5F605–122 Arm reliquary, probably Germany, 1600s, silver - Museum Schnütgen - Cologne, Germany - DSC00134

Inspired by Reliquary Arm, French, 1100–1150, Wood and sheet gold, Made in France, Europe, Sculpture, 21 1/2 x 4 1/2 x 4 1/2 in. (54.6 x 11.4 x 11.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK67HT–Inspired by Reliquary Arm, French, 1100–1150, Wood and sheet gold, Made in France, Europe, Sculpture, 21 1/2 x 4 1/2 x 4 1/2 in. (54.6 x 11.4 x 11.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Halberstadt, Germany. 04th Dec, 2021. A relic with the mummified finger, which is supposed to be from St. Nicholas, is in an exhibition room of the Halberstadt cathedral treasure. The religious object has been in the cathedral treasury since the 13th century with a magnificent arm reliquary among rock crystal, gold and precious stones. Credit: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News Stock Photo

RM2H94DR5–Halberstadt, Germany. 04th Dec, 2021. A relic with the mummified finger, which is supposed to be from St. Nicholas, is in an exhibition room of the Halberstadt cathedral treasure. The religious object has been in the cathedral treasury since the 13th century with a magnificent arm reliquary among rock crystal, gold and precious stones. Credit: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News

Art inspired by Reliquary Arm of St. Valentine, 14th century, Swiss, Silver, partial gilt, sapphire, 21 3/4 x 7 5/8 x 6 1/4 in. (55.2 x 19.4 x 15.9 cm), Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYM2M–Art inspired by Reliquary Arm of St. Valentine, 14th century, Swiss, Silver, partial gilt, sapphire, 21 3/4 x 7 5/8 x 6 1/4 in. (55.2 x 19.4 x 15.9 cm), Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Reliquary arm / shrine holding bone of the holy St Margaret, against white background Stock Photo

RM2RWGTAB–Reliquary arm / shrine holding bone of the holy St Margaret, against white background

Art inspired by Reliquary Arm, French, 1100-1150, Wood and sheet gold, Made in France, Europe, Sculpture, 21 1/2 x 4 1/2 x 4 1/2 in. (54.6 x 11.4 x 11.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKMEXN–Art inspired by Reliquary Arm, French, 1100-1150, Wood and sheet gold, Made in France, Europe, Sculpture, 21 1/2 x 4 1/2 x 4 1/2 in. (54.6 x 11.4 x 11.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Arm Reliquary, French, 13th century, with 15th century additions. Stock Photo

RM2E2K1BD–Arm Reliquary, French, 13th century, with 15th century additions.

Arm reliquary of Saint Bernward of Hildesheim dated from the end of the 12th century on display in the Cathedral Museum (Dom-Museum) in Hildesheim in Lower Saxony, Germany. Stock Photo

RMM2D8Y0–Arm reliquary of Saint Bernward of Hildesheim dated from the end of the 12th century on display in the Cathedral Museum (Dom-Museum) in Hildesheim in Lower Saxony, Germany.

Italy, Lombardy, Crema, Bishop Holds the Arm Reliquary San Pantaleone Patron Saint of Crema Stock Photo

RM2XNB4GW–Italy, Lombardy, Crema, Bishop Holds the Arm Reliquary San Pantaleone Patron Saint of Crema

RMRDXCGY–Arm Reliquary

RM2H10DK6–Arm Reliquary of the Apostles, c. 1190. Germany, Lower Saxony, Hildesheim, Romanesque period, late 12th century. Gilt silver, champlevé enamel, oak; overall: 51 x 14 x 9.2 cm (20 1/16 x 5 1/2 x 3 5/8 in.).

France, Meurthe et Moselle, Saint Nicolas de Port, the basilica, arm reliquary of Saint Nicolas (19th century) Stock Photo

RMC1DHJM–France, Meurthe et Moselle, Saint Nicolas de Port, the basilica, arm reliquary of Saint Nicolas (19th century)

Croatia, Dalmatia, Nin, treasury the parish church Anzelmo, the museum shows the hoard gold Nin, arm reliquary the Holy Aselus, Stock Photo

RMH4A8GB–Croatia, Dalmatia, Nin, treasury the parish church Anzelmo, the museum shows the hoard gold Nin, arm reliquary the Holy Aselus,

Arm reliquary of Charlemagne in Aachen cathedral, Germany Stock Photo

RFJ4DXMX–Arm reliquary of Charlemagne in Aachen cathedral, Germany

Double-Arm Reliquary Cross, c. 1100-1200. Latin Kingdom of Jerusalem, Jerusalem, Gothic period, 12th century. Gold; overall: 10.5 x 5.3 x 1.5 cm (4 1/8 x 2 1/16 x 9/16 in.); former: 11.5 cm (4 1/2 in Stock Photo

RMRY5RYD–Double-Arm Reliquary Cross, c. 1100-1200. Latin Kingdom of Jerusalem, Jerusalem, Gothic period, 12th century. Gold; overall: 10.5 x 5.3 x 1.5 cm (4 1/8 x 2 1/16 x 9/16 in.); former: 11.5 cm (4 1/2 in

Women looking at arm kept in reliquary in glass box at the Cathedral Treasury, Germany Stock Photo

RMF089EG–Women looking at arm kept in reliquary in glass box at the Cathedral Treasury, Germany

Reliquary Arm of St. Valentine, 14th century, Swiss, Silver, partial gilt, sapphire, 21 3/4 x 7 5/8 x 6 1/4 in. (55.2 x 19.4 x 1 Stock Photo

RMKCDBGP–Reliquary Arm of St. Valentine, 14th century, Swiss, Silver, partial gilt, sapphire, 21 3/4 x 7 5/8 x 6 1/4 in. (55.2 x 19.4 x 1

.Arm reliquary. Hildesheim (?). First half of the 12th century. Oak, gilt silver, rock crystal. Germany. Museum Schnu tgen. Cologne, Germany. Stock Photo

RMPPD75H–.Arm reliquary. Hildesheim (?). First half of the 12th century. Oak, gilt silver, rock crystal. Germany. Museum Schnu tgen. Cologne, Germany.

RMKT6JJ5–Arm Reliquary MET DP102867

122 Arm reliquary, Rhineland, mid 1400s, wood, polychrome - Museum Schnütgen - Cologne, Germany - DSC00130 Stock Photo

RMP5F603–122 Arm reliquary, Rhineland, mid 1400s, wood, polychrome - Museum Schnütgen - Cologne, Germany - DSC00130

Arm Reliquary MET cdi47-101-33s3 Stock Photo

RMKT6JJY–Arm Reliquary MET cdi47-101-33s3

Artist, school of: Lucas Cranach the Elder, German, 1472–1553, Saint Andrew, verso: Reliquary for Saint Thomas’ s Arm, from Hallesche Heiltums buch, ca. 1510, Woodcut, image: 15.8 × 5.1 cm (6 1/4 × 2 in.), Made in Germany, German, 16th century, Works on Paper - Prints Stock Photo

RM2DRWPEA–Artist, school of: Lucas Cranach the Elder, German, 1472–1553, Saint Andrew, verso: Reliquary for Saint Thomas’ s Arm, from Hallesche Heiltums buch, ca. 1510, Woodcut, image: 15.8 × 5.1 cm (6 1/4 × 2 in.), Made in Germany, German, 16th century, Works on Paper - Prints

RM2H94FCD–Halberstadt, Germany. 04th Dec, 2021. A relic with the mummified finger, which is supposed to be from St. Nicholas, is in an exhibition room of the Halberstadt cathedral treasure. The religious object has been in the cathedral treasury since the 13th century with a magnificent arm reliquary among rock crystal, gold and precious stones. Credit: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News

Reliquary Arm, French, 1100–1150, Wood and sheet gold, Made in France, Europe, Sculpture, 21 1/2 x 4 1/2 x 4 1/2 in. (54.6 x 11.4 x 11.4 cm Stock Photo

RM2HB2TYD–Reliquary Arm, French, 1100–1150, Wood and sheet gold, Made in France, Europe, Sculpture, 21 1/2 x 4 1/2 x 4 1/2 in. (54.6 x 11.4 x 11.4 cm

Syracuse Sicily Italy Syracuse Cathedral Saint Lucia Left Arm Encased In Glass On The Altar Stock Photo

RMBJMMNW–Syracuse Sicily Italy Syracuse Cathedral Saint Lucia Left Arm Encased In Glass On The Altar

Double-Arm Reliquary Cross, c. 1100-1200. This elegant double-arm cross once contained fragments of four of the most important relics of Christ’s Passion, namely a portion of the True Cross, a piece of Christ’s sudarium (sweat cloth), and fragments of the reed staff and sponge used by Christ’s tormentors to mock him and give him vinegar for his thirst during the Crucifixion. The identity of these relics and their placement in the cross are indicated by open cavities on the reliquary’s front and accompanying Latin inscriptions on its back. Stock Photo

RM2A50MFA–Double-Arm Reliquary Cross, c. 1100-1200. This elegant double-arm cross once contained fragments of four of the most important relics of Christ’s Passion, namely a portion of the True Cross, a piece of Christ’s sudarium (sweat cloth), and fragments of the reed staff and sponge used by Christ’s tormentors to mock him and give him vinegar for his thirst during the Crucifixion. The identity of these relics and their placement in the cross are indicated by open cavities on the reliquary’s front and accompanying Latin inscriptions on its back.

Le Louvre Lens : Galerie du Temps,reliquary arm of Saint Luke from the treasure of Medina del Campo (Ca 1336-1338) gilt silver champlevé enamel/ silver Stock Photo

RMT5Y01J–Le Louvre Lens : Galerie du Temps,reliquary arm of Saint Luke from the treasure of Medina del Campo (Ca 1336-1338) gilt silver champlevé enamel/ silver

RM2XNB4H3–Italy, Lombardy, Crema, Bishop Holds the Arm Reliquary San Pantaleone Patron Saint of Crema

RMRDXCF4–Arm Reliquary

RM2H10HRD–Double-Arm Reliquary Cross, c. 1100-1200. Latin Kingdom of Jerusalem, Jerusalem, Gothic period, 12th century. Gold; overall: 10.5 x 5.3 x 1.5 cm (4 1/8 x 2 1/16 x 9/16 in.); former: 11.5 cm (4 1/2 in.).

silver Reliquary arm of St Thomas Becket in museum of Cathedral of Saint Mary of Burgos ,in the city of Burgos in the Basque region of Northern Spain Stock Photo

RM2AM76NX–silver Reliquary arm of St Thomas Becket in museum of Cathedral of Saint Mary of Burgos ,in the city of Burgos in the Basque region of Northern Spain

Arm Reliquary 13th century, with 15th century additions French Glistening silver, rock crystal, and glass gems enliven this reliquary in the form of an arm raised in a gesture of blessing. Emblematic of priestly authority, arm reliquaries were placed at the altar and also processed among the faithful. A parchment tag behind the rock crystal and an engraved cuff at the wrist indicate that the relics contained were of Saint Fiacre. The city of Meaux in France possessed the lion's share of his relics, but the provenance of this reliquary has not been confirmed.. Arm Reliquary 464334 Stock Photo

RM2HJ3WW3–Arm Reliquary 13th century, with 15th century additions French Glistening silver, rock crystal, and glass gems enliven this reliquary in the form of an arm raised in a gesture of blessing. Emblematic of priestly authority, arm reliquaries were placed at the altar and also processed among the faithful. A parchment tag behind the rock crystal and an engraved cuff at the wrist indicate that the relics contained were of Saint Fiacre. The city of Meaux in France possessed the lion's share of his relics, but the provenance of this reliquary has not been confirmed.. Arm Reliquary 464334

Description of a Bronze Arm, an Irish Reliquary, from the Collection of the late Sir Andrew Fountaine. It is engraved to the full size of the original ; and is of brass or bronze, the hand, which is riveted to the arm at the wrist, being inlaid, in the nails, the palm, and at the back, and round the wrist, with silver. The upper end of the arm is also ornamented with the same metal, and with a row of bluish-grey stones resembling the calcedony, and there appears to have been a second row of stones above the other. Riveted across the centre of the arm is a broad band with knots in relief ; and Stock Photo

RF2JXJ6GH–Description of a Bronze Arm, an Irish Reliquary, from the Collection of the late Sir Andrew Fountaine. It is engraved to the full size of the original ; and is of brass or bronze, the hand, which is riveted to the arm at the wrist, being inlaid, in the nails, the palm, and at the back, and round the wrist, with silver. The upper end of the arm is also ornamented with the same metal, and with a row of bluish-grey stones resembling the calcedony, and there appears to have been a second row of stones above the other. Riveted across the centre of the arm is a broad band with knots in relief ; and

Arm Reliquary ca. 1230 South Netherlandish This container for the precious remains of a saint adopts the form of the relics it likely once held—fragments of a saint’s arm. When the reliquary was set on an altar, the sacred bones could be perceived in the two windows, once covered with crystal, which are cut into the silver. When carried in procession, the imposing image of the saint’s arm raised in blessing could be seen easily by the faithful, even from a distance. The rich combination of materials used for the sleeve of the saint’s vestment typifies goldsmith’s work produced in the Meuse Val Stock Photo

RM2HH7JB2–Arm Reliquary ca. 1230 South Netherlandish This container for the precious remains of a saint adopts the form of the relics it likely once held—fragments of a saint’s arm. When the reliquary was set on an altar, the sacred bones could be perceived in the two windows, once covered with crystal, which are cut into the silver. When carried in procession, the imposing image of the saint’s arm raised in blessing could be seen easily by the faithful, even from a distance. The rich combination of materials used for the sleeve of the saint’s vestment typifies goldsmith’s work produced in the Meuse Val

France, Lot, village of Castelnau Bretenoux, collegiate church houses the Saint Louis' arm, a 14th reliquary Stock Photo

RMC195TD–France, Lot, village of Castelnau Bretenoux, collegiate church houses the Saint Louis' arm, a 14th reliquary

A Mid-Byzantine encolpion with Mary and St. John, 10th - 11th century, Large and heavy bronze reliquary cross, closed with a hinge at top and bottom. The pin closure missing at bottom, replaced at top by a piece of wire (probably from the time of use), keeping the suspension ring in place at the hinge. On both sides very fine and intricate engraved decorations. Maria Theotokos in prayer position, either side arm of the cross adorned with one fish. On the reverse John the Baptist, in his right hand a cross staff, the sides decorated again with two, Additional-Rights-Clearance-Info-Not-Available Stock Photo

RMTANR33–A Mid-Byzantine encolpion with Mary and St. John, 10th - 11th century, Large and heavy bronze reliquary cross, closed with a hinge at top and bottom. The pin closure missing at bottom, replaced at top by a piece of wire (probably from the time of use), keeping the suspension ring in place at the hinge. On both sides very fine and intricate engraved decorations. Maria Theotokos in prayer position, either side arm of the cross adorned with one fish. On the reverse John the Baptist, in his right hand a cross staff, the sides decorated again with two, Additional-Rights-Clearance-Info-Not-Available

France, Aveyron, Conques, labelled Les Plus Beaux Villages de France (The Most Beautiful Villages of France), stop on El Camino de Santiago, Sainte Fo Stock Photo

RMPGWXMP–France, Aveyron, Conques, labelled Les Plus Beaux Villages de France (The Most Beautiful Villages of France), stop on El Camino de Santiago, Sainte Fo

France, Meurthe et Moselle, Saint Nicolas de Port basilica, Treasure Room, the relic of Saint Nicolas blessing dexter (according to tradition it is the bones of a joint of the right hand of the bishop) that is kept in a reliquary arm of the late 19th cent Stock Photo

RMECJYDA–France, Meurthe et Moselle, Saint Nicolas de Port basilica, Treasure Room, the relic of Saint Nicolas blessing dexter (according to tradition it is the bones of a joint of the right hand of the bishop) that is kept in a reliquary arm of the late 19th cent

122 Arm reliquary, probably Hildesheim, 1100-1150, oak, gilt silver, rock crystal - Museum Schnütgen - Cologne, Germany - DSC00132 Stock Photo

RMP5F604–122 Arm reliquary, probably Hildesheim, 1100-1150, oak, gilt silver, rock crystal - Museum Schnütgen - Cologne, Germany - DSC00132

Arm Reliquary MET cdi47-101-33s4 Stock Photo

RMKT6JK1–Arm Reliquary MET cdi47-101-33s4

. English: Arm reliquary of Saint Thomas (silver, 15th c.) in the Treasury of the Basilica of Saint Servatius in Maastricht, the Netherlands. Printed in the first catalogue of the treasury, published by Bock & Willemsen in 1872. . 9 December 2017, 21:40:16. Unknown 4 Armreliekhouder St Thomas, Schatkamer St-Servaasbasiliek Maastricht (Bock&Willemsen, p134) Stock Photo

RMMYX44M–. English: Arm reliquary of Saint Thomas (silver, 15th c.) in the Treasury of the Basilica of Saint Servatius in Maastricht, the Netherlands. Printed in the first catalogue of the treasury, published by Bock & Willemsen in 1872. . 9 December 2017, 21:40:16. Unknown 4 Armreliekhouder St Thomas, Schatkamer St-Servaasbasiliek Maastricht (Bock&Willemsen, p134)

RM2H94FCJ–Halberstadt, Germany. 04th Dec, 2021. A relic with the mummified finger, which is supposed to be from St. Nicholas, is in an exhibition room of the Halberstadt cathedral treasure. The religious object has been in the cathedral treasury since the 13th century with a magnificent arm reliquary among rock crystal, gold and precious stones. Credit: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News

. English: Woodcut illustration of a silver arm reliquary (14th c.) with relics of Saint Thomas' right arm in the Treasury of the Basilica of Saint Servatius in Maastricht, the Netherlands. One of 66 illustrations in Bock & Willemsen's 1872 publication on the church treasures of St. Servatius and Our Lady, both in Maastricht. . 11 December 2017, 01:44:12. unknow artist, prior to 1872 5 Bock & Willemsen, Maestricht (1872) 55 Stock Photo

RMMYX4D2–. English: Woodcut illustration of a silver arm reliquary (14th c.) with relics of Saint Thomas' right arm in the Treasury of the Basilica of Saint Servatius in Maastricht, the Netherlands. One of 66 illustrations in Bock & Willemsen's 1872 publication on the church treasures of St. Servatius and Our Lady, both in Maastricht. . 11 December 2017, 01:44:12. unknow artist, prior to 1872 5 Bock & Willemsen, Maestricht (1872) 55

France, Meurthe-et-Moselle, Saint Nicolasde Port, Basilica of Saint Nicolas, Treasure Room, the relic of Saint Nicolas blessing dexter (according to tradition it is the bones of a joint of the right hand of the bishop) that is kept in a reliquary arm of the late 19th century in silver, gold, enamel and diamonds Stock Photo

RM2M0HMHH–France, Meurthe-et-Moselle, Saint Nicolasde Port, Basilica of Saint Nicolas, Treasure Room, the relic of Saint Nicolas blessing dexter (according to tradition it is the bones of a joint of the right hand of the bishop) that is kept in a reliquary arm of the late 19th century in silver, gold, enamel and diamonds

Arm Reliquary of the Apostles, c. 1190. Taking the form of a clothed lower arm with an outstretched hand, this reliquary from the Guelph Treasure appropriately enshrines a piece of an unidentified saint’s arm bone. Arm reliquaries like this one served as liturgical props; during religious services and processions, the clergy used them to bless and touch the faithful, thus making the presence of the saint more palpable and immediate. The apostle busts that decorate this arm reliquary seem to indicate that the relic it contains is that of an apostle. Duke Henry the Lion, a major patron of Stock Photo

RM2A5065C–Arm Reliquary of the Apostles, c. 1190. Taking the form of a clothed lower arm with an outstretched hand, this reliquary from the Guelph Treasure appropriately enshrines a piece of an unidentified saint’s arm bone. Arm reliquaries like this one served as liturgical props; during religious services and processions, the clergy used them to bless and touch the faithful, thus making the presence of the saint more palpable and immediate. The apostle busts that decorate this arm reliquary seem to indicate that the relic it contains is that of an apostle. Duke Henry the Lion, a major patron of

France, Meurthe-et-Moselle, Saint Nicolas de Port, Basilica of Saint Nicolas, torchlight procession which has been celebrated since 1245 on the occasion of Saint Nicholas, the relic of Saint Nicolas blessing dexter (according to tradition it is the bones of a joint of the right hand of the bishop) that is kept in a reliquary arm of the late 19th century in silver, gold, enamel and diamonds Stock Photo

RM2M0HMGB–France, Meurthe-et-Moselle, Saint Nicolas de Port, Basilica of Saint Nicolas, torchlight procession which has been celebrated since 1245 on the occasion of Saint Nicholas, the relic of Saint Nicolas blessing dexter (according to tradition it is the bones of a joint of the right hand of the bishop) that is kept in a reliquary arm of the late 19th century in silver, gold, enamel and diamonds

RM2XNB4D4–Italy, Lombardy, Crema, Bishop Holds the Arm Reliquary San Pantaleone Patron Saint of Crema

RMRDXCGX–Arm Reliquary

Silver gilt reliquary for a finger bone of St. Bridget, Ostergotland, Linkoping Cathedral, 1400-1450. Swedish Historical Museum. Stockholm. Sweden. Stock Photo

RMPP8CM8–Silver gilt reliquary for a finger bone of St. Bridget, Ostergotland, Linkoping Cathedral, 1400-1450. Swedish Historical Museum. Stockholm. Sweden.

An Irish bronze reliquary in the form of a human arm, made to house an arm of Saint Lachtin. Etching by James Basire. Stock Photo

RM2H44D18–An Irish bronze reliquary in the form of a human arm, made to house an arm of Saint Lachtin. Etching by James Basire.

Palazzo Vitelli palace, Gallery, Reliquary of the Arm of Sant'Andre of Bottega do Lorenzo Ghiberti, Citta' di Castello, Umbria, Italy, Europe Stock Photo

RM2H4PKWN–Palazzo Vitelli palace, Gallery, Reliquary of the Arm of Sant'Andre of Bottega do Lorenzo Ghiberti, Citta' di Castello, Umbria, Italy, Europe

Saint Andrew, verso: Reliquary for Saint Thomas’ s Arm, from Hallesche Heiltums buch. Artist, school of: Lucas Cranach the Elder, German, 1472–1553 Stock Photo

RM2HWEE19–Saint Andrew, verso: Reliquary for Saint Thomas’ s Arm, from Hallesche Heiltums buch. Artist, school of: Lucas Cranach the Elder, German, 1472–1553

Immortal! The Cult of the Artist, in the exhibition halls at Kulturforum Potsdamer Platz Stock Photo

RMGDWTHC–Immortal! The Cult of the Artist, in the exhibition halls at Kulturforum Potsdamer Platz

Reliquary early 17th century Spanish and Flemish The cult of relics was an integral part of Catholic devotion from early in the Christian era. Relics of the Passion of Christ (the events leading up to the Crucifixion), as well as those associated with numerous saints and martyrs, were prized by churches and pious individuals throughout western Europe and Byzantium. Believers in the miraculous power of relics promoted a sumptuous form of artwork by commissioning resplendent cases to surround the often miniscule fragments. Sometimes the framework would echo the source of the relic (an arm, a foo Stock Photo

RM2HJ4GJ8–Reliquary early 17th century Spanish and Flemish The cult of relics was an integral part of Catholic devotion from early in the Christian era. Relics of the Passion of Christ (the events leading up to the Crucifixion), as well as those associated with numerous saints and martyrs, were prized by churches and pious individuals throughout western Europe and Byzantium. Believers in the miraculous power of relics promoted a sumptuous form of artwork by commissioning resplendent cases to surround the often miniscule fragments. Sometimes the framework would echo the source of the relic (an arm, a foo

RMTANR3Y–A Mid-Byzantine encolpion with Mary and St. John, 10th - 11th century, Large and heavy bronze reliquary cross, closed with a hinge at top and bottom. The pin closure missing at bottom, replaced at top by a piece of wire (probably from the time of use), keeping the suspension ring in place at the hinge. On both sides very fine and intricate engraved decorations. Maria Theotokos in prayer position, either side arm of the cross adorned with one fish. On the reverse John the Baptist, in his right hand a cross staff, the sides decorated again with two, Additional-Rights-Clearance-Info-Not-Available

Reliquary cross and chain early 17th century Spanish The cult of relics was an integral part of Catholic devotion from early in the Christian era. Relics of the Passion of Christ (the events leading up to the Crucifixion), as well as those associated with numerous saints and martyrs, were prized by churches and pious individuals throughout western Europe and Byzantium. Believers in the miraculous power of relics promoted a sumptuous form of artwork by commissioning resplendent cases to surround the often miniscule fragments. Sometimes the framework would echo the source of the relic (an arm, a Stock Photo

RM2HH6H7K–Reliquary cross and chain early 17th century Spanish The cult of relics was an integral part of Catholic devotion from early in the Christian era. Relics of the Passion of Christ (the events leading up to the Crucifixion), as well as those associated with numerous saints and martyrs, were prized by churches and pious individuals throughout western Europe and Byzantium. Believers in the miraculous power of relics promoted a sumptuous form of artwork by commissioning resplendent cases to surround the often miniscule fragments. Sometimes the framework would echo the source of the relic (an arm, a

$Illustrated catalogue of the exceedingly rare and valuable art treasures and antiquities formerly contained in the famous Davanzati Palace, Florence, Italy . No. 83. Thirteenth Century Sienese Gilt Copper Reliquary 84—Sixteenth Century Italian Bronze Statuette, A Kivkk-0 God {By II Tribolo: 1500-1565) /^v-^^t. /^^ % Reclining figure of an old man, with long beard, resting upona rocky base and supporting himself with one arm, the otherclasping an urn, wreathed with water grasses, the open mouthof which is pointing downwards. The figure is an allegoricalrepresentation of the source of a river. O Stock Photo$

RM2ANHBJJ–Illustrated catalogue of the exceedingly rare and valuable art treasures and antiquities formerly contained in the famous Davanzati Palace, Florence, Italy . No. 83. Thirteenth Century Sienese Gilt Copper Reliquary 84—Sixteenth Century Italian Bronze Statuette, A Kivkk-0 God {By II Tribolo: 1500-1565) /^v-^^t. /^^ % Reclining figure of an old man, with long beard, resting upona rocky base and supporting himself with one arm, the otherclasping an urn, wreathed with water grasses, the open mouthof which is pointing downwards. The figure is an allegoricalrepresentation of the source of a river. O

San Jose Chapel at New Cathedral of Salamanca Interior - Salamanca, Spain Stock Photo

RF2RBNKJ8–San Jose Chapel at New Cathedral of Salamanca Interior - Salamanca, Spain

Arm Reliquary MET cdi47-101-33d12 Stock Photo

RMKT6JJP–Arm Reliquary MET cdi47-101-33d12

Umbria Terni Terni S. Maria Assunta, Duomo, this is my Italy, the italian country of visual history, Exterior views baroque facade, bell tower, portico, blind gothic portal with a vinescroll archivolt, and preserved main portal with an inhabited vinescroll architrave. Interior views main altar marble ciborium and altar painting of the Assumption of the Virgin half-dome fresco of the Trinity mixed media altarpiece formed by a wooden crucifix hung on top of a painting of the crucifixion with saints Mary and Mary Magdalen fresco fragments of Saint Anthony Abbot organ by Bernini, and various paint Stock Photo

RMR773F7–Umbria Terni Terni S. Maria Assunta, Duomo, this is my Italy, the italian country of visual history, Exterior views baroque facade, bell tower, portico, blind gothic portal with a vinescroll archivolt, and preserved main portal with an inhabited vinescroll architrave. Interior views main altar marble ciborium and altar painting of the Assumption of the Virgin half-dome fresco of the Trinity mixed media altarpiece formed by a wooden crucifix hung on top of a painting of the crucifixion with saints Mary and Mary Magdalen fresco fragments of Saint Anthony Abbot organ by Bernini, and various paint

RM2H94ER0–Halberstadt, Germany. 04th Dec, 2021. A relic with the mummified finger, which is supposed to be from St. Nicholas, is in an exhibition room of the Halberstadt cathedral treasure. The religious object has been in the cathedral treasury since the 13th century with a magnificent arm reliquary among rock crystal, gold and precious stones. Credit: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News

. English: Page from Das Heiligtum zu Aachen with woodcut illustrations of the the reliquary bust and the reliquary arm of Charlemagne in Aachen Cathedral, Germany. Two of 51 illustrations in Franz Bock's 1867 publication on the Aachen Cathedral treasures. . 1867. unknow engraver Franz Bock, Das Heiligtum zu Aachen, Seite 08 Stock Photo

RMMMP2B2–. English: Page from Das Heiligtum zu Aachen with woodcut illustrations of the the reliquary bust and the reliquary arm of Charlemagne in Aachen Cathedral, Germany. Two of 51 illustrations in Franz Bock's 1867 publication on the Aachen Cathedral treasures. . 1867. unknow engraver Franz Bock, Das Heiligtum zu Aachen, Seite 08

German king Henry the Fowler presenting the shrine with the hand of Saint Vitus to Saint Wenceslas of Bohemia. Bronze relief by Czech sculptor Otakar Španiel after design by Czech artist Vratislav Hugo Brunner (1926-1929) on the main door of Saint Vitus' Cathedral in Prague Castle in Prague, Czech Republic. Stock Photo

RMPR2FPD–German king Henry the Fowler presenting the shrine with the hand of Saint Vitus to Saint Wenceslas of Bohemia. Bronze relief by Czech sculptor Otakar Španiel after design by Czech artist Vratislav Hugo Brunner (1926-1929) on the main door of Saint Vitus' Cathedral in Prague Castle in Prague, Czech Republic.

Close-up of an antique machine used in the chocolate making process, showing worn gears and mechanisms. Stock Photo

RF2WPG72C–Close-up of an antique machine used in the chocolate making process, showing worn gears and mechanisms.

RM2M0HMGG–France, Meurthe-et-Moselle, Saint Nicolas de Port, Basilica of Saint Nicolas, torchlight procession which has been celebrated since 1245 on the occasion of Saint Nicholas, the relic of Saint Nicolas blessing dexter (according to tradition it is the bones of a joint of the right hand of the bishop) that is kept in a reliquary arm of the late 19th century in silver, gold, enamel and diamonds

Relics of the Cathedral of the Assumption of the Virgin Mary in Dubrovnik, Croatia Stock Photo

RFH011G6–Relics of the Cathedral of the Assumption of the Virgin Mary in Dubrovnik, Croatia

RMRDXCH1–Arm Reliquary

RMPP8CFB–Silver gilt reliquary for a finger bone of St. Bridget, Ostergotland, Linkoping Cathedral, 1400-1450. Swedish Historical Museum. Stockholm. Sweden.

In Saint-Nectaire church in Saint-Nectaire (France). Stock Photo

RMJCDGBY–In Saint-Nectaire church in Saint-Nectaire (France).

baroque church (st paul's shipwreck) in valletta (malta) Stock Photo

RM2BC78G6–baroque church (st paul's shipwreck) in valletta (malta)

Reliquary 18th century Portuguese The cult of relics was an integral part of Catholic devotion from early in the Christian era. Relics of the Passion of Christ (the events leading up to the Crucifixion), as well as those associated with numerous saints and martyrs, were prized by churches and pious individuals throughout western Europe and Byzantium. Believers in the miraculous power of relics promoted a sumptuous form of artwork by commissioning resplendent cases to surround the often miniscule fragments. Sometimes the framework would echo the source of the relic (an arm, a foot, a head). In Stock Photo

RM2HH6WRX–Reliquary 18th century Portuguese The cult of relics was an integral part of Catholic devotion from early in the Christian era. Relics of the Passion of Christ (the events leading up to the Crucifixion), as well as those associated with numerous saints and martyrs, were prized by churches and pious individuals throughout western Europe and Byzantium. Believers in the miraculous power of relics promoted a sumptuous form of artwork by commissioning resplendent cases to surround the often miniscule fragments. Sometimes the framework would echo the source of the relic (an arm, a foot, a head). In

Reliquary cross 1586 probably Southern German The cult of relics was an integral part of Catholic devotion from early in the Christian era. Relics of the Passion of Christ (the events leading up to the Crucifixion), as well as those associated with numerous saints and martyrs, were prized by churches and pious individuals throughout western Europe and Byzantium. Believers in the miraculous power of relics promoted a sumptuous form of artwork by commissioning resplendent cases to surround the often miniscule fragments. Sometimes the framework would echo the source of the relic (an arm, a foot, Stock Photo

RM2HGR3G8–Reliquary cross 1586 probably Southern German The cult of relics was an integral part of Catholic devotion from early in the Christian era. Relics of the Passion of Christ (the events leading up to the Crucifixion), as well as those associated with numerous saints and martyrs, were prized by churches and pious individuals throughout western Europe and Byzantium. Believers in the miraculous power of relics promoted a sumptuous form of artwork by commissioning resplendent cases to surround the often miniscule fragments. Sometimes the framework would echo the source of the relic (an arm, a foot,

Arm Reliquary MET cdi47-101-33d13 Stock Photo

RMKT6JJR–Arm Reliquary MET cdi47-101-33d13

RMR773EB–Umbria Terni Terni S. Maria Assunta, Duomo, this is my Italy, the italian country of visual history, Exterior views baroque facade, bell tower, portico, blind gothic portal with a vinescroll archivolt, and preserved main portal with an inhabited vinescroll architrave. Interior views main altar marble ciborium and altar painting of the Assumption of the Virgin half-dome fresco of the Trinity mixed media altarpiece formed by a wooden crucifix hung on top of a painting of the crucifixion with saints Mary and Mary Magdalen fresco fragments of Saint Anthony Abbot organ by Bernini, and various paint

RM2H94FC9–Halberstadt, Germany. 04th Dec, 2021. A relic with the mummified finger, which is supposed to be from St. Nicholas, is in an exhibition room of the Halberstadt cathedral treasure. The religious object has been in the cathedral treasury since the 13th century with a magnificent arm reliquary among rock crystal, gold and precious stones. Credit: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News

08 September 2020, Rhineland-Palatinate, Mainz: The magnificent arm reliquary of Charlemagne (1165-1173) is on display in the Landesmuseum Mainz. The reliquary contains an arm bone of Charlemagne. The cultural-historical exhibition 'The Emperors and the Pillars of their Power' (9 September 2020 to 18 April 2021) can be seen in the rooms of the Landesmuseum Mainz. Photo: Andreas Arnold/dpa Stock Photo

RM2CFYK86–08 September 2020, Rhineland-Palatinate, Mainz: The magnificent arm reliquary of Charlemagne (1165-1173) is on display in the Landesmuseum Mainz. The reliquary contains an arm bone of Charlemagne. The cultural-historical exhibition 'The Emperors and the Pillars of their Power' (9 September 2020 to 18 April 2021) can be seen in the rooms of the Landesmuseum Mainz. Photo: Andreas Arnold/dpa

RF2WPFYPC–Close-up of an antique machine used in the chocolate making process, showing worn gears and mechanisms.

Halberstadt, Germany. 04th Dec, 2021. View of Halberstadt Cathedral. A relic, with a mummified finger said to be from St. Nicholas, is in a display room of the Halberstadt Cathedral treasury. The religious object has been in the cathedral treasury since the 13th century with a magnificent arm reliquary among rock crystal, gold and precious stones. Credit: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News Stock Photo

RM2H94DRA–Halberstadt, Germany. 04th Dec, 2021. View of Halberstadt Cathedral. A relic, with a mummified finger said to be from St. Nicholas, is in a display room of the Halberstadt Cathedral treasury. The religious object has been in the cathedral treasury since the 13th century with a magnificent arm reliquary among rock crystal, gold and precious stones. Credit: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News

RM2M0HMHD–France, Meurthe-et-Moselle, Saint Nicolas de Port, Basilica of Saint Nicolas, torchlight procession which has been celebrated since 1245 on the occasion of Saint Nicholas, the relic of Saint Nicolas blessing dexter (according to tradition it is the bones of a joint of the right hand of the bishop) that is kept in a reliquary arm of the late 19th century in silver, gold, enamel and diamonds

RMRDXCGW–Arm Reliquary

BRAZO DE SAN VALERO. Location: LA SEO, SARAGOSSA, SARAGOSSA ZARAGOZA, SPAIN. Stock Photo

RMP4HFBJ–BRAZO DE SAN VALERO. Location: LA SEO, SARAGOSSA, SARAGOSSA ZARAGOZA, SPAIN.

DUBROVNIK, CROATIA - MAY 26, 2014: Exhibit in the Cultural Historical Museum inside the Rectors Palace. The majority of the hall Stock Photo

RFH02W8P–DUBROVNIK, CROATIA - MAY 26, 2014: Exhibit in the Cultural Historical Museum inside the Rectors Palace. The majority of the hall

Reliquary Arm of St. Valentine 14th century Swiss Displayed on the high altar of Basel Cathedral on important feast days, this reliquary, like others of its classic type, was also used in public processions and for veneration. Such reliquaries not only evoke the memory and presence of a particular person but also communicate the broader idea of a saint's power and grace, embodied in the blessing gesture of the hand.. Reliquary Arm of St. Valentine. Swiss. 14th century. Silver, partial gilt, sapphire. Made in Basel, Switzerland. Metalwork-Silver Stock Photo

RM2HGW0GG–Reliquary Arm of St. Valentine 14th century Swiss Displayed on the high altar of Basel Cathedral on important feast days, this reliquary, like others of its classic type, was also used in public processions and for veneration. Such reliquaries not only evoke the memory and presence of a particular person but also communicate the broader idea of a saint's power and grace, embodied in the blessing gesture of the hand.. Reliquary Arm of St. Valentine. Swiss. 14th century. Silver, partial gilt, sapphire. Made in Basel, Switzerland. Metalwork-Silver

Arm Reliquary MET cdi47-101-33d14 Stock Photo

RMKT6JJT–Arm Reliquary MET cdi47-101-33d14

RMR773F2–Umbria Terni Terni S. Maria Assunta, Duomo, this is my Italy, the italian country of visual history, Exterior views baroque facade, bell tower, portico, blind gothic portal with a vinescroll archivolt, and preserved main portal with an inhabited vinescroll architrave. Interior views main altar marble ciborium and altar painting of the Assumption of the Virgin half-dome fresco of the Trinity mixed media altarpiece formed by a wooden crucifix hung on top of a painting of the crucifixion with saints Mary and Mary Magdalen fresco fragments of Saint Anthony Abbot organ by Bernini, and various paint

RF2WPG737–Close-up of an antique machine used in the chocolate making process, showing worn gears and mechanisms.

Halberstadt, Germany. 04th Dec, 2021. View of the winter church and the entrance to the cathedral treasury. A relic, with a mummified finger said to be from St. Nicholas, is in a display room of the Halberstadt Cathedral Treasury. The religious object has been in the cathedral treasury since the 13th century with a magnificent arm reliquary among rock crystal, gold and precious stones. Credit: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News Stock Photo

RM2H94DTH–Halberstadt, Germany. 04th Dec, 2021. View of the winter church and the entrance to the cathedral treasury. A relic, with a mummified finger said to be from St. Nicholas, is in a display room of the Halberstadt Cathedral Treasury. The religious object has been in the cathedral treasury since the 13th century with a magnificent arm reliquary among rock crystal, gold and precious stones. Credit: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News

RM2M0HMH7–France, Meurthe-et-Moselle, Saint Nicolas de Port, Basilica of Saint Nicolas, torchlight procession which has been celebrated since 1245 on the occasion of Saint Nicholas, the relic of Saint Nicolas blessing dexter (according to tradition it is the bones of a joint of the right hand of the bishop) that is kept in a reliquary arm of the late 19th century in silver, gold, enamel and diamonds

Arm reliquary Stock Photos and Images

Arm reliquary Stock Photos and Images

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