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Abundant Fruit, 1858, Severin Roesen, American, (born Germany), 1815 - 1872, 39 x 49 in. (99.06 x 124.46 cm) (sight)55 7/16 x 66 1/2 in. (140.81 x 168.91 cm) (outer frame), Oil on canvas, United States, 19th century, These fruits do not all ripen at the same time and would not have appeared together on a 19th-century table. The artist chose symbolism over accuracy: a wealth of fruit speaks of the abundance and prosperity of the young United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abundant-fruit-1858-severin-roesen-american-born-germany-1815-1872-39-x-49-in-9906-x-12446-cm-sight55-716-x-66-12-in-14081-x-16891-cm-outer-frame-oil-on-canvas-united-states-19th-century-these-fruits-do-not-all-ripen-at-the-same-time-and-would-not-have-appeared-together-on-a-19th-century-table-the-artist-chose-symbolism-over-accuracy-a-wealth-of-fruit-speaks-of-the-abundance-and-prosperity-of-the-young-united-states-image573517943.htmlRM2T91YYK–Abundant Fruit, 1858, Severin Roesen, American, (born Germany), 1815 - 1872, 39 x 49 in. (99.06 x 124.46 cm) (sight)55 7/16 x 66 1/2 in. (140.81 x 168.91 cm) (outer frame), Oil on canvas, United States, 19th century, These fruits do not all ripen at the same time and would not have appeared together on a 19th-century table. The artist chose symbolism over accuracy: a wealth of fruit speaks of the abundance and prosperity of the young United States
'St Genevieve Watching Over Paris', by Alphonse Osbert (1857-1939), a French Symbolist painter who shifted away from an academic style in the late 1880s under the influence of several acquaintances associated with Post-Impressionism and Symbolism. Inspired by Pierre Puvis de Chavannes and the Symbolists, he chose to forsake depiction of real-world subject matter, and developed a poetic visual language of his own. His signature style consists of ghostlike Muses in mysterious landscapes bathed in the unearthly light of a sun or moon, rendered with abundant use of the colour blue. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-genevieve-watching-over-paris-by-alphonse-osbert-1857-1939-a-french-symbolist-painter-who-shifted-away-from-an-academic-style-in-the-late-1880s-under-the-influence-of-several-acquaintances-associated-with-post-impressionism-and-symbolism-inspired-by-pierre-puvis-de-chavannes-and-the-symbolists-he-chose-to-forsake-depiction-of-real-world-subject-matter-and-developed-a-poetic-visual-language-of-his-own-his-signature-style-consists-of-ghostlike-muses-in-mysterious-landscapes-bathed-in-the-unearthly-light-of-a-sun-or-moon-rendered-with-abundant-use-of-the-colour-blue-image357808742.htmlRM2BP3GKJ–'St Genevieve Watching Over Paris', by Alphonse Osbert (1857-1939), a French Symbolist painter who shifted away from an academic style in the late 1880s under the influence of several acquaintances associated with Post-Impressionism and Symbolism. Inspired by Pierre Puvis de Chavannes and the Symbolists, he chose to forsake depiction of real-world subject matter, and developed a poetic visual language of his own. His signature style consists of ghostlike Muses in mysterious landscapes bathed in the unearthly light of a sun or moon, rendered with abundant use of the colour blue.
Osbert (1857-1939), a French Symbolist painter who shifted away from an academic style in the late 1880s under the influence of several acquaintances associated with Post-Impressionism and Symbolism. Inspired by Pierre Puvis de Chavannes and the Symbolists, he chose to forsake depiction of real-world subject matter, and developed a poetic visual language of his own. His signature style consists of ghostlike Muses in mysterious landscapes bathed in the unearthly light of a sun or moon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/osbert-1857-1939-a-french-symbolist-painter-who-shifted-away-from-an-academic-style-in-the-late-1880s-under-the-influence-of-several-acquaintances-associated-with-post-impressionism-and-symbolism-inspired-by-pierre-puvis-de-chavannes-and-the-symbolists-he-chose-to-forsake-depiction-of-real-world-subject-matter-and-developed-a-poetic-visual-language-of-his-own-his-signature-style-consists-of-ghostlike-muses-in-mysterious-landscapes-bathed-in-the-unearthly-light-of-a-sun-or-moon-image357809342.htmlRM2BP3HD2–Osbert (1857-1939), a French Symbolist painter who shifted away from an academic style in the late 1880s under the influence of several acquaintances associated with Post-Impressionism and Symbolism. Inspired by Pierre Puvis de Chavannes and the Symbolists, he chose to forsake depiction of real-world subject matter, and developed a poetic visual language of his own. His signature style consists of ghostlike Muses in mysterious landscapes bathed in the unearthly light of a sun or moon.
