Assyrian dress Black & White Stock Photos
Female deity in Assyrian ladies' dress, Rinive, History of fashion, costume story Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-female-deity-in-assyrian-ladies-dress-rinive-history-of-fashion-costume-125634690.htmlRFH8B496–Female deity in Assyrian ladies' dress, Rinive, History of fashion, costume story
Assyrian relief from the Palace of Ashurbanipal : Mesopotamian chariot , 7th Century BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/assyrian-relief-from-the-palace-of-ashurbanipal-mesopotamian-chariot-7th-century-bc-image268855014.htmlRMWHBB8P–Assyrian relief from the Palace of Ashurbanipal : Mesopotamian chariot , 7th Century BC
Female deity in Assyrian ladies' dress, Rinive, History of fashion, costume story / Weibliche Gottheit in assyrischer Damentracht, Rinive, Geschichte der Mode, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-deity-in-assyrian-ladies-dress-rinive-history-of-fashion-costume-story-weibliche-gottheit-in-assyrischer-damentracht-rinive-geschichte-der-mode-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image415601030.htmlRF2F4479X–Female deity in Assyrian ladies' dress, Rinive, History of fashion, costume story / Weibliche Gottheit in assyrischer Damentracht, Rinive, Geschichte der Mode, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
The image shows the Assyrian princess in full dress. She holds weapons in her hand. She has a beautiful crown on her head, vintage line drawing or eng Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-image-shows-the-assyrian-princess-in-full-dress-she-holds-weapons-in-her-hand-she-has-a-beautiful-crown-on-her-head-vintage-line-drawing-or-eng-image244551008.htmlRFT5T78G–The image shows the Assyrian princess in full dress. She holds weapons in her hand. She has a beautiful crown on her head, vintage line drawing or eng
Assyrian king with servants and bearers, History of fashion, costume story Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-assyrian-king-with-servants-and-bearers-history-of-fashion-costume-125634710.htmlRFH8B49X–Assyrian king with servants and bearers, History of fashion, costume story
Assyrian, left: King in warrior costume, right: Warrior, anonym 1896 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/assyrian-left-king-in-warrior-costume-right-warrior-anonym-1896-image220193769.htmlRMPP6KB5–Assyrian, left: King in warrior costume, right: Warrior, anonym 1896
![Additions to the Assyrian Sculptures at the British Museum: The King in his Chariot, 1856. Slab '...from the North Palace at Kouyunjik, discovered in 1854 by Mr. Hormuzd Rassam...We have a continuous series, with but one break, of twenty three slabs, depicting a Royal Lion hunt...We find also in these sculptures good evidence that the Kings of Assyria were not genuine huntsmen. They did not seek the lion and hunt him in his own jungle, but had him trapped and reserved for special occasions...[The slab] is most elaborately cut, and full of rich detail. The King is in his chariot with two attend Stock Photo](https://c8.alamy.com/comp/2R4DHC8/additions-to-the-assyrian-sculptures-at-the-british-museum-the-king-in-his-chariot-1856-slab-from-the-north-palace-at-kouyunjik-discovered-in-1854-by-mr-hormuzd-rassamwe-have-a-continuous-series-with-but-one-break-of-twenty-three-slabs-depicting-a-royal-lion-huntwe-find-also-in-these-sculptures-good-evidence-that-the-kings-of-assyria-were-not-genuine-huntsmen-they-did-not-seek-the-lion-and-hunt-him-in-his-own-jungle-but-had-him-trapped-and-reserved-for-special-occasions-the-slab-is-most-elaborately-cut-and-full-of-rich-detail-the-king-is-in-his-chariot-with-two-attend-2R4DHC8.jpg "Additions to the Assyrian Sculptures at the British Museum: The King in his Chariot, 1856. Slab '...from the North Palace at Kouyunjik, discovered in 1854 by Mr. Hormuzd Rassam...We have a continuous series, with but one break, of twenty three slabs, depicting a Royal Lion hunt...We find also in these sculptures good evidence that the Kings of Assyria were not genuine huntsmen. They did not seek the lion and hunt him in his own jungle, but had him trapped and reserved for special occasions...[The slab] is most elaborately cut, and full of rich detail. The King is in his chariot with two attend Stock Photo")
Additions to the Assyrian Sculptures at the British Museum: The King in his Chariot, 1856. Slab '...from the North Palace at Kouyunjik, discovered in 1854 by Mr. Hormuzd Rassam...We have a continuous series, with but one break, of twenty three slabs, depicting a Royal Lion hunt...We find also in these sculptures good evidence that the Kings of Assyria were not genuine huntsmen. They did not seek the lion and hunt him in his own jungle, but had him trapped and reserved for special occasions...[The slab] is most elaborately cut, and full of rich detail. The King is in his chariot with two attend Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/additions-to-the-assyrian-sculptures-at-the-british-museum-the-king-in-his-chariot-1856-slab-from-the-north-palace-at-kouyunjik-discovered-in-1854-by-mr-hormuzd-rassamwe-have-a-continuous-series-with-but-one-break-of-twenty-three-slabs-depicting-a-royal-lion-huntwe-find-also-in-these-sculptures-good-evidence-that-the-kings-of-assyria-were-not-genuine-huntsmen-they-did-not-seek-the-lion-and-hunt-him-in-his-own-jungle-but-had-him-trapped-and-reserved-for-special-occasions-the-slab-is-most-elaborately-cut-and-full-of-rich-detail-the-king-is-in-his-chariot-with-two-attend-image553489448.htmlRM2R4DHC8–Additions to the Assyrian Sculptures at the British Museum: The King in his Chariot, 1856. Slab '...from the North Palace at Kouyunjik, discovered in 1854 by Mr. Hormuzd Rassam...We have a continuous series, with but one break, of twenty three slabs, depicting a Royal Lion hunt...We find also in these sculptures good evidence that the Kings of Assyria were not genuine huntsmen. They did not seek the lion and hunt him in his own jungle, but had him trapped and reserved for special occasions...[The slab] is most elaborately cut, and full of rich detail. The King is in his chariot with two attend
Mar Shimun, between c1915 and 1918. Shows Mar Benyamin Shimun XXI (1887-1918) who served as Catholicos Patriarch of the Holy Apostolic Catholic Assyrian Church of the East. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mar-shimun-between-c1915-and-1918-shows-mar-benyamin-shimun-xxi-1887-1918-who-served-as-catholicos-patriarch-of-the-holy-apostolic-catholic-assyrian-church-of-the-east-image617190617.htmlRM2XT3CX1–Mar Shimun, between c1915 and 1918. Shows Mar Benyamin Shimun XXI (1887-1918) who served as Catholicos Patriarch of the Holy Apostolic Catholic Assyrian Church of the East.
![. A dictionary of religious knowledge [electronic resource]: for popular and professional use, comprising full information on Biblical, theological, and ecclesiastical subjects . Heads of modem Asiatics ornameuted with Horus. folds of linen wound around it, the cap beingfrequently decorated with jewels and otherornaments. It appears that the robes fre-quently supplied the place of a head-dress,being so ample that they might be thrownover the head at pleasure ; and the veilserved a similar purpose. The Assyrian head-. Various Forms of daily for purposes of ornament. It was atoken of mourning to Stock Photo](https://c8.alamy.com/comp/2CDFYTE/a-dictionary-of-religious-knowledge-electronic-resource-for-popular-and-professional-use-comprising-full-information-on-biblical-theological-and-ecclesiastical-subjects-heads-of-modem-asiatics-ornameuted-with-horus-folds-of-linen-wound-around-it-the-cap-beingfrequently-decorated-with-jewels-and-otherornaments-it-appears-that-the-robes-fre-quently-supplied-the-place-of-a-head-dressbeing-so-ample-that-they-might-be-thrownover-the-head-at-pleasure-and-the-veilserved-a-similar-purpose-the-assyrian-head-various-forms-of-daily-for-purposes-of-ornament-it-was-atoken-of-mourning-to-2CDFYTE.jpg ". A dictionary of religious knowledge [electronic resource]: for popular and professional use, comprising full information on Biblical, theological, and ecclesiastical subjects . Heads of modem Asiatics ornameuted with Horus. folds of linen wound around it, the cap beingfrequently decorated with jewels and otherornaments. It appears that the robes fre-quently supplied the place of a head-dress,being so ample that they might be thrownover the head at pleasure ; and the veilserved a similar purpose. The Assyrian head-. Various Forms of daily for purposes of ornament. It was atoken of mourning to Stock Photo")
. A dictionary of religious knowledge [electronic resource]: for popular and professional use, comprising full information on Biblical, theological, and ecclesiastical subjects . Heads of modem Asiatics ornameuted with Horus. folds of linen wound around it, the cap beingfrequently decorated with jewels and otherornaments. It appears that the robes fre-quently supplied the place of a head-dress,being so ample that they might be thrownover the head at pleasure ; and the veilserved a similar purpose. The Assyrian head-. Various Forms of daily for purposes of ornament. It was atoken of mourning to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-dictionary-of-religious-knowledge-electronic-resource-for-popular-and-professional-use-comprising-full-information-on-biblical-theological-and-ecclesiastical-subjects-heads-of-modem-asiatics-ornameuted-with-horus-folds-of-linen-wound-around-it-the-cap-beingfrequently-decorated-with-jewels-and-otherornaments-it-appears-that-the-robes-fre-quently-supplied-the-place-of-a-head-dressbeing-so-ample-that-they-might-be-thrownover-the-head-at-pleasure-and-the-veilserved-a-similar-purpose-the-assyrian-head-various-forms-of-daily-for-purposes-of-ornament-it-was-atoken-of-mourning-to-image369759390.htmlRM2CDFYTE–. A dictionary of religious knowledge [electronic resource]: for popular and professional use, comprising full information on Biblical, theological, and ecclesiastical subjects . Heads of modem Asiatics ornameuted with Horus. folds of linen wound around it, the cap beingfrequently decorated with jewels and otherornaments. It appears that the robes fre-quently supplied the place of a head-dress,being so ample that they might be thrownover the head at pleasure ; and the veilserved a similar purpose. The Assyrian head-. Various Forms of daily for purposes of ornament. It was atoken of mourning to
Assyrian relief from the Palace of Nimrud : King Ashurbanipal , c 879 BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/assyrian-relief-from-the-palace-of-nimrud-king-ashurbanipal-c-879-bc-image268855021.htmlRMWHBB91–Assyrian relief from the Palace of Nimrud : King Ashurbanipal , c 879 BC
Assyrian archery on foot, History of fashion, costume story Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-assyrian-archery-on-foot-history-of-fashion-costume-story-125634682.htmlRFH8B48X–Assyrian archery on foot, History of fashion, costume story
Assyrians, left: dignitaries, middle: king in the state dress, right: king in priestly dress, anonym 1896 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/assyrians-left-dignitaries-middle-king-in-the-state-dress-right-king-in-priestly-dress-anonym-1896-image220193766.htmlRMPP6KB2–Assyrians, left: dignitaries, middle: king in the state dress, right: king in priestly dress, anonym 1896
!["Esther's Banquet", by E. Armitage, from the Liverpool Exhibition of Fine Arts, 1865. Engraving of a painting. 'Esther [was] one of the maidens selected for their beauty to be submitted to the King that he might choose a successor to the disobedient and disgraced Queen...At the banquet Esther supplicates for her own life and that of her people; she discovers to the King the design of the wicked Haman...Upon the Queen proclaiming the murderous treachery of Haman, occurs the following passage (Esther vii. 7, 8), which we give, it having been quoted by Mr. Armitage, in the Academy catal Stock Photo](https://c8.alamy.com/comp/2X21XB7/quotesthers-banquetquot-by-e-armitage-from-the-liverpool-exhibition-of-fine-arts-1865-engraving-of-a-painting-esther-was-one-of-the-maidens-selected-for-their-beauty-to-be-submitted-to-the-king-that-he-might-choose-a-successor-to-the-disobedient-and-disgraced-queenat-the-banquet-esther-supplicates-for-her-own-life-and-that-of-her-people-she-discovers-to-the-king-the-design-of-the-wicked-hamanupon-the-queen-proclaiming-the-murderous-treachery-of-haman-occurs-the-following-passage-esther-vii-7-8-which-we-give-it-having-been-quoted-by-mr-armitage-in-the-academy-catal-2X21XB7.jpg ""Esther's Banquet", by E. Armitage, from the Liverpool Exhibition of Fine Arts, 1865. Engraving of a painting. 'Esther [was] one of the maidens selected for their beauty to be submitted to the King that he might choose a successor to the disobedient and disgraced Queen...At the banquet Esther supplicates for her own life and that of her people; she discovers to the King the design of the wicked Haman...Upon the Queen proclaiming the murderous treachery of Haman, occurs the following passage (Esther vii. 7, 8), which we give, it having been quoted by Mr. Armitage, in the Academy catal Stock Photo")
"Esther's Banquet", by E. Armitage, from the Liverpool Exhibition of Fine Arts, 1865. Engraving of a painting. 'Esther [was] one of the maidens selected for their beauty to be submitted to the King that he might choose a successor to the disobedient and disgraced Queen...At the banquet Esther supplicates for her own life and that of her people; she discovers to the King the design of the wicked Haman...Upon the Queen proclaiming the murderous treachery of Haman, occurs the following passage (Esther vii. 7, 8), which we give, it having been quoted by Mr. Armitage, in the Academy catal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotesthers-banquetquot-by-e-armitage-from-the-liverpool-exhibition-of-fine-arts-1865-engraving-of-a-painting-esther-was-one-of-the-maidens-selected-for-their-beauty-to-be-submitted-to-the-king-that-he-might-choose-a-successor-to-the-disobedient-and-disgraced-queenat-the-banquet-esther-supplicates-for-her-own-life-and-that-of-her-people-she-discovers-to-the-king-the-design-of-the-wicked-hamanupon-the-queen-proclaiming-the-murderous-treachery-of-haman-occurs-the-following-passage-esther-vii-7-8-which-we-give-it-having-been-quoted-by-mr-armitage-in-the-academy-catal-image603634843.htmlRM2X21XB7–"Esther's Banquet", by E. Armitage, from the Liverpool Exhibition of Fine Arts, 1865. Engraving of a painting. 'Esther [was] one of the maidens selected for their beauty to be submitted to the King that he might choose a successor to the disobedient and disgraced Queen...At the banquet Esther supplicates for her own life and that of her people; she discovers to the King the design of the wicked Haman...Upon the Queen proclaiming the murderous treachery of Haman, occurs the following passage (Esther vii. 7, 8), which we give, it having been quoted by Mr. Armitage, in the Academy catal
Judith with the head of Holofernes, 1820-1883. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/judith-with-the-head-of-holofernes-1820-1883-image553400767.htmlRM2R49G93–Judith with the head of Holofernes, 1820-1883.
. A short history of art . RELIEF PORTRAIT OF CYRUS Note the Head-dress, Egyptian in Character, and the Wings, Symbolic of Power Sculpture The remains of Persian sculpture are much less completethan the Assyrian, which have been well preserved under the^ 38 A SHORT HISTORY OF ART crumbled bricks that buried them; while the Persian sculp-tures, on the contrary, have suffered much from exposure. RELIEF FROM PERSEPOLIS Glorifying the King, Who is Represented in a Median Cap andFlowing Median Draperies to the weather. The subjects and their treatment bear aclose affinity to Assyrian; but a style o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-short-history-of-art-relief-portrait-of-cyrus-note-the-head-dress-egyptian-in-character-and-the-wings-symbolic-of-power-sculpture-the-remains-of-persian-sculpture-are-much-less-completethan-the-assyrian-which-have-been-well-preserved-under-the-38-a-short-history-of-art-crumbled-bricks-that-buried-them-while-the-persian-sculp-tures-on-the-contrary-have-suffered-much-from-exposure-relief-from-persepolis-glorifying-the-king-who-is-represented-in-a-median-cap-andflowing-median-draperies-to-the-weather-the-subjects-and-their-treatment-bear-aclose-affinity-to-assyrian-but-a-style-o-image369799033.htmlRM2CDHPC9–. A short history of art . RELIEF PORTRAIT OF CYRUS Note the Head-dress, Egyptian in Character, and the Wings, Symbolic of Power Sculpture The remains of Persian sculpture are much less completethan the Assyrian, which have been well preserved under the^ 38 A SHORT HISTORY OF ART crumbled bricks that buried them; while the Persian sculp-tures, on the contrary, have suffered much from exposure. RELIEF FROM PERSEPOLIS Glorifying the King, Who is Represented in a Median Cap andFlowing Median Draperies to the weather. The subjects and their treatment bear aclose affinity to Assyrian; but a style o
Detail from black obelisk of Shalmaneser III. Jehu bows to the Assyrian king Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-from-black-obelisk-of-shalmaneser-iii-jehu-bows-to-the-assyrian-king-image268855017.htmlRMWHBB8W–Detail from black obelisk of Shalmaneser III. Jehu bows to the Assyrian king
Assyrian archer on horseback, History of fashion, costume story Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-assyrian-archer-on-horseback-history-of-fashion-costume-story-125634651.htmlRFH8B47R–Assyrian archer on horseback, History of fashion, costume story
Assyrian king in full regalia, History of fashion, costume story Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-assyrian-king-in-full-regalia-history-of-fashion-costume-story-125634706.htmlRFH8B49P–Assyrian king in full regalia, History of fashion, costume story
Assyrian soldiers with lance, bow and slingshot, History of fashion, costume story Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-assyrian-soldiers-with-lance-bow-and-slingshot-history-of-fashion-125634650.htmlRFH8B47P–Assyrian soldiers with lance, bow and slingshot, History of fashion, costume story
Assyrian lion hunting, wagon and weapons, History of fashion, costume story Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-assyrian-lion-hunting-wagon-and-weapons-history-of-fashion-costume-125634652.htmlRFH8B47T–Assyrian lion hunting, wagon and weapons, History of fashion, costume story
Assyrian men from the people bear fruit, History of fashion, costume story Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-assyrian-men-from-the-people-bear-fruit-history-of-fashion-costume-125634707.htmlRFH8B49R–Assyrian men from the people bear fruit, History of fashion, costume story
Women's costumes in Assyrian times, about 1300 v. Chr, Egypt, History of fashion, costume story Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-womens-costumes-in-assyrian-times-about-1300-v-chr-egypt-history-of-125634653.htmlRFH8B47W–Women's costumes in Assyrian times, about 1300 v. Chr, Egypt, History of fashion, costume story
Assyrian archery on foot / Assyrische Krieger, Bogenschützen mit Schutzkleidung, ca 1000 v.Chr., Mesopotamien, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/assyrian-archery-on-foot-assyrische-krieger-bogenschtzen-mit-schutzkleidung-ca-1000-vchr-mesopotamien-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image415601040.htmlRF2F447A8–Assyrian archery on foot / Assyrische Krieger, Bogenschützen mit Schutzkleidung, ca 1000 v.Chr., Mesopotamien, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
Assyrian king in full regalia, History of fashion, costume story / Assyrischer König in vollem Ornat, Geschichte der Mode, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/assyrian-king-in-full-regalia-history-of-fashion-costume-story-assyrischer-knig-in-vollem-ornat-geschichte-der-mode-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image415601132.htmlRF2F447DG–Assyrian king in full regalia, History of fashion, costume story / Assyrischer König in vollem Ornat, Geschichte der Mode, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
Assyrian king with servants and bearers, History of fashion, costume story / Assyrischer König mit Dienern und Trägern, Geschichte der Mode, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/assyrian-king-with-servants-and-bearers-history-of-fashion-costume-story-assyrischer-knig-mit-dienern-und-trgern-geschichte-der-mode-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image415601110.htmlRF2F447CP–Assyrian king with servants and bearers, History of fashion, costume story / Assyrischer König mit Dienern und Trägern, Geschichte der Mode, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
Assyrian men from the people bear fruit, History of fashion, costume story / Assyrische Männer aus dem Volk tragen Früchte, Geschichte der Mode, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/assyrian-men-from-the-people-bear-fruit-history-of-fashion-costume-story-assyrische-mnner-aus-dem-volk-tragen-frchte-geschichte-der-mode-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image415601062.htmlRF2F447B2–Assyrian men from the people bear fruit, History of fashion, costume story / Assyrische Männer aus dem Volk tragen Früchte, Geschichte der Mode, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
