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Avernus Stock Photos and Images
Joseph Mallord William Turner - Lake Avernus. Aeneas and the Cumaean Sybil Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joseph-mallord-william-turner-lake-avernus-aeneas-and-the-cumaean-90295098.htmlRMF6W88X–Joseph Mallord William Turner - Lake Avernus. Aeneas and the Cumaean Sybil
Lake Avernus, Cuma, Italy and the Cave of the Cumean Sibyl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-cuma-italy-and-the-cave-of-the-cumean-sibyl-image504914466.htmlRM2M9CRFE–Lake Avernus, Cuma, Italy and the Cave of the Cumean Sibyl
JMW Turner, landscape painting, Lake Avernus, Aeneas and the Cumaean Sybil, 1814-1815 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jmw-turner-landscape-painting-lake-avernus-aeneas-and-the-cumaean-sybil-1814-1815-image261069862.htmlRMW4MN7J–JMW Turner, landscape painting, Lake Avernus, Aeneas and the Cumaean Sybil, 1814-1815
ITALY: Lake Avernus, antique print c1870 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-italy-lake-avernus-antique-print-c1870-94654658.htmlRFFDYTYE–ITALY: Lake Avernus, antique print c1870
Lago Avernus, ca. 1867–70, Watercolor, gouache, and graphite on blue wove paper, 4 1/2 x 9 1/2 in. (11.4 x 24.1 cm), Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-lago-avernus-ca-186770-watercolor-gouache-and-graphite-on-blue-wove-162556101.htmlRMKCD1Y1–Lago Avernus, ca. 1867–70, Watercolor, gouache, and graphite on blue wove paper, 4 1/2 x 9 1/2 in. (11.4 x 24.1 cm), Drawings
A mesa in the Avernus Colles region of Mars. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-mesa-in-the-avernus-colles-region-of-mars-20627805.htmlRFB5FJY9–A mesa in the Avernus Colles region of Mars.
![Lake Avernus plant and surrounding places, Map of the ancient ruins of Lago d'Averno, signed: T. R. A, In, tab. XLII no. II, Rajola, Tommaso (del.); Fiorillo, Nicola (sc.), 1768, Paolo Antonius Paoli: Avanzi delle antichita esistenti a Pozzuoli Cuma e Baja. [Neapel]: [s.n.], Anno A.C.N.MDCCLXVIII. [1768 Stock Photo](https://c8.alamy.com/comp/2A2TKRG/lake-avernus-plant-and-surrounding-places-map-of-the-ancient-ruins-of-lago-daverno-signed-t-r-a-in-tab-xlii-no-ii-rajola-tommaso-del-fiorillo-nicola-sc-1768-paolo-antonius-paoli-avanzi-delle-antichita-esistenti-a-pozzuoli-cuma-e-baja-neapel-sn-anno-acnmdcclxviii-1768-2A2TKRG.jpg "Lake Avernus plant and surrounding places, Map of the ancient ruins of Lago d'Averno, signed: T. R. A, In, tab. XLII no. II, Rajola, Tommaso (del.); Fiorillo, Nicola (sc.), 1768, Paolo Antonius Paoli: Avanzi delle antichita esistenti a Pozzuoli Cuma e Baja. [Neapel]: [s.n.], Anno A.C.N.MDCCLXVIII. [1768 Stock Photo")
Lake Avernus plant and surrounding places, Map of the ancient ruins of Lago d'Averno, signed: T. R. A, In, tab. XLII no. II, Rajola, Tommaso (del.); Fiorillo, Nicola (sc.), 1768, Paolo Antonius Paoli: Avanzi delle antichita esistenti a Pozzuoli Cuma e Baja. [Neapel]: [s.n.], Anno A.C.N.MDCCLXVIII. [1768 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-plant-and-surrounding-places-map-of-the-ancient-ruins-of-lago-daverno-signed-t-r-a-in-tab-xlii-no-ii-rajola-tommaso-del-fiorillo-nicola-sc-1768-paolo-antonius-paoli-avanzi-delle-antichita-esistenti-a-pozzuoli-cuma-e-baja-neapel-sn-anno-acnmdcclxviii-1768-image328768708.htmlRM2A2TKRG–Lake Avernus plant and surrounding places, Map of the ancient ruins of Lago d'Averno, signed: T. R. A, In, tab. XLII no. II, Rajola, Tommaso (del.); Fiorillo, Nicola (sc.), 1768, Paolo Antonius Paoli: Avanzi delle antichita esistenti a Pozzuoli Cuma e Baja. [Neapel]: [s.n.], Anno A.C.N.MDCCLXVIII. [1768
Lake Avernus Campania Spa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-campania-spa-48060669.htmlRMCP59TD–Lake Avernus Campania Spa
The Cave of the Cumean Sybil on the Shore of the Lake Avernus, attributed to James Barry, 1741–1806, Irish, formerly attributed to Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), between 1740 and 1759, Pen and brown ink and graphite on medium, slightly textured, cream laid paper, Sheet: 5 7/8 x 16 5/8 inches (14.9 x 42.2 cm), caves, Grand Tour, hills, lakes, landscape, shores, Avernus, Lake, Campania Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cave-of-the-cumean-sybil-on-the-shore-of-the-lake-avernus-attributed-to-james-barry-17411806-irish-formerly-attributed-to-richard-wilson-ra-17141782-british-active-in-italy-175056-between-1740-and-1759-pen-and-brown-ink-and-graphite-on-medium-slightly-textured-cream-laid-paper-sheet-5-78-x-16-58-inches-149-x-422-cm-caves-grand-tour-hills-lakes-landscape-shores-avernus-lake-campania-image389591943.htmlRM2DHRCDY–The Cave of the Cumean Sybil on the Shore of the Lake Avernus, attributed to James Barry, 1741–1806, Irish, formerly attributed to Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), between 1740 and 1759, Pen and brown ink and graphite on medium, slightly textured, cream laid paper, Sheet: 5 7/8 x 16 5/8 inches (14.9 x 42.2 cm), caves, Grand Tour, hills, lakes, landscape, shores, Avernus, Lake, Campania
Art inspired by Lago Avernus, ca. 1867–70, Watercolor, gouache, and graphite on blue wove paper, 4 1/2 x 9 1/2 in. (11.4 x 24.1 cm), Drawings, William Trost Richards (American, Philadelphia, Pennsylvania 1833–1905 Newport, Rhode Island, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-lago-avernus-ca-186770-watercolor-gouache-and-graphite-on-blue-wove-paper-4-12-x-9-12-in-114-x-241-cm-drawings-william-trost-richards-american-philadelphia-pennsylvania-18331905-newport-rhode-island-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462897405.htmlRF2HW2PA5–Art inspired by Lago Avernus, ca. 1867–70, Watercolor, gouache, and graphite on blue wove paper, 4 1/2 x 9 1/2 in. (11.4 x 24.1 cm), Drawings, William Trost Richards (American, Philadelphia, Pennsylvania 1833–1905 Newport, Rhode Island, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Lake Avernus: Aeneas and the Cumaean Sibyl, Joseph Mallord William Turner, 1775–1851, British, between 1814 and 1815, Oil on canvas, Support (PTG): 28 1/4 x 38 1/4 inches (71.8 x 97.2 cm), Aeneas' visit to the underworld, armor, castle, city, costume, darkness, epics, hills, lake, landscape, legend, men, mountains, mythology, poem, relief, religious and mythological subject, Roman, ruins, ruins, shield, soldiers, the arrival of Aeneas at Cumae, where they consult Deiphobe, the Cumaean Sibyl, who foretells of Aeneas' wars in Latium, woman, Averno, Lago d', Avernus, Lake, Campania, Cumae, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-aeneas-and-the-cumaean-sibyl-joseph-mallord-william-turner-17751851-british-between-1814-and-1815-oil-on-canvas-support-ptg-28-14-x-38-14-inches-718-x-972-cm-aeneas-visit-to-the-underworld-armor-castle-city-costume-darkness-epics-hills-lake-landscape-legend-men-mountains-mythology-poem-relief-religious-and-mythological-subject-roman-ruins-ruins-shield-soldiers-the-arrival-of-aeneas-at-cumae-where-they-consult-deiphobe-the-cumaean-sibyl-who-foretells-of-aeneas-wars-in-latium-woman-averno-lago-d-avernus-lake-campania-cumae-italy-image389782447.htmlRM2DJ43DK–Lake Avernus: Aeneas and the Cumaean Sibyl, Joseph Mallord William Turner, 1775–1851, British, between 1814 and 1815, Oil on canvas, Support (PTG): 28 1/4 x 38 1/4 inches (71.8 x 97.2 cm), Aeneas' visit to the underworld, armor, castle, city, costume, darkness, epics, hills, lake, landscape, legend, men, mountains, mythology, poem, relief, religious and mythological subject, Roman, ruins, ruins, shield, soldiers, the arrival of Aeneas at Cumae, where they consult Deiphobe, the Cumaean Sibyl, who foretells of Aeneas' wars in Latium, woman, Averno, Lago d', Avernus, Lake, Campania, Cumae, Italy
Lake Avernus and Monte di Procida, Campi Flegrei, Naples, Italy, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-and-monte-di-procida-campi-flegrei-naples-italy-europe-105736964.htmlRMG40MG4–Lake Avernus and Monte di Procida, Campi Flegrei, Naples, Italy, Europe
THE LAKE OF AVERNUS, by Jakob Philipp Hackert (1737-1807) in the Picture Gallery at Attingham Park Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-lake-of-avernus-by-jakob-philipp-hackert-1737-1807-in-the-picture-22627243.htmlRMB8PN7R–THE LAKE OF AVERNUS, by Jakob Philipp Hackert (1737-1807) in the Picture Gallery at Attingham Park
Lake Avernus and Monte di Procida, Campi Flegrei Naples, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-and-monte-di-procida-campi-flegrei-naples-italy-48839894.htmlRMCRCRNX–Lake Avernus and Monte di Procida, Campi Flegrei Naples, Italy
lake Avernus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-image330906735.htmlRF2A6A2WK–lake Avernus
View of Lake Avernus, Campi Flegrei (Phlegraean Fields), Naples, Campania, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-lake-avernus-campi-flegrei-phlegraean-fields-naples-campania-italy-image394619432.htmlRF2DX0D34–View of Lake Avernus, Campi Flegrei (Phlegraean Fields), Naples, Campania, Italy
Historical reenactment of Charon, the ferryman of Hades who carries souls to Avernus. Roman mythology Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/historical-reenactment-of-charon-the-ferryman-of-hades-who-carries-souls-to-avernus-roman-mythology-image219469089.htmlRFPN1K1N–Historical reenactment of Charon, the ferryman of Hades who carries souls to Avernus. Roman mythology
View of the Lake Avernus from the road between Puzzoli and Cuma, 1776. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-lake-avernus-from-the-road-between-puzzoli-and-cuma-1776-image186152182.htmlRMMPRY06–View of the Lake Avernus from the road between Puzzoli and Cuma, 1776.
crops on the shore of Lake Avernus, Pozzuoli, Naples, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-crops-on-the-shore-of-lake-avernus-pozzuoli-naples-italy-33871489.htmlRFBY2YC1–crops on the shore of Lake Avernus, Pozzuoli, Naples, Italy
Lake Avernus: Aeneas and the Cumaean Sybil. Date/Period: 1814 or 1815. Painting. Oil on canvas. 76 × 92.7 cm (29.9 × 36.4 in). Author: J. M. W. Turner. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-aeneas-and-the-cumaean-sybil-dateperiod-1814-or-1815-painting-oil-on-canvas-76-927-cm-299-364-in-author-j-m-w-turner-image219735415.htmlRMPNDPNB–Lake Avernus: Aeneas and the Cumaean Sybil. Date/Period: 1814 or 1815. Painting. Oil on canvas. 76 × 92.7 cm (29.9 × 36.4 in). Author: J. M. W. Turner.
Charon, the ferryman of Hades who carries souls to Avernu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charon-the-ferryman-of-hades-who-carries-souls-to-avernu-image243946042.htmlRFT4TKJJ–Charon, the ferryman of Hades who carries souls to Avernu
Lake Avernus in Campania, entrance to Hades according to mythology Sandys George 1615 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-in-campania-entrance-to-hades-according-to-mythology-140206297.htmlRMJ42XFN–Lake Avernus in Campania, entrance to Hades according to mythology Sandys George 1615
Joseph Mallord William Turner - Aeneas and the Sibyl Lake Avernus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-mallord-william-turner-aeneas-and-the-sibyl-lake-avernus-image432814617.htmlRF2G44BCW–Joseph Mallord William Turner - Aeneas and the Sibyl Lake Avernus
Lake Avernus: Aeneas and the Cumaean Sybil, Joseph Mallord William Turner, 1775-1851, British Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-aeneas-and-the-cumaean-sybil-joseph-mallord-william-turner-77444778.htmlRMEDYWGX–Lake Avernus: Aeneas and the Cumaean Sybil, Joseph Mallord William Turner, 1775-1851, British
![The Port and Castle of Baie: The Cape of Misenum Site of the Garden of Lucullus: Monte Procida and the Island of Ischia; and the Lakes Lucrinus and Avernus, 1856. Preparations to '...form a naval port of Lucrinus and Avernus [in the Campania region of southern Italy]...the harbingers of modern destructiveness are already visible - the flags of the land-surveyors are erected, and measurements are being made with a view to ascertain the practicability of the project, and the value of the land to be purchased...The sea, when it was agitated, brought up here, as at Brindisi, an immense quantity of Stock Photo](https://c8.alamy.com/comp/2R4DJ3P/the-port-and-castle-of-baie-the-cape-of-misenum-site-of-the-garden-of-lucullus-monte-procida-and-the-island-of-ischia-and-the-lakes-lucrinus-and-avernus-1856-preparations-to-form-a-naval-port-of-lucrinus-and-avernus-in-the-campania-region-of-southern-italy-the-harbingers-of-modern-destructiveness-are-already-visible-the-flags-of-the-land-surveyors-are-erected-and-measurements-are-being-made-with-a-view-to-ascertain-the-practicability-of-the-project-and-the-value-of-the-land-to-be-purchasedthe-sea-when-it-was-agitated-brought-up-here-as-at-brindisi-an-immense-quantity-of-2R4DJ3P.jpg "The Port and Castle of Baie: The Cape of Misenum Site of the Garden of Lucullus: Monte Procida and the Island of Ischia; and the Lakes Lucrinus and Avernus, 1856. Preparations to '...form a naval port of Lucrinus and Avernus [in the Campania region of southern Italy]...the harbingers of modern destructiveness are already visible - the flags of the land-surveyors are erected, and measurements are being made with a view to ascertain the practicability of the project, and the value of the land to be purchased...The sea, when it was agitated, brought up here, as at Brindisi, an immense quantity of Stock Photo")
The Port and Castle of Baie: The Cape of Misenum Site of the Garden of Lucullus: Monte Procida and the Island of Ischia; and the Lakes Lucrinus and Avernus, 1856. Preparations to '...form a naval port of Lucrinus and Avernus [in the Campania region of southern Italy]...the harbingers of modern destructiveness are already visible - the flags of the land-surveyors are erected, and measurements are being made with a view to ascertain the practicability of the project, and the value of the land to be purchased...The sea, when it was agitated, brought up here, as at Brindisi, an immense quantity of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-port-and-castle-of-baie-the-cape-of-misenum-site-of-the-garden-of-lucullus-monte-procida-and-the-island-of-ischia-and-the-lakes-lucrinus-and-avernus-1856-preparations-to-form-a-naval-port-of-lucrinus-and-avernus-in-the-campania-region-of-southern-italy-the-harbingers-of-modern-destructiveness-are-already-visible-the-flags-of-the-land-surveyors-are-erected-and-measurements-are-being-made-with-a-view-to-ascertain-the-practicability-of-the-project-and-the-value-of-the-land-to-be-purchasedthe-sea-when-it-was-agitated-brought-up-here-as-at-brindisi-an-immense-quantity-of-image553489994.htmlRM2R4DJ3P–The Port and Castle of Baie: The Cape of Misenum Site of the Garden of Lucullus: Monte Procida and the Island of Ischia; and the Lakes Lucrinus and Avernus, 1856. Preparations to '...form a naval port of Lucrinus and Avernus [in the Campania region of southern Italy]...the harbingers of modern destructiveness are already visible - the flags of the land-surveyors are erected, and measurements are being made with a view to ascertain the practicability of the project, and the value of the land to be purchased...The sea, when it was agitated, brought up here, as at Brindisi, an immense quantity of
Wilson-avernus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wilson-avernus-134792796.htmlRMHR89GC–Wilson-avernus
Lake Avernus circa 1765. 1269 Wilson-avernus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-circa-1765-1269-wilson-avernus-image185600166.htmlRMMNXPWA–Lake Avernus circa 1765. 1269 Wilson-avernus
James Barry - The Cave of the Cumean Sybil on the Shore of the Lake Avernus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-barry-the-cave-of-the-cumean-sybil-on-the-shore-of-the-lake-avernus-image367360190.htmlRM2C9JKJP–James Barry - The Cave of the Cumean Sybil on the Shore of the Lake Avernus
Lake Avernus by Richard Wilson (1713-1782) - IMG 7297 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-by-richard-wilson-1713-1782-img-7297-132844804.htmlRMHM3GW8–Lake Avernus by Richard Wilson (1713-1782) - IMG 7297
![A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples Author Ziegler, J. C. 83.61.b. Place of publication: London Publisher: Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, Date of publication: [March 1 1798] Item type: 1 print Medium: hand-coloured aquatint, etching, and stipple engraving Dimensions: sheet 45.6 x 59.5 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FP62/a-view-of-the-lake-of-avernus-with-the-ruins-of-the-temple-of-apollo-the-lucrin-lake-monte-nuovo-and-the-island-of-caprea-in-the-bay-of-naples-author-ziegler-j-c-8361b-place-of-publication-london-publisher-published-march-1-1798-by-robt-freebairn-no-72-newman-street-date-of-publication-march-1-1798-item-type-1-print-medium-hand-coloured-aquatint-etching-and-stipple-engraving-dimensions-sheet-456-x-595-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FP62.jpg "A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples Author Ziegler, J. C. 83.61.b. Place of publication: London Publisher: Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, Date of publication: [March 1 1798] Item type: 1 print Medium: hand-coloured aquatint, etching, and stipple engraving Dimensions: sheet 45.6 x 59.5 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples Author Ziegler, J. C. 83.61.b. Place of publication: London Publisher: Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, Date of publication: [March 1 1798] Item type: 1 print Medium: hand-coloured aquatint, etching, and stipple engraving Dimensions: sheet 45.6 x 59.5 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-the-lake-of-avernus-with-the-ruins-of-the-temple-of-apollo-the-lucrin-lake-monte-nuovo-and-the-island-of-caprea-in-the-bay-of-naples-author-ziegler-j-c-8361b-place-of-publication-london-publisher-published-march-1-1798-by-robt-freebairn-no-72-newman-street-date-of-publication-march-1-1798-item-type-1-print-medium-hand-coloured-aquatint-etching-and-stipple-engraving-dimensions-sheet-456-x-595-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401717066.htmlRM2E9FP62–A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples Author Ziegler, J. C. 83.61.b. Place of publication: London Publisher: Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, Date of publication: [March 1 1798] Item type: 1 print Medium: hand-coloured aquatint, etching, and stipple engraving Dimensions: sheet 45.6 x 59.5 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
Lake Avernus and Monte di Procida, Campi Flegrei, Naples, Italy, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-and-monte-di-procida-campi-flegrei-naples-italy-europe-105736963.htmlRMG40MG3–Lake Avernus and Monte di Procida, Campi Flegrei, Naples, Italy, Europe
Lake Avernus in Campania, entrance to Hades according to mythology Sandys George 1615 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-in-campania-entrance-to-hades-according-to-mythology-132512641.htmlRMHKGD69–Lake Avernus in Campania, entrance to Hades according to mythology Sandys George 1615
Lake Avernus and Monte di Procida, Campi Flegrei Naples, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-and-monte-di-procida-campi-flegrei-naples-italy-48839405.htmlRMCRCR4D–Lake Avernus and Monte di Procida, Campi Flegrei Naples, Italy
Lago d'Averno Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lago-daverno-image330906870.htmlRF2A6A32E–Lago d'Averno
View of Lake Avernus, Campi Flegrei (Phlegraean Fields), Naples, Campania, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-lake-avernus-campi-flegrei-phlegraean-fields-naples-campania-italy-image394578873.htmlRF2DWXHAH–View of Lake Avernus, Campi Flegrei (Phlegraean Fields), Naples, Campania, Italy
Historical reenactment of Charon, the ferryman of Hades who carries souls to Avernus. Roman mythology Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/historical-reenactment-of-charon-the-ferryman-of-hades-who-carries-souls-to-avernus-roman-mythology-image219469084.htmlRFPN1K1G–Historical reenactment of Charon, the ferryman of Hades who carries souls to Avernus. Roman mythology
Lake Avernus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-image271830161.htmlRMWP6X41–Lake Avernus
Lake Avernus and Monte di Procida, Campi Flegrei Naples, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-and-monte-di-procida-campi-flegrei-naples-italy-33871393.htmlRFBY2Y8H–Lake Avernus and Monte di Procida, Campi Flegrei Naples, Italy
Lago Avernus. Artist: William Trost Richards (American, Philadelphia, Pennsylvania 1833-1905 Newport, Rhode Island). Dimensions: 4 1/2 x 9 1/2 in. (11.4 x 24.1 cm). Date: ca. 1867-70. Lago Avernus is an early example of Richards's work in watercolor. His interest in the medium was stimulated by the founding of the American Watercolor Society in 1867, about the time he departed for his second trip to Europe. The society would provide a forum for him and many other American artists to exhibit their works. Richards's panoramic view of the volcanic lake above Naples was probably inspired by Josep Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lago-avernus-artist-william-trost-richards-american-philadelphia-pennsylvania-1833-1905-newport-rhode-island-dimensions-4-12-x-9-12-in-114-x-241-cm-date-ca-1867-70-lago-avernus-is-an-early-example-of-richardss-work-in-watercolor-his-interest-in-the-medium-was-stimulated-by-the-founding-of-the-american-watercolor-society-in-1867-about-the-time-he-departed-for-his-second-trip-to-europe-the-society-would-provide-a-forum-for-him-and-many-other-american-artists-to-exhibit-their-works-richardss-panoramic-view-of-the-volcanic-lake-above-naples-was-probably-inspired-by-josep-image213250966.htmlRMPAXBNX–Lago Avernus. Artist: William Trost Richards (American, Philadelphia, Pennsylvania 1833-1905 Newport, Rhode Island). Dimensions: 4 1/2 x 9 1/2 in. (11.4 x 24.1 cm). Date: ca. 1867-70. Lago Avernus is an early example of Richards's work in watercolor. His interest in the medium was stimulated by the founding of the American Watercolor Society in 1867, about the time he departed for his second trip to Europe. The society would provide a forum for him and many other American artists to exhibit their works. Richards's panoramic view of the volcanic lake above Naples was probably inspired by Josep
Lake Avernus I (c. 1765) Richard Wilson - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-i-c1765-richard-wilson-image624979093.htmlRM2Y8P75W–Lake Avernus I (c. 1765) Richard Wilson -
Lake Avernus in Campania, entrance to Hades according to mythology Sandys George 1615 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-lake-avernus-in-campania-entrance-to-hades-according-to-mythology-163707278.htmlRMKE9E8E–Lake Avernus in Campania, entrance to Hades according to mythology Sandys George 1615
Joseph Mallord William Turner - Lake Avernus- Aeneas and the Cumaean Sybil Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-mallord-william-turner-lake-avernus-aeneas-and-the-cumaean-sybil-image432817161.htmlRF2G44EKN–Joseph Mallord William Turner - Lake Avernus- Aeneas and the Cumaean Sybil
Lake Avernus I 1765 by Richard Wilson Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-i-1765-by-richard-wilson-image558057779.htmlRM2RBWMAY–Lake Avernus I 1765 by Richard Wilson
Lake Avernus, , NZ, New Zealand, , S 42 36' 0'', N 172 4' 0'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-nz-new-zealand-s-42-36-0-n-172-4-0-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image634033091.htmlRM2YREKJY–Lake Avernus, , NZ, New Zealand, , S 42 36' 0'', N 172 4' 0'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Temple of Apollo, Roman archeological site of a thermal spa on the Avernus lake, Campi flegrei, Pozzuoli, Naples, Campania Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-temple-of-apollo-roman-archeological-site-of-a-thermal-spa-on-the-126705283.htmlRMHA3WTK–Temple of Apollo, Roman archeological site of a thermal spa on the Avernus lake, Campi flegrei, Pozzuoli, Naples, Campania
153 Lake Avernus in Campania, entrance to Hades according to mythology - Sandys George - 1615 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/153-lake-avernus-in-campania-entrance-to-hades-according-to-mythology-sandys-george-1615-image212895220.htmlRMPAA60M–153 Lake Avernus in Campania, entrance to Hades according to mythology - Sandys George - 1615
Joseph Mallord William Turner - Lake Avernus- Aeneas and the Cumaean Sybil Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-mallord-william-turner-lake-avernus-aeneas-and-the-cumaean-sybil-image374348402.htmlRM2CN115P–Joseph Mallord William Turner - Lake Avernus- Aeneas and the Cumaean Sybil
Lago Avernus, ca. 1867-70. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lago-avernus-ca-1867-70-image343014702.htmlRM2AX1JN2–Lago Avernus, ca. 1867-70.
JMW Turner 1775- 1851 Aeneas and the Sibil, Lake Avernus (1798) Oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jmw-turner-1775-1851-aeneas-and-the-sibil-lake-avernus-1798-oil-on-canvas-image358318275.htmlRM2BPXPH7–JMW Turner 1775- 1851 Aeneas and the Sibil, Lake Avernus (1798) Oil on canvas
Gezicht op het Avernus lacus (Lago d'Averno), een in een uitgebrande krater gelegen meer in Campanië ten zuidoosten van Cumae. Rond het meer liggen verschillende ruïnes. Manufacturer : prentmaker: Pieter van der Aa (I)Plaats manufacture: Leiden Dating: 1682 - 1730 Physical kenmerken: ets Material: papier Techniek: etsen Dimensions: blad: h 69 mm (binnen plaatrand afgesneden) × b 130 mm (binnen plaatrand afgesneden)ToelichtingDeze prent maakt deel uit van een reeks prenten met Italiaanse landschappen. Subject: landschappenlakelandscape with ruins Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gezicht-op-het-avernus-lacus-lago-daverno-een-in-een-uitgebrande-krater-gelegen-meer-in-campani-ten-zuidoosten-van-cumae-rond-het-meer-liggen-verschillende-runes-manufacturer-prentmaker-pieter-van-der-aa-iplaats-manufacture-leiden-dating-1682-1730-physical-kenmerken-ets-material-papier-techniek-etsen-dimensions-blad-h-69-mm-binnen-plaatrand-afgesneden-b-130-mm-binnen-plaatrand-afgesnedentoelichtingdeze-prent-maakt-deel-uit-van-een-reeks-prenten-met-italiaanse-landschappen-subject-landschappenlakelandscape-with-ruins-image348152194.htmlRM2B6BKJX–Gezicht op het Avernus lacus (Lago d'Averno), een in een uitgebrande krater gelegen meer in Campanië ten zuidoosten van Cumae. Rond het meer liggen verschillende ruïnes. Manufacturer : prentmaker: Pieter van der Aa (I)Plaats manufacture: Leiden Dating: 1682 - 1730 Physical kenmerken: ets Material: papier Techniek: etsen Dimensions: blad: h 69 mm (binnen plaatrand afgesneden) × b 130 mm (binnen plaatrand afgesneden)ToelichtingDeze prent maakt deel uit van een reeks prenten met Italiaanse landschappen. Subject: landschappenlakelandscape with ruins
Joseph Mallord William Turner Lake Avernus Aeneas and the Cumaean Sybil Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joseph-mallord-william-turner-lake-avernus-aeneas-and-the-cumaean-137388088.htmlRMHYEFWC–Joseph Mallord William Turner Lake Avernus Aeneas and the Cumaean Sybil Google Art Project
Lake Avernus and Monte di Procida, Campi Flegrei Naples, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-and-monte-di-procida-campi-flegrei-naples-italy-48839632.htmlRMCRCRCG–Lake Avernus and Monte di Procida, Campi Flegrei Naples, Italy
Temple of Apollo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-of-apollo-image330906777.htmlRF2A6A2Y5–Temple of Apollo
Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-ruins-of-thermal-baths-or-temple-of-apollo-on-the-edge-of-lago-d-averno-cuma-pozzuoli-campania-italy-eu-image335159184.htmlRM2AD7PXT–Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU
Historical reenactment of Charon, the ferryman of Hades who carries souls to Avernus. Roman mythology Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/historical-reenactment-of-charon-the-ferryman-of-hades-who-carries-souls-to-avernus-roman-mythology-image219469086.htmlRFPN1K1J–Historical reenactment of Charon, the ferryman of Hades who carries souls to Avernus. Roman mythology
Fotoreproductie van een tekening, voorstellende Duessa brengt Sansjoy naar de onderwereld Picture Reproduction of a drawing, depicting Duessa Sansjoy brings to the nether object type: photo-mechanical print reproduction page Object number: RP-F-2001-7-37-6 Inscriptions / Brands: inscription, recto, printed: 'They Brought ( ...) or deepe Avernus hole.' Manufacturer : manufacturer: anonymously to drawing of: Charlotte Mount Brock Morrell (indicated on object) Dating: ca. 1861 - in or in front 1871 Material: paper Technique: Woodburytypie Dimensions: picture: h 112 mm × b 164 mmToelichtingPrent f Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fotoreproductie-van-een-tekening-voorstellende-duessa-brengt-sansjoy-naar-de-onderwereld-picture-reproduction-of-a-drawing-depicting-duessa-sansjoy-brings-to-the-nether-object-type-photo-mechanical-print-reproduction-page-object-number-rp-f-2001-7-37-6-inscriptions-brands-inscription-recto-printed-they-brought-or-deepe-avernus-hole-manufacturer-manufacturer-anonymously-to-drawing-of-charlotte-mount-brock-morrell-indicated-on-object-dating-ca-1861-in-or-in-front-1871-material-paper-technique-woodburytypie-dimensions-picture-h-112-mm-b-164-mmtoelichtingprent-f-image348358364.htmlRM2B6N2J4–Fotoreproductie van een tekening, voorstellende Duessa brengt Sansjoy naar de onderwereld Picture Reproduction of a drawing, depicting Duessa Sansjoy brings to the nether object type: photo-mechanical print reproduction page Object number: RP-F-2001-7-37-6 Inscriptions / Brands: inscription, recto, printed: 'They Brought ( ...) or deepe Avernus hole.' Manufacturer : manufacturer: anonymously to drawing of: Charlotte Mount Brock Morrell (indicated on object) Dating: ca. 1861 - in or in front 1871 Material: paper Technique: Woodburytypie Dimensions: picture: h 112 mm × b 164 mmToelichtingPrent f
Wilson, Richard, 1713/1714-1782; Lake Avernus and the Island of Capri Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wilson-richard-17131714-1782-lake-avernus-and-the-island-of-capri-image616344910.htmlRM2XPMX66–Wilson, Richard, 1713/1714-1782; Lake Avernus and the Island of Capri
A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl). Artist: Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591-1666 Bologna). Dimensions: sheet: 7 13/16 x 5 7/8 in. (19.8 x 15 cm). Date: 1638. Like other Sibyls of the ancient world, the Cimmerian Sibyl - whose real name was Carmentis - was venerated as the great prophetic priestess presiding over the Apollonian Oracle at Cimmerium in Italy, near Lake Avernus. Guercino's vibrant drawing, executed with a dense network lines in pen and ink, is associated with a painting of the Cimmerian Sibyl, which is extant in at least two ve Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-sibyl-holding-a-scroll-study-for-the-cimmerian-sibyl-artist-guercino-giovanni-francesco-barbieri-italian-cento-1591-1666-bologna-dimensions-sheet-7-1316-x-5-78-in-198-x-15-cm-date-1638-like-other-sibyls-of-the-ancient-world-the-cimmerian-sibyl-whose-real-name-was-carmentis-was-venerated-as-the-great-prophetic-priestess-presiding-over-the-apollonian-oracle-at-cimmerium-in-italy-near-lake-avernus-guercinos-vibrant-drawing-executed-with-a-dense-network-lines-in-pen-and-ink-is-associated-with-a-painting-of-the-cimmerian-sibyl-which-is-extant-in-at-least-two-ve-image213262727.htmlRMPAXXNY–A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl). Artist: Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591-1666 Bologna). Dimensions: sheet: 7 13/16 x 5 7/8 in. (19.8 x 15 cm). Date: 1638. Like other Sibyls of the ancient world, the Cimmerian Sibyl - whose real name was Carmentis - was venerated as the great prophetic priestess presiding over the Apollonian Oracle at Cimmerium in Italy, near Lake Avernus. Guercino's vibrant drawing, executed with a dense network lines in pen and ink, is associated with a painting of the Cimmerian Sibyl, which is extant in at least two ve
Avernus, Temple of Apollo, James Giles (Aberdeen, Scotland, 1801 - 1870) 1825 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/avernus-temple-of-apollo-james-giles-aberdeen-scotland-1801-1870-1825-image537203325.htmlRM2P5YM91–Avernus, Temple of Apollo, James Giles (Aberdeen, Scotland, 1801 - 1870) 1825
Avernus (AWM 306823) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-avernus-awm-306823-171337366.htmlRMKXN2FJ–Avernus (AWM 306823)
Lake Avernus; Aeneas and the Cumaean Sibyl - 1814 15 - oil on canvas 71,8 x 97,2 cm - Turner Joseph Mallord William Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-aeneas-and-the-cumaean-sibyl-1814-15-oil-on-canvas-718-x-972-cm-turner-joseph-mallord-william-image454777329.htmlRF2HBTW3D–Lake Avernus; Aeneas and the Cumaean Sibyl - 1814 15 - oil on canvas 71,8 x 97,2 cm - Turner Joseph Mallord William
Lake Avernus (WAM) before 1782 by Richard Wilson Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-wam-before-1782-by-richard-wilson-image559839745.htmlRM2REPW8H–Lake Avernus (WAM) before 1782 by Richard Wilson
![Two men in Classical robes stand in conversation under some trees by a lake near a temple, with ruins at left and Bay of Naples in the background. A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples ... London : Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, [March 1 1798]. 1 print : hand-coloured aquatint, etching, and stipple engraving ; sheet 45.6 x 59.5 cm (trimmed below platemark). Source: Maps K.Top.83.61.b. Stock Photo](https://c8.alamy.com/comp/R577CN/two-men-in-classical-robes-stand-in-conversation-under-some-trees-by-a-lake-near-a-temple-with-ruins-at-left-and-bay-of-naples-in-the-background-a-view-of-the-lake-of-avernus-with-the-ruins-of-the-temple-of-apollo-the-lucrin-lake-monte-nuovo-and-the-island-of-caprea-in-the-bay-of-naples-london-published-march-1-1798-by-robt-freebairn-no-72-newman-street-march-1-1798-1-print-hand-coloured-aquatint-etching-and-stipple-engraving-sheet-456-x-595-cm-trimmed-below-platemark-source-maps-ktop8361b-R577CN.jpg "Two men in Classical robes stand in conversation under some trees by a lake near a temple, with ruins at left and Bay of Naples in the background. A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples ... London : Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, [March 1 1798]. 1 print : hand-coloured aquatint, etching, and stipple engraving ; sheet 45.6 x 59.5 cm (trimmed below platemark). Source: Maps K.Top.83.61.b. Stock Photo")
Two men in Classical robes stand in conversation under some trees by a lake near a temple, with ruins at left and Bay of Naples in the background. A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples ... London : Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, [March 1 1798]. 1 print : hand-coloured aquatint, etching, and stipple engraving ; sheet 45.6 x 59.5 cm (trimmed below platemark). Source: Maps K.Top.83.61.b. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-men-in-classical-robes-stand-in-conversation-under-some-trees-by-a-lake-near-a-temple-with-ruins-at-left-and-bay-of-naples-in-the-background-a-view-of-the-lake-of-avernus-with-the-ruins-of-the-temple-of-apollo-the-lucrin-lake-monte-nuovo-and-the-island-of-caprea-in-the-bay-of-naples-london-published-march-1-1798-by-robt-freebairn-no-72-newman-street-march-1-1798-1-print-hand-coloured-aquatint-etching-and-stipple-engraving-sheet-456-x-595-cm-trimmed-below-platemark-source-maps-ktop8361b-image226967573.htmlRMR577CN–Two men in Classical robes stand in conversation under some trees by a lake near a temple, with ruins at left and Bay of Naples in the background. A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples ... London : Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, [March 1 1798]. 1 print : hand-coloured aquatint, etching, and stipple engraving ; sheet 45.6 x 59.5 cm (trimmed below platemark). Source: Maps K.Top.83.61.b.
Temple of Apollo, Roman archeological site of a thermal spa on the Avernus lake, Campi flegrei, Pozzuoli, Naples, Campania Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-temple-of-apollo-roman-archeological-site-of-a-thermal-spa-on-the-126705281.htmlRMHA3WTH–Temple of Apollo, Roman archeological site of a thermal spa on the Avernus lake, Campi flegrei, Pozzuoli, Naples, Campania
357 Lake Avernus in Campania, entrance to Hades according to mythology - Sandys George - 1615 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/357-lake-avernus-in-campania-entrance-to-hades-according-to-mythology-sandys-george-1615-image213922273.htmlRMPC1015–357 Lake Avernus in Campania, entrance to Hades according to mythology - Sandys George - 1615
Lake Avernus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-image395607604.htmlRM2DYHDF0–Lake Avernus
Lake Avernus before 1782. 789 Lake Avernus by Richard Wilson (1713-1782) - IMG 7297 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-before-1782-789-lake-avernus-by-richard-wilson-1713-1782-img-7297-image185695659.htmlRMMP34KR–Lake Avernus before 1782. 789 Lake Avernus by Richard Wilson (1713-1782) - IMG 7297
Lake Avernus by Richard Wilson (1713-1782) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-by-richard-wilson-1713-1782-image395589785.htmlRM2DYGJPH–Lake Avernus by Richard Wilson (1713-1782)
. English: George Sandys. Relation of a Journey begun An: Dom: 1610. Foure Bookes. Containing a Description of the Turkish Empire, of Aegypt, of the Holy Land, London, W. Barrett, 1615. 1615. George Sandys (1577–1644) Description English travel writer, colonizer and poet English traveller, colonist and poet Date of birth/death 2 March 1577 March 1644 Location of birth/death Bishopthorpe Palace Boxley Authority control : Q5544276 VIAF: 76334788 ISNI: 0000 0000 8156 0309 LCCN: n50016635 NLA: 35474878 GND: 118794418 WorldCat 357 Lake Avernus in Campania, entrance to Hades according to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-george-sandys-relation-of-a-journey-begun-an-dom-1610-foure-bookes-containing-a-description-of-the-turkish-empire-of-aegypt-of-the-holy-land-london-w-barrett-1615-1615-george-sandys-15771644-description-english-travel-writer-colonizer-and-poet-english-traveller-colonist-and-poet-date-of-birthdeath-2-march-1577-march-1644-location-of-birthdeath-bishopthorpe-palace-boxley-authority-control-q5544276-viaf76334788-isni0000-0000-8156-0309-lccnn50016635-nla35474878-gnd118794418-worldcat-357-lake-avernus-in-campania-entrance-to-hades-according-to-image187825284.htmlRMMWG51T–. English: George Sandys. Relation of a Journey begun An: Dom: 1610. Foure Bookes. Containing a Description of the Turkish Empire, of Aegypt, of the Holy Land, London, W. Barrett, 1615. 1615. George Sandys (1577–1644) Description English travel writer, colonizer and poet English traveller, colonist and poet Date of birth/death 2 March 1577 March 1644 Location of birth/death Bishopthorpe Palace Boxley Authority control : Q5544276 VIAF: 76334788 ISNI: 0000 0000 8156 0309 LCCN: n50016635 NLA: 35474878 GND: 118794418 WorldCat 357 Lake Avernus in Campania, entrance to Hades according to
Lake Avernus in Campania, entrance to Hades according to mythology - Sandys George - 1615. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-in-campania-entrance-to-hades-according-to-mythology-sandys-george-1615-image395626823.htmlRM2DYJA1B–Lake Avernus in Campania, entrance to Hades according to mythology - Sandys George - 1615.
James Barry The Cave of the Cumean Sybil on the Shore of the Lake Avernus Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-james-barry-the-cave-of-the-cumean-sybil-on-the-shore-of-the-lake-137379954.htmlRMHYE5EX–James Barry The Cave of the Cumean Sybil on the Shore of the Lake Avernus Google Art Project
entrance to haden Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entrance-to-haden-image330906806.htmlRF2A6A306–entrance to haden
Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-ruins-of-thermal-baths-or-temple-of-apollo-on-the-edge-of-lago-d-averno-cuma-pozzuoli-campania-italy-eu-image335159407.htmlRM2AD7R6R–Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU
Lake Avernus: Aeneas and the Cumaean Sibyl;Lake Avernus: Aeneas and the Cumaean Sybil, between 1814 and 1815. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-aeneas-and-the-cumaean-sibyllake-avernus-aeneas-and-the-cumaean-sybil-between-1814-and-1815-image415167065.htmlRM2F3CDR5–Lake Avernus: Aeneas and the Cumaean Sibyl;Lake Avernus: Aeneas and the Cumaean Sybil, between 1814 and 1815.
![Lake Avernus plant and surrounding places, Map of the ancient ruins of Lago d'Averno, signed: T. R. A, In, tab. XLII no. II, Rajola, Tommaso (del.), Fiorillo, Nicola (sc.), 1768, Paolo Antonius Paoli: Avanzi delle antichita esistenti a Pozzuoli Cuma e Baja. [Neapel]: [s.n.], Anno A.C.N.MDCCLXVIII. [1768], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo](https://c8.alamy.com/comp/2B94F8H/lake-avernus-plant-and-surrounding-places-map-of-the-ancient-ruins-of-lago-daverno-signed-t-r-a-in-tab-xlii-no-ii-rajola-tommaso-del-fiorillo-nicola-sc-1768-paolo-antonius-paoli-avanzi-delle-antichita-esistenti-a-pozzuoli-cuma-e-baja-neapel-sn-anno-acnmdcclxviii-1768-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-2B94F8H.jpg "Lake Avernus plant and surrounding places, Map of the ancient ruins of Lago d'Averno, signed: T. R. A, In, tab. XLII no. II, Rajola, Tommaso (del.), Fiorillo, Nicola (sc.), 1768, Paolo Antonius Paoli: Avanzi delle antichita esistenti a Pozzuoli Cuma e Baja. [Neapel]: [s.n.], Anno A.C.N.MDCCLXVIII. [1768], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo")
Lake Avernus plant and surrounding places, Map of the ancient ruins of Lago d'Averno, signed: T. R. A, In, tab. XLII no. II, Rajola, Tommaso (del.), Fiorillo, Nicola (sc.), 1768, Paolo Antonius Paoli: Avanzi delle antichita esistenti a Pozzuoli Cuma e Baja. [Neapel]: [s.n.], Anno A.C.N.MDCCLXVIII. [1768], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-plant-and-surrounding-places-map-of-the-ancient-ruins-of-lago-daverno-signed-t-r-a-in-tab-xlii-no-ii-rajola-tommaso-del-fiorillo-nicola-sc-1768-paolo-antonius-paoli-avanzi-delle-antichita-esistenti-a-pozzuoli-cuma-e-baja-neapel-sn-anno-acnmdcclxviii-1768-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349839073.htmlRF2B94F8H–Lake Avernus plant and surrounding places, Map of the ancient ruins of Lago d'Averno, signed: T. R. A, In, tab. XLII no. II, Rajola, Tommaso (del.), Fiorillo, Nicola (sc.), 1768, Paolo Antonius Paoli: Avanzi delle antichita esistenti a Pozzuoli Cuma e Baja. [Neapel]: [s.n.], Anno A.C.N.MDCCLXVIII. [1768], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Turner, Joseph Mallord William; Aeneas and the Sibyl, Lake Avernus; Tate; Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/turner-joseph-mallord-william-aeneas-and-the-sibyl-lake-avernus-tate-image618751930.htmlRM2XXJGB6–Turner, Joseph Mallord William; Aeneas and the Sibyl, Lake Avernus; Tate;
The Cave of the Cumean Sybil on the Shore of the Lake Avernus. Date/Period: Between 1740 and 1759. Drawing. Pen and brown ink and graphite on medium, slightly textured, cream laid paper. Height: 149 mm (5.86 in); Width: 422 mm (16.61 in). Author: James Barry. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cave-of-the-cumean-sybil-on-the-shore-of-the-lake-avernus-dateperiod-between-1740-and-1759-drawing-pen-and-brown-ink-and-graphite-on-medium-slightly-textured-cream-laid-paper-height-149-mm-586-in-width-422-mm-1661-in-author-james-barry-image233248137.htmlRMRFDAAH–The Cave of the Cumean Sybil on the Shore of the Lake Avernus. Date/Period: Between 1740 and 1759. Drawing. Pen and brown ink and graphite on medium, slightly textured, cream laid paper. Height: 149 mm (5.86 in); Width: 422 mm (16.61 in). Author: James Barry.
Avernus, Temple of Apollo, James Giles (Aberdeen, Scotland, 1801 - 1870) 1825 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/avernus-temple-of-apollo-james-giles-aberdeen-scotland-1801-1870-1825-image537203293.htmlRM2P5YM7W–Avernus, Temple of Apollo, James Giles (Aberdeen, Scotland, 1801 - 1870) 1825
Joseph Mallord William Turner - Lake Avernus- Aeneas and the Cumaean Sybil - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joseph-mallord-william-turner-lake-avernus-aeneas-and-the-cumaean-148370221.htmlRMJHARMD–Joseph Mallord William Turner - Lake Avernus- Aeneas and the Cumaean Sybil -
ITALY Baiae Misenum, Lucullus; Procida, Ischia 1856. Illustrated London News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-italy-baiae-misenum-lucullus-procida-ischia-1856-illustrated-london-95377017.htmlRFFF4PA1–ITALY Baiae Misenum, Lucullus; Procida, Ischia 1856. Illustrated London News
Lake Avernus LCCN2003680503 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-lccn2003680503-176671995.htmlRMM7C2X3–Lake Avernus LCCN2003680503
Lake Avernus and the Island of Capri 1760 by Richard Wilson Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-and-the-island-of-capri-1760-by-richard-wilson-image559839647.htmlRM2REPW53–Lake Avernus and the Island of Capri 1760 by Richard Wilson
Temple of Apollo, Roman archeological site of a thermal spa on the Avernus lake, Campi flegrei, Pozzuoli, Naples, Campania Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-temple-of-apollo-roman-archeological-site-of-a-thermal-spa-on-the-126705282.htmlRMHA3WTJ–Temple of Apollo, Roman archeological site of a thermal spa on the Avernus lake, Campi flegrei, Pozzuoli, Naples, Campania
Lago Avernus MET 268036 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lago-avernus-met-268036-172260380.htmlRMM073TC–Lago Avernus MET 268036
Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. Hell. Engraving. Colored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-torquato-tasso-1544-1595-italian-poet-la-gerusalemme-liberata-jerusalem-126445100.htmlRMH9M20C–Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. Hell. Engraving. Colored.
Lago Avernus MET APS3543 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lago-avernus-met-aps3543-172258782.htmlRMM071RA–Lago Avernus MET APS3543
Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. Hell. Engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-torquato-tasso-1544-1595-italian-poet-la-gerusalemme-liberata-jerusalem-111381444.htmlRMGD5T4M–Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. Hell. Engraving.
. English: George Sandys. Relation of a Journey begun An: Dom: 1610. Foure Bookes. Containing a Description of the Turkish Empire, of Aegypt, of the Holy Land, London, W. Barrett, 1615. 1615. George Sandys (1577–1644) Description English travel writer, colonizer and poet English traveller, colonist and poet Date of birth/death 2 March 1577 March 1644 Location of birth/death Bishopthorpe Palace Boxley Authority control : Q5544276 VIAF: 76334788 ISNI: 0000 0000 8156 0309 LCCN: n50016635 NLA: 35474878 GND: 118794418 WorldCat 357 Lake Avernus in Campania, entrance to Hades according to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-george-sandys-relation-of-a-journey-begun-an-dom-1610-foure-bookes-containing-a-description-of-the-turkish-empire-of-aegypt-of-the-holy-land-london-w-barrett-1615-1615-george-sandys-15771644-description-english-travel-writer-colonizer-and-poet-english-traveller-colonist-and-poet-date-of-birthdeath-2-march-1577-march-1644-location-of-birthdeath-bishopthorpe-palace-boxley-authority-control-q5544276-viaf76334788-isni0000-0000-8156-0309-lccnn50016635-nla35474878-gnd118794418-worldcat-357-lake-avernus-in-campania-entrance-to-hades-according-to-image188328758.htmlRMMXB372–. English: George Sandys. Relation of a Journey begun An: Dom: 1610. Foure Bookes. Containing a Description of the Turkish Empire, of Aegypt, of the Holy Land, London, W. Barrett, 1615. 1615. George Sandys (1577–1644) Description English travel writer, colonizer and poet English traveller, colonist and poet Date of birth/death 2 March 1577 March 1644 Location of birth/death Bishopthorpe Palace Boxley Authority control : Q5544276 VIAF: 76334788 ISNI: 0000 0000 8156 0309 LCCN: n50016635 NLA: 35474878 GND: 118794418 WorldCat 357 Lake Avernus in Campania, entrance to Hades according to
Wilson-avernus. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wilson-avernus-image589574821.htmlRM2W75CKH–Wilson-avernus.
The western Avernus; (1896) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-western-avernus-1896-96769511.htmlRMFHC6DY–The western Avernus; (1896)
1537 - Michael Hospitalius Galliae Cancellar - Avernus, Obiit an. 1573 Aetat 69. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1537-michael-hospitalius-galliae-cancellar-avernus-obiit-an-1573-aetat-69-image631694028.htmlRM2YKM450–1537 - Michael Hospitalius Galliae Cancellar - Avernus, Obiit an. 1573 Aetat 69.
Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-ruins-of-thermal-baths-or-temple-of-apollo-on-the-edge-of-lago-d-averno-cuma-pozzuoli-campania-italy-eu-image335155272.htmlRM2AD7HY4–Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU
Lake Avernus, Campania, Italy, c1833. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-campania-italy-c1833-artist-unknown-image60225326.htmlRMDDYE0E–Lake Avernus, Campania, Italy, c1833. Artist: Unknown
Lago Avernus MET DT4935 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lago-avernus-met-dt4935-172257347.htmlRMM07003–Lago Avernus MET DT4935
Turner, Joseph Mallord William; Aeneas and the Sibyl, Lake Avernus; Tate; http://www.artuk.org/artworks/aeneas-and-the-sibyl-lake-avernus-202292 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/turner-joseph-mallord-william-aeneas-and-the-sibyl-lake-avernus-tate-httpwwwartukorgartworksaeneas-and-the-sibyl-lake-avernus-202292-image616482206.htmlRM2XPY59J–Turner, Joseph Mallord William; Aeneas and the Sibyl, Lake Avernus; Tate; http://www.artuk.org/artworks/aeneas-and-the-sibyl-lake-avernus-202292
Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. Hell. Engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/torquato-tasso-1544-1595-italian-poet-la-gerusalemme-liberata-jerusalem-delivered-1580-hell-engraving-image220155455.htmlRMPP4XER–Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. Hell. Engraving.
Temple Of Apollo, Avernus, James Giles (Aberdeen, Scotland, 1801 - 1870) 1825 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-of-apollo-avernus-james-giles-aberdeen-scotland-1801-1870-1825-image537202633.htmlRM2P5YKC9–Temple Of Apollo, Avernus, James Giles (Aberdeen, Scotland, 1801 - 1870) 1825
Lake Avernus: Aeneas and the Cumaean Sybil, Joseph Mallord William Turner, 1775-1851, British. Reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-aeneas-and-the-cumaean-sybil-joseph-mallord-william-turner-1775-1851-british-reimagined-image230445724.htmlRFRAWKTC–Lake Avernus: Aeneas and the Cumaean Sybil, Joseph Mallord William Turner, 1775-1851, British. Reimagined
The western Avernus; . d by a man who actedas a sort of agent for the company. He got us in groupand read over the list of names furnished him by theconductor of the train, to which about a hundredanswered. He then told us we were to go much fartherdown the pass, that we should have to walk aboutforty miles, and that we could get breakfast where wethen were for twenty-five cents. It was about time tospeak, and, as nobody else did, although I well knewthere were dozens with no money in the crowd, Istepped up and wanted to know what those were to dowho had no money, adding that I and my partner Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-western-avernus-d-by-a-man-who-actedas-a-sort-of-agent-for-the-company-he-got-us-in-groupand-read-over-the-list-of-names-furnished-him-by-theconductor-of-the-train-to-which-about-a-hundredanswered-he-then-told-us-we-were-to-go-much-fartherdown-the-pass-that-we-should-have-to-walk-aboutforty-miles-and-that-we-could-get-breakfast-where-wethen-were-for-twenty-five-cents-it-was-about-time-tospeak-and-as-nobody-else-did-although-i-well-knewthere-were-dozens-with-no-money-in-the-crowd-istepped-up-and-wanted-to-know-what-those-were-to-dowho-had-no-money-adding-that-i-and-my-partner-image338395803.htmlRM2AJF78B–The western Avernus; . d by a man who actedas a sort of agent for the company. He got us in groupand read over the list of names furnished him by theconductor of the train, to which about a hundredanswered. He then told us we were to go much fartherdown the pass, that we should have to walk aboutforty miles, and that we could get breakfast where wethen were for twenty-five cents. It was about time tospeak, and, as nobody else did, although I well knewthere were dozens with no money in the crowd, Istepped up and wanted to know what those were to dowho had no money, adding that I and my partner
A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl), Guercino, 1638 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-a-sibyl-holding-a-scroll-study-for-the-cimmerian-sibyl-guercino-1638-162484318.htmlRMKC9PBA–A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl), Guercino, 1638
