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Aztec human sacrifice Stock Photos and Images
AZTEC HUMAN SACRIFICE shown in the Historia de las Indias by Diego Duran published in Madrid in 1579 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aztec-human-sacrifice-shown-in-the-historia-de-las-indias-by-diego-22901183.htmlRMB976KB–AZTEC HUMAN SACRIFICE shown in the Historia de las Indias by Diego Duran published in Madrid in 1579
Aztec - Human sacrifice. Aztec priests sacrificing a human being. Engraving from Desire Charney, Des Anciennes Villes du Nouveau Monde, 1885. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-human-sacrifice-aztec-priests-sacrificing-a-human-being-engraving-from-desire-charney-des-anciennes-villes-du-nouveau-monde-1885-image179628520.htmlRMMC6P08–Aztec - Human sacrifice. Aztec priests sacrificing a human being. Engraving from Desire Charney, Des Anciennes Villes du Nouveau Monde, 1885.
Aztec human sacrifice. Historia de los Indios by Diego Duran, 1579. Engraving, 19th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aztec-human-sacrifice-historia-de-los-indios-by-diego-duran-1579-engraving-88462025.htmlRMF3WP61–Aztec human sacrifice. Historia de los Indios by Diego Duran, 1579. Engraving, 19th century.
Aztec Human Sacrifice with victim in the clothes of the god Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-human-sacrifice-with-victim-in-the-clothes-of-the-god-image268843117.htmlRMWHAT3W–Aztec Human Sacrifice with victim in the clothes of the god
Human sacrifice was a religious practice characteristic of pre-Columbian Aztec civilization, as well as of other mesoamerican civilizations such as the Maya and the Zapotec. The Aztecs had 18 months in one cycle, and for each of the 18 months there was ri Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-human-sacrifice-was-a-religious-practice-characteristic-of-pre-columbian-104002302.htmlRMG15KYX–Human sacrifice was a religious practice characteristic of pre-Columbian Aztec civilization, as well as of other mesoamerican civilizations such as the Maya and the Zapotec. The Aztecs had 18 months in one cycle, and for each of the 18 months there was ri
Aztec priest performing human sacrifice in ancient Mexico. Hand-colored photogravure of an illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-priest-performing-human-sacrifice-in-ancient-mexico-hand-colored-image6548924.htmlRMA64RRD–Aztec priest performing human sacrifice in ancient Mexico. Hand-colored photogravure of an illustration
Aztec priest performing the sacrificial offering of a living human's heart to the war god Huitzilopochtli Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aztec-priest-performing-the-sacrificial-offering-of-a-living-humans-22564289.htmlRMB8KTYD–Aztec priest performing the sacrificial offering of a living human's heart to the war god Huitzilopochtli
Aztec Sacrifice Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-sacrifice-image7114556.htmlRMA9X1RD–Aztec Sacrifice
Aztec priest performing the sacrificial offering of a living human's heart to the war god Huitzilopochtli. Codex Magliabecchi 16th century; Aztec Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aztec-priest-performing-the-sacrificial-offering-of-a-living-humans-76395834.htmlRMEC83JJ–Aztec priest performing the sacrificial offering of a living human's heart to the war god Huitzilopochtli. Codex Magliabecchi 16th century; Aztec
Aztec temple sacrifice. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-temple-sacrifice-artist-unknown-image8370864.htmlRMAJ7MY1–Aztec temple sacrifice. Artist: Unknown
Illustration of Aztec priests leading human victims up the steps to the alter for sacrifice in the temples Mexico, where Hernan Cortes discovered 136,000 skulls. Hernan Cortes de Monroy y Pizarro Altamirano, 1st Marquess of the Valley of Oaxaca (1485 - December 2, 1547) was a Spanish conquistador who led an expedition that caused the fall of the Aztec Empire and brought large portions of what is now mainland Mexico under the rule of the King of Castile in the early 16th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-of-aztec-priests-leading-human-victims-up-the-steps-to-the-alter-for-sacrifice-in-the-temples-mexico-where-hernan-cortes-discovered-136000-skulls-hernan-cortes-de-monroy-y-pizarro-altamirano-1st-marquess-of-the-valley-of-oaxaca-1485-december-2-1547-was-a-spanish-conquistador-who-led-an-expedition-that-caused-the-fall-of-the-aztec-empire-and-brought-large-portions-of-what-is-now-mainland-mexico-under-the-rule-of-the-king-of-castile-in-the-early-16th-century-image482074397.htmlRM2K08APN–Illustration of Aztec priests leading human victims up the steps to the alter for sacrifice in the temples Mexico, where Hernan Cortes discovered 136,000 skulls. Hernan Cortes de Monroy y Pizarro Altamirano, 1st Marquess of the Valley of Oaxaca (1485 - December 2, 1547) was a Spanish conquistador who led an expedition that caused the fall of the Aztec Empire and brought large portions of what is now mainland Mexico under the rule of the King of Castile in the early 16th century
HUITZILOPOCHTLI: Aztec God of war, sun & human sacrifice. MALLET, print 1683 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-huitzilopochtli-aztec-god-of-war-sun-human-sacrifice-mallet-print-102711168.htmlRFFY2W40–HUITZILOPOCHTLI: Aztec God of war, sun & human sacrifice. MALLET, print 1683
Priest offering the heart taken from a living human to the Aztec sun god and god of war, Huitzilopochtli - Print of facsimile from Aztec Codex Chromolithograph Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/priest-offering-the-heart-taken-from-a-living-human-to-the-aztec-sun-god-and-god-of-war-huitzilopochtli-print-of-facsimile-from-aztec-codex-chromolithograph-image257283154.htmlRMTXG782–Priest offering the heart taken from a living human to the Aztec sun god and god of war, Huitzilopochtli - Print of facsimile from Aztec Codex Chromolithograph
Offering altar early 16th century ( 71 / 5000 Vertaalresultaten Human hearts the most precious offering were offered to the sun ) Museo Nacional de Antropologia Mexico City Aztec ( The Aztecs, Mesoamerican culture, Central Mexico 1300 to 1521 (14th-16th Century), Aztec Empire, Tenochtitlan, city-state of the Mexica , Tenochca, Texcoco, Tlacopan, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/offering-altar-early-16th-century-71-5000-vertaalresultaten-human-hearts-the-most-precious-offering-were-offered-to-the-sun-museo-nacional-de-antropologia-mexico-city-aztec-the-aztecs-mesoamerican-culture-central-mexico-1300-to-1521-14th-16th-century-aztec-empire-tenochtitlan-city-state-of-the-mexica-tenochca-texcoco-tlacopan-image442760036.htmlRM2GM9CXC–Offering altar early 16th century ( 71 / 5000 Vertaalresultaten Human hearts the most precious offering were offered to the sun ) Museo Nacional de Antropologia Mexico City Aztec ( The Aztecs, Mesoamerican culture, Central Mexico 1300 to 1521 (14th-16th Century), Aztec Empire, Tenochtitlan, city-state of the Mexica , Tenochca, Texcoco, Tlacopan, )
MEXICO CITY, Mexico — The Altar Tzompantli (Building B) at the Templo Mayor site, featuring rows of intricately carved stone skulls. This structure, associated with Aztec sacrificial practices, provides a striking insight into the religious and cosmological beliefs of pre-Columbian Mesoamerican culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mexico-city-mexico-the-altar-tzompantli-building-b-at-the-templo-mayor-site-featuring-rows-of-intricately-carved-stone-skulls-this-structure-associated-with-aztec-sacrificial-practices-provides-a-striking-insight-into-the-religious-and-cosmological-beliefs-of-pre-columbian-mesoamerican-culture-image619327948.htmlRM2XYGR38–MEXICO CITY, Mexico — The Altar Tzompantli (Building B) at the Templo Mayor site, featuring rows of intricately carved stone skulls. This structure, associated with Aztec sacrificial practices, provides a striking insight into the religious and cosmological beliefs of pre-Columbian Mesoamerican culture.
Mayan lord with the sun and sky as a backdrop. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mayan-lord-with-the-sun-and-sky-as-a-backdrop-image554604489.htmlRF2R68BK5–Mayan lord with the sun and sky as a backdrop.
Mexican Priest Cut the Heart Out of Human Sacrifice Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mexican-priest-cut-the-heart-out-of-human-sacrifice-105277020.htmlRMG37NWG–Mexican Priest Cut the Heart Out of Human Sacrifice
geography / travel, Mexico, Aztec Empire, religion, sacrifice scene, drawing after relief, sacrifices, Central America, historic, historical, human sacrifice, dog, jaguar, jaguars, eagle, CEAM, people, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-geography-travel-mexico-aztec-empire-religion-sacrifice-scene-drawing-28822154.htmlRMBJTXXJ–geography / travel, Mexico, Aztec Empire, religion, sacrifice scene, drawing after relief, sacrifices, Central America, historic, historical, human sacrifice, dog, jaguar, jaguars, eagle, CEAM, people,
Aztec priests of Mexico sacrifice prisoners to their gods, extracting their hearts and throwing the rest down the temple steps Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aztec-priests-of-mexico-sacrifice-prisoners-to-their-gods-extracting-105284843.htmlRMG383TY–Aztec priests of Mexico sacrifice prisoners to their gods, extracting their hearts and throwing the rest down the temple steps
The Great Aztec Temple at Tenochtitlan. Dedicated to the god of war. Built in a large square, with an ashlar wall, carved on the outside with different loops of chained snakes. Engraving. 'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. Volume I. Edition published in Barcelona and divided into two volumes, 1771. King's pr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-great-aztec-temple-at-tenochtitlan-dedicated-to-the-god-of-war-built-in-a-large-square-with-an-ashlar-wall-carved-on-the-outside-with-different-loops-of-chained-snakes-engraving-historia-de-la-conquista-de-mxico-poblacin-y-progresos-de-la-amrica-septentrional-conocida-por-el-nombre-de-nueva-espaa-history-of-the-conquest-of-mexico-population-and-progress-of-northern-america-known-by-the-name-of-new-spain-written-by-antonio-de-sols-y-rivadeneryra-1610-1686-chronicler-of-the-indies-volume-i-edition-published-in-barcelona-and-divided-into-two-volumes-1771-kings-pr-image451590669.htmlRM2H6KME5–The Great Aztec Temple at Tenochtitlan. Dedicated to the god of war. Built in a large square, with an ashlar wall, carved on the outside with different loops of chained snakes. Engraving. 'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. Volume I. Edition published in Barcelona and divided into two volumes, 1771. King's pr
Pre-columbian era. Human sacrifice of the ancient Mexicans. Engraving, 19th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pre-columbian-era-human-sacrifice-of-the-ancient-mexicans-engraving-19th-century-image450257224.htmlRM2H4EYK4–Pre-columbian era. Human sacrifice of the ancient Mexicans. Engraving, 19th century.
Aztec artifacts - Obsidian knives fromTenochtitlan which may have been used in human sacrifice; 15th century Mesoamerica; Templo Mayor Museum Mexico Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-artifacts-obsidian-knives-fromtenochtitlan-which-may-have-been-used-in-human-sacrifice-15th-century-mesoamerica-templo-mayor-museum-mexico-image607581287.htmlRM2X8DM3K–Aztec artifacts - Obsidian knives fromTenochtitlan which may have been used in human sacrifice; 15th century Mesoamerica; Templo Mayor Museum Mexico
Aztec human sacrifice Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-human-sacrifice-image268831804.htmlRMWHA9KT–Aztec human sacrifice
Human sacrifice was a religious practice characteristic of pre-Columbian Aztec civilization, as well as of other mesoamerican civilizations such as the Maya and the Zapotec. The Aztecs had 18 months in one cycle, and for each of the 18 months there was ri Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-human-sacrifice-was-a-religious-practice-characteristic-of-pre-columbian-104002299.htmlRMG15KYR–Human sacrifice was a religious practice characteristic of pre-Columbian Aztec civilization, as well as of other mesoamerican civilizations such as the Maya and the Zapotec. The Aztecs had 18 months in one cycle, and for each of the 18 months there was ri
Hernando Cortes orders an end to the Aztec practice of human sacrifice after Spanish conquest of Mexico City. Hand-colored halftone of an illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hernando-cortes-orders-an-end-to-the-aztec-practice-of-human-sacrifice-image6548637.htmlRMA64PHE–Hernando Cortes orders an end to the Aztec practice of human sacrifice after Spanish conquest of Mexico City. Hand-colored halftone of an illustration
Tovar Codex, Aztec Priest Performs Human Sacrifice Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tovar-codex-aztec-priest-performs-human-sacrifice-image245866611.htmlRMT805AB–Tovar Codex, Aztec Priest Performs Human Sacrifice
Image of Aztec human sacrifice archaeological site and museum of Templo Mayor, Mexico City, Mexico Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-of-aztec-human-sacrifice-archaeological-site-and-museum-of-templo-mayor-mexico-city-mexico-image556230065.htmlRM2R8XD3D–Image of Aztec human sacrifice archaeological site and museum of Templo Mayor, Mexico City, Mexico
Print entitled: Aztec priest performing the sacrificial offering of a living human's heart to the war god Huitzilopochtli. Taken from the Codex Magliabechiano. Huitzilopochtli ('Blue Hummingbird on the Left') was the Aztec god of Sun and War. The Aztecs o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-print-entitled-aztec-priest-performing-the-sacrificial-offering-of-104001583.htmlRMG15K27–Print entitled: Aztec priest performing the sacrificial offering of a living human's heart to the war god Huitzilopochtli. Taken from the Codex Magliabechiano. Huitzilopochtli ('Blue Hummingbird on the Left') was the Aztec god of Sun and War. The Aztecs o
Aztec Human Sacrifice. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-human-sacrifice-image595595214.htmlRM2WGYKNJ–Aztec Human Sacrifice.
Human Sacrifice, Pre-Columbian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-sacrifice-pre-columbian-image352806552.htmlRM2BDYMA0–Human Sacrifice, Pre-Columbian
Aztec temple sacrifice. From Codex Magliabicciano. Museo de America, Madrid. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aztec-temple-sacrifice-from-codex-magliabicciano-museo-de-america-57293454.htmlRMD95XAP–Aztec temple sacrifice. From Codex Magliabicciano. Museo de America, Madrid.
Aztec priests sacrificing prisoners to the god Huitzilopochtli at the great temple of Tenochtitlan. Wide stairs lead to the platform where Hernan Cortes attempted to stop Montezuma from making a human sacrifice. Tenochtilan was the capital of the Aztec em Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aztec-priests-sacrificing-prisoners-to-the-god-huitzilopochtli-at-104001007.htmlRMG15J9K–Aztec priests sacrificing prisoners to the god Huitzilopochtli at the great temple of Tenochtitlan. Wide stairs lead to the platform where Hernan Cortes attempted to stop Montezuma from making a human sacrifice. Tenochtilan was the capital of the Aztec em
Skull ‘mask’ Museo Templo Mayor. It was made in the 15th century from the skull of a defeated elite warrior, and probably worn as part of a ceremonial headdress or belt. Human skull, flint, sea shell, and pyrite. Size: 19 x 3cm. Aztec ( The Aztecs, Mesoamerican culture, Central Mexico 1300 to 1521 (14th-16th Century), Aztec Empire, Tenochtitlan, city-state of the Mexica , Tenochca, Texcoco, Tlacopan, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/skull-mask-museo-templo-mayor-it-was-made-in-the-15th-century-from-the-skull-of-a-defeated-elite-warrior-and-probably-worn-as-part-of-a-ceremonial-headdress-or-belt-human-skull-flint-sea-shell-and-pyrite-size-19-x-3cm-aztec-the-aztecs-mesoamerican-culture-central-mexico-1300-to-1521-14th-16th-century-aztec-empire-tenochtitlan-city-state-of-the-mexica-tenochca-texcoco-tlacopan-image442760055.htmlRM2GM9CY3–Skull ‘mask’ Museo Templo Mayor. It was made in the 15th century from the skull of a defeated elite warrior, and probably worn as part of a ceremonial headdress or belt. Human skull, flint, sea shell, and pyrite. Size: 19 x 3cm. Aztec ( The Aztecs, Mesoamerican culture, Central Mexico 1300 to 1521 (14th-16th Century), Aztec Empire, Tenochtitlan, city-state of the Mexica , Tenochca, Texcoco, Tlacopan, )
MEXICO CITY, Mexico — The Altar Tzompantli (Building B) at the Templo Mayor site, featuring rows of intricately carved stone skulls. This structure, associated with Aztec sacrificial practices, provides a striking insight into the religious and cosmological beliefs of pre-Columbian Mesoamerican culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mexico-city-mexico-the-altar-tzompantli-building-b-at-the-templo-mayor-site-featuring-rows-of-intricately-carved-stone-skulls-this-structure-associated-with-aztec-sacrificial-practices-provides-a-striking-insight-into-the-religious-and-cosmological-beliefs-of-pre-columbian-mesoamerican-culture-image619328004.htmlRM2XYGR58–MEXICO CITY, Mexico — The Altar Tzompantli (Building B) at the Templo Mayor site, featuring rows of intricately carved stone skulls. This structure, associated with Aztec sacrificial practices, provides a striking insight into the religious and cosmological beliefs of pre-Columbian Mesoamerican culture.
geography / travel, Mexico, Aztec Empire, religion, sacrifice scene, Columbian period, from Codex Vaticanus A, Rome, after Faksimile from 1900, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-geography-travel-mexico-aztec-empire-religion-sacrifice-scene-columbian-28077408.htmlRMBHK10G–geography / travel, Mexico, Aztec Empire, religion, sacrifice scene, Columbian period, from Codex Vaticanus A, Rome, after Faksimile from 1900,
Aztecs sacrificing to the Sun Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aztecs-sacrificing-to-the-sun-108545530.htmlRMG8GJX2–Aztecs sacrificing to the Sun
Huitzilopochtli, Aztec god, as depicted in Codex Telleriano-Remensis in 16th century. Deity of war, sun, human sacrifice, patron of Tenochtitlan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/huitzilopochtli-aztec-god-as-depicted-in-codex-telleriano-remensis-in-16th-century-deity-of-war-sun-human-sacrifice-patron-of-tenochtitlan-image405355475.htmlRF2EFDF17–Huitzilopochtli, Aztec god, as depicted in Codex Telleriano-Remensis in 16th century. Deity of war, sun, human sacrifice, patron of Tenochtitlan.
Statue depicting Xipe impersonator. Aztec. Last Postclassic Period (1350-1521). Volcanic stone, shell and paint. Area of Mexico City. Dallas Museum of Art. State of Texas. United States. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statue-depicting-xipe-impersonator-aztec-last-postclassic-period-1350-1521-volcanic-stone-shell-and-paint-area-of-mexico-city-dallas-museum-of-art-state-of-texas-united-states-image387160734.htmlRM2DDTKD2–Statue depicting Xipe impersonator. Aztec. Last Postclassic Period (1350-1521). Volcanic stone, shell and paint. Area of Mexico City. Dallas Museum of Art. State of Texas. United States.
Aztec sacrificial knife used for human sacrifice with carved wooden handle in the National Museum of Anthropology, Mexico City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aztec-sacrificial-knife-used-for-human-sacrifice-with-carved-wooden-34636451.htmlRMC09R43–Aztec sacrificial knife used for human sacrifice with carved wooden handle in the National Museum of Anthropology, Mexico City.
Pre-columbian era. Human sacrifice of the ancient Mexicans. Engraving, 19th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pre-columbian-era-human-sacrifice-of-the-ancient-mexicans-engraving-19th-century-image450255023.htmlRM2H4ETTF–Pre-columbian era. Human sacrifice of the ancient Mexicans. Engraving, 19th century.
The Aztec Bat God, (Dios Murcielago) related to human sacrifice by decapitation or heart removal. Ceramic sculpture 15th century, Templo Mayor, Mexico Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-aztec-bat-god-dios-murcielago-related-to-human-sacrifice-by-decapitation-or-heart-removal-ceramic-sculpture-15th-century-templo-mayor-mexico-image607581482.htmlRM2X8DMAJ–The Aztec Bat God, (Dios Murcielago) related to human sacrifice by decapitation or heart removal. Ceramic sculpture 15th century, Templo Mayor, Mexico
Human skull carving in the Aztec temples and pyramids, Mexico City, Mexico. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-skull-carving-in-the-aztec-temples-and-pyramids-mexico-city-mexico-image366402053.htmlRM2C831FH–Human skull carving in the Aztec temples and pyramids, Mexico City, Mexico.
01/03/2020 Mexica ornamental skull mask encrusted in nose and mouth with obsidian blades like those used in human sacrifices. Mesoamerican rituals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/01032020-mexica-ornamental-skull-mask-encrusted-in-nose-and-mouth-with-obsidian-blades-like-those-used-in-human-sacrifices-mesoamerican-rituals-image531894396.htmlRF2NW9TMC–01/03/2020 Mexica ornamental skull mask encrusted in nose and mouth with obsidian blades like those used in human sacrifices. Mesoamerican rituals
Aztec Tzompantli exhibiting skulls of human sacrifice victims in Tenochtitlan. Hand-colored woodcut Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-tzompantli-exhibiting-skulls-of-human-sacrifice-victims-in-tenochtitlan-image4496452.htmlRMAEXM45–Aztec Tzompantli exhibiting skulls of human sacrifice victims in Tenochtitlan. Hand-colored woodcut
An Aztec death whistle in the shape of a human skull. When blown, a death whistle emits a realistic shriek, or scream. It is thought to have been us Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-aztec-death-whistle-in-the-shape-of-a-human-skull-when-blown-a-death-whistle-emits-a-realistic-shriek-or-scream-it-is-thought-to-have-been-us-image499162787.htmlRM2M02R6B–An Aztec death whistle in the shape of a human skull. When blown, a death whistle emits a realistic shriek, or scream. It is thought to have been us
Picture showing Aztec human sacrifice, archaeological site and museum of Templo Mayor, Mexico City, Mexico Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/picture-showing-aztec-human-sacrifice-archaeological-site-and-museum-of-templo-mayor-mexico-city-mexico-image556230069.htmlRM2R8XD3H–Picture showing Aztec human sacrifice, archaeological site and museum of Templo Mayor, Mexico City, Mexico
Idol Vitzliputzli (Huitzilopochtli). Mexican idol. Engraving. 'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. Volume I. Edition published in Barcelona and divided into two volumes, 1771. King's printer: Thomas Piferrer. Historical Military Library of Barcelona. Catalonia, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/idol-vitzliputzli-huitzilopochtli-mexican-idol-engraving-historia-de-la-conquista-de-mxico-poblacin-y-progresos-de-la-amrica-septentrional-conocida-por-el-nombre-de-nueva-espaa-history-of-the-conquest-of-mexico-population-and-progress-of-northern-america-known-by-the-name-of-new-spain-written-by-antonio-de-sols-y-rivadeneryra-1610-1686-chronicler-of-the-indies-volume-i-edition-published-in-barcelona-and-divided-into-two-volumes-1771-kings-printer-thomas-piferrer-historical-military-library-of-barcelona-catalonia-spain-image451590684.htmlRM2H6KMEM–Idol Vitzliputzli (Huitzilopochtli). Mexican idol. Engraving. 'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. Volume I. Edition published in Barcelona and divided into two volumes, 1771. King's printer: Thomas Piferrer. Historical Military Library of Barcelona. Catalonia, Spain.
Aztec (Mexica) child's decorated skull mask in the National Museum of Anthropology in Mexico City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aztec-mexica-childs-decorated-skull-mask-in-the-national-museum-of-19227649.htmlRMB37W1N–Aztec (Mexica) child's decorated skull mask in the National Museum of Anthropology in Mexico City.
Human Sacrifices - Skulls of Sacrificial Victims offered to Aztec gods Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-sacrifices-skulls-of-sacrificial-victims-offered-to-aztec-gods-image486771011.htmlRF2K7X9AY–Human Sacrifices - Skulls of Sacrificial Victims offered to Aztec gods
Priest offering the heart taken from a living human victim to the Aztec sun god and god of war, Huitzilopochtli. Print of facsimile from Aztec Codex, published 1904. Human Sacrifice Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-priest-offering-the-heart-taken-from-a-living-human-victim-to-the-57357952.htmlRMD98TJ8–Priest offering the heart taken from a living human victim to the Aztec sun god and god of war, Huitzilopochtli. Print of facsimile from Aztec Codex, published 1904. Human Sacrifice
Huitzilopochtli with fire serpent, from the Florentine Codex. In Aztec religion, Huitzilopochtli was a god of war, sun, human sacrifice and the patron of the city of Tenochtitlan. He was also the national god of the Mexicas of Tenochtitlan. Huitzilopochtl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-huitzilopochtli-with-fire-serpent-from-the-florentine-codex-in-aztec-104002286.htmlRMG15KYA–Huitzilopochtli with fire serpent, from the Florentine Codex. In Aztec religion, Huitzilopochtli was a god of war, sun, human sacrifice and the patron of the city of Tenochtitlan. He was also the national god of the Mexicas of Tenochtitlan. Huitzilopochtl
Moctezuma II (c. 1466-1520). Ninth tlatoani of Tenochtitlan, reigning from 1502 to 1520. Moctezuma goes to the temple surrounded by virgin maidens who are to be sacrificed to the gods. Fifth Letter of Hernan Cortes to the Emperor Charles V. September 3, 1526. Engraving, 1726. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-moctezuma-ii-c-1466-1520-ninth-tlatoani-of-tenochtitlan-reigning-from-172563138.htmlRMM0MX16–Moctezuma II (c. 1466-1520). Ninth tlatoani of Tenochtitlan, reigning from 1502 to 1520. Moctezuma goes to the temple surrounded by virgin maidens who are to be sacrificed to the gods. Fifth Letter of Hernan Cortes to the Emperor Charles V. September 3, 1526. Engraving, 1726.
MEXICO CITY, Mexico — The Altar Tzompantli (Building B) at the Templo Mayor site, featuring rows of intricately carved stone skulls. This structure, associated with Aztec sacrificial practices, provides a striking insight into the religious and cosmological beliefs of pre-Columbian Mesoamerican culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mexico-city-mexico-the-altar-tzompantli-building-b-at-the-templo-mayor-site-featuring-rows-of-intricately-carved-stone-skulls-this-structure-associated-with-aztec-sacrificial-practices-provides-a-striking-insight-into-the-religious-and-cosmological-beliefs-of-pre-columbian-mesoamerican-culture-image619327985.htmlRM2XYGR4H–MEXICO CITY, Mexico — The Altar Tzompantli (Building B) at the Templo Mayor site, featuring rows of intricately carved stone skulls. This structure, associated with Aztec sacrificial practices, provides a striking insight into the religious and cosmological beliefs of pre-Columbian Mesoamerican culture.
Aztec Mid 14th century woman with baby used for fertility ritual ( The Aztecs, Mesoamerican culture, Central Mexico 1300 to 1521 (14th-16th Century), Aztec Empire, Tenochtitlan, city-state of the Mexica , Tenochca, Texcoco, Tlacopan, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-mid-14th-century-woman-with-baby-used-for-fertility-ritual-the-aztecs-mesoamerican-culture-central-mexico-1300-to-1521-14th-16th-century-aztec-empire-tenochtitlan-city-state-of-the-mexica-tenochca-texcoco-tlacopan-image442760073.htmlRM2GM9CYN–Aztec Mid 14th century woman with baby used for fertility ritual ( The Aztecs, Mesoamerican culture, Central Mexico 1300 to 1521 (14th-16th Century), Aztec Empire, Tenochtitlan, city-state of the Mexica , Tenochca, Texcoco, Tlacopan, )
. English: Aztec ritual human sacrifice portrayed in the page 141 (folio 70r) of the Codex Magliabechiano.. 16th century 332 Codex Magliabechiano (141) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-aztec-ritual-human-sacrifice-portrayed-in-the-page-141-folio-70r-of-the-codex-magliabechiano-16th-century-332-codex-magliabechiano-141-image212594773.htmlRMP9TEPD–. English: Aztec ritual human sacrifice portrayed in the page 141 (folio 70r) of the Codex Magliabechiano.. 16th century 332 Codex Magliabechiano (141)
Human sacrifice, Mexico, Pre-Colombian period, (19th century). Artist: Pierre Fritel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-sacrifice-mexico-pre-colombian-period-19th-century-artist-pierre-fritel-image262729193.htmlRMW7C9ND–Human sacrifice, Mexico, Pre-Colombian period, (19th century). Artist: Pierre Fritel
Civilisation precolombienne : le sacrifice d'une jeune vierge au Mexique chez les azteques (Human sacrifice of a virgin in Aztec culture, Mexico) Grav Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/civilisation-precolombienne-le-sacrifice-dune-jeune-vierge-au-mexique-chez-les-azteques-human-sacrifice-of-a-virgin-in-aztec-culture-mexico-grav-image353845831.htmlRM2BFK1Y3–Civilisation precolombienne : le sacrifice d'une jeune vierge au Mexique chez les azteques (Human sacrifice of a virgin in Aztec culture, Mexico) Grav
Human sacrifice in Aztec culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-sacrifice-in-aztec-culture-image518080011.htmlRM2N2TG9F–Human sacrifice in Aztec culture
Moctezuma II goes to the temple surrounded by virgin maidens who are to be sacrificed to the gods. Colored engraving. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-moctezuma-ii-goes-to-the-temple-surrounded-by-virgin-maidens-who-are-52104387.htmlRMD0NFJY–Moctezuma II goes to the temple surrounded by virgin maidens who are to be sacrificed to the gods. Colored engraving.
Aztec artifacts - Face knives from Tenochtitlan, flint stone with obsidian inlays mostly used for human sacrifice, Templo Mayor Museum, Mexico City Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-artifacts-face-knives-from-tenochtitlan-flint-stone-with-obsidian-inlays-mostly-used-for-human-sacrifice-templo-mayor-museum-mexico-city-image607581512.htmlRM2X8DMBM–Aztec artifacts - Face knives from Tenochtitlan, flint stone with obsidian inlays mostly used for human sacrifice, Templo Mayor Museum, Mexico City
Aztec skulls Mexican Day of the Dead colorful handcrafts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aztec-skulls-mexican-day-of-the-dead-colorful-handcrafts-35056027.htmlRFC10X8Y–Aztec skulls Mexican Day of the Dead colorful handcrafts
01/03/2020 Mexica ornamental skull mask encrusted in nose and mouth with obsidian blades like those used in human sacrifices. Mesoamerican rituals Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/01032020-mexica-ornamental-skull-mask-encrusted-in-nose-and-mouth-with-obsidian-blades-like-those-used-in-human-sacrifices-mesoamerican-rituals-image531891440.htmlRF2NW9MXT–01/03/2020 Mexica ornamental skull mask encrusted in nose and mouth with obsidian blades like those used in human sacrifices. Mesoamerican rituals
Aztec eagle that symbolized the founding of mexico city. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-eagle-that-symbolized-the-founding-of-mexico-city-image554697642.htmlRF2R6CJE2–Aztec eagle that symbolized the founding of mexico city.
Florentine Codex (Codice matritensis). Sacrifice. Written in Nahuatl language with the latin alphabet . Madrid, Academy of History. Author: Bernardino de Sahagún (1499-1590). Location: ACADEMIA DE LA HISTORIA-COLECCION, MADRID, SPAIN. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/florentine-codex-codice-matritensis-sacrifice-written-in-nahuatl-language-with-the-latin-alphabet-madrid-academy-of-history-author-bernardino-de-sahagn-1499-1590-location-academia-de-la-historia-coleccion-madrid-spain-image208800490.htmlRMP3KK4A–Florentine Codex (Codice matritensis). Sacrifice. Written in Nahuatl language with the latin alphabet . Madrid, Academy of History. Author: Bernardino de Sahagún (1499-1590). Location: ACADEMIA DE LA HISTORIA-COLECCION, MADRID, SPAIN.
Skulls of Aztec sacrifical victims excavated at Templo Mayor, an archeological site in Zócalo, Mexico City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/skulls-of-aztec-sacrifical-victims-excavated-at-templo-mayor-an-archeological-site-in-zcalo-mexico-city-image333390134.htmlRM2AAB6EE–Skulls of Aztec sacrifical victims excavated at Templo Mayor, an archeological site in Zócalo, Mexico City.
Hernan Cortes was a 16th-century Spanish conquistador who led the expedition that conquered the Aztec Empire in Mexico. He was known for his military tactics, political skills, and ruthless determination in achieving his goals. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hernan-cortes-was-a-16th-century-spanish-conquistador-who-led-the-expedition-that-conquered-the-aztec-empire-in-mexico-he-was-known-for-his-military-tactics-political-skills-and-ruthless-determination-in-achieving-his-goals-image540895637.htmlRM2PBYWW9–Hernan Cortes was a 16th-century Spanish conquistador who led the expedition that conquered the Aztec Empire in Mexico. He was known for his military tactics, political skills, and ruthless determination in achieving his goals.
Late Postclassic period Aztec skull mask from the Templo Mayor Museum in Mexico City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-late-postclassic-period-aztec-skull-mask-from-the-templo-mayor-museum-19238062.htmlRMB38A9J–Late Postclassic period Aztec skull mask from the Templo Mayor Museum in Mexico City.
Aztec Art - Aztec stone sculptures depicting human faces. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-art-aztec-stone-sculptures-depicting-human-faces-image486770876.htmlRF2K7X964–Aztec Art - Aztec stone sculptures depicting human faces.
Aztec knife with face symbolizing an instrument of sacrifice that also has life, National Museum of Anthropology in Mexico City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aztec-knife-with-face-symbolizing-an-instrument-of-sacrifice-that-34636434.htmlRMC09R3E–Aztec knife with face symbolizing an instrument of sacrifice that also has life, National Museum of Anthropology in Mexico City.
Huitzilopochtli, from the Veytia Codex. In Aztec religion, Huitzilopochtli was a god of war, sun, human sacrifice and the patron of the city of Tenochtitlan. He was also the national god of the Mexicas of Tenochtitlan. Huitzilopochtli was a tribal god and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-huitzilopochtli-from-the-veytia-codex-in-aztec-religion-huitzilopochtli-104002288.htmlRMG15KYC–Huitzilopochtli, from the Veytia Codex. In Aztec religion, Huitzilopochtli was a god of war, sun, human sacrifice and the patron of the city of Tenochtitlan. He was also the national god of the Mexicas of Tenochtitlan. Huitzilopochtli was a tribal god and
Aztec (Mexica) offering of decorated skull mask made from decapitated slain warrior from the Templo Mayor Museum in Mexico City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aztec-mexica-offering-of-decorated-skull-mask-made-from-decapitated-19232598.htmlRMB383AE–Aztec (Mexica) offering of decorated skull mask made from decapitated slain warrior from the Templo Mayor Museum in Mexico City.
Tovar Codex, Aztec Gladiatorial Sacrifice Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tovar-codex-aztec-gladiatorial-sacrifice-image245866579.htmlRMT80597–Tovar Codex, Aztec Gladiatorial Sacrifice
Aztec Mid 14th century woman with baby used for fertility ritual ( The Aztecs, Mesoamerican culture, Central Mexico 1300 to 1521 (14th-16th Century), Aztec Empire, Tenochtitlan, city-state of the Mexica , Tenochca, Texcoco, Tlacopan, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aztec-mid-14th-century-woman-with-baby-used-for-fertility-ritual-the-aztecs-mesoamerican-culture-central-mexico-1300-to-1521-14th-16th-century-aztec-empire-tenochtitlan-city-state-of-the-mexica-tenochca-texcoco-tlacopan-image442760065.htmlRM2GM9CYD–Aztec Mid 14th century woman with baby used for fertility ritual ( The Aztecs, Mesoamerican culture, Central Mexico 1300 to 1521 (14th-16th Century), Aztec Empire, Tenochtitlan, city-state of the Mexica , Tenochca, Texcoco, Tlacopan, )
Coatlicue gives birth to Huitzilopochtli, from the Florentine Codex. In Aztec religion, Huitzilopochtli was a god of war, sun, human sacrifice and the patron of the city of Tenochtitlan. He was also the national god of the Mexicas of Tenochtitlan. The myt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-coatlicue-gives-birth-to-huitzilopochtli-from-the-florentine-codex-104002287.htmlRMG15KYB–Coatlicue gives birth to Huitzilopochtli, from the Florentine Codex. In Aztec religion, Huitzilopochtli was a god of war, sun, human sacrifice and the patron of the city of Tenochtitlan. He was also the national god of the Mexicas of Tenochtitlan. The myt
MEXICO CITY, Mexico — A smaller version of the temalácatl or 'stone winch' on display at the Templo Mayor site. This ceremonial stone altar was used in Aztec gladiatorial sacrifices, providing a tangible link to the complex religious practices of pre-Columbian Mesoamerica. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mexico-city-mexico-a-smaller-version-of-the-temalcatl-or-stone-winch-on-display-at-the-templo-mayor-site-this-ceremonial-stone-altar-was-used-in-aztec-gladiatorial-sacrifices-providing-a-tangible-link-to-the-complex-religious-practices-of-pre-columbian-mesoamerica-image619328477.htmlRM2XYGRP5–MEXICO CITY, Mexico — A smaller version of the temalácatl or 'stone winch' on display at the Templo Mayor site. This ceremonial stone altar was used in Aztec gladiatorial sacrifices, providing a tangible link to the complex religious practices of pre-Columbian Mesoamerica.
Stone of Tizoc, Aztec Sacrificial Stone Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stone-of-tizoc-aztec-sacrificial-stone-image352805784.htmlRM2BDYKAG–Stone of Tizoc, Aztec Sacrificial Stone
. English: Aztec ritual human sacrifice portrayed in the page 141 (folio 70r) of the Codex Magliabechiano.. 16th century 332 Codex Magliabechiano (141 cropped) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-aztec-ritual-human-sacrifice-portrayed-in-the-page-141-folio-70r-of-the-codex-magliabechiano-16th-century-332-codex-magliabechiano-141-cropped-image212594772.htmlRMP9TEPC–. English: Aztec ritual human sacrifice portrayed in the page 141 (folio 70r) of the Codex Magliabechiano.. 16th century 332 Codex Magliabechiano (141 cropped)
Tovar Codex, Aztec Funeral Rites Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tovar-codex-aztec-funeral-rites-image245866585.htmlRMT8059D–Tovar Codex, Aztec Funeral Rites
An Aztec priest removes a man's heart in a ritual with an obsidian knife on a sacrificial stone and offers it to the god Huitzilopochtli. Several young acolytes hold down the victim. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1843. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-aztec-priest-removes-a-mans-heart-in-a-ritual-with-an-obsidian-knife-on-a-sacrificial-stone-and-offers-it-to-the-god-huitzilopochtli-several-young-acolytes-hold-down-the-victim-handcoloured-copperplate-engraving-by-verico-from-giulio-ferrarios-ancient-and-modern-costumes-of-all-the-peoples-of-the-world-florence-italy-1843-image331973372.htmlRM2A82KBT–An Aztec priest removes a man's heart in a ritual with an obsidian knife on a sacrificial stone and offers it to the god Huitzilopochtli. Several young acolytes hold down the victim. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1843.
Drawing made with colored sand and flowers representing an Aztec warrior holding a head in Xochimilco, Mexico Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-drawing-made-with-colored-sand-and-flowers-representing-an-aztec-warrior-35240437.htmlRMC199F1–Drawing made with colored sand and flowers representing an Aztec warrior holding a head in Xochimilco, Mexico
The Great Ball Court - Chichen Itza - Yucatan, Mexico Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-great-ball-court-chichen-itza-yucatan-mexico-17917131.htmlRMB145DF–The Great Ball Court - Chichen Itza - Yucatan, Mexico
Mayan Lord running rope through his tongue in a traditional blood sacrifice. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mayan-lord-running-rope-through-his-tongue-in-a-traditional-blood-sacrifice-image554658790.htmlRF2R6ATXE–Mayan Lord running rope through his tongue in a traditional blood sacrifice.
An Aztec priest removes a man's heart in a ritual with an obsidian knife on a sacrificial stone and offers it to the god Huitzilopochtli. Several young acolytes hold down the victim. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1843. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-aztec-priest-removes-a-mans-heart-in-a-ritual-with-an-obsidian-knife-on-a-sacrificial-stone-and-offers-it-to-the-god-huitzilopochtli-several-young-acolytes-hold-down-the-victim-handcoloured-copperplate-engraving-by-verico-from-giulio-ferrarios-ancient-and-modern-costumes-of-all-the-peoples-of-the-world-florence-italy-1843-image211097671.htmlRMP7C96F–An Aztec priest removes a man's heart in a ritual with an obsidian knife on a sacrificial stone and offers it to the god Huitzilopochtli. Several young acolytes hold down the victim. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1843.
Excavated Tzompantli, other wise known as ancient Aztec skull rack or skull banner from MesoAmerican sacrifices at Templo Mayor, Mexico City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/excavated-tzompantli-other-wise-known-as-ancient-aztec-skull-rack-or-skull-banner-from-mesoamerican-sacrifices-at-templo-mayor-mexico-city-image333390143.htmlRM2AAB6ER–Excavated Tzompantli, other wise known as ancient Aztec skull rack or skull banner from MesoAmerican sacrifices at Templo Mayor, Mexico City.
El Caracol or Observatory - Chichen Itzá Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/el-caracol-or-observatory-chichen-itz-image186257750.htmlRFMR0NJE–El Caracol or Observatory - Chichen Itzá
Pyramid of the Sun - Teotihuacan, Mexico Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pyramid-of-the-sun-teotihuacan-mexico-image186375014.htmlRFMR636E–Pyramid of the Sun - Teotihuacan, Mexico
Human Sacrifices - Skulls of sacrificial victims on offer to the Aztec gods Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-sacrifices-skulls-of-sacrificial-victims-on-offer-to-the-aztec-gods-image486771021.htmlRF2K7X9B9–Human Sacrifices - Skulls of sacrificial victims on offer to the Aztec gods
Stone sculpture of Aztec God Chac Mool from the city of Tenochtitlan. Mexico city, mexico Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stone-sculpture-of-aztec-god-chac-mool-from-the-city-of-tenochtitlan-mexico-city-mexico-image238918667.htmlRMRTKK5F–Stone sculpture of Aztec God Chac Mool from the city of Tenochtitlan. Mexico city, mexico
Sacrificial knife with Chalcedony blade and wooden haft ornamented with a figure of an Eagle Knight inlaid with turquiose and shell . Aztec , Mexico late 15th or early 16th Century . Believed to be part of the treasure sent home by Hernando Cortez to the Emperor Charles V . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sacrificial-knife-with-chalcedony-blade-and-wooden-haft-ornamented-with-a-figure-of-an-eagle-knight-inlaid-with-turquiose-and-shell-aztec-mexico-late-15th-or-early-16th-century-believed-to-be-part-of-the-treasure-sent-home-by-hernando-cortez-to-the-emperor-charles-v-image268858385.htmlRMWHBFH5–Sacrificial knife with Chalcedony blade and wooden haft ornamented with a figure of an Eagle Knight inlaid with turquiose and shell . Aztec , Mexico late 15th or early 16th Century . Believed to be part of the treasure sent home by Hernando Cortez to the Emperor Charles V .
Honduras, Mayan city ruins in Copan. The picture presents detail of decorating walls of the temple Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-honduras-mayan-city-ruins-in-copan-the-picture-presents-detail-of-160437155.htmlRFK90F6B–Honduras, Mayan city ruins in Copan. The picture presents detail of decorating walls of the temple
Aztec skulls Mexican Day of the Dead colorful handcrafts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aztec-skulls-mexican-day-of-the-dead-colorful-handcrafts-35244030.htmlRFC19E3A–Aztec skulls Mexican Day of the Dead colorful handcrafts
Mask Teotihuacan Mexico 200-600 Linden museum Stuttgart ( The Aztecs, Mesoamerican culture, Central Mexico 1300 to 1521 (14th-16th Century), Aztec Empire, Tenochtitlan, city-state of the Mexica , Tenochca, Texcoco, Tlacopan, ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mask-teotihuacan-mexico-200-600-linden-museum-stuttgart-the-aztecs-mesoamerican-culture-central-mexico-1300-to-1521-14th-16th-century-aztec-empire-tenochtitlan-city-state-of-the-mexica-tenochca-texcoco-tlacopan-image442759533.htmlRM2GM9C8D–Mask Teotihuacan Mexico 200-600 Linden museum Stuttgart ( The Aztecs, Mesoamerican culture, Central Mexico 1300 to 1521 (14th-16th Century), Aztec Empire, Tenochtitlan, city-state of the Mexica , Tenochca, Texcoco, Tlacopan, )
Aztec skulls Mexican Day of the Dead colorful handcrafts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aztec-skulls-mexican-day-of-the-dead-colorful-handcrafts-35253054.htmlRFC19WHJ–Aztec skulls Mexican Day of the Dead colorful handcrafts
MEXICO CITY, Mexico — Intricately carved and painted banquettes from the Casa de las Águilas (House of the Eagles) at the Templo Mayor site. These architectural elements feature vibrant frescoes depicting a procession of armed Aztec warriors, showcasing the artistic sophistication and religious symbolism of pre-Columbian Mesoamerican culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mexico-city-mexico-intricately-carved-and-painted-banquettes-from-the-casa-de-las-guilas-house-of-the-eagles-at-the-templo-mayor-site-these-architectural-elements-feature-vibrant-frescoes-depicting-a-procession-of-armed-aztec-warriors-showcasing-the-artistic-sophistication-and-religious-symbolism-of-pre-columbian-mesoamerican-culture-image619327886.htmlRM2XYGR12–MEXICO CITY, Mexico — Intricately carved and painted banquettes from the Casa de las Águilas (House of the Eagles) at the Templo Mayor site. These architectural elements feature vibrant frescoes depicting a procession of armed Aztec warriors, showcasing the artistic sophistication and religious symbolism of pre-Columbian Mesoamerican culture.
Maya patterns made on the basis of reliefs and sculptures. Human faces, birds, fish and animals. Elements of floral ornament. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-maya-patterns-made-on-the-basis-of-reliefs-and-sculptures-human-faces-71298077.htmlRFE3YWBW–Maya patterns made on the basis of reliefs and sculptures. Human faces, birds, fish and animals. Elements of floral ornament.
Ritual Fight, Aztecs Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ritual-fight-aztecs-56738557.htmlRMD88JH1–Ritual Fight, Aztecs
Tovar Codex, Huitzilopochtli, Aztec God of War Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tovar-codex-huitzilopochtli-aztec-god-of-war-image245866635.htmlRMT805B7–Tovar Codex, Huitzilopochtli, Aztec God of War
Mexico, its ancient and modern civilisation, history and political conditions, topography and natural resources, industries and general development; . monarchy. The king oremperor was chosen, however, from among membersof the royal family, whether brothers or nephews ofthe preceding sovereign, by the four appointed electors.He was installed with barbaric splendour, a main featureof the event being the great sacrifice of human beings inthe Teocalli—that diabolical custom which ever robs theAztec regime of the dignity of any appellation beyondthat of semi-civilisation. Otherwise the Aztec regime Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mexico-its-ancient-and-modern-civilisation-history-and-political-conditions-topography-and-natural-resources-industries-and-general-development-monarchy-the-king-oremperor-was-chosen-however-from-among-membersof-the-royal-family-whether-brothers-or-nephews-ofthe-preceding-sovereign-by-the-four-appointed-electorshe-was-installed-with-barbaric-splendour-a-main-featureof-the-event-being-the-great-sacrifice-of-human-beings-inthe-teocallithat-diabolical-custom-which-ever-robs-theaztec-regime-of-the-dignity-of-any-appellation-beyondthat-of-semi-civilisation-otherwise-the-aztec-regime-image339940382.htmlRM2AN1HBX–Mexico, its ancient and modern civilisation, history and political conditions, topography and natural resources, industries and general development; . monarchy. The king oremperor was chosen, however, from among membersof the royal family, whether brothers or nephews ofthe preceding sovereign, by the four appointed electors.He was installed with barbaric splendour, a main featureof the event being the great sacrifice of human beings inthe Teocalli—that diabolical custom which ever robs theAztec regime of the dignity of any appellation beyondthat of semi-civilisation. Otherwise the Aztec regime
Tlaloc was an important deity in Aztec religion, a god of rain, fertility, and water. He was a beneficent god who gave life and sustenance, but he was also feared for his ability to send hail, thunder and lightning, and for being the lord of the powerful Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-tlaloc-was-an-important-deity-in-aztec-religion-a-god-of-rain-fertility-104002296.htmlRMG15KYM–Tlaloc was an important deity in Aztec religion, a god of rain, fertility, and water. He was a beneficent god who gave life and sustenance, but he was also feared for his ability to send hail, thunder and lightning, and for being the lord of the powerful
Drawing made with colored sand and flowers representing an Aztec warrior holding a head in Xochimilco, Mexico Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-drawing-made-with-colored-sand-and-flowers-representing-an-aztec-warrior-35240586.htmlRMC199MA–Drawing made with colored sand and flowers representing an Aztec warrior holding a head in Xochimilco, Mexico
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