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Barely readable signature Stock Photos and Images
Tronie (Study Head): Philon of Alexandria, c. 1630/40, oil on oak wood, 28.5 x 22.5 cm, signed lower right: The wrong Bol signature is attached afterwards over a barely readable signature: Lesi (?)., On the cap of the old paper with inscription in Greek letters: Philos, Paulus Lesire, Dordrecht 1611– nach 1656 Dordrecht Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tronie-study-head-philon-of-alexandria-c-163040-oil-on-oak-wood-285-x-225-cm-signed-lower-right-the-wrong-bol-signature-is-attached-afterwards-over-a-barely-readable-signature-lesi-on-the-cap-of-the-old-paper-with-inscription-in-greek-letters-philos-paulus-lesire-dordrecht-1611-nach-1656-dordrecht-image328707632.htmlRM2A2NWX8–Tronie (Study Head): Philon of Alexandria, c. 1630/40, oil on oak wood, 28.5 x 22.5 cm, signed lower right: The wrong Bol signature is attached afterwards over a barely readable signature: Lesi (?)., On the cap of the old paper with inscription in Greek letters: Philos, Paulus Lesire, Dordrecht 1611– nach 1656 Dordrecht
Tronie (Study Head): Philon of Alexandria, c. 1630/40, oil on oak wood, 28.5 x 22.5 cm, signed lower right: The wrong Bol signature is attached afterwards over a barely readable signature: Lesi (?)., On the cap of the old paper with inscription in Greek letters: Philos, Paulus Lesire, Dordrecht 1611– nach 1656 Dordrecht, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tronie-study-head-philon-of-alexandria-c-163040-oil-on-oak-wood-285-x-225-cm-signed-lower-right-the-wrong-bol-signature-is-attached-afterwards-over-a-barely-readable-signature-lesi-on-the-cap-of-the-old-paper-with-inscription-in-greek-letters-philos-paulus-lesire-dordrecht-1611-nach-1656-dordrecht-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349800946.htmlRF2B92PJX–Tronie (Study Head): Philon of Alexandria, c. 1630/40, oil on oak wood, 28.5 x 22.5 cm, signed lower right: The wrong Bol signature is attached afterwards over a barely readable signature: Lesi (?)., On the cap of the old paper with inscription in Greek letters: Philos, Paulus Lesire, Dordrecht 1611– nach 1656 Dordrecht, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Johan le Ducq, Portrait of Willem Jansz Verbruggen (c.1620-1678), falconer of the Prince of Orange, for the hunting lodge Valkenbosch, portrait painting imagery linen oil painting, Lying rectangular hunting piece with portrait of man in black frame Possible Willem Jans Verbruggen at the Valkenbosch estate in The Hague Haagambacht Pictured sitting or standing behind an elevation with shotgun. He is accompanied by three hunting dogs and falcon with cover (hood); next to him hunting out consisting of hare and heron and hunting attributes: two weitasses and pole. To the left in the background form Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johan-le-ducq-portrait-of-willem-jansz-verbruggen-c1620-1678-falconer-of-the-prince-of-orange-for-the-hunting-lodge-valkenbosch-portrait-painting-imagery-linen-oil-painting-lying-rectangular-hunting-piece-with-portrait-of-man-in-black-frame-possible-willem-jans-verbruggen-at-the-valkenbosch-estate-in-the-hague-haagambacht-pictured-sitting-or-standing-behind-an-elevation-with-shotgun-he-is-accompanied-by-three-hunting-dogs-and-falcon-with-cover-hood-next-to-him-hunting-out-consisting-of-hare-and-heron-and-hunting-attributes-two-weitasses-and-pole-to-the-left-in-the-background-form-image228094329.htmlRMR72GJ1–Johan le Ducq, Portrait of Willem Jansz Verbruggen (c.1620-1678), falconer of the Prince of Orange, for the hunting lodge Valkenbosch, portrait painting imagery linen oil painting, Lying rectangular hunting piece with portrait of man in black frame Possible Willem Jans Verbruggen at the Valkenbosch estate in The Hague Haagambacht Pictured sitting or standing behind an elevation with shotgun. He is accompanied by three hunting dogs and falcon with cover (hood); next to him hunting out consisting of hare and heron and hunting attributes: two weitasses and pole. To the left in the background form
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