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Basohli paintings Stock Photos and Images
India: 'Parakiya Vasakasajja Nayika (She Who Prepares and Waits for Her Lover)'. Miniature painting from the Rasamanjari by Devidas, Bashohli School, 1695. Bashohli (Basoli) is a town in the Kathua district of the state of Jammu and Kashmir, India. It is situated on the right bank of the Ravi River at an altitude of around 571 metres. and was founded by Raja Bhupat Pal in 1635. The town is famous for its paintings called Basohli Paintings. They are considered the first school of Pahari paintings, which by the mid-eighteenth century had evolved into the prolific Kangra school of painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/india-parakiya-vasakasajja-nayika-she-who-prepares-and-waits-for-her-lover-miniature-painting-from-the-rasamanjari-by-devidas-bashohli-school-1695-bashohli-basoli-is-a-town-in-the-kathua-district-of-the-state-of-jammu-and-kashmir-india-it-is-situated-on-the-right-bank-of-the-ravi-river-at-an-altitude-of-around-571-metres-and-was-founded-by-raja-bhupat-pal-in-1635-the-town-is-famous-for-its-paintings-called-basohli-paintings-they-are-considered-the-first-school-of-pahari-paintings-which-by-the-mid-eighteenth-century-had-evolved-into-the-prolific-kangra-school-of-painting-image344249692.htmlRM2B01WYT–India: 'Parakiya Vasakasajja Nayika (She Who Prepares and Waits for Her Lover)'. Miniature painting from the Rasamanjari by Devidas, Bashohli School, 1695. Bashohli (Basoli) is a town in the Kathua district of the state of Jammu and Kashmir, India. It is situated on the right bank of the Ravi River at an altitude of around 571 metres. and was founded by Raja Bhupat Pal in 1635. The town is famous for its paintings called Basohli Paintings. They are considered the first school of Pahari paintings, which by the mid-eighteenth century had evolved into the prolific Kangra school of painting.
Sanveri Ragini, Page from a Ragamala Series (Garland of Musical Modes), India (Himachal Pradesh, possibly Basohli or Nurpur), ca. 1700–1710, India (Himachal Pradesh, possibly Basohli or Nurpur), Ink, opaque watercolor, and silver on paper, Image: 6 1/8 x 6 1/8 in. (15.6 x 15.6 cm); Page: 8 1/8 x 8 1/8 in. (20.6 x 20.6 cm), Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sanveri-ragini-page-from-a-ragamala-series-garland-of-musical-modes-india-himachal-pradesh-possibly-basohli-or-nurpur-ca-17001710-india-himachal-pradesh-possibly-basohli-or-nurpur-ink-opaque-watercolor-and-silver-on-paper-image-6-18-x-6-18-in-156-x-156-cm-page-8-18-x-8-18-in-206-x-206-cm-paintings-image344626285.htmlRM2B0K29H–Sanveri Ragini, Page from a Ragamala Series (Garland of Musical Modes), India (Himachal Pradesh, possibly Basohli or Nurpur), ca. 1700–1710, India (Himachal Pradesh, possibly Basohli or Nurpur), Ink, opaque watercolor, and silver on paper, Image: 6 1/8 x 6 1/8 in. (15.6 x 15.6 cm); Page: 8 1/8 x 8 1/8 in. (20.6 x 20.6 cm), Paintings
India: The God Vishnu seated, holding lotus flowers, fanned by an attendant. Mankot-Basohli, Pahari, c. 1750 CE. Vishnu (Sanskrit विष्णु Viṣṇu) is the Supreme god in the Vaishnavite tradition of Hinduism. Smarta followers of Adi Shankara, among others, venerate Vishnu as one of the five primary forms of God. The Vishnu Sahasranama declares Vishnu as Paramatma (supreme soul) and Parameshwara (supreme God). It describes Vishnu as the All-Pervading essence of all beings, the master of - and beyond - the past, present and future, one who supports, sustains and governs the Universe. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/india-the-god-vishnu-seated-holding-lotus-flowers-fanned-by-an-attendant-mankot-basohli-pahari-c-1750-ce-vishnu-sanskrit-viu-is-the-supreme-god-in-the-vaishnavite-tradition-of-hinduism-smarta-followers-of-adi-shankara-among-others-venerate-vishnu-as-one-of-the-five-primary-forms-of-god-the-vishnu-sahasranama-declares-vishnu-as-paramatma-supreme-soul-and-parameshwara-supreme-god-it-describes-vishnu-as-the-all-pervading-essence-of-all-beings-the-master-of-and-beyond-the-past-present-and-future-one-who-supports-sustains-and-governs-the-universe-image344240461.htmlRM2B01E65–India: The God Vishnu seated, holding lotus flowers, fanned by an attendant. Mankot-Basohli, Pahari, c. 1750 CE. Vishnu (Sanskrit विष्णु Viṣṇu) is the Supreme god in the Vaishnavite tradition of Hinduism. Smarta followers of Adi Shankara, among others, venerate Vishnu as one of the five primary forms of God. The Vishnu Sahasranama declares Vishnu as Paramatma (supreme soul) and Parameshwara (supreme God). It describes Vishnu as the All-Pervading essence of all beings, the master of - and beyond - the past, present and future, one who supports, sustains and governs the Universe.
Art inspired by Kalki Avatar, the Future Incarnation of Vishnu, ca. 1700–1710, India (Basohli, Jammu), Ink, opaque watercolor, and gold on paper, Image: 6 3/4 x 10 1/2 in. (17.1 x 26.7 cm), Paintings, Sets of the avatars of Vishnu often precede manuscripts that concern one of his, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-kalki-avatar-the-future-incarnation-of-vishnu-ca-17001710-india-basohli-jammu-ink-opaque-watercolor-and-gold-on-paper-image-6-34-x-10-12-in-171-x-267-cm-paintings-sets-of-the-avatars-of-vishnu-often-precede-manuscripts-that-concern-one-of-his-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462907211.htmlRF2HW36TB–Art inspired by Kalki Avatar, the Future Incarnation of Vishnu, ca. 1700–1710, India (Basohli, Jammu), Ink, opaque watercolor, and gold on paper, Image: 6 3/4 x 10 1/2 in. (17.1 x 26.7 cm), Paintings, Sets of the avatars of Vishnu often precede manuscripts that concern one of his, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Ragini Vairati 1700 Pahari Basohli India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ragini-vairati-1700-pahari-basohli-india-54187551.htmlRMD44CNK–Ragini Vairati 1700 Pahari Basohli India
Art inspired by Maharaja Sital Dev in Devotion, ca. 1690, India (Punjab Hills, Basohli), Ink, opaque watercolor, and silver on paper, Image: 5 5/8 x 4 5/8 in. (14.3 x 11.7 cm), Paintings, The image of the blind raja Sital Dev stands apart from other dynastic portraits. Here, the focus, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-maharaja-sital-dev-in-devotion-ca-1690-india-punjab-hills-basohli-ink-opaque-watercolor-and-silver-on-paper-image-5-58-x-4-58-in-143-x-117-cm-paintings-the-image-of-the-blind-raja-sital-dev-stands-apart-from-other-dynastic-portraits-here-the-focus-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462768257.htmlRF2HTTWHN–Art inspired by Maharaja Sital Dev in Devotion, ca. 1690, India (Punjab Hills, Basohli), Ink, opaque watercolor, and silver on paper, Image: 5 5/8 x 4 5/8 in. (14.3 x 11.7 cm), Paintings, The image of the blind raja Sital Dev stands apart from other dynastic portraits. Here, the focus, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Kalki Avatar, the Future Incarnation of Vishnu. Culture: India (Basohli, Jammu). Dimensions: Image: 6 3/4 x 10 1/2 in. (17.1 x 26.7 cm) Overall (page): 8 1/16 x 11 15/16 in. (20.5 x 30.3 cm). Date: ca. 1700-1710. Sets of the avatars of Vishnu often precede manuscripts that concern one of his incarnations, but this page cannot be associated with any known set. Kalki is described as either a white horse or a warrior on a white horse. In paintings from the Punjab Hills he is usually shown, as here, in the guise of a groom leading a white horse to a seated warrior with blue skin, the color tradi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kalki-avatar-the-future-incarnation-of-vishnu-culture-india-basohli-jammu-dimensions-image-6-34-x-10-12-in-171-x-267-cm-overall-page-8-116-x-11-1516-in-205-x-303-cm-date-ca-1700-1710-sets-of-the-avatars-of-vishnu-often-precede-manuscripts-that-concern-one-of-his-incarnations-but-this-page-cannot-be-associated-with-any-known-set-kalki-is-described-as-either-a-white-horse-or-a-warrior-on-a-white-horse-in-paintings-from-the-punjab-hills-he-is-usually-shown-as-here-in-the-guise-of-a-groom-leading-a-white-horse-to-a-seated-warrior-with-blue-skin-the-color-tradi-image213167946.htmlRMPAPHTX–Kalki Avatar, the Future Incarnation of Vishnu. Culture: India (Basohli, Jammu). Dimensions: Image: 6 3/4 x 10 1/2 in. (17.1 x 26.7 cm) Overall (page): 8 1/16 x 11 15/16 in. (20.5 x 30.3 cm). Date: ca. 1700-1710. Sets of the avatars of Vishnu often precede manuscripts that concern one of his incarnations, but this page cannot be associated with any known set. Kalki is described as either a white horse or a warrior on a white horse. In paintings from the Punjab Hills he is usually shown, as here, in the guise of a groom leading a white horse to a seated warrior with blue skin, the color tradi
Art inspired by Shiva and Parvati Playing Chaupar: Folio from a Rasamanjari Series, dated 1694–95, India (Basohli, Jammu), Opaque watercolor, ink, silver, and gold on paper, Image: 6 1/2 x 10 7/8 in. (16.5 x 27.6 cm), Paintings, Devidasa of Nurpur (active ca. 1680–ca. 1720), This, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-shiva-and-parvati-playing-chaupar-folio-from-a-rasamanjari-series-dated-169495-india-basohli-jammu-opaque-watercolor-ink-silver-and-gold-on-paper-image-6-12-x-10-78-in-165-x-276-cm-paintings-devidasa-of-nurpur-active-ca-1680ca-1720-this-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462907309.htmlRF2HW36YW–Art inspired by Shiva and Parvati Playing Chaupar: Folio from a Rasamanjari Series, dated 1694–95, India (Basohli, Jammu), Opaque watercolor, ink, silver, and gold on paper, Image: 6 1/2 x 10 7/8 in. (16.5 x 27.6 cm), Paintings, Devidasa of Nurpur (active ca. 1680–ca. 1720), This, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Kalki Avatar the Future Incarnation of Vishnu Shiva and Parvati Playing Chaupar Rasamanjari 700 India Basohli Jammu Indian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kalki-avatar-the-future-incarnation-of-vishnu-shiva-and-parvati-playing-51175012.htmlRMCY7670–Kalki Avatar the Future Incarnation of Vishnu Shiva and Parvati Playing Chaupar Rasamanjari 700 India Basohli Jammu Indian
Kalki Avatar, the Future Incarnation of Vishnu ca. 1700–1710 India (Basohli, Jammu) Sets of the avatars of Vishnu often precede manuscripts that concern one of his incarnations, but this page cannot be associated with any known set. Kalki is described as either a white horse or a warrior on a white horse. In paintings from the Punjab Hills he is usually shown, as here, in the guise of a groom leading a white horse to a seated warrior with blue skin, the color traditionally associated with Vishnu. Several elements—the use of beetle-wing cases to simulate emeralds, the patterning of the saddle b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kalki-avatar-the-future-incarnation-of-vishnu-ca-17001710-india-basohli-jammu-sets-of-the-avatars-of-vishnu-often-precede-manuscripts-that-concern-one-of-his-incarnations-but-this-page-cannot-be-associated-with-any-known-set-kalki-is-described-as-either-a-white-horse-or-a-warrior-on-a-white-horse-in-paintings-from-the-punjab-hills-he-is-usually-shown-as-here-in-the-guise-of-a-groom-leading-a-white-horse-to-a-seated-warrior-with-blue-skin-the-color-traditionally-associated-with-vishnu-several-elementsthe-use-of-beetle-wing-cases-to-simulate-emeralds-the-patterning-of-the-saddle-b-image458426658.htmlRM2HHR3TJ–Kalki Avatar, the Future Incarnation of Vishnu ca. 1700–1710 India (Basohli, Jammu) Sets of the avatars of Vishnu often precede manuscripts that concern one of his incarnations, but this page cannot be associated with any known set. Kalki is described as either a white horse or a warrior on a white horse. In paintings from the Punjab Hills he is usually shown, as here, in the guise of a groom leading a white horse to a seated warrior with blue skin, the color traditionally associated with Vishnu. Several elements—the use of beetle-wing cases to simulate emeralds, the patterning of the saddle b
Maharaja Sital Dev in Devotion, ca. 1690, India (Punjab Hills, Basohli), Ink, opaque watercolor, and silver on paper, Image: 5 5 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-maharaja-sital-dev-in-devotion-ca-1690-india-punjab-hills-basohli-162555927.htmlRMKCD1MR–Maharaja Sital Dev in Devotion, ca. 1690, India (Punjab Hills, Basohli), Ink, opaque watercolor, and silver on paper, Image: 5 5
Raja Amrit Pal (Reigned 1757-1776) of Basohli M.80.223.1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-raja-amrit-pal-reigned-1757-1776-of-basohli-m802231-58968258.htmlRMDBX6H6–Raja Amrit Pal (Reigned 1757-1776) of Basohli M.80.223.1
Emperor Shah Jahan (1592-1666), 5th Mughal Emperor (1628-1658), portrait painting, circa 1690 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/emperor-shah-jahan-1592-1666-5th-mughal-emperor-1628-1658-portrait-painting-circa-1690-image429406129.htmlRM2FXH3W5–Emperor Shah Jahan (1592-1666), 5th Mughal Emperor (1628-1658), portrait painting, circa 1690
Kalki Avatar, the Future Incarnation of Vishnu, ca. 1700–1710 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-kalki-avatar-the-future-incarnation-of-vishnu-ca-17001710-162560597.htmlRMKCD7KH–Kalki Avatar, the Future Incarnation of Vishnu, ca. 1700–1710
Kalki Avatar, the Future Incarnation of Vishnu: Page from a Dispersed Manuscript. Culture: India (Punjab Hills, Guler). Dimensions: 6 1/4 x 8 3/8 in. (15.9 x 21.3 cm). Date: ca. 1760-70. It is interesting to compare this version of Kalki Avatar with an earlier Basohli example (1991.32.1) in the collection. The basic format is the same, though the entire composition has been flopped. The Basohli work probably formed the inspiration for the present one. Here, the shallower space of the earlier picture has become deeper. The groom and horse inhabit the foreground; the hero, the middle ground; Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kalki-avatar-the-future-incarnation-of-vishnu-page-from-a-dispersed-manuscript-culture-india-punjab-hills-guler-dimensions-6-14-x-8-38-in-159-x-213-cm-date-ca-1760-70-it-is-interesting-to-compare-this-version-of-kalki-avatar-with-an-earlier-basohli-example-1991321-in-the-collection-the-basic-format-is-the-same-though-the-entire-composition-has-been-flopped-the-basohli-work-probably-formed-the-inspiration-for-the-present-one-here-the-shallower-space-of-the-earlier-picture-has-become-deeper-the-groom-and-horse-inhabit-the-foreground-the-hero-the-middle-ground-image213502330.htmlRMPB9TB6–Kalki Avatar, the Future Incarnation of Vishnu: Page from a Dispersed Manuscript. Culture: India (Punjab Hills, Guler). Dimensions: 6 1/4 x 8 3/8 in. (15.9 x 21.3 cm). Date: ca. 1760-70. It is interesting to compare this version of Kalki Avatar with an earlier Basohli example (1991.32.1) in the collection. The basic format is the same, though the entire composition has been flopped. The Basohli work probably formed the inspiration for the present one. Here, the shallower space of the earlier picture has become deeper. The groom and horse inhabit the foreground; the hero, the middle ground;
Art inspired by A Courtesan and Her Lover Estranged by a Quarrel: Page from a Rasamanjari series, dated 1694–95, India (Punjab Hills, Basohli), Opaque watercolor, ink, silver, and gold on paper, Overall: 8 5/8 x 12 3/4in. (21.9 x 32.4cm), Paintings, Devidasa of Nurpur (active ca. 1680–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-courtesan-and-her-lover-estranged-by-a-quarrel-page-from-a-rasamanjari-series-dated-169495-india-punjab-hills-basohli-opaque-watercolor-ink-silver-and-gold-on-paper-overall-8-58-x-12-34in-219-x-324cm-paintings-devidasa-of-nurpur-active-ca-1680-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462907299.htmlRF2HW36YF–Art inspired by A Courtesan and Her Lover Estranged by a Quarrel: Page from a Rasamanjari series, dated 1694–95, India (Punjab Hills, Basohli), Opaque watercolor, ink, silver, and gold on paper, Overall: 8 5/8 x 12 3/4in. (21.9 x 32.4cm), Paintings, Devidasa of Nurpur (active ca. 1680–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Kalki Avatar, the Future Incarnation of Vishnu: Page from a Dispersed Manuscript, ca. 1760–70 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-kalki-avatar-the-future-incarnation-of-vishnu-page-from-a-dispersed-162407694.htmlRMKC68JP–Kalki Avatar, the Future Incarnation of Vishnu: Page from a Dispersed Manuscript, ca. 1760–70
Maharaja Sital Dev in Devotion. Culture: India (Punjab Hills, Basohli). Dimensions: Image: 5 5/8 x 4 5/8 in. (14.3 x 11.7 cm) Page: 7 1/4 x 6 1/4 in. (18.4 x 15.9 cm). Date: ca. 1690. The image of the blind raja Sital Dev stands apart from other dynastic portraits. Here, the focus is on his private devotion, as he sits holding a mala (rosary) and reciting mantras. Not only is he unattended, but his surroundings are simple and stripped of the iconography of kingship. The immediacy and poignancy of the depiction is surprising since it dates to more than thirty years after Sital Dev's death and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maharaja-sital-dev-in-devotion-culture-india-punjab-hills-basohli-dimensions-image-5-58-x-4-58-in-143-x-117-cm-page-7-14-x-6-14-in-184-x-159-cm-date-ca-1690-the-image-of-the-blind-raja-sital-dev-stands-apart-from-other-dynastic-portraits-here-the-focus-is-on-his-private-devotion-as-he-sits-holding-a-mala-rosary-and-reciting-mantras-not-only-is-he-unattended-but-his-surroundings-are-simple-and-stripped-of-the-iconography-of-kingship-the-immediacy-and-poignancy-of-the-depiction-is-surprising-since-it-dates-to-more-than-thirty-years-after-sital-devs-death-and-image213197704.htmlRMPARYRM–Maharaja Sital Dev in Devotion. Culture: India (Punjab Hills, Basohli). Dimensions: Image: 5 5/8 x 4 5/8 in. (14.3 x 11.7 cm) Page: 7 1/4 x 6 1/4 in. (18.4 x 15.9 cm). Date: ca. 1690. The image of the blind raja Sital Dev stands apart from other dynastic portraits. Here, the focus is on his private devotion, as he sits holding a mala (rosary) and reciting mantras. Not only is he unattended, but his surroundings are simple and stripped of the iconography of kingship. The immediacy and poignancy of the depiction is surprising since it dates to more than thirty years after Sital Dev's death and
Art inspired by Kalki Avatar, the Future Incarnation of Vishnu: Page from a Dispersed Manuscript, ca. 1760–70, India (Punjab Hills, Guler), Ink and opaque watercolor on paper, 6 1/4 x 8 3/8 in. (15.9 x 21.3 cm), Paintings, It is interesting to compare this version of Kalki Avatar with, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-kalki-avatar-the-future-incarnation-of-vishnu-page-from-a-dispersed-manuscript-ca-176070-india-punjab-hills-guler-ink-and-opaque-watercolor-on-paper-6-14-x-8-38-in-159-x-213-cm-paintings-it-is-interesting-to-compare-this-version-of-kalki-avatar-with-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462907314.htmlRF2HW3702–Art inspired by Kalki Avatar, the Future Incarnation of Vishnu: Page from a Dispersed Manuscript, ca. 1760–70, India (Punjab Hills, Guler), Ink and opaque watercolor on paper, 6 1/4 x 8 3/8 in. (15.9 x 21.3 cm), Paintings, It is interesting to compare this version of Kalki Avatar with, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Shiva and Parvati Playing Chaupar: Folio from a Rasamanjari Series, Devidasa of Nurpur, dated 1694–95 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-shiva-and-parvati-playing-chaupar-folio-from-a-rasamanjari-series-162560057.htmlRMKCD709–Shiva and Parvati Playing Chaupar: Folio from a Rasamanjari Series, Devidasa of Nurpur, dated 1694–95
A Courtesan and Her Lover Estranged by a Quarrel: Page from a Rasamanjari series. Artist: Devidasa of Nurpur (active ca. 1680-ca. 1720). Culture: India (Punjab Hills, Basohli). Dimensions: Overall: 8 5/8 x 12 3/4in. (21.9 x 32.4cm) Painting within rules: 6 3/4 x 11 1/4 in. (17.2 x 28.6 cm). Date: dated 1694-95. The Rasamanjari (Essence of the Experience of Delight) is a series of late fifteenth-century poems that subtly categorizes amorous situations, moods, and physical traits of women. In this image, the half-open doorway alludes to the lover's hasty departure from the palace of his mistr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-courtesan-and-her-lover-estranged-by-a-quarrel-page-from-a-rasamanjari-series-artist-devidasa-of-nurpur-active-ca-1680-ca-1720-culture-india-punjab-hills-basohli-dimensions-overall-8-58-x-12-34in-219-x-324cm-painting-within-rules-6-34-x-11-14-in-172-x-286-cm-date-dated-1694-95-the-rasamanjari-essence-of-the-experience-of-delight-is-a-series-of-late-fifteenth-century-poems-that-subtly-categorizes-amorous-situations-moods-and-physical-traits-of-women-in-this-image-the-half-open-doorway-alludes-to-the-lovers-hasty-departure-from-the-palace-of-his-mistr-image213152686.htmlRMPANXBX–A Courtesan and Her Lover Estranged by a Quarrel: Page from a Rasamanjari series. Artist: Devidasa of Nurpur (active ca. 1680-ca. 1720). Culture: India (Punjab Hills, Basohli). Dimensions: Overall: 8 5/8 x 12 3/4in. (21.9 x 32.4cm) Painting within rules: 6 3/4 x 11 1/4 in. (17.2 x 28.6 cm). Date: dated 1694-95. The Rasamanjari (Essence of the Experience of Delight) is a series of late fifteenth-century poems that subtly categorizes amorous situations, moods, and physical traits of women. In this image, the half-open doorway alludes to the lover's hasty departure from the palace of his mistr
A Courtesan and Her Lover Estranged by a Quarrel: Page from a Rasamanjari series, Devidasa of Nurpur, dated 1694–95 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-a-courtesan-and-her-lover-estranged-by-a-quarrel-page-from-a-rasamanjari-162407691.htmlRMKC68JK–A Courtesan and Her Lover Estranged by a Quarrel: Page from a Rasamanjari series, Devidasa of Nurpur, dated 1694–95
