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Battle of munda Stock Photos and Images
Caesar's Civil War. Gaius Julius Caesar (100-44 B.C), known as Julius Caesar, Roman politician, general, and author of Latin prose, in the Battle of Munda (45 B.C.) against the Optimates. Southern Hispania. Engraving by Serra in 'Historia de Espana Ilustrada', 1871. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-caesars-civil-war-gaius-julius-caesar-100-44-bc-known-as-julius-caesar-134819183.htmlRMHR9F6R–Caesar's Civil War. Gaius Julius Caesar (100-44 B.C), known as Julius Caesar, Roman politician, general, and author of Latin prose, in the Battle of Munda (45 B.C.) against the Optimates. Southern Hispania. Engraving by Serra in 'Historia de Espana Ilustrada', 1871.
Caesar's Civil War. Gaius Julius Caesar (100-44 B.C), known as Julius Caesar, Roman politician, general, and author of Latin prose, in the Battle of Munda (45 B.C.) against the Optimates. Southern Hispania. Engraving by Serra in 'Historia de Espana Ilustrada', 1871. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caesars-civil-war-gaius-julius-caesar-100-44-bc-known-as-julius-caesar-roman-politician-general-and-author-of-latin-prose-in-the-battle-of-munda-45-bc-against-the-optimates-southern-hispania-engraving-by-serra-in-historia-de-espana-ilustrada-1871-image220321657.htmlRMPPCEEH–Caesar's Civil War. Gaius Julius Caesar (100-44 B.C), known as Julius Caesar, Roman politician, general, and author of Latin prose, in the Battle of Munda (45 B.C.) against the Optimates. Southern Hispania. Engraving by Serra in 'Historia de Espana Ilustrada', 1871.
Jun. 06, 1969 - Auditions for Caesar's Triumphal procession scene in Peter Snell's production of ''Julius Caesar'' : About a hundred girls today took part in auditions at the Criterion Theater today, in order to find 12 beautiful girls to take part in the recreation of Caesar's triumphant s return to Rome following his defeat of Pompey's sons at the Battle of Munda, which will from the opening sequence of Peter Snell's ambitious new screen production of Shakespeare's immortal classic ''Julius Cansar'', for Commonwealth United Release Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jun-06-1969-auditions-for-caesars-triumphal-procession-scene-in-peter-image69441772.htmlRME0Y9K8–Jun. 06, 1969 - Auditions for Caesar's Triumphal procession scene in Peter Snell's production of ''Julius Caesar'' : About a hundred girls today took part in auditions at the Criterion Theater today, in order to find 12 beautiful girls to take part in the recreation of Caesar's triumphant s return to Rome following his defeat of Pompey's sons at the Battle of Munda, which will from the opening sequence of Peter Snell's ambitious new screen production of Shakespeare's immortal classic ''Julius Cansar'', for Commonwealth United Release
Jan 1st 2020 - Montilla, Spain: Munda battle wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-1st-2020-montilla-spain-munda-battle-wall-painting-at-montilla-builing-cordoba-andalusia-spain-painter-gisel-rosso-image438831655.htmlRF2GDXE73–Jan 1st 2020 - Montilla, Spain: Munda battle wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso
172nd Infantry at Battle for Munda, 1943, WWII. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/172nd-infantry-at-battle-for-munda-1943-wwii-image209607744.htmlRMP50CPT–172nd Infantry at Battle for Munda, 1943, WWII.
The Roman Theater of Acinipo, Spain, a city founded by retired legions after the battle of Munda more than 2,000 years ago. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-roman-theater-of-acinipo-spain-a-city-founded-by-retired-legions-after-the-battle-of-munda-more-than-2000-years-ago-image260278796.htmlRFW3CM78–The Roman Theater of Acinipo, Spain, a city founded by retired legions after the battle of Munda more than 2,000 years ago.
Wounded U.S. soldiers on stretchers aboard a transport at Munda Point, New Georgia. Battle of Munda Point (July 22 -Aug. 4, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wounded-us-soldiers-on-stretchers-aboard-a-transport-at-munda-point-image69738399.htmlRME1CT13–Wounded U.S. soldiers on stretchers aboard a transport at Munda Point, New Georgia. Battle of Munda Point (July 22 -Aug. 4,
Art inspired by Kali Presenting the Heads of Chanda and Munda to Durga: Scene from the Devi Mahatmya (Glory of the Goddess), ca. 1780, India (Himachal Pradesh, Guler), Graphite and ink on paper, 5 5/8 x 7 9/16 in. (14.3 x 19.2 cm), Paintings, In order to engage in battle, Durga, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-kali-presenting-the-heads-of-chanda-and-munda-to-durga-scene-from-the-devi-mahatmya-glory-of-the-goddess-ca-1780-india-himachal-pradesh-guler-graphite-and-ink-on-paper-5-58-x-7-916-in-143-x-192-cm-paintings-in-order-to-engage-in-battle-durga-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462907464.htmlRF2HW375C–Art inspired by Kali Presenting the Heads of Chanda and Munda to Durga: Scene from the Devi Mahatmya (Glory of the Goddess), ca. 1780, India (Himachal Pradesh, Guler), Graphite and ink on paper, 5 5/8 x 7 9/16 in. (14.3 x 19.2 cm), Paintings, In order to engage in battle, Durga, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya, ca. 1780 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-durga-and-kali-approach-the-gathered-armies-of-chanda-and-munda-scene-162555802.htmlRMKCD1GA–Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya, ca. 1780
Kali battles the demons Chanda and Munda. Indian miniature painting, Guler, India. c. 1825-35. Goddess with two pairs of arms sitting on a tiger fighting all kinds of demons in misshapen forms. The scene is framed by a wide black border with white frame lines and around it a pink and red dotted wide border with an inscription in Indian script above. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kali-battles-the-demons-chanda-and-munda-indian-miniature-painting-guler-india-c-1825-35-goddess-with-two-pairs-of-arms-sitting-on-a-tiger-fighting-all-kinds-of-demons-in-misshapen-forms-the-scene-is-framed-by-a-wide-black-border-with-white-frame-lines-and-around-it-a-pink-and-red-dotted-wide-border-with-an-inscription-in-indian-script-above-image601443832.htmlRM2WXE3MT–Kali battles the demons Chanda and Munda. Indian miniature painting, Guler, India. c. 1825-35. Goddess with two pairs of arms sitting on a tiger fighting all kinds of demons in misshapen forms. The scene is framed by a wide black border with white frame lines and around it a pink and red dotted wide border with an inscription in Indian script above.
1943 Daily Mail front page reporting Allied invasion of Sicily, Battle of Kursk and Japanese Army cut off at Munda Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1943-daily-mail-front-page-reporting-allied-invasion-of-sicily-battle-of-kursk-and-japanese-army-cut-off-at-munda-image599946676.htmlRM2WT1X30–1943 Daily Mail front page reporting Allied invasion of Sicily, Battle of Kursk and Japanese Army cut off at Munda
Julius Caesar and the foundation of the Roman imperial system . Caesar in RomeâTriumphâLeaves for SpainâLastcampaign and battle of Munda. CHAPTER XVIII. Cesars use of absolute power (49-44 b.c.) . 326 The revolutionary tendencies to which Caesar gave expressionâReconstruction of the machinery of governmentâGradualincrease of Caesars absolute powerâHis views for the futureâOctaviusâCaesars social legislationâSocial and economic XIV Contents, state of the empireâHis care for the provincesâPoliticalre-organizationâThe empire in a state of chaosâTwoprinciples of later imperial government initiated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/julius-caesar-and-the-foundation-of-the-roman-imperial-system-caesar-in-rometriumphleaves-for-spainlastcampaign-and-battle-of-munda-chapter-xviii-cesars-use-of-absolute-power-49-44-bc-326-the-revolutionary-tendencies-to-which-caesar-gave-expressionreconstruction-of-the-machinery-of-governmentgradualincrease-of-caesars-absolute-powerhis-views-for-the-futureoctaviuscaesars-social-legislationsocial-and-economic-xiv-contents-state-of-the-empirehis-care-for-the-provincespoliticalre-organizationthe-empire-in-a-state-of-chaostwoprinciples-of-later-imperial-government-initiated-image343110327.htmlRM2AX60M7–Julius Caesar and the foundation of the Roman imperial system . Caesar in RomeâTriumphâLeaves for SpainâLastcampaign and battle of Munda. CHAPTER XVIII. Cesars use of absolute power (49-44 b.c.) . 326 The revolutionary tendencies to which Caesar gave expressionâReconstruction of the machinery of governmentâGradualincrease of Caesars absolute powerâHis views for the futureâOctaviusâCaesars social legislationâSocial and economic XIV Contents, state of the empireâHis care for the provincesâPoliticalre-organizationâThe empire in a state of chaosâTwoprinciples of later imperial government initiated
Kali strijdt tegen de demonen Chanda en Munda the goddess with two pairs of arms and sitting on a tiger in battle with various demons misshapen forms. The show is framed by a black border with white frame lines and surrounded by a pink to red dotted wide rim with an inscription at the top and red line will manufacture manufacturer: artist: anonymous place manufacture: Guler Date: ca. 1825 - ca. 1835 Physical features: gouache in colors and gold material : paper gouache (watercolor) Technique: brush dimensions: sheet: 277 mm × h 334 mmbeeld b: h 170 mm × W 241 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kali-strijdt-tegen-de-demonen-chanda-en-munda-the-goddess-with-two-pairs-of-arms-and-sitting-on-a-tiger-in-battle-with-various-demons-misshapen-forms-the-show-is-framed-by-a-black-border-with-white-frame-lines-and-surrounded-by-a-pink-to-red-dotted-wide-rim-with-an-inscription-at-the-top-and-red-line-will-manufacture-manufacturer-artist-anonymous-place-manufacture-guler-date-ca-1825-ca-1835-physical-features-gouache-in-colors-and-gold-material-paper-gouache-watercolor-technique-brush-dimensions-sheet-277-mm-h-334-mmbeeld-b-h-170-mm-w-241-mm-image348490006.htmlRM2B6Y2FJ–Kali strijdt tegen de demonen Chanda en Munda the goddess with two pairs of arms and sitting on a tiger in battle with various demons misshapen forms. The show is framed by a black border with white frame lines and surrounded by a pink to red dotted wide rim with an inscription at the top and red line will manufacture manufacturer: artist: anonymous place manufacture: Guler Date: ca. 1825 - ca. 1835 Physical features: gouache in colors and gold material : paper gouache (watercolor) Technique: brush dimensions: sheet: 277 mm × h 334 mmbeeld b: h 170 mm × W 241 mm
Dressing Station on Rendova -- Sloping in the mud under the palm trees on Rendova Island, Navy Physicians and hospital corpsmen gather round the litters to dress the wounds of Marines carried back from the battle lines during the attack which swept the Japs from the Island and gave U.S. forces a base for the attack which captured Munda point airbase. August 11, 1943. (Photo by AP Wirephoto). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dressing-station-on-rendova-sloping-in-the-mud-under-the-palm-trees-on-rendova-island-navy-physicians-and-hospital-corpsmen-gather-round-the-litters-to-dress-the-wounds-of-marines-carried-back-from-the-battle-lines-during-the-attack-which-swept-the-japs-from-the-island-and-gave-us-forces-a-base-for-the-attack-which-captured-munda-point-airbase-august-11-1943-photo-by-ap-wirephoto-image463563605.htmlRM2HX5431–Dressing Station on Rendova -- Sloping in the mud under the palm trees on Rendova Island, Navy Physicians and hospital corpsmen gather round the litters to dress the wounds of Marines carried back from the battle lines during the attack which swept the Japs from the Island and gave U.S. forces a base for the attack which captured Munda point airbase. August 11, 1943. (Photo by AP Wirephoto).
Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya ca. 1780 India (Himachal Pradesh, Guler) The second great battle in the Devi Mahatmya occurs when Durga tells the terrible demon Shumbha that she will only marry a man who defeats her in battle. He responds by sending the demons Chanda and Munda and their armies to drag her back by her hair for her insolence. After Durga manifests Kali from her brow, the two enter the battle. This work directly corresponds to the text, which describes Kali, looking gruesome with emaciated skin, devouring elephants and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/durga-and-kali-approach-the-gathered-armies-of-chanda-and-munda-scene-from-the-devi-mahatmya-ca-1780-india-himachal-pradesh-guler-the-second-great-battle-in-the-devi-mahatmya-occurs-when-durga-tells-the-terrible-demon-shumbha-that-she-will-only-marry-a-man-who-defeats-her-in-battle-he-responds-by-sending-the-demons-chanda-and-munda-and-their-armies-to-drag-her-back-by-her-hair-for-her-insolence-after-durga-manifests-kali-from-her-brow-the-two-enter-the-battle-this-work-directly-corresponds-to-the-text-which-describes-kali-looking-gruesome-with-emaciated-skin-devouring-elephants-and-image458424692.htmlRM2HHR1AC–Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya ca. 1780 India (Himachal Pradesh, Guler) The second great battle in the Devi Mahatmya occurs when Durga tells the terrible demon Shumbha that she will only marry a man who defeats her in battle. He responds by sending the demons Chanda and Munda and their armies to drag her back by her hair for her insolence. After Durga manifests Kali from her brow, the two enter the battle. This work directly corresponds to the text, which describes Kali, looking gruesome with emaciated skin, devouring elephants and
Marcus Vipsanius Agrippa (64/63–12 BC). Roman statesman and general. Statue from the Merida Forum (1st century AD). Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marcus-vipsanius-agrippa-646312-bc-roman-statesman-and-general-statue-55530654.htmlRMD69HWJ–Marcus Vipsanius Agrippa (64/63–12 BC). Roman statesman and general. Statue from the Merida Forum (1st century AD). Spain.
Kali Presenting the Heads of Chanda and Munda to Durga: Scene from the Devi Mahatmya (Glory of the Goddess) ca. 1780 India (Himachal Pradesh, Guler) In order to engage in battle, Durga manifests as the fierce, emaciated goddess Kali. At the center of the frenzied battle, together with her lion vehicle (vahana), Kali beheads the demons Chanda and Munda. In the upper right, both goddesses appear: Kali presents the heads of the demons to Durga, who is shown in a benign form with many arms and holding a trident. In turn, Durga bestows the name Chamunda on her terrible manifestation.. Kali Presenti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kali-presenting-the-heads-of-chanda-and-munda-to-durga-scene-from-the-devi-mahatmya-glory-of-the-goddess-ca-1780-india-himachal-pradesh-guler-in-order-to-engage-in-battle-durga-manifests-as-the-fierce-emaciated-goddess-kali-at-the-center-of-the-frenzied-battle-together-with-her-lion-vehicle-vahana-kali-beheads-the-demons-chanda-and-munda-in-the-upper-right-both-goddesses-appear-kali-presents-the-heads-of-the-demons-to-durga-who-is-shown-in-a-benign-form-with-many-arms-and-holding-a-trident-in-turn-durga-bestows-the-name-chamunda-on-her-terrible-manifestation-kali-presenti-image458176790.htmlRM2HHBN4P–Kali Presenting the Heads of Chanda and Munda to Durga: Scene from the Devi Mahatmya (Glory of the Goddess) ca. 1780 India (Himachal Pradesh, Guler) In order to engage in battle, Durga manifests as the fierce, emaciated goddess Kali. At the center of the frenzied battle, together with her lion vehicle (vahana), Kali beheads the demons Chanda and Munda. In the upper right, both goddesses appear: Kali presents the heads of the demons to Durga, who is shown in a benign form with many arms and holding a trident. In turn, Durga bestows the name Chamunda on her terrible manifestation.. Kali Presenti
Jan 1st 2020 - Montilla, Spain: Munda battle wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-1st-2020-montilla-spain-munda-battle-wall-painting-at-montilla-builing-cordoba-andalusia-spain-painter-gisel-rosso-image448655355.htmlRM2H1X0DF–Jan 1st 2020 - Montilla, Spain: Munda battle wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso
Casualties shown lying on stretchers aboard lighter, Munda Point, New Georgia. Ca. July/August 1943. Wedlinger. (Army) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-casualties-shown-lying-on-stretchers-aboard-lighter-munda-point-new-76279733.htmlRFEC2RG5–Casualties shown lying on stretchers aboard lighter, Munda Point, New Georgia. Ca. July/August 1943. Wedlinger. (Army)
Utrecht, Netherlands. 06th Sep, 2022. Utrecht, Netherlands, October 27th 2022: Aslaug Munda Gunnlaugsdottir (19 Iceland) and Renate Jansen (13 Netherlands) battle for the ball during the 2023 FIFA Womens World Cup Qualifier fixture between Netherlands and Iceland at the Station Galgenwaard, Utrecht. (James Whitehead/SPP) Credit: SPP Sport Press Photo. /Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/utrecht-netherlands-06th-sep-2022-utrecht-netherlands-october-27th-2022-aslaug-munda-gunnlaugsdottir-19-iceland-and-renate-jansen-13-netherlands-battle-for-the-ball-during-the-2023-fifa-womens-world-cup-qualifier-fixture-between-netherlands-and-iceland-at-the-station-galgenwaard-utrecht-james-whiteheadspp-credit-spp-sport-press-photo-alamy-live-news-image494950919.htmlRM2KN6XXF–Utrecht, Netherlands. 06th Sep, 2022. Utrecht, Netherlands, October 27th 2022: Aslaug Munda Gunnlaugsdottir (19 Iceland) and Renate Jansen (13 Netherlands) battle for the ball during the 2023 FIFA Womens World Cup Qualifier fixture between Netherlands and Iceland at the Station Galgenwaard, Utrecht. (James Whitehead/SPP) Credit: SPP Sport Press Photo. /Alamy Live News
Kali Presenting the Heads of Chanda and Munda to Durga: Scene from the Devi Mahatmya (Glory of the Goddess). Culture: India (Himachal Pradesh, Guler). Dimensions: 5 5/8 x 7 9/16 in. (14.3 x 19.2 cm). Date: ca. 1780. In order to engage in battle, Durga manifests as the fierce, emaciated goddess Kali. At the center of the frenzied battle, together with her lion vehicle (vahana), Kali beheads the demons Chanda and Munda. In the upper right, both goddesses appear: Kali presents the heads of the demons to Durga, who is shown in a benign form with many arms and holding a trident. In turn, Durga bes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kali-presenting-the-heads-of-chanda-and-munda-to-durga-scene-from-the-devi-mahatmya-glory-of-the-goddess-culture-india-himachal-pradesh-guler-dimensions-5-58-x-7-916-in-143-x-192-cm-date-ca-1780-in-order-to-engage-in-battle-durga-manifests-as-the-fierce-emaciated-goddess-kali-at-the-center-of-the-frenzied-battle-together-with-her-lion-vehicle-vahana-kali-beheads-the-demons-chanda-and-munda-in-the-upper-right-both-goddesses-appear-kali-presents-the-heads-of-the-demons-to-durga-who-is-shown-in-a-benign-form-with-many-arms-and-holding-a-trident-in-turn-durga-bes-image213208984.htmlRMPATE6G–Kali Presenting the Heads of Chanda and Munda to Durga: Scene from the Devi Mahatmya (Glory of the Goddess). Culture: India (Himachal Pradesh, Guler). Dimensions: 5 5/8 x 7 9/16 in. (14.3 x 19.2 cm). Date: ca. 1780. In order to engage in battle, Durga manifests as the fierce, emaciated goddess Kali. At the center of the frenzied battle, together with her lion vehicle (vahana), Kali beheads the demons Chanda and Munda. In the upper right, both goddesses appear: Kali presents the heads of the demons to Durga, who is shown in a benign form with many arms and holding a trident. In turn, Durga bes
Casualties shown lying on stretchers aboard lighter, Munda Point, New Georgia. Ca. July/August 1943. Wedlinger. (Army) Exact Date Shot Unknown NARA FILE #: 111-SC-180534 WAR & CONFLICT BOOK #: 914 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-casualties-shown-lying-on-stretchers-aboard-lighter-munda-point-new-133016239.htmlRFHMBBFY–Casualties shown lying on stretchers aboard lighter, Munda Point, New Georgia. Ca. July/August 1943. Wedlinger. (Army) Exact Date Shot Unknown NARA FILE #: 111-SC-180534 WAR & CONFLICT BOOK #: 914
Jan 1st 2020 - Montilla, Spain: Munda battle wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-1st-2020-montilla-spain-munda-battle-wall-painting-at-montilla-builing-cordoba-andalusia-spain-painter-gisel-rosso-image438831642.htmlRF2GDXE6J–Jan 1st 2020 - Montilla, Spain: Munda battle wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso
The Santhal Rebel, Singra, 1856. '...the regular troops arrived; they soon came into collision with the rebels, and of course wherever they met them the rebels were dispersed with great loss of life - being only armed with battle-axes, swords, and bows and arrows...The portrait of Singra, one of the supposed murderers of Mrs. Thomas and Miss Pell, presents a good type of the Santhal physiognomy in general'. The Santhal rebellion took place in present-day Jharkhand and West Bengal, and was an uprising by the Santhal people against both the British East India Company and the zamindari system. Fr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-santhal-rebel-singra-1856-the-regular-troops-arrived-they-soon-came-into-collision-with-the-rebels-and-of-course-wherever-they-met-them-the-rebels-were-dispersed-with-great-loss-of-life-being-only-armed-with-battle-axes-swords-and-bows-and-arrowsthe-portrait-of-singra-one-of-the-supposed-murderers-of-mrs-thomas-and-miss-pell-presents-a-good-type-of-the-santhal-physiognomy-in-general-the-santhal-rebellion-took-place-in-present-day-jharkhand-and-west-bengal-and-was-an-uprising-by-the-santhal-people-against-both-the-british-east-india-company-and-the-zamindari-system-fr-image553490263.htmlRM2R4DJDB–The Santhal Rebel, Singra, 1856. '...the regular troops arrived; they soon came into collision with the rebels, and of course wherever they met them the rebels were dispersed with great loss of life - being only armed with battle-axes, swords, and bows and arrows...The portrait of Singra, one of the supposed murderers of Mrs. Thomas and Miss Pell, presents a good type of the Santhal physiognomy in general'. The Santhal rebellion took place in present-day Jharkhand and West Bengal, and was an uprising by the Santhal people against both the British East India Company and the zamindari system. Fr
The Roman Theater of Acinipo, Spain, a city founded by retired legions after the battle of Munda more than 2,000 years ago. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-roman-theater-of-acinipo-spain-a-city-founded-by-retired-legions-after-the-battle-of-munda-more-than-2000-years-ago-image260278792.htmlRFW3CM74–The Roman Theater of Acinipo, Spain, a city founded by retired legions after the battle of Munda more than 2,000 years ago.
Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya , ca. 1780. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/durga-and-kali-approach-the-gathered-armies-of-chanda-and-munda-scene-from-the-devi-mahatmya-ca-1780-image343007901.htmlRM2AX1A25–Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya , ca. 1780.
Art inspired by Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya, ca. 1780, India (Himachal Pradesh, Guler), Ink and opaque watercolor on paper, 7 3/4 x 11 5/8 in. (19.7 x 29.5 cm), Paintings, The second great battle in the Devi Mahatmya, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-durga-and-kali-approach-the-gathered-armies-of-chanda-and-munda-scene-from-the-devi-mahatmya-ca-1780-india-himachal-pradesh-guler-ink-and-opaque-watercolor-on-paper-7-34-x-11-58-in-197-x-295-cm-paintings-the-second-great-battle-in-the-devi-mahatmya-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462908387.htmlRF2HW38AB–Art inspired by Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya, ca. 1780, India (Himachal Pradesh, Guler), Ink and opaque watercolor on paper, 7 3/4 x 11 5/8 in. (19.7 x 29.5 cm), Paintings, The second great battle in the Devi Mahatmya, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Kali Presenting the Heads of Chanda and Munda to Durga: Scene from the Devi Mahatmya (Glory of the Goddess), ca. 1780 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-kali-presenting-the-heads-of-chanda-and-munda-to-durga-scene-from-162424185.htmlRMKC71KN–Kali Presenting the Heads of Chanda and Munda to Durga: Scene from the Devi Mahatmya (Glory of the Goddess), ca. 1780
Marcus Vipsanius Agrippa (64/63 BC-12 BC) Roman statesman, general and architect. Copy from the original preserved in the Louvre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marcus-vipsanius-agrippa-6463-bc-12-bc-roman-statesman-general-and-76459078.htmlRMECB09A–Marcus Vipsanius Agrippa (64/63 BC-12 BC) Roman statesman, general and architect. Copy from the original preserved in the Louvre
1943 The Times reporting Battle of Kursk and bombing of Cologne Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1943-the-times-reporting-battle-of-kursk-and-bombing-of-cologne-image599946695.htmlRM2WT1X3K–1943 The Times reporting Battle of Kursk and bombing of Cologne
www.flickr.com/photos/internetarchivebookimages/tags/book... . the original 355 days of theyear. (Diet, of Ant. art. Calendarium.)—Mean-time the two sons of Pompey, Sextus and Cneius,had collected a newarmy in Spain. Caesar-set out for Spaintowards the end ofthe year, and broughtthe war to a close bythe battle of Munda,on the 17th of March,45, in which theenemy were only de-feated after a mostobstinate resistance.Cn. Pompey waskilled shortly after-wards, but Sextusmade good his es-cape. Caesar reachedRome in Septem-ber, and enteredFresh honours awaitedhim. His portrait was to be struck on coin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wwwflickrcomphotosinternetarchivebookimagestagsbook-the-original-355-days-of-theyear-diet-of-ant-art-calendariummean-time-the-two-sons-of-pompey-sextus-and-cneiushad-collected-a-newarmy-in-spain-caesar-set-out-for-spaintowards-the-end-ofthe-year-and-broughtthe-war-to-a-close-bythe-battle-of-mundaon-the-17th-of-march45-in-which-theenemy-were-only-de-feated-after-a-mostobstinate-resistancecn-pompey-waskilled-shortly-after-wards-but-sextusmade-good-his-es-cape-caesar-reachedrome-in-septem-ber-and-enteredfresh-honours-awaitedhim-his-portrait-was-to-be-struck-on-coin-image338475247.htmlRM2AJJTHK–www.flickr.com/photos/internetarchivebookimages/tags/book... . the original 355 days of theyear. (Diet, of Ant. art. Calendarium.)—Mean-time the two sons of Pompey, Sextus and Cneius,had collected a newarmy in Spain. Caesar-set out for Spaintowards the end ofthe year, and broughtthe war to a close bythe battle of Munda,on the 17th of March,45, in which theenemy were only de-feated after a mostobstinate resistance.Cn. Pompey waskilled shortly after-wards, but Sextusmade good his es-cape. Caesar reachedRome in Septem-ber, and enteredFresh honours awaitedhim. His portrait was to be struck on coin
Kali fights against the Chanda and Munda demons. The goddess with two pairs of arms and sitting on a tiger in battle with all sorts of demons in malteaded forms. The show is framed by a wide black border with white frame lines and around it a pink with red dotted wide border with an inscription on top and red frame lines Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kali-fights-against-the-chanda-and-munda-demons-the-goddess-with-two-pairs-of-arms-and-sitting-on-a-tiger-in-battle-with-all-sorts-of-demons-in-malteaded-forms-the-show-is-framed-by-a-wide-black-border-with-white-frame-lines-and-around-it-a-pink-with-red-dotted-wide-border-with-an-inscription-on-top-and-red-frame-lines-image430259103.htmlRM2FYYYTF–Kali fights against the Chanda and Munda demons. The goddess with two pairs of arms and sitting on a tiger in battle with all sorts of demons in malteaded forms. The show is framed by a wide black border with white frame lines and around it a pink with red dotted wide border with an inscription on top and red frame lines
Jan 1st 2020 - Montilla, Spain: Munda battle wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-1st-2020-montilla-spain-munda-battle-wall-painting-at-montilla-builing-cordoba-andalusia-spain-painter-gisel-rosso-image448655371.htmlRM2H1X0E3–Jan 1st 2020 - Montilla, Spain: Munda battle wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso
Utrecht, Netherlands. 06th Sep, 2022. Utrecht, Netherlands, October 27th 2022: Aslaug Munda Gunnlaugsdottir (19 Iceland) and Renate Jansen (13 Netherlands) battle for the ball during the 2023 FIFA Womens World Cup Qualifier fixture between Netherlands and Iceland at the Station Galgenwaard, Utrecht. (James Whitehead/SPP) Credit: SPP Sport Press Photo. /Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/utrecht-netherlands-06th-sep-2022-utrecht-netherlands-october-27th-2022-aslaug-munda-gunnlaugsdottir-19-iceland-and-renate-jansen-13-netherlands-battle-for-the-ball-during-the-2023-fifa-womens-world-cup-qualifier-fixture-between-netherlands-and-iceland-at-the-station-galgenwaard-utrecht-james-whiteheadspp-credit-spp-sport-press-photo-alamy-live-news-image494950900.htmlRM2KN6XWT–Utrecht, Netherlands. 06th Sep, 2022. Utrecht, Netherlands, October 27th 2022: Aslaug Munda Gunnlaugsdottir (19 Iceland) and Renate Jansen (13 Netherlands) battle for the ball during the 2023 FIFA Womens World Cup Qualifier fixture between Netherlands and Iceland at the Station Galgenwaard, Utrecht. (James Whitehead/SPP) Credit: SPP Sport Press Photo. /Alamy Live News
Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya. Culture: India (Himachal Pradesh, Guler). Dimensions: 7 3/4 x 11 5/8 in. (19.7 x 29.5 cm). Date: ca. 1780. The second great battle in the Devi Mahatmya occurs when Durga tells the terrible demon Shumbha that she will only marry a man who defeats her in battle. He responds by sending the demons Chanda and Munda and their armies to drag her back by her hair for her insolence. After Durga manifests Kali from her brow, the two enter the battle. This work directly corresponds to the text, which describes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/durga-and-kali-approach-the-gathered-armies-of-chanda-and-munda-scene-from-the-devi-mahatmya-culture-india-himachal-pradesh-guler-dimensions-7-34-x-11-58-in-197-x-295-cm-date-ca-1780-the-second-great-battle-in-the-devi-mahatmya-occurs-when-durga-tells-the-terrible-demon-shumbha-that-she-will-only-marry-a-man-who-defeats-her-in-battle-he-responds-by-sending-the-demons-chanda-and-munda-and-their-armies-to-drag-her-back-by-her-hair-for-her-insolence-after-durga-manifests-kali-from-her-brow-the-two-enter-the-battle-this-work-directly-corresponds-to-the-text-which-describes-image212896854.htmlRMPAA832–Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya. Culture: India (Himachal Pradesh, Guler). Dimensions: 7 3/4 x 11 5/8 in. (19.7 x 29.5 cm). Date: ca. 1780. The second great battle in the Devi Mahatmya occurs when Durga tells the terrible demon Shumbha that she will only marry a man who defeats her in battle. He responds by sending the demons Chanda and Munda and their armies to drag her back by her hair for her insolence. After Durga manifests Kali from her brow, the two enter the battle. This work directly corresponds to the text, which describes
VMF-214 on Turtle Bay fighter strip, Espiritu Santo, New Hebrides. VMF-214 poses for a group picture before leaving for Munda, an F4U in background. Col. Gregory Boyington's Black Sheep Squadron, ca. September 1943. (Navy) Exact Date Shot Unknown NARA FILE #: 080-G-54288 WAR & CONFLICT BOOK #: 966 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vmf-214-on-turtle-bay-fighter-strip-espiritu-santo-new-hebrides-vmf-133016204.htmlRFHMBBEM–VMF-214 on Turtle Bay fighter strip, Espiritu Santo, New Hebrides. VMF-214 poses for a group picture before leaving for Munda, an F4U in background. Col. Gregory Boyington's Black Sheep Squadron, ca. September 1943. (Navy) Exact Date Shot Unknown NARA FILE #: 080-G-54288 WAR & CONFLICT BOOK #: 966
Jan 1st 2020 - Montilla, Spain: Munda battle wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-1st-2020-montilla-spain-munda-battle-wall-painting-at-montilla-builing-cordoba-andalusia-spain-painter-gisel-rosso-image438831490.htmlRF2GDXE16–Jan 1st 2020 - Montilla, Spain: Munda battle wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso
Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya , ca. 1780. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/durga-and-kali-approach-the-gathered-armies-of-chanda-and-munda-scene-from-the-devi-mahatmya-ca-1780-image343008312.htmlRM2AX1AGT–Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya , ca. 1780.
Marcus Vipsanius Agrippa (64/63 BC-12 BC) Roman statesman, general and architect. Copy of plaster. Ara Pacis Museum. Rome. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marcus-vipsanius-agrippa-6463-bc-12-bc-roman-statesman-general-and-76473714.htmlRMECBK02–Marcus Vipsanius Agrippa (64/63 BC-12 BC) Roman statesman, general and architect. Copy of plaster. Ara Pacis Museum. Rome.
Julius Caesar and the foundation of the Roman imperial system . ff. 54. Second invasion of Britain . . 200 ff. 53-51. Gallic rebellions ; death of Crassus, and alienation of Pompeius . . 207 ff. XV 7 23 29/- 34 36/: 39 51 56/: 62 68 11 ff- 85/-. 94 # xvi Chief Events in the Life of Ccesar. 49. Civil war ; campaign in Spain ; Dictator I., 238 jf. 48. Battle of Pharsalus; Z?/V/rt/^r//. .281/. 47. Returns to Rome in Sept. ; Dictator III., 310 ff. 46. Caesar in Africa ; returns to Rome in July; Dictator IV. . . 317/. 45. Caesar in Spain ; battle of Munda . 324 ff. Returns to Rome in September . 32 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/julius-caesar-and-the-foundation-of-the-roman-imperial-system-ff-54-second-invasion-of-britain-200-ff-53-51-gallic-rebellions-death-of-crassus-and-alienation-of-pompeius-207-ff-xv-7-23-29-34-36-39-51-56-62-68-11-ff-85-94-xvi-chief-events-in-the-life-of-ccesar-49-civil-war-campaign-in-spain-dictator-i-238-jf-48-battle-of-pharsalus-zvrtr-281-47-returns-to-rome-in-sept-dictator-iii-310-ff-46-caesar-in-africa-returns-to-rome-in-july-dictator-iv-317-45-caesar-in-spain-battle-of-munda-324-ff-returns-to-rome-in-september-32-image343109188.htmlRM2AX5Y7G–Julius Caesar and the foundation of the Roman imperial system . ff. 54. Second invasion of Britain . . 200 ff. 53-51. Gallic rebellions ; death of Crassus, and alienation of Pompeius . . 207 ff. XV 7 23 29/- 34 36/: 39 51 56/: 62 68 11 ff- 85/-. 94 # xvi Chief Events in the Life of Ccesar. 49. Civil war ; campaign in Spain ; Dictator I., 238 jf. 48. Battle of Pharsalus; Z?/V/rt/^r//. .281/. 47. Returns to Rome in Sept. ; Dictator III., 310 ff. 46. Caesar in Africa ; returns to Rome in July; Dictator IV. . . 317/. 45. Caesar in Spain ; battle of Munda . 324 ff. Returns to Rome in September . 32
Jan 1st 2020 - Montilla, Spain: Munda battle wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-1st-2020-montilla-spain-munda-battle-wall-painting-at-montilla-builing-cordoba-andalusia-spain-painter-gisel-rosso-image448655383.htmlRM2H1X0EF–Jan 1st 2020 - Montilla, Spain: Munda battle wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso
Utrecht, Netherlands. 06th Sep, 2022. Utrecht, Netherlands, October 27th 2022: Aslaug Munda Gunnlaugsdottir (19 Iceland) and Jackie Groenen (14 Netherlands) battle for the ball during the 2023 FIFA Womens World Cup Qualifier fixture between Netherlands and Iceland at the Station Galgenwaard, Utrecht. (James Whitehead/SPP) Credit: SPP Sport Press Photo. /Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/utrecht-netherlands-06th-sep-2022-utrecht-netherlands-october-27th-2022-aslaug-munda-gunnlaugsdottir-19-iceland-and-jackie-groenen-14-netherlands-battle-for-the-ball-during-the-2023-fifa-womens-world-cup-qualifier-fixture-between-netherlands-and-iceland-at-the-station-galgenwaard-utrecht-james-whiteheadspp-credit-spp-sport-press-photo-alamy-live-news-image494950917.htmlRM2KN6XXD–Utrecht, Netherlands. 06th Sep, 2022. Utrecht, Netherlands, October 27th 2022: Aslaug Munda Gunnlaugsdottir (19 Iceland) and Jackie Groenen (14 Netherlands) battle for the ball during the 2023 FIFA Womens World Cup Qualifier fixture between Netherlands and Iceland at the Station Galgenwaard, Utrecht. (James Whitehead/SPP) Credit: SPP Sport Press Photo. /Alamy Live News
Historia. Cayo Julio César (100 a. C.-44 a. C.) en la batalla de Munda, Bética, el año 46 a. C. Grabado de 1871. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/historia-cayo-julio-csar-100-a-c-44-a-c-en-la-batalla-de-munda-btica-el-ao-46-a-c-grabado-de-1871-image220320136.htmlRMPPCCG8–Historia. Cayo Julio César (100 a. C.-44 a. C.) en la batalla de Munda, Bética, el año 46 a. C. Grabado de 1871.
Jan 1st 2020 - Montilla, Spain: Munda battle wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-1st-2020-montilla-spain-munda-battle-wall-painting-at-montilla-builing-cordoba-andalusia-spain-painter-gisel-rosso-image438831498.htmlRF2GDXE1E–Jan 1st 2020 - Montilla, Spain: Munda battle wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso
Montilla, Spain - March 2nd, 2019: Julius Caesar versus Pompey at Montilla Historical Museum, Cordoba, Spain. Leaders confronted at Battle of Munda Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/montilla-spain-march-2nd-2019-julius-caesar-versus-pompey-at-montilla-historical-museum-cordoba-spain-leaders-confronted-at-battle-of-munda-image241561436.htmlRFT10224–Montilla, Spain - March 2nd, 2019: Julius Caesar versus Pompey at Montilla Historical Museum, Cordoba, Spain. Leaders confronted at Battle of Munda
Kali Presenting the Heads of Chanda and Munda to Durga: Scene from the Devi Mahatmya (Glory of the Goddess) , ca. 1780. Durga manifests as the fierce, goddess Kali. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kali-presenting-the-heads-of-chanda-and-munda-to-durga-scene-from-the-devi-mahatmya-glory-of-the-goddess-ca-1780-durga-manifests-as-the-fierce-goddess-kali-image343008101.htmlRM2AX1A99–Kali Presenting the Heads of Chanda and Munda to Durga: Scene from the Devi Mahatmya (Glory of the Goddess) , ca. 1780. Durga manifests as the fierce, goddess Kali.
Jan 1st 2020 - Montilla, Spain: Caesar portrait wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-1st-2020-montilla-spain-caesar-portrait-wall-painting-at-montilla-builing-cordoba-andalusia-spain-painter-gisel-rosso-image438831756.htmlRF2GDXEAM–Jan 1st 2020 - Montilla, Spain: Caesar portrait wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso
Marcus Vipsanius Agrippa (64/63 BC-12 BC) Roman statesman, general and architect. Copy of plaster. Ara Pacis Museum. Rome. Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marcus-vipsanius-agrippa-6463-bc-12-bc-roman-statesman-general-and-76474236.htmlRMECBKJM–Marcus Vipsanius Agrippa (64/63 BC-12 BC) Roman statesman, general and architect. Copy of plaster. Ara Pacis Museum. Rome. Italy
Jan 1st 2020 - Montilla, Spain: Munda battle wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-1st-2020-montilla-spain-munda-battle-wall-painting-at-montilla-builing-cordoba-andalusia-spain-painter-gisel-rosso-image448655273.htmlRM2H1X0AH–Jan 1st 2020 - Montilla, Spain: Munda battle wall painting at Montilla builing, Cordoba, Andalusia, Spain. Painter Gisel Rosso
Marcus Vipsanius Agrippa (64/63Ð12 BC). Roman statesman and general. Statue from the Merida Forum (1st century AD). National Museum of Roman Art. Merida. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marcus-vipsanius-agrippa-646312-bc-roman-statesman-and-general-statue-from-the-merida-forum-1st-century-ad-national-museum-of-roman-art-merida-spain-image209619541.htmlRMP50YT5–Marcus Vipsanius Agrippa (64/63Ð12 BC). Roman statesman and general. Statue from the Merida Forum (1st century AD). National Museum of Roman Art. Merida. Spain.
Marcus Vipsanius Agrippa (64/63 BC-12 BC) Roman statesman, general and architect. Copy of plaster. Ara Pacis Museum. Rome. Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marcus-vipsanius-agrippa-6463-bc-12-bc-roman-statesman-general-and-76473759.htmlRMECBK1K–Marcus Vipsanius Agrippa (64/63 BC-12 BC) Roman statesman, general and architect. Copy of plaster. Ara Pacis Museum. Rome. Italy
Marcus Vipsanius Agrippa (64/63 BC-12 BC) Roman statesman, general and architect. Copy from the original preserved in the Louvre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marcus-vipsanius-agrippa-6463-bc-12-bc-roman-statesman-general-and-79383007.htmlRMEH45RB–Marcus Vipsanius Agrippa (64/63 BC-12 BC) Roman statesman, general and architect. Copy from the original preserved in the Louvre
Marcus Vipsanius Agrippa (64/63 BC-12 BC) Roman statesman, general and architect. Copy of plaster. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marcus-vipsanius-agrippa-6463-bc-12-bc-roman-statesman-general-and-76474259.htmlRMECBKKF–Marcus Vipsanius Agrippa (64/63 BC-12 BC) Roman statesman, general and architect. Copy of plaster.
