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Black burnished ware Stock Photos and Images
Art inspired by Terracotta rim fragment, Middle Neolithic, ca. 4000 B.C., Greek Neolithic, Terracotta; Black burnished ware, length 2 3/4in. (6.9cm), Vases, From Nemea in the Peloponnese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-terracotta-rim-fragment-middle-neolithic-ca-4000-bc-greek-neolithic-terracotta-black-burnished-ware-length-2-34in-69cm-vases-from-nemea-in-the-peloponnese-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462789137.htmlRF2HTWT7D–Art inspired by Terracotta rim fragment, Middle Neolithic, ca. 4000 B.C., Greek Neolithic, Terracotta; Black burnished ware, length 2 3/4in. (6.9cm), Vases, From Nemea in the Peloponnese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Terracotta rim fragment, Middle Neolithic, ca. 4000 B.C., Greek Neolithic, Terracotta; Black burnished ware, length 2 3/4in. (6 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-terracotta-rim-fragment-middle-neolithic-ca-4000-bc-greek-neolithic-162430131.htmlRMKC7983–Terracotta rim fragment, Middle Neolithic, ca. 4000 B.C., Greek Neolithic, Terracotta; Black burnished ware, length 2 3/4in. (6
Handled Jar with Boots. Northern Iran, circa 1350-800 B.C.. Furnishings; Serviceware. Black burnished ware Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/handled-jar-with-boots-northern-iran-circa-1350-800-bc-furnishings-serviceware-black-burnished-ware-image464715575.htmlRM2J01HCR–Handled Jar with Boots. Northern Iran, circa 1350-800 B.C.. Furnishings; Serviceware. Black burnished ware
A complete pot or pot on a fairly large, slightly convex bottom surface. From the bottom surface, the walls bend quite strongly upwards and, via a slightly arched shoulder, recede to a wide neck with slightly protruding edge. An ear is attached between shoulder and edge. The jar is made of light brown earthenware, on the outside with a red, shiny layer of sludge, reaching over the edge to the inside. The shoulder-neck just under the ear is not provided with a sludge layer. Possibly belonging to the group 'Khirbet Kerak Ware' or 'Red-Black Burnished Ware'., Crockery, pottery, h: 9.9 cm, diam Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-complete-pot-or-pot-on-a-fairly-large-slightly-convex-bottom-surface-from-the-bottom-surface-the-walls-bend-quite-strongly-upwards-and-via-a-slightly-arched-shoulder-recede-to-a-wide-neck-with-slightly-protruding-edge-an-ear-is-attached-between-shoulder-and-edge-the-jar-is-made-of-light-brown-earthenware-on-the-outside-with-a-red-shiny-layer-of-sludge-reaching-over-the-edge-to-the-inside-the-shoulder-neck-just-under-the-ear-is-not-provided-with-a-sludge-layer-possibly-belonging-to-the-group-khirbet-kerak-ware-or-red-black-burnished-ware-crockery-pottery-h-99-cm-diam-image344518220.htmlRM2B0E4E4–A complete pot or pot on a fairly large, slightly convex bottom surface. From the bottom surface, the walls bend quite strongly upwards and, via a slightly arched shoulder, recede to a wide neck with slightly protruding edge. An ear is attached between shoulder and edge. The jar is made of light brown earthenware, on the outside with a red, shiny layer of sludge, reaching over the edge to the inside. The shoulder-neck just under the ear is not provided with a sludge layer. Possibly belonging to the group 'Khirbet Kerak Ware' or 'Red-Black Burnished Ware'., Crockery, pottery, h: 9.9 cm, diam
A unique legacy of the Etruscans is the glossy black pottery known as Bucchero ware, made from the 7th century to the late 5th century B.C. Produced for both domestic and funerary uses, Bucchero ware was popular locally and imported across the Mediterranean. The signature shiny black surface was achieved by firing the pottery in a reduced-oxygen kiln, where restricted ventilation caused the iron oxide in the coarse Tuscan clay to turn black. Before firing, the clay was burnished, or polished with a smooth stone, resulting in the sheen so sought after by potters. This sheen mimicked the gleam o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-unique-legacy-of-the-etruscans-is-the-glossy-black-pottery-known-as-bucchero-ware-made-from-the-7th-century-to-the-late-5th-century-bc-produced-for-both-domestic-and-funerary-uses-bucchero-ware-was-popular-locally-and-imported-across-the-mediterranean-the-signature-shiny-black-surface-was-achieved-by-firing-the-pottery-in-a-reduced-oxygen-kiln-where-restricted-ventilation-caused-the-iron-oxide-in-the-coarse-tuscan-clay-to-turn-black-before-firing-the-clay-was-burnished-or-polished-with-a-smooth-stone-resulting-in-the-sheen-so-sought-after-by-potters-this-sheen-mimicked-the-gleam-o-image466189583.htmlRM2J2CNFY–A unique legacy of the Etruscans is the glossy black pottery known as Bucchero ware, made from the 7th century to the late 5th century B.C. Produced for both domestic and funerary uses, Bucchero ware was popular locally and imported across the Mediterranean. The signature shiny black surface was achieved by firing the pottery in a reduced-oxygen kiln, where restricted ventilation caused the iron oxide in the coarse Tuscan clay to turn black. Before firing, the clay was burnished, or polished with a smooth stone, resulting in the sheen so sought after by potters. This sheen mimicked the gleam o
Globular Pot, 25-50. Rhenish (Cologne), Gallo-Roman, 2nd quarter 1st Century. Gray ware with black burnished slip and Barbotine decoration; diameter: 21 cm (8 1/4 in.); overall: 20.5 cm (8 1/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/globular-pot-25-50-rhenish-cologne-gallo-roman-2nd-quarter-1st-century-gray-ware-with-black-burnished-slip-and-barbotine-decoration-diameter-21-cm-8-14-in-overall-205-cm-8-116-in-image240461355.htmlRMRY5XWF–Globular Pot, 25-50. Rhenish (Cologne), Gallo-Roman, 2nd quarter 1st Century. Gray ware with black burnished slip and Barbotine decoration; diameter: 21 cm (8 1/4 in.); overall: 20.5 cm (8 1/16 in
Roman - Parisian Ware Beaker Late 2nd Century, from Barton Upon Humber Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-parisian-ware-beaker-late-2nd-century-from-barton-upon-humber-image66476685.htmlRMDT47K9–Roman - Parisian Ware Beaker Late 2nd Century, from Barton Upon Humber
Ancient Etruscan. Stemmed Kyathos (Drinking Cup). 550 BC–525 BC. Vulci. terracotta, bucchero ware Bucchero WareA unique legacy of the Etruscans is the glossy black pottery known as Bucchero ware, made from the 7th century to the late 5th century B.C. Produced for both domestic and funerary uses, Bucchero ware was popular locally and imported across the Mediterranean. The signature shiny black surface was achieved by firing the pottery in a reduced-oxygen kiln, where restricted ventilation caused the iron oxide in the coarse Tuscan clay to turn black. Before firing, the clay was burnished, or p Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-etruscan-stemmed-kyathos-drinking-cup-550-bc525-bc-vulci-terracotta-bucchero-ware-bucchero-warea-unique-legacy-of-the-etruscans-is-the-glossy-black-pottery-known-as-bucchero-ware-made-from-the-7th-century-to-the-late-5th-century-bc-produced-for-both-domestic-and-funerary-uses-bucchero-ware-was-popular-locally-and-imported-across-the-mediterranean-the-signature-shiny-black-surface-was-achieved-by-firing-the-pottery-in-a-reduced-oxygen-kiln-where-restricted-ventilation-caused-the-iron-oxide-in-the-coarse-tuscan-clay-to-turn-black-before-firing-the-clay-was-burnished-or-p-image337980325.htmlRM2AHT99W–Ancient Etruscan. Stemmed Kyathos (Drinking Cup). 550 BC–525 BC. Vulci. terracotta, bucchero ware Bucchero WareA unique legacy of the Etruscans is the glossy black pottery known as Bucchero ware, made from the 7th century to the late 5th century B.C. Produced for both domestic and funerary uses, Bucchero ware was popular locally and imported across the Mediterranean. The signature shiny black surface was achieved by firing the pottery in a reduced-oxygen kiln, where restricted ventilation caused the iron oxide in the coarse Tuscan clay to turn black. Before firing, the clay was burnished, or p
Art inspired by Drinking Cup, Middle Kingdom, Dynasty 12–17, ca. 1900–1550 B.C., From Egypt and Sudan, Nubia, Faras, Cemetery 2, Grave 110, University of Oxford Excavations in Nubia 1911–1912, Black incised ware with white filling., h. 8.1 cm (3 3/16 in); diam. 12.5 cm (4 15/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drinking-cup-middle-kingdom-dynasty-1217-ca-19001550-bc-from-egypt-and-sudan-nubia-faras-cemetery-2-grave-110-university-of-oxford-excavations-in-nubia-19111912-black-incised-ware-with-white-filling-h-81-cm-3-316-in-diam-125-cm-4-1516-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462853091.htmlRF2HW0NRF–Art inspired by Drinking Cup, Middle Kingdom, Dynasty 12–17, ca. 1900–1550 B.C., From Egypt and Sudan, Nubia, Faras, Cemetery 2, Grave 110, University of Oxford Excavations in Nubia 1911–1912, Black incised ware with white filling., h. 8.1 cm (3 3/16 in); diam. 12.5 cm (4 15/16 in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The International Exhibition: group of articles by Messrs. Minton and Co., 1862. 'The central object...is one of a pair of vases of considerable magnitude, supported on a group of four Parian Cupids, the ribbons and drapery...are bordered with matted gold. The upper and lower portions of the vase are of the deep Sevres blue, to which is applied massive gold ornament, parts of which are matted, while other parts are burnished. The handles, which consist of spirally-coiled snakes, are also of mat gold...The Renaissance figures...are allegorical of Summer and Autumn - Summer having a bundle of gr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-international-exhibition-group-of-articles-by-messrs-minton-and-co-1862-the-central-objectis-one-of-a-pair-of-vases-of-considerable-magnitude-supported-on-a-group-of-four-parian-cupids-the-ribbons-and-draperyare-bordered-with-matted-gold-the-upper-and-lower-portions-of-the-vase-are-of-the-deep-sevres-blue-to-which-is-applied-massive-gold-ornament-parts-of-which-are-matted-while-other-parts-are-burnished-the-handles-which-consist-of-spirally-coiled-snakes-are-also-of-mat-goldthe-renaissance-figuresare-allegorical-of-summer-and-autumn-summer-having-a-bundle-of-gr-image595001986.htmlRM2WG0K2X–The International Exhibition: group of articles by Messrs. Minton and Co., 1862. 'The central object...is one of a pair of vases of considerable magnitude, supported on a group of four Parian Cupids, the ribbons and drapery...are bordered with matted gold. The upper and lower portions of the vase are of the deep Sevres blue, to which is applied massive gold ornament, parts of which are matted, while other parts are burnished. The handles, which consist of spirally-coiled snakes, are also of mat gold...The Renaissance figures...are allegorical of Summer and Autumn - Summer having a bundle of gr
!["Caster Ware" Vase with Hunt Scene, mid 100s. The work of Roman potters is very different from that of their Greek predecessors. Greek clay had allowed potters to throw thin-walled ceramics. Slips (paint) made from this clay had permitted painters to draw complicated scenes and figures with infinite care. As the Roman empire grew to include Germany and Britain, local clays found there were better for producing heavier pottery with three-dimensional decoration like the vases shown here. These jars--decorated with a human face (1992.125), animals (1992.126), a feather pattern (1992.183 Stock Photo](https://c8.alamy.com/comp/2A4YWKC/quotcaster-warequot-vase-with-hunt-scene-mid-100s-the-work-of-roman-potters-is-very-different-from-that-of-their-greek-predecessors-greek-clay-had-allowed-potters-to-throw-thin-walled-ceramics-slips-paint-made-from-this-clay-had-permitted-painters-to-draw-complicated-scenes-and-figures-with-infinite-care-as-the-roman-empire-grew-to-include-germany-and-britain-local-clays-found-there-were-better-for-producing-heavier-pottery-with-three-dimensional-decoration-like-the-vases-shown-here-these-jars-decorated-with-a-human-face-1992125-animals-1992126-a-feather-pattern-1992183-2A4YWKC.jpg ""Caster Ware" Vase with Hunt Scene, mid 100s. The work of Roman potters is very different from that of their Greek predecessors. Greek clay had allowed potters to throw thin-walled ceramics. Slips (paint) made from this clay had permitted painters to draw complicated scenes and figures with infinite care. As the Roman empire grew to include Germany and Britain, local clays found there were better for producing heavier pottery with three-dimensional decoration like the vases shown here. These jars--decorated with a human face (1992.125), animals (1992.126), a feather pattern (1992.183 Stock Photo")
"Caster Ware" Vase with Hunt Scene, mid 100s. The work of Roman potters is very different from that of their Greek predecessors. Greek clay had allowed potters to throw thin-walled ceramics. Slips (paint) made from this clay had permitted painters to draw complicated scenes and figures with infinite care. As the Roman empire grew to include Germany and Britain, local clays found there were better for producing heavier pottery with three-dimensional decoration like the vases shown here. These jars--decorated with a human face (1992.125), animals (1992.126), a feather pattern (1992.183 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/quotcaster-warequot-vase-with-hunt-scene-mid-100s-the-work-of-roman-potters-is-very-different-from-that-of-their-greek-predecessors-greek-clay-had-allowed-potters-to-throw-thin-walled-ceramics-slips-paint-made-from-this-clay-had-permitted-painters-to-draw-complicated-scenes-and-figures-with-infinite-care-as-the-roman-empire-grew-to-include-germany-and-britain-local-clays-found-there-were-better-for-producing-heavier-pottery-with-three-dimensional-decoration-like-the-vases-shown-here-these-jars-decorated-with-a-human-face-1992125-animals-1992126-a-feather-pattern-1992183-image330068464.htmlRM2A4YWKC–"Caster Ware" Vase with Hunt Scene, mid 100s. The work of Roman potters is very different from that of their Greek predecessors. Greek clay had allowed potters to throw thin-walled ceramics. Slips (paint) made from this clay had permitted painters to draw complicated scenes and figures with infinite care. As the Roman empire grew to include Germany and Britain, local clays found there were better for producing heavier pottery with three-dimensional decoration like the vases shown here. These jars--decorated with a human face (1992.125), animals (1992.126), a feather pattern (1992.183
Ram-shaped Vessel. Northern Iran, early 1st millenium B.C.. Furnishings; Serviceware. Gray-black burnished ware Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ram-shaped-vessel-northern-iran-early-1st-millenium-bc-furnishings-serviceware-gray-black-burnished-ware-image464715179.htmlRM2J01GXK–Ram-shaped Vessel. Northern Iran, early 1st millenium B.C.. Furnishings; Serviceware. Gray-black burnished ware
'Caster Ware' Vase with Hunt Scene, mid 100s. Rhenish (Cologne), Gallo-Roman, mid-2nd Century. Reddish ware with black burnished slip and Barbotine decoration; diameter: 14.2 cm (5 9/16 in.); overall: 14.2 cm (5 9/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caster-ware-vase-with-hunt-scene-mid-100s-rhenish-cologne-gallo-roman-mid-2nd-century-reddish-ware-with-black-burnished-slip-and-barbotine-decoration-diameter-142-cm-5-916-in-overall-142-cm-5-916-in-image240461357.htmlRMRY5XWH–'Caster Ware' Vase with Hunt Scene, mid 100s. Rhenish (Cologne), Gallo-Roman, mid-2nd Century. Reddish ware with black burnished slip and Barbotine decoration; diameter: 14.2 cm (5 9/16 in.); overall: 14.2 cm (5 9/16 in
Black Pottery Tripod Jar, 2000 BCE - 1400 BCE, 11 3/16 x 7 3/8 in. (28.4 x 18.73 cm), Earthenware with burnished surface, China, Lower Xiajiadian (2200-1600 BCE), The Xiajiadian culture in northeast China is known for its black ware vessels. The elongated tripod form with partly hollow udder-shaped legs is one of the most characteristic forms of this culture. Evenly potted, the upper part of the hand-built vessel may have been finished on a potter's wheel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/black-pottery-tripod-jar-2000-bce-1400-bce-11-316-x-7-38-in-284-x-1873-cm-earthenware-with-burnished-surface-china-lower-xiajiadian-2200-1600-bce-the-xiajiadian-culture-in-northeast-china-is-known-for-its-black-ware-vessels-the-elongated-tripod-form-with-partly-hollow-udder-shaped-legs-is-one-of-the-most-characteristic-forms-of-this-culture-evenly-potted-the-upper-part-of-the-hand-built-vessel-may-have-been-finished-on-a-potters-wheel-image573488269.htmlRM2T90J3W–Black Pottery Tripod Jar, 2000 BCE - 1400 BCE, 11 3/16 x 7 3/8 in. (28.4 x 18.73 cm), Earthenware with burnished surface, China, Lower Xiajiadian (2200-1600 BCE), The Xiajiadian culture in northeast China is known for its black ware vessels. The elongated tripod form with partly hollow udder-shaped legs is one of the most characteristic forms of this culture. Evenly potted, the upper part of the hand-built vessel may have been finished on a potter's wheel
Globular Pot, 25-50. The work of Roman potters is very different from that of their Greek predecessors. Greek clay had allowed potters to throw thin-walled ceramics. Slips (paint) made from this clay had permitted painters to draw complicated scenes and figures with infinite care. As the Roman empire grew to include Germany and Britain, local clays found there were better for producing heavier pottery with three-dimensional decoration like the vases shown here. These jars--decorated with a human face (1992.125), animals (1992.126), a feather pattern (1992.183), a wheat pattern (1992.124), and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/globular-pot-25-50-the-work-of-roman-potters-is-very-different-from-that-of-their-greek-predecessors-greek-clay-had-allowed-potters-to-throw-thin-walled-ceramics-slips-paint-made-from-this-clay-had-permitted-painters-to-draw-complicated-scenes-and-figures-with-infinite-care-as-the-roman-empire-grew-to-include-germany-and-britain-local-clays-found-there-were-better-for-producing-heavier-pottery-with-three-dimensional-decoration-like-the-vases-shown-here-these-jars-decorated-with-a-human-face-1992125-animals-1992126-a-feather-pattern-1992183-a-wheat-pattern-1992124-and-image330093139.htmlRM2A5114K–Globular Pot, 25-50. The work of Roman potters is very different from that of their Greek predecessors. Greek clay had allowed potters to throw thin-walled ceramics. Slips (paint) made from this clay had permitted painters to draw complicated scenes and figures with infinite care. As the Roman empire grew to include Germany and Britain, local clays found there were better for producing heavier pottery with three-dimensional decoration like the vases shown here. These jars--decorated with a human face (1992.125), animals (1992.126), a feather pattern (1992.183), a wheat pattern (1992.124), and
Spouted Jar on a Pedestal. Northern Iran, circa 1300-1000 B.C.. Furnishings; Serviceware. Gray-black burnished ware Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spouted-jar-on-a-pedestal-northern-iran-circa-1300-1000-bc-furnishings-serviceware-gray-black-burnished-ware-image464712698.htmlRM2J01DP2–Spouted Jar on a Pedestal. Northern Iran, circa 1300-1000 B.C.. Furnishings; Serviceware. Gray-black burnished ware
Globular Pot, AD 25–50. Rhenish (Cologne), Gallo-Roman, 2nd quarter 1st Century. Gray ware with black burnished slip and Barbotine decoration; diameter: 21 cm (8 1/4 in.); overall: 20.5 cm (8 1/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/globular-pot-ad-2550-rhenish-cologne-gallo-roman-2nd-quarter-1st-century-gray-ware-with-black-burnished-slip-and-barbotine-decoration-diameter-21-cm-8-14-in-overall-205-cm-8-116-in-image448096591.htmlRM2H10FNK–Globular Pot, AD 25–50. Rhenish (Cologne), Gallo-Roman, 2nd quarter 1st Century. Gray ware with black burnished slip and Barbotine decoration; diameter: 21 cm (8 1/4 in.); overall: 20.5 cm (8 1/16 in.).
Stem cup, c. 2700-2100 BCE, 8 1/2 x 5 1/4 x 5 1/4 in. (21.59 x 13.34 x 13.34 cm), Burnished black earthenware, China, 27th-22nd century BCE, When distinctive black wares were first excavated in 1930, the Neolithic culture responsible for their production was named Longshan, after a nearby town in present-day Shandong Province in northeast China. Active during the third millennium B.C.E., Longshan culture thrived and its artisans produced some of the most sophisticated and elegant forms of any ancient culture. Made of fine-grained clay turned on a potter's wheel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stem-cup-c-2700-2100-bce-8-12-x-5-14-x-5-14-in-2159-x-1334-x-1334-cm-burnished-black-earthenware-china-27th-22nd-century-bce-when-distinctive-black-wares-were-first-excavated-in-1930-the-neolithic-culture-responsible-for-their-production-was-named-longshan-after-a-nearby-town-in-present-day-shandong-province-in-northeast-china-active-during-the-third-millennium-bce-longshan-culture-thrived-and-its-artisans-produced-some-of-the-most-sophisticated-and-elegant-forms-of-any-ancient-culture-made-of-fine-grained-clay-turned-on-a-potters-wheel-image573482234.htmlRM2T90ACA–Stem cup, c. 2700-2100 BCE, 8 1/2 x 5 1/4 x 5 1/4 in. (21.59 x 13.34 x 13.34 cm), Burnished black earthenware, China, 27th-22nd century BCE, When distinctive black wares were first excavated in 1930, the Neolithic culture responsible for their production was named Longshan, after a nearby town in present-day Shandong Province in northeast China. Active during the third millennium B.C.E., Longshan culture thrived and its artisans produced some of the most sophisticated and elegant forms of any ancient culture. Made of fine-grained clay turned on a potter's wheel
'Caster Ware' Vase with Hunt Scene, mid AD 100s. Rhenish (Cologne), Gallo-Roman, mid-2nd Century. Reddish ware with black burnished slip and Barbotine decoration; diameter: 14.2 cm (5 9/16 in.); overall: 14.2 cm (5 9/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caster-ware-vase-with-hunt-scene-mid-ad-100s-rhenish-cologne-gallo-roman-mid-2nd-century-reddish-ware-with-black-burnished-slip-and-barbotine-decoration-diameter-142-cm-5-916-in-overall-142-cm-5-916-in-image448096597.htmlRM2H10FNW–'Caster Ware' Vase with Hunt Scene, mid AD 100s. Rhenish (Cologne), Gallo-Roman, mid-2nd Century. Reddish ware with black burnished slip and Barbotine decoration; diameter: 14.2 cm (5 9/16 in.); overall: 14.2 cm (5 9/16 in.).
Drinking Cup ca. 1900–1550 B.C. C-Group This handmade cup was smoothed inside with the fingers, and the outer surface burnished with a smooth pebble. The rim decoration consists of two rings of impressed triangles filled with white pigment, creating a pattern of raised black lozenges. Below, a series of triangles and lozenges are filled with short hatched lines that are enhanced with white pigment.. Drinking Cup. ca. 1900–1550 B.C.. Black incised ware with white filling.. C-Group. From Nubia (Sudan), Lower Nubia, Faras, Cemetery 2, Grave 110, University of Oxford Excavations in Nubia 1911–1912 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drinking-cup-ca-19001550-bc-c-group-this-handmade-cup-was-smoothed-inside-with-the-fingers-and-the-outer-surface-burnished-with-a-smooth-pebble-the-rim-decoration-consists-of-two-rings-of-impressed-triangles-filled-with-white-pigment-creating-a-pattern-of-raised-black-lozenges-below-a-series-of-triangles-and-lozenges-are-filled-with-short-hatched-lines-that-are-enhanced-with-white-pigment-drinking-cup-ca-19001550-bc-black-incised-ware-with-white-filling-c-group-from-nubia-sudan-lower-nubia-faras-cemetery-2-grave-110-university-of-oxford-excavations-in-nubia-19111912-image458469882.htmlRM2HHW30A–Drinking Cup ca. 1900–1550 B.C. C-Group This handmade cup was smoothed inside with the fingers, and the outer surface burnished with a smooth pebble. The rim decoration consists of two rings of impressed triangles filled with white pigment, creating a pattern of raised black lozenges. Below, a series of triangles and lozenges are filled with short hatched lines that are enhanced with white pigment.. Drinking Cup. ca. 1900–1550 B.C.. Black incised ware with white filling.. C-Group. From Nubia (Sudan), Lower Nubia, Faras, Cemetery 2, Grave 110, University of Oxford Excavations in Nubia 1911–1912
Jar, c. 5th-2nd century BCE, 3 x 5 x 5 in. (7.6 x 12.7 x 12.7 cm), Black earthenware with red pigments and impressed decor, Vietnam, 6th-1st century BCE, Iron age earthenware objects exhibit a number of local variations in south central Vietnam. The group shown here, when compared to other Sa Huyn ceramics, displays a finer workmanship; with balanced shapes, precise potting, neatly impressed and incised designs, carefully applied and partially burnished surfaces. The amount of decoration and the fact that all four jars were retrieved from the same burial indicates that they served a ritual Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jar-c-5th-2nd-century-bce-3-x-5-x-5-in-76-x-127-x-127-cm-black-earthenware-with-red-pigments-and-impressed-decor-vietnam-6th-1st-century-bce-iron-age-earthenware-objects-exhibit-a-number-of-local-variations-in-south-central-vietnam-the-group-shown-here-when-compared-to-other-sa-huyn-ceramics-displays-a-finer-workmanship-with-balanced-shapes-precise-potting-neatly-impressed-and-incised-designs-carefully-applied-and-partially-burnished-surfaces-the-amount-of-decoration-and-the-fact-that-all-four-jars-were-retrieved-from-the-same-burial-indicates-that-they-served-a-ritual-image573503849.htmlRM2T91A09–Jar, c. 5th-2nd century BCE, 3 x 5 x 5 in. (7.6 x 12.7 x 12.7 cm), Black earthenware with red pigments and impressed decor, Vietnam, 6th-1st century BCE, Iron age earthenware objects exhibit a number of local variations in south central Vietnam. The group shown here, when compared to other Sa Huyn ceramics, displays a finer workmanship; with balanced shapes, precise potting, neatly impressed and incised designs, carefully applied and partially burnished surfaces. The amount of decoration and the fact that all four jars were retrieved from the same burial indicates that they served a ritual
Drinking Cup, Middle Kingdom, Dynasty 12–17, ca. 1900–1550 B.C., From Egypt and Sudan, Nubia, Faras, Cemetery 2, Grave 110 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-drinking-cup-middle-kingdom-dynasty-1217-ca-19001550-bc-from-egypt-162333064.htmlRMKC2WDC–Drinking Cup, Middle Kingdom, Dynasty 12–17, ca. 1900–1550 B.C., From Egypt and Sudan, Nubia, Faras, Cemetery 2, Grave 110
Search Results for Black burnished ware Stock Photos and Images (22)
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