Black chalk on light brown paper Stock Photos and Images
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Black chalk on light brown paper Stock Photos and Images
Francesco Vanni, (artist), Sienese, 1563 - 1610, Mystic Marriage of Saint Catherine with Saint Jerome, black chalk on light brown paper squared in brown ink, overall (approximate): 28.7 x 21.4 cm (11 5/16 x 8 7/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-vanni-artist-sienese-1563-1610-mystic-marriage-of-saint-catherine-with-saint-jerome-black-chalk-on-light-brown-paper-squared-in-brown-ink-overall-approximate-287-x-214-cm-11-516-x-8-716-in-image386240534.htmlRM2DCANMP–Francesco Vanni, (artist), Sienese, 1563 - 1610, Mystic Marriage of Saint Catherine with Saint Jerome, black chalk on light brown paper squared in brown ink, overall (approximate): 28.7 x 21.4 cm (11 5/16 x 8 7/16 in
Mystic Marriage of Saint Catherine with Saint Jerome. Dimensions: overall (approximate): 28.7 x 21.4 cm (11 5/16 x 8 7/16 in.). Medium: black chalk on light brown paper squared in brown ink. Museum: National Gallery of Art, Washington DC. Author: Francesco Vanni. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mystic-marriage-of-saint-catherine-with-saint-jerome-dimensions-overall-approximate-287-x-214-cm-11-516-x-8-716-in-medium-black-chalk-on-light-brown-paper-squared-in-brown-ink-museum-national-gallery-of-art-washington-dc-author-francesco-vanni-image233211337.htmlRMRFBKC9–Mystic Marriage of Saint Catherine with Saint Jerome. Dimensions: overall (approximate): 28.7 x 21.4 cm (11 5/16 x 8 7/16 in.). Medium: black chalk on light brown paper squared in brown ink. Museum: National Gallery of Art, Washington DC. Author: Francesco Vanni.
Art inspired by Anamorphic Drawing of a Stag, 16th century (?), Black chalk, on light-brown paper, 12 1/2 x 3 1/16 in. (31.7 x 7.7 cm), Drawings, Anonymous, German, 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-anamorphic-drawing-of-a-stag-16th-century-black-chalk-on-light-brown-paper-12-12-x-3-116-in-317-x-77-cm-drawings-anonymous-german-16th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462947995.htmlRF2HW52TY–Art inspired by Anamorphic Drawing of a Stag, 16th century (?), Black chalk, on light-brown paper, 12 1/2 x 3 1/16 in. (31.7 x 7.7 cm), Drawings, Anonymous, German, 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Circle of Hans Holbein the Younger, Anamorphic Drawing of a Stag, 16th century (?), black chalk on light-brown paper, 31.7 × 7.7 cm (Metropolitan Museum of Art, accession number 63.701.2). 16th century. Circle of Hans Holbein the Younger 38 Anamorphic stag in the Metropolitan Museum of Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-circle-of-hans-holbein-the-younger-anamorphic-drawing-of-a-stag-16th-century-black-chalk-on-light-brown-paper-317-77-cm-metropolitan-museum-of-art-accession-number-637012-16th-century-circle-of-hans-holbein-the-younger-38-anamorphic-stag-in-the-metropolitan-museum-of-art-image188905699.htmlRMMY9B43–. English: Circle of Hans Holbein the Younger, Anamorphic Drawing of a Stag, 16th century (?), black chalk on light-brown paper, 31.7 × 7.7 cm (Metropolitan Museum of Art, accession number 63.701.2). 16th century. Circle of Hans Holbein the Younger 38 Anamorphic stag in the Metropolitan Museum of Art
Art inspired by Landscape with the Baptism of Christ, 17th century, Pen and brown ink over traces of black chalk on light brown paper, 7-13/16 x 10-11/16 in. (19.8 x 27.2 cm), Drawings, Anonymous, Italian, Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscape-with-the-baptism-of-christ-17th-century-pen-and-brown-ink-over-traces-of-black-chalk-on-light-brown-paper-7-1316-x-10-1116-in-198-x-272-cm-drawings-anonymous-italian-bolognese-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462952701.htmlRF2HW58W1–Art inspired by Landscape with the Baptism of Christ, 17th century, Pen and brown ink over traces of black chalk on light brown paper, 7-13/16 x 10-11/16 in. (19.8 x 27.2 cm), Drawings, Anonymous, Italian, Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Johannes de Doper wijzend op het Lam John the Baptist, sitting in a landscape and stressing the Lam. Manufacturer : artist: Bernardino Campi (attributed to) dated: 1550 - 1591 Physical features: black chalk on light brown paper material: chalk paper Dimensions: h 256 mm × W 205 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johannes-de-doper-wijzend-op-het-lam-john-the-baptist-sitting-in-a-landscape-and-stressing-the-lam-manufacturer-artist-bernardino-campi-attributed-to-dated-1550-1591-physical-features-black-chalk-on-light-brown-paper-material-chalk-paper-dimensions-h-256-mm-w-205-mm-image348463314.htmlRM2B6WTEA–Johannes de Doper wijzend op het Lam John the Baptist, sitting in a landscape and stressing the Lam. Manufacturer : artist: Bernardino Campi (attributed to) dated: 1550 - 1591 Physical features: black chalk on light brown paper material: chalk paper Dimensions: h 256 mm × W 205 mm
Ferdinand Karl Theod. Christoph Peter von Lütgendorff-Leinburg Elisabeth and the John's boy to visit the Holy Family. Feder in black, watercolor, with a brush in white and gold, over traces of pencil and black chalk, on light brown paper; Black edging line 1809 , 1809 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ferdinand-karl-theod-christoph-peter-von-ltgendorff-leinburg-elisabeth-and-the-johns-boy-to-visit-the-holy-family-feder-in-black-watercolor-with-a-brush-in-white-and-gold-over-traces-of-pencil-and-black-chalk-on-light-brown-paper-black-edging-line-1809-1809-image572702510.htmlRM2T7MRW2–Ferdinand Karl Theod. Christoph Peter von Lütgendorff-Leinburg Elisabeth and the John's boy to visit the Holy Family. Feder in black, watercolor, with a brush in white and gold, over traces of pencil and black chalk, on light brown paper; Black edging line 1809 , 1809
Excursion pier by Joseph Pennell, 1857-1926, artist 1908. Italy, Venice. As described in Wuerth, 'Gray day on the Canal, excursion pier in foreground, sail boats and large steamer on opposite side, Customs House and part of Salute to right. Colours, Gray, green, black, rose, brown, red, yellow, pink and white, on bluish Gray paper.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/excursion-pier-by-joseph-pennell-1857-1926-artist-1908-italy-venice-image68557575.htmlRMDYF1TR–Excursion pier by Joseph Pennell, 1857-1926, artist 1908. Italy, Venice. As described in Wuerth, 'Gray day on the Canal, excursion pier in foreground, sail boats and large steamer on opposite side, Customs House and part of Salute to right. Colours, Gray, green, black, rose, brown, red, yellow, pink and white, on bluish Gray paper.'
Excursion pier by Joseph Pennell, 1857-1926, artist 1908. Italy, Venice. As described in Wuerth, 'Gray day on the Canal, excursion pier in foreground, sail boats and large steamer on opposite side, Customs House and part of Salute to right. Colours, Gray, green, black, rose, brown, red, yellow, pink and white, on bluish Gray paper.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/excursion-pier-by-joseph-pennell-1857-1926-artist-1908-italy-venice-as-described-in-wuerth-gray-day-on-the-canal-excursion-pier-in-foreground-sail-boats-and-large-steamer-on-opposite-side-customs-house-and-part-of-salute-to-right-colours-gray-green-black-rose-brown-red-yellow-pink-and-white-on-bluish-gray-paper-image210363160.htmlRMP66TA0–Excursion pier by Joseph Pennell, 1857-1926, artist 1908. Italy, Venice. As described in Wuerth, 'Gray day on the Canal, excursion pier in foreground, sail boats and large steamer on opposite side, Customs House and part of Salute to right. Colours, Gray, green, black, rose, brown, red, yellow, pink and white, on bluish Gray paper.'
Black fabricated chalk with watercolor on mottled blue wove paper with blue fibers altered to light gray (recto); black fabricated chalk with pen and brown ink on mottled blue wove paper with blue fibers altered to bluish-gray (verso) (removed from a sketchbook) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/black-fabricated-chalk-with-watercolor-on-mottled-blue-wove-paper-with-blue-fibers-altered-to-light-gray-recto-black-fabricated-chalk-with-pen-and-brown-ink-on-mottled-blue-wove-paper-with-blue-fibers-altered-to-bluish-gray-verso-removed-from-a-sketchbook-image381537353.htmlRM2D4MEP1–Black fabricated chalk with watercolor on mottled blue wove paper with blue fibers altered to light gray (recto); black fabricated chalk with pen and brown ink on mottled blue wove paper with blue fibers altered to bluish-gray (verso) (removed from a sketchbook)
Rembrandt Peale, Dr. John Warren, American, 1778 - 1860, c. 1806, black, white, and light brown chalk on dark brown paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rembrandt-peale-dr-john-warren-american-1778-1860-c-1806-black-white-50438402.htmlRMCX1JKE–Rembrandt Peale, Dr. John Warren, American, 1778 - 1860, c. 1806, black, white, and light brown chalk on dark brown paper
Closeup shot of candle drawings on blackboard Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/closeup-shot-of-candle-drawings-on-blackboard-image369008596.htmlRF2CC9P6C–Closeup shot of candle drawings on blackboard
Portrait of Cavaliere Francesco Maria Niccolò Gabburri; Domenico Ferretti, Italian, 1692 - about 1769; 1740; Black chalk, with stumping and brush and gray wash, heightened with white bodycolor, on light brown paper; 37 x 23.3 cm (14 9/16 x 9 3/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-cavaliere-francesco-maria-niccol-gabburri-domenico-ferretti-76531320.htmlRFECE8DC–Portrait of Cavaliere Francesco Maria Niccolò Gabburri; Domenico Ferretti, Italian, 1692 - about 1769; 1740; Black chalk, with stumping and brush and gray wash, heightened with white bodycolor, on light brown paper; 37 x 23.3 cm (14 9/16 x 9 3/16 in.)
A Seated Shepherdess, 1800s. One of the most influential landscape painters of the 1830s, Dupré was among the leaders of the Barbizon school, a group of artists who painted the landscape and rural subjects in and around the Forest of Fontainebleau, about 40 miles southeast of Paris. He frequently made drawings in black chalk heightened with white chalk or pastel on tan or brown paper, as seen here. Dupré’s special interest in atmospheric conditions is apparent in the luminosity of the sky and the reflected light on the surrounding landscape. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-seated-shepherdess-1800s-one-of-the-most-influential-landscape-painters-of-the-1830s-duprxe9-was-among-the-leaders-of-the-barbizon-school-a-group-of-artists-who-painted-the-landscape-and-rural-subjects-in-and-around-the-forest-of-fontainebleau-about-40-miles-southeast-of-paris-he-frequently-made-drawings-in-black-chalk-heightened-with-white-chalk-or-pastel-on-tan-or-brown-paper-as-seen-here-duprxe9x2019s-special-interest-in-atmospheric-conditions-is-apparent-in-the-luminosity-of-the-sky-and-the-reflected-light-on-the-surrounding-landscape-image330070978.htmlRM2A500W6–A Seated Shepherdess, 1800s. One of the most influential landscape painters of the 1830s, Dupré was among the leaders of the Barbizon school, a group of artists who painted the landscape and rural subjects in and around the Forest of Fontainebleau, about 40 miles southeast of Paris. He frequently made drawings in black chalk heightened with white chalk or pastel on tan or brown paper, as seen here. Dupré’s special interest in atmospheric conditions is apparent in the luminosity of the sky and the reflected light on the surrounding landscape.
Drawing, Soldiers Drilling; Winslow Homer (American, 1836–1910); USA; black and white chalk on light brown paper; 27.5 x 38.8 cm (10 13/16 x 15 1/4 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-soldiers-drilling-winslow-homer-american-18361910-usa-black-and-white-chalk-on-light-brown-paper-275-x-388-cm-10-1316-x-15-14-in-image546221049.htmlRM2PMJEEH–Drawing, Soldiers Drilling; Winslow Homer (American, 1836–1910); USA; black and white chalk on light brown paper; 27.5 x 38.8 cm (10 13/16 x 15 1/4 in.)
Bust of a Bearded Figure, Andrea Solario (Italian, Milan ca. 1465–1524 Milan), 1515–24, Medium: Black, red, and ochre chalk on light brown paper (with later, substantive reintegration of the support and drawing surface along the right edges and upper portions of the sheet; detached from canvas support in 1958) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bust-of-a-bearded-figure-andrea-solario-italian-milan-ca-14651524-168198727.htmlRMKNJ35B–Bust of a Bearded Figure, Andrea Solario (Italian, Milan ca. 1465–1524 Milan), 1515–24, Medium: Black, red, and ochre chalk on light brown paper (with later, substantive reintegration of the support and drawing surface along the right edges and upper portions of the sheet; detached from canvas support in 1958)
Small school blackboard with stationery on wooden background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/small-school-blackboard-with-stationery-on-wooden-background-image256030713.htmlRFTTF5P1–Small school blackboard with stationery on wooden background
Digital composite of Woman standing next to light bulb and ideas drawings garden with crumpled paper balls in front of b Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/digital-composite-of-woman-standing-next-to-light-bulb-and-ideas-drawings-image150550242.htmlRFJMX4AA–Digital composite of Woman standing next to light bulb and ideas drawings garden with crumpled paper balls in front of b
The Visitation, Juan Carreño de Miranda (Spanish, 1614 - 1685), about 1655 - 1660, Pen and brown ink and gray-brown wash, heightened with white gouache, over touches of black chalk on light brown paper (recto), Black chalk (verso), 24.8 x 23.7 cm (9 3/4 x 9 5/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-visitation-juan-carreo-de-miranda-spanish-1614-1685-about-1655-1660-pen-and-brown-ink-and-gray-brown-wash-heightened-with-white-gouache-over-touches-of-black-chalk-on-light-brown-paper-recto-black-chalk-verso-248-x-237-cm-9-34-x-9-516-in-image261259271.htmlRMW51AT7–The Visitation, Juan Carreño de Miranda (Spanish, 1614 - 1685), about 1655 - 1660, Pen and brown ink and gray-brown wash, heightened with white gouache, over touches of black chalk on light brown paper (recto), Black chalk (verso), 24.8 x 23.7 cm (9 3/4 x 9 5/16 in
Dr. John Warren. Dated: c. 1806. Dimensions: overall: 35.7 x 27.9 cm (14 1/16 x 11 in.). Medium: black, white, and light brown chalk on dark brown paper. Museum: National Gallery of Art, Washington DC. Author: REMBRANDT PEALE. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dr-john-warren-dated-c-1806-dimensions-overall-357-x-279-cm-14-116-x-11-in-medium-black-white-and-light-brown-chalk-on-dark-brown-paper-museum-national-gallery-of-art-washington-dc-author-rembrandt-peale-image225750554.htmlRMR37R3P–Dr. John Warren. Dated: c. 1806. Dimensions: overall: 35.7 x 27.9 cm (14 1/16 x 11 in.). Medium: black, white, and light brown chalk on dark brown paper. Museum: National Gallery of Art, Washington DC. Author: REMBRANDT PEALE.
. English: Circle of Hans Holbein the Younger, Anamorphic Drawing of a Stag, 16th century (?), black chalk on light-brown paper, 31.7 × 7.7 cm (Metropolitan Museum of Art, accession number 63.701.2). 16th century. Circle of Hans Holbein the Younger 43 Anamorphic stag in the Metropolitan Museum of Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-circle-of-hans-holbein-the-younger-anamorphic-drawing-of-a-stag-16th-century-black-chalk-on-light-brown-paper-317-77-cm-metropolitan-museum-of-art-accession-number-637012-16th-century-circle-of-hans-holbein-the-younger-43-anamorphic-stag-in-the-metropolitan-museum-of-art-image187627771.htmlRMMW753R–. English: Circle of Hans Holbein the Younger, Anamorphic Drawing of a Stag, 16th century (?), black chalk on light-brown paper, 31.7 × 7.7 cm (Metropolitan Museum of Art, accession number 63.701.2). 16th century. Circle of Hans Holbein the Younger 43 Anamorphic stag in the Metropolitan Museum of Art
Art inspired by Head of Silenus, early 17th century, Black chalk on light brown paper, sheet: 9 x 7 1/8 in. (22.8 x 18.1 cm), Drawings, Circle of Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-head-of-silenus-early-17th-century-black-chalk-on-light-brown-paper-sheet-9-x-7-18-in-228-x-181-cm-drawings-circle-of-peter-paul-rubens-flemish-siegen-15771640-antwerp-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462958681.htmlRF2HW5GEH–Art inspired by Head of Silenus, early 17th century, Black chalk on light brown paper, sheet: 9 x 7 1/8 in. (22.8 x 18.1 cm), Drawings, Circle of Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Group tree in a mountainous landscape Tree group in a mountainous landscape object type: Drawing Object number: RP-T 1958-86 Manufacturer : artist: Pierfrancesco Mola Dating 1622 - 1666 Physical features: black chalk on light brown paper material: paper chalk Dimensions: H 383 mm × W 282 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/group-tree-in-a-mountainous-landscape-tree-group-in-a-mountainous-landscape-object-type-drawing-object-number-rp-t-1958-86-manufacturer-artist-pierfrancesco-mola-dating-1622-1666-physical-features-black-chalk-on-light-brown-paper-material-paper-chalk-dimensions-h-383-mm-w-282-mm-image348218822.htmlRM2B6EMJE–Group tree in a mountainous landscape Tree group in a mountainous landscape object type: Drawing Object number: RP-T 1958-86 Manufacturer : artist: Pierfrancesco Mola Dating 1622 - 1666 Physical features: black chalk on light brown paper material: paper chalk Dimensions: H 383 mm × W 282 mm
Art inspired by The Circumcision, 1634–89, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on light brown paper, 14 7/16 x 9 7/16in. (36.6 x 24cm), Drawings, Ciro Ferri (Italian, Rome 1634?–1689 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-circumcision-163489-pen-and-brown-ink-brush-and-brown-wash-highlighted-with-white-over-black-chalk-on-light-brown-paper-14-716-x-9-716in-366-x-24cm-drawings-ciro-ferri-italian-rome-16341689-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462801673.htmlRF2HTXC75–Art inspired by The Circumcision, 1634–89, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on light brown paper, 14 7/16 x 9 7/16in. (36.6 x 24cm), Drawings, Ciro Ferri (Italian, Rome 1634?–1689 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Conrad Gessner Two bridled and s and horses on a wall. Brush in black and gray, laved, watercolor, heighted with brush in white, over traces of black chalk, on light brown paper 1789-96 , 1789/1796 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/conrad-gessner-two-bridled-and-s-and-horses-on-a-wall-brush-in-black-and-gray-laved-watercolor-heighted-with-brush-in-white-over-traces-of-black-chalk-on-light-brown-paper-1789-96-17891796-image572701673.htmlRM2T7MPR5–Conrad Gessner Two bridled and s and horses on a wall. Brush in black and gray, laved, watercolor, heighted with brush in white, over traces of black chalk, on light brown paper 1789-96 , 1789/1796
Two Saints (Pope and Bishop?), 17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-saints-pope-and-bishop-17th-century-image374697005.htmlRM2CNGWRW–Two Saints (Pope and Bishop?), 17th century.
Drawing, Study for 'A Lesson of Charity'; Daniel Huntington (American, 1816–1906); USA; black crayon, white chalk on light brown wove paper; 42.7 x 34.3 cm (16 13/16 x 13 1/2 in.); Bequest of Erskine Hewitt; 1942-50-124 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-study-for-a-lesson-of-charity-daniel-huntington-american-18161906-usa-black-crayon-white-chalk-on-light-brown-wove-paper-427-x-343-cm-16-1316-x-13-12-in-bequest-of-erskine-hewitt-1942-50-124-image546233664.htmlRM2PMK2H4–Drawing, Study for 'A Lesson of Charity'; Daniel Huntington (American, 1816–1906); USA; black crayon, white chalk on light brown wove paper; 42.7 x 34.3 cm (16 13/16 x 13 1/2 in.); Bequest of Erskine Hewitt; 1942-50-124
Bust of a Bearded Figure, Andrea Solario (Italian, Milan ca. 1465–1524 Milan), 1515–24, Medium: Black, red, and ochre chalk on light brown paper (with later, substantive reintegration of the support and drawing surface along the right edges and upper portions of the sheet; detached from canvas support in 1958) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bust-of-a-bearded-figure-andrea-solario-italian-milan-ca-14651524-168198732.htmlRMKNJ35G–Bust of a Bearded Figure, Andrea Solario (Italian, Milan ca. 1465–1524 Milan), 1515–24, Medium: Black, red, and ochre chalk on light brown paper (with later, substantive reintegration of the support and drawing surface along the right edges and upper portions of the sheet; detached from canvas support in 1958)
Small school blackboard with stationery on wooden background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/small-school-blackboard-with-stationery-on-wooden-background-image256030715.htmlRFTTF5P3–Small school blackboard with stationery on wooden background
Gerolamo Giovenone, Saint Sebastian, Gerolamo Giovenone (Italian, Barengo ca. 1490–1555 Vercelli), ca. 1524, pen and brown ink, brush with gray and brown wash, white gouache, over some black chalk on light brown paper; the figure and parts of the tree are drawn on the basis of a dotted black-chalk underdrawing (spolvero marks)., Sheet: 20 3/16 in. (51.2 cm), Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gerolamo-giovenone-saint-sebastian-gerolamo-giovenone-italian-barengo-ca-14901555-vercelli-ca-1524-pen-and-brown-ink-brush-with-gray-and-brown-wash-white-gouache-over-some-black-chalk-on-light-brown-paper-the-figure-and-parts-of-the-tree-are-drawn-on-the-basis-of-a-dotted-black-chalk-underdrawing-spolvero-marks-sheet-20-316-in-512-cm-drawings-image344651390.htmlRM2B0M6A6–Gerolamo Giovenone, Saint Sebastian, Gerolamo Giovenone (Italian, Barengo ca. 1490–1555 Vercelli), ca. 1524, pen and brown ink, brush with gray and brown wash, white gouache, over some black chalk on light brown paper; the figure and parts of the tree are drawn on the basis of a dotted black-chalk underdrawing (spolvero marks)., Sheet: 20 3/16 in. (51.2 cm), Drawings
Faun Reclining. Dated: 1660/1680. Dimensions: sheet: 32 x 24.5 cm (12 5/8 x 9 5/8 in.). Medium: black and white chalk on light brown laid paper. Museum: National Gallery of Art, Washington DC. Author: Ciro Ferri. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/faun-reclining-dated-16601680-dimensions-sheet-32-x-245-cm-12-58-x-9-58-in-medium-black-and-white-chalk-on-light-brown-laid-paper-museum-national-gallery-of-art-washington-dc-author-ciro-ferri-image218575448.htmlRMPKGY60–Faun Reclining. Dated: 1660/1680. Dimensions: sheet: 32 x 24.5 cm (12 5/8 x 9 5/8 in.). Medium: black and white chalk on light brown laid paper. Museum: National Gallery of Art, Washington DC. Author: Ciro Ferri.
Elisabeth and the Johannesknabe visiting the Holy Family, Ferdinand Karl Theod. Christoph Peter von Lütgendorff-Leinburg (Würzburg 1785 - 1858 Würzburg), 1809, drawing, black pen, watercoloured, heightened with white and gold brush, over traces of pencil and black chalk, on light brown paper; black framing line, 38 × 29.3 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elisabeth-and-the-johannesknabe-visiting-the-holy-family-ferdinand-karl-theod-christoph-peter-von-ltgendorff-leinburg-wrzburg-1785-1858-wrzburg-1809-drawing-black-pen-watercoloured-heightened-with-white-and-gold-brush-over-traces-of-pencil-and-black-chalk-on-light-brown-paper-black-framing-line-38-293-cm-ll-duke-albert-of-saxe-teschen-image573316634.htmlRM2T8MR62–Elisabeth and the Johannesknabe visiting the Holy Family, Ferdinand Karl Theod. Christoph Peter von Lütgendorff-Leinburg (Würzburg 1785 - 1858 Würzburg), 1809, drawing, black pen, watercoloured, heightened with white and gold brush, over traces of pencil and black chalk, on light brown paper; black framing line, 38 × 29.3 cm, l.l. Duke Albert of Saxe-Teschen
. English: Circle of Hans Holbein the Younger, Anamorphic Drawing of a Stag, 16th century (?), black chalk on light-brown paper, 31.7 × 7.7 cm (Metropolitan Museum of Art, accession number 63.701.2). 16th century. Circle of Hans Holbein the Younger 43 Anamorphic stag in the Metropolitan Museum of Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-circle-of-hans-holbein-the-younger-anamorphic-drawing-of-a-stag-16th-century-black-chalk-on-light-brown-paper-317-77-cm-metropolitan-museum-of-art-accession-number-637012-16th-century-circle-of-hans-holbein-the-younger-43-anamorphic-stag-in-the-metropolitan-museum-of-art-image188179318.htmlRMMX48HX–. English: Circle of Hans Holbein the Younger, Anamorphic Drawing of a Stag, 16th century (?), black chalk on light-brown paper, 31.7 × 7.7 cm (Metropolitan Museum of Art, accession number 63.701.2). 16th century. Circle of Hans Holbein the Younger 43 Anamorphic stag in the Metropolitan Museum of Art
Kinderkopje Cobblestone Property Type: Drawing Object number: RP-T-1981-30 Inscriptions / Brands: signature, bottom left: 'Federigo Barocci' Manufacturer : artist: Federico Barocci Dating: 1545 - 1580 Physical features: pastel and black chalk on light brown paper material: paper pastel chalk Dimensions: h 192 mm × W 213 mmToelichtingVoorstudie for schilderij. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kinderkopje-cobblestone-property-type-drawing-object-number-rp-t-1981-30-inscriptions-brands-signature-bottom-left-federigo-barocci-manufacturer-artist-federico-barocci-dating-1545-1580-physical-features-pastel-and-black-chalk-on-light-brown-paper-material-paper-pastel-chalk-dimensions-h-192-mm-w-213-mmtoelichtingvoorstudie-for-schilderij-image348504675.htmlRM2B6YN7F–Kinderkopje Cobblestone Property Type: Drawing Object number: RP-T-1981-30 Inscriptions / Brands: signature, bottom left: 'Federigo Barocci' Manufacturer : artist: Federico Barocci Dating: 1545 - 1580 Physical features: pastel and black chalk on light brown paper material: paper pastel chalk Dimensions: h 192 mm × W 213 mmToelichtingVoorstudie for schilderij.
Art inspired by Saint Jerome in the Wilderness, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light brown paper, 5-1/16 x 6-3/8 in. (12.8 x 16.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-saint-jerome-in-the-wilderness-17th-century-pen-and-brown-ink-brush-and-brown-wash-over-black-chalk-on-light-brown-paper-5-116-x-6-38-in-128-x-162-cm-drawings-anonymous-italian-roman-bolognese-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462952913.htmlRF2HW594H–Art inspired by Saint Jerome in the Wilderness, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light brown paper, 5-1/16 x 6-3/8 in. (12.8 x 16.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Carl Friedrich Zimmermann Russian soldier in wild gallop. Black chalk, on light brown paper around 1813 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carl-friedrich-zimmermann-russian-soldier-in-wild-gallop-black-chalk-on-light-brown-paper-around-1813-image572705115.htmlRM2T7MY63–Carl Friedrich Zimmermann Russian soldier in wild gallop. Black chalk, on light brown paper around 1813
Art inspired by The Adoration of the Shepherds, early 16th–mid 16th century, Black chalk on light brown paper, 9 3/4 x 7 1/2 in. (24.8 x 19.1 cm), Drawings, Attributed to Aertgen Claesz. van Leyden (Netherlandish, Leiden 1498–1564 Leiden, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-adoration-of-the-shepherds-early-16thmid-16th-century-black-chalk-on-light-brown-paper-9-34-x-7-12-in-248-x-191-cm-drawings-attributed-to-aertgen-claesz-van-leyden-netherlandish-leiden-14981564-leiden-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462956612.htmlRF2HW5DTM–Art inspired by The Adoration of the Shepherds, early 16th–mid 16th century, Black chalk on light brown paper, 9 3/4 x 7 1/2 in. (24.8 x 19.1 cm), Drawings, Attributed to Aertgen Claesz. van Leyden (Netherlandish, Leiden 1498–1564 Leiden, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Allegorical Figures, 17th century, Pen and brown ink, brush and gray wash, over faint traces of black chalk on light brown paper, 6-15/16 x 5-3/8 in. (17.7 x 13.7 cm), Drawings, Anonymous, Italian, Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-allegorical-figures-17th-century-pen-and-brown-ink-brush-and-gray-wash-over-faint-traces-of-black-chalk-on-light-brown-paper-6-1516-x-5-38-in-177-x-137-cm-drawings-anonymous-italian-bolognese-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462953029.htmlRF2HW598N–Art inspired by Allegorical Figures, 17th century, Pen and brown ink, brush and gray wash, over faint traces of black chalk on light brown paper, 6-15/16 x 5-3/8 in. (17.7 x 13.7 cm), Drawings, Anonymous, Italian, Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Saint Sebastian, ca. 1524. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-sebastian-ca-1524-image374703208.htmlRM2CNH5NC–Saint Sebastian, ca. 1524.
Drawing, Study for 'Communion of the Sick'; Daniel Huntington (American, 1816–1906); USA; graphite, white chalk, black pastel on light brown wove paper; 45.9 x 31.5 cm (18 1/16 x 12 3/8 in.); Bequest of Erskine Hewitt; 1942-50-119 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-study-for-communion-of-the-sick-daniel-huntington-american-18161906-usa-graphite-white-chalk-black-pastel-on-light-brown-wove-paper-459-x-315-cm-18-116-x-12-38-in-bequest-of-erskine-hewitt-1942-50-119-image546131940.htmlRM2PMECT4–Drawing, Study for 'Communion of the Sick'; Daniel Huntington (American, 1816–1906); USA; graphite, white chalk, black pastel on light brown wove paper; 45.9 x 31.5 cm (18 1/16 x 12 3/8 in.); Bequest of Erskine Hewitt; 1942-50-119
Bust of a Bearded Figure, Andrea Solario (Italian, Milan ca. 1465–1524 Milan), 1515–24, Medium: Black, red, and ochre chalk on light brown paper (with later, substantive reintegration of the support and drawing surface along the right edges and upper portions of the sheet; detached from canvas support in 1958) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bust-of-a-bearded-figure-andrea-solario-italian-milan-ca-14651524-168198738.htmlRMKNJ35P–Bust of a Bearded Figure, Andrea Solario (Italian, Milan ca. 1465–1524 Milan), 1515–24, Medium: Black, red, and ochre chalk on light brown paper (with later, substantive reintegration of the support and drawing surface along the right edges and upper portions of the sheet; detached from canvas support in 1958)
Small school blackboard with stationery on wooden background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/small-school-blackboard-with-stationery-on-wooden-background-image256030720.htmlRFTTF5P8–Small school blackboard with stationery on wooden background
Two Elegant Women in Polish Dress. Dated: c. 1723. Dimensions: overall: 18.2 x 29.5 cm (7 3/16 x 11 5/8 in.). Medium: red, black, and white chalk on light brown paper. Museum: National Gallery of Art, Washington DC. Author: Nicolas Lancret. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-elegant-women-in-polish-dress-dated-c-1723-dimensions-overall-182-x-295-cm-7-316-x-11-58-in-medium-red-black-and-white-chalk-on-light-brown-paper-museum-national-gallery-of-art-washington-dc-author-nicolas-lancret-image225745290.htmlRMR37GBP–Two Elegant Women in Polish Dress. Dated: c. 1723. Dimensions: overall: 18.2 x 29.5 cm (7 3/16 x 11 5/8 in.). Medium: red, black, and white chalk on light brown paper. Museum: National Gallery of Art, Washington DC. Author: Nicolas Lancret.
Two saddled and bridled horses by a wall, Conrad Gessner (Zurich 1764 - 1826 Zurich), 1789-96, drawing, brush in black and gray, wash, watercolour, heightened with brush in white, over traces of black chalk, on light brown paper, 14.3 x 20.4 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-saddled-and-bridled-horses-by-a-wall-conrad-gessner-zurich-1764-1826-zurich-1789-96-drawing-brush-in-black-and-gray-wash-watercolour-heightened-with-brush-in-white-over-traces-of-black-chalk-on-light-brown-paper-143-x-204-cm-ll-duke-albert-of-saxe-teschen-image573315808.htmlRM2T8MP4G–Two saddled and bridled horses by a wall, Conrad Gessner (Zurich 1764 - 1826 Zurich), 1789-96, drawing, brush in black and gray, wash, watercolour, heightened with brush in white, over traces of black chalk, on light brown paper, 14.3 x 20.4 cm, l.l. Duke Albert of Saxe-Teschen
. English: Circle of Hans Holbein the Younger, Anamorphic Drawing of a Stag, 16th century (?), black chalk on light-brown paper, 31.7 × 7.7 cm (Metropolitan Museum of Art, accession number 63.701.2). . 16th century. Circle of Hans Holbein the Younger 43 Anamorphic stag in the Metropolitan Museum of Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-circle-of-hans-holbein-the-younger-anamorphic-drawing-of-a-stag-16th-century-black-chalk-on-light-brown-paper-317-77-cm-metropolitan-museum-of-art-accession-number-637012-16th-century-circle-of-hans-holbein-the-younger-43-anamorphic-stag-in-the-metropolitan-museum-of-art-image184853881.htmlRMMMMR09–. English: Circle of Hans Holbein the Younger, Anamorphic Drawing of a Stag, 16th century (?), black chalk on light-brown paper, 31.7 × 7.7 cm (Metropolitan Museum of Art, accession number 63.701.2). . 16th century. Circle of Hans Holbein the Younger 43 Anamorphic stag in the Metropolitan Museum of Art
Soldiers Drilling, Winslow Homer, American, 1836–1910, Black and white chalk on light brown paper, Horizontal view of soldiers drilling or marching., USA, ca. 1864, figures, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/soldiers-drilling-winslow-homer-american-18361910-black-and-white-chalk-on-light-brown-paper-horizontal-view-of-soldiers-drilling-or-marching-usa-ca-1864-figures-drawing-image391573093.htmlRM2DN1KD9–Soldiers Drilling, Winslow Homer, American, 1836–1910, Black and white chalk on light brown paper, Horizontal view of soldiers drilling or marching., USA, ca. 1864, figures, Drawing
Boats on the beach Boats on the beach property type: Drawing Object number: RP-T 1954-281 Manufacturer : artist Anton Mauve Date: 1848 - 1888 Physical features: black chalk on light brown paper material: paper chalk Dimensions: H 155 mm × W 230 mm Subject : sailing-ship, sailing-boat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boats-on-the-beach-boats-on-the-beach-property-type-drawing-object-number-rp-t-1954-281-manufacturer-artist-anton-mauve-date-1848-1888-physical-features-black-chalk-on-light-brown-paper-material-paper-chalk-dimensions-h-155-mm-w-230-mm-subject-sailing-ship-sailing-boat-image348229203.htmlRM2B6F5W7–Boats on the beach Boats on the beach property type: Drawing Object number: RP-T 1954-281 Manufacturer : artist Anton Mauve Date: 1848 - 1888 Physical features: black chalk on light brown paper material: paper chalk Dimensions: H 155 mm × W 230 mm Subject : sailing-ship, sailing-boat
Navigator by a table with a celestial globe, a cross staff, an astrolabe, a pair of dividers and charts, a frigate firing a salute beyond *preliminary study for a painting *black chalk, pen and brown ink, grey wash on light brown paper *26.4 x 22 cm 439 Navigator by a table, by Jan Verkolje Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/navigator-by-a-table-with-a-celestial-globe-a-cross-staff-an-astrolabe-a-pair-of-dividers-and-charts-a-frigate-firing-a-salute-beyond-preliminary-study-for-a-painting-black-chalk-pen-and-brown-ink-grey-wash-on-light-brown-paper-264-x-22-cm-439-navigator-by-a-table-by-jan-verkolje-image214105737.htmlRMPC9A1D–Navigator by a table with a celestial globe, a cross staff, an astrolabe, a pair of dividers and charts, a frigate firing a salute beyond *preliminary study for a painting *black chalk, pen and brown ink, grey wash on light brown paper *26.4 x 22 cm 439 Navigator by a table, by Jan Verkolje
Wilhelm August Theodor Steinhausen Young mother and boy on a source: Genoveva. Brown reddel, wiped, traces of black chalk, on light brown paper 19. Century , 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wilhelm-august-theodor-steinhausen-young-mother-and-boy-on-a-source-genoveva-brown-reddel-wiped-traces-of-black-chalk-on-light-brown-paper-19-century-19th-century-image572675413.htmlRM2T7KH99–Wilhelm August Theodor Steinhausen Young mother and boy on a source: Genoveva. Brown reddel, wiped, traces of black chalk, on light brown paper 19. Century , 19th century
N/A. English: The Sacrifice of Noah by Giovanni Benedetto Castiglione, late 1650s, brush and brown and red oil paint, border lines in black chalk, on light brown prepared paper, 39.4 x 54.2 cm. private collection . late 1650s. Giovanni Benedetto Castiglione 281 The Sacrifice of Noah by Giovanni Benedetto Castiglione, brush and paint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-the-sacrifice-of-noah-by-giovanni-benedetto-castiglione-late-1650s-brush-and-brown-and-red-oil-paint-border-lines-in-black-chalk-on-light-brown-prepared-paper-394-x-542-cm-private-collection-late-1650s-giovanni-benedetto-castiglione-281-the-sacrifice-of-noah-by-giovanni-benedetto-castiglione-brush-and-paint-image210127448.htmlRMP5T3KM–N/A. English: The Sacrifice of Noah by Giovanni Benedetto Castiglione, late 1650s, brush and brown and red oil paint, border lines in black chalk, on light brown prepared paper, 39.4 x 54.2 cm. private collection . late 1650s. Giovanni Benedetto Castiglione 281 The Sacrifice of Noah by Giovanni Benedetto Castiglione, brush and paint
Art inspired by Alternate Study for the Head of a Youth (Formerly a Pentimento Pasted to .21)., 1600–1699, Red and black chalk on light brown paper, 3-5/8 x 2-3/8 in. (9.2 x 6.0 cm), Drawings, Jacopo Confortini (Italian, Florence 1602–1672 Florence, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-alternate-study-for-the-head-of-a-youth-formerly-a-pentimento-pasted-to-21-16001699-red-and-black-chalk-on-light-brown-paper-3-58-x-2-38-in-92-x-60-cm-drawings-jacopo-confortini-italian-florence-16021672-florence-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951245.htmlRF2HW5711–Art inspired by Alternate Study for the Head of a Youth (Formerly a Pentimento Pasted to .21)., 1600–1699, Red and black chalk on light brown paper, 3-5/8 x 2-3/8 in. (9.2 x 6.0 cm), Drawings, Jacopo Confortini (Italian, Florence 1602–1672 Florence, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Navigator by a table with a celestial globe, a cross staff, an astrolabe, a pair of dividers and charts, a frigate firing a salute beyond preliminary study for a painting black chalk, pen and brown ink, grey wash on light brown paper 26.4 x 22 cm . before 1693 383 Navigator by a table, by Jan Verkolje Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-navigator-by-a-table-with-a-celestial-globe-a-cross-staff-an-astrolabe-a-pair-of-dividers-and-charts-a-frigate-firing-a-salute-beyond-preliminary-study-for-a-painting-black-chalk-pen-and-brown-ink-grey-wash-on-light-brown-paper-264-x-22-cm-before-1693-383-navigator-by-a-table-by-jan-verkolje-image188843221.htmlRMMY6FCN–. English: Navigator by a table with a celestial globe, a cross staff, an astrolabe, a pair of dividers and charts, a frigate firing a salute beyond preliminary study for a painting black chalk, pen and brown ink, grey wash on light brown paper 26.4 x 22 cm . before 1693 383 Navigator by a table, by Jan Verkolje
Art inspired by Descent from the Cross, 17th century, Pen and brown ink, brush and brown wash over black chalk on light brown paper. Ruled framing outlines in brown ink, 7-1/16 x 5-9/16 in. (18 x 14.1 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-descent-from-the-cross-17th-century-pen-and-brown-ink-brush-and-brown-wash-over-black-chalk-on-light-brown-paper-ruled-framing-outlines-in-brown-ink-7-116-x-5-916-in-18-x-141-cm-drawings-anonymous-italian-roman-bolognese-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462953566.htmlRF2HW59YX–Art inspired by Descent from the Cross, 17th century, Pen and brown ink, brush and brown wash over black chalk on light brown paper. Ruled framing outlines in brown ink, 7-1/16 x 5-9/16 in. (18 x 14.1 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Head of Nero in the British Museum, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-nero-in-the-british-museum-nd-image462397958.htmlRM2HT818P–Head of Nero in the British Museum, n.d.
Drawing, Male Head From a Plaster Cast; Daniel Huntington (American, 1816–1906); Italy; black and white chalk, graphite on light brown wove paper; 38.3 x 31.2 cm (15 1/16 x 12 5/16 in.); Bequest of Erskine Hewitt; 1942-50-311 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-male-head-from-a-plaster-cast-daniel-huntington-american-18161906-italy-black-and-white-chalk-graphite-on-light-brown-wove-paper-383-x-312-cm-15-116-x-12-516-in-bequest-of-erskine-hewitt-1942-50-311-image546181299.htmlRM2PMGKPY–Drawing, Male Head From a Plaster Cast; Daniel Huntington (American, 1816–1906); Italy; black and white chalk, graphite on light brown wove paper; 38.3 x 31.2 cm (15 1/16 x 12 5/16 in.); Bequest of Erskine Hewitt; 1942-50-311
Small school blackboard with stationery on wooden background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/small-school-blackboard-with-stationery-on-wooden-background-image256030726.htmlRFTTF5PE–Small school blackboard with stationery on wooden background
Studies of Women's Heads. Dated: 1680s or 1690s. Dimensions: overall: 28.8 x 18.7 cm (11 5/16 x 7 3/8 in.). Medium: black and red chalk heightened with white chalk on light brown laid paper, with later framing line in brown ink. Museum: National Gallery of Art, Washington DC. Author: Michel Corneille. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studies-of-womens-heads-dated-1680s-or-1690s-dimensions-overall-288-x-187-cm-11-516-x-7-38-in-medium-black-and-red-chalk-heightened-with-white-chalk-on-light-brown-laid-paper-with-later-framing-line-in-brown-ink-museum-national-gallery-of-art-washington-dc-author-michel-corneille-image233235390.htmlRMRFCP3A–Studies of Women's Heads. Dated: 1680s or 1690s. Dimensions: overall: 28.8 x 18.7 cm (11 5/16 x 7 3/8 in.). Medium: black and red chalk heightened with white chalk on light brown laid paper, with later framing line in brown ink. Museum: National Gallery of Art, Washington DC. Author: Michel Corneille.
Study for 'A Lesson of Charity', Daniel Huntington, American, 1816–1906, Black crayon, white chalk on light brown wove paper, Lowered head of an elderly man in three-quarter profile., USA, 1863, figures, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-for-a-lesson-of-charity-daniel-huntington-american-18161906-black-crayon-white-chalk-on-light-brown-wove-paper-lowered-head-of-an-elderly-man-in-three-quarter-profile-usa-1863-figures-drawing-image391690753.htmlRM2DN71FD–Study for 'A Lesson of Charity', Daniel Huntington, American, 1816–1906, Black crayon, white chalk on light brown wove paper, Lowered head of an elderly man in three-quarter profile., USA, 1863, figures, Drawing
Italiaans heuvellandschap met huizen en bomen Italian hills with houses and trees, with kleurindicaties. Manufacturer : artist: French Smissaert Dating: 1872 - 1944 Physical features: black chalk on light brown paper material: paper chalk Dimensions: h 304 mm × W 440 mm Subject: low hill countrygeographical names of countries, regions, mountains, rivers, etc. (ITALY) (ITALY) Where: Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italiaans-heuvellandschap-met-huizen-en-bomen-italian-hills-with-houses-and-trees-with-kleurindicaties-manufacturer-artist-french-smissaert-dating-1872-1944-physical-features-black-chalk-on-light-brown-paper-material-paper-chalk-dimensions-h-304-mm-w-440-mm-subject-low-hill-countrygeographical-names-of-countries-regions-mountains-rivers-etc-italy-italy-where-italy-image348457632.htmlRM2B6WH7C–Italiaans heuvellandschap met huizen en bomen Italian hills with houses and trees, with kleurindicaties. Manufacturer : artist: French Smissaert Dating: 1872 - 1944 Physical features: black chalk on light brown paper material: paper chalk Dimensions: h 304 mm × W 440 mm Subject: low hill countrygeographical names of countries, regions, mountains, rivers, etc. (ITALY) (ITALY) Where: Italy
Rembrandt Peale, (artist), American, 1778 - 1860, Dr. John Warren, c. 1806, black, white, and light brown chalk on dark brown paper, overall: 35.7 x 27.9 cm (14 1/16 x 11 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rembrandt-peale-artist-american-1778-1860-dr-john-warren-c-1806-black-white-and-light-brown-chalk-on-dark-brown-paper-overall-357-x-279-cm-14-116-x-11-in-image386364603.htmlRM2DCGBYR–Rembrandt Peale, (artist), American, 1778 - 1860, Dr. John Warren, c. 1806, black, white, and light brown chalk on dark brown paper, overall: 35.7 x 27.9 cm (14 1/16 x 11 in
Jan Erasmus Quellinus The adoration of the shepherds. Brush in gray, blue (with deck white) and green laved, heighted with deck white, over black chalk, on light brown paper; Disrupts and slight damage to the edges. 1690 , 1690 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-erasmus-quellinus-the-adoration-of-the-shepherds-brush-in-gray-blue-with-deck-white-and-green-laved-heighted-with-deck-white-over-black-chalk-on-light-brown-paper-disrupts-and-slight-damage-to-the-edges-1690-1690-image572654964.htmlRM2T7JK70–Jan Erasmus Quellinus The adoration of the shepherds. Brush in gray, blue (with deck white) and green laved, heighted with deck white, over black chalk, on light brown paper; Disrupts and slight damage to the edges. 1690 , 1690
Male Head From a Plaster Cast, Daniel Huntington, American, 1816–1906, Black and white chalk, graphite on light brown wove paper, Head and neck of a man facing frontally. Source of light from upper left., Rome, Italy, 1840, figures, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/male-head-from-a-plaster-cast-daniel-huntington-american-18161906-black-and-white-chalk-graphite-on-light-brown-wove-paper-head-and-neck-of-a-man-facing-frontally-source-of-light-from-upper-left-rome-italy-1840-figures-drawing-image391673516.htmlRM2DN67FT–Male Head From a Plaster Cast, Daniel Huntington, American, 1816–1906, Black and white chalk, graphite on light brown wove paper, Head and neck of a man facing frontally. Source of light from upper left., Rome, Italy, 1840, figures, Drawing
Two Saints (Pope and Bishop?) 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Two Saints (Pope and Bishop?). Anonymous, Italian, Roman-Bolognese, 17th century. 17th century. Brush and brown ink, brown wash, highlighted with gouache, over black chalk, on light brown paper. Squared for transfer in black chalk. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-saints-pope-and-bishop-17th-century-anonymous-italian-roman-bolognese-17th-century-italian-two-saints-pope-and-bishop-anonymous-italian-roman-bolognese-17th-century-17th-century-brush-and-brown-ink-brown-wash-highlighted-with-gouache-over-black-chalk-on-light-brown-paper-squared-for-transfer-in-black-chalk-drawings-image458068625.htmlRM2HH6R5N–Two Saints (Pope and Bishop?) 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Two Saints (Pope and Bishop?). Anonymous, Italian, Roman-Bolognese, 17th century. 17th century. Brush and brown ink, brown wash, highlighted with gouache, over black chalk, on light brown paper. Squared for transfer in black chalk. Drawings
Jean Louis Forain, French, 1852–1931, Ballet Dancer Seen from the Back, c. 1895, Black, red and white chalk on light brown paper, Overall: 18 15/16 x 12 15/16 in. (48.1 x 32.9 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-louis-forain-french-18521931-ballet-dancer-seen-from-the-back-c-1895-black-red-and-white-chalk-on-light-brown-paper-overall-18-1516-x-12-1516-in-481-x-329-cm-image344571557.htmlRM2B0GGF1–Jean Louis Forain, French, 1852–1931, Ballet Dancer Seen from the Back, c. 1895, Black, red and white chalk on light brown paper, Overall: 18 15/16 x 12 15/16 in. (48.1 x 32.9 cm
. English: Navigator by a table with a celestial globe, a cross staff, an astrolabe, a pair of dividers and charts, a frigate firing a salute beyond preliminary study for a painting black chalk, pen and brown ink, grey wash on light brown paper 26.4 x 22 cm . before 1693 440 Navigator by a table, by Jan Verkolje Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-navigator-by-a-table-with-a-celestial-globe-a-cross-staff-an-astrolabe-a-pair-of-dividers-and-charts-a-frigate-firing-a-salute-beyond-preliminary-study-for-a-painting-black-chalk-pen-and-brown-ink-grey-wash-on-light-brown-paper-264-x-22-cm-before-1693-440-navigator-by-a-table-by-jan-verkolje-image188117700.htmlRMMX1E18–. English: Navigator by a table with a celestial globe, a cross staff, an astrolabe, a pair of dividers and charts, a frigate firing a salute beyond preliminary study for a painting black chalk, pen and brown ink, grey wash on light brown paper 26.4 x 22 cm . before 1693 440 Navigator by a table, by Jan Verkolje
Art inspired by Martyrdom of Saint Lawrence, 17th century, Brush and brown wash, highlighted with white gouache, over black chalk on light brown paper. Framing outlines in black chalk and brown wash, 14-1/8 x 9-3/8 in. (35.9 x 23.8 cm), arched at top, Drawings, Anonymous, Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-martyrdom-of-saint-lawrence-17th-century-brush-and-brown-wash-highlighted-with-white-gouache-over-black-chalk-on-light-brown-paper-framing-outlines-in-black-chalk-and-brown-wash-14-18-x-9-38-in-359-x-238-cm-arched-at-top-drawings-anonymous-italian-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462952919.htmlRF2HW594R–Art inspired by Martyrdom of Saint Lawrence, 17th century, Brush and brown wash, highlighted with white gouache, over black chalk on light brown paper. Framing outlines in black chalk and brown wash, 14-1/8 x 9-3/8 in. (35.9 x 23.8 cm), arched at top, Drawings, Anonymous, Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Study for 'Communion of the Sick', Daniel Huntington, American, 1816–1906, Graphite, white chalk, black pastel on light brown wove paper, Head of an elderly woman with raised eyes, her head turned slightly toward the left, a cap on her head., Rome, Italy, USA, 1844, figures, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-for-communion-of-the-sick-daniel-huntington-american-18161906-graphite-white-chalk-black-pastel-on-light-brown-wove-paper-head-of-an-elderly-woman-with-raised-eyes-her-head-turned-slightly-toward-the-left-a-cap-on-her-head-rome-italy-usa-1844-figures-drawing-image391702476.htmlRM2DN7GE4–Study for 'Communion of the Sick', Daniel Huntington, American, 1816–1906, Graphite, white chalk, black pastel on light brown wove paper, Head of an elderly woman with raised eyes, her head turned slightly toward the left, a cap on her head., Rome, Italy, USA, 1844, figures, Drawing
Art inspired by The Creation of Eve, 18th century, Pen and brown ink, brush and brown wash over black chalk on light brown paper, 11-1/8 x 15-11/16 in. (28.2 x 39.8 cm), Drawings, Étienne Parrocel (French, Avignon 1696–1776 Rouen), Formerly attributed to Anonymous, Italian, first half, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-creation-of-eve-18th-century-pen-and-brown-ink-brush-and-brown-wash-over-black-chalk-on-light-brown-paper-11-18-x-15-1116-in-282-x-398-cm-drawings-tienne-parrocel-french-avignon-16961776-rouen-formerly-attributed-to-anonymous-italian-first-half-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951249.htmlRF2HW5715–Art inspired by The Creation of Eve, 18th century, Pen and brown ink, brush and brown wash over black chalk on light brown paper, 11-1/8 x 15-11/16 in. (28.2 x 39.8 cm), Drawings, Étienne Parrocel (French, Avignon 1696–1776 Rouen), Formerly attributed to Anonymous, Italian, first half, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Portrait of a young man, 1517, silver pen, on light gray primed paper, with red chalk and brush in gray, brown and black revised, mounted, sheet: 20.1 x 15.4 cm, O. M. dated with silver pen and monogrammed: 1.5.1.7 AH [ligated], Ambrosius Holbein, Augsburg um 1494 – um 1519 Basel Stock Photo](https://c8.alamy.com/comp/2A2NYPK/portrait-of-a-young-man-1517-silver-pen-on-light-gray-primed-paper-with-red-chalk-and-brush-in-gray-brown-and-black-revised-mounted-sheet-201-x-154-cm-o-m-dated-with-silver-pen-and-monogrammed-1517-ah-ligated-ambrosius-holbein-augsburg-um-1494-um-1519-basel-2A2NYPK.jpg "Portrait of a young man, 1517, silver pen, on light gray primed paper, with red chalk and brush in gray, brown and black revised, mounted, sheet: 20.1 x 15.4 cm, O. M. dated with silver pen and monogrammed: 1.5.1.7 AH [ligated], Ambrosius Holbein, Augsburg um 1494 – um 1519 Basel Stock Photo")
Portrait of a young man, 1517, silver pen, on light gray primed paper, with red chalk and brush in gray, brown and black revised, mounted, sheet: 20.1 x 15.4 cm, O. M. dated with silver pen and monogrammed: 1.5.1.7 AH [ligated], Ambrosius Holbein, Augsburg um 1494 – um 1519 Basel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-young-man-1517-silver-pen-on-light-gray-primed-paper-with-red-chalk-and-brush-in-gray-brown-and-black-revised-mounted-sheet-201-x-154-cm-o-m-dated-with-silver-pen-and-monogrammed-1517-ah-ligated-ambrosius-holbein-augsburg-um-1494-um-1519-basel-image328709099.htmlRM2A2NYPK–Portrait of a young man, 1517, silver pen, on light gray primed paper, with red chalk and brush in gray, brown and black revised, mounted, sheet: 20.1 x 15.4 cm, O. M. dated with silver pen and monogrammed: 1.5.1.7 AH [ligated], Ambrosius Holbein, Augsburg um 1494 – um 1519 Basel
Art inspired by The Marriage of the Virgin (Lunette), 1580–1600, Pen and brown ink, brush and brown wash over black chalk on light brown paper, 9 3/4 x 14 13/16in. (24.8 x 37.7cm), Drawings, Giorgio Picchi, the Younger (Italian, Casteldurante Urbania ca. 1555–1605 Casteldurante Urbania, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-marriage-of-the-virgin-lunette-15801600-pen-and-brown-ink-brush-and-brown-wash-over-black-chalk-on-light-brown-paper-9-34-x-14-1316in-248-x-377cm-drawings-giorgio-picchi-the-younger-italian-casteldurante-urbania-ca-15551605-casteldurante-urbania-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462952702.htmlRF2HW58W2–Art inspired by The Marriage of the Virgin (Lunette), 1580–1600, Pen and brown ink, brush and brown wash over black chalk on light brown paper, 9 3/4 x 14 13/16in. (24.8 x 37.7cm), Drawings, Giorgio Picchi, the Younger (Italian, Casteldurante Urbania ca. 1555–1605 Casteldurante Urbania, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Holy Family, Mariano Rossi, Italian, 1731–1807, Pen and black ink, black and white chalk on light brown paper, Drawing of the Holy Family. At center is Christ as a baby standing while the Virgin Mary is seated to the right supporting him. Behind them at center left is Joseph standing. Christ is reaching down to grab an object from the small Sheppard (?). To the right a man looks over and to the center left a woman seated looks on. An angel flies above all figures at upper right corner., Italy, ca. 1730–1800, figures, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-holy-family-mariano-rossi-italian-17311807-pen-and-black-ink-black-and-white-chalk-on-light-brown-paper-drawing-of-the-holy-family-at-center-is-christ-as-a-baby-standing-while-the-virgin-mary-is-seated-to-the-right-supporting-him-behind-them-at-center-left-is-joseph-standing-christ-is-reaching-down-to-grab-an-object-from-the-small-sheppard-to-the-right-a-man-looks-over-and-to-the-center-left-a-woman-seated-looks-on-an-angel-flies-above-all-figures-at-upper-right-corner-italy-ca-17301800-figures-drawing-image391335184.htmlRM2DMJT0G–The Holy Family, Mariano Rossi, Italian, 1731–1807, Pen and black ink, black and white chalk on light brown paper, Drawing of the Holy Family. At center is Christ as a baby standing while the Virgin Mary is seated to the right supporting him. Behind them at center left is Joseph standing. Christ is reaching down to grab an object from the small Sheppard (?). To the right a man looks over and to the center left a woman seated looks on. An angel flies above all figures at upper right corner., Italy, ca. 1730–1800, figures, Drawing
Drawing, Projects for Decorations of Panels; Italy; black chalk, pen and ink, brush and light brown, gray watercolors on laid paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-projects-for-decorations-of-panels-italy-black-chalk-pen-and-ink-brush-and-light-brown-gray-watercolors-on-laid-paper-image546100613.htmlRM2PMD0W9–Drawing, Projects for Decorations of Panels; Italy; black chalk, pen and ink, brush and light brown, gray watercolors on laid paper.
Russian soldier in a wild gallop, Carl Friedrich Zimmermann (Berlin 1796 - 1820 Loisach (river) near Wolfratshausen), around 1813, drawing, black chalk, on light brown paper, 223 x 281 mm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/russian-soldier-in-a-wild-gallop-carl-friedrich-zimmermann-berlin-1796-1820-loisach-river-near-wolfratshausen-around-1813-drawing-black-chalk-on-light-brown-paper-223-x-281-mm-ll-duke-albert-of-saxe-teschen-image573318383.htmlRM2T8MWCF–Russian soldier in a wild gallop, Carl Friedrich Zimmermann (Berlin 1796 - 1820 Loisach (river) near Wolfratshausen), around 1813, drawing, black chalk, on light brown paper, 223 x 281 mm, l.l. Duke Albert of Saxe-Teschen
Two Studies of a Violinist Tuning His Instrument. Dated: 1717/1718. Dimensions: overall: 30 x 21.3 cm (11 13/16 x 8 3/8 in.). Medium: black and red chalk heightened with white chalk on light brown laid paper, with later framing line in brown ink. Museum: National Gallery of Art, Washington DC. Author: ANTOINE WATTEAU. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-studies-of-a-violinist-tuning-his-instrument-dated-17171718-dimensions-overall-30-x-213-cm-11-1316-x-8-38-in-medium-black-and-red-chalk-heightened-with-white-chalk-on-light-brown-laid-paper-with-later-framing-line-in-brown-ink-museum-national-gallery-of-art-washington-dc-author-antoine-watteau-image225418529.htmlRMR2MKHN–Two Studies of a Violinist Tuning His Instrument. Dated: 1717/1718. Dimensions: overall: 30 x 21.3 cm (11 13/16 x 8 3/8 in.). Medium: black and red chalk heightened with white chalk on light brown laid paper, with later framing line in brown ink. Museum: National Gallery of Art, Washington DC. Author: ANTOINE WATTEAU.
Academic Study of a Cast of a Bust of a Roman Senator, Giuseppe Longhi, Italian, 1766–1831, Black and white chalk on brown paper, A bust of a bearded Senator is turned one-quarter to his left. His shoulders are indicated in light outline only., northern Italy, Italy, 1790–1830, figures, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/academic-study-of-a-cast-of-a-bust-of-a-roman-senator-giuseppe-longhi-italian-17661831-black-and-white-chalk-on-brown-paper-a-bust-of-a-bearded-senator-is-turned-one-quarter-to-his-left-his-shoulders-are-indicated-in-light-outline-only-northern-italy-italy-17901830-figures-drawing-image391803621.htmlRM2DNC5ED–Academic Study of a Cast of a Bust of a Roman Senator, Giuseppe Longhi, Italian, 1766–1831, Black and white chalk on brown paper, A bust of a bearded Senator is turned one-quarter to his left. His shoulders are indicated in light outline only., northern Italy, Italy, 1790–1830, figures, Drawing
Studies of a Classical Figure. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studies-of-a-classical-figure-image534366650.htmlRM2P1AE36–Studies of a Classical Figure.
Young mother and boy at a spring: Genoveva, Wilhelm August Theodor Steinhausen, Sorau, Niederlausitz, today: Poland, 1846 - 1924 Frankfurt am Main, 19th century, drawing, brown red chalk, wiped, traces of black chalk, on light brown paper, 399 x 287 mm, right. below: 'WSt', red chalk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-mother-and-boy-at-a-spring-genoveva-wilhelm-august-theodor-steinhausen-sorau-niederlausitz-today-poland-1846-1924-frankfurt-am-main-19th-century-drawing-brown-red-chalk-wiped-traces-of-black-chalk-on-light-brown-paper-399-x-287-mm-right-below-wst-red-chalk-image573255639.htmlRM2T8J1BK–Young mother and boy at a spring: Genoveva, Wilhelm August Theodor Steinhausen, Sorau, Niederlausitz, today: Poland, 1846 - 1924 Frankfurt am Main, 19th century, drawing, brown red chalk, wiped, traces of black chalk, on light brown paper, 399 x 287 mm, right. below: 'WSt', red chalk
Huis met bomen, een pomp en een tuinpad House with trees, a pump and a garden path object type: Drawing Object number: RP-T 1955-163 Manufacturer : artist Anton Mauve Date: 1848 - 1888 Physical features: black chalk on light brown paper material: paper chalk Dimensions: H 224 mm × W 367 mm Subject: rural housing, eg country-house, villa, cottage Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/huis-met-bomen-een-pomp-en-een-tuinpad-house-with-trees-a-pump-and-a-garden-path-object-type-drawing-object-number-rp-t-1955-163-manufacturer-artist-anton-mauve-date-1848-1888-physical-features-black-chalk-on-light-brown-paper-material-paper-chalk-dimensions-h-224-mm-w-367-mm-subject-rural-housing-eg-country-house-villa-cottage-image348447026.htmlRM2B6W3MJ–Huis met bomen, een pomp en een tuinpad House with trees, a pump and a garden path object type: Drawing Object number: RP-T 1955-163 Manufacturer : artist Anton Mauve Date: 1848 - 1888 Physical features: black chalk on light brown paper material: paper chalk Dimensions: H 224 mm × W 367 mm Subject: rural housing, eg country-house, villa, cottage
Jacques Bellange, (artist), French, c. 1575 - 1616, Dancer with a Tambourine, c. 1615, black chalk and graphite on light brown paper, laid down, with later framing line in black ink, Overall: 28.6 x 18.7 cm (11 1/4 x 7 3/8 in.), support: 37.3 x 27 cm (14 11/16 x 10 5/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacques-bellange-artist-french-c-1575-1616-dancer-with-a-tambourine-c-1615-black-chalk-and-graphite-on-light-brown-paper-laid-down-with-later-framing-line-in-black-ink-overall-286-x-187-cm-11-14-x-7-38-in-support-373-x-27-cm-14-1116-x-10-58-in-image386363892.htmlRM2DCGB2C–Jacques Bellange, (artist), French, c. 1575 - 1616, Dancer with a Tambourine, c. 1615, black chalk and graphite on light brown paper, laid down, with later framing line in black ink, Overall: 28.6 x 18.7 cm (11 1/4 x 7 3/8 in.), support: 37.3 x 27 cm (14 11/16 x 10 5/8 in
Small school blackboard with stationery on wooden background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/small-school-blackboard-with-stationery-on-wooden-background-image256030725.htmlRFTTF5PD–Small school blackboard with stationery on wooden background
Self-portrait, August Leopold Venus, Dresden 1843 - 1886 Pirna, 19th century, drawing, charcoal, black oil pastel?, heightened with white chalk, on light brown paper; fixed; penciled, 347 x 236 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-august-leopold-venus-dresden-1843-1886-pirna-19th-century-drawing-charcoal-black-oil-pastel-heightened-with-white-chalk-on-light-brown-paper-fixed-penciled-347-x-236-mm-image573250556.htmlRM2T8HPX4–Self-portrait, August Leopold Venus, Dresden 1843 - 1886 Pirna, 19th century, drawing, charcoal, black oil pastel?, heightened with white chalk, on light brown paper; fixed; penciled, 347 x 236 mm
Elijah Visited by an Angel in the Wilderness (1 Kings 19:4-8) 1687–1749 Alessandro Magnasco Italian. Elijah Visited by an Angel in the Wilderness (1 Kings 19:4-8). Alessandro Magnasco (Italian, Genoa 1667–1749 Genoa). 1687–1749. Brush and brown wash, highlighted with white, over traces of black chalk, on light brown paper. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elijah-visited-by-an-angel-in-the-wilderness-1-kings-194-8-16871749-alessandro-magnasco-italian-elijah-visited-by-an-angel-in-the-wilderness-1-kings-194-8-alessandro-magnasco-italian-genoa-16671749-genoa-16871749-brush-and-brown-wash-highlighted-with-white-over-traces-of-black-chalk-on-light-brown-paper-drawings-image458115202.htmlRM2HH8XH6–Elijah Visited by an Angel in the Wilderness (1 Kings 19:4-8) 1687–1749 Alessandro Magnasco Italian. Elijah Visited by an Angel in the Wilderness (1 Kings 19:4-8). Alessandro Magnasco (Italian, Genoa 1667–1749 Genoa). 1687–1749. Brush and brown wash, highlighted with white, over traces of black chalk, on light brown paper. Drawings
LOUIS-MARC-ANTOINE BILCOQ, Old woman in profile, looking to the right, sheet, 470 x 384 mm, black and white chalk and charcoal on light brown handmade paper, old mounted, Old woman in profile, looking to the right, LOUIS-MARC-ANTOINE BILCOQ, 18TH CENTURY, DRAWING, black and white chalk and charcoal on light brown handmade paper, old mounted, CHALK, CHARCOAL, HANDMADE PAPER, CHALK DRAWING, CHARCOAL DRAWING, FRENCH, PICTURE DRAWING, TROMPE-L'ŒIL, AUTONOMOUS DRAWING?, Inscribed lower right, by someone else Hand?, with black pen, L. Bilcoq Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-marc-antoine-bilcoq-old-woman-in-profile-looking-to-the-right-sheet-470-x-384-mm-black-and-white-chalk-and-charcoal-on-light-brown-handmade-paper-old-mounted-old-woman-in-profile-looking-to-the-right-louis-marc-antoine-bilcoq-18th-century-drawing-black-and-white-chalk-and-charcoal-on-light-brown-handmade-paper-old-mounted-chalk-charcoal-handmade-paper-chalk-drawing-charcoal-drawing-french-picture-drawing-trompe-lil-autonomous-drawing-inscribed-lower-right-by-someone-else-hand-with-black-pen-l-bilcoq-image573242649.htmlRM2T8HCRN–LOUIS-MARC-ANTOINE BILCOQ, Old woman in profile, looking to the right, sheet, 470 x 384 mm, black and white chalk and charcoal on light brown handmade paper, old mounted, Old woman in profile, looking to the right, LOUIS-MARC-ANTOINE BILCOQ, 18TH CENTURY, DRAWING, black and white chalk and charcoal on light brown handmade paper, old mounted, CHALK, CHARCOAL, HANDMADE PAPER, CHALK DRAWING, CHARCOAL DRAWING, FRENCH, PICTURE DRAWING, TROMPE-L'ŒIL, AUTONOMOUS DRAWING?, Inscribed lower right, by someone else Hand?, with black pen, L. Bilcoq
Saint Sebastian ca. 1525 Gerolamo Giovenone. Saint Sebastian. Gerolamo Giovenone (Italian, Barengo ca. 1490–1555 Vercelli). ca. 1525. Pen and brown ink, brush with gray and brown wash, white gouache, over some black chalk on light brown paper; the figure and parts of the tree are drawn on the basis of a dotted black-chalk underdrawing (spolvero marks).. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-sebastian-ca-1525-gerolamo-giovenone-saint-sebastian-gerolamo-giovenone-italian-barengo-ca-14901555-vercelli-ca-1525-pen-and-brown-ink-brush-with-gray-and-brown-wash-white-gouache-over-some-black-chalk-on-light-brown-paper-the-figure-and-parts-of-the-tree-are-drawn-on-the-basis-of-a-dotted-black-chalk-underdrawing-spolvero-marks-drawings-image457914781.htmlRM2HGYPY9–Saint Sebastian ca. 1525 Gerolamo Giovenone. Saint Sebastian. Gerolamo Giovenone (Italian, Barengo ca. 1490–1555 Vercelli). ca. 1525. Pen and brown ink, brush with gray and brown wash, white gouache, over some black chalk on light brown paper; the figure and parts of the tree are drawn on the basis of a dotted black-chalk underdrawing (spolvero marks).. Drawings
Albert Lebourg, French, 1849-1928, Landscape, 1872/76, Black chalk on light brown laid paper, Overall: 12 3/16 x 18 1/2 in. (31 x 47 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albert-lebourg-french-1849-1928-landscape-187276-black-chalk-on-light-brown-laid-paper-overall-12-316-x-18-12-in-31-x-47-cm-image344579347.htmlRM2B0GXD7–Albert Lebourg, French, 1849-1928, Landscape, 1872/76, Black chalk on light brown laid paper, Overall: 12 3/16 x 18 1/2 in. (31 x 47 cm
. English: Navigator by a table with a celestial globe, a cross staff, an astrolabe, a pair of dividers and charts, a frigate firing a salute beyond preliminary study for a painting black chalk, pen and brown ink, grey wash on light brown paper 26.4 x 22 cm . before 1693 439 Navigator by a table, by Jan Verkolje Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-navigator-by-a-table-with-a-celestial-globe-a-cross-staff-an-astrolabe-a-pair-of-dividers-and-charts-a-frigate-firing-a-salute-beyond-preliminary-study-for-a-painting-black-chalk-pen-and-brown-ink-grey-wash-on-light-brown-paper-264-x-22-cm-before-1693-439-navigator-by-a-table-by-jan-verkolje-image187569399.htmlRMMW4EK3–. English: Navigator by a table with a celestial globe, a cross staff, an astrolabe, a pair of dividers and charts, a frigate firing a salute beyond preliminary study for a painting black chalk, pen and brown ink, grey wash on light brown paper 26.4 x 22 cm . before 1693 439 Navigator by a table, by Jan Verkolje
Anonym Bull to the right. Black and white chalk on light -brown paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonym-bull-to-the-right-black-and-white-chalk-on-light-brown-paper-image572693633.htmlRM2T7MCG1–Anonym Bull to the right. Black and white chalk on light -brown paper
Art inspired by The Virgin Protectress of the City of Siena, 1588, Pen and brown ink, brush and brown wash, over black chalk, on light brown paper, 8 3/16 x 10 3/4in. (20.8 x 27.3cm), Drawings, Francesco Vanni (Italian, Siena 1563–1610 Siena), Vanni studied painting briefly in Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-virgin-protectress-of-the-city-of-siena-1588-pen-and-brown-ink-brush-and-brown-wash-over-black-chalk-on-light-brown-paper-8-316-x-10-34in-208-x-273cm-drawings-francesco-vanni-italian-siena-15631610-siena-vanni-studied-painting-briefly-in-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462954021.htmlRF2HW5AG5–Art inspired by The Virgin Protectress of the City of Siena, 1588, Pen and brown ink, brush and brown wash, over black chalk, on light brown paper, 8 3/16 x 10 3/4in. (20.8 x 27.3cm), Drawings, Francesco Vanni (Italian, Siena 1563–1610 Siena), Vanni studied painting briefly in Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing, Project for the Decoration of a Panel; Italy; black chalk, pen and ink, brush and light brown and gray watercolors. on verso: black chalk, pen and ink, bistre on laid paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-project-for-the-decoration-of-a-panel-italy-black-chalk-pen-and-ink-brush-and-light-brown-and-gray-watercolors-on-verso-black-chalk-pen-and-ink-bistre-on-laid-paper-image546102667.htmlRM2PMD3EK–Drawing, Project for the Decoration of a Panel; Italy; black chalk, pen and ink, brush and light brown and gray watercolors. on verso: black chalk, pen and ink, bistre on laid paper.
Scene from 'The Tomb of Master André'. Dated: c. 1705/1708. Dimensions: overall: 16 x 22.1 cm (6 5/16 x 8 11/16 in.). Medium: red chalk with light mauve, sanguine, and brown wash with pen and black ink, corrected with white gouache, over graphite on laid paper, with a border line by the artist in red chalk, partially obscured by later double framing lines in pen and dark brown i. Museum: National Gallery of Art, Washington DC. Author: CLAUDE GILLOT. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scene-from-the-tomb-of-master-andr-dated-c-17051708-dimensions-overall-16-x-221-cm-6-516-x-8-1116-in-medium-red-chalk-with-light-mauve-sanguine-and-brown-wash-with-pen-and-black-ink-corrected-with-white-gouache-over-graphite-on-laid-paper-with-a-border-line-by-the-artist-in-red-chalk-partially-obscured-by-later-double-framing-lines-in-pen-and-dark-brown-i-museum-national-gallery-of-art-washington-dc-author-claude-gillot-image233238591.htmlRMRFCX5K–Scene from 'The Tomb of Master André'. Dated: c. 1705/1708. Dimensions: overall: 16 x 22.1 cm (6 5/16 x 8 11/16 in.). Medium: red chalk with light mauve, sanguine, and brown wash with pen and black ink, corrected with white gouache, over graphite on laid paper, with a border line by the artist in red chalk, partially obscured by later double framing lines in pen and dark brown i. Museum: National Gallery of Art, Washington DC. Author: CLAUDE GILLOT.
Arches of the Larger Baths at Hadrian's Villa, c. 1748. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arches-of-the-larger-baths-at-hadrians-villa-c-1748-image534366013.htmlRM2P1AD8D–Arches of the Larger Baths at Hadrian's Villa, c. 1748.
Hutje op palen, bij Maristuen, Noorwegen Cabin on stilts, with Maristuen, Norway Property Type: Drawing Object number: RP-T 1920-65 Manufacturer : artist: William Mari Date: 1811 Physical features: black chalk on light brown paper material: paper chalk Dimensions: H 299 mm × W 468 mm Subject cabin, cabin, lodgegeographical names of countries, regions, mountains, rivers, etc. (NORWAY) (NORWAY) names of cities and villages (Maristuen) Where: Maristuen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hutje-op-palen-bij-maristuen-noorwegen-cabin-on-stilts-with-maristuen-norway-property-type-drawing-object-number-rp-t-1920-65-manufacturer-artist-william-mari-date-1811-physical-features-black-chalk-on-light-brown-paper-material-paper-chalk-dimensions-h-299-mm-w-468-mm-subject-cabin-cabin-lodgegeographical-names-of-countries-regions-mountains-rivers-etc-norway-norway-names-of-cities-and-villages-maristuen-where-maristuen-image348448088.htmlRM2B6W52G–Hutje op palen, bij Maristuen, Noorwegen Cabin on stilts, with Maristuen, Norway Property Type: Drawing Object number: RP-T 1920-65 Manufacturer : artist: William Mari Date: 1811 Physical features: black chalk on light brown paper material: paper chalk Dimensions: H 299 mm × W 468 mm Subject cabin, cabin, lodgegeographical names of countries, regions, mountains, rivers, etc. (NORWAY) (NORWAY) names of cities and villages (Maristuen) Where: Maristuen
Small school blackboard with stationery on wooden background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/small-school-blackboard-with-stationery-on-wooden-background-image256030729.htmlRFTTF5PH–Small school blackboard with stationery on wooden background
Giovanni Battista Cipriani, (artist), Italian, 1727 - 1785, Studies of a Classical Figure, black chalk heightened with white on light brown prepared paper, overall: 22 x 10.1 cm (8 11/16 x 4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-cipriani-artist-italian-1727-1785-studies-of-a-classical-figure-black-chalk-heightened-with-white-on-light-brown-prepared-paper-overall-22-x-101-cm-8-1116-x-4-in-image386275232.htmlRM2DCCA00–Giovanni Battista Cipriani, (artist), Italian, 1727 - 1785, Studies of a Classical Figure, black chalk heightened with white on light brown prepared paper, overall: 22 x 10.1 cm (8 11/16 x 4 in
Johann Elias Ridinger The parade in Linck's crotch. Reddish, black and white chalk on light -brown paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johann-elias-ridinger-the-parade-in-lincks-crotch-reddish-black-and-white-chalk-on-light-brown-paper-image572651045.htmlRM2T7JE71–Johann Elias Ridinger The parade in Linck's crotch. Reddish, black and white chalk on light -brown paper
Art inspired by Orpheus, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light brown paper. Squared for transfer in leadpoint or black chalk. Oval framing outline in pen and brown ink, 8-5/16 x 7-5/16 in. (21.1 x 18.5 cm), Drawings, Anonymous, Italian, Roman-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-orpheus-17th-century-pen-and-brown-ink-brush-and-brown-wash-over-black-chalk-on-light-brown-paper-squared-for-transfer-in-leadpoint-or-black-chalk-oval-framing-outline-in-pen-and-brown-ink-8-516-x-7-516-in-211-x-185-cm-drawings-anonymous-italian-roman-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462953028.htmlRF2HW598M–Art inspired by Orpheus, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light brown paper. Squared for transfer in leadpoint or black chalk. Oval framing outline in pen and brown ink, 8-5/16 x 7-5/16 in. (21.1 x 18.5 cm), Drawings, Anonymous, Italian, Roman-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Saint Catherine Flanked by a Male and a Female Saint, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light brown paper. Framing outline on left, bottom and right edges in black chalk and brown ink, 4-5/8 x 3-1/8 in. (11.7 x 7.9 cm), Drawings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-saint-catherine-flanked-by-a-male-and-a-female-saint-17th-century-pen-and-brown-ink-brush-and-brown-wash-over-black-chalk-on-light-brown-paper-framing-outline-on-left-bottom-and-right-edges-in-black-chalk-and-brown-ink-4-58-x-3-18-in-117-x-79-cm-drawings-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462952692.htmlRF2HW58TM–Art inspired by Saint Catherine Flanked by a Male and a Female Saint, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light brown paper. Framing outline on left, bottom and right edges in black chalk and brown ink, 4-5/8 x 3-1/8 in. (11.7 x 7.9 cm), Drawings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Drawing, Stage Design, Palace Courtyard; Attributed to Angelo Toselli (ca. 1765? – 1826); Italy; pen and brown ink, brush and brown wash, black chalk on white laid paper laid down on light brown wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-stage-design-palace-courtyard-attributed-to-angelo-toselli-ca-1765-1826-italy-pen-and-brown-ink-brush-and-brown-wash-black-chalk-on-white-laid-paper-laid-down-on-light-brown-wove-paper-image546186655.htmlRM2PMGXJ7–Drawing, Stage Design, Palace Courtyard; Attributed to Angelo Toselli (ca. 1765? – 1826); Italy; pen and brown ink, brush and brown wash, black chalk on white laid paper laid down on light brown wove paper
'It is good candles which light the way'. Dated: 1640s. Dimensions: overall: 14.6 x 16.7 cm (5 3/4 x 6 9/16 in.). Medium: pen and ink with brown wash and white heightening over black and red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Jordaens. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/it-is-good-candles-which-light-the-way-dated-1640s-dimensions-overall-146-x-167-cm-5-34-x-6-916-in-medium-pen-and-ink-with-brown-wash-and-white-heightening-over-black-and-red-chalk-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-jacob-jordaens-image233231748.htmlRMRFCHD8–'It is good candles which light the way'. Dated: 1640s. Dimensions: overall: 14.6 x 16.7 cm (5 3/4 x 6 9/16 in.). Medium: pen and ink with brown wash and white heightening over black and red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Jordaens.
Drawing, Seated Girl; Winslow Homer (American, 1836–1910); USA; black chalk, brush and white gouache on light-brown laid paper; 50.5 × 35.8 cm (19 7/8 × 14 1/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-seated-girl-winslow-homer-american-18361910-usa-black-chalk-brush-and-white-gouache-on-light-brown-laid-paper-505-358-cm-19-78-14-18-in-image546126195.htmlRM2PME5EY–Drawing, Seated Girl; Winslow Homer (American, 1836–1910); USA; black chalk, brush and white gouache on light-brown laid paper; 50.5 × 35.8 cm (19 7/8 × 14 1/8 in.)
Search Results for Black chalk on light brown paper Stock Photos and Images (982)
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