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RFC3KB4P–Paintbrush and palette, close-up
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Creative portrait of a dummy in an elegant pose. Digitally altered photo- art and illustration. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-creative-portrait-of-a-dummy-in-an-elegant-pose-digitally-altered-129919258.html
RMHFA99E–Creative portrait of a dummy in an elegant pose. Digitally altered photo- art and illustration.
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RMA8WWWY–Blue grape hyacinth flowers in green grass. Muscari tubergenianum. Movement blur. Abstract. Background.
. The book of photography; practical, theoretical and applied. may be carried stillfurthei. Two secondary colours may becombined to form what is called a tertiarycolour, which is complementary to the re-maining secondary colours. Harmons.When the colours are in properrelationship, it is called harmony. Nowthis harmony is of great importance,for it governs the success of a picture.The charm of colour woi-k does not lie inthe colour itself, but in the blending orharmony of the various tints and shades.Fig. 469 gives a very good illustration ofthe effects of colour combination. Thismay be prepare Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-book-of-photography-practical-theoretical-and-applied-may-be-carried-stillfurthei-two-secondary-colours-may-becombined-to-form-what-is-called-a-tertiarycolour-which-is-complementary-to-the-re-maining-secondary-colours-harmonswhen-the-colours-are-in-properrelationship-it-is-called-harmony-nowthis-harmony-is-of-great-importancefor-it-governs-the-success-of-a-picturethe-charm-of-colour-woi-k-does-not-lie-inthe-colour-itself-but-in-the-blending-orharmony-of-the-various-tints-and-shadesfig-469-gives-a-very-good-illustration-ofthe-effects-of-colour-combination-thismay-be-prepare-image370303004.html
RM2CECN78–. The book of photography; practical, theoretical and applied. may be carried stillfurthei. Two secondary colours may becombined to form what is called a tertiarycolour, which is complementary to the re-maining secondary colours. Harmons.When the colours are in properrelationship, it is called harmony. Nowthis harmony is of great importance,for it governs the success of a picture.The charm of colour woi-k does not lie inthe colour itself, but in the blending orharmony of the various tints and shades.Fig. 469 gives a very good illustration ofthe effects of colour combination. Thismay be prepare
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. The mythology of all races. two unicorns took up theirabode in Ping-yang, the capital city of the Emperor Yao. Stilllater one appeared to the mother of Confucius before his birth,whereupon she vomited up a jade tablet on which was an in-scription in praise of the future sage. Just before the death ofConfucius a charioteer injured a unicorn, thus foretelling theimminence of his death. The male is called ch^i and the female,lin, the combination of the two characters being used as a genericterm. The phoenix is a mysterious but most beautiful bird. Itsplumage is a blending of the five colours, a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-mythology-of-all-races-two-unicorns-took-up-theirabode-in-ping-yang-the-capital-city-of-the-emperor-yao-stilllater-one-appeared-to-the-mother-of-confucius-before-his-birthwhereupon-she-vomited-up-a-jade-tablet-on-which-was-an-in-scription-in-praise-of-the-future-sage-just-before-the-death-ofconfucius-a-charioteer-injured-a-unicorn-thus-foretelling-theimminence-of-his-death-the-male-is-called-chi-and-the-femalelin-the-combination-of-the-two-characters-being-used-as-a-genericterm-the-phoenix-is-a-mysterious-but-most-beautiful-bird-itsplumage-is-a-blending-of-the-five-colours-a-image370774531.html
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. The Civil engineer and architect's journal, scientific and railway gazette. Architecture; Civil engineering; Science. 1846.J THE CIVIL ENGINEER AND ARCHITECPS JOURNAL. 231 It is eajy to recognise a correspondence in the principles and effects both in the painting and architecture of Venice. Pig. 2.. That variety of tints, of forms, of colours, and of the manner of break- ing and blending them into one another, which is seen, with one or two exceptions, in the Venetian painters, was in itself extremely attractive; but its merit of beauty and picturesqueness was fatal to all grandeur and digni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-civil-engineer-and-architects-journal-scientific-and-railway-gazette-architecture-civil-engineering-science-1846j-the-civil-engineer-and-architecps-journal-231-it-is-eajy-to-recognise-a-correspondence-in-the-principles-and-effects-both-in-the-painting-and-architecture-of-venice-pig-2-that-variety-of-tints-of-forms-of-colours-and-of-the-manner-of-break-ing-and-blending-them-into-one-another-which-is-seen-with-one-or-two-exceptions-in-the-venetian-painters-was-in-itself-extremely-attractive-but-its-merit-of-beauty-and-picturesqueness-was-fatal-to-all-grandeur-and-digni-image232776409.html
RMREKTK5–. The Civil engineer and architect's journal, scientific and railway gazette. Architecture; Civil engineering; Science. 1846.J THE CIVIL ENGINEER AND ARCHITECPS JOURNAL. 231 It is eajy to recognise a correspondence in the principles and effects both in the painting and architecture of Venice. Pig. 2.. That variety of tints, of forms, of colours, and of the manner of break- ing and blending them into one another, which is seen, with one or two exceptions, in the Venetian painters, was in itself extremely attractive; but its merit of beauty and picturesqueness was fatal to all grandeur and digni
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