Preview of an exhibition of wood block prints depicting Kabuki male theatre which opens at the Museum of Scotland Edinburgh 4th October-2nd February. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-preview-of-an-exhibition-of-wood-block-prints-depicting-kabuki-male-107282069.html
RMG6F3AD–Preview of an exhibition of wood block prints depicting Kabuki male theatre which opens at the Museum of Scotland Edinburgh 4th October-2nd February.
At the Black Rocks, from the Suite of Late Wood-Block Prints, 1898/99, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink on cream wove paper, 103 × 185 mm (image), 127 × 238 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/at-the-black-rocks-from-the-suite-of-late-wood-block-prints-189899-paul-gauguin-french-1848-1903-france-wood-block-print-in-black-ink-on-cream-wove-paper-103-185-mm-image-127-238-mm-sheet-image328644001.html
RM2A2K0NN–At the Black Rocks, from the Suite of Late Wood-Block Prints, 1898/99, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink on cream wove paper, 103 × 185 mm (image), 127 × 238 mm (sheet
Art inspired by The Devil Speaks, 1893–94, Woodcut on china paper, 8 x 14 in. block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-devil-speaks-189394-woodcut-on-china-paper-8-x-14-in-block-prints-paul-gauguin-french-paris-18481903-atuona-hiva-oa-marquesas-islands-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462801446.html
RF2HTXBY2–Art inspired by The Devil Speaks, 1893–94, Woodcut on china paper, 8 x 14 in. block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Indian kalamkari block printing stamps used to make designs on fabric Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-indian-kalamkari-block-printing-stamps-used-to-make-designs-on-fabric-72613490.html
RME63R6X–Indian kalamkari block printing stamps used to make designs on fabric
Jaipur, Rajasthan, India. Field of Block Prints lay flat, drying in the sun Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jaipur-rajasthan-india-field-of-block-prints-lay-flat-drying-in-the-139173696.html
RMJ2BWD4–Jaipur, Rajasthan, India. Field of Block Prints lay flat, drying in the sun
China: Block prints on paper from Khara-Khoto, Inner Mongolia. Khara-Khoto is a medieval Tangut city in the Ejin khoshuu of Alxa League, in western Inner Mongolia, near the former Gashun Lake. It has been identified as the city of Etzina, which appears in The Travels of Marco Polo. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-block-prints-on-paper-from-khara-khoto-inner-mongolia-khara-khoto-is-a-medieval-tangut-city-in-the-ejin-khoshuu-of-alxa-league-in-western-inner-mongolia-near-the-former-gashun-lake-it-has-been-identified-as-the-city-of-etzina-which-appears-in-the-travels-of-marco-polo-image344223422.html
RM2B00MDJ–China: Block prints on paper from Khara-Khoto, Inner Mongolia. Khara-Khoto is a medieval Tangut city in the Ejin khoshuu of Alxa League, in western Inner Mongolia, near the former Gashun Lake. It has been identified as the city of Etzina, which appears in The Travels of Marco Polo.
Traditional Indian block prints. Wood blocks used for handmade textile printing. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/traditional-indian-block-prints-wood-blocks-used-for-handmade-textile-printing-image432969570.html
RF2G4BD2X–Traditional Indian block prints. Wood blocks used for handmade textile printing.
Ukiyo-e wood block prints of traditional Japanese ladies, Japan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ukiyo-e-wood-block-prints-of-traditional-japanese-ladies-japan-56003385.html
RMD734TW–Ukiyo-e wood block prints of traditional Japanese ladies, Japan
Block prints from India for textiles (1924) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-block-prints-from-india-for-textiles-1924-114278476.html
RMGHWRA4–Block prints from India for textiles (1924)
Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints. Paul Gauguin; French, 1848-1903. Date: 1898-1899. Dimensions: 154 × 295 mm (image); 192 × 299 mm (sheet/secondary support). Wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory Japanese paper, partially laid down on white two-ply mat board. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-with-the-head-of-a-horned-devil-from-the-suite-of-late-wood-block-prints-paul-gauguin-french-1848-1903-date-1898-1899-dimensions-154-295-mm-image-192-299-mm-sheetsecondary-support-wood-block-print-printed-twice-in-black-over-pale-yellow-ocher-ink-on-thin-ivory-japanese-paper-partially-laid-down-on-white-two-ply-mat-board-origin-france-museum-the-chicago-art-institute-image239921450.html
RMRX9A76–Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints. Paul Gauguin; French, 1848-1903. Date: 1898-1899. Dimensions: 154 × 295 mm (image); 192 × 299 mm (sheet/secondary support). Wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory Japanese paper, partially laid down on white two-ply mat board. Origin: France. Museum: The Chicago Art Institute.
Tools for block prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tools-for-block-prints-40089388.html
RMC966BT–Tools for block prints
India, South Asia, Rajasthan, Selection of colorful patterned textile block prints on cloth fabric. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-india-south-asia-rajasthan-selection-of-colorful-patterned-textile-28678059.html
RMBJJB4B–India, South Asia, Rajasthan, Selection of colorful patterned textile block prints on cloth fabric.
. English: Portfolio, Cover, 'Sest Dob Nashi Historie', 1921 . English: Portfolio cover in gray with black printed text. Portfolio description: 'Sest Dob Nashi Historie,' published Prague, 1921; unbound portfolio of wood block prints. . 1921 231 Portfolio, Cover, "Sest Dob Nashi Historie", 1921 (CH 18684931) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-portfolio-cover-sest-dob-nashi-historie-1921-english-portfolio-cover-in-gray-with-black-printed-text-portfolio-description-sest-dob-nashi-historie-published-prague-1921-unbound-portfolio-of-wood-block-prints-1921-231-portfolio-cover-quotsest-dob-nashi-historiequot-1921-ch-18684931-image208005310.html
RMP2BCW2–. English: Portfolio, Cover, 'Sest Dob Nashi Historie', 1921 . English: Portfolio cover in gray with black printed text. Portfolio description: 'Sest Dob Nashi Historie,' published Prague, 1921; unbound portfolio of wood block prints. . 1921 231 Portfolio, Cover, "Sest Dob Nashi Historie", 1921 (CH 18684931)
Quilt top. Unfinished patchwork quilt top with a design of hexagons arranged as flowers on a white ground. Some of the fabrics are English block prints from the 1780s and 1790s; others are 19th century roller-printed fabrics. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quilt-top-unfinished-patchwork-quilt-top-with-a-design-of-hexagons-arranged-as-flowers-on-a-white-ground-some-of-the-fabrics-are-english-block-prints-from-the-1780s-and-1790s-others-are-19th-century-roller-printed-fabrics-image353517642.html
RM2BF43A2–Quilt top. Unfinished patchwork quilt top with a design of hexagons arranged as flowers on a white ground. Some of the fabrics are English block prints from the 1780s and 1790s; others are 19th century roller-printed fabrics.
Mixed traditional Indian wood block pattern for textile printing on rustic wood background. Block Printing,Rajasthan India Block Printing, Wood block Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mixed-traditional-indian-wood-block-pattern-for-textile-printing-on-rustic-wood-background-block-printingrajasthan-india-block-printing-wood-block-image432197256.html
RF2G34808–Mixed traditional Indian wood block pattern for textile printing on rustic wood background. Block Printing,Rajasthan India Block Printing, Wood block
WOODEN BLOCK USED TO MAKE BLOCK PRINTS ON FABRIC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wooden-block-used-to-make-block-prints-on-fabric-image159475518.html
RMK7CMJ6–WOODEN BLOCK USED TO MAKE BLOCK PRINTS ON FABRIC
Change of Residence, from the Suite of Late Wood-Block Prints (1899). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/change-of-residence-from-the-suite-of-late-wood-block-prints-1899-image454731159.html
RM2HBPP6F–Change of Residence, from the Suite of Late Wood-Block Prints (1899).
Wooden Block prints with motifs and figures for ritual displayed at Ogyen Choling the former residence of a ruling family descended from a 14th-century Buddhist teacher in the village of Ogyencholing in Tang valley in Bhutan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wooden-block-prints-with-motifs-and-figures-for-ritual-displayed-at-78613748.html
RMEFW4HT–Wooden Block prints with motifs and figures for ritual displayed at Ogyen Choling the former residence of a ruling family descended from a 14th-century Buddhist teacher in the village of Ogyencholing in Tang valley in Bhutan
Artist inspects proof sheet of block prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-inspects-proof-sheet-of-block-prints-image6048770.html
RMA2RPT3–Artist inspects proof sheet of block prints
Preview of an exhibition of wood block prints depicting Kabuki male theatre which opens at the Museum of Scotland Edinburgh 4th October-2nd February. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-preview-of-an-exhibition-of-wood-block-prints-depicting-kabuki-male-107282067.html
RMG6F3AB–Preview of an exhibition of wood block prints depicting Kabuki male theatre which opens at the Museum of Scotland Edinburgh 4th October-2nd February.
At the Black Rocks, from the Suite of Late Wood-Block Prints, 1898/99, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink on moderately thick cream wove paper, 103 × 186 mm (image), 106 × 191 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/at-the-black-rocks-from-the-suite-of-late-wood-block-prints-189899-paul-gauguin-french-1848-1903-france-wood-block-print-in-black-ink-on-moderately-thick-cream-wove-paper-103-186-mm-image-106-191-mm-sheet-image328644002.html
RM2A2K0NP–At the Black Rocks, from the Suite of Late Wood-Block Prints, 1898/99, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink on moderately thick cream wove paper, 103 × 186 mm (image), 106 × 191 mm (sheet
Art inspired by Noa Noa, 1893–94, Woodcut on China paper, 14 x 8 1/16 in. (35.6 x 20.5 cm): block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-noa-noa-189394-woodcut-on-china-paper-14-x-8-116-in-356-x-205-cm-block-prints-paul-gauguin-french-paris-18481903-atuona-hiva-oa-marquesas-islands-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462801438.html
RF2HTXBXP–Art inspired by Noa Noa, 1893–94, Woodcut on China paper, 14 x 8 1/16 in. (35.6 x 20.5 cm): block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Twisting ivy leaves, branches and tendrils in all-over pattern, Mid-nineteenth century block print on paper background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/twisting-ivy-leaves-branches-and-tendrils-in-all-over-pattern-mid-nineteenth-century-block-print-on-paper-background-image439322166.html
RM2GEMRWA–Twisting ivy leaves, branches and tendrils in all-over pattern, Mid-nineteenth century block print on paper background
Black and white drawings of classic Chinese block prints in old style. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-and-white-drawings-of-classic-chinese-block-prints-in-old-style-image559275973.html
RF2RDW65W–Black and white drawings of classic Chinese block prints in old style.
China: Block prints on paper from Khara-Khoto, Inner Mongolia. Khara-Khoto is a medieval Tangut city in the Ejin khoshuu of Alxa League, in western Inner Mongolia, near the former Gashun Lake. It has been identified as the city of Etzina, which appears in 'The Travels of Marco Polo'. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-block-prints-on-paper-from-khara-khoto-inner-mongolia-khara-khoto-is-a-medieval-tangut-city-in-the-ejin-khoshuu-of-alxa-league-in-western-inner-mongolia-near-the-former-gashun-lake-it-has-been-identified-as-the-city-of-etzina-which-appears-in-the-travels-of-marco-polo-image344223667.html
RM2B00MPB–China: Block prints on paper from Khara-Khoto, Inner Mongolia. Khara-Khoto is a medieval Tangut city in the Ejin khoshuu of Alxa League, in western Inner Mongolia, near the former Gashun Lake. It has been identified as the city of Etzina, which appears in 'The Travels of Marco Polo'.
Traditional Indian block prints. Wood blocks used for handmade textile printing. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/traditional-indian-block-prints-wood-blocks-used-for-handmade-textile-printing-image453076997.html
RF2H93C99–Traditional Indian block prints. Wood blocks used for handmade textile printing.
Ukiyo-e wood block prints depicting traditional Japanese lady, Tokyo, Japan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ukiyo-e-wood-block-prints-depicting-traditional-japanese-lady-tokyo-56001259.html
RMD7324Y–Ukiyo-e wood block prints depicting traditional Japanese lady, Tokyo, Japan
Block prints from India for textiles (1924) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-block-prints-from-india-for-textiles-1924-114278473.html
RMGHWRA1–Block prints from India for textiles (1924)
At the Black Rocks, from the Suite of Late Wood-Block Prints. Paul Gauguin; French, 1848-1903. Date: 1898-1899. Dimensions: 103 × 185 mm (image); 127 × 238 mm (sheet). Wood-block print in black ink on cream wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/at-the-black-rocks-from-the-suite-of-late-wood-block-prints-paul-gauguin-french-1848-1903-date-1898-1899-dimensions-103-185-mm-image-127-238-mm-sheet-wood-block-print-in-black-ink-on-cream-wove-paper-origin-france-museum-the-chicago-art-institute-image239935425.html
RMRXA029–At the Black Rocks, from the Suite of Late Wood-Block Prints. Paul Gauguin; French, 1848-1903. Date: 1898-1899. Dimensions: 103 × 185 mm (image); 127 × 238 mm (sheet). Wood-block print in black ink on cream wove paper. Origin: France. Museum: The Chicago Art Institute.
Tools for block prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tools-for-block-prints-40089347.html
RMC966AB–Tools for block prints
India, South Asia, Rajasthan, Selection of colourful patterned textile block prints on cloth fabric. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-india-south-asia-rajasthan-selection-of-colourful-patterned-textile-28675117.html
RMBJJ7B9–India, South Asia, Rajasthan, Selection of colourful patterned textile block prints on cloth fabric.
Paul Gauguin. At the Black Rocks, from the Suite of Late Wood-Block Prints. 1898–1899. France. Wood-block print in black ink on cream wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-gauguin-at-the-black-rocks-from-the-suite-of-late-wood-block-prints-18981899-france-wood-block-print-in-black-ink-on-cream-wove-paper-image337988702.html
RM2AHTM12–Paul Gauguin. At the Black Rocks, from the Suite of Late Wood-Block Prints. 1898–1899. France. Wood-block print in black ink on cream wove paper
Round shape traditional Indian wood block pattern for textile printing on rustic wood background. Block Printing,Rajasthan India Block Printing,Wood b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/round-shape-traditional-indian-wood-block-pattern-for-textile-printing-on-rustic-wood-background-block-printingrajasthan-india-block-printingwood-b-image432195733.html
RF2G3461W–Round shape traditional Indian wood block pattern for textile printing on rustic wood background. Block Printing,Rajasthan India Block Printing,Wood b
Primary living area the fabrics used are contemporary Jaipur hand block prints in new build home near Jaipur Rajasthan state Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-primary-living-area-the-fabrics-used-are-contemporary-jaipur-hand-11677630.html
RMA6YWER–Primary living area the fabrics used are contemporary Jaipur hand block prints in new build home near Jaipur Rajasthan state
Buddha, from the Suite of Late Wood-Block Prints (ca. 1898-1899) by Paul Gauguin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buddha-from-the-suite-of-late-wood-block-prints-ca-1898-1899-by-paul-gauguin-image454731919.html
RM2HBPR5K–Buddha, from the Suite of Late Wood-Block Prints (ca. 1898-1899) by Paul Gauguin.
Kanagawa by Utagawa Hiroshige (1797 -1858), colour woodblock print, Edo period, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kanagawa-by-utagawa-hiroshige-1797-1858-colour-woodblock-print-edo-period-image553194680.html
RM2R405CT–Kanagawa by Utagawa Hiroshige (1797 -1858), colour woodblock print, Edo period,
Album of wood-block prints by various artists Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-of-wood-block-prints-by-various-artists-image593779134.html
RM2WE0Y9J–Album of wood-block prints by various artists
Preview of an exhibition of wood block prints depicting Kabuki male theatre which opens at the Museum of Scotland Edinburgh 4th October-2nd February. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-preview-of-an-exhibition-of-wood-block-prints-depicting-kabuki-male-107282070.html
RMG6F3AE–Preview of an exhibition of wood block prints depicting Kabuki male theatre which opens at the Museum of Scotland Edinburgh 4th October-2nd February.
Interior of a Tahitian Hut, from the Suite of Late Wood-Block Prints, 1898/99, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink on thin ivory Japanese paper, 115 × 210 mm (image), 140 × 222 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-of-a-tahitian-hut-from-the-suite-of-late-wood-block-prints-189899-paul-gauguin-french-1848-1903-france-wood-block-print-in-black-ink-on-thin-ivory-japanese-paper-115-210-mm-image-140-222-mm-sheet-image328659826.html
RM2A2KMXX–Interior of a Tahitian Hut, from the Suite of Late Wood-Block Prints, 1898/99, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink on thin ivory Japanese paper, 115 × 210 mm (image), 140 × 222 mm (sheet
Art inspired by Woodcut with a Horned Head, 1898–99, Woodcut on transparent laid tissue paper, 5 5/8 x 11 1/4 in. block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-woodcut-with-a-horned-head-189899-woodcut-on-transparent-laid-tissue-paper-5-58-x-11-14-in-block-prints-paul-gauguin-french-paris-18481903-atuona-hiva-oa-marquesas-islands-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462801458.html
RF2HTXBYE–Art inspired by Woodcut with a Horned Head, 1898–99, Woodcut on transparent laid tissue paper, 5 5/8 x 11 1/4 in. block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
P129.50. 1970P129.51. Utamaro and Others. From Album of Theatrical Prints, Japanese wood block prints . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/p12950-1970p12951-utamaro-and-others-from-album-of-theatrical-prints-japanese-wood-block-prints-image551012875.html
RM2R0CPF7–P129.50. 1970P129.51. Utamaro and Others. From Album of Theatrical Prints, Japanese wood block prints .
Black and white drawings of vintage block prints in old Chinese style. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-and-white-drawings-of-vintage-block-prints-in-old-chinese-style-image559278073.html
RF2RDW8TW–Black and white drawings of vintage block prints in old Chinese style.
China: Block prints on paper from Khara-Khoto, Inner Mongolia. Khara-Khoto is a medieval Tangut city in the Ejin khoshuu of Alxa League, in western Inner Mongolia, near the former Gashun Lake. It has been identified as the city of Etzina, which appears in The Travels of Marco Polo. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-block-prints-on-paper-from-khara-khoto-inner-mongolia-khara-khoto-is-a-medieval-tangut-city-in-the-ejin-khoshuu-of-alxa-league-in-western-inner-mongolia-near-the-former-gashun-lake-it-has-been-identified-as-the-city-of-etzina-which-appears-in-the-travels-of-marco-polo-image344223531.html
RM2B00MHF–China: Block prints on paper from Khara-Khoto, Inner Mongolia. Khara-Khoto is a medieval Tangut city in the Ejin khoshuu of Alxa League, in western Inner Mongolia, near the former Gashun Lake. It has been identified as the city of Etzina, which appears in The Travels of Marco Polo.
Traditional Indian block prints. Wood blocks used for handmade textile printing. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/traditional-indian-block-prints-wood-blocks-used-for-handmade-textile-printing-image453076994.html
RF2H93C96–Traditional Indian block prints. Wood blocks used for handmade textile printing.
Bildnummer: 51528043 Datum: 02.11.2006 Copyright: imago/Xinhua Besucher der Ausstellung - The First Exhibition of Chinese Wood Block Prints - in Xi an - PUBLICATIONxNOTxINxCHN, Personen; 2006, Xian, Xi an, Ausstellung, Ausstellungen, Holzdruck, Holzdrucke, Besucher, Ausstellungsbesucher,; , quer, Kbdig, Totale, Kunsthandwerk, Kunst, Schriftzug, Logos, China, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bildnummer-51528043-datum-02112006-copyright-imagoxinhua-besucher-der-ausstellung-the-first-exhibition-of-chinese-wood-block-prints-in-xi-an-publicationxnotxinxchn-personen-2006-xian-xi-an-ausstellung-ausstellungen-holzdruck-holzdrucke-besucher-ausstellungsbesucher-quer-kbdig-totale-kunsthandwerk-kunst-schriftzug-logos-china-image562323327.html
RM2RJT13Y–Bildnummer: 51528043 Datum: 02.11.2006 Copyright: imago/Xinhua Besucher der Ausstellung - The First Exhibition of Chinese Wood Block Prints - in Xi an - PUBLICATIONxNOTxINxCHN, Personen; 2006, Xian, Xi an, Ausstellung, Ausstellungen, Holzdruck, Holzdrucke, Besucher, Ausstellungsbesucher,; , quer, Kbdig, Totale, Kunsthandwerk, Kunst, Schriftzug, Logos, China, ,
Batik maker block prints on a cloth with a Cap (copper stamp). Batik Winotosastro shop, Yogyakarta, Java, Indonesia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-batik-maker-block-prints-on-a-cloth-with-a-cap-copper-stamp-batik-174807510.html
RMM4B4NA–Batik maker block prints on a cloth with a Cap (copper stamp). Batik Winotosastro shop, Yogyakarta, Java, Indonesia.
Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints. Paul Gauguin; French, 1848-1903. Date: 1898-1899. Dimensions: 162 × 285 mm (image); 211 × 304 mm (sheet). Wood-block print in black ink on thin ivory Japanese paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tahitian-carrying-bananas-from-the-suite-of-late-wood-block-prints-paul-gauguin-french-1848-1903-date-1898-1899-dimensions-162-285-mm-image-211-304-mm-sheet-wood-block-print-in-black-ink-on-thin-ivory-japanese-paper-origin-france-museum-the-chicago-art-institute-image239890171.html
RMRX7XA3–Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints. Paul Gauguin; French, 1848-1903. Date: 1898-1899. Dimensions: 162 × 285 mm (image); 211 × 304 mm (sheet). Wood-block print in black ink on thin ivory Japanese paper. Origin: France. Museum: The Chicago Art Institute.
Buddha, from the Suite of Late Wood-Block Prints, 1898/99. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buddha-from-the-suite-of-late-wood-block-prints-189899-image457047907.html
RM2HFG97F–Buddha, from the Suite of Late Wood-Block Prints, 1898/99.
Wood block prints Kyoto Japan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wood-block-prints-kyoto-japan-image7704747.html
RM2XMNN47–Bangladeshi man washing wooden block prints, Dhaka Division, Rupganj, Bangladesh
Paul Gauguin. At the Black Rocks, from the Suite of Late Wood-Block Prints. 1898–1899. France. Wood-block print in black ink on moderately thick cream wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-gauguin-at-the-black-rocks-from-the-suite-of-late-wood-block-prints-18981899-france-wood-block-print-in-black-ink-on-moderately-thick-cream-wove-paper-image337988737.html
RM2AHTM29–Paul Gauguin. At the Black Rocks, from the Suite of Late Wood-Block Prints. 1898–1899. France. Wood-block print in black ink on moderately thick cream wove paper
Different size of fish shape wood block pattern for textile printing on rustic wood background. Block Printing,Rajasthan India Block Printing, Wood bl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/different-size-of-fish-shape-wood-block-pattern-for-textile-printing-on-rustic-wood-background-block-printingrajasthan-india-block-printing-wood-bl-image432197161.html
RF2G347TW–Different size of fish shape wood block pattern for textile printing on rustic wood background. Block Printing,Rajasthan India Block Printing, Wood bl
Vote Vintage Alphabet Font Wooden Block Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vote-vintage-alphabet-font-wooden-block-prints-image465675307.html
RF2J1H9GY–Vote Vintage Alphabet Font Wooden Block Prints
The God (Te atua), from the Suite of Late Wood-Block Prints (ca. 1898-1899) by Paul Gauguin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-god-te-atua-from-the-suite-of-late-wood-block-prints-ca-1898-1899-by-paul-gauguin-image454731909.html
RM2HBPR59–The God (Te atua), from the Suite of Late Wood-Block Prints (ca. 1898-1899) by Paul Gauguin.
Seminole Wars. Attack of the Seminoles on the block house. Print shows an attack by the Seminole Indians possibly on a fort on the Withlacoochee River in December 1835. Hand colored lithograph, 1837 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seminole-wars-attack-of-the-seminoles-on-the-block-house-print-shows-an-attack-by-the-seminole-indians-possibly-on-a-fort-on-the-withlacoochee-river-in-december-1835-hand-colored-lithograph-1837-image570146453.html
RM2T3GBH9–Seminole Wars. Attack of the Seminoles on the block house. Print shows an attack by the Seminole Indians possibly on a fort on the Withlacoochee River in December 1835. Hand colored lithograph, 1837
Shaoyang, Shaoyang, China. 11th Jan, 2021. Hunan, CHINA-As the Spring Festival draws near, artists in Tantou Town, Longhui County, Shaoyang City, Hunan Province, named as ''the hometown of modern folk New Year paintings'' by the Ministry of Culture, are busy printing New Year wood-block prints to supply the festival market.Tantou New Year wood-block prints need to go through more than 20 processes, from the selection of papermaking materials, the manufacturing of paper, the brushing of the bottom, to plate engraving, seven times of printing and seven times of hand-painting.From handmade Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shaoyang-shaoyang-china-11th-jan-2021-hunan-china-as-the-spring-festival-draws-near-artists-in-tantou-town-longhui-county-shaoyang-city-hunan-province-named-as-the-hometown-of-modern-folk-new-year-paintings-by-the-ministry-of-culture-are-busy-printing-new-year-wood-block-prints-to-supply-the-festival-markettantou-new-year-wood-block-prints-need-to-go-through-more-than-20-processes-from-the-selection-of-papermaking-materials-the-manufacturing-of-paper-the-brushing-of-the-bottom-to-plate-engraving-seven-times-of-printing-and-seven-times-of-hand-paintingfrom-handmade-image397086111.html
RM2E20RAR–Shaoyang, Shaoyang, China. 11th Jan, 2021. Hunan, CHINA-As the Spring Festival draws near, artists in Tantou Town, Longhui County, Shaoyang City, Hunan Province, named as ''the hometown of modern folk New Year paintings'' by the Ministry of Culture, are busy printing New Year wood-block prints to supply the festival market.Tantou New Year wood-block prints need to go through more than 20 processes, from the selection of papermaking materials, the manufacturing of paper, the brushing of the bottom, to plate engraving, seven times of printing and seven times of hand-painting.From handmade
This is a high-class beautiful brand style textile design used on branded textiles and posters or beautiful Tribal Floral Hand Block Prints. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-is-a-high-class-beautiful-brand-style-textile-design-used-on-branded-textiles-and-posters-or-beautiful-tribal-floral-hand-block-prints-image490704351.html
RF2KE9EBB–This is a high-class beautiful brand style textile design used on branded textiles and posters or beautiful Tribal Floral Hand Block Prints.
Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink on thin ivory laid Japanese paper, 242 × 226 mm (image), 255 × 226 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/te-atua-the-god-from-the-suite-of-late-wood-block-prints-189899-paul-gauguin-french-1848-1903-france-wood-block-print-in-black-ink-on-thin-ivory-laid-japanese-paper-242-226-mm-image-255-226-mm-sheet-image328659820.html
RM2A2KMXM–Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink on thin ivory laid Japanese paper, 242 × 226 mm (image), 255 × 226 mm (sheet
Art inspired by The Universe Is Created, 1893–94, woodcut printed in color on wove paper, 8 x 13 7/8 in. (20.3 x 35.2 cm): block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-universe-is-created-189394-woodcut-printed-in-color-on-wove-paper-8-x-13-78-in-203-x-352-cm-block-prints-paul-gauguin-french-paris-18481903-atuona-hiva-oa-marquesas-islands-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462801494.html
RF2HTXC0P–Art inspired by The Universe Is Created, 1893–94, woodcut printed in color on wove paper, 8 x 13 7/8 in. (20.3 x 35.2 cm): block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Leaf with spreading pattern of tendrils with flowers and fruits, anonymous, 1700 - 1850 Leaf with spreading pattern of tendrils with flowers and fruits a point stock, block prints visible. Used as a cover. paper. block printing (relief printing process) ornament derived from plant forms Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leaf-with-spreading-pattern-of-tendrils-with-flowers-and-fruits-anonymous-1700-1850-leaf-with-spreading-pattern-of-tendrils-with-flowers-and-fruits-a-point-stock-block-prints-visible-used-as-a-cover-paper-block-printing-relief-printing-process-ornament-derived-from-plant-forms-image590745064.html
RM2W92NA0–Leaf with spreading pattern of tendrils with flowers and fruits, anonymous, 1700 - 1850 Leaf with spreading pattern of tendrils with flowers and fruits a point stock, block prints visible. Used as a cover. paper. block printing (relief printing process) ornament derived from plant forms
Black and white drawings of old Chinese block prints in classic style. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-and-white-drawings-of-old-chinese-block-prints-in-classic-style-image559274687.html
RF2RDW4FY–Black and white drawings of old Chinese block prints in classic style.
Japonaiserie was the term the Dutch post-impressionist painter Vincent van Gogh used to express the influence of Japanese art. Before 1854 trade with Japan was confined to a Dutch monopoly and Japanese goods imported into Europe were for the most part confined to porcelain and lacquerware. The Convention of Kanagawa put an end to the 200 year old Japanese foreign policy of Seclusion and opened up trade between Japan and the West. Artists such as Manet, Degas and Monet, followed by Van Gogh, began to collect the cheap colour wood-block prints called ukiyo-e prints. For a while Vincent and his Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japonaiserie-was-the-term-the-dutch-post-impressionist-painter-vincent-van-gogh-used-to-express-the-influence-of-japanese-art-before-1854-trade-with-japan-was-confined-to-a-dutch-monopoly-and-japanese-goods-imported-into-europe-were-for-the-most-part-confined-to-porcelain-and-lacquerware-the-convention-of-kanagawa-put-an-end-to-the-200-year-old-japanese-foreign-policy-of-seclusion-and-opened-up-trade-between-japan-and-the-west-artists-such-as-manet-degas-and-monet-followed-by-van-gogh-began-to-collect-the-cheap-colour-wood-block-prints-called-ukiyo-e-prints-for-a-while-vincent-and-his-image344261068.html
RM2B02CE4–Japonaiserie was the term the Dutch post-impressionist painter Vincent van Gogh used to express the influence of Japanese art. Before 1854 trade with Japan was confined to a Dutch monopoly and Japanese goods imported into Europe were for the most part confined to porcelain and lacquerware. The Convention of Kanagawa put an end to the 200 year old Japanese foreign policy of Seclusion and opened up trade between Japan and the West. Artists such as Manet, Degas and Monet, followed by Van Gogh, began to collect the cheap colour wood-block prints called ukiyo-e prints. For a while Vincent and his
Traditional Indian block prints. Wood blocks used for handmade textile printing. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/traditional-indian-block-prints-wood-blocks-used-for-handmade-textile-printing-image451297812.html
RF2H66AY0–Traditional Indian block prints. Wood blocks used for handmade textile printing.
Calico Block Printing: a plain-woven textile made from unbleached and often not fully processed cotton. Cloth manufacturers in Britain printed calico using wooden blocks. Polychromatic prints were possible, using two sets of blocks and an additional blue dye. The Indian taste was for dark printed backgrounds, while the European market preferred a pattern on a cream base. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calico-block-printing-a-plain-woven-textile-made-from-unbleached-and-often-not-fully-processed-cotton-cloth-manufacturers-in-britain-printed-calico-using-wooden-blocks-polychromatic-prints-were-possible-using-two-sets-of-blocks-and-an-additional-blue-dye-the-indian-taste-was-for-dark-printed-backgrounds-while-the-european-market-preferred-a-pattern-on-a-cream-base-image331139615.html
RM2A6MKXR–Calico Block Printing: a plain-woven textile made from unbleached and often not fully processed cotton. Cloth manufacturers in Britain printed calico using wooden blocks. Polychromatic prints were possible, using two sets of blocks and an additional blue dye. The Indian taste was for dark printed backgrounds, while the European market preferred a pattern on a cream base.
Ghalamkar (traditional Iranian textile printing art) artisan block prints an intricate pattern on a cotton cloth with a wooden stamp. Isfahan, Iran. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ghalamkar-traditional-iranian-textile-printing-art-artisan-block-prints-an-intricate-pattern-on-a-cotton-cloth-with-a-wooden-stamp-isfahan-iran-image603390132.html
RM2X1JP7G–Ghalamkar (traditional Iranian textile printing art) artisan block prints an intricate pattern on a cotton cloth with a wooden stamp. Isfahan, Iran.
At the Black Rocks, from the Suite of Late Wood-Block Prints. Paul Gauguin; French, 1848-1903. Date: 1898-1899. Dimensions: 103 × 186 mm (image); 106 × 191 mm (sheet). Wood-block print in black ink on moderately thick cream wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/at-the-black-rocks-from-the-suite-of-late-wood-block-prints-paul-gauguin-french-1848-1903-date-1898-1899-dimensions-103-186-mm-image-106-191-mm-sheet-wood-block-print-in-black-ink-on-moderately-thick-cream-wove-paper-origin-france-museum-the-chicago-art-institute-image239906462.html
RMRX8K3X–At the Black Rocks, from the Suite of Late Wood-Block Prints. Paul Gauguin; French, 1848-1903. Date: 1898-1899. Dimensions: 103 × 186 mm (image); 106 × 191 mm (sheet). Wood-block print in black ink on moderately thick cream wove paper. Origin: France. Museum: The Chicago Art Institute.
Human Miseries, from the Suite of Late Wood-Block Prints, 1898/99. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/human-miseries-from-the-suite-of-late-wood-block-prints-189899-image457047922.html
RM2HFG982–Human Miseries, from the Suite of Late Wood-Block Prints, 1898/99.
An artisan making block prints over a piece of cloth, locally known as ‘ajrak’, worn by both men and women through out Sindh province, in Pakistan. Ap Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-artisan-making-block-prints-over-a-piece-of-cloth-locally-known-as-ajrak-worn-by-both-men-and-women-through-out-sindh-province-in-pakistan-ap-image452188134.html
RF2H7JXG6–An artisan making block prints over a piece of cloth, locally known as ‘ajrak’, worn by both men and women through out Sindh province, in Pakistan. Ap
. Block prints from India for textiles. Textile design; Textile fabrics -- India; Decoration and ornament. . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Lewis, A. B. (Albert Buell), 1867-. Chicago Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/block-prints-from-india-for-textiles-textile-design-textile-fabrics-india-decoration-and-ornament-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-lewis-a-b-albert-buell-1867-chicago-image234583793.html
RMRHJ60H–. Block prints from India for textiles. Textile design; Textile fabrics -- India; Decoration and ornament. . Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Lewis, A. B. (Albert Buell), 1867-. Chicago
Paul Gauguin. Le sourire Journal sérieux, Nov. 1899. 1899. France. Mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-gauguin-le-sourire-journal-srieux-nov-1899-1899-france-mimeograph-in-brownish-black-ink-with-wood-block-prints-in-black-ink-on-cream-wove-paper-image337925651.html
RM2AHNRH7–Paul Gauguin. Le sourire Journal sérieux, Nov. 1899. 1899. France. Mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper
Traditional Indian wood block pattern for textile printing on rustic wood background. Block Printing,Rajasthan India Block Printing, Wood block used f Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/traditional-indian-wood-block-pattern-for-textile-printing-on-rustic-wood-background-block-printingrajasthan-india-block-printing-wood-block-used-f-image432195936.html
RF2G34694–Traditional Indian wood block pattern for textile printing on rustic wood background. Block Printing,Rajasthan India Block Printing, Wood block used f
Dartford Prints Works . 1934 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dartford-prints-works-1934-image359452531.html
RM2BTPDAB–Dartford Prints Works . 1934
The God (Te atua), from the Suite of Late Wood-Block Prints (ca. 1898-1899) by Paul Gauguin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-god-te-atua-from-the-suite-of-late-wood-block-prints-ca-1898-1899-by-paul-gauguin-image454731401.html
RM2HBPPF5–The God (Te atua), from the Suite of Late Wood-Block Prints (ca. 1898-1899) by Paul Gauguin.
London, England, UK 24th August 2021 On day two of the 'Impossible Rebellion' Extinction Rebellion protestors block Selfridges in a Dirty Fashion Action against the use of fossil fuels in fashion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-england-uk-24th-august-2021-on-day-two-of-the-impossible-rebellion-extinction-rebellion-protestors-block-selfridges-in-a-dirty-fashion-action-against-the-use-of-fossil-fuels-in-fashion-image439706118.html
RM2GFA9HX–London, England, UK 24th August 2021 On day two of the 'Impossible Rebellion' Extinction Rebellion protestors block Selfridges in a Dirty Fashion Action against the use of fossil fuels in fashion
Shaoyang, Shaoyang, China. 11th Jan, 2021. Hunan, CHINA-As the Spring Festival draws near, artists in Tantou Town, Longhui County, Shaoyang City, Hunan Province, named as ''the hometown of modern folk New Year paintings'' by the Ministry of Culture, are busy printing New Year wood-block prints to supply the festival market.Tantou New Year wood-block prints need to go through more than 20 processes, from the selection of papermaking materials, the manufacturing of paper, the brushing of the bottom, to plate engraving, seven times of printing and seven times of hand-painting.From handmade Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shaoyang-shaoyang-china-11th-jan-2021-hunan-china-as-the-spring-festival-draws-near-artists-in-tantou-town-longhui-county-shaoyang-city-hunan-province-named-as-the-hometown-of-modern-folk-new-year-paintings-by-the-ministry-of-culture-are-busy-printing-new-year-wood-block-prints-to-supply-the-festival-markettantou-new-year-wood-block-prints-need-to-go-through-more-than-20-processes-from-the-selection-of-papermaking-materials-the-manufacturing-of-paper-the-brushing-of-the-bottom-to-plate-engraving-seven-times-of-printing-and-seven-times-of-hand-paintingfrom-handmade-image397086014.html
RM2E20R7A–Shaoyang, Shaoyang, China. 11th Jan, 2021. Hunan, CHINA-As the Spring Festival draws near, artists in Tantou Town, Longhui County, Shaoyang City, Hunan Province, named as ''the hometown of modern folk New Year paintings'' by the Ministry of Culture, are busy printing New Year wood-block prints to supply the festival market.Tantou New Year wood-block prints need to go through more than 20 processes, from the selection of papermaking materials, the manufacturing of paper, the brushing of the bottom, to plate engraving, seven times of printing and seven times of hand-painting.From handmade
Central Tokyo 1682 - Vintage Antiquarian Wood Block Print Map Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-central-tokyo-1682-vintage-antiquarian-wood-block-print-map-38066558.html
RFC5X27X–Central Tokyo 1682 - Vintage Antiquarian Wood Block Print Map
Change of Residence, from the Suite of Late Wood-Block Prints, 1899, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink, with touches of red and black watercolor, on cream wove paper, 162 × 305 mm (image), 165 × 305 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/change-of-residence-from-the-suite-of-late-wood-block-prints-1899-paul-gauguin-french-1848-1903-france-wood-block-print-in-black-ink-with-touches-of-red-and-black-watercolor-on-cream-wove-paper-162-305-mm-image-165-305-mm-sheet-image328659818.html
RM2A2KMXJ–Change of Residence, from the Suite of Late Wood-Block Prints, 1899, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink, with touches of red and black watercolor, on cream wove paper, 162 × 305 mm (image), 165 × 305 mm (sheet
Art inspired by Auti Te Pape, 1893–94, Woodcut on china paper, 8 1/16 x 14 in. (20.5 x 35.6 cm): block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-auti-te-pape-189394-woodcut-on-china-paper-8-116-x-14-in-205-x-356-cm-block-prints-paul-gauguin-french-paris-18481903-atuona-hiva-oa-marquesas-islands-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462801448.html
RF2HTXBY4–Art inspired by Auti Te Pape, 1893–94, Woodcut on china paper, 8 1/16 x 14 in. (20.5 x 35.6 cm): block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Leaf with spreading pattern of tendrils with flowers and fruits, anonymous, 1700 - 1850 Leaf with spreading pattern of tendrils with flowers and fruits on a point stock, the edges of the block prints visible. Used as a cover. paper. block printing (relief printing process) ornament derived from plant forms Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leaf-with-spreading-pattern-of-tendrils-with-flowers-and-fruits-anonymous-1700-1850-leaf-with-spreading-pattern-of-tendrils-with-flowers-and-fruits-on-a-point-stock-the-edges-of-the-block-prints-visible-used-as-a-cover-paper-block-printing-relief-printing-process-ornament-derived-from-plant-forms-image590745070.html
RM2W92NA6–Leaf with spreading pattern of tendrils with flowers and fruits, anonymous, 1700 - 1850 Leaf with spreading pattern of tendrils with flowers and fruits on a point stock, the edges of the block prints visible. Used as a cover. paper. block printing (relief printing process) ornament derived from plant forms
London, UK. 8th Apr 2019. The printing block and one of the prints (background) of Madonna 1895-1902 - Edvard Munch: love and angst at the British Museum, the largest exhibition of Munch’s prints in the UK for 45 years. The exhibition is a collaboration with Norway’s Munch Museum and runs 11 April – 21 July 2019. Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-8th-apr-2019-the-printing-block-and-one-of-the-prints-background-of-madonna-1895-1902-edvard-munch-love-and-angst-at-the-british-museum-the-largest-exhibition-of-munchs-prints-in-the-uk-for-45-years-the-exhibition-is-a-collaboration-with-norways-munch-museum-and-runs-11-april-21-july-2019-credit-guy-bellalamy-live-news-image243032347.html
RMT3B26K–London, UK. 8th Apr 2019. The printing block and one of the prints (background) of Madonna 1895-1902 - Edvard Munch: love and angst at the British Museum, the largest exhibition of Munch’s prints in the UK for 45 years. The exhibition is a collaboration with Norway’s Munch Museum and runs 11 April – 21 July 2019. Credit: Guy Bell/Alamy Live News
Japonaiserie was the term the Dutch post-impressionist painter Vincent van Gogh used to express the influence of Japanese art. Before 1854 trade with Japan was confined to a Dutch monopoly and Japanese goods imported into Europe were for the most part confined to porcelain and lacquerware. The Convention of Kanagawa put an end to the 200 year old Japanese foreign policy of Seclusion and opened up trade between Japan and the West. Artists such as Manet, Degas and Monet, followed by Van Gogh, began to collect the cheap colour wood-block prints called ukiyo-e prints. For a while Vincent and his Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japonaiserie-was-the-term-the-dutch-post-impressionist-painter-vincent-van-gogh-used-to-express-the-influence-of-japanese-art-before-1854-trade-with-japan-was-confined-to-a-dutch-monopoly-and-japanese-goods-imported-into-europe-were-for-the-most-part-confined-to-porcelain-and-lacquerware-the-convention-of-kanagawa-put-an-end-to-the-200-year-old-japanese-foreign-policy-of-seclusion-and-opened-up-trade-between-japan-and-the-west-artists-such-as-manet-degas-and-monet-followed-by-van-gogh-began-to-collect-the-cheap-colour-wood-block-prints-called-ukiyo-e-prints-for-a-while-vincent-and-his-image344261064.html
RM2B02CE0–Japonaiserie was the term the Dutch post-impressionist painter Vincent van Gogh used to express the influence of Japanese art. Before 1854 trade with Japan was confined to a Dutch monopoly and Japanese goods imported into Europe were for the most part confined to porcelain and lacquerware. The Convention of Kanagawa put an end to the 200 year old Japanese foreign policy of Seclusion and opened up trade between Japan and the West. Artists such as Manet, Degas and Monet, followed by Van Gogh, began to collect the cheap colour wood-block prints called ukiyo-e prints. For a while Vincent and his
Traditional Indian block prints. Wood blocks used for handmade textile printing. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/traditional-indian-block-prints-wood-blocks-used-for-handmade-textile-printing-image430400899.html
RF2G06CMK–Traditional Indian block prints. Wood blocks used for handmade textile printing.
Block prints from India for textiles (1924) (20392049171) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-block-prints-from-india-for-textiles-1924-20392049171-175052002.html
RMM4P8H6–Block prints from India for textiles (1924) (20392049171)
Interior of a Tahitian Hut, from the Suite of Late Wood-Block Prints. Paul Gauguin; French, 1848-1903. Date: 1898-1899. Dimensions: 115 × 210 mm (image); 140 × 222 mm (sheet). Wood-block print in black ink on thin ivory Japanese paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-of-a-tahitian-hut-from-the-suite-of-late-wood-block-prints-paul-gauguin-french-1848-1903-date-1898-1899-dimensions-115-210-mm-image-140-222-mm-sheet-wood-block-print-in-black-ink-on-thin-ivory-japanese-paper-origin-france-museum-the-chicago-art-institute-image239910235.html
RMRX8RXK–Interior of a Tahitian Hut, from the Suite of Late Wood-Block Prints. Paul Gauguin; French, 1848-1903. Date: 1898-1899. Dimensions: 115 × 210 mm (image); 140 × 222 mm (sheet). Wood-block print in black ink on thin ivory Japanese paper. Origin: France. Museum: The Chicago Art Institute.
The Ox Cart, from the Suite of Late Wood-Block Prints, 1898/99. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ox-cart-from-the-suite-of-late-wood-block-prints-189899-image457047916.html
RM2HFG97T–The Ox Cart, from the Suite of Late Wood-Block Prints, 1898/99.
An artisan making block prints over a piece of cloth, locally known as ‘ajrak’, worn by both men and women through out Sindh province, in Pakistan. Ap Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-artisan-making-block-prints-over-a-piece-of-cloth-locally-known-as-ajrak-worn-by-both-men-and-women-through-out-sindh-province-in-pakistan-ap-image452188133.html
RF2H7JXG5–An artisan making block prints over a piece of cloth, locally known as ‘ajrak’, worn by both men and women through out Sindh province, in Pakistan. Ap
. Block prints from India for textiles. Textile design; Textile fabrics -- India; Decoration and ornament. ^l^5?i&^c^ 5^i?i5Ko,^£ mm^i ^oo>Vflo^O, :>QO.^OQOrC>^C ^ 3OOJY1O0Q. BLOCK PRINTS FROM INDIA-ALL-OVER DESIGNS. Except Fig. 2, these show only a portion of the whole block.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Lewis, A. B. (Albert Buell), 1867-. Chicago Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/block-prints-from-india-for-textiles-textile-design-textile-fabrics-india-decoration-and-ornament-l5iampc-5ii5ko-mmi-oogtvfloo-gtqooqorcgtc-3oojy1o0q-block-prints-from-india-all-over-designs-except-fig-2-these-show-only-a-portion-of-the-whole-block-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-lewis-a-b-albert-buell-1867-chicago-image234583723.html
RMRHJ5X3–. Block prints from India for textiles. Textile design; Textile fabrics -- India; Decoration and ornament. ^l^5?i&^c^ 5^i?i5Ko,^£ mm^i ^oo>Vflo^O, :>QO.^OQOrC>^C ^ 3OOJY1O0Q. BLOCK PRINTS FROM INDIA-ALL-OVER DESIGNS. Except Fig. 2, these show only a portion of the whole block.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Lewis, A. B. (Albert Buell), 1867-. Chicago
Paul Gauguin. Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints. 1898–1899. France. Wood-block print in black ink on thin ivory Japanese paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-gauguin-tahitian-carrying-bananas-from-the-suite-of-late-wood-block-prints-18981899-france-wood-block-print-in-black-ink-on-thin-ivory-japanese-paper-image337925156.html
RM2AHNPYG–Paul Gauguin. Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints. 1898–1899. France. Wood-block print in black ink on thin ivory Japanese paper
.Mixed traditional Indian wood block pattern for textile printing on rustic wood background. Block Printing,Rajasthan India Block Printing, Wood block Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mixed-traditional-indian-wood-block-pattern-for-textile-printing-on-rustic-wood-background-block-printingrajasthan-india-block-printing-wood-block-image432044059.html
RF2G2W8GY–.Mixed traditional Indian wood block pattern for textile printing on rustic wood background. Block Printing,Rajasthan India Block Printing, Wood block
Dartford Prints Works . 1934 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dartford-prints-works-1934-image359452515.html
RM2BTPD9R–Dartford Prints Works . 1934
‘The Great Wave off Kanagawa’ wood block print by Katsushika Hokusai (1760-1849) a Japanese artist in the Edo period, one of 36 prints showing views of Mount Fuji first printed circa 1830. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-great-wave-off-kanagawa-wood-block-print-by-katsushika-hokusai-124693896.html
RMH6T89C–‘The Great Wave off Kanagawa’ wood block print by Katsushika Hokusai (1760-1849) a Japanese artist in the Edo period, one of 36 prints showing views of Mount Fuji first printed circa 1830.
London, England, UK 24th August 2021 On day two of the 'Impossible Rebellion' Extinction Rebellion protestors block Selfridges in a Dirty Fashion Action against the use of fossil fuels in fashion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-england-uk-24th-august-2021-on-day-two-of-the-impossible-rebellion-extinction-rebellion-protestors-block-selfridges-in-a-dirty-fashion-action-against-the-use-of-fossil-fuels-in-fashion-image439706309.html
RM2GFA9TN–London, England, UK 24th August 2021 On day two of the 'Impossible Rebellion' Extinction Rebellion protestors block Selfridges in a Dirty Fashion Action against the use of fossil fuels in fashion
Shaoyang, Shaoyang, China. 11th Jan, 2021. Hunan, CHINA-As the Spring Festival draws near, artists in Tantou Town, Longhui County, Shaoyang City, Hunan Province, named as ''the hometown of modern folk New Year paintings'' by the Ministry of Culture, are busy printing New Year wood-block prints to supply the festival market.Tantou New Year wood-block prints need to go through more than 20 processes, from the selection of papermaking materials, the manufacturing of paper, the brushing of the bottom, to plate engraving, seven times of printing and seven times of hand-painting.From handmade Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shaoyang-shaoyang-china-11th-jan-2021-hunan-china-as-the-spring-festival-draws-near-artists-in-tantou-town-longhui-county-shaoyang-city-hunan-province-named-as-the-hometown-of-modern-folk-new-year-paintings-by-the-ministry-of-culture-are-busy-printing-new-year-wood-block-prints-to-supply-the-festival-markettantou-new-year-wood-block-prints-need-to-go-through-more-than-20-processes-from-the-selection-of-papermaking-materials-the-manufacturing-of-paper-the-brushing-of-the-bottom-to-plate-engraving-seven-times-of-printing-and-seven-times-of-hand-paintingfrom-handmade-image397085944.html
RM2E20R4T–Shaoyang, Shaoyang, China. 11th Jan, 2021. Hunan, CHINA-As the Spring Festival draws near, artists in Tantou Town, Longhui County, Shaoyang City, Hunan Province, named as ''the hometown of modern folk New Year paintings'' by the Ministry of Culture, are busy printing New Year wood-block prints to supply the festival market.Tantou New Year wood-block prints need to go through more than 20 processes, from the selection of papermaking materials, the manufacturing of paper, the brushing of the bottom, to plate engraving, seven times of printing and seven times of hand-painting.From handmade
Original woodblock for Japanese print 2- Tokyo Day in London 2009 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-original-woodblock-for-japanese-print-2-tokyo-day-in-london-2009-22082779.html
RMB7WXPK–Original woodblock for Japanese print 2- Tokyo Day in London 2009
Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints, 1899, Paul Gauguin, French, 1848-1903, France, Second-state impression laid down on first-state impression, 164 × 276 mm (image), 165 × 276 mm (primary/secondary support Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/soyez-amoureuses-vous-serez-heureuses-love-and-you-will-be-happy-from-the-suite-of-late-wood-block-prints-1899-paul-gauguin-french-1848-1903-france-second-state-impression-laid-down-on-first-state-impression-164-276-mm-image-165-276-mm-primarysecondary-support-image328659823.html
RM2A2KMXR–Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints, 1899, Paul Gauguin, French, 1848-1903, France, Second-state impression laid down on first-state impression, 164 × 276 mm (image), 165 × 276 mm (primary/secondary support
Art inspired by Human Misery, 1898–99, woodcut on transparent laid tissue paper, 7 5/8 x 11 3/4 in. (19.4 x 29.8 cm): block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-human-misery-189899-woodcut-on-transparent-laid-tissue-paper-7-58-x-11-34-in-194-x-298-cm-block-prints-paul-gauguin-french-paris-18481903-atuona-hiva-oa-marquesas-islands-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462801431.html
RF2HTXBXF–Art inspired by Human Misery, 1898–99, woodcut on transparent laid tissue paper, 7 5/8 x 11 3/4 in. (19.4 x 29.8 cm): block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Woman Standing at the Foot of a Tree Holding an Infant, with a Seated Boy 1724 Anton Maria Zanetti the Elder Italian. A Woman Standing at the Foot of a Tree Holding an Infant, with a Seated Boy. From an album assembled by Zanetti. Anton Maria Zanetti the Elder (Italian, Venice 1680–1767 Venice). 1724. Chiaroscuro woodcut, with black line block and olive green tone block. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-woman-standing-at-the-foot-of-a-tree-holding-an-infant-with-a-seated-boy-1724-anton-maria-zanetti-the-elder-italian-a-woman-standing-at-the-foot-of-a-tree-holding-an-infant-with-a-seated-boy-from-an-album-assembled-by-zanetti-anton-maria-zanetti-the-elder-italian-venice-16801767-venice-1724-chiaroscuro-woodcut-with-black-line-block-and-olive-green-tone-block-prints-image457773472.html
RM2HGNAMG–A Woman Standing at the Foot of a Tree Holding an Infant, with a Seated Boy 1724 Anton Maria Zanetti the Elder Italian. A Woman Standing at the Foot of a Tree Holding an Infant, with a Seated Boy. From an album assembled by Zanetti. Anton Maria Zanetti the Elder (Italian, Venice 1680–1767 Venice). 1724. Chiaroscuro woodcut, with black line block and olive green tone block. Prints
London, UK. 8th Apr 2019. The printing block and one of the prints (background) of Madonna 1895-1902 - Edvard Munch: love and angst at the British Museum, the largest exhibition of Munch’s prints in the UK for 45 years. The exhibition is a collaboration with Norway’s Munch Museum and runs 11 April – 21 July 2019. Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-8th-apr-2019-the-printing-block-and-one-of-the-prints-background-of-madonna-1895-1902-edvard-munch-love-and-angst-at-the-british-museum-the-largest-exhibition-of-munchs-prints-in-the-uk-for-45-years-the-exhibition-is-a-collaboration-with-norways-munch-museum-and-runs-11-april-21-july-2019-credit-guy-bellalamy-live-news-image243032346.html
RMT3B26J–London, UK. 8th Apr 2019. The printing block and one of the prints (background) of Madonna 1895-1902 - Edvard Munch: love and angst at the British Museum, the largest exhibition of Munch’s prints in the UK for 45 years. The exhibition is a collaboration with Norway’s Munch Museum and runs 11 April – 21 July 2019. Credit: Guy Bell/Alamy Live News
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