Quick filters:
Page 1 of 33
Blue wove paper Stock Photos and Images
Wyatt Eaton, American, 1849-1896, Mother and Child, 1877, charcoal on grey-blue wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wyatt-eaton-american-1849-1896-mother-and-child-1877-charcoal-on-grey-blue-wove-paper-image328727785.htmlRM2A2PRJ1–Wyatt Eaton, American, 1849-1896, Mother and Child, 1877, charcoal on grey-blue wove paper
Art inspired by Two Camels, 19th century, Graphite on blue wove paper, sheet: 8 7/8 x 11 5/16 in. (22.6 x 28.8 cm), Drawings, Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-two-camels-19th-century-graphite-on-blue-wove-paper-sheet-8-78-x-11-516-in-226-x-288-cm-drawings-anonymous-french-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462991489.htmlRF2HW72A9–Art inspired by Two Camels, 19th century, Graphite on blue wove paper, sheet: 8 7/8 x 11 5/16 in. (22.6 x 28.8 cm), Drawings, Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Nile Journey, No. 15. Dated: 1890. Dimensions: sheet: 20.32 × 32.54 cm (8 × 12 13/16 in.). Medium: crayon on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Elihu Vedder. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nile-journey-no-15-dated-1890-dimensions-sheet-2032-3254-cm-8-12-1316-in-medium-crayon-on-blue-wove-paper-museum-national-gallery-of-art-washington-dc-author-elihu-vedder-image233328510.htmlRMRFH0W2–Nile Journey, No. 15. Dated: 1890. Dimensions: sheet: 20.32 × 32.54 cm (8 × 12 13/16 in.). Medium: crayon on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Elihu Vedder.
. English: Karl Valentin 41.7 x 27.5 cm chalk on grey-blue wove paper signed l.r.Eugen Rosenfeld . 20th century. Eugen Rosenfeld (1870-1940) 292 Karl Valentin by Eugen Rosenfeld (1870 - 1940) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-karl-valentin-417-x-275-cm-chalk-on-grey-blue-wove-paper-signed-lreugen-rosenfeld-20th-century-eugen-rosenfeld-1870-1940-292-karl-valentin-by-eugen-rosenfeld-1870-1940-image188818386.htmlRMMY5BNP–. English: Karl Valentin 41.7 x 27.5 cm chalk on grey-blue wove paper signed l.r.Eugen Rosenfeld . 20th century. Eugen Rosenfeld (1870-1940) 292 Karl Valentin by Eugen Rosenfeld (1870 - 1940)
Black fabricated chalk with watercolor on mottled blue wove paper with blue fibers altered to light gray (recto); black fabricated chalk with pen and brown ink on mottled blue wove paper with blue fibers altered to bluish-gray (verso) (removed from a sketchbook) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/black-fabricated-chalk-with-watercolor-on-mottled-blue-wove-paper-with-blue-fibers-altered-to-light-gray-recto-black-fabricated-chalk-with-pen-and-brown-ink-on-mottled-blue-wove-paper-with-blue-fibers-altered-to-bluish-gray-verso-removed-from-a-sketchbook-image381537353.htmlRM2D4MEP1–Black fabricated chalk with watercolor on mottled blue wove paper with blue fibers altered to light gray (recto); black fabricated chalk with pen and brown ink on mottled blue wove paper with blue fibers altered to bluish-gray (verso) (removed from a sketchbook)
Rosa Bonheur (French, 1822 - 1899 ), The Legend of the Wolves, colored chalks on blue wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rosa-bonheur-french-1822-1899-the-legend-of-the-wolves-colored-chalks-50436929.htmlRMCX1GPW–Rosa Bonheur (French, 1822 - 1899 ), The Legend of the Wolves, colored chalks on blue wove paper
Henry Alken. Fox Hunt. 1805–1851. England. Graphite on pale blue wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-alken-fox-hunt-18051851-england-graphite-on-pale-blue-wove-paper-image337999533.htmlRM2AHW5RW–Henry Alken. Fox Hunt. 1805–1851. England. Graphite on pale blue wove paper
Artist Unknown, Petersham, 19th century, black and white chalks on blue wove paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-unknown-petersham-19th-century-black-and-white-chalks-on-blue-wove-paper-image537617166.htmlRM2P6JG52–Artist Unknown, Petersham, 19th century, black and white chalks on blue wove paper.
Print, Berlin Wool Work: Hunting Dog; Published by Heinrich Kuehn, Berlin; Germany; brush and gouache, etching on thick blue wove paper; 19.9 x 26.4 cm (7 13/16 x 10 3/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-berlin-wool-work-hunting-dog-published-by-heinrich-kuehn-berlin-germany-brush-and-gouache-etching-on-thick-blue-wove-paper-199-x-264-cm-7-1316-x-10-38-in-image546143206.htmlRM2PMEY6E–Print, Berlin Wool Work: Hunting Dog; Published by Heinrich Kuehn, Berlin; Germany; brush and gouache, etching on thick blue wove paper; 19.9 x 26.4 cm (7 13/16 x 10 3/8 in.)
'Sir George Hayter, Freshwater Bay, Isle of Wight, 1839, watercolor, gouache, and graphite with red and white chalks on blue wove paper, overall: 25.6 x 35.2 cm (10 1/16 x 13 7/8 in.), Gift of William B. O'Neal, 1995.52.74' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-george-hayter-freshwater-bay-isle-of-wight-1839-watercolor-gouache-and-graphite-with-red-and-white-chalks-on-blue-wove-paper-overall-256-x-352-cm-10-116-x-13-78-in-gift-of-william-b-oneal-19955274-image559650427.htmlRM2REE7R7–'Sir George Hayter, Freshwater Bay, Isle of Wight, 1839, watercolor, gouache, and graphite with red and white chalks on blue wove paper, overall: 25.6 x 35.2 cm (10 1/16 x 13 7/8 in.), Gift of William B. O'Neal, 1995.52.74'
Mary Cassatt (1844-1926) 'Sleepy Nicolle', pastel on blue-gray wove paper (faded to tan), mounted on board, c.1900 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-cassatt-1844-1926-sleepy-nicolle-pastel-on-blue-gray-wove-paper-faded-to-tan-mounted-on-board-c1900-image407865796.htmlRM2EKFTYG–Mary Cassatt (1844-1926) 'Sleepy Nicolle', pastel on blue-gray wove paper (faded to tan), mounted on board, c.1900
Vassily Kandinsky, 1922 - Blue, color lithograph on wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-vassily-kandinsky-1922-blue-color-lithograph-on-wove-paper-135613560.htmlRMHTHMDC–Vassily Kandinsky, 1922 - Blue, color lithograph on wove paper
Vassily Kandinsky, 1922 - Blue, color lithograph on wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-vassily-kandinsky-1922-blue-color-lithograph-on-wove-paper-171826405.htmlRMKYFA99–Vassily Kandinsky, 1922 - Blue, color lithograph on wove paper
Title: Young Girl in a Blue Dress Creator: Pierre Auguste Renoir Date: ca. 1890 Dimensions: 20.8 x 16 cm Medium: Watercolor with gouache highlights on thick cream wove paper Location: The Metropolitan Museum of Art, New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-young-girl-in-a-blue-dress-creator-pierre-auguste-renoir-date-ca-1890-dimensions-208-x-16-cm-medium-watercolor-with-gouache-highlights-on-thick-cream-wove-paper-location-the-metropolitan-museum-of-art-new-york-image461217787.htmlRM2HPA7YR–Title: Young Girl in a Blue Dress Creator: Pierre Auguste Renoir Date: ca. 1890 Dimensions: 20.8 x 16 cm Medium: Watercolor with gouache highlights on thick cream wove paper Location: The Metropolitan Museum of Art, New York
Eve ('The Nightmare'); Paul Gauguin (French, 1848 - 1903); South Pacific, Tahiti; about 1899 - 1900; Black printer's ink, ochre ink, liquid solvent (turpentine?) on wove paper (recto); Graphite and blue crayon pencil with traces of a diluted oil medium (verso); 64.2 x 48.9 cm (25 1/4 x 19 1/4 in.); 2007.33 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-eve-the-nightmare-paul-gauguin-french-1848-1903-south-pacific-tahiti-174464089.htmlRMM3REM9–Eve ('The Nightmare'); Paul Gauguin (French, 1848 - 1903); South Pacific, Tahiti; about 1899 - 1900; Black printer's ink, ochre ink, liquid solvent (turpentine?) on wove paper (recto); Graphite and blue crayon pencil with traces of a diluted oil medium (verso); 64.2 x 48.9 cm (25 1/4 x 19 1/4 in.); 2007.33
Original painting on pith paper of Chinese silk production, part of the collection Zhongguo gu dai si chou zhi zuo tu ji 1850-1890. Original watercolour on pith paper backed on plain mianlin paper, pasted down with blue silk ribbon. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/original-painting-on-pith-paper-of-chinese-silk-production-part-of-the-collection-zhongguo-gu-dai-si-chou-zhi-zuo-tu-ji-1850-1890-original-watercolour-on-pith-paper-backed-on-plain-mianlin-paper-pasted-down-with-blue-silk-ribbon-image608277360.htmlRF2X9HBYC–Original painting on pith paper of Chinese silk production, part of the collection Zhongguo gu dai si chou zhi zuo tu ji 1850-1890. Original watercolour on pith paper backed on plain mianlin paper, pasted down with blue silk ribbon.
Vassily Kandinsky, 1922 - Blue, color lithograph on wove paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vassily-kandinsky-1922-blue-color-lithograph-on-wove-paper-image573304509.htmlRM2T8M7N1–Vassily Kandinsky, 1922 - Blue, color lithograph on wove paper.
Young Girl with Blue Ribbons, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-girl-with-blue-ribbons-nd-image457043943.htmlRM2HFG45Y–Young Girl with Blue Ribbons, n.d.
Bonhams London UK. 14th December 2018. Bonhams prints and multiples sale before Christmas, on 18 December. Image: Banksy (British, Born 1975) Very Little Helps. Screenprint in colours, 2008 on wove paper, signed in blue crayon, numberd 2012/299 in pencil. Estimate £8000 -12,000 Credit: amer ghazzal/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bonhams-london-uk-14th-december-2018-bonhams-prints-and-multiples-sale-before-christmas-on-18-december-image-banksy-british-born-1975-very-little-helps-screenprint-in-colours-2008-on-wove-paper-signed-in-blue-crayon-numberd-2012299-in-pencil-estimate-8000-12000-credit-amer-ghazzalalamy-live-news-image228886104.htmlRMR8AJFM–Bonhams London UK. 14th December 2018. Bonhams prints and multiples sale before Christmas, on 18 December. Image: Banksy (British, Born 1975) Very Little Helps. Screenprint in colours, 2008 on wove paper, signed in blue crayon, numberd 2012/299 in pencil. Estimate £8000 -12,000 Credit: amer ghazzal/Alamy Live News
The Woodcutters’ Repast, 1815, John Linnell, English, 1792-1882, England, Black and white chalks on blue wove paper, 265 × 432 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-woodcutters-repast-1815-john-linnell-english-1792-1882-england-black-and-white-chalks-on-blue-wove-paper-265-432-mm-image328657261.htmlRM2A2KHK9–The Woodcutters’ Repast, 1815, John Linnell, English, 1792-1882, England, Black and white chalks on blue wove paper, 265 × 432 mm
Inspired by Casamicciola As Seen from the Island of Ischia, Charles Caryl Coleman, American, 1840-1928, Pastel on gray-blue wove paper mounted overall to an acidic, 2-ply board, 1904, Sheet: 12 1/8 x 18 1/4 in., 30.8 x 46.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-casamicciola-as-seen-from-the-island-of-ischia-charles-caryl-coleman-american-1840-1928-pastel-on-gray-blue-wove-paper-mounted-overall-to-an-acidic-2-ply-board-1904-sheet-12-18-x-18-14-in-308-x-464-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459264140.htmlRF2HK582M–Inspired by Casamicciola As Seen from the Island of Ischia, Charles Caryl Coleman, American, 1840-1928, Pastel on gray-blue wove paper mounted overall to an acidic, 2-ply board, 1904, Sheet: 12 1/8 x 18 1/4 in., 30.8 x 46.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Tuscany. Dated: c. 1858. Dimensions: sheet: 11.3 × 17.8 cm (4 7/16 × 7 in.). Medium: pen and black ink on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Elihu Vedder. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tuscany-dated-c-1858-dimensions-sheet-113-178-cm-4-716-7-in-medium-pen-and-black-ink-on-blue-wove-paper-museum-national-gallery-of-art-washington-dc-author-elihu-vedder-image233327750.htmlRMRFGYWX–Tuscany. Dated: c. 1858. Dimensions: sheet: 11.3 × 17.8 cm (4 7/16 × 7 in.). Medium: pen and black ink on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Elihu Vedder.
. English: Karl Valentin 41.7 x 27.5 cm chalk on grey-blue wove paper signed l.r.Eugen Rosenfeld . 20th century. Eugen Rosenfeld (1870-1940) 336 Karl Valentin by Eugen Rosenfeld (1870 - 1940) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-karl-valentin-417-x-275-cm-chalk-on-grey-blue-wove-paper-signed-lreugen-rosenfeld-20th-century-eugen-rosenfeld-1870-1940-336-karl-valentin-by-eugen-rosenfeld-1870-1940-image188087338.htmlRMMX038X–. English: Karl Valentin 41.7 x 27.5 cm chalk on grey-blue wove paper signed l.r.Eugen Rosenfeld . 20th century. Eugen Rosenfeld (1870-1940) 336 Karl Valentin by Eugen Rosenfeld (1870 - 1940)
Soft ground etching and aquatint with drypoint and plate tone inked à la poupée in blue and black with hand-additions of gold metallic paint on tan wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/soft-ground-etching-and-aquatint-with-drypoint-and-plate-tone-inked-la-poupe-in-blue-and-black-with-hand-additions-of-gold-metallic-paint-on-tan-wove-paper-image381537412.htmlRM2D4MET4–Soft ground etching and aquatint with drypoint and plate tone inked à la poupée in blue and black with hand-additions of gold metallic paint on tan wove paper
Alexandre Bida (French, 1823 - 1895 ), Middle Eastern Woman Leaning on a Rail, black chalk with white heightening on blue wove Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-alexandre-bida-french-1823-1895-middle-eastern-woman-leaning-on-a-50440515.htmlRFCX1NAY–Alexandre Bida (French, 1823 - 1895 ), Middle Eastern Woman Leaning on a Rail, black chalk with white heightening on blue wove
Charles François Eustache. Seaside. 1866. France. Black and white chalk on blue wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-franois-eustache-seaside-1866-france-black-and-white-chalk-on-blue-wove-paper-image337953231.htmlRM2AHR2P7–Charles François Eustache. Seaside. 1866. France. Black and white chalk on blue wove paper
Edward Duncan, 1803–1882, British, Victoria Tower, 1880. Watercolor and graphite on blue wove paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edward-duncan-18031882-british-victoria-tower-1880-watercolor-and-graphite-on-blue-wove-paper-image398442224.htmlRM2E46H3C–Edward Duncan, 1803–1882, British, Victoria Tower, 1880. Watercolor and graphite on blue wove paper.
Drawing, Design for Wallpaper or Textile of Daisy-Type Flower with Repeat; Designed by Unknown; black and white chalk on heavy blue wove paper, squared in graphite; 60.7 x 52.5 cm (23 7/8 x 20 11/16 in. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-wallpaper-or-textile-of-daisy-type-flower-with-repeat-designed-by-unknown-black-and-white-chalk-on-heavy-blue-wove-paper-squared-in-graphite-607-x-525-cm-23-78-x-20-1116-in-image546226960.htmlRM2PMJP1M–Drawing, Design for Wallpaper or Textile of Daisy-Type Flower with Repeat; Designed by Unknown; black and white chalk on heavy blue wove paper, squared in graphite; 60.7 x 52.5 cm (23 7/8 x 20 11/16 in. )
'Sir Edward John Poynter, Narcissus in a Blue and White Vase, 1864, watercolor and gouache on wove paper, sheet: 50.3 × 28.7 cm (19 13/16 × 11 5/16 in.), arched top, Ailsa Mellon Bruce Fund, 2017.12.1' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-edward-john-poynter-narcissus-in-a-blue-and-white-vase-1864-watercolor-and-gouache-on-wove-paper-sheet-503-287-cm-19-1316-11-516-in-arched-top-ailsa-mellon-bruce-fund-2017121-image559671595.htmlRM2REF6R7–'Sir Edward John Poynter, Narcissus in a Blue and White Vase, 1864, watercolor and gouache on wove paper, sheet: 50.3 × 28.7 cm (19 13/16 × 11 5/16 in.), arched top, Ailsa Mellon Bruce Fund, 2017.12.1'
Aidat Lake. Eugene Isabey (French, Paris 1803-1886 Lagny) Date: 1831. Lithograph in black on light gray chine collй laid down on ivory wove paper; onl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aidat-lake-eugene-isabey-french-paris-1803-1886-lagny-date-1831-lithograph-in-black-on-light-gray-chine-coll-laid-down-on-ivory-wove-paper-onl-image574040129.htmlRF2T9WP15–Aidat Lake. Eugene Isabey (French, Paris 1803-1886 Lagny) Date: 1831. Lithograph in black on light gray chine collй laid down on ivory wove paper; onl
Colourful balcony in block of flats Beswick Manchester UK Europe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/colourful-balcony-in-block-of-flats-beswick-manchester-uk-europe-image2872778.htmlRMANH5CB–Colourful balcony in block of flats Beswick Manchester UK Europe
Woven. vintage textiles Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-woven-vintage-textiles-142063312.htmlRFJ73F5M–Woven. vintage textiles
Banksy's reputation is at an all time high as he continues to create work that deploys irony and satire in the critique of society and politics .No stranger to controversy , the anonymous artist has consistently spoken truth to people and power through his simple but poignant artworks , wading fearlessly into burning issues like the current migrant crisis.His increasing fanbase and bulletproof street credibility have seen the value of his works increase rapidly in recent years , and Catch me If You Can , will showcase some of the critical works that have endeared Banksy to fans and collectors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/banksys-reputation-is-at-an-all-time-high-as-he-continues-to-create-work-that-deploys-irony-and-satire-in-the-critique-of-society-and-politics-no-stranger-to-controversy-the-anonymous-artist-has-consistently-spoken-truth-to-people-and-power-through-his-simple-but-poignant-artworks-wading-fearlessly-into-burning-issues-like-the-current-migrant-crisishis-increasing-fanbase-and-bulletproof-street-credibility-have-seen-the-value-of-his-works-increase-rapidly-in-recent-years-and-catch-me-if-you-can-will-showcase-some-of-the-critical-works-that-have-endeared-banksy-to-fans-and-collectors-image380621216.htmlRM2D36P6T–Banksy's reputation is at an all time high as he continues to create work that deploys irony and satire in the critique of society and politics .No stranger to controversy , the anonymous artist has consistently spoken truth to people and power through his simple but poignant artworks , wading fearlessly into burning issues like the current migrant crisis.His increasing fanbase and bulletproof street credibility have seen the value of his works increase rapidly in recent years , and Catch me If You Can , will showcase some of the critical works that have endeared Banksy to fans and collectors
Original painting on pith paper of Chinese silk production, part of the collection Zhongguo gu dai si chou zhi zuo tu ji 1850-1890. Original watercolour on pith paper backed on plain mianlin paper, pasted down with blue silk ribbon. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/original-painting-on-pith-paper-of-chinese-silk-production-part-of-the-collection-zhongguo-gu-dai-si-chou-zhi-zuo-tu-ji-1850-1890-original-watercolour-on-pith-paper-backed-on-plain-mianlin-paper-pasted-down-with-blue-silk-ribbon-image608404534.htmlRM2X9R65A–Original painting on pith paper of Chinese silk production, part of the collection Zhongguo gu dai si chou zhi zuo tu ji 1850-1890. Original watercolour on pith paper backed on plain mianlin paper, pasted down with blue silk ribbon.
Blue-Coat Hospital, Dublin, published March 1798. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blue-coat-hospital-dublin-published-march-1798-image457043343.htmlRM2HFG3CF–Blue-Coat Hospital, Dublin, published March 1798.
David Hockney: Pool with Paper and Blue Ink for Book , Lithograph in colours 1980 on Arches wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/david-hockney-pool-with-paper-and-blue-ink-for-book-lithograph-in-colours-1980-on-arches-wove-paper-image575487431.htmlRF2TC7M2F–David Hockney: Pool with Paper and Blue Ink for Book , Lithograph in colours 1980 on Arches wove paper
Fox Hunt, n.d., Attributed to Henry Alken, English, 1785-1851, England, Graphite on pale blue wove paper, 119 × 186 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fox-hunt-nd-attributed-to-henry-alken-english-1785-1851-england-graphite-on-pale-blue-wove-paper-119-186-mm-image328622971.htmlRM2A2J1XK–Fox Hunt, n.d., Attributed to Henry Alken, English, 1785-1851, England, Graphite on pale blue wove paper, 119 × 186 mm
Art inspired by Parfumerie Fine: Vachon-Bachoux et Cie., 19th century, Graphite, watercolor, and brown wash on blue wove paper, sheet: 11 x 14 15/16 in. (28 x 38 cm), Drawings, Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-parfumerie-fine-vachon-bachoux-et-cie-19th-century-graphite-watercolor-and-brown-wash-on-blue-wove-paper-sheet-11-x-14-1516-in-28-x-38-cm-drawings-anonymous-french-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462994486.htmlRF2HW765A–Art inspired by Parfumerie Fine: Vachon-Bachoux et Cie., 19th century, Graphite, watercolor, and brown wash on blue wove paper, sheet: 11 x 14 15/16 in. (28 x 38 cm), Drawings, Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Lord George Villiers. Dimensions: overall: 38.5 x 19 cm (15 3/16 x 7 1/2 in.). Medium: black chalk heightened with white on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Allan Ramsay. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lord-george-villiers-dimensions-overall-385-x-19-cm-15-316-x-7-12-in-medium-black-chalk-heightened-with-white-on-blue-wove-paper-museum-national-gallery-of-art-washington-dc-author-allan-ramsay-image225562256.htmlRMR2Y6XT–Lord George Villiers. Dimensions: overall: 38.5 x 19 cm (15 3/16 x 7 1/2 in.). Medium: black chalk heightened with white on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Allan Ramsay.
. English: Karl Valentin 41.7 x 27.5 cm chalk on grey-blue wove paper signed l.r.Eugen Rosenfeld . 20th century. Eugen Rosenfeld (1870-1940) 335 Karl Valentin by Eugen Rosenfeld (1870 - 1940) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-karl-valentin-417-x-275-cm-chalk-on-grey-blue-wove-paper-signed-lreugen-rosenfeld-20th-century-eugen-rosenfeld-1870-1940-335-karl-valentin-by-eugen-rosenfeld-1870-1940-image187563261.htmlRMMW46RW–. English: Karl Valentin 41.7 x 27.5 cm chalk on grey-blue wove paper signed l.r.Eugen Rosenfeld . 20th century. Eugen Rosenfeld (1870-1940) 335 Karl Valentin by Eugen Rosenfeld (1870 - 1940)
Lithograph in blue on ivory wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lithograph-in-blue-on-ivory-wove-paper-image384034759.htmlRM2D8P873–Lithograph in blue on ivory wove paper
Robert Caney (British, 1847 - 1911 ), Fantastic Mountainous Landscape with a Starry Sky Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-robert-caney-british-1847-1911-fantastic-mountainous-landscape-with-50440550.htmlRFCX1NC6–Robert Caney (British, 1847 - 1911 ), Fantastic Mountainous Landscape with a Starry Sky
John Linnell. The Woodcutters' Repast. 1815. England. Black and white chalks on blue wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-linnell-the-woodcutters-repast-1815-england-black-and-white-chalks-on-blue-wove-paper-image337936387.htmlRM2AHP98K–John Linnell. The Woodcutters' Repast. 1815. England. Black and white chalks on blue wove paper
Joseph Mallord William Turner, Great Yarmouth Fishing Boats, c. 1827, gouache on blue wove paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-mallord-william-turner-great-yarmouth-fishing-boats-c-1827-gouache-on-blue-wove-paper-image537613749.htmlRM2P6JBR1–Joseph Mallord William Turner, Great Yarmouth Fishing Boats, c. 1827, gouache on blue wove paper.
Drawing, Washington Irving's Study Chair, Library at Sunnyside; Daniel Huntington (American, 1816–1906); USA; graphite on blue wove paper; 20.3 x 11.7 cm (8 x 4 5/8 in.); Bequest of Erskine Hewitt; 1942-50-157 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-washington-irvings-study-chair-library-at-sunnyside-daniel-huntington-american-18161906-usa-graphite-on-blue-wove-paper-203-x-117-cm-8-x-4-58-in-bequest-of-erskine-hewitt-1942-50-157-image546086337.htmlRM2PMCAKD–Drawing, Washington Irving's Study Chair, Library at Sunnyside; Daniel Huntington (American, 1816–1906); USA; graphite on blue wove paper; 20.3 x 11.7 cm (8 x 4 5/8 in.); Bequest of Erskine Hewitt; 1942-50-157
Designs for Gothic Stained Glass Windows by Augustus Pugin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/designs-for-gothic-stained-glass-windows-by-augustus-pugin-image559836032.htmlRM2REPMG0–Designs for Gothic Stained Glass Windows by Augustus Pugin
Prout’s Neck, Breakers by Winslow Homer. Original from The Smithsonian Institution. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/proutrsquos-neck-breakers-by-winslow-homer-original-from-the-smithsonian-institution-image559440780.htmlRF2RE4MBT–Prout’s Neck, Breakers by Winslow Homer. Original from The Smithsonian Institution.
Woven. vintage textiles Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-woven-vintage-textiles-142063277.htmlRFJ73F4D–Woven. vintage textiles
Banksy's reputation is at an all time high as he continues to create work that deploys irony and satire in the critique of society and politics .No stranger to controversy , the anonymous artist has consistently spoken truth to people and power through his simple but poignant artworks , wading fearlessly into burning issues like the current migrant crisis.His increasing fanbase and bulletproof street credibility have seen the value of his works increase rapidly in recent years , and Catch me If You Can , will showcase some of the critical works that have endeared Banksy to fans and collectors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/banksys-reputation-is-at-an-all-time-high-as-he-continues-to-create-work-that-deploys-irony-and-satire-in-the-critique-of-society-and-politics-no-stranger-to-controversy-the-anonymous-artist-has-consistently-spoken-truth-to-people-and-power-through-his-simple-but-poignant-artworks-wading-fearlessly-into-burning-issues-like-the-current-migrant-crisishis-increasing-fanbase-and-bulletproof-street-credibility-have-seen-the-value-of-his-works-increase-rapidly-in-recent-years-and-catch-me-if-you-can-will-showcase-some-of-the-critical-works-that-have-endeared-banksy-to-fans-and-collectors-image380621354.htmlRM2D36PBP–Banksy's reputation is at an all time high as he continues to create work that deploys irony and satire in the critique of society and politics .No stranger to controversy , the anonymous artist has consistently spoken truth to people and power through his simple but poignant artworks , wading fearlessly into burning issues like the current migrant crisis.His increasing fanbase and bulletproof street credibility have seen the value of his works increase rapidly in recent years , and Catch me If You Can , will showcase some of the critical works that have endeared Banksy to fans and collectors
Untitled Valentine (Blue and White Vase with Flowers), c. 1850. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/untitled-valentine-blue-and-white-vase-with-flowers-c-1850-image457042545.htmlRM2HFG2C1–Untitled Valentine (Blue and White Vase with Flowers), c. 1850.
David Hockney: Pool with Paper and Blue Ink for Book , Lithograph in colours 1980 on Arches wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/david-hockney-pool-with-paper-and-blue-ink-for-book-lithograph-in-colours-1980-on-arches-wove-paper-image575487427.htmlRF2TC7M2B–David Hockney: Pool with Paper and Blue Ink for Book , Lithograph in colours 1980 on Arches wove paper
Seaside, Port of Honfleur, c. 1860, Eugène Louis Boudin, French, 1824-1898, France, Pastel on blue wove paper, 185 × 259 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seaside-port-of-honfleur-c-1860-eugne-louis-boudin-french-1824-1898-france-pastel-on-blue-wove-paper-185-259-mm-image328660910.htmlRM2A2KP9J–Seaside, Port of Honfleur, c. 1860, Eugène Louis Boudin, French, 1824-1898, France, Pastel on blue wove paper, 185 × 259 mm
Art inspired by E. Moreau & Fils, Parfumeurs à Paris, 19th century, Graphite and gouache on faded blue wove paper, sheet: 10 7/8 x 15 1/16 in. (27.6 x 38.2 cm), Drawings, Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-e-moreau-fils-parfumeurs-paris-19th-century-graphite-and-gouache-on-faded-blue-wove-paper-sheet-10-78-x-15-116-in-276-x-382-cm-drawings-anonymous-french-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462994496.htmlRF2HW765M–Art inspired by E. Moreau & Fils, Parfumeurs à Paris, 19th century, Graphite and gouache on faded blue wove paper, sheet: 10 7/8 x 15 1/16 in. (27.6 x 38.2 cm), Drawings, Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Studies for Elaine. Dated: c. 1880. Dimensions: sheet: 29.9 × 21.7 cm (11 3/4 × 8 9/16 in.). Medium: graphite on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Thomas Hovenden. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studies-for-elaine-dated-c-1880-dimensions-sheet-299-217-cm-11-34-8-916-in-medium-graphite-on-blue-wove-paper-museum-national-gallery-of-art-washington-dc-author-thomas-hovenden-image225728726.htmlRMR36R86–Studies for Elaine. Dated: c. 1880. Dimensions: sheet: 29.9 × 21.7 cm (11 3/4 × 8 9/16 in.). Medium: graphite on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Thomas Hovenden.
Le pont du chateau, Luxembourg.. Le pont du chateau, Luxembourg, circa 1839, by Joseph Mallord William Turner (1775-1851). Watercolour, gouache and graphite, with details added using a pen dipped in watercolour, on blue wove paper, 13.9 x 19.2 cm. Bequeathed, Henry Vaughan, 1900. circa 1839. 742 Joseph Mallord William Turner Le pont du chateau Luxembourg c.1839 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-pont-du-chateau-luxembourg-le-pont-du-chateau-luxembourg-circa-1839-by-joseph-mallord-william-turner-1775-1851-watercolour-gouache-and-graphite-with-details-added-using-a-pen-dipped-in-watercolour-on-blue-wove-paper-139-x-192-cm-bequeathed-henry-vaughan-1900-circa-1839-742-joseph-mallord-william-turner-le-pont-du-chateau-luxembourg-c1839-image185694994.htmlRMMP33T2–Le pont du chateau, Luxembourg.. Le pont du chateau, Luxembourg, circa 1839, by Joseph Mallord William Turner (1775-1851). Watercolour, gouache and graphite, with details added using a pen dipped in watercolour, on blue wove paper, 13.9 x 19.2 cm. Bequeathed, Henry Vaughan, 1900. circa 1839. 742 Joseph Mallord William Turner Le pont du chateau Luxembourg c.1839
Medium: Lithograph in blue; red; yellow and tan on tan wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/medium-lithograph-in-blue-red-yellow-and-tan-on-tan-wove-paper-image387504096.htmlRM2DEC9C0–Medium: Lithograph in blue; red; yellow and tan on tan wove paper
Valentine envelope. 1801–1900. United States. Lithograph with pen and black ink on blue wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/valentine-envelope-18011900-united-states-lithograph-with-pen-and-black-ink-on-blue-wove-paper-image338006908.htmlRM2AHWF78–Valentine envelope. 1801–1900. United States. Lithograph with pen and black ink on blue wove paper
Nicolas-Toussaint Charlet, A French Soldier of the Ancien Régime, 1842, watercolor, gouache, and ink on blue wove paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nicolas-toussaint-charlet-a-french-soldier-of-the-ancien-rgime-1842-watercolor-gouache-and-ink-on-blue-wove-paper-image537560204.htmlRM2P6FYEM–Nicolas-Toussaint Charlet, A French Soldier of the Ancien Régime, 1842, watercolor, gouache, and ink on blue wove paper.
Drawing, Study of Angel's Head for 'Mercy's Dream'; Daniel Huntington (American, 1816–1906); USA; graphite, white chalk on blue wove paper; 37 x 27.2 cm (14 9/16 x 10 11/16 in.); Bequest of Erskine Hewitt; 1942-50-104 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-study-of-angels-head-for-mercys-dream-daniel-huntington-american-18161906-usa-graphite-white-chalk-on-blue-wove-paper-37-x-272-cm-14-916-x-10-1116-in-bequest-of-erskine-hewitt-1942-50-104-image546208594.htmlRM2PMHXHP–Drawing, Study of Angel's Head for 'Mercy's Dream'; Daniel Huntington (American, 1816–1906); USA; graphite, white chalk on blue wove paper; 37 x 27.2 cm (14 9/16 x 10 11/16 in.); Bequest of Erskine Hewitt; 1942-50-104
Design for a Coat of Arms by Augustus Pugin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-coat-of-arms-by-augustus-pugin-image559836064.htmlRM2REPMH4–Design for a Coat of Arms by Augustus Pugin
Banksy's reputation is at an all time high as he continues to create work that deploys irony and satire in the critique of society and politics .No stranger to controversy , the anonymous artist has consistently spoken truth to people and power through his simple but poignant artworks , wading fearlessly into burning issues like the current migrant crisis.His increasing fanbase and bulletproof street credibility have seen the value of his works increase rapidly in recent years , and Catch me If You Can , will showcase some of the critical works that have endeared Banksy to fans and collectors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/banksys-reputation-is-at-an-all-time-high-as-he-continues-to-create-work-that-deploys-irony-and-satire-in-the-critique-of-society-and-politics-no-stranger-to-controversy-the-anonymous-artist-has-consistently-spoken-truth-to-people-and-power-through-his-simple-but-poignant-artworks-wading-fearlessly-into-burning-issues-like-the-current-migrant-crisishis-increasing-fanbase-and-bulletproof-street-credibility-have-seen-the-value-of-his-works-increase-rapidly-in-recent-years-and-catch-me-if-you-can-will-showcase-some-of-the-critical-works-that-have-endeared-banksy-to-fans-and-collectors-image380620092.htmlRM2D36MPM–Banksy's reputation is at an all time high as he continues to create work that deploys irony and satire in the critique of society and politics .No stranger to controversy , the anonymous artist has consistently spoken truth to people and power through his simple but poignant artworks , wading fearlessly into burning issues like the current migrant crisis.His increasing fanbase and bulletproof street credibility have seen the value of his works increase rapidly in recent years , and Catch me If You Can , will showcase some of the critical works that have endeared Banksy to fans and collectors
Untitled Valentine (Putti on Blue Ground), c.1850. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/untitled-valentine-putti-on-blue-ground-c1850-image462415769.htmlRM2HT8T0W–Untitled Valentine (Putti on Blue Ground), c.1850.
Lady with Vase, 1865, Baron Frederic Leighton, English, 1830-1896, England, Black and white pastel on blue wove paper, 254 × 192 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-with-vase-1865-baron-frederic-leighton-english-1830-1896-england-black-and-white-pastel-on-blue-wove-paper-254-192-mm-image328622160.htmlRM2A2J0WM–Lady with Vase, 1865, Baron Frederic Leighton, English, 1830-1896, England, Black and white pastel on blue wove paper, 254 × 192 mm
Art inspired by A House in Turkey, 1820–60, ink, chalk, watercolor, and oils on blue wove paper, sheet: 7 11/16 x 11 7/16 in. (19.5 x 29 cm), Drawings, Alexandre-Gabriel Decamps (French, Paris 1803–1860 Fontainebleau, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-a-house-in-turkey-182060-ink-chalk-watercolor-and-oils-on-blue-wove-paper-sheet-7-1116-x-11-716-in-195-x-29-cm-drawings-alexandre-gabriel-decamps-french-paris-18031860-fontainebleau-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462985870.htmlRF2HW6R5J–Art inspired by A House in Turkey, 1820–60, ink, chalk, watercolor, and oils on blue wove paper, sheet: 7 11/16 x 11 7/16 in. (19.5 x 29 cm), Drawings, Alexandre-Gabriel Decamps (French, Paris 1803–1860 Fontainebleau, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cape Town. Dated: 1900. Dimensions: overall: 12.8 x 17.9 cm (5 1/16 x 7 1/16 in.). Medium: watercolor and gouache on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Maxwell Balfour. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cape-town-dated-1900-dimensions-overall-128-x-179-cm-5-116-x-7-116-in-medium-watercolor-and-gouache-on-blue-wove-paper-museum-national-gallery-of-art-washington-dc-author-maxwell-balfour-image225513300.htmlRMR2W0EC–Cape Town. Dated: 1900. Dimensions: overall: 12.8 x 17.9 cm (5 1/16 x 7 1/16 in.). Medium: watercolor and gouache on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Maxwell Balfour.
N/A. English: Colombia 1901 telegraph stamps 20c blue block of eight, used by manuscript cancel Catalogue: Yvert TT28 Paper: Bluish green wove unwtmk Perforation: imperforated . 1901. Colombian government 368 Colombia Telegraph 1901 YvTT28 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-colombia-1901-telegraph-stamps-20c-blue-block-of-eight-used-by-manuscript-cancel-catalogue-yvert-tt28-paper-bluish-green-wove-unwtmk-perforation-imperforated-1901-colombian-government-368-colombia-telegraph-1901-yvtt28-image209926805.htmlRMP5EYNW–N/A. English: Colombia 1901 telegraph stamps 20c blue block of eight, used by manuscript cancel Catalogue: Yvert TT28 Paper: Bluish green wove unwtmk Perforation: imperforated . 1901. Colombian government 368 Colombia Telegraph 1901 YvTT28
Lithograph in yellow; black; orange-red; blue-green; and olive on cream wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lithograph-in-yellow-black-orange-red-blue-green-and-olive-on-cream-wove-paper-image387504259.htmlRM2DEC9HR–Lithograph in yellow; black; orange-red; blue-green; and olive on cream wove paper
Henry Stacy Marks. Churchyard. 1849–1898. England. Pen and brown ink on blue wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-stacy-marks-churchyard-18491898-england-pen-and-brown-ink-on-blue-wove-paper-image337973203.htmlRM2AHT07F–Henry Stacy Marks. Churchyard. 1849–1898. England. Pen and brown ink on blue wove paper
Untitled. Ernst Ludwig Kirchner (Germany, 1880-1938). Germany, 1912. Prints; woodcuts. Woodcut and collage on blue wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/untitled-ernst-ludwig-kirchner-germany-1880-1938-germany-1912-prints-woodcuts-woodcut-and-collage-on-blue-wove-paper-image464719669.htmlRM2J01PK1–Untitled. Ernst Ludwig Kirchner (Germany, 1880-1938). Germany, 1912. Prints; woodcuts. Woodcut and collage on blue wove paper
Drawing, Mercy's Hand and Arm, Study for 'Mercy's Dream'; Daniel Huntington (American, 1816–1906); USA; graphite on blue wove paper; 37.4 x 27.8 cm (14 3/4 x 10 15/16 in.); Bequest of Erskine Hewitt; 1942-50-108 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-mercys-hand-and-arm-study-for-mercys-dream-daniel-huntington-american-18161906-usa-graphite-on-blue-wove-paper-374-x-278-cm-14-34-x-10-1516-in-bequest-of-erskine-hewitt-1942-50-108-image546206674.htmlRM2PMHT56–Drawing, Mercy's Hand and Arm, Study for 'Mercy's Dream'; Daniel Huntington (American, 1816–1906); USA; graphite on blue wove paper; 37.4 x 27.8 cm (14 3/4 x 10 15/16 in.); Bequest of Erskine Hewitt; 1942-50-108
Designs for Gothic Standing Candlesticks and Incense Burners 1846 by Augustus Pugin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/designs-for-gothic-standing-candlesticks-and-incense-burners-1846-by-augustus-pugin-image559836161.htmlRM2REPMMH–Designs for Gothic Standing Candlesticks and Incense Burners 1846 by Augustus Pugin
Banksy's reputation is at an all time high as he continues to create work that deploys irony and satire in the critique of society and politics .No stranger to controversy , the anonymous artist has consistently spoken truth to people and power through his simple but poignant artworks , wading fearlessly into burning issues like the current migrant crisis.His increasing fanbase and bulletproof street credibility have seen the value of his works increase rapidly in recent years , and Catch me If You Can , will showcase some of the critical works that have endeared Banksy to fans and collectors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/banksys-reputation-is-at-an-all-time-high-as-he-continues-to-create-work-that-deploys-irony-and-satire-in-the-critique-of-society-and-politics-no-stranger-to-controversy-the-anonymous-artist-has-consistently-spoken-truth-to-people-and-power-through-his-simple-but-poignant-artworks-wading-fearlessly-into-burning-issues-like-the-current-migrant-crisishis-increasing-fanbase-and-bulletproof-street-credibility-have-seen-the-value-of-his-works-increase-rapidly-in-recent-years-and-catch-me-if-you-can-will-showcase-some-of-the-critical-works-that-have-endeared-banksy-to-fans-and-collectors-image380621341.htmlRM2D36PB9–Banksy's reputation is at an all time high as he continues to create work that deploys irony and satire in the critique of society and politics .No stranger to controversy , the anonymous artist has consistently spoken truth to people and power through his simple but poignant artworks , wading fearlessly into burning issues like the current migrant crisis.His increasing fanbase and bulletproof street credibility have seen the value of his works increase rapidly in recent years , and Catch me If You Can , will showcase some of the critical works that have endeared Banksy to fans and collectors
Three Dogs in an Alley, 1825-1877. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-dogs-in-an-alley-1825-1877-image462398113.htmlRM2HT81E9–Three Dogs in an Alley, 1825-1877.
Churchyard, n.d., Henry Stacy Marks, English, 1829-1898, England, Pen and brown ink on blue wove paper, 193 × 290 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/churchyard-nd-henry-stacy-marks-english-1829-1898-england-pen-and-brown-ink-on-blue-wove-paper-193-290-mm-image328633679.htmlRM2A2JFH3–Churchyard, n.d., Henry Stacy Marks, English, 1829-1898, England, Pen and brown ink on blue wove paper, 193 × 290 mm
Art inspired by Cover - Yvette Guilbert, 1898, Lithograph on blue wove paper, 21-1/4 x 16-1/8 in. (54.0 x 41.0 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-cover-yvette-guilbert-1898-lithograph-on-blue-wove-paper-21-14-x-16-18-in-540-x-410-cm-prints-henri-de-toulouse-lautrec-french-albi-18641901-saint-andr-du-bois-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462946488.htmlRF2HW50Y4–Art inspired by Cover - Yvette Guilbert, 1898, Lithograph on blue wove paper, 21-1/4 x 16-1/8 in. (54.0 x 41.0 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Hope with Her Anchor. Dimensions: overall: 41.9 x 56.7 cm (16 1/2 x 22 5/16 in.). Medium: black chalk heightened with white on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Merry-Joseph Blondel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hope-with-her-anchor-dimensions-overall-419-x-567-cm-16-12-x-22-516-in-medium-black-chalk-heightened-with-white-on-blue-wove-paper-museum-national-gallery-of-art-washington-dc-author-merry-joseph-blondel-image225815322.htmlRMR3ANMX–Hope with Her Anchor. Dimensions: overall: 41.9 x 56.7 cm (16 1/2 x 22 5/16 in.). Medium: black chalk heightened with white on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Merry-Joseph Blondel.
37.1339 Charles Bargue (French, 1825/6-1883). 'Moslem at Prayer,' 1883. charcoal on smooth, moderately thick, blue-white wove paper. Walters Art Museum (37.1339): Acquired by William T. Walters, 1883. Charles Bargue - Moslem at Prayer - Walters 371339 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/371339-charles-bargue-french-18256-1883-moslem-at-prayer-1883-charcoal-on-smooth-moderately-thick-blue-white-wove-paper-walters-art-museum-371339-acquired-by-william-t-walters-1883-charles-bargue-moslem-at-prayer-walters-371339-image184945762.htmlRMMMW05P–37.1339 Charles Bargue (French, 1825/6-1883). 'Moslem at Prayer,' 1883. charcoal on smooth, moderately thick, blue-white wove paper. Walters Art Museum (37.1339): Acquired by William T. Walters, 1883. Charles Bargue - Moslem at Prayer - Walters 371339
Bi-fold portfolio cover printed in black by photogravure from an original drawing; on blue-gray wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bi-fold-portfolio-cover-printed-in-black-by-photogravure-from-an-original-drawing-on-blue-gray-wove-paper-image384034617.htmlRM2D8P821–Bi-fold portfolio cover printed in black by photogravure from an original drawing; on blue-gray wove paper
John Leech. Episodes of White Chapel Life. 1845–1855. England. Graphite on blue wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-leech-episodes-of-white-chapel-life-18451855-england-graphite-on-blue-wove-paper-image337926594.htmlRM2AHNTPX–John Leech. Episodes of White Chapel Life. 1845–1855. England. Graphite on blue wove paper
Clarkson Stanfield, 1793–1867, British, Landscape Study, 1863. Graphite on moderately thick, slightly textured, light blue wove paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/clarkson-stanfield-17931867-british-landscape-study-1863-graphite-on-moderately-thick-slightly-textured-light-blue-wove-paper-image398395737.htmlRM2E44DR5–Clarkson Stanfield, 1793–1867, British, Landscape Study, 1863. Graphite on moderately thick, slightly textured, light blue wove paper.
Drawing, Drapery Study for Angel in 'Mercy's Dream'; Daniel Huntington (American, 1816–1906); USA; graphite, white chalk on blue wove paper; 37 x 27.2 cm (14 9/16 x 10 11/16 in.); Bequest of Erskine Hewitt; 1942-50-105 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-drapery-study-for-angel-in-mercys-dream-daniel-huntington-american-18161906-usa-graphite-white-chalk-on-blue-wove-paper-37-x-272-cm-14-916-x-10-1116-in-bequest-of-erskine-hewitt-1942-50-105-image546202737.htmlRM2PMHK4H–Drawing, Drapery Study for Angel in 'Mercy's Dream'; Daniel Huntington (American, 1816–1906); USA; graphite, white chalk on blue wove paper; 37 x 27.2 cm (14 9/16 x 10 11/16 in.); Bequest of Erskine Hewitt; 1942-50-105
Designs for Gothic Candle Sticks and Branches by Augustus Pugin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/designs-for-gothic-candle-sticks-and-branches-by-augustus-pugin-image559836159.htmlRM2REPMMF–Designs for Gothic Candle Sticks and Branches by Augustus Pugin
Banksy's reputation is at an all time high as he continues to create work that deploys irony and satire in the critique of society and politics .No stranger to controversy , the anonymous artist has consistently spoken truth to people and power through his simple but poignant artworks , wading fearlessly into burning issues like the current migrant crisis.His increasing fanbase and bulletproof street credibility have seen the value of his works increase rapidly in recent years , and Catch me If You Can , will showcase some of the critical works that have endeared Banksy to fans and collectors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/banksys-reputation-is-at-an-all-time-high-as-he-continues-to-create-work-that-deploys-irony-and-satire-in-the-critique-of-society-and-politics-no-stranger-to-controversy-the-anonymous-artist-has-consistently-spoken-truth-to-people-and-power-through-his-simple-but-poignant-artworks-wading-fearlessly-into-burning-issues-like-the-current-migrant-crisishis-increasing-fanbase-and-bulletproof-street-credibility-have-seen-the-value-of-his-works-increase-rapidly-in-recent-years-and-catch-me-if-you-can-will-showcase-some-of-the-critical-works-that-have-endeared-banksy-to-fans-and-collectors-image380620243.htmlRM2D36N03–Banksy's reputation is at an all time high as he continues to create work that deploys irony and satire in the critique of society and politics .No stranger to controversy , the anonymous artist has consistently spoken truth to people and power through his simple but poignant artworks , wading fearlessly into burning issues like the current migrant crisis.His increasing fanbase and bulletproof street credibility have seen the value of his works increase rapidly in recent years , and Catch me If You Can , will showcase some of the critical works that have endeared Banksy to fans and collectors
Valentine envelope, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/valentine-envelope-nd-image462415957.htmlRM2HT8T7H–Valentine envelope, n.d.
Episodes from White Chapel Life, c. 1850, Attributed to John Leech, English, 1817-1864, England, Graphite on blue wove paper, 77 × 89 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/episodes-from-white-chapel-life-c-1850-attributed-to-john-leech-english-1817-1864-england-graphite-on-blue-wove-paper-77-89-mm-image328622159.htmlRM2A2J0WK–Episodes from White Chapel Life, c. 1850, Attributed to John Leech, English, 1817-1864, England, Graphite on blue wove paper, 77 × 89 mm
Art inspired by Lago Avernus, ca. 1867–70, Watercolor, gouache, and graphite on blue wove paper, 4 1/2 x 9 1/2 in. (11.4 x 24.1 cm), Drawings, William Trost Richards (American, Philadelphia, Pennsylvania 1833–1905 Newport, Rhode Island, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-lago-avernus-ca-186770-watercolor-gouache-and-graphite-on-blue-wove-paper-4-12-x-9-12-in-114-x-241-cm-drawings-william-trost-richards-american-philadelphia-pennsylvania-18331905-newport-rhode-island-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462897405.htmlRF2HW2PA5–Art inspired by Lago Avernus, ca. 1867–70, Watercolor, gouache, and graphite on blue wove paper, 4 1/2 x 9 1/2 in. (11.4 x 24.1 cm), Drawings, William Trost Richards (American, Philadelphia, Pennsylvania 1833–1905 Newport, Rhode Island, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Hellene von Sleben. Dated: c. 1800. Dimensions: overall: 43.5 x 36 cm (17 1/8 x 14 3/16 in.). Medium: pastel on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: European 19th Century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hellene-von-sleben-dated-c-1800-dimensions-overall-435-x-36-cm-17-18-x-14-316-in-medium-pastel-on-blue-wove-paper-museum-national-gallery-of-art-washington-dc-author-european-19th-century-image225727759.htmlRMR36P1K–Hellene von Sleben. Dated: c. 1800. Dimensions: overall: 43.5 x 36 cm (17 1/8 x 14 3/16 in.). Medium: pastel on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: European 19th Century.
N/A. English: Colombia 1865 20c blue, used 'SOATA FRANCA'. Signed. Catalogue: Sc. 39, Mi. 30 Paper: White wove unwtmk Perforation: imperforated Printing: Lithography Printer: Ayala Medrano Printing Ltd, Bogota . 1865. Colombian government 367 Colombia 1865 Sc39 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-colombia-1865-20c-blue-used-soata-franca-signed-catalogue-sc-39-mi-30-paper-white-wove-unwtmk-perforation-imperforated-printing-lithography-printer-ayala-medrano-printing-ltd-bogota-1865-colombian-government-367-colombia-1865-sc39-image210186900.htmlRMP5XRF0–N/A. English: Colombia 1865 20c blue, used 'SOATA FRANCA'. Signed. Catalogue: Sc. 39, Mi. 30 Paper: White wove unwtmk Perforation: imperforated Printing: Lithography Printer: Ayala Medrano Printing Ltd, Bogota . 1865. Colombian government 367 Colombia 1865 Sc39
'Lithograph in blue, red, lavender, black and cream on cream wove paper, folded to create sheet music cover' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lithograph-in-blue-red-lavender-black-and-cream-on-cream-wove-paper-folded-to-create-sheet-music-cover-image384035853.htmlRM2D8P9J5–'Lithograph in blue, red, lavender, black and cream on cream wove paper, folded to create sheet music cover'
Elizabeth Murray. Girl with Toy Horse at Langham House. 1838. England. Graphite on blue wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elizabeth-murray-girl-with-toy-horse-at-langham-house-1838-england-graphite-on-blue-wove-paper-image337928404.htmlRM2AHNY3G–Elizabeth Murray. Girl with Toy Horse at Langham House. 1838. England. Graphite on blue wove paper
Clarkson Stanfield, 1793–1867, British, Sketchbook Drawing, 1863. Graphite on moderately thick, slightly textured, light blue wove paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/clarkson-stanfield-17931867-british-sketchbook-drawing-1863-graphite-on-moderately-thick-slightly-textured-light-blue-wove-paper-image398395689.htmlRM2E44DND–Clarkson Stanfield, 1793–1867, British, Sketchbook Drawing, 1863. Graphite on moderately thick, slightly textured, light blue wove paper.
Drawing, Drapery Study for Angel in 'Mercy's Dream'; Daniel Huntington (American, 1816–1906); USA; graphite, white chalk on blue wove paper; 37 x 27.2 cm (14 9/16 x 10 11/16 in.); Bequest of Erskine Hewitt; 1942-50-106 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-drapery-study-for-angel-in-mercys-dream-daniel-huntington-american-18161906-usa-graphite-white-chalk-on-blue-wove-paper-37-x-272-cm-14-916-x-10-1116-in-bequest-of-erskine-hewitt-1942-50-106-image546179299.htmlRM2PMGH7F–Drawing, Drapery Study for Angel in 'Mercy's Dream'; Daniel Huntington (American, 1816–1906); USA; graphite, white chalk on blue wove paper; 37 x 27.2 cm (14 9/16 x 10 11/16 in.); Bequest of Erskine Hewitt; 1942-50-106
Designs for Altar and Processional Crosses 1846 by Augustus Pugin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/designs-for-altar-and-processional-crosses-1846-by-augustus-pugin-image559836164.htmlRM2REPMMM–Designs for Altar and Processional Crosses 1846 by Augustus Pugin
Banksy's reputation is at an all time high as he continues to create work that deploys irony and satire in the critique of society and politics .No stranger to controversy , the anonymous artist has consistently spoken truth to people and power through his simple but poignant artworks , wading fearlessly into burning issues like the current migrant crisis.His increasing fanbase and bulletproof street credibility have seen the value of his works increase rapidly in recent years , and Catch me If You Can , will showcase some of the critical works that have endeared Banksy to fans and collectors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/banksys-reputation-is-at-an-all-time-high-as-he-continues-to-create-work-that-deploys-irony-and-satire-in-the-critique-of-society-and-politics-no-stranger-to-controversy-the-anonymous-artist-has-consistently-spoken-truth-to-people-and-power-through-his-simple-but-poignant-artworks-wading-fearlessly-into-burning-issues-like-the-current-migrant-crisishis-increasing-fanbase-and-bulletproof-street-credibility-have-seen-the-value-of-his-works-increase-rapidly-in-recent-years-and-catch-me-if-you-can-will-showcase-some-of-the-critical-works-that-have-endeared-banksy-to-fans-and-collectors-image380621193.htmlRM2D36P61–Banksy's reputation is at an all time high as he continues to create work that deploys irony and satire in the critique of society and politics .No stranger to controversy , the anonymous artist has consistently spoken truth to people and power through his simple but poignant artworks , wading fearlessly into burning issues like the current migrant crisis.His increasing fanbase and bulletproof street credibility have seen the value of his works increase rapidly in recent years , and Catch me If You Can , will showcase some of the critical works that have endeared Banksy to fans and collectors
Three Sketches of Pelicans, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-sketches-of-pelicans-nd-image457042981.htmlRM2HFG2YH–Three Sketches of Pelicans, n.d.
Episodes from White Chapel Life, c. 1850, Attributed to John Leech, English, 1817-1864, England, Graphite on blue wove paper, 73 × 88 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/episodes-from-white-chapel-life-c-1850-attributed-to-john-leech-english-1817-1864-england-graphite-on-blue-wove-paper-73-88-mm-image328622158.htmlRM2A2J0WJ–Episodes from White Chapel Life, c. 1850, Attributed to John Leech, English, 1817-1864, England, Graphite on blue wove paper, 73 × 88 mm
Art inspired by Casamicciola As Seen from the Island of Ischia, Charles Caryl Coleman, American, 1840-1928, Pastel on gray-blue wove paper mounted overall to an acidic, 2-ply board, 1904, Sheet: 12 1/8 x 18 1/4 in., 30.8 x 46.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-casamicciola-as-seen-from-the-island-of-ischia-charles-caryl-coleman-american-1840-1928-pastel-on-gray-blue-wove-paper-mounted-overall-to-an-acidic-2-ply-board-1904-sheet-12-18-x-18-14-in-308-x-464-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459573641.htmlRF2HKKAT9–Art inspired by Casamicciola As Seen from the Island of Ischia, Charles Caryl Coleman, American, 1840-1928, Pastel on gray-blue wove paper mounted overall to an acidic, 2-ply board, 1904, Sheet: 12 1/8 x 18 1/4 in., 30.8 x 46.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bearded Man Looking Up / Cloaked Figure with Raised Arms. Dimensions: sheet: 15 x 9.9 cm (5 7/8 x 3 7/8 in.). Medium: graphite on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Alexandre Bida. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bearded-man-looking-up-cloaked-figure-with-raised-arms-dimensions-sheet-15-x-99-cm-5-78-x-3-78-in-medium-graphite-on-blue-wove-paper-museum-national-gallery-of-art-washington-dc-author-alexandre-bida-image225655403.htmlRMR33DNF–Bearded Man Looking Up / Cloaked Figure with Raised Arms. Dimensions: sheet: 15 x 9.9 cm (5 7/8 x 3 7/8 in.). Medium: graphite on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Alexandre Bida.
N/A. English: Colombia 1868 20c blue, used 'MEDEL(LIN)'. Signed. Catalogue: Sc. 55, Mi. 48 Paper: White wove unwtmk Perforation: imperforated Printing: Lithography Printer: Ayala Medrano Printing Ltd, Bogota . 1868. Colombian government 367 Colombia 1868 Sc55rc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-colombia-1868-20c-blue-used-medellin-signed-catalogue-sc-55-mi-48-paper-white-wove-unwtmk-perforation-imperforated-printing-lithography-printer-ayala-medrano-printing-ltd-bogota-1868-colombian-government-367-colombia-1868-sc55rc-image210186939.htmlRMP5XRGB–N/A. English: Colombia 1868 20c blue, used 'MEDEL(LIN)'. Signed. Catalogue: Sc. 55, Mi. 48 Paper: White wove unwtmk Perforation: imperforated Printing: Lithography Printer: Ayala Medrano Printing Ltd, Bogota . 1868. Colombian government 367 Colombia 1868 Sc55rc
Lithograph in black with stenciled colors (green; green-blue; blue; brown; fawn and brown-gray) on cream wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lithograph-in-black-with-stenciled-colors-green-green-blue-blue-brown-fawn-and-brown-gray-on-cream-wove-paper-image387502877.htmlRM2DEC7TD–Lithograph in black with stenciled colors (green; green-blue; blue; brown; fawn and brown-gray) on cream wove paper
Search Results for Blue wove paper Stock Photos and Images (3,202)
Page 1 of 33