Antonio Di Puccio Pisano (Pisanello), John VIII Paleologus (1392-1448), Emperor of Constantinople 1425-1448, ca. 1438, lead, 4 1/8 in. (10.5 cm.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonio-di-puccio-pisano-pisanello-john-viii-paleologus-1392-1448-emperor-of-constantinople-1425-1448-ca-1438-lead-4-18-in-105-cm-image344477256.html
RM2B0C874–Antonio Di Puccio Pisano (Pisanello), John VIII Paleologus (1392-1448), Emperor of Constantinople 1425-1448, ca. 1438, lead, 4 1/8 in. (10.5 cm.)
Art inspired by Cope, ca. 1438, Made in Burgos, Castile-León, Spain, Spanish, Silk, metal thread, Overall: 56 1/2 × 112 in. (143.5 × 284.5 cm), Textiles-Costumes-Ecclesiastical, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-cope-ca-1438-made-in-burgos-castile-len-spain-spanish-silk-metal-thread-overall-56-12-112-in-1435-2845-cm-textiles-costumes-ecclesiastical-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462836831.html
RF2HW012R–Art inspired by Cope, ca. 1438, Made in Burgos, Castile-León, Spain, Spanish, Silk, metal thread, Overall: 56 1/2 × 112 in. (143.5 × 284.5 cm), Textiles-Costumes-Ecclesiastical, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cope. Culture: Spanish. Dimensions: Overall: 56 1/2 × 112 in. (143.5 × 284.5 cm). Date: ca. 1438. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cope-culture-spanish-dimensions-overall-56-12-112-in-1435-2845-cm-date-ca-1438-museum-metropolitan-museum-of-art-new-york-usa-image212935879.html
RMPAC1TR–Cope. Culture: Spanish. Dimensions: Overall: 56 1/2 × 112 in. (143.5 × 284.5 cm). Date: ca. 1438. Museum: Metropolitan Museum of Art, New York, USA.
. Deutsch: Tafel „Bildhauerkunst VI. Nordische u. italienische Bildnerei, XIV.–XIX. Jahrh.“ Original-Bildunterschriften: 1. St. Margareta. Um 1361. Frauenkirche zu Nürnberg. 2. Chlodwig am Schönen Brunnen zu Nürnberg von Heinrich dem Balier 1385–96. 3. Marienbild von Veit Stoß ca. 1438–1533. Nürnberg. 4. Maria. Holzschnitzwerk, in der Kunstschule zu Nürnberg. 5. Christuskopf aus der Lorenzer Kirche in Nürnberg. 6. Maria von Adam Kraft. ca. 1440–1507. Nürnberg. 7. Christus von Adam Kraft. VII Stationen. Nürnberg. 8. Peter Vischers Porträtstatue am Sebaldusgrab zu Nürnberg. 9. Apostel Paulus von Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-tafel-bildhauerkunst-vi-nordische-u-italienische-bildnerei-xivxix-jahrh-original-bildunterschriften-1-st-margareta-um-1361-frauenkirche-zu-nrnberg-2-chlodwig-am-schnen-brunnen-zu-nrnberg-von-heinrich-dem-balier-138596-3-marienbild-von-veit-sto-ca-14381533-nrnberg-4-maria-holzschnitzwerk-in-der-kunstschule-zu-nrnberg-5-christuskopf-aus-der-lorenzer-kirche-in-nrnberg-6-maria-von-adam-kraft-ca-14401507-nrnberg-7-christus-von-adam-kraft-vii-stationen-nrnberg-8-peter-vischers-portrtstatue-am-sebaldusgrab-zu-nrnberg-9-apostel-paulus-von-image213421637.html
RMPB65D9–. Deutsch: Tafel „Bildhauerkunst VI. Nordische u. italienische Bildnerei, XIV.–XIX. Jahrh.“ Original-Bildunterschriften: 1. St. Margareta. Um 1361. Frauenkirche zu Nürnberg. 2. Chlodwig am Schönen Brunnen zu Nürnberg von Heinrich dem Balier 1385–96. 3. Marienbild von Veit Stoß ca. 1438–1533. Nürnberg. 4. Maria. Holzschnitzwerk, in der Kunstschule zu Nürnberg. 5. Christuskopf aus der Lorenzer Kirche in Nürnberg. 6. Maria von Adam Kraft. ca. 1440–1507. Nürnberg. 7. Christus von Adam Kraft. VII Stationen. Nürnberg. 8. Peter Vischers Porträtstatue am Sebaldusgrab zu Nürnberg. 9. Apostel Paulus von
Virgen de Mosén Esperandeu de Santa Fe Ca.1438-1439 by Blasco de Granen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgen-de-mosn-esperandeu-de-santa-fe-ca1438-1439-by-blasco-de-granen-image545522368.html
RM2PKEK9M–Virgen de Mosén Esperandeu de Santa Fe Ca.1438-1439 by Blasco de Granen
The Creation and the Expulsion from the Paradise (ca. 1438–44) Tempera & gold on wood (46.5 x 52 cm ) Metropolitan Museum of Art Giovanni di Paolo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-creation-and-the-expulsion-from-the-paradise-ca-143844-tempera-gold-on-wood-465-x-52-cm-metropolitan-museum-of-art-giovanni-di-paolo-image604389888.html
RM2X389D4–The Creation and the Expulsion from the Paradise (ca. 1438–44) Tempera & gold on wood (46.5 x 52 cm ) Metropolitan Museum of Art Giovanni di Paolo
Kero, ca. 1438-1533. Waisted wooden drinking vessel with incised and polychrome lacquered decoration. Inca civilization. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kero-ca-1438-1533-waisted-wooden-drinking-vessel-with-incised-and-polychrome-lacquered-decoration-inca-civilization-image551009376.html
RM2R0CJ28–Kero, ca. 1438-1533. Waisted wooden drinking vessel with incised and polychrome lacquered decoration. Inca civilization.
The San Marco Altarpiece, ca 1438-1440. Found in the collection of the San Marco, Florence. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-san-marco-altarpiece-ca-1438-1440-found-in-the-collection-of-the-san-marco-florence-image481981908.html
RM2K044RG–The San Marco Altarpiece, ca 1438-1440. Found in the collection of the San Marco, Florence.
Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Stefano da Zevio (Ca 1379 CA 1438) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bliej-kultury-ferdinand-schenk-verlag-fr-kunst-und-kunstfwer-vienna-stefano-da-zevio-ca-1379-ca-1438-image471420121.html
RM2JAY14W–Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Stefano da Zevio (Ca 1379 CA 1438)
Forlì - Melozzo degli Ambrosi (1438-1494), Music making angels, cherubs and apostles, ca.1480. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-forl-melozzo-degli-ambrosi-1438-1494-music-making-angels-cherubs-and-103788363.html
RMG0RY37–Forlì - Melozzo degli Ambrosi (1438-1494), Music making angels, cherubs and apostles, ca.1480.
Cope ca. 1438 Spanish. Cope. Spanish. ca. 1438. Silk, metal thread. Made in Burgos, Castile-León, Spain. Textiles-Costumes-Ecclesiastical Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cope-ca-1438-spanish-cope-spanish-ca-1438-silk-metal-thread-made-in-burgos-castile-len-spain-textiles-costumes-ecclesiastical-image457776700.html
RM2HGNERT–Cope ca. 1438 Spanish. Cope. Spanish. ca. 1438. Silk, metal thread. Made in Burgos, Castile-León, Spain. Textiles-Costumes-Ecclesiastical
The Adoration of the Kings Hugo van der Goes (Værksted) Ca. 1440-1482 1496 - 1505, Goes, Hugo van der 1438 - 1482 Painting The Adoration of the Kings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-kings-hugo-van-der-goes-vrksted-ca-1440-1482-1496-1505-goes-hugo-van-der-1438-1482-painting-the-adoration-of-the-kings-image613502774.html
RM2XJ3D1A–The Adoration of the Kings Hugo van der Goes (Værksted) Ca. 1440-1482 1496 - 1505, Goes, Hugo van der 1438 - 1482 Painting The Adoration of the Kings
Procession of Jews in Konstanz, according to an illustration from the `Chronik des Konstanzer Konzils` [Chronicle of the Council of Constance by Ulrich von Richenthal from the 15th century. Richenthal, Ulrich von (?-ca 1438), author, Lesser, Aleksander (1814-1884), draughtsman, cartoonist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/procession-of-jews-in-konstanz-according-to-an-illustration-from-the-`chronik-des-konstanzer-konzils`-chronicle-of-the-council-of-constance-by-ulrich-von-richenthal-from-the-15th-century-richenthal-ulrich-von-ca-1438-author-lesser-aleksander-1814-1884-draughtsman-cartoonist-image480410133.html
RM2JWGG0N–Procession of Jews in Konstanz, according to an illustration from the `Chronik des Konstanzer Konzils` [Chronicle of the Council of Constance by Ulrich von Richenthal from the 15th century. Richenthal, Ulrich von (?-ca 1438), author, Lesser, Aleksander (1814-1884), draughtsman, cartoonist
Nov 01 2020 Monterey, CA, U.S.A. Scuderia Corsa # 63 Drivers C. MacNeil / A. Balzan coming up the home straight away during the Hyundai Monterey Sports Car Championship at Weathertech Laguna Seca Monterey, CA Thurman James / CSM Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nov-01-2020-monterey-ca-usa-scuderia-corsa-63-drivers-c-macneil-a-balzan-coming-up-the-home-straight-away-during-the-hyundai-monterey-sports-car-championship-at-weathertech-laguna-seca-monterey-ca-thurman-james-csm-image384386265.html
RM2D9A8GW–Nov 01 2020 Monterey, CA, U.S.A. Scuderia Corsa # 63 Drivers C. MacNeil / A. Balzan coming up the home straight away during the Hyundai Monterey Sports Car Championship at Weathertech Laguna Seca Monterey, CA Thurman James / CSM
Cosmetic jar ca. 1805 B.C. Middle Kingdom 26.7.1439–.1442 are ointment jars that were found scattered at the bottom of a tomb shaft at Thebes. Nearby was a box belonging to a man named Kemeni (26.7.1438). Kemeni's box has a drawer with spaces for eight small ointment jars, so it is assumed that the box and jars go together.. Cosmetic jar 543958 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cosmetic-jar-ca-1805-bc-middle-kingdom-26714391442-are-ointment-jars-that-were-found-scattered-at-the-bottom-of-a-tomb-shaft-at-thebes-nearby-was-a-box-belonging-to-a-man-named-kemeni-2671438-kemenis-box-has-a-drawer-with-spaces-for-eight-small-ointment-jars-so-it-is-assumed-that-the-box-and-jars-go-together-cosmetic-jar-543958-image458474643.html
RM2HHW92B–Cosmetic jar ca. 1805 B.C. Middle Kingdom 26.7.1439–.1442 are ointment jars that were found scattered at the bottom of a tomb shaft at Thebes. Nearby was a box belonging to a man named Kemeni (26.7.1438). Kemeni's box has a drawer with spaces for eight small ointment jars, so it is assumed that the box and jars go together.. Cosmetic jar 543958
California Memorial Stadium. 04th Sep, 2021. CA USA Nevada quarterback Carson Strong (12) runs out of the pocket to avoid California linebacker Evan Tattersall (54) during the NCAA Football game between Nevada Wolf Pack and the California Golden Bears. Nevada won 22-17 from FTX Field at California Memorial Stadium. Thurman James/CSM/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/california-memorial-stadium-04th-sep-2021-ca-usa-nevada-quarterback-carson-strong-12-runs-out-of-the-pocket-to-avoid-california-linebacker-evan-tattersall-54-during-the-ncaa-football-game-between-nevada-wolf-pack-and-the-california-golden-bears-nevada-won-22-17-from-ftx-field-at-california-memorial-stadium-thurman-jamescsmalamy-live-news-image440873934.html
RM2GH7F5J–California Memorial Stadium. 04th Sep, 2021. CA USA Nevada quarterback Carson Strong (12) runs out of the pocket to avoid California linebacker Evan Tattersall (54) during the NCAA Football game between Nevada Wolf Pack and the California Golden Bears. Nevada won 22-17 from FTX Field at California Memorial Stadium. Thurman James/CSM/Alamy Live News
Venice - ca. 1870 Visitors walk near the 'Porta della Carta', between the Doge’s Palace and the Basilica of San Marco. The door was the monumental entrance to the Doge’s Palace and was built between 1438 and 1442 by Bartolomeo Bon for Doge Francesco Foscari. Image part of the series 'Views' of the Naya-Bohm Archive, V5. Venezia - ca. 1870 Visitatori passeggiano nei pressi della 'Porta della Carta', fra il Palazzo Ducale e la Basilica di San Marco. La porta costituiva l’ingresso monumentale di Palazzo Ducale e fu realizzata fra il 1438 e il 1442 da Bartolomeo Bon per il doge Francesco Foscari Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/venice-ca-1870-visitors-walk-near-the-porta-della-carta-between-the-doges-palace-and-the-basilica-of-san-marco-the-door-was-the-monumental-entrance-to-the-doges-palace-and-was-built-between-1438-and-1442-by-bartolomeo-bon-for-doge-francesco-foscari-image-part-of-the-series-views-of-the-naya-bohm-archive-v5-venezia-ca-1870-visitatori-passeggiano-nei-pressi-della-porta-della-carta-fra-il-palazzo-ducale-e-la-basilica-di-san-marco-la-porta-costituiva-lingresso-monumentale-di-palazzo-ducale-e-fu-realizzata-fra-il-1438-e-il-1442-da-bartolomeo-bon-per-il-doge-francesco-foscari-image560194881.html
RM2RFB281–Venice - ca. 1870 Visitors walk near the 'Porta della Carta', between the Doge’s Palace and the Basilica of San Marco. The door was the monumental entrance to the Doge’s Palace and was built between 1438 and 1442 by Bartolomeo Bon for Doge Francesco Foscari. Image part of the series 'Views' of the Naya-Bohm Archive, V5. Venezia - ca. 1870 Visitatori passeggiano nei pressi della 'Porta della Carta', fra il Palazzo Ducale e la Basilica di San Marco. La porta costituiva l’ingresso monumentale di Palazzo Ducale e fu realizzata fra il 1438 e il 1442 da Bartolomeo Bon per il doge Francesco Foscari
Sept. 22, 2012 - Los Angeles, CA, United States of America - September 22, {year} Los Angeles, CA..USC Trojans linebacker (10) Hayes Pullard during the NCAA Football game between the USC Trojans and the California Golden Bears at the Coliseum in Los Angeles, California. The USC Trojans defeat the California Golden Bears 27-9..(Mandatory Credit: Jose Marin / MarinMedia / Cal Sport Media) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sept-22-2012-los-angeles-ca-united-states-of-america-september-22-54256366.html
RMD47GFA–Sept. 22, 2012 - Los Angeles, CA, United States of America - September 22, {year} Los Angeles, CA..USC Trojans linebacker (10) Hayes Pullard during the NCAA Football game between the USC Trojans and the California Golden Bears at the Coliseum in Los Angeles, California. The USC Trojans defeat the California Golden Bears 27-9..(Mandatory Credit: Jose Marin / MarinMedia / Cal Sport Media)
Antonio Di Puccio Pisano (Pisanello), John VIII Paleologus (1392-1448), Emperor of Constantinople 1425-1448, ca. 1438 (aftercast), bronze, 3 7/8 in. (9.84 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonio-di-puccio-pisano-pisanello-john-viii-paleologus-1392-1448-emperor-of-constantinople-1425-1448-ca-1438-aftercast-bronze-3-78-in-984-cm-image344474971.html
RM2B0C59F–Antonio Di Puccio Pisano (Pisanello), John VIII Paleologus (1392-1448), Emperor of Constantinople 1425-1448, ca. 1438 (aftercast), bronze, 3 7/8 in. (9.84 cm
August 30, 2014, Los Angeles, CA.USC Trojans safety (21) Su'a Cravens in action beating the Fresno State bulldogs 52-13 on Saturday night. The Trojans ran a school- and Pac-12-record 105 plays while racking up 37 first downs and 701 yards of total offense to Fresno States 17 first downs and 317 yards, at the Los Angeles Memorial Coliseum, on August 30, 2014. (Mandatory Credit: Jose Marin/MarinMedia.org/Cal Sport Media) (ABSOLUTELY - ALL Complete photographer, and company credit(s) required) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-august-30-2014-los-angeles-causc-trojans-safety-21-sua-cravens-in-74381807.html
RME90AN3–August 30, 2014, Los Angeles, CA.USC Trojans safety (21) Su'a Cravens in action beating the Fresno State bulldogs 52-13 on Saturday night. The Trojans ran a school- and Pac-12-record 105 plays while racking up 37 first downs and 701 yards of total offense to Fresno States 17 first downs and 317 yards, at the Los Angeles Memorial Coliseum, on August 30, 2014. (Mandatory Credit: Jose Marin/MarinMedia.org/Cal Sport Media) (ABSOLUTELY - ALL Complete photographer, and company credit(s) required)
Cope, ca. 1438, Made in Burgos, Castile-León, Spain, Spanish, Silk, metal thread, Overall: 56 1/2 × 112 in. (143.5 × 284.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-cope-ca-1438-made-in-burgos-castile-len-spain-spanish-silk-metal-thread-162400558.html
RMKC5YFX–Cope, ca. 1438, Made in Burgos, Castile-León, Spain, Spanish, Silk, metal thread, Overall: 56 1/2 × 112 in. (143.5 × 284.5 cm
'Niccolò Mauruzi da Tolentino at the Battle of San Romano', ca. 1438-1440 - Egg tempera with walnut oil and linseed oil on poplar, 182 x 320 cm. Author: UCCELLO, PAOLO. Location: NATIONAL GALLERY. LONDON. ENGLAND. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/niccol-mauruzi-da-tolentino-at-the-battle-of-san-romano-ca-1438-1440-egg-tempera-with-walnut-oil-and-linseed-oil-on-poplar-182-x-320-cm-author-uccello-paolo-location-national-gallery-london-england-image231176202.html
RMRC2YGX–'Niccolò Mauruzi da Tolentino at the Battle of San Romano', ca. 1438-1440 - Egg tempera with walnut oil and linseed oil on poplar, 182 x 320 cm. Author: UCCELLO, PAOLO. Location: NATIONAL GALLERY. LONDON. ENGLAND.
Cope, Spanish, ca. 1438, Made in Burgos, Castile-León, Spain, Spanish, Silk, metal thread, Overall: 56 1/2 × 112 in. (143.5 × 284.5 cm), Textiles-Costumes-Ecclesiastical Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cope-spanish-ca-1438-made-in-burgos-castile-len-spain-spanish-silk-metal-thread-overall-56-12-112-in-1435-2845-cm-textiles-costumes-ecclesiastical-image344658772.html
RM2B0MFNT–Cope, Spanish, ca. 1438, Made in Burgos, Castile-León, Spain, Spanish, Silk, metal thread, Overall: 56 1/2 × 112 in. (143.5 × 284.5 cm), Textiles-Costumes-Ecclesiastical
. Pisanello, sant'anastasia . 1433-1438 ca.. see filename or category 1007 Pisanello, sant'anastasia 02 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pisanello-santanastasia-1433-1438-ca-see-filename-or-category-1007-pisanello-santanastasia-02-image185549052.html
RMMNTDKT–. Pisanello, sant'anastasia . 1433-1438 ca.. see filename or category 1007 Pisanello, sant'anastasia 02
ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) Madonna with the Child, Saints and Crucifixion 1438-40 Tempera on wood, 220 x 227 cm Museo di San Marco, Florence This is the main painting of the altarpiece, called San Marco Altarpiece. It was executed for the main altar of the church belonging to the Convent of San Marco and dedicated to the two medical saints, Cosmas and Damian. The altarpiece was removed and dismembered during the renovation of the church in the seventeenth century. In addition to the main painting there were 9 predella pictures, seven in the front and two Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angelico-fra-b-ca-1400-vicchio-nell-mugello-d-1455-roma-madonna-with-the-child-saints-and-crucifixion-1438-40-tempera-on-wood-220-x-227-cm-museo-di-san-marco-florence-this-is-the-main-painting-of-the-altarpiece-called-san-marco-altarpiece-it-was-executed-for-the-main-altar-of-the-church-belonging-to-the-convent-of-san-marco-and-dedicated-to-the-two-medical-saints-cosmas-and-damian-the-altarpiece-was-removed-and-dismembered-during-the-renovation-of-the-church-in-the-seventeenth-century-in-addition-to-the-main-painting-there-were-9-predella-pictures-seven-in-the-front-and-two-image604918095.html
RF2X44B5K–ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) Madonna with the Child, Saints and Crucifixion 1438-40 Tempera on wood, 220 x 227 cm Museo di San Marco, Florence This is the main painting of the altarpiece, called San Marco Altarpiece. It was executed for the main altar of the church belonging to the Convent of San Marco and dedicated to the two medical saints, Cosmas and Damian. The altarpiece was removed and dismembered during the renovation of the church in the seventeenth century. In addition to the main painting there were 9 predella pictures, seven in the front and two
Saint Barbara, 1438. Artist: Campin, Robert (ca. 1375-1444) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-barbara-1438-artist-campin-robert-ca-1375-1444-image60438101.html
RMDE95BH–Saint Barbara, 1438. Artist: Campin, Robert (ca. 1375-1444)
Forlì - Melozzo degli Ambrosi (1438-1494), Music making angels, cherubs and apostles, ca.1480. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-forl-melozzo-degli-ambrosi-1438-1494-music-making-angels-cherubs-and-103788371.html
RMG0RY3F–Forlì - Melozzo degli Ambrosi (1438-1494), Music making angels, cherubs and apostles, ca.1480.
Los Angeles, CA, USA. 29th Jan, 2017. 29 January 2017 - Los Angeles, California - Naomie Harris. 23rd Annual Screen Actors Guild Awards held at The Shrine Expo Hall. Photo Credit: AdMedia Credit: AdMedia/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-los-angeles-ca-usa-29th-jan-2017-29-january-2017-los-angeles-california-132798397.html
RMHM1DKW–Los Angeles, CA, USA. 29th Jan, 2017. 29 January 2017 - Los Angeles, California - Naomie Harris. 23rd Annual Screen Actors Guild Awards held at The Shrine Expo Hall. Photo Credit: AdMedia Credit: AdMedia/ZUMA Wire/Alamy Live News
Los Angeles, CA, USA. 2nd Nov, 2016. 02 November 2016 - Los Angeles, California - Jaime King. Who What Wear 10th Anniversary #WWW10 Experience held at The Who What Wear Store. Photo Credit: AdMedia Credit: AdMedia/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-los-angeles-ca-usa-2nd-nov-2016-02-november-2016-los-angeles-california-125017416.html
RMH7B0YM–Los Angeles, CA, USA. 2nd Nov, 2016. 02 November 2016 - Los Angeles, California - Jaime King. Who What Wear 10th Anniversary #WWW10 Experience held at The Who What Wear Store. Photo Credit: AdMedia Credit: AdMedia/ZUMA Wire/Alamy Live News
Cosmetic jar with lid ca. 1805 B.C. Middle Kingdom 26.7.1439–.1442 are ointment jars that were found scattered at the bottom of a tomb shaft at Thebes. Nearby was a box belonging to a man named Kemeni (26.7.1438). Kemeni's box has a drawer with spaces for eight small ointment jars, so it is assumed that the box and jars go together.. Cosmetic jar with lid 543956 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cosmetic-jar-with-lid-ca-1805-bc-middle-kingdom-26714391442-are-ointment-jars-that-were-found-scattered-at-the-bottom-of-a-tomb-shaft-at-thebes-nearby-was-a-box-belonging-to-a-man-named-kemeni-2671438-kemenis-box-has-a-drawer-with-spaces-for-eight-small-ointment-jars-so-it-is-assumed-that-the-box-and-jars-go-together-cosmetic-jar-with-lid-543956-image458474639.html
RM2HHW927–Cosmetic jar with lid ca. 1805 B.C. Middle Kingdom 26.7.1439–.1442 are ointment jars that were found scattered at the bottom of a tomb shaft at Thebes. Nearby was a box belonging to a man named Kemeni (26.7.1438). Kemeni's box has a drawer with spaces for eight small ointment jars, so it is assumed that the box and jars go together.. Cosmetic jar with lid 543956
Los Angeles, CA, USA. 6th Feb, 2019. LOS ANGELES - FEB 1: Tim Allen at the FOX TCA All-Star Party at the Fig House on February 1, 2019 in Los Angeles, CA Credit: Kay Blake/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/los-angeles-ca-usa-6th-feb-2019-los-angeles-feb-1-tim-allen-at-the-fox-tca-all-star-party-at-the-fig-house-on-february-1-2019-in-los-angeles-ca-credit-kay-blakezuma-wirealamy-live-news-image235330505.html
RMRJT6CW–Los Angeles, CA, USA. 6th Feb, 2019. LOS ANGELES - FEB 1: Tim Allen at the FOX TCA All-Star Party at the Fig House on February 1, 2019 in Los Angeles, CA Credit: Kay Blake/ZUMA Wire/Alamy Live News
November 04, 2017 Los Angeles, CA...USC linebacker (10) John Houston Jr. picks up a blocked punt and scores a touchdown during a game between the Arizona Wildcats vs USC Trojans on Saturday, November 4, 2017 at the Los Angeles Memorial Coliseum in Los Angeles, California. USC defeated Arizona 49-35. (Mandatory Credit: Juan Lainez / MarinMedia.org / Cal Sport Media) (Complete photographer, and credit required) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-november-04-2017-los-angeles-causc-linebacker-10-john-houston-jr-picks-164986461.html
RMKGBNWH–November 04, 2017 Los Angeles, CA...USC linebacker (10) John Houston Jr. picks up a blocked punt and scores a touchdown during a game between the Arizona Wildcats vs USC Trojans on Saturday, November 4, 2017 at the Los Angeles Memorial Coliseum in Los Angeles, California. USC defeated Arizona 49-35. (Mandatory Credit: Juan Lainez / MarinMedia.org / Cal Sport Media) (Complete photographer, and credit required)
. San Francisco and Bay counties telephone directory . V >.i, riiv wtsiojoi , ,. Bjreihy r 114 1 •■.• ••;;unMrn«-2651 F«l »> PuOSio >■ ^• ,S^? Iv, . • .EVrtrtfn-6015 ^Vlu ch A c Mrs r 1227 V47tliA.H0 Mro 2651 ^ „„ ^ Ju r«882 Bash... .Fl lmor.7810 ^ „„^ „„, j , 1438.^^.?. •••■•«;• J, -5562 Fellows C A u»ed ca 130 Few(y»nittHn r -;5 uFtenty C r 6S F.«.«J A, U ^.-•^••,V BA>.l-.n68 UrF J r IGST-lUh At .. .TU xc(K4351 Fennon. William J^ «^8 B«-Vilincl... .MA rkct-8084 F.nno..t «• Sr t 2830 Place. ttCT-0181 Iict-5647 V 5279 n«iict-7770 .: j.i|..-0455 WEst-5770 .■.■.RAn.m.1.6132. iK=--. - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/san-francisco-and-bay-counties-telephone-directory-v-gti-riiv-wtsiojoi-bjreihy-r-114-1-unmrn-2651-fl-gt-puosio-gt-s-iv-evrtrtfn-6015-vlu-ch-a-c-mrs-r-1227-v47tliah0-mro-2651-ju-r882-bash-fl-lmor7810-j-1438-j-5562-fellows-c-a-ued-ca-130-fewynitthn-r-5-uftenty-c-r-6s-fj-a-u-v-bagtl-n68-urf-j-r-igst-luh-at-tu-xck4351-fennon-william-j-8-b-vilincl-ma-rkct-8084-fnnot-sr-t-2830-place-ttct-0181-iict-5647-v-5279-niict-7770-ji-0455-west-5770-ranm16132-ik=-image376105377.html
RM2CRW26W–. San Francisco and Bay counties telephone directory . V >.i, riiv wtsiojoi , ,. Bjreihy r 114 1 •■.• ••;;unMrn«-2651 F«l »> PuOSio >■ ^• ,S^? Iv, . • .EVrtrtfn-6015 ^Vlu ch A c Mrs r 1227 V47tliA.H0 Mro 2651 ^ „„ ^ Ju r«882 Bash... .Fl lmor.7810 ^ „„^ „„, j , 1438.^^.?. •••■•«;• J, -5562 Fellows C A u»ed ca 130 Few(y»nittHn r -;5 uFtenty C r 6S F.«.«J A, U ^.-•^••,V BA>.l-.n68 UrF J r IGST-lUh At .. .TU xc(K4351 Fennon. William J^ «^8 B«-Vilincl... .MA rkct-8084 F.nno..t «• Sr t 2830 Place. ttCT-0181 Iict-5647 V 5279 n«iict-7770 .: j.i|..-0455 WEst-5770 .■.■.RAn.m.1.6132. iK=--. -
Pasadena, CA, USA. 14th Jan, 2016. LOS ANGELES - JAN 14: Jason Ralph at the NBCUniversal Cable TCA Press Day Winter 2016 at the Langham Huntington Hotel on January 14, 2016 in Pasadena, CA Credit: Kay Blake/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pasadena-ca-usa-14th-jan-2016-los-angeles-jan-14-jason-ralph-at-the-147932129.html
RMJGJTX9–Pasadena, CA, USA. 14th Jan, 2016. LOS ANGELES - JAN 14: Jason Ralph at the NBCUniversal Cable TCA Press Day Winter 2016 at the Langham Huntington Hotel on January 14, 2016 in Pasadena, CA Credit: Kay Blake/ZUMA Wire/Alamy Live News
Beverly Hills, CA, USA. 26th Feb, 2017. 26 February 2017 - Beverly Hills, California - Sarah Paulson. 2017 Vanity Fair Oscar Party held at the Wallis Annenberg Center. Photo Credit: Byron Purvis/AdMedia Credit: Byron Purvis/AdMedia/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-beverly-hills-ca-usa-26th-feb-2017-26-february-2017-beverly-hills-134761760.html
RMHR6X00–Beverly Hills, CA, USA. 26th Feb, 2017. 26 February 2017 - Beverly Hills, California - Sarah Paulson. 2017 Vanity Fair Oscar Party held at the Wallis Annenberg Center. Photo Credit: Byron Purvis/AdMedia Credit: Byron Purvis/AdMedia/ZUMA Wire/Alamy Live News
Studies of a Stag. Artist: Attributed to Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (Italian, Paris or Pavia ca. 1374/75-after 1438 Verona). Dimensions: sheet: 2 11/16 x 4 3/16 in. (6.8 x 10.7 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/studies-of-a-stag-artist-attributed-to-stefano-da-verona-stefano-di-giovanni-darbosio-di-francia-italian-paris-or-pavia-ca-137475-after-1438-verona-dimensions-sheet-2-1116-x-4-316-in-68-x-107-cm-date-nd-museum-metropolitan-museum-of-art-new-york-usa-image213109444.html
RMPAKY7G–Studies of a Stag. Artist: Attributed to Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (Italian, Paris or Pavia ca. 1374/75-after 1438 Verona). Dimensions: sheet: 2 11/16 x 4 3/16 in. (6.8 x 10.7 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
Antonio Di Puccio Pisano (Pisanello), John VIII Paleologus (1392-1448), Emperor of Constantinople 1425-1448, ca. 1438 (aftercast), bronze, 3 7/8 in. (9.84 cm), Pisanello, a trained painter, combined his interest in classical coins with portraiture to produce a medium that is durable, portable, and easily reproducible: the portrait medal. As noted in the neighboring label, he cast the first modern portrait medal about 1438 to commemorate Byzantine Emperor John VIII Paleologus's participation in the Council of Ferrara (later moved to Florence). Pisanello's highly influential work ignited the fas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonio-di-puccio-pisano-pisanello-john-viii-paleologus-1392-1448-emperor-of-constantinople-1425-1448-ca-1438-aftercast-bronze-3-78-in-984-cm-pisanello-a-trained-painter-combined-his-interest-in-classical-coins-with-portraiture-to-produce-a-medium-that-is-durable-portable-and-easily-reproducible-the-portrait-medal-as-noted-in-the-neighboring-label-he-cast-the-first-modern-portrait-medal-about-1438-to-commemorate-byzantine-emperor-john-viii-paleologuss-participation-in-the-council-of-ferrara-later-moved-to-florence-pisanellos-highly-influential-work-ignited-the-fas-image344474972.html
RM2B0C59G–Antonio Di Puccio Pisano (Pisanello), John VIII Paleologus (1392-1448), Emperor of Constantinople 1425-1448, ca. 1438 (aftercast), bronze, 3 7/8 in. (9.84 cm), Pisanello, a trained painter, combined his interest in classical coins with portraiture to produce a medium that is durable, portable, and easily reproducible: the portrait medal. As noted in the neighboring label, he cast the first modern portrait medal about 1438 to commemorate Byzantine Emperor John VIII Paleologus's participation in the Council of Ferrara (later moved to Florence). Pisanello's highly influential work ignited the fas
Alte Briefverschlussmarke aus Papier, welche seit ca. 1850 von Behoerden, Anwaelten, Notaren und Firmen zum verschliessen der Post verwendet wurde. 1438 Siegelmarke Kaiserliche Marine - Inlandspostüberwachungsstelle Kiel W0254088 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alte-briefverschlussmarke-aus-papier-welche-seit-ca-1850-von-behoerden-anwaelten-notaren-und-firmen-zum-verschliessen-der-post-verwendet-wurde-1438-siegelmarke-kaiserliche-marine-inlandspostberwachungsstelle-kiel-w0254088-image213603933.html
RMPBEDYW–Alte Briefverschlussmarke aus Papier, welche seit ca. 1850 von Behoerden, Anwaelten, Notaren und Firmen zum verschliessen der Post verwendet wurde. 1438 Siegelmarke Kaiserliche Marine - Inlandspostüberwachungsstelle Kiel W0254088
ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) Saint Cosmas and Saint Damian Crucifixed and Stoned 1438-40 Tempera on wood, 38 x 46 cm Alte Pinakothek, Munich The San Marco Altarpiece was removed and dismembered in the seventeenth century during the renovation of the church belonging to the Convent of San Marco and dedicated to the two medical saints, Cosmas and Damian. In addition to the main painting there were 9 predella pictures, seven in the front and two on the lateral sides. Only two of the predella paintings remained in the Convent, all the others are now in differe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angelico-fra-b-ca-1400-vicchio-nell-mugello-d-1455-roma-saint-cosmas-and-saint-damian-crucifixed-and-stoned-1438-40-tempera-on-wood-38-x-46-cm-alte-pinakothek-munich-the-san-marco-altarpiece-was-removed-and-dismembered-in-the-seventeenth-century-during-the-renovation-of-the-church-belonging-to-the-convent-of-san-marco-and-dedicated-to-the-two-medical-saints-cosmas-and-damian-in-addition-to-the-main-painting-there-were-9-predella-pictures-seven-in-the-front-and-two-on-the-lateral-sides-only-two-of-the-predella-paintings-remained-in-the-convent-all-the-others-are-now-in-differe-image604918110.html
RF2X44B66–ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) Saint Cosmas and Saint Damian Crucifixed and Stoned 1438-40 Tempera on wood, 38 x 46 cm Alte Pinakothek, Munich The San Marco Altarpiece was removed and dismembered in the seventeenth century during the renovation of the church belonging to the Convent of San Marco and dedicated to the two medical saints, Cosmas and Damian. In addition to the main painting there were 9 predella pictures, seven in the front and two on the lateral sides. Only two of the predella paintings remained in the Convent, all the others are now in differe
Madonna and Child, 1435-1438. Artist: Weyden, Rogier, van der (ca. 1399-1464) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-1435-1438-artist-weyden-rogier-van-der-ca-1399-1464-image60085542.html
RMDDN3M6–Madonna and Child, 1435-1438. Artist: Weyden, Rogier, van der (ca. 1399-1464)
Montecito, California, USA. 17th Oct, 2020. After months of closure due to Covid-19, Miramar Beach Hotel's Upscale Hair salon in the wealthy town of Montecito, CA, is currently in full operation, with safety Protocols in place. Credit: Amy Katz/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/montecito-california-usa-17th-oct-2020-after-months-of-closure-due-to-covid-19-miramar-beach-hotels-upscale-hair-salon-in-the-wealthy-town-of-montecito-ca-is-currently-in-full-operation-with-safety-protocols-in-place-credit-amy-katzzuma-wirealamy-live-news-image383448633.html
RM2D7RGJ1–Montecito, California, USA. 17th Oct, 2020. After months of closure due to Covid-19, Miramar Beach Hotel's Upscale Hair salon in the wealthy town of Montecito, CA, is currently in full operation, with safety Protocols in place. Credit: Amy Katz/ZUMA Wire/Alamy Live News
Forlì - Melozzo degli Ambrosi (1438-1494), Music making angels, cherubs and apostles, ca.1480. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-forl-melozzo-degli-ambrosi-1438-1494-music-making-angels-cherubs-and-103788388.html
RMG0RY44–Forlì - Melozzo degli Ambrosi (1438-1494), Music making angels, cherubs and apostles, ca.1480.
Beverly Hills, CA, USA. 28th Jan, 2017. LOS ANGELES - JAN 28: Rami Malek at the 2017 Producers Guild Awards at Beverly Hilton Hotel on January 28, 2017 in Beverly Hills, CA Credit: Kathy Hutchins/via ZUMA Wire/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-beverly-hills-ca-usa-28th-jan-2017-los-angeles-jan-28-rami-malek-at-138458339.html
RMJ1790K–Beverly Hills, CA, USA. 28th Jan, 2017. LOS ANGELES - JAN 28: Rami Malek at the 2017 Producers Guild Awards at Beverly Hilton Hotel on January 28, 2017 in Beverly Hills, CA Credit: Kathy Hutchins/via ZUMA Wire/ZUMA Wire/Alamy Live News
West Hollywood, CA, USA. 5th Jan, 2019. LOS ANGELES - JAN 5: Patricia Arquette, Michael Tolkin at the Showtime Golden Globe Nominees Celebration at the Sunset Tower Hotel on January 5, 2019 in West Hollywood, CA Credit: Kay Blake/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/west-hollywood-ca-usa-5th-jan-2019-los-angeles-jan-5-patricia-arquette-michael-tolkin-at-the-showtime-golden-globe-nominees-celebration-at-the-sunset-tower-hotel-on-january-5-2019-in-west-hollywood-ca-credit-kay-blakezuma-wirealamy-live-news-image230596180.html
RMRB4FNT–West Hollywood, CA, USA. 5th Jan, 2019. LOS ANGELES - JAN 5: Patricia Arquette, Michael Tolkin at the Showtime Golden Globe Nominees Celebration at the Sunset Tower Hotel on January 5, 2019 in West Hollywood, CA Credit: Kay Blake/ZUMA Wire/Alamy Live News
Ointment jar with lid ca. 1805 B.C. Middle Kingdom 26.7.1439–.1442 are ointment jars that were found scattered at the bottom of a tomb shaft at Thebes. Nearby was a box belonging to a man named Kemeni (26.7.1438). Kemeni's box has a drawer with spaces for eight small ointment jars, so it is assumed that the box and jars go together.. Ointment jar with lid 543969 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ointment-jar-with-lid-ca-1805-bc-middle-kingdom-26714391442-are-ointment-jars-that-were-found-scattered-at-the-bottom-of-a-tomb-shaft-at-thebes-nearby-was-a-box-belonging-to-a-man-named-kemeni-2671438-kemenis-box-has-a-drawer-with-spaces-for-eight-small-ointment-jars-so-it-is-assumed-that-the-box-and-jars-go-together-ointment-jar-with-lid-543969-image458474624.html
RM2HHW91M–Ointment jar with lid ca. 1805 B.C. Middle Kingdom 26.7.1439–.1442 are ointment jars that were found scattered at the bottom of a tomb shaft at Thebes. Nearby was a box belonging to a man named Kemeni (26.7.1438). Kemeni's box has a drawer with spaces for eight small ointment jars, so it is assumed that the box and jars go together.. Ointment jar with lid 543969
Sacramento, CA, USA. 20th Apr, 2021. Sacramento Kings guard Buddy Hield (24) walks to the Bech during a timeout in the third quarter during a game at Golden 1 Center on Tuesday, April 20, 2021 in Sacramento. Credit: Paul Kitagaki Jr./ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sacramento-ca-usa-20th-apr-2021-sacramento-kings-guard-buddy-hield-24-walks-to-the-bech-during-a-timeout-in-the-third-quarter-during-a-game-at-golden-1-center-on-tuesday-april-20-2021-in-sacramento-credit-paul-kitagaki-jrzuma-wirealamy-live-news-image419145519.html
RM2F9WMAR–Sacramento, CA, USA. 20th Apr, 2021. Sacramento Kings guard Buddy Hield (24) walks to the Bech during a timeout in the third quarter during a game at Golden 1 Center on Tuesday, April 20, 2021 in Sacramento. Credit: Paul Kitagaki Jr./ZUMA Wire/Alamy Live News
Sacramento, CA, USA. 5th Mar, 2020. Philadelphia 76ers forward Mike Scott (1) dives for the ball defended by Sacramento Kings guard Kent Bazemore (26) during a game at the Golden 1 Center on Thursday, March 5, 2020 in Sacramento. Credit: Paul Kitagaki Jr./ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sacramento-ca-usa-5th-mar-2020-philadelphia-76ers-forward-mike-scott-1-dives-for-the-ball-defended-by-sacramento-kings-guard-kent-bazemore-26-during-a-game-at-the-golden-1-center-on-thursday-march-5-2020-in-sacramento-credit-paul-kitagaki-jrzuma-wirealamy-live-news-image346758456.html
RM2B445XG–Sacramento, CA, USA. 5th Mar, 2020. Philadelphia 76ers forward Mike Scott (1) dives for the ball defended by Sacramento Kings guard Kent Bazemore (26) during a game at the Golden 1 Center on Thursday, March 5, 2020 in Sacramento. Credit: Paul Kitagaki Jr./ZUMA Wire/Alamy Live News
Two Heavily Bearded Men. Artist: Circle of Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (Italian, Paris or Pavia ca. 1374/75-after 1438 Verona). Dimensions: sheet: 5 9/16 x 4 7/8 in. (14.1 x 12.4 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-heavily-bearded-men-artist-circle-of-stefano-da-verona-stefano-di-giovanni-darbosio-di-francia-italian-paris-or-pavia-ca-137475-after-1438-verona-dimensions-sheet-5-916-x-4-78-in-141-x-124-cm-date-nd-museum-metropolitan-museum-of-art-new-york-usa-image212864365.html
RMPA8PJN–Two Heavily Bearded Men. Artist: Circle of Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (Italian, Paris or Pavia ca. 1374/75-after 1438 Verona). Dimensions: sheet: 5 9/16 x 4 7/8 in. (14.1 x 12.4 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
Antonio Di Puccio Pisano (Pisanello), John VIII Paleologus (1392-1448), Emperor of Constantinople 1425-1448, ca. 1438, lead, 4 1/8 in. (10.5 cm.), Pisanello, a trained painter, combined his interest in classical coins with portraiture to produce a medium that is durable, portable, and easily reproducible: the portrait medal. He cast the first modern portrait medal around 1438 to commemorate Byzantine Emperor John VIII Paleologus's participation in the Council of Ferrara (later moved to Florence to avoid the plague), which secured him political protection against the Ottoman Empire through the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonio-di-puccio-pisano-pisanello-john-viii-paleologus-1392-1448-emperor-of-constantinople-1425-1448-ca-1438-lead-4-18-in-105-cm-pisanello-a-trained-painter-combined-his-interest-in-classical-coins-with-portraiture-to-produce-a-medium-that-is-durable-portable-and-easily-reproducible-the-portrait-medal-he-cast-the-first-modern-portrait-medal-around-1438-to-commemorate-byzantine-emperor-john-viii-paleologuss-participation-in-the-council-of-ferrara-later-moved-to-florence-to-avoid-the-plague-which-secured-him-political-protection-against-the-ottoman-empire-through-the-image344477255.html
RM2B0C873–Antonio Di Puccio Pisano (Pisanello), John VIII Paleologus (1392-1448), Emperor of Constantinople 1425-1448, ca. 1438, lead, 4 1/8 in. (10.5 cm.), Pisanello, a trained painter, combined his interest in classical coins with portraiture to produce a medium that is durable, portable, and easily reproducible: the portrait medal. He cast the first modern portrait medal around 1438 to commemorate Byzantine Emperor John VIII Paleologus's participation in the Council of Ferrara (later moved to Florence to avoid the plague), which secured him political protection against the Ottoman Empire through the
Alte Briefverschlussmarke aus Papier, welche seit ca. 1850 von Behoerden, Anwaelten, Notaren und Firmen zum verschliessen der Post verwendet wurde. 1438 Siegelmarke Kaiserliche Marine - Sanitätsdepot Wilhelmshaven W0254087 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alte-briefverschlussmarke-aus-papier-welche-seit-ca-1850-von-behoerden-anwaelten-notaren-und-firmen-zum-verschliessen-der-post-verwendet-wurde-1438-siegelmarke-kaiserliche-marine-sanittsdepot-wilhelmshaven-w0254087-image213604053.html
RMPBEE45–Alte Briefverschlussmarke aus Papier, welche seit ca. 1850 von Behoerden, Anwaelten, Notaren und Firmen zum verschliessen der Post verwendet wurde. 1438 Siegelmarke Kaiserliche Marine - Sanitätsdepot Wilhelmshaven W0254087
ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) Saint Cosmas and Saint Damian Condamned 1438-40 Tempera on wood, 37 x 46 cm National Gallery of Ireland, Dublin The San Marco Altarpiece was removed and dismembered in the seventeenth century during the renovation of the church belonging to the Convent of San Marco and dedicated to the two medical saints, Cosmas and Damian. In addition to the main painting there were 9 predella pictures, seven in the front and two on the lateral sides. Only two of the predella paintings remained in the Convent, all the others are now in differe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angelico-fra-b-ca-1400-vicchio-nell-mugello-d-1455-roma-saint-cosmas-and-saint-damian-condamned-1438-40-tempera-on-wood-37-x-46-cm-national-gallery-of-ireland-dublin-the-san-marco-altarpiece-was-removed-and-dismembered-in-the-seventeenth-century-during-the-renovation-of-the-church-belonging-to-the-convent-of-san-marco-and-dedicated-to-the-two-medical-saints-cosmas-and-damian-in-addition-to-the-main-painting-there-were-9-predella-pictures-seven-in-the-front-and-two-on-the-lateral-sides-only-two-of-the-predella-paintings-remained-in-the-convent-all-the-others-are-now-in-differe-image604918108.html
RF2X44B64–ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) Saint Cosmas and Saint Damian Condamned 1438-40 Tempera on wood, 37 x 46 cm National Gallery of Ireland, Dublin The San Marco Altarpiece was removed and dismembered in the seventeenth century during the renovation of the church belonging to the Convent of San Marco and dedicated to the two medical saints, Cosmas and Damian. In addition to the main painting there were 9 predella pictures, seven in the front and two on the lateral sides. Only two of the predella paintings remained in the Convent, all the others are now in differe
The Virgin and child, 1435-1438. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-and-child-1435-1438-image186165043.html
Forlì - Melozzo degli Ambrosi (1438-1494), Music making angels, cherubs and apostles, angel playing a tambourine, ca.1480. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-forl-melozzo-degli-ambrosi-1438-1494-music-making-angels-cherubs-and-103788377.html
RMG0RY3N–Forlì - Melozzo degli Ambrosi (1438-1494), Music making angels, cherubs and apostles, angel playing a tambourine, ca.1480.
Santa Monica, CA, USA. 6th Jan, 2018. Jordana Brewster06 January 2018 - Santa Monica, California - Natalie Eva Marie. The Art Of Elysium's 11th Annual Black Tie Artistic Experience HEAVEN Gala held at Barker Hangar. Photo Credit: F. Sadou/AdMedia Credit: F. Sadou/AdMedia/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-santa-monica-ca-usa-6th-jan-2018-jordana-brewster06-january-2018-santa-170987333.html
RMKX542D–Santa Monica, CA, USA. 6th Jan, 2018. Jordana Brewster06 January 2018 - Santa Monica, California - Natalie Eva Marie. The Art Of Elysium's 11th Annual Black Tie Artistic Experience HEAVEN Gala held at Barker Hangar. Photo Credit: F. Sadou/AdMedia Credit: F. Sadou/AdMedia/ZUMA Wire/Alamy Live News
Los Angeles, CA, USA. 9th Mar, 2018. 04 March 2018 - Los Angeles, California - Odeya Rush. 2018 Vanity Fair Oscar Party hosted following the 90th Academy Awards held at the Wallis Annenberg Center for the Performing Arts. Photo Credit: Birdie Thompson/AdMedia Credit: Birdie Thompson/AdMedia/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-los-angeles-ca-usa-9th-mar-2018-04-march-2018-los-angeles-california-176652004.html
RMM7B5C4–Los Angeles, CA, USA. 9th Mar, 2018. 04 March 2018 - Los Angeles, California - Odeya Rush. 2018 Vanity Fair Oscar Party hosted following the 90th Academy Awards held at the Wallis Annenberg Center for the Performing Arts. Photo Credit: Birdie Thompson/AdMedia Credit: Birdie Thompson/AdMedia/ZUMA Wire/Alamy Live News
Cosmetic jar with lid ca. 1805 B.C. Middle Kingdom 26.7.1439–.1442 are ointment jars that were found scattered at the bottom of a tomb shaft at Thebes. Nearby was a box belonging to a man named Kemeni (26.7.1438). Kemeni's box has a drawer with spaces for eight small ointment jars, so it is assumed that the box and jars go together.. Cosmetic jar with lid 543957 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cosmetic-jar-with-lid-ca-1805-bc-middle-kingdom-26714391442-are-ointment-jars-that-were-found-scattered-at-the-bottom-of-a-tomb-shaft-at-thebes-nearby-was-a-box-belonging-to-a-man-named-kemeni-2671438-kemenis-box-has-a-drawer-with-spaces-for-eight-small-ointment-jars-so-it-is-assumed-that-the-box-and-jars-go-together-cosmetic-jar-with-lid-543957-image458474620.html
RM2HHW91G–Cosmetic jar with lid ca. 1805 B.C. Middle Kingdom 26.7.1439–.1442 are ointment jars that were found scattered at the bottom of a tomb shaft at Thebes. Nearby was a box belonging to a man named Kemeni (26.7.1438). Kemeni's box has a drawer with spaces for eight small ointment jars, so it is assumed that the box and jars go together.. Cosmetic jar with lid 543957
The Resurrection ca. 1465 Marco Zoppo (Marco Ruggeri known as Lo Zoppo) Italian Zoppo was a painter and draftsman active in Padua, Venice, and Bologna, a friend of Andrea Mantegna, and an artist admired in humanist circles. In this rare, large scale drawing of about 1465, Christ has risen from the tomb while three guards slumber, oblivious to the event. The statuesque figure of Christ, based on Donatello's Saint John the Baptist of 1438 (Frari, Venice), moves directly toward us and raises his hand to give his blessing, a composition of great immediacy. Zoppo, like Mantegna, crisply defined the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-resurrection-ca-1465-marco-zoppo-marco-ruggeri-known-as-lo-zoppo-italian-zoppo-was-a-painter-and-draftsman-active-in-padua-venice-and-bologna-a-friend-of-andrea-mantegna-and-an-artist-admired-in-humanist-circles-in-this-rare-large-scale-drawing-of-about-1465-christ-has-risen-from-the-tomb-while-three-guards-slumber-oblivious-to-the-event-the-statuesque-figure-of-christ-based-on-donatellos-saint-john-the-baptist-of-1438-frari-venice-moves-directly-toward-us-and-raises-his-hand-to-give-his-blessing-a-composition-of-great-immediacy-zoppo-like-mantegna-crisply-defined-the-image458174917.html
RM2HHBJNW–The Resurrection ca. 1465 Marco Zoppo (Marco Ruggeri known as Lo Zoppo) Italian Zoppo was a painter and draftsman active in Padua, Venice, and Bologna, a friend of Andrea Mantegna, and an artist admired in humanist circles. In this rare, large scale drawing of about 1465, Christ has risen from the tomb while three guards slumber, oblivious to the event. The statuesque figure of Christ, based on Donatello's Saint John the Baptist of 1438 (Frari, Venice), moves directly toward us and raises his hand to give his blessing, a composition of great immediacy. Zoppo, like Mantegna, crisply defined the
Kohl Tube in the Shape of a Papyrus Column New Kingdom ca. 1390–1352 B.C. The middle of the second millennium B.C. was a true color revolution in faience and glass technologies. The ancient Egyptians had mastered faience, a ceramic-type material glazed in a distinctive turquoise blue, much earlier, but no glass seems to have been deliberately produced in Egypt before Dynasty 18.Following Thutmose III’s military campaigns abroad (ca. 1458–1438 B.C.), Egyptian artisans emulated the sophisticated techniques for making polychrome glass known in Mesopotamia and Syria. They also began using glass co Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kohl-tube-in-the-shape-of-a-papyrus-column-new-kingdom-ca-13901352-bc-the-middle-of-the-second-millennium-bc-was-a-true-color-revolution-in-faience-and-glass-technologies-the-ancient-egyptians-had-mastered-faience-a-ceramic-type-material-glazed-in-a-distinctive-turquoise-blue-much-earlier-but-no-glass-seems-to-have-been-deliberately-produced-in-egypt-before-dynasty-18following-thutmose-iiis-military-campaigns-abroad-ca-14581438-bc-egyptian-artisans-emulated-the-sophisticated-techniques-for-making-polychrome-glass-known-in-mesopotamia-and-syria-they-also-began-using-glass-co-image569497347.html
RM2T2ERJY–Kohl Tube in the Shape of a Papyrus Column New Kingdom ca. 1390–1352 B.C. The middle of the second millennium B.C. was a true color revolution in faience and glass technologies. The ancient Egyptians had mastered faience, a ceramic-type material glazed in a distinctive turquoise blue, much earlier, but no glass seems to have been deliberately produced in Egypt before Dynasty 18.Following Thutmose III’s military campaigns abroad (ca. 1458–1438 B.C.), Egyptian artisans emulated the sophisticated techniques for making polychrome glass known in Mesopotamia and Syria. They also began using glass co
Marble Jar of Zayn al-Din Yahya Al-Ustadar ca. 1444 Large marble jars were used to store drinking water, either for use in a private residence or, as is probably the case with this example, a public building. The inscription on this jar indicates that it was an endowment by the amir Zain al‑Din Yahya al‑Ustadar, who served as majordomo during the reign of Sultan Jaqmaq (r. 1438–53) and subsequent rulers. The jar was perhaps intended for use at the mosque that he commissioned in 1444, which still stands in Cairo.. Marble Jar of Zayn al-Din Yahya Al-Ustadar. ca. 1444. Marble; carved. Made in Egy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-jar-of-zayn-al-din-yahya-al-ustadar-ca-1444-large-marble-jars-were-used-to-store-drinking-water-either-for-use-in-a-private-residence-or-as-is-probably-the-case-with-this-example-a-public-building-the-inscription-on-this-jar-indicates-that-it-was-an-endowment-by-the-amir-zain-aldin-yahya-alustadar-who-served-as-majordomo-during-the-reign-of-sultan-jaqmaq-r-143853-and-subsequent-rulers-the-jar-was-perhaps-intended-for-use-at-the-mosque-that-he-commissioned-in-1444-which-still-stands-in-cairo-marble-jar-of-zayn-al-din-yahya-al-ustadar-ca-1444-marble-carved-made-in-egy-image457989428.html
RM2HH3658–Marble Jar of Zayn al-Din Yahya Al-Ustadar ca. 1444 Large marble jars were used to store drinking water, either for use in a private residence or, as is probably the case with this example, a public building. The inscription on this jar indicates that it was an endowment by the amir Zain al‑Din Yahya al‑Ustadar, who served as majordomo during the reign of Sultan Jaqmaq (r. 1438–53) and subsequent rulers. The jar was perhaps intended for use at the mosque that he commissioned in 1444, which still stands in Cairo.. Marble Jar of Zayn al-Din Yahya Al-Ustadar. ca. 1444. Marble; carved. Made in Egy
Ointment jar and cover. Dimensions: H. 8.4 cm (3 5/16 in.); Diam. 6.3 cm (2 1/2 in.). Dynasty: late Dynasty 12-early Dynasty 13. Date: ca. 1878-1749 B.C.. The piece is part of a group of objects found in tomb V21 at Abydos with two bodies (04.18.1-04.18.49). This ointment jar can be dated by comparison with similar jars found at Dahshur and with the box 26.7.1438 (26.7.1439a, b-.1441a, b, .1442) inscribed with the name of Amenemhat IV (ca. 1814-1805 B. C.). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ointment-jar-and-cover-dimensions-h-84-cm-3-516-in-diam-63-cm-2-12-in-dynasty-late-dynasty-12-early-dynasty-13-date-ca-1878-1749-bc-the-piece-is-part-of-a-group-of-objects-found-in-tomb-v21-at-abydos-with-two-bodies-04181-041849-this-ointment-jar-can-be-dated-by-comparison-with-similar-jars-found-at-dahshur-and-with-the-box-2671438-2671439a-b-1441a-b-1442-inscribed-with-the-name-of-amenemhat-iv-ca-1814-1805-b-c-museum-metropolitan-museum-of-art-new-york-usa-image213247369.html
RMPAX75D–Ointment jar and cover. Dimensions: H. 8.4 cm (3 5/16 in.); Diam. 6.3 cm (2 1/2 in.). Dynasty: late Dynasty 12-early Dynasty 13. Date: ca. 1878-1749 B.C.. The piece is part of a group of objects found in tomb V21 at Abydos with two bodies (04.18.1-04.18.49). This ointment jar can be dated by comparison with similar jars found at Dahshur and with the box 26.7.1438 (26.7.1439a, b-.1441a, b, .1442) inscribed with the name of Amenemhat IV (ca. 1814-1805 B. C.). Museum: Metropolitan Museum of Art, New York, USA.
Possibly by Domenico Veneziano, Storage jar (one of a pair), Italian, Venice, Possibly by Domenico Veneziano (Italian, active by 1438–died 1461 Florence), ca. 1550–70, Italian, Venice, Maiolica (tin-glazed earthenware), Height: 12 5/8 in. (32.1 cm), Ceramics-Pottery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/possibly-by-domenico-veneziano-storage-jar-one-of-a-pair-italian-venice-possibly-by-domenico-veneziano-italian-active-by-1438died-1461-florence-ca-155070-italian-venice-maiolica-tin-glazed-earthenware-height-12-58-in-321-cm-ceramics-pottery-image344644409.html
RM2B0KWCW–Possibly by Domenico Veneziano, Storage jar (one of a pair), Italian, Venice, Possibly by Domenico Veneziano (Italian, active by 1438–died 1461 Florence), ca. 1550–70, Italian, Venice, Maiolica (tin-glazed earthenware), Height: 12 5/8 in. (32.1 cm), Ceramics-Pottery
Alte Briefverschlussmarke aus Papier, welche seit ca. 1850 von Behoerden, Anwaelten, Notaren und Firmen zum verschliessen der Post verwendet wurde. 1438 Siegelmarke Kaiserliche Marine - Oberbefehlshaber der Ostseestreitkräfte W0224019 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alte-briefverschlussmarke-aus-papier-welche-seit-ca-1850-von-behoerden-anwaelten-notaren-und-firmen-zum-verschliessen-der-post-verwendet-wurde-1438-siegelmarke-kaiserliche-marine-oberbefehlshaber-der-ostseestreitkrfte-w0224019-image213604047.html
RMPBEE3Y–Alte Briefverschlussmarke aus Papier, welche seit ca. 1850 von Behoerden, Anwaelten, Notaren und Firmen zum verschliessen der Post verwendet wurde. 1438 Siegelmarke Kaiserliche Marine - Oberbefehlshaber der Ostseestreitkräfte W0224019
ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) The Healing of Justinian by Saint Cosmas and Saint Damian 1438-40 Tempera on wood, 37 x 45 cm Museo di San Marco, Florence The San Marco Altarpiece was removed and dismembered in the seventeenth century during the renovation of the church belonging to the Convent of San Marco and dedicated to the two medical saints, Cosmas and Damian. In addition to the main painting there were 9 predella pictures, seven in the front and two on the lateral sides. Only two of the predella paintings remained in the Convent, all the others are now Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angelico-fra-b-ca-1400-vicchio-nell-mugello-d-1455-roma-the-healing-of-justinian-by-saint-cosmas-and-saint-damian-1438-40-tempera-on-wood-37-x-45-cm-museo-di-san-marco-florence-the-san-marco-altarpiece-was-removed-and-dismembered-in-the-seventeenth-century-during-the-renovation-of-the-church-belonging-to-the-convent-of-san-marco-and-dedicated-to-the-two-medical-saints-cosmas-and-damian-in-addition-to-the-main-painting-there-were-9-predella-pictures-seven-in-the-front-and-two-on-the-lateral-sides-only-two-of-the-predella-paintings-remained-in-the-convent-all-the-others-are-now-image604918577.html
RF2X44BPW–ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) The Healing of Justinian by Saint Cosmas and Saint Damian 1438-40 Tempera on wood, 37 x 45 cm Museo di San Marco, Florence The San Marco Altarpiece was removed and dismembered in the seventeenth century during the renovation of the church belonging to the Convent of San Marco and dedicated to the two medical saints, Cosmas and Damian. In addition to the main painting there were 9 predella pictures, seven in the front and two on the lateral sides. Only two of the predella paintings remained in the Convent, all the others are now
Saint Thomas Aquinas, 1438-1440. Found in the Collection of the Fondazione Cini, Venezia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-thomas-aquinas-1438-1440-found-in-the-collection-of-the-fondazione-cini-venezia-image462499506.html
RM2HTCJRE–Saint Thomas Aquinas, 1438-1440. Found in the Collection of the Fondazione Cini, Venezia.
St. Peter Cornelius the Centurion (Acts 10). Campin, Robert (Netherlandish (before 1600) - Flanders, ca.1378-1444) (designed after) [painter] Beaumetiel, Henri de (Netherlandish (before 1600) - Flanders, act.1438) (cartoon creator) [painter] c. 1460 Tapestry Dimensions: H 5' x W 4'5 3/8' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: Bequeathed to the Cathedral of Beauvais by its bishop Guillaume de Hellande in 1464. French & Co. purchased from Morgan Coll. 9/20/1915; sold to Andrew H. Mellon 3/13/1918. Mrs. Mellon Bruce. United States, District of Colu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-peter-cornelius-the-centurion-acts-10-campin-robert-netherlandish-before-1600-flanders-ca1378-1444-designed-after-painter-beaumetiel-henri-de-netherlandish-before-1600-flanders-act1438-cartoon-creator-painter-c-1460-tapestry-dimensions-h-5-x-w-45-38-tapestry-materialstechniques-unknown-culture-southern-netherlands-ownership-history-bequeathed-to-the-cathedral-of-beauvais-by-its-bishop-guillaume-de-hellande-in-1464-french-co-purchased-from-morgan-coll-9201915-sold-to-andrew-h-mellon-3131918-mrs-mellon-bruce-united-states-district-of-colu-image600263265.html
RM2WTG9WN–St. Peter Cornelius the Centurion (Acts 10). Campin, Robert (Netherlandish (before 1600) - Flanders, ca.1378-1444) (designed after) [painter] Beaumetiel, Henri de (Netherlandish (before 1600) - Flanders, act.1438) (cartoon creator) [painter] c. 1460 Tapestry Dimensions: H 5' x W 4'5 3/8' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: Bequeathed to the Cathedral of Beauvais by its bishop Guillaume de Hellande in 1464. French & Co. purchased from Morgan Coll. 9/20/1915; sold to Andrew H. Mellon 3/13/1918. Mrs. Mellon Bruce. United States, District of Colu
Forlì - Melozzo degli Ambrosi (1438-1494), Music making angels, cherubs and apostles, angel playing a drum, ca.1480. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-forl-melozzo-degli-ambrosi-1438-1494-music-making-angels-cherubs-and-103788387.html
RMG0RY43–Forlì - Melozzo degli Ambrosi (1438-1494), Music making angels, cherubs and apostles, angel playing a drum, ca.1480.
Los Angeles, CA, USA. 4th Mar, 2018. 04 March 2018 - Los Angeles, California - Kate Upton. 2018 Vanity Fair Oscar Party following the 90th Academy Awards held at the Wallis Annenberg Center for the Performing Arts. Photo Credit: Birdie Thompson/AdMedia Credit: Birdie Thompson/AdMedia/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-los-angeles-ca-usa-4th-mar-2018-04-march-2018-los-angeles-california-176260253.html
RMM6N9N1–Los Angeles, CA, USA. 4th Mar, 2018. 04 March 2018 - Los Angeles, California - Kate Upton. 2018 Vanity Fair Oscar Party following the 90th Academy Awards held at the Wallis Annenberg Center for the Performing Arts. Photo Credit: Birdie Thompson/AdMedia Credit: Birdie Thompson/AdMedia/ZUMA Wire/Alamy Live News
Sacramento, CA, USA. 24th Mar, 2021. Sacramento Kings center Richaun Holmes (22) battles Atlanta Hawks forward John Collins (20) and knocks rebound to teammate in the fourth quarter during a game at Golden 1 Center on Wednesday, March 24, 2021 in Sacramento. Credit: Paul Kitagaki Jr./ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sacramento-ca-usa-24th-mar-2021-sacramento-kings-center-richaun-holmes-22-battles-atlanta-hawks-forward-john-collins-20-and-knocks-rebound-to-teammate-in-the-fourth-quarter-during-a-game-at-golden-1-center-on-wednesday-march-24-2021-in-sacramento-credit-paul-kitagaki-jrzuma-wirealamy-live-news-image416308489.html
RM2F58DM9–Sacramento, CA, USA. 24th Mar, 2021. Sacramento Kings center Richaun Holmes (22) battles Atlanta Hawks forward John Collins (20) and knocks rebound to teammate in the fourth quarter during a game at Golden 1 Center on Wednesday, March 24, 2021 in Sacramento. Credit: Paul Kitagaki Jr./ZUMA Wire/Alamy Live News
Santa Clara, CA, USA. 19th Jan, 2020. San Francisco 49ers free safety Jimmie Ward (20) and San Francisco 49ers defensive back Emmanuel Moseley (41) upends Green Bay Packers wide receiver Allen Lazard (13) in the second quarter during the NFC Championship game at the Levi's Stadium on Sunday, Jan 19, 2020 in Santa Clara. Credit: Paul Kitagaki Jr./ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/santa-clara-ca-usa-19th-jan-2020-san-francisco-49ers-free-safety-jimmie-ward-20-and-san-francisco-49ers-defensive-back-emmanuel-moseley-41-upends-green-bay-packers-wide-receiver-allen-lazard-13-in-the-second-quarter-during-the-nfc-championship-game-at-the-levis-stadium-on-sunday-jan-19-2020-in-santa-clara-credit-paul-kitagaki-jrzuma-wirealamy-live-news-image340488702.html
RM2ANXGPP–Santa Clara, CA, USA. 19th Jan, 2020. San Francisco 49ers free safety Jimmie Ward (20) and San Francisco 49ers defensive back Emmanuel Moseley (41) upends Green Bay Packers wide receiver Allen Lazard (13) in the second quarter during the NFC Championship game at the Levi's Stadium on Sunday, Jan 19, 2020 in Santa Clara. Credit: Paul Kitagaki Jr./ZUMA Wire/Alamy Live News
. Bonner zoologische Beiträge : Herausgeber: Zoologisches Forschungsinstitut und Museum Alexander Koenig, Bonn. Biology; Zoology. Heft 2/4 9/1958 Vögel des Waldes von Zárate 157 und 1168k), leg. 6. November 1954 in ca. 2900 m Höhe, Gew.: 9,32g (Kp 1168 j); 126 (Kp 1304 j), leg. 27. Oktober 1955 in 2650 m Höhe; 1 ?9 (Kp. 1305 ar) leg. 30. Oktober 1955'in ca. 2800 m Höhe, Gew.: 8,63 g. Veraleichsmaterial: 2 ? von Manzanallo in einem Nebental des Pisco-Flusses (Kp. 1483 o und 1483 p), leg. 26. November 1957 in 2900 m Hohe. außerdem von L. pileata cajabambae Chapman: 1 6 (Kp .1438 w)i von Colcabam Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bonner-zoologische-beitrge-herausgeber-zoologisches-forschungsinstitut-und-museum-alexander-koenig-bonn-biology-zoology-heft-24-91958-vgel-des-waldes-von-zrate-157-und-1168k-leg-6-november-1954-in-ca-2900-m-hhe-gew-932g-kp-1168-j-126-kp-1304-j-leg-27-oktober-1955-in-2650-m-hhe-1-9-kp-1305-ar-leg-30-oktober-1955in-ca-2800-m-hhe-gew-863-g-veraleichsmaterial-2-von-manzanallo-in-einem-nebental-des-pisco-flusses-kp-1483-o-und-1483-p-leg-26-november-1957-in-2900-m-hohe-auerdem-von-l-pileata-cajabambae-chapman-1-6-kp-1438-wi-von-colcabam-image234488460.html
RMRHDTBT–. Bonner zoologische Beiträge : Herausgeber: Zoologisches Forschungsinstitut und Museum Alexander Koenig, Bonn. Biology; Zoology. Heft 2/4 9/1958 Vögel des Waldes von Zárate 157 und 1168k), leg. 6. November 1954 in ca. 2900 m Höhe, Gew.: 9,32g (Kp 1168 j); 126 (Kp 1304 j), leg. 27. Oktober 1955 in 2650 m Höhe; 1 ?9 (Kp. 1305 ar) leg. 30. Oktober 1955'in ca. 2800 m Höhe, Gew.: 8,63 g. Veraleichsmaterial: 2 ? von Manzanallo in einem Nebental des Pisco-Flusses (Kp. 1483 o und 1483 p), leg. 26. November 1957 in 2900 m Hohe. außerdem von L. pileata cajabambae Chapman: 1 6 (Kp .1438 w)i von Colcabam
The Resurrection. Artist: Marco Zoppo (Marco Ruggeri known as Lo Zoppo) (Italian, Cento 1431/32 - ca. 1478 Venice). Dimensions: 14-3/8 x 27-3/8 in. (36.5 x 69.6 cm). Date: ca. 1465. Zoppo was a painter and draftsman active in Padua, Venice, and Bologna, a friend of Andrea Mantegna, and an artist admired in humanist circles. In this rare, large scale drawing of about 1465, Christ has risen from the tomb while three guards slumber, oblivious to the event. The statuesque figure of Christ, based on Donatello's Saint John the Baptist of 1438 (Frari, Venice), moves directly toward us and raises h Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-resurrection-artist-marco-zoppo-marco-ruggeri-known-as-lo-zoppo-italian-cento-143132-ca-1478-venice-dimensions-14-38-x-27-38-in-365-x-696-cm-date-ca-1465-zoppo-was-a-painter-and-draftsman-active-in-padua-venice-and-bologna-a-friend-of-andrea-mantegna-and-an-artist-admired-in-humanist-circles-in-this-rare-large-scale-drawing-of-about-1465-christ-has-risen-from-the-tomb-while-three-guards-slumber-oblivious-to-the-event-the-statuesque-figure-of-christ-based-on-donatellos-saint-john-the-baptist-of-1438-frari-venice-moves-directly-toward-us-and-raises-h-image212880734.html
RMPA9FFA–The Resurrection. Artist: Marco Zoppo (Marco Ruggeri known as Lo Zoppo) (Italian, Cento 1431/32 - ca. 1478 Venice). Dimensions: 14-3/8 x 27-3/8 in. (36.5 x 69.6 cm). Date: ca. 1465. Zoppo was a painter and draftsman active in Padua, Venice, and Bologna, a friend of Andrea Mantegna, and an artist admired in humanist circles. In this rare, large scale drawing of about 1465, Christ has risen from the tomb while three guards slumber, oblivious to the event. The statuesque figure of Christ, based on Donatello's Saint John the Baptist of 1438 (Frari, Venice), moves directly toward us and raises h
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), The Crucifixion, Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (Italian, Paris or Pavia ca. 1374/75–after 1438 Verona), ca. 1400, Tempera on wood, gold ground, 33 7/8 × 20 5/8 in. (86 × 52.4 cm), Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stefano-da-verona-stefano-di-giovanni-darbosio-di-francia-the-crucifixion-stefano-da-verona-stefano-di-giovanni-darbosio-di-francia-italian-paris-or-pavia-ca-137475after-1438-verona-ca-1400-tempera-on-wood-gold-ground-33-78-20-58-in-86-524-cm-paintings-image344640142.html
RM2B0KM0E–Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), The Crucifixion, Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (Italian, Paris or Pavia ca. 1374/75–after 1438 Verona), ca. 1400, Tempera on wood, gold ground, 33 7/8 × 20 5/8 in. (86 × 52.4 cm), Paintings
Alte Briefverschlussmarke aus Papier, welche seit ca. 1850 von Behoerden, Anwaelten, Notaren und Firmen zum verschliessen der Post verwendet wurde. 1438 Siegelmarke Kaiserliche Marine - Schiffs - Prüfungs - Kommission W0224083 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alte-briefverschlussmarke-aus-papier-welche-seit-ca-1850-von-behoerden-anwaelten-notaren-und-firmen-zum-verschliessen-der-post-verwendet-wurde-1438-siegelmarke-kaiserliche-marine-schiffs-prfungs-kommission-w0224083-image213604054.html
RMPBEE46–Alte Briefverschlussmarke aus Papier, welche seit ca. 1850 von Behoerden, Anwaelten, Notaren und Firmen zum verschliessen der Post verwendet wurde. 1438 Siegelmarke Kaiserliche Marine - Schiffs - Prüfungs - Kommission W0224083
ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) Entombment (Pietà) 1438-40 Tempera on panel, 38 x 46 cm Alte Pinakothek, Munich The San Marco Altarpiece was removed and dismembered in the seventeenth century during the renovation of the church belonging to the Convent of San Marco and dedicated to the two medical saints, Cosmas and Damian. In addition to the main painting there were 9 predella pictures, seven in the front and two on the lateral sides. Only two of the predella paintings remained in the Convent, all the others are now in different museums (in Washington, Munic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angelico-fra-b-ca-1400-vicchio-nell-mugello-d-1455-roma-entombment-piet-1438-40-tempera-on-panel-38-x-46-cm-alte-pinakothek-munich-the-san-marco-altarpiece-was-removed-and-dismembered-in-the-seventeenth-century-during-the-renovation-of-the-church-belonging-to-the-convent-of-san-marco-and-dedicated-to-the-two-medical-saints-cosmas-and-damian-in-addition-to-the-main-painting-there-were-9-predella-pictures-seven-in-the-front-and-two-on-the-lateral-sides-only-two-of-the-predella-paintings-remained-in-the-convent-all-the-others-are-now-in-different-museums-in-washington-munic-image604917990.html
RF2X44B1X–ANGELICO, Fra (b. ca. 1400, Vicchio nell Mugello, d. 1455, Roma) Entombment (Pietà) 1438-40 Tempera on panel, 38 x 46 cm Alte Pinakothek, Munich The San Marco Altarpiece was removed and dismembered in the seventeenth century during the renovation of the church belonging to the Convent of San Marco and dedicated to the two medical saints, Cosmas and Damian. In addition to the main painting there were 9 predella pictures, seven in the front and two on the lateral sides. Only two of the predella paintings remained in the Convent, all the others are now in different museums (in Washington, Munic
St. Peter and Tabitha (Dorcas) (Acts 9:36-42). Campin, Robert (Netherlandish (before 1600) - Flanders, ca.1378-1444) (designed after) [painter] Beaumetiel, Henri de (Netherlandish (before 1600) - Flanders, act.1438) (cartoon creator) [painter] c. 1460 Tapestry Dimensions: H 5' x W 3'11.75' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: Bequeathed to the Cathedral of Beauvais by its bishop Guillaume de Hellande in 1464. French & Co. purchased from the Morgan Coll. 9/20/1915; sold to Andrew H. Mellon 3/13/1918. Mrs. Mellon Bruce. Lent to the Metropolitan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-peter-and-tabitha-dorcas-acts-936-42-campin-robert-netherlandish-before-1600-flanders-ca1378-1444-designed-after-painter-beaumetiel-henri-de-netherlandish-before-1600-flanders-act1438-cartoon-creator-painter-c-1460-tapestry-dimensions-h-5-x-w-31175-tapestry-materialstechniques-unknown-culture-southern-netherlands-ownership-history-bequeathed-to-the-cathedral-of-beauvais-by-its-bishop-guillaume-de-hellande-in-1464-french-co-purchased-from-the-morgan-coll-9201915-sold-to-andrew-h-mellon-3131918-mrs-mellon-bruce-lent-to-the-metropolitan-image600265498.html
RM2WTGCNE–St. Peter and Tabitha (Dorcas) (Acts 9:36-42). Campin, Robert (Netherlandish (before 1600) - Flanders, ca.1378-1444) (designed after) [painter] Beaumetiel, Henri de (Netherlandish (before 1600) - Flanders, act.1438) (cartoon creator) [painter] c. 1460 Tapestry Dimensions: H 5' x W 3'11.75' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: Bequeathed to the Cathedral of Beauvais by its bishop Guillaume de Hellande in 1464. French & Co. purchased from the Morgan Coll. 9/20/1915; sold to Andrew H. Mellon 3/13/1918. Mrs. Mellon Bruce. Lent to the Metropolitan
Forlì - Melozzo degli Ambrosi (1438-1494), Music making angels, cherubs and apostles, angel playing a lute, ca.1480. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-forl-melozzo-degli-ambrosi-1438-1494-music-making-angels-cherubs-and-103788386.html
RMG0RY42–Forlì - Melozzo degli Ambrosi (1438-1494), Music making angels, cherubs and apostles, angel playing a lute, ca.1480.
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