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Ca 1640 1645 Stock Photos and Images
Art inspired by Landscape with a herdsmen, ca. 1640–1645, Etching and drypoint, Sheet: 3 7/16 × 3 7/16 in. (8.8 × 8.7 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-landscape-with-a-herdsmen-ca-16401645-etching-and-drypoint-sheet-3-716-3-716-in-88-87-cm-prints-salvator-rosa-italian-arenella-naples-16151673-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462954808.htmlRF2HW5BG8–Art inspired by Landscape with a herdsmen, ca. 1640–1645, Etching and drypoint, Sheet: 3 7/16 × 3 7/16 in. (8.8 × 8.7 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bathsheba at Her Bath by Artemisia Gentileschi ca. 1640-1645 (Vienna). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bathsheba-at-her-bath-by-artemisia-gentileschi-ca-1640-1645-vienna-image218113873.htmlRMPJRXD5–Bathsheba at Her Bath by Artemisia Gentileschi ca. 1640-1645 (Vienna).
Landscape with a herdsmen, Salvator Rosa, ca. 1640–1645 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-landscape-with-a-herdsmen-salvator-rosa-ca-16401645-162524522.htmlRMKCBHK6–Landscape with a herdsmen, Salvator Rosa, ca. 1640–1645
Bull Hunting in Campo San Polo (Caccia ai tori in Campo San Polo), ca 1640-1645. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bull-hunting-in-campo-san-polo-caccia-ai-tori-in-campo-san-polo-ca-1640-1645-image186191102.htmlRMMPWMJ6–Bull Hunting in Campo San Polo (Caccia ai tori in Campo San Polo), ca 1640-1645.
Self portrait as a bagpipe player *oil on panel *80 x 61 cm *inscribed t.c.: Ut genus,est genius oncors consentus ab ortu *ca. 1640-1645 Zelfportret als doedelzakspeler 1109 Self portrait as a bagpipe player, by Jacob Jordaens (I) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-as-a-bagpipe-player-oil-on-panel-80-x-61-cm-inscribed-tc-ut-genusest-genius-oncors-consentus-ab-ortu-ca-1640-1645-zelfportret-als-doedelzakspeler-1109-self-portrait-as-a-bagpipe-player-by-jacob-jordaens-i-image185733672.htmlRMMP4W5C–Self portrait as a bagpipe player *oil on panel *80 x 61 cm *inscribed t.c.: Ut genus,est genius oncors consentus ab ortu *ca. 1640-1645 Zelfportret als doedelzakspeler 1109 Self portrait as a bagpipe player, by Jacob Jordaens (I)
Landscape with a herdsmen. Artist: Salvator Rosa (Italian, Arenella (Naples) 1615-1673 Rome). Dimensions: Sheet: 3 7/16 × 3 7/16 in. (8.8 × 8.7 cm). Date: ca. 1640-1645. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-a-herdsmen-artist-salvator-rosa-italian-arenella-naples-1615-1673-rome-dimensions-sheet-3-716-3-716-in-88-87-cm-date-ca-1640-1645-museum-metropolitan-museum-of-art-new-york-usa-image212934482.htmlRMPAC02X–Landscape with a herdsmen. Artist: Salvator Rosa (Italian, Arenella (Naples) 1615-1673 Rome). Dimensions: Sheet: 3 7/16 × 3 7/16 in. (8.8 × 8.7 cm). Date: ca. 1640-1645. Museum: Metropolitan Museum of Art, New York, USA.
. Italian: Betsabea al bagno Bathsheba at Her Bath . between circa 1640 and circa 1645 380 Artemisia Gentileschi - Bathsheba at Her Bath (ca. 1640-1645) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italian-betsabea-al-bagno-bathsheba-at-her-bath-between-circa-1640-and-circa-1645-380-artemisia-gentileschi-bathsheba-at-her-bath-ca-1640-1645-image206811955.htmlRMP0D2N7–. Italian: Betsabea al bagno Bathsheba at Her Bath . between circa 1640 and circa 1645 380 Artemisia Gentileschi - Bathsheba at Her Bath (ca. 1640-1645)
Saint Lawrence. Portrait by Bernardo Cavallino (1616-1654), ca.1640-1645. Lazaro Galdiano Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-lawrence-portrait-by-bernardo-cavallino-1616-1654-ca1640-1645-lazaro-galdiano-museum-madrid-spain-image346246309.htmlRM2B38TKH–Saint Lawrence. Portrait by Bernardo Cavallino (1616-1654), ca.1640-1645. Lazaro Galdiano Museum. Madrid. Spain.
Artemisia Gentileschi - Bathsheba at Her Bath (ca. 1640-1645) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-artemisia-gentileschi-bathsheba-at-her-bath-ca-1640-1645-132607805.htmlRMHKMPH1–Artemisia Gentileschi - Bathsheba at Her Bath (ca. 1640-1645)
Franciscus Van Den Steen, Saint Pepin I and his daughter, Saint Begga, Franciscus Van Den Steen (Antwerp ca. 1625–1672 Vienna), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), ca. 1645–72, Engraving, Plate: 13 1/8 × 10 5/16 in. (33.4 × 26.2 cm), Sheet: 15 9/16 × 12 1/16 in. (39.5 × 30.7 cm), Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franciscus-van-den-steen-saint-pepin-i-and-his-daughter-saint-begga-franciscus-van-den-steen-antwerp-ca-16251672-vienna-after-peter-paul-rubens-flemish-siegen-15771640-antwerp-ca-164572-engraving-plate-13-18-10-516-in-334-262-cm-sheet-15-916-12-116-in-395-307-cm-prints-image344650331.htmlRM2B0M50B–Franciscus Van Den Steen, Saint Pepin I and his daughter, Saint Begga, Franciscus Van Den Steen (Antwerp ca. 1625–1672 Vienna), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), ca. 1645–72, Engraving, Plate: 13 1/8 × 10 5/16 in. (33.4 × 26.2 cm), Sheet: 15 9/16 × 12 1/16 in. (39.5 × 30.7 cm), Prints
Saint Lawrence. Portrait by Bernardo Cavallino (1616-1654), ca.1640-1645. Lazaro Galdiano Museum, Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-lawrence-portrait-by-bernardo-cavallino-1616-1654-ca1640-1645-lazaro-galdiano-museum-madrid-spain-image561317029.htmlRM2RH65GN–Saint Lawrence. Portrait by Bernardo Cavallino (1616-1654), ca.1640-1645. Lazaro Galdiano Museum, Madrid, Spain.
Francisco de Zurbarán (1598-1664), Santa Casilda, ca. 1640-1645. Thyssen-Bornemisza Museum, Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-francisco-de-zurbarn-1598-1664-santa-casilda-ca-1640-1645-thyssen-122688941.htmlRMH3GXYW–Francisco de Zurbarán (1598-1664), Santa Casilda, ca. 1640-1645. Thyssen-Bornemisza Museum, Madrid, Spain.
In a Pantry Legis, Giacomo (Ca 1600 Ca 1640/1645) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-a-pantry-legis-giacomo-ca-1600-ca-16401645-image471265788.htmlRM2JAM090–In a Pantry Legis, Giacomo (Ca 1600 Ca 1640/1645)
Art inspired by Leda and the Swan, ca. 1640–50, French, Paris, White marble, Height: 62 in. (157.5 cm), Sculpture, Jacques Sarazin (French, Noyon 1592–1660 Paris), This statue came from the Château de Valmer near Tours, which was built by Thomas Bonneau, a crown official, in 1645, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-leda-and-the-swan-ca-164050-french-paris-white-marble-height-62-in-1575-cm-sculpture-jacques-sarazin-french-noyon-15921660-paris-this-statue-came-from-the-chteau-de-valmer-near-tours-which-was-built-by-thomas-bonneau-a-crown-official-in-1645-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462776033.htmlRF2HTW7FD–Art inspired by Leda and the Swan, ca. 1640–50, French, Paris, White marble, Height: 62 in. (157.5 cm), Sculpture, Jacques Sarazin (French, Noyon 1592–1660 Paris), This statue came from the Château de Valmer near Tours, which was built by Thomas Bonneau, a crown official, in 1645, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Smartly dressed young woman Summer Elegant geklede jonge vrouw: Zomer. Manufacturer : Plaats manufacture: Nancy Dating: ca. 1640 - ca. 1645 Material: hout Dimensions: h 50,5 cm. × b 20 cm. × d 17 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/smartly-dressed-young-woman-summer-elegant-geklede-jonge-vrouw-zomer-manufacturer-plaats-manufacture-nancy-dating-ca-1640-ca-1645-material-hout-dimensions-h-505-cm-b-20-cm-d-17-cm-image348331607.htmlRM2B6KTEF–Smartly dressed young woman Summer Elegant geklede jonge vrouw: Zomer. Manufacturer : Plaats manufacture: Nancy Dating: ca. 1640 - ca. 1645 Material: hout Dimensions: h 50,5 cm. × b 20 cm. × d 17 cm.
Art inspired by Portrait of Khan Dauran Bahadur Nusrat Jang', Folio from the Shah Jahan Album, verso: ca. 1640; recto: 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/8 in. (38.9 cm), Codices, Painting by Murad, The subject of this portrait was viceroy, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-khan-dauran-bahadur-nusrat-jang-folio-from-the-shah-jahan-album-verso-ca-1640-recto-153050-attributed-to-india-ink-opaque-watercolor-and-gold-on-paper-h-15-58-in-389-cm-codices-painting-by-murad-the-subject-of-this-portrait-was-viceroy-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027912.htmlRF2HW8MR4–Art inspired by Portrait of Khan Dauran Bahadur Nusrat Jang', Folio from the Shah Jahan Album, verso: ca. 1640; recto: 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/8 in. (38.9 cm), Codices, Painting by Murad, The subject of this portrait was viceroy, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Album, Diverses pièces de serruriers (Various Designs for Locksmiths); Designed by Hugues Brisville (French, active ca. 1663); Engraved by Gabriel Ladame (French, active ca. 1645 - 1668), Jean Bérain the Elder (French, 1640–1711); Published by Nicolas Langlois; engraving on laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-diverses-pices-de-serruriers-various-designs-for-locksmiths-designed-by-hugues-brisville-french-active-ca-1663-engraved-by-gabriel-ladame-french-active-ca-1645-1668-jean-brain-the-elder-french-16401711-published-by-nicolas-langlois-engraving-on-laid-paper-image546129604.htmlRM2PME9TM–Album, Diverses pièces de serruriers (Various Designs for Locksmiths); Designed by Hugues Brisville (French, active ca. 1663); Engraved by Gabriel Ladame (French, active ca. 1645 - 1668), Jean Bérain the Elder (French, 1640–1711); Published by Nicolas Langlois; engraving on laid paper
Art inspired by Diverses Pieces de Serruriers, ca. 1663, Engraving, Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm), Jean Berain (French, Saint-Mihiel 1640–1711 Paris), Gabriel Ladame (French, active 1645–68), After Hugues Brisville (French, born ca. 1633, active Paris 1663), Bound copy, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-diverses-pieces-de-serruriers-ca-1663-engraving-sheet-10-1316-7-516-in-275-185-cm-jean-berain-french-saint-mihiel-16401711-paris-gabriel-ladame-french-active-164568-after-hugues-brisville-french-born-ca-1633-active-paris-1663-bound-copy-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463023794.htmlRF2HW8FG2–Art inspired by Diverses Pieces de Serruriers, ca. 1663, Engraving, Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm), Jean Berain (French, Saint-Mihiel 1640–1711 Paris), Gabriel Ladame (French, active 1645–68), After Hugues Brisville (French, born ca. 1633, active Paris 1663), Bound copy, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Calm Sea, after 1640, Oil on wood, 14 3/4 x 17 1/2 in. (37.5 x 44.5 cm), Paintings, Simon de Vlieger (Dutch, Rotterdam (?) ca. 1600/1601–1653 Weesp), The influential marine painter Simon de Vlieger lived in Rotterdam and Delft before settling in Amsterdam about 1638, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-calm-sea-after-1640-oil-on-wood-14-34-x-17-12-in-375-x-445-cm-paintings-simon-de-vlieger-dutch-rotterdam-ca-160016011653-weesp-the-influential-marine-painter-simon-de-vlieger-lived-in-rotterdam-and-delft-before-settling-in-amsterdam-about-1638-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462817308.htmlRF2HTY45G–Art inspired by Calm Sea, after 1640, Oil on wood, 14 3/4 x 17 1/2 in. (37.5 x 44.5 cm), Paintings, Simon de Vlieger (Dutch, Rotterdam (?) ca. 1600/1601–1653 Weesp), The influential marine painter Simon de Vlieger lived in Rotterdam and Delft before settling in Amsterdam about 1638, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Artemisia Gentileschi - Bathsheba at Her Bath (ca. 1640-1645). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artemisia-gentileschi-bathsheba-at-her-bath-ca-1640-1645-image215399689.htmlRMPEC8E1–Artemisia Gentileschi - Bathsheba at Her Bath (ca. 1640-1645).
Dance of the Italian peasants, Bolswert, Schelte, ca. 1586-1659, Hendricx, Gillis, Rubens, Peter Paul, Sir, 1577-1640, Engraving, between 1638 and 1645, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dance-of-the-italian-peasants-bolswert-schelte-ca-1586-1659-hendricx-gillis-rubens-peter-paul-sir-1577-1640-engraving-between-1638-and-1645-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350083054.htmlRF2B9FJE6–Dance of the Italian peasants, Bolswert, Schelte, ca. 1586-1659, Hendricx, Gillis, Rubens, Peter Paul, Sir, 1577-1640, Engraving, between 1638 and 1645, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The Return of Astraea, ca 1640-1645. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-return-of-astraea-ca-1640-1645-image186202586.htmlRMMPX78A–The Return of Astraea, ca 1640-1645.
Bernardo Cavallino (Naples 1616-1656). Lot and his Daughters (ca. 1640 - 1645). Oil on panel. 41 x 38 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bernardo-cavallino-naples-1616-1656-lot-and-his-daughters-ca-1640-1645-oil-on-panel-41-x-38-cm-museum-museo-nacional-thyssen-bornemisza-madrid-image236898137.htmlRMRNBHYN–Bernardo Cavallino (Naples 1616-1656). Lot and his Daughters (ca. 1640 - 1645). Oil on panel. 41 x 38 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.
Italian: Betsabea al bagno Bathsheba at Her Bath. between circa 1640 and circa 1645. Bathsheba at Her Bath by Artemisia Gentileschi ca. 1640-1645 (Vienna) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italian-betsabea-al-bagno-bathsheba-at-her-bath-between-circa-1640-and-circa-1645-bathsheba-at-her-bath-by-artemisia-gentileschi-ca-1640-1645-vienna-image184775380.htmlRMMMH6TM–Italian: Betsabea al bagno Bathsheba at Her Bath. between circa 1640 and circa 1645. Bathsheba at Her Bath by Artemisia Gentileschi ca. 1640-1645 (Vienna)
Bathsheba at Her Bath by Artemisia Gentileschi ca. 1640-1645 (Vienna) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bathsheba-at-her-bath-by-artemisia-gentileschi-ca-1640-1645-vienna-132606639.htmlRMHKMN3B–Bathsheba at Her Bath by Artemisia Gentileschi ca. 1640-1645 (Vienna)
Attributed to Jacques LePautre, Ceiling Design, pl. 40, Curieuses recherches de plusieurs beaus morceaus d'ornemens antiques et modernes, Attributed to Jacques LePautre (French, ca. 1653–ca. 1684), After Adam Philippon (French, active 1640–50), 1645, Etching, Plate: 9 3/16 x 5 1/8 in. (23.3 x 13 cm), Sheet: 11 1/8 × 7 9/16 in. (28.2 × 19.2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-jacques-lepautre-ceiling-design-pl-40-curieuses-recherches-de-plusieurs-beaus-morceaus-dornemens-antiques-et-modernes-attributed-to-jacques-lepautre-french-ca-1653ca-1684-after-adam-philippon-french-active-164050-1645-etching-plate-9-316-x-5-18-in-233-x-13-cm-sheet-11-18-7-916-in-282-192-cm-image344623874.htmlRM2B0JY7E–Attributed to Jacques LePautre, Ceiling Design, pl. 40, Curieuses recherches de plusieurs beaus morceaus d'ornemens antiques et modernes, Attributed to Jacques LePautre (French, ca. 1653–ca. 1684), After Adam Philippon (French, active 1640–50), 1645, Etching, Plate: 9 3/16 x 5 1/8 in. (23.3 x 13 cm), Sheet: 11 1/8 × 7 9/16 in. (28.2 × 19.2 cm
Cook in a Pantry Legis, Giacomo (Ca 1600 Ca 1640/1645) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cook-in-a-pantry-legis-giacomo-ca-1600-ca-16401645-image471265789.htmlRM2JAM091–Cook in a Pantry Legis, Giacomo (Ca 1600 Ca 1640/1645)
Smartly dressed young woman Spring, PA-1953-16-A Elegant geklede jonge vrouw: Lente. Manufacturer : Plaats manufacture: Nancy Dating: ca. 1640 - ca. 1645 Material: hout Dimensions: h 50 cm. × b 52 cm. × d 18 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/smartly-dressed-young-woman-spring-pa-1953-16-a-elegant-geklede-jonge-vrouw-lente-manufacturer-plaats-manufacture-nancy-dating-ca-1640-ca-1645-material-hout-dimensions-h-50-cm-b-52-cm-d-18-cm-image348331679.htmlRM2B6KTH3–Smartly dressed young woman Spring, PA-1953-16-A Elegant geklede jonge vrouw: Lente. Manufacturer : Plaats manufacture: Nancy Dating: ca. 1640 - ca. 1645 Material: hout Dimensions: h 50 cm. × b 52 cm. × d 18 cm.
Madonna with children Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659); around 1645 (1645-00-00-1655-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-with-children-rubens-peter-paul-1577-1640-bolswert-schelte-ca-1586-1659-around-1645-1645-00-00-1655-00-00-image598903353.htmlRM2WPAB9D–Madonna with children Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659); around 1645 (1645-00-00-1655-00-00);
Michał Korybut Wiśniowiecki (1640 1673), King of Poland. Somer, Johannes van (ca 1645 post 1699), Wit, Frederick de (ca 1630 1706) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/micha-korybut-winiowiecki-1640-1673-king-of-poland-somer-johannes-van-ca-1645-post-1699-wit-frederick-de-ca-1630-1706-image471309547.htmlRM2JAP03R–Michał Korybut Wiśniowiecki (1640 1673), King of Poland. Somer, Johannes van (ca 1645 post 1699), Wit, Frederick de (ca 1630 1706)
this family with a parrot; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659); around 1645 (1640-00-00-1650-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-family-with-a-parrot-rubens-peter-paul-1577-1640-bolswert-schelte-ca-1586-1659-around-1645-1640-00-00-1650-00-00-image599032408.htmlRM2WPG7XG–this family with a parrot; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659); around 1645 (1640-00-00-1650-00-00);
Four Gospels; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (Ca 1586-1659), Lauwers, Nicolaes (1600-1652); around 1645 (1645-00-00-1655-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/four-gospels-rubens-peter-paul-1577-1640-bolswert-schelte-ca-1586-1659-lauwers-nicolaes-1600-1652-around-1645-1645-00-00-1655-00-00-image599013867.htmlRM2WPFC8B–Four Gospels; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (Ca 1586-1659), Lauwers, Nicolaes (1600-1652); around 1645 (1645-00-00-1655-00-00);
The Feast of the Bean King, ca 1640-1645. Artist: Jordaens, Jacob (1593-1678) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-feast-of-the-bean-king-ca-1640-1645-artist-jordaens-jacob-1593-image60372088.htmlRMDE6560–The Feast of the Bean King, ca 1640-1645. Artist: Jordaens, Jacob (1593-1678)
Hunting; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Enden, Maarten Van Den (1605-1673); around 1645 (1645-00-00-1655-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hunting-rubens-peter-paul-1577-1640-bolswert-schelte-ca-1586-1659-enden-maarten-van-den-1605-1673-around-1645-1645-00-00-1655-00-00-image599019959.htmlRM2WPFM1Y–Hunting; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Enden, Maarten Van Den (1605-1673); around 1645 (1645-00-00-1655-00-00);
Bernardo Cavallino (Naples 1616-1656). The Drunkenness of Noah (ca. 1640 - 1645). Oil on panel. 41 x 37.7 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bernardo-cavallino-naples-1616-1656-the-drunkenness-of-noah-ca-1640-1645-oil-on-panel-41-x-377-cm-museum-museo-nacional-thyssen-bornemisza-madrid-image236898608.htmlRMRNBJGG–Bernardo Cavallino (Naples 1616-1656). The Drunkenness of Noah (ca. 1640 - 1645). Oil on panel. 41 x 37.7 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.
37.552 Alessandro Turchi (Italian, 1578-1649). 'Saint Agatha Attended by Saint Peter and an Angel in Prison,' ca. 1640-1645. oil on slate. Walters Art Museum (37.552): Acquired by Henry Walters, before 1909. Alessandro Turchi - Saint Agatha Attended by Saint Peter and an Angel in Prison - Walters 37552 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/37552-alessandro-turchi-italian-1578-1649-saint-agatha-attended-by-saint-peter-and-an-angel-in-prison-ca-1640-1645-oil-on-slate-walters-art-museum-37552-acquired-by-henry-walters-before-1909-alessandro-turchi-saint-agatha-attended-by-saint-peter-and-an-angel-in-prison-walters-37552-image184885188.htmlRMMMP6XC–37.552 Alessandro Turchi (Italian, 1578-1649). 'Saint Agatha Attended by Saint Peter and an Angel in Prison,' ca. 1640-1645. oil on slate. Walters Art Museum (37.552): Acquired by Henry Walters, before 1909. Alessandro Turchi - Saint Agatha Attended by Saint Peter and an Angel in Prison - Walters 37552
Dance of the Italian peasants, Bolswert, Schelte, ca. 1586-1659, Hendricx, Gillis, Rubens, Peter Paul, Sir, 1577-1640 reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dance-of-the-italian-peasants-bolswert-schelte-ca-1586-1659-hendricx-gillis-rubens-peter-paul-sir-1577-1640-reimagined-image230263003.htmlRFRAHAPK–Dance of the Italian peasants, Bolswert, Schelte, ca. 1586-1659, Hendricx, Gillis, Rubens, Peter Paul, Sir, 1577-1640 reimagined
Artemisia Gentileschi Bathsheba at Her Bath (ca. 1640 1645) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-artemisia-gentileschi-bathsheba-at-her-bath-ca-1640-1645-137445931.htmlRMHYH5K7–Artemisia Gentileschi Bathsheba at Her Bath (ca. 1640 1645)
Attributed to Jacques LePautre, Ceiling Design, pl. 39, Curieuses recherches de plusieurs beaus morceaus d'ornemens antiques et modernes, Attributed to Jacques LePautre (French, ca. 1653–ca. 1684), After Adam Philippon (French, active 1640–50), 1645, Etching, Plate: 9 3/16 x 5 5/16 in. (23.3 x 13.5 cm), Sheet: 11 1/8 x 7 5/16 in. (28.3 x 18.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-jacques-lepautre-ceiling-design-pl-39-curieuses-recherches-de-plusieurs-beaus-morceaus-dornemens-antiques-et-modernes-attributed-to-jacques-lepautre-french-ca-1653ca-1684-after-adam-philippon-french-active-164050-1645-etching-plate-9-316-x-5-516-in-233-x-135-cm-sheet-11-18-x-7-516-in-283-x-186-cm-image344623872.htmlRM2B0JY7C–Attributed to Jacques LePautre, Ceiling Design, pl. 39, Curieuses recherches de plusieurs beaus morceaus d'ornemens antiques et modernes, Attributed to Jacques LePautre (French, ca. 1653–ca. 1684), After Adam Philippon (French, active 1640–50), 1645, Etching, Plate: 9 3/16 x 5 5/16 in. (23.3 x 13.5 cm), Sheet: 11 1/8 x 7 5/16 in. (28.3 x 18.6 cm
Leda and the Swan, ca. 1640–50, French, Paris, White marble, Height: 62 in. (157.5 cm), Sculpture, Jacques Sarazin (French Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-leda-and-the-swan-ca-164050-french-paris-white-marble-height-62-in-162537789.htmlRMKCC6H1–Leda and the Swan, ca. 1640–50, French, Paris, White marble, Height: 62 in. (157.5 cm), Sculpture, Jacques Sarazin (French
Incineration of the sugar mills on All Saints' Bay near Salvador, ca. 1640-1641. Johan Maurits van Nassau's fleet attacks this important fortress of the Portuguese in Brazil. In the sky a winged banderole with the title decorated with two smoke horns and a laurel wreath, Burning of the sugar mills on All Saints' Bay near Salvador, c. 1640-1641., print maker: Jan van Brosterhuyzen, (attributed to), print maker: Salomon Savery, intermediary draughtsman: Frans Jansz Post, Netherlands, 1645 - 1647, paper, etching, h 394 mm × w 514 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/incineration-of-the-sugar-mills-on-all-saints-bay-near-salvador-ca-1640-1641-johan-maurits-van-nassaus-fleet-attacks-this-important-fortress-of-the-portuguese-in-brazil-in-the-sky-a-winged-banderole-with-the-title-decorated-with-two-smoke-horns-and-a-laurel-wreath-burning-of-the-sugar-mills-on-all-saints-bay-near-salvador-c-1640-1641-print-maker-jan-van-brosterhuyzen-attributed-to-print-maker-salomon-savery-intermediary-draughtsman-frans-jansz-post-netherlands-1645-1647-paper-etching-h-394-mm-w-514-mm-image473402344.htmlRM2JE59EG–Incineration of the sugar mills on All Saints' Bay near Salvador, ca. 1640-1641. Johan Maurits van Nassau's fleet attacks this important fortress of the Portuguese in Brazil. In the sky a winged banderole with the title decorated with two smoke horns and a laurel wreath, Burning of the sugar mills on All Saints' Bay near Salvador, c. 1640-1641., print maker: Jan van Brosterhuyzen, (attributed to), print maker: Salomon Savery, intermediary draughtsman: Frans Jansz Post, Netherlands, 1645 - 1647, paper, etching, h 394 mm × w 514 mm
Face in the western bays of the southern nave of St. Mary's Church in Utrecht. In the window three men making a praatje. Manufacturer : painter Pieter Jansz. Saenredam Dated: ca. 1640 - ca. 1645 Physical characteristics: oil on panel material: panel oil Dimensions: carrier: h 39 cm. B × 30 cm. external dimensions: 5.7 cm d. (Including carrier SK-L-3189.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/face-in-the-western-bays-of-the-southern-nave-of-st-marys-church-in-utrecht-in-the-window-three-men-making-a-praatje-manufacturer-painter-pieter-jansz-saenredam-dated-ca-1640-ca-1645-physical-characteristics-oil-on-panel-material-panel-oil-dimensions-carrier-h-39-cm-b-30-cm-external-dimensions-57-cm-d-including-carrier-sk-l-3189-image348302399.htmlRM2B6JF7B–Face in the western bays of the southern nave of St. Mary's Church in Utrecht. In the window three men making a praatje. Manufacturer : painter Pieter Jansz. Saenredam Dated: ca. 1640 - ca. 1645 Physical characteristics: oil on panel material: panel oil Dimensions: carrier: h 39 cm. B × 30 cm. external dimensions: 5.7 cm d. (Including carrier SK-L-3189.)
The Beheading of Saint John the Baptist, ca 1640-1645. Found in the Collection of MUZA, Muzew Nazzjonali tal-Arti, Valletta, (Heritage Malta). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-beheading-of-saint-john-the-baptist-ca-1640-1645-found-in-the-collection-of-muza-muzew-nazzjonali-tal-arti-valletta-heritage-malta-image273969617.htmlRMWWMB15–The Beheading of Saint John the Baptist, ca 1640-1645. Found in the Collection of MUZA, Muzew Nazzjonali tal-Arti, Valletta, (Heritage Malta).
Rural landscape with t; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Hendricx, Gillis (Fl. 1645-); around 1650 (1645-00-00-1655-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rural-landscape-with-t-rubens-peter-paul-1577-1640-bolswert-schelte-ca-1586-1659-hendricx-gillis-fl-1645-around-1650-1645-00-00-1655-00-00-image599035895.htmlRM2WPGCB3–Rural landscape with t; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Hendricx, Gillis (Fl. 1645-); around 1650 (1645-00-00-1655-00-00);
Jan Lievens (Leiden, 1607-Amsterdam, 1674). Landscape with the Rest on the Flight into Egypt (ca. 1640 - 1645). Oil on panel. 34.3 x 51.8 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-lievens-leiden-1607-amsterdam-1674-landscape-with-the-rest-on-the-flight-into-egypt-ca-1640-1645-oil-on-panel-343-x-518-cm-museum-museo-nacional-thyssen-bornemisza-madrid-image236900390.htmlRMRNBMT6–Jan Lievens (Leiden, 1607-Amsterdam, 1674). Landscape with the Rest on the Flight into Egypt (ca. 1640 - 1645). Oil on panel. 34.3 x 51.8 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.
. Deutsch: Bauerninterieur. English: Peasant interior. Nederlands: Boereninterieur. . circa 1640-1645. Willem Kalf (1619–1693) Description Dutch painter and art dealer Date of birth/death 3 November 1619 (baptised) 31 July 1693 Location of birth/death Rotterdam Amsterdam Work period 1643-1680 Work location Rotterdam (1634-1638), The Hague (1638), Paris (ca. 1641-1645), Rotterdam (1646), Hoorn (1649-1651), Amsterdam (1653-1680) Authority control : Q28144 VIAF: 52484309 ISNI: 0000 0001 1570 5562 ULAN: 500006439 LCCN: n90718235 WGA: KALF, Willem WorldCat 1260 Willem Kalf Bauerninte Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-bauerninterieur-english-peasant-interior-nederlands-boereninterieur-circa-1640-1645-willem-kalf-16191693-description-dutch-painter-and-art-dealer-date-of-birthdeath-3-november-1619-baptised-31-july-1693-location-of-birthdeath-rotterdam-amsterdam-work-period-1643-1680-work-location-rotterdam-1634-1638-the-hague-1638-paris-ca-1641-1645-rotterdam-1646-hoorn-1649-1651-amsterdam-1653-1680-authority-control-q28144-viaf52484309-isni0000-0001-1570-5562-ulan500006439-lccnn90718235-wgakalf-willem-worldcat-1260-willem-kalf-bauerninte-image185612918.htmlRMMNYB4P–. Deutsch: Bauerninterieur. English: Peasant interior. Nederlands: Boereninterieur. . circa 1640-1645. Willem Kalf (1619–1693) Description Dutch painter and art dealer Date of birth/death 3 November 1619 (baptised) 31 July 1693 Location of birth/death Rotterdam Amsterdam Work period 1643-1680 Work location Rotterdam (1634-1638), The Hague (1638), Paris (ca. 1641-1645), Rotterdam (1646), Hoorn (1649-1651), Amsterdam (1653-1680) Authority control : Q28144 VIAF: 52484309 ISNI: 0000 0001 1570 5562 ULAN: 500006439 LCCN: n90718235 WGA: KALF, Willem WorldCat 1260 Willem Kalf Bauerninte
Guilielmus de Vos; Dyck, Anthony Van (1599-1641), Bolswert, Schelte (CA 1586-1659), Gillis, Hendricks (Fl. 1640-1677); 1645-1646 (1645-00-00-1645-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/guilielmus-de-vos-dyck-anthony-van-1599-1641-bolswert-schelte-ca-1586-1659-gillis-hendricks-fl-1640-1677-1645-1646-1645-00-00-1645-00-00-image599019346.htmlRM2WPFK82–Guilielmus de Vos; Dyck, Anthony Van (1599-1641), Bolswert, Schelte (CA 1586-1659), Gillis, Hendricks (Fl. 1640-1677); 1645-1646 (1645-00-00-1645-00-00);
Artemisia Gentileschi - Bathsheba at Her Bath (ca. 1640-1645) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-artemisia-gentileschi-bathsheba-at-her-bath-ca-1640-1645-146497692.htmlRMJE9F8C–Artemisia Gentileschi - Bathsheba at Her Bath (ca. 1640-1645)
Annunciation of Mary; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Enden, Maarten Van Den (1605-1673); around 1640 (1645-00-00-1655-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annunciation-of-mary-rubens-peter-paul-1577-1640-bolswert-schelte-ca-1586-1659-enden-maarten-van-den-1605-1673-around-1640-1645-00-00-1655-00-00-image599048078.htmlRM2WPGYX6–Annunciation of Mary; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Enden, Maarten Van Den (1605-1673); around 1640 (1645-00-00-1655-00-00);
Anna Katarzyna Konstancja (1619-1651), daughter of Zygmunt III Vasa; Matham, Theodor (CA 1605-1676), Spilberg, Johann (1619-1690; M.); 1640-1645 (1640-00-00-1645-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anna-katarzyna-konstancja-1619-1651-daughter-of-zygmunt-iii-vasa-matham-theodor-ca-1605-1676-spilberg-johann-1619-1690-m-1640-1645-1640-00-00-1645-00-00-image599001730.htmlRM2WPETPX–Anna Katarzyna Konstancja (1619-1651), daughter of Zygmunt III Vasa; Matham, Theodor (CA 1605-1676), Spilberg, Johann (1619-1690; M.); 1640-1645 (1640-00-00-1645-00-00);
Cornelis van Caukercken, The education of the Virgin, with Saint Anne seated on a bench looking upwards and putting her arm around the Virgin, Cornelis van Caukercken (Flemish, probably Antwerp ca. 1625–1680 Bruges), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), ca. 1645–78, Etching and engraving; third state of three (Hollstein), Sheet (Trimmed): 10 1/16 × 6 15/16 in. (25.5 × 17.7 cm), Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cornelis-van-caukercken-the-education-of-the-virgin-with-saint-anne-seated-on-a-bench-looking-upwards-and-putting-her-arm-around-the-virgin-cornelis-van-caukercken-flemish-probably-antwerp-ca-16251680-bruges-after-peter-paul-rubens-flemish-siegen-15771640-antwerp-ca-164578-etching-and-engraving-third-state-of-three-hollstein-sheet-trimmed-10-116-6-1516-in-255-177-cm-prints-image344650287.htmlRM2B0M4XR–Cornelis van Caukercken, The education of the Virgin, with Saint Anne seated on a bench looking upwards and putting her arm around the Virgin, Cornelis van Caukercken (Flemish, probably Antwerp ca. 1625–1680 Bruges), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), ca. 1645–78, Etching and engraving; third state of three (Hollstein), Sheet (Trimmed): 10 1/16 × 6 15/16 in. (25.5 × 17.7 cm), Prints
The family Meebeeck Wheelbarrow at the gate of their country to the Way in Amsterdam, SK-A-81 Group portrait of the family Meebeeck Wheelbarrow at the gate of their country on the Way to Amsterdam. Two of the boys with a horse and cart. Presented are, from left to right: Keith, Peter, Jan, Claas (the car), Niesje Claesdr, the grandmother of the mother's side, Jacob, Rijckert, Jansdr née Barbara Mastenbroek (the mother) and father Hendrick Cruywagen. Manufacturer : painter: Jacob van Loo (attributed to) Date: 1640 - 1645 Physical characteristics: oil on canvas material: cloth oil Dimensions: ca Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-family-meebeeck-wheelbarrow-at-the-gate-of-their-country-to-the-way-in-amsterdam-sk-a-81-group-portrait-of-the-family-meebeeck-wheelbarrow-at-the-gate-of-their-country-on-the-way-to-amsterdam-two-of-the-boys-with-a-horse-and-cart-presented-are-from-left-to-right-keith-peter-jan-claas-the-car-niesje-claesdr-the-grandmother-of-the-mothers-side-jacob-rijckert-jansdr-ne-barbara-mastenbroek-the-mother-and-father-hendrick-cruywagen-manufacturer-painter-jacob-van-loo-attributed-to-date-1640-1645-physical-characteristics-oil-on-canvas-material-cloth-oil-dimensions-ca-image348289518.htmlRM2B6HXRA–The family Meebeeck Wheelbarrow at the gate of their country to the Way in Amsterdam, SK-A-81 Group portrait of the family Meebeeck Wheelbarrow at the gate of their country on the Way to Amsterdam. Two of the boys with a horse and cart. Presented are, from left to right: Keith, Peter, Jan, Claas (the car), Niesje Claesdr, the grandmother of the mother's side, Jacob, Rijckert, Jansdr née Barbara Mastenbroek (the mother) and father Hendrick Cruywagen. Manufacturer : painter: Jacob van Loo (attributed to) Date: 1640 - 1645 Physical characteristics: oil on canvas material: cloth oil Dimensions: ca
Plate 14, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Gabriel Ladame, French, active ca. 1645 - 1668, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French, 1640 - 1703, Pierre Mariette II, French, 1634 - 1716, Engraving on laid paper, Vertical rectangle completely filled with scrolling, interlacing arabesques. At bottom, a figure whose bodies terminate in acanthus leaves holds a flower in his right hand., France, after 1662, ornament, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-14-from-diverses-pices-de-serruriers-various-designs-for-locksmiths-hugues-brisville-french-active-ca-1663-gabriel-ladame-french-active-ca-1645-1668-hugues-brisville-french-active-ca-1663-nicolas-langlois-french-1640-1703-pierre-mariette-ii-french-1634-1716-engraving-on-laid-paper-vertical-rectangle-completely-filled-with-scrolling-interlacing-arabesques-at-bottom-a-figure-whose-bodies-terminate-in-acanthus-leaves-holds-a-flower-in-his-right-hand-france-after-1662-ornament-print-image391593048.htmlRM2DN2GX0–Plate 14, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Gabriel Ladame, French, active ca. 1645 - 1668, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French, 1640 - 1703, Pierre Mariette II, French, 1634 - 1716, Engraving on laid paper, Vertical rectangle completely filled with scrolling, interlacing arabesques. At bottom, a figure whose bodies terminate in acanthus leaves holds a flower in his right hand., France, after 1662, ornament, Print
Landscape with a wagon of stones, from the cycle “Small landscapes'. Bolswert, Schelte (ca 1586-1659), graphic artist, Hendricx, Gillis (fl. 1645-?), publisher, Rubens, Peter Paul (1577-1640), painter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-a-wagon-of-stones-from-the-cycle-small-landscapes-bolswert-schelte-ca-1586-1659-graphic-artist-hendricx-gillis-fl-1645-publisher-rubens-peter-paul-1577-1640-painter-image480458406.htmlRM2JWJNGP–Landscape with a wagon of stones, from the cycle “Small landscapes'. Bolswert, Schelte (ca 1586-1659), graphic artist, Hendricx, Gillis (fl. 1645-?), publisher, Rubens, Peter Paul (1577-1640), painter
Landscape with these trees on the first plan with p.s., two ends at water; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659); 1638 (1645-00-00-1655-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-these-trees-on-the-first-plan-with-ps-two-ends-at-water-rubens-peter-paul-1577-1640-bolswert-schelte-ca-1586-1659-1638-1645-00-00-1655-00-00-image599024712.htmlRM2WPFX3M–Landscape with these trees on the first plan with p.s., two ends at water; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659); 1638 (1645-00-00-1655-00-00);
King Solomon Receiving the Queen of Sheba, ca 1640-1645. Private Collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-solomon-receiving-the-queen-of-sheba-ca-1640-1645-private-collection-image374808067.htmlRM2CNNYEB–King Solomon Receiving the Queen of Sheba, ca 1640-1645. Private Collection.
Calm Sea. Artist: Simon de Vlieger (Dutch, Rotterdam (?) ca. 1600/1601-1653 Weesp). Dimensions: 14 3/4 x 17 1/2 in. (37.5 x 44.5 cm). Date: after 1640. The influential marine painter Simon de Vlieger lived in Rotterdam and Delft before settling in Amsterdam about 1638. His silvery seascapes, like this one of about 1645-50, made a great impression upon Jan van de Cappelle (who owned nine paintings and over thirteen hundred drawings drawings by De Vlieger) and Willem van de Velde the Younger. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calm-sea-artist-simon-de-vlieger-dutch-rotterdam-ca-16001601-1653-weesp-dimensions-14-34-x-17-12-in-375-x-445-cm-date-after-1640-the-influential-marine-painter-simon-de-vlieger-lived-in-rotterdam-and-delft-before-settling-in-amsterdam-about-1638-his-silvery-seascapes-like-this-one-of-about-1645-50-made-a-great-impression-upon-jan-van-de-cappelle-who-owned-nine-paintings-and-over-thirteen-hundred-drawings-drawings-by-de-vlieger-and-willem-van-de-velde-the-younger-museum-metropolitan-museum-of-art-new-york-usa-image213399986.htmlRMPB55T2–Calm Sea. Artist: Simon de Vlieger (Dutch, Rotterdam (?) ca. 1600/1601-1653 Weesp). Dimensions: 14 3/4 x 17 1/2 in. (37.5 x 44.5 cm). Date: after 1640. The influential marine painter Simon de Vlieger lived in Rotterdam and Delft before settling in Amsterdam about 1638. His silvery seascapes, like this one of about 1645-50, made a great impression upon Jan van de Cappelle (who owned nine paintings and over thirteen hundred drawings drawings by De Vlieger) and Willem van de Velde the Younger. Museum: Metropolitan Museum of Art, New York, USA.
. Vesnice u reky . circa 1640-1645. Jan van Goyen (1596–1656) Alternative names Jan Josefsz. van Goyen, Jan Josephsz. van Goyen Description Dutch painter and draughtsman Date of birth/death 13 January 1596 27 April 1656 Location of birth/death Leiden The Hague Work period 1620–1656 Work location Leiden, Hoorn, Leiden (ca. 1610–1615), France (1615–1616), Haarlem (1617), Leiden (1618–1632), The Hague (1632–1634), Haarlem (1634), The Hague (1635–1656) Authority control : Q315996 VIAF:?14817785 ISNI:?0000 0000 8358 964X ULAN:?500115612 LCCN:?n82134567 NLA:?35793100 WorldCat Goyen 16 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vesnice-u-reky-circa-1640-1645-jan-van-goyen-15961656-alternative-names-jan-josefsz-van-goyen-jan-josephsz-van-goyen-description-dutch-painter-and-draughtsman-date-of-birthdeath-13-january-1596-27-april-1656-location-of-birthdeath-leiden-the-hague-work-period-16201656-work-location-leiden-hoorn-leiden-ca-16101615-france-16151616-haarlem-1617-leiden-16181632-the-hague-16321634-haarlem-1634-the-hague-16351656-authority-control-q315996-viaf14817785-isni0000-0000-8358-964x-ulan500115612-lccnn82134567-nla35793100-worldcat-goyen-16-image184996408.htmlRMMMY8PG–. Vesnice u reky . circa 1640-1645. Jan van Goyen (1596–1656) Alternative names Jan Josefsz. van Goyen, Jan Josephsz. van Goyen Description Dutch painter and draughtsman Date of birth/death 13 January 1596 27 April 1656 Location of birth/death Leiden The Hague Work period 1620–1656 Work location Leiden, Hoorn, Leiden (ca. 1610–1615), France (1615–1616), Haarlem (1617), Leiden (1618–1632), The Hague (1632–1634), Haarlem (1634), The Hague (1635–1656) Authority control : Q315996 VIAF:?14817785 ISNI:?0000 0000 8358 964X ULAN:?500115612 LCCN:?n82134567 NLA:?35793100 WorldCat Goyen 16
Portrait of Hugues Brisville, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Gabriel Ladame, French, active ca. 1645 - 1668, Nicolas Langlois, French, 1640 - 1703, Pierre Mariette II, French, 1634 - 1716, Engraving and etching on laid paper, Self-portrait of Hugues Brisville set within an oval medallion enclosed by an ornamental frame composed of grotesques with masks and the heads of various animals; putti and the figures of Time and Minerva terminating in foliate scrolls. Brisville is depicted seated at a table Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-hugues-brisville-from-diverses-pices-de-serruriers-various-designs-for-locksmiths-hugues-brisville-french-active-ca-1663-gabriel-ladame-french-active-ca-1645-1668-nicolas-langlois-french-1640-1703-pierre-mariette-ii-french-1634-1716-engraving-and-etching-on-laid-paper-self-portrait-of-hugues-brisville-set-within-an-oval-medallion-enclosed-by-an-ornamental-frame-composed-of-grotesques-with-masks-and-the-heads-of-various-animals-putti-and-the-figures-of-time-and-minerva-terminating-in-foliate-scrolls-brisville-is-depicted-seated-at-a-table-image391593022.htmlRM2DN2GW2–Portrait of Hugues Brisville, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Gabriel Ladame, French, active ca. 1645 - 1668, Nicolas Langlois, French, 1640 - 1703, Pierre Mariette II, French, 1634 - 1716, Engraving and etching on laid paper, Self-portrait of Hugues Brisville set within an oval medallion enclosed by an ornamental frame composed of grotesques with masks and the heads of various animals; putti and the figures of Time and Minerva terminating in foliate scrolls. Brisville is depicted seated at a table
Plate 14, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Gabriel Ladame, French, active ca. 1645 - 1668, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French, 1640 - 1703, Pierre Mariette II, French, 1634 - 1716, Engraving on laid paper, Vertical rectangle completely filled with scrolling, interlacing arabesques. At bottom, a figure whose bodies terminate in acanthus leaves holds a flower in his right hand., France, 1662, albums (bound) & books, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-14-from-diverses-pices-de-serruriers-various-designs-for-locksmiths-hugues-brisville-french-active-ca-1663-gabriel-ladame-french-active-ca-1645-1668-hugues-brisville-french-active-ca-1663-nicolas-langlois-french-1640-1703-pierre-mariette-ii-french-1634-1716-engraving-on-laid-paper-vertical-rectangle-completely-filled-with-scrolling-interlacing-arabesques-at-bottom-a-figure-whose-bodies-terminate-in-acanthus-leaves-holds-a-flower-in-his-right-hand-france-1662-albums-bound-books-print-image391356930.htmlRM2DMKRN6–Plate 14, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Gabriel Ladame, French, active ca. 1645 - 1668, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French, 1640 - 1703, Pierre Mariette II, French, 1634 - 1716, Engraving on laid paper, Vertical rectangle completely filled with scrolling, interlacing arabesques. At bottom, a figure whose bodies terminate in acanthus leaves holds a flower in his right hand., France, 1662, albums (bound) & books, Print
For the most of the most frequent Mary of the Virgin I Józef; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Hendricx, Gillis (Fl. 1645-); around 1650 (1645-00-00-1655-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/for-the-most-of-the-most-frequent-mary-of-the-virgin-i-jzef-rubens-peter-paul-1577-1640-bolswert-schelte-ca-1586-1659-hendricx-gillis-fl-1645-around-1650-1645-00-00-1655-00-00-image599043200.htmlRM2WPGNM0–For the most of the most frequent Mary of the Virgin I Józef; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Hendricx, Gillis (Fl. 1645-); around 1650 (1645-00-00-1655-00-00);
Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Gabriel Ladame, French, active ca. 1645 - 1668, Nicolas Langlois, French, 1640 - 1703, Hugues Brisville, French, active ca. 1663, Engraving on laid paper, This group includes the orginal suite of fourteen plates, including title plate and dedication plate, an additional two plates numbered 15 and 16, and a two-page spread with a portrait of Brisville., France, after 1662, albums (bound) & books, Album Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pices-de-serruriers-various-designs-for-locksmiths-hugues-brisville-french-active-ca-1663-jean-brain-the-elder-french-1640-1711-gabriel-ladame-french-active-ca-1645-1668-nicolas-langlois-french-1640-1703-hugues-brisville-french-active-ca-1663-engraving-on-laid-paper-this-group-includes-the-orginal-suite-of-fourteen-plates-including-title-plate-and-dedication-plate-an-additional-two-plates-numbered-15-and-16-and-a-two-page-spread-with-a-portrait-of-brisville-france-after-1662-albums-bound-books-album-image391633233.htmlRM2DN4C55–Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Gabriel Ladame, French, active ca. 1645 - 1668, Nicolas Langlois, French, 1640 - 1703, Hugues Brisville, French, active ca. 1663, Engraving on laid paper, This group includes the orginal suite of fourteen plates, including title plate and dedication plate, an additional two plates numbered 15 and 16, and a two-page spread with a portrait of Brisville., France, after 1662, albums (bound) & books, Album
Calm Sea, after 1640, Oil on wood, 14 3/4 x 17 1/2 in. (37.5 x 44.5 cm), Paintings, Simon de Vlieger (Dutch, Rotterdam Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-calm-sea-after-1640-oil-on-wood-14-34-x-17-12-in-375-x-445-cm-paintings-162416602.htmlRMKC6M0X–Calm Sea, after 1640, Oil on wood, 14 3/4 x 17 1/2 in. (37.5 x 44.5 cm), Paintings, Simon de Vlieger (Dutch, Rotterdam
Portrait of Ludovicus Nonnius (1553-1645), ca 1627. Artist: Rubens, Pieter Paul (1577-1640) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-ludovicus-nonnius-1553-1645-ca-1627-artist-rubens-pieter-image60374921.htmlRMDE68R5–Portrait of Ludovicus Nonnius (1553-1645), ca 1627. Artist: Rubens, Pieter Paul (1577-1640)
'Portrait of Khan Dauran Bahadur Nusrat Jang', Folio from the Shah Jahan Album. Artist: Painting by Murad. Calligrapher: Mir 'Ali Haravi (d. ca. 1550). Dimensions: H. 15 5/8 in. (38.9 cm) W. 10 1/4 in. (26 cm). Date: verso: ca. 1640; recto: 1530-50. The subject of this portrait was viceroy of the Deccan and one of Shah Jahan's leading soldiers. For distinguished service during the conquest of Daulatabad, he received the title 'Khan Dauran.' By the time of his death in 1645, Khan Dauran had been promoted to the highest imperial rank held by a person of nonroyal blood. Museum: Metropolitan Mus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-khan-dauran-bahadur-nusrat-jang-folio-from-the-shah-jahan-album-artist-painting-by-murad-calligrapher-mir-ali-haravi-d-ca-1550-dimensions-h-15-58-in-389-cm-w-10-14-in-26-cm-date-verso-ca-1640-recto-1530-50-the-subject-of-this-portrait-was-viceroy-of-the-deccan-and-one-of-shah-jahans-leading-soldiers-for-distinguished-service-during-the-conquest-of-daulatabad-he-received-the-title-khan-dauran-by-the-time-of-his-death-in-1645-khan-dauran-had-been-promoted-to-the-highest-imperial-rank-held-by-a-person-of-nonroyal-blood-museum-metropolitan-mus-image212901074.htmlRMPAADDP–'Portrait of Khan Dauran Bahadur Nusrat Jang', Folio from the Shah Jahan Album. Artist: Painting by Murad. Calligrapher: Mir 'Ali Haravi (d. ca. 1550). Dimensions: H. 15 5/8 in. (38.9 cm) W. 10 1/4 in. (26 cm). Date: verso: ca. 1640; recto: 1530-50. The subject of this portrait was viceroy of the Deccan and one of Shah Jahan's leading soldiers. For distinguished service during the conquest of Daulatabad, he received the title 'Khan Dauran.' By the time of his death in 1645, Khan Dauran had been promoted to the highest imperial rank held by a person of nonroyal blood. Museum: Metropolitan Mus
Landscape with a wagon of stones, from the series 'small landslides'; Bolswert, Schelte (CA 1586-1659), Rubens, Peter Paul (1577-1640), Hendricx, Gillis (Fl. 1645-); 1640-1657 (1640-00-00-1657-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-a-wagon-of-stones-from-the-series-small-landslides-bolswert-schelte-ca-1586-1659-rubens-peter-paul-1577-1640-hendricx-gillis-fl-1645-1640-1657-1640-00-00-1657-00-00-image599057858.htmlRM2WPHCBE–Landscape with a wagon of stones, from the series 'small landslides'; Bolswert, Schelte (CA 1586-1659), Rubens, Peter Paul (1577-1640), Hendricx, Gillis (Fl. 1645-); 1640-1657 (1640-00-00-1657-00-00);
'Portrait of Khan Dauran Bahadur Nusrat Jang', Folio from the Shah Jahan Album, Painting by Murad, verso: ca. 1640; recto: 1530 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-portrait-of-khan-dauran-bahadur-nusrat-jang-folio-from-the-shah-jahan-162427902.htmlRMKC76CE–'Portrait of Khan Dauran Bahadur Nusrat Jang', Folio from the Shah Jahan Album, Painting by Murad, verso: ca. 1640; recto: 1530
Dance of the Italian peasants, Bolswert, Schelte, ca. 1586-1659, Hendricx, Gillis, Rubens, Peter Paul, Sir, 1577-1640, Engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dance-of-the-italian-peasants-bolswert-schelte-ca-1586-1659-hendricx-gillis-rubens-peter-paul-sir-1577-1640-engraving-image220675580.htmlRMPR0HXM–Dance of the Italian peasants, Bolswert, Schelte, ca. 1586-1659, Hendricx, Gillis, Rubens, Peter Paul, Sir, 1577-1640, Engraving
Diverses Pieces de Serruriers, page 10 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-10-recto-artist-jean-berain-french-saint-mihiel-1640-1711-paris-gabriel-ladame-french-active-1645-68-after-hugues-brisville-french-born-ca-1633-active-paris-1663-dimensions-sheet-10-1316-7-516-in-275-185-cm-plate-6-1116-4-34-in-17-12-cm-date-ca-1663-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-right-design-is-image213112241.htmlRMPAM2RD–Diverses Pieces de Serruriers, page 10 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is
Diverses Pieces de Serruriers, Jean Berain, ca. 1663 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-diverses-pieces-de-serruriers-jean-berain-ca-1663-162451010.htmlRMKC87WP–Diverses Pieces de Serruriers, Jean Berain, ca. 1663
In. Family with God the Father and the Spirit, the whole presentation of the landscape; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Enden, Maarten Van Den (1605-1673); around 1640 (1645-00-00-1655-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-family-with-god-the-father-and-the-spirit-the-whole-presentation-of-the-landscape-rubens-peter-paul-1577-1640-bolswert-schelte-ca-1586-1659-enden-maarten-van-den-1605-1673-around-1640-1645-00-00-1655-00-00-image599024931.htmlRM2WPFXBF–In. Family with God the Father and the Spirit, the whole presentation of the landscape; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Enden, Maarten Van Den (1605-1673); around 1640 (1645-00-00-1655-00-00);
Wonderful bread multiplication; Troyen, Rombout Van (CA 1605-1655); around 1640 (1635-00-00-1645-00-00);Wonderful multiplication of bread (iconogr.), Jesus Christ, New Testament (Bible), Dutch painting, religious painting, religious scenes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wonderful-bread-multiplication-troyen-rombout-van-ca-1605-1655-around-1640-1635-00-00-1645-00-00wonderful-multiplication-of-bread-iconogr-jesus-christ-new-testament-bible-dutch-painting-religious-painting-religious-scenes-image598811623.htmlRM2WP669B–Wonderful bread multiplication; Troyen, Rombout Van (CA 1605-1655); around 1640 (1635-00-00-1645-00-00);Wonderful multiplication of bread (iconogr.), Jesus Christ, New Testament (Bible), Dutch painting, religious painting, religious scenes
Madonna adoring children, after P.S. In. Józef, stage in the stable; At the top of the composition of the Angerol Angerol; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Enden, Maarten Van Den (1605-1673); around 1640 (1645-00-00-1655-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-adoring-children-after-ps-in-jzef-stage-in-the-stable-at-the-top-of-the-composition-of-the-angerol-angerol-rubens-peter-paul-1577-1640-bolswert-schelte-ca-1586-1659-enden-maarten-van-den-1605-1673-around-1640-1645-00-00-1655-00-00-image598976371.htmlRM2WPDMD7–Madonna adoring children, after P.S. In. Józef, stage in the stable; At the top of the composition of the Angerol Angerol; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Enden, Maarten Van Den (1605-1673); around 1640 (1645-00-00-1655-00-00);
Diverses Pieces de Serruriers, page 6 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Full design Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-6-recto-artist-jean-berain-french-saint-mihiel-1640-1711-paris-gabriel-ladame-french-active-1645-68-after-hugues-brisville-french-born-ca-1633-active-paris-1663-dimensions-sheet-10-1316-7-516-in-275-185-cm-plate-6-1116-4-34-in-17-12-cm-date-ca-1663-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-right-full-design-image213168024.htmlRMPAPHYM–Diverses Pieces de Serruriers, page 6 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Full design
Landscape with a horse in the prince. Nocturne- landscape aquatic with a book reflecting in the water; on the first plan of the church; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Hendricx, Gillis (Fl. 1645-); around 1640 (1645-00-00-1655-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-a-horse-in-the-prince-nocturne-landscape-aquatic-with-a-book-reflecting-in-the-water-on-the-first-plan-of-the-church-rubens-peter-paul-1577-1640-bolswert-schelte-ca-1586-1659-hendricx-gillis-fl-1645-around-1640-1645-00-00-1655-00-00-image599026034.htmlRM2WPFYPX–Landscape with a horse in the prince. Nocturne- landscape aquatic with a book reflecting in the water; on the first plan of the church; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Hendricx, Gillis (Fl. 1645-); around 1640 (1645-00-00-1655-00-00);
Diverses Pieces de Serruriers, page 2 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. Full page portrait of Hughes Brisville. Brisville i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-2-recto-artist-jean-berain-french-saint-mihiel-1640-1711-paris-gabriel-ladame-french-active-1645-68-after-hugues-brisville-french-born-ca-1633-active-paris-1663-dimensions-sheet-10-1316-7-516-in-275-185-cm-plate-6-1116-4-34-in-17-12-cm-date-ca-1663-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-full-page-portrait-of-hughes-brisville-brisville-i-image212907482.htmlRMPAANJJ–Diverses Pieces de Serruriers, page 2 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. Full page portrait of Hughes Brisville. Brisville i
Madonna family - Anna teaching Mari, From P.S. In. Joachim. Scene at the garden ballustrade, with L.S. floating Two cupids with a wreath of different.; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Enden, Maarten Van Den (1605-1673); around 1635 (1645-00-00-1655-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-family-anna-teaching-mari-from-ps-in-joachim-scene-at-the-garden-ballustrade-with-ls-floating-two-cupids-with-a-wreath-of-different-rubens-peter-paul-1577-1640-bolswert-schelte-ca-1586-1659-enden-maarten-van-den-1605-1673-around-1635-1645-00-00-1655-00-00-image599025755.htmlRM2WPFYCY–Madonna family - Anna teaching Mari, From P.S. In. Joachim. Scene at the garden ballustrade, with L.S. floating Two cupids with a wreath of different.; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Enden, Maarten Van Den (1605-1673); around 1635 (1645-00-00-1655-00-00);
'Portrait of Khan Dauran Bahadur Nusrat Jang', Folio from the Shah Jahan Album verso: ca. 1640; recto: 1530–50 Painting by Murad The subject of this portrait was viceroy of the Deccan and one of Shah Jahan’s leading soldiers. For distinguished service during the conquest of Daulatabad, he received the title 'Khan Dauran.' By the time of his death in 1645, Khan Dauran had been promoted to the highest imperial rank held by a person of nonroyal blood.. 'Portrait of Khan Dauran Bahadur Nusrat Jang', Folio from the Shah Jahan Album 451278 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-khan-dauran-bahadur-nusrat-jang-folio-from-the-shah-jahan-album-verso-ca-1640-recto-153050-painting-by-murad-the-subject-of-this-portrait-was-viceroy-of-the-deccan-and-one-of-shah-jahans-leading-soldiers-for-distinguished-service-during-the-conquest-of-daulatabad-he-received-the-title-khan-dauran-by-the-time-of-his-death-in-1645-khan-dauran-had-been-promoted-to-the-highest-imperial-rank-held-by-a-person-of-nonroyal-blood-portrait-of-khan-dauran-bahadur-nusrat-jang-folio-from-the-shah-jahan-album-451278-image458546797.htmlRM2HJ0H39–'Portrait of Khan Dauran Bahadur Nusrat Jang', Folio from the Shah Jahan Album verso: ca. 1640; recto: 1530–50 Painting by Murad The subject of this portrait was viceroy of the Deccan and one of Shah Jahan’s leading soldiers. For distinguished service during the conquest of Daulatabad, he received the title 'Khan Dauran.' By the time of his death in 1645, Khan Dauran had been promoted to the highest imperial rank held by a person of nonroyal blood.. 'Portrait of Khan Dauran Bahadur Nusrat Jang', Folio from the Shah Jahan Album 451278
Burning the sugar mills on the All Saints' Bay near Salvador, ca. 1640-1641, Jan van Bresterhuyzen (attributed to), after Frans Jansz Post, 1645 - 1647 print Burning the sugar mills on the All Saints' Bay at Salvador, ca. 1640-1641. The fleet of Johan Maurits van Nassau attacks this important fortress of the Portuguese in Brazil. In the air a winged banderol with the title decorated with two smoking horns and a laurel wreath. Netherlands paper etching setting on fire (of conquered city) Salvador Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/burning-the-sugar-mills-on-the-all-saints-bay-near-salvador-ca-1640-1641-jan-van-bresterhuyzen-attributed-to-after-frans-jansz-post-1645-1647-print-burning-the-sugar-mills-on-the-all-saints-bay-at-salvador-ca-1640-1641-the-fleet-of-johan-maurits-van-nassau-attacks-this-important-fortress-of-the-portuguese-in-brazil-in-the-air-a-winged-banderol-with-the-title-decorated-with-two-smoking-horns-and-a-laurel-wreath-netherlands-paper-etching-setting-on-fire-of-conquered-city-salvador-image594051694.htmlRM2WEDAYX–Burning the sugar mills on the All Saints' Bay near Salvador, ca. 1640-1641, Jan van Bresterhuyzen (attributed to), after Frans Jansz Post, 1645 - 1647 print Burning the sugar mills on the All Saints' Bay at Salvador, ca. 1640-1641. The fleet of Johan Maurits van Nassau attacks this important fortress of the Portuguese in Brazil. In the air a winged banderol with the title decorated with two smoking horns and a laurel wreath. Netherlands paper etching setting on fire (of conquered city) Salvador
Two Designs for Friezes with Acanthus Scrolls, Each with a Variant, Plate 4 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami) ca. 1645–50 Stefano della Bella Italian. Two Designs for Friezes with Acanthus Scrolls, Each with a Variant, Plate 4 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami). 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami). Stefano della Bella (Italian, Florence 1610–1664 Florence). ca. 1645–50. Etching. Nicolas Langlois (French, Paris 1640–1703) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-designs-for-friezes-with-acanthus-scrolls-each-with-a-variant-plate-4-from-decorative-friezes-and-foliage-ornamenti-di-fregi-e-fogliami-ca-164550-stefano-della-bella-italian-two-designs-for-friezes-with-acanthus-scrolls-each-with-a-variant-plate-4-from-decorative-friezes-and-foliage-ornamenti-di-fregi-e-fogliami-decorative-friezes-and-foliage-ornamenti-di-fregi-e-fogliami-stefano-della-bella-italian-florence-16101664-florence-ca-164550-etching-nicolas-langlois-french-paris-16401703-image458145232.htmlRM2HHA8WM–Two Designs for Friezes with Acanthus Scrolls, Each with a Variant, Plate 4 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami) ca. 1645–50 Stefano della Bella Italian. Two Designs for Friezes with Acanthus Scrolls, Each with a Variant, Plate 4 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami). 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami). Stefano della Bella (Italian, Florence 1610–1664 Florence). ca. 1645–50. Etching. Nicolas Langlois (French, Paris 1640–1703)
Diverses Pieces de Serruriers, page 5 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is in the shape of a rectangle and is decorated with three foliage elements, each surrounding a grey-shaded key hole at the center.. Diverses Pieces de Serruriers, page 5 (recto) 664904 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-5-recto-ca-1663-jean-berain-french-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-rightdesign-is-in-the-shape-of-a-rectangle-and-is-decorated-with-three-foliage-elements-each-surrounding-a-grey-shaded-key-hole-at-the-center-diverses-pieces-de-serruriers-page-5-recto-664904-image458510080.htmlRM2HHXX80–Diverses Pieces de Serruriers, page 5 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is in the shape of a rectangle and is decorated with three foliage elements, each surrounding a grey-shaded key hole at the center.. Diverses Pieces de Serruriers, page 5 (recto) 664904
Diverses Pieces de Serruriers, page 17 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is of a building facade. The very top of the facade is decorated with a blank coat of arms that is flanked on both sides by foliage elements. The entire facade is decorated with various architectural elements like a frieze of fleurs-de-lis and fluted ionic columns Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-17-recto-ca-1663-jean-berain-french-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-rightdesign-is-of-a-building-facade-the-very-top-of-the-facade-is-decorated-with-a-blank-coat-of-arms-that-is-flanked-on-both-sides-by-foliage-elements-the-entire-facade-is-decorated-with-various-architectural-elements-like-a-frieze-of-fleurs-de-lis-and-fluted-ionic-columns-image457811979.htmlRM2HGR3RR–Diverses Pieces de Serruriers, page 17 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is of a building facade. The very top of the facade is decorated with a blank coat of arms that is flanked on both sides by foliage elements. The entire facade is decorated with various architectural elements like a frieze of fleurs-de-lis and fluted ionic columns
Diverses Pieces de Serruriers, page 3 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. Dedication page printed in black. Above the text is Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-3-recto-artist-jean-berain-french-saint-mihiel-1640-1711-paris-gabriel-ladame-french-active-1645-68-after-hugues-brisville-french-born-ca-1633-active-paris-1663-dimensions-sheet-10-1316-7-516-in-275-185-cm-plate-6-1116-4-34-in-17-12-cm-date-ca-1663-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-dedication-page-printed-in-black-above-the-text-is-image213369713.htmlRMPB3R6W–Diverses Pieces de Serruriers, page 3 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. Dedication page printed in black. Above the text is
Diverses Pieces de Serruriers, page 7 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Full design is in the shape of a rectangle and is divided into two vertical columns. Both columns are decorated with a different illustration of coiling vines of acanthus leaves and composite human and foliage figures. Left column includes a serpent among the vines. Right Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-7-recto-ca-1663-jean-berain-french-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-rightfull-design-is-in-the-shape-of-a-rectangle-and-is-divided-into-two-vertical-columns-both-columns-are-decorated-with-a-different-illustration-of-coiling-vines-of-acanthus-leaves-and-composite-human-and-foliage-figures-left-column-includes-a-serpent-among-the-vines-right-image457812003.htmlRM2HGR3TK–Diverses Pieces de Serruriers, page 7 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Full design is in the shape of a rectangle and is divided into two vertical columns. Both columns are decorated with a different illustration of coiling vines of acanthus leaves and composite human and foliage figures. Left column includes a serpent among the vines. Right
Diverses Pieces de Serruriers, page 12 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-12-recto-artist-jean-berain-french-saint-mihiel-1640-1711-paris-gabriel-ladame-french-active-1645-68-after-hugues-brisville-french-born-ca-1633-active-paris-1663-dimensions-sheet-10-1316-7-516-in-275-185-cm-plate-6-1116-4-34-in-17-12-cm-date-ca-1663-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-right-design-is-image213324118.htmlRMPB1N2E–Diverses Pieces de Serruriers, page 12 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is
Diverses Pieces de Serruriers, page 14 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is for a lock plate and is in the shape of a rectangle. At the center of the design is a grey-shaded key hole that is attached to a series of coiling vines of acanthus leaves, flowers, and grotesque heads. Placed inside the upper left and right corners are diverse Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-14-recto-ca-1663-jean-berain-french-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-rightdesign-is-for-a-lock-plate-and-is-in-the-shape-of-a-rectangle-at-the-center-of-the-design-is-a-grey-shaded-key-hole-that-is-attached-to-a-series-of-coiling-vines-of-acanthus-leaves-flowers-and-grotesque-heads-placed-inside-the-upper-left-and-right-corners-are-diverse-image457811978.htmlRM2HGR3RP–Diverses Pieces de Serruriers, page 14 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is for a lock plate and is in the shape of a rectangle. At the center of the design is a grey-shaded key hole that is attached to a series of coiling vines of acanthus leaves, flowers, and grotesque heads. Placed inside the upper left and right corners are diverse
Diverses Pieces de Serruriers, page 15 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-15-recto-artist-jean-berain-french-saint-mihiel-1640-1711-paris-gabriel-ladame-french-active-1645-68-after-hugues-brisville-french-born-ca-1633-active-paris-1663-dimensions-sheet-10-1316-7-516-in-275-185-cm-plate-6-1116-4-34-in-17-12-cm-date-ca-1663-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-right-design-is-image213398790.htmlRMPB549A–Diverses Pieces de Serruriers, page 15 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is
Diverses Pieces de Serruriers, page 6 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Full design is in the shape of a rectangle and is divided into two vertical columns. Left column is a design for a lock plate; it is decorated with a key hole in the center, which is surrounded by various ornamental architectural elements. Right column is also illustrated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-6-recto-ca-1663-jean-berain-french-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-rightfull-design-is-in-the-shape-of-a-rectangle-and-is-divided-into-two-vertical-columns-left-column-is-a-design-for-a-lock-plate-it-is-decorated-with-a-key-hole-in-the-center-which-is-surrounded-by-various-ornamental-architectural-elements-right-column-is-also-illustrated-image457812013.htmlRM2HGR3W1–Diverses Pieces de Serruriers, page 6 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Full design is in the shape of a rectangle and is divided into two vertical columns. Left column is a design for a lock plate; it is decorated with a key hole in the center, which is surrounded by various ornamental architectural elements. Right column is also illustrated
Diverses Pieces de Serruriers, page 14 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-14-recto-artist-jean-berain-french-saint-mihiel-1640-1711-paris-gabriel-ladame-french-active-1645-68-after-hugues-brisville-french-born-ca-1633-active-paris-1663-dimensions-sheet-10-1316-7-516-in-275-185-cm-plate-6-1116-4-34-in-17-12-cm-date-ca-1663-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-right-design-is-image213251183.htmlRMPAXC1K–Diverses Pieces de Serruriers, page 14 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is
Diverses Pieces de Serruriers, page 16 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is in the shape of a rectangle that consists of 4 separate sections. The first section is of a design for a balustrade, which is ornamented with various geometric shapes and fleurs-de-lis. The second section is illustrated with coiling acanthus leaves. The third se Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-16-recto-ca-1663-jean-berain-french-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-rightdesign-is-in-the-shape-of-a-rectangle-that-consists-of-4-separate-sections-the-first-section-is-of-a-design-for-a-balustrade-which-is-ornamented-with-various-geometric-shapes-and-fleurs-de-lis-the-second-section-is-illustrated-with-coiling-acanthus-leaves-the-third-se-image457812027.htmlRM2HGR3WF–Diverses Pieces de Serruriers, page 16 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is in the shape of a rectangle that consists of 4 separate sections. The first section is of a design for a balustrade, which is ornamented with various geometric shapes and fleurs-de-lis. The second section is illustrated with coiling acanthus leaves. The third se
Diverses Pieces de Serruriers, page 16 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-16-recto-artist-jean-berain-french-saint-mihiel-1640-1711-paris-gabriel-ladame-french-active-1645-68-after-hugues-brisville-french-born-ca-1633-active-paris-1663-dimensions-sheet-10-1316-7-516-in-275-185-cm-plate-6-1116-4-34-in-17-12-cm-date-ca-1663-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-right-design-is-image213152282.htmlRMPANWWE–Diverses Pieces de Serruriers, page 16 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is
Diverses Pieces de Serruriers, page 12 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is for a lock plate and is in the shape of a rectangle. In the center of the design is a hexagonal key hole that is encircled by grotesque heads attached to foliage. Illustrated along the edges of the rectangle are designs for various architectural elements that ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-12-recto-ca-1663-jean-berain-french-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-rightdesign-is-for-a-lock-plate-and-is-in-the-shape-of-a-rectangle-in-the-center-of-the-design-is-a-hexagonal-key-hole-that-is-encircled-by-grotesque-heads-attached-to-foliage-illustrated-along-the-edges-of-the-rectangle-are-designs-for-various-architectural-elements-that-ar-image457812030.htmlRM2HGR3WJ–Diverses Pieces de Serruriers, page 12 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is for a lock plate and is in the shape of a rectangle. In the center of the design is a hexagonal key hole that is encircled by grotesque heads attached to foliage. Illustrated along the edges of the rectangle are designs for various architectural elements that ar
Diverses Pieces de Serruriers, page 2 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. Full page portrait of Hughes Brisville. Brisville is depicted at his desk; behind him is a view of a landscape. The portrait is framed within an oval decorated with twisting acanthus leaves and an inscribed scroll, as well as four composite winged putto and plant figures. The portrait and oval frame are furthe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-2-recto-ca-1663-jean-berain-french-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-full-page-portrait-of-hughes-brisville-brisville-is-depicted-at-his-desk-behind-him-is-a-view-of-a-landscape-the-portrait-is-framed-within-an-oval-decorated-with-twisting-acanthus-leaves-and-an-inscribed-scroll-as-well-as-four-composite-winged-putto-and-plant-figures-the-portrait-and-oval-frame-are-furthe-image458510109.htmlRM2HHXX91–Diverses Pieces de Serruriers, page 2 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. Full page portrait of Hughes Brisville. Brisville is depicted at his desk; behind him is a view of a landscape. The portrait is framed within an oval decorated with twisting acanthus leaves and an inscribed scroll, as well as four composite winged putto and plant figures. The portrait and oval frame are furthe
Diverses Pieces de Serruriers, page 9 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is f Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-9-recto-artist-jean-berain-french-saint-mihiel-1640-1711-paris-gabriel-ladame-french-active-1645-68-after-hugues-brisville-french-born-ca-1633-active-paris-1663-dimensions-sheet-10-1316-7-516-in-275-185-cm-plate-6-1116-4-34-in-17-12-cm-date-ca-1663-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-right-design-is-f-image213147641.htmlRMPANKYN–Diverses Pieces de Serruriers, page 9 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is f
Diverses Pieces de Serruriers, page 11 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is for a lock plate and is in the shape of a rectangle. At the top of the design is a frieze decorated with coiling vines of leaves, flowers, and grotesque figures. Below this frieze is a key hole ornamented with a flower at the top, which is surrounded by foliage Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-11-recto-ca-1663-jean-berain-french-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-rightdesign-is-for-a-lock-plate-and-is-in-the-shape-of-a-rectangle-at-the-top-of-the-design-is-a-frieze-decorated-with-coiling-vines-of-leaves-flowers-and-grotesque-figures-below-this-frieze-is-a-key-hole-ornamented-with-a-flower-at-the-top-which-is-surrounded-by-foliage-image458510103.htmlRM2HHXX8R–Diverses Pieces de Serruriers, page 11 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is for a lock plate and is in the shape of a rectangle. At the top of the design is a frieze decorated with coiling vines of leaves, flowers, and grotesque figures. Below this frieze is a key hole ornamented with a flower at the top, which is surrounded by foliage
Diverses Pieces de Serruriers, page 5 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-5-recto-artist-jean-berain-french-saint-mihiel-1640-1711-paris-gabriel-ladame-french-active-1645-68-after-hugues-brisville-french-born-ca-1633-active-paris-1663-dimensions-sheet-10-1316-7-516-in-275-185-cm-plate-6-1116-4-34-in-17-12-cm-date-ca-1663-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-right-design-is-i-image233093958.htmlRMRF69M6–Diverses Pieces de Serruriers, page 5 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is i
Diverses Pieces de Serruriers, page 8 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is for a lock plate and is in the shape of a rectangle. In the center of the design is a grey-shaded key hole that is surrounded by coiling vines of acanthus leaves, flowers, and grotesque heads. To the left of the key hole are a bird and a serpent. To the right of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-8-recto-ca-1663-jean-berain-french-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-rightdesign-is-for-a-lock-plate-and-is-in-the-shape-of-a-rectangle-in-the-center-of-the-design-is-a-grey-shaded-key-hole-that-is-surrounded-by-coiling-vines-of-acanthus-leaves-flowers-and-grotesque-heads-to-the-left-of-the-key-hole-are-a-bird-and-a-serpent-to-the-right-of-image458510072.htmlRM2HHXX7M–Diverses Pieces de Serruriers, page 8 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is for a lock plate and is in the shape of a rectangle. In the center of the design is a grey-shaded key hole that is surrounded by coiling vines of acanthus leaves, flowers, and grotesque heads. To the left of the key hole are a bird and a serpent. To the right of
Diverses Pieces de Serruriers, page 8 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is f Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-8-recto-artist-jean-berain-french-saint-mihiel-1640-1711-paris-gabriel-ladame-french-active-1645-68-after-hugues-brisville-french-born-ca-1633-active-paris-1663-dimensions-sheet-10-1316-7-516-in-275-185-cm-plate-6-1116-4-34-in-17-12-cm-date-ca-1663-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-right-design-is-f-image233084246.htmlRMRF5W9A–Diverses Pieces de Serruriers, page 8 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm) Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663. Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is f
Diverses Pieces de Serruriers, title page (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. Illustrated engraved title page that is in the shape of a rectangle. Title is printed in black ink at the center of the page. Encircling the title is a decorative oval frame, which is characterized by two twisting vines that transform into the upper bodies of human figures. At the top of the oval is a wing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-title-page-recto-ca-1663-jean-berain-french-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-illustrated-engraved-title-page-that-is-in-the-shape-of-a-rectangle-title-is-printed-in-black-ink-at-the-center-of-the-page-encircling-the-title-is-a-decorative-oval-frame-which-is-characterized-by-two-twisting-vines-that-transform-into-the-upper-bodies-of-human-figures-at-the-top-of-the-oval-is-a-wing-image458510097.htmlRM2HHXX8H–Diverses Pieces de Serruriers, title page (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. Illustrated engraved title page that is in the shape of a rectangle. Title is printed in black ink at the center of the page. Encircling the title is a decorative oval frame, which is characterized by two twisting vines that transform into the upper bodies of human figures. At the top of the oval is a wing
Diverses Pieces de Serruriers, page 10 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is for a lock plate and is in the shape of a rectangle. In the center of the design is a grey-shaded key hole that is surrounded by coiling vines of leaves, flowers, and composite man and plant figures. On top of the key hole is an owl that is flanked above by two Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diverses-pieces-de-serruriers-page-10-recto-ca-1663-jean-berain-french-engravings-by-jean-i-berain-french-saint-mihiel-1640-1711-paris-and-gabriel-ladame-french-active-1645-68-designs-published-by-francois-langlois-after-hughes-brisville-french-born-ca-1633-active-paris-1663-from-top-to-bottom-and-left-to-rightdesign-is-for-a-lock-plate-and-is-in-the-shape-of-a-rectangle-in-the-center-of-the-design-is-a-grey-shaded-key-hole-that-is-surrounded-by-coiling-vines-of-leaves-flowers-and-composite-man-and-plant-figures-on-top-of-the-key-hole-is-an-owl-that-is-flanked-above-by-two-image457812038.htmlRM2HGR3WX–Diverses Pieces de Serruriers, page 10 (recto) ca. 1663 Jean Berain French Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is for a lock plate and is in the shape of a rectangle. In the center of the design is a grey-shaded key hole that is surrounded by coiling vines of leaves, flowers, and composite man and plant figures. On top of the key hole is an owl that is flanked above by two
