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Canvas transferred Stock Photos and Images
Attributed to Jan van Dalen I, Study of Two Heads, Two study heads, Oil on canvas transferred from cardboard, Height, 44 cm (17.3 inches), Width, 59 cm (23.2 inches) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-jan-van-dalen-i-study-of-two-heads-two-study-heads-oil-on-canvas-transferred-from-cardboard-height-44-cm-173-inches-width-59-cm-232-inches-image261309677.htmlRMW53K4D–Attributed to Jan van Dalen I, Study of Two Heads, Two study heads, Oil on canvas transferred from cardboard, Height, 44 cm (17.3 inches), Width, 59 cm (23.2 inches)
Art inspired by The Annunciation, Oil and gold on canvas, transferred from wood, 32 x 20 1/4 in. (81.3 x 51.4 cm), Paintings, Budapest Master (Spanish, Castilian, ca. 1500, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-annunciation-oil-and-gold-on-canvas-transferred-from-wood-32-x-20-14-in-813-x-514-cm-paintings-budapest-master-spanish-castilian-ca-1500-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462814343.htmlRF2HTY0BK–Art inspired by The Annunciation, Oil and gold on canvas, transferred from wood, 32 x 20 1/4 in. (81.3 x 51.4 cm), Paintings, Budapest Master (Spanish, Castilian, ca. 1500, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
John Frederick I (1503-1554) called the Magnanimous, Elector of Saxony (1532–1547), portrait painting in tempera and oil on canvas transferred from panel by Lucas Cranach the Elder, 1533 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-frederick-i-1503-1554-called-the-magnanimous-elector-of-saxony-15321547-portrait-painting-in-tempera-and-oil-on-canvas-transferred-from-panel-by-lucas-cranach-the-elder-1533-image558874984.htmlRM2RD6XMT–John Frederick I (1503-1554) called the Magnanimous, Elector of Saxony (1532–1547), portrait painting in tempera and oil on canvas transferred from panel by Lucas Cranach the Elder, 1533
St Bernardino Preaching. Date/Period: Ca. 1462 - ca. 1463. Tempera paint on canvas transferred from wood. Height: 3,200 mm (10.49 ft); Width: 7,920 mm (25.98 ft). Author: Studio of Lorenzo di Pietro di Giovanni 'Vecchietta'. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-bernardino-preaching-dateperiod-ca-1462-ca-1463-tempera-paint-on-canvas-transferred-from-wood-height-3200-mm-1049-ft-width-7920-mm-2598-ft-author-studio-of-lorenzo-di-pietro-di-giovanni-vecchietta-image219734518.htmlRMPNDNHA–St Bernardino Preaching. Date/Period: Ca. 1462 - ca. 1463. Tempera paint on canvas transferred from wood. Height: 3,200 mm (10.49 ft); Width: 7,920 mm (25.98 ft). Author: Studio of Lorenzo di Pietro di Giovanni 'Vecchietta'.
The Adoration of the Shepherds by Andrea Mantegna (1431-1506), tempera on canvas, transferred from wood, c. 1450 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-shepherds-by-andrea-mantegna-1431-1506-tempera-on-canvas-transferred-from-wood-c-1450-image432595883.htmlRM2G3PCCY–The Adoration of the Shepherds by Andrea Mantegna (1431-1506), tempera on canvas, transferred from wood, c. 1450
Annunciation, by the Master of the Hartford Annunciation, France, School of Amiens, c. 1480, oil and tempera on canvas transferred from panel Wadsworth Atheneum Hartford, CT DSC05102 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-annunciation-by-the-master-of-the-hartford-annunciation-france-school-142569126.htmlRMJ7XGAE–Annunciation, by the Master of the Hartford Annunciation, France, School of Amiens, c. 1480, oil and tempera on canvas transferred from panel Wadsworth Atheneum Hartford, CT DSC05102
Titian, Virgin and Child with St John the Baptist and an Unidentified Male Saint, Oil on canvas, transferred from wood, 1517-1520. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-titian-virgin-and-child-with-st-john-the-baptist-and-an-unidentified-134800783.htmlRMHR8KNK–Titian, Virgin and Child with St John the Baptist and an Unidentified Male Saint, Oil on canvas, transferred from wood, 1517-1520.
106 Annunciation, by the Master of the Hartford Annunciation, France, School of Amiens, c. 1480, oil and tempera on canvas transferred from panel - Wadsworth Atheneum - Hartford, CT - DSC05102 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/106-annunciation-by-the-master-of-the-hartford-annunciation-france-school-of-amiens-c-1480-oil-and-tempera-on-canvas-transferred-from-panel-wadsworth-atheneum-hartford-ct-dsc05102-image209932150.htmlRMP5F6GP–106 Annunciation, by the Master of the Hartford Annunciation, France, School of Amiens, c. 1480, oil and tempera on canvas transferred from panel - Wadsworth Atheneum - Hartford, CT - DSC05102
Lorenzo Costa (1460-1535). Italian painter of the Renaissance. Portrait of a Lady, no earlier than 1506. Oil on canvas (transferred form panel). The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lorenzo-costa-1460-1535-italian-painter-of-the-renaissance-portrait-104400926.htmlRMG1RTCE–Lorenzo Costa (1460-1535). Italian painter of the Renaissance. Portrait of a Lady, no earlier than 1506. Oil on canvas (transferred form panel). The State Hermitage Museum. Saint Petersburg. Russia.
Annunciation, by the Master of the Hartford Annunciation, France, School of Amiens, c. 1480, oil and tempera on canvas transferred from panel - Wadsworth Atheneum - Hartford, CT - DSC05102. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annunciation-by-the-master-of-the-hartford-annunciation-france-school-of-amiens-c-1480-oil-and-tempera-on-canvas-transferred-from-panel-wadsworth-atheneum-hartford-ct-dsc05102-image214981146.htmlRMPDN6J2–Annunciation, by the Master of the Hartford Annunciation, France, School of Amiens, c. 1480, oil and tempera on canvas transferred from panel - Wadsworth Atheneum - Hartford, CT - DSC05102.
Title: Portrait of a Lady with an Ostrich-Feather Fan Artist: Rembrandt van Rijn Year: c. 1656/1658 Medium: Oil on canvas transferred to canvas Dimensions: 99.5 × 83 cm Location: National Gallery, London, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-portrait-of-a-lady-with-an-ostrich-feather-fan-artist-rembrandt-van-rijn-year-c-16561658-medium-oil-on-canvas-transferred-to-canvas-dimensions-995-83-cm-location-national-gallery-london-uk-image630126969.htmlRM2YH4NAH–Title: Portrait of a Lady with an Ostrich-Feather Fan Artist: Rembrandt van Rijn Year: c. 1656/1658 Medium: Oil on canvas transferred to canvas Dimensions: 99.5 × 83 cm Location: National Gallery, London, UK
Jan van Eyck (Netherlandish, c. 1390 - 1441 ), The Annunciation, c. 1434/1436, oil on canvas transferred from panel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jan-van-eyck-netherlandish-c-1390-1441-the-annunciation-c-14341436-50436556.htmlRMCX1G9G–Jan van Eyck (Netherlandish, c. 1390 - 1441 ), The Annunciation, c. 1434/1436, oil on canvas transferred from panel
Jacob Jordaens ( 1593–1678 ) , The Holy Family with Shepherds 1616 ( Oil on canvas, transferred from wood 1,06 x 0,76) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacob-jordaens-15931678-the-holy-family-with-shepherds-1616-oil-on-canvas-transferred-from-wood-106-x-076-image341382065.htmlRM2ARB88H–Jacob Jordaens ( 1593–1678 ) , The Holy Family with Shepherds 1616 ( Oil on canvas, transferred from wood 1,06 x 0,76)
Epiphany', fresco transferred to canvas. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/epiphany-fresco-transferred-to-canvas-image212421734.htmlRMP9GJ2E–Epiphany', fresco transferred to canvas.
Antonello da Messina – Saint Gregory 1472-73. 47×36 cm, tempera on canvas, transferred from panel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonello-da-messina-saint-gregory-1472-73-4736-cm-tempera-on-canvas-transferred-from-panel-image612836072.htmlRM2XH12JG–Antonello da Messina – Saint Gregory 1472-73. 47×36 cm, tempera on canvas, transferred from panel
The Coronation of the Virgin Follower of Botticelli Italian. The Coronation of the Virgin. Follower of Botticelli (Italian, Florentine, fourth quarter 15th century). Tempera on canvas, transferred from wood. Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-coronation-of-the-virgin-follower-of-botticelli-italian-the-coronation-of-the-virgin-follower-of-botticelli-italian-florentine-fourth-quarter-15th-century-tempera-on-canvas-transferred-from-wood-paintings-image458092242.htmlRM2HH7W96–The Coronation of the Virgin Follower of Botticelli Italian. The Coronation of the Virgin. Follower of Botticelli (Italian, Florentine, fourth quarter 15th century). Tempera on canvas, transferred from wood. Paintings
Lucchese School Late 15th Century, Virgin and Child with Saints Nicholas, Sebastian, Roch and Martin, Late 1400s, Tempera on canvas and board, transferred from wood panel, Walker Art Gallery, Liverpool, England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lucchese-school-late-15th-century-virgin-and-child-with-saints-nicholas-sebastian-roch-and-martin-late-1400s-tempera-on-canvas-and-board-transferred-from-wood-panel-walker-art-gallery-liverpool-england-image230668840.htmlRMRB7TCT–Lucchese School Late 15th Century, Virgin and Child with Saints Nicholas, Sebastian, Roch and Martin, Late 1400s, Tempera on canvas and board, transferred from wood panel, Walker Art Gallery, Liverpool, England.
The Martyrdom of Saint Sebastian 1485-1490 Vincenzo Foppa 1450-1516 15th Century Italy, Italian. ( Fresco Transferred To Canvas ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-martyrdom-of-saint-sebastian-1485-1490-vincenzo-foppa-1450-1516-15th-century-italy-italian-fresco-transferred-to-canvas-image355049760.htmlRM2BHHWGG–The Martyrdom of Saint Sebastian 1485-1490 Vincenzo Foppa 1450-1516 15th Century Italy, Italian. ( Fresco Transferred To Canvas )
Traditional Mud Cloth Patterns (Africa) Transferred to Needlepoint Canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/traditional-mud-cloth-patterns-africa-transferred-to-needlepoint-canvas-image468726686.htmlRM2J6G9JP–Traditional Mud Cloth Patterns (Africa) Transferred to Needlepoint Canvas
Attributed to Jan Matsys, The Rent Receiver's Office, At the collector, painting, 1514, Oil on canvas transferred from wood, Height, 70 cm (27.5 inches), Width, 106 cm (41.7 inches), Signed, QVINTEN.MATSIIS.1514 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-jan-matsys-the-rent-receivers-office-at-the-collector-painting-1514-oil-on-canvas-transferred-from-wood-height-70-cm-275-inches-width-106-cm-417-inches-signed-qvintenmatsiis1514-image261309893.htmlRMW53KC5–Attributed to Jan Matsys, The Rent Receiver's Office, At the collector, painting, 1514, Oil on canvas transferred from wood, Height, 70 cm (27.5 inches), Width, 106 cm (41.7 inches), Signed, QVINTEN.MATSIIS.1514
Art inspired by Madonna and Child with Angels, Tempera on canvas, transferred from wood, Diameter 38 3/4 in. (98.4 cm), Paintings, Workshop of Domenico Ghirlandaio (Italian, Florence 1448/49–1494 Florence, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-madonna-and-child-with-angels-tempera-on-canvas-transferred-from-wood-diameter-38-34-in-984-cm-paintings-workshop-of-domenico-ghirlandaio-italian-florence-1448491494-florence-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463024747.htmlRF2HW8GP3–Art inspired by Madonna and Child with Angels, Tempera on canvas, transferred from wood, Diameter 38 3/4 in. (98.4 cm), Paintings, Workshop of Domenico Ghirlandaio (Italian, Florence 1448/49–1494 Florence, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jacob Jordaens painting, The Satyr and the Peasant, oil on canvas, transferred to wood, 1620-1621 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacob-jordaens-painting-the-satyr-and-the-peasant-oil-on-canvas-transferred-to-wood-1620-1621-image488188453.htmlRM2KA6W9W–Jacob Jordaens painting, The Satyr and the Peasant, oil on canvas, transferred to wood, 1620-1621
Joseph Accused by Potiphar's Wife. Dated: 1655. Dimensions: overall: 105.7 x 97.8 cm (41 5/8 x 38 1/2 in.) framed: 130.8 x 123.2 cm (51 1/2 x 48 1/2 in.). Medium: oil on canvas transferred to canvas. Museum: National Gallery of Art, Washington DC. Author: Rembrandt Workshop. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-accused-by-potiphars-wife-dated-1655-dimensions-overall-1057-x-978-cm-41-58-x-38-12-in-framed-1308-x-1232-cm-51-12-x-48-12-in-medium-oil-on-canvas-transferred-to-canvas-museum-national-gallery-of-art-washington-dc-author-rembrandt-workshop-image218712257.htmlRMPKR5M1–Joseph Accused by Potiphar's Wife. Dated: 1655. Dimensions: overall: 105.7 x 97.8 cm (41 5/8 x 38 1/2 in.) framed: 130.8 x 123.2 cm (51 1/2 x 48 1/2 in.). Medium: oil on canvas transferred to canvas. Museum: National Gallery of Art, Washington DC. Author: Rembrandt Workshop.
The Virgin and Child by Bartolomeo Montagna (c.1450-1523), oil on canvas transferred from wood, c. 1504-6 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-and-child-by-bartolomeo-montagna-c1450-1523-oil-on-canvas-transferred-from-wood-c-1504-6-image469033690.htmlRM2J72976–The Virgin and Child by Bartolomeo Montagna (c.1450-1523), oil on canvas transferred from wood, c. 1504-6
Annunciation, by the Master of the Hartford Annunciation, France, School of Amiens, c. 1480, oil and tempera on canvas transferred from panel Wadsworth Atheneum Hartford, CT DSC05102 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annunciation-by-the-master-of-the-hartford-annunciation-france-school-image155561904.htmlRMK12CP8–Annunciation, by the Master of the Hartford Annunciation, France, School of Amiens, c. 1480, oil and tempera on canvas transferred from panel Wadsworth Atheneum Hartford, CT DSC05102
Paul Klee art. Episode Before an Arab Town. Hi res painting. Watercolor and transferred printing ink on paper, bordered with gouache and ink. 1923. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-klee-art-episode-before-an-arab-town-hi-res-painting-watercolor-and-transferred-printing-ink-on-paper-bordered-with-gouache-and-ink-1923-image384783510.htmlRM2DA0B86–Paul Klee art. Episode Before an Arab Town. Hi res painting. Watercolor and transferred printing ink on paper, bordered with gouache and ink. 1923.
North Netherlandish 15th Century, The Adoration of the Magi, , fourth quarter 15th century, oil on canvas transferred from panel, Samuel H. Kress Collection 23 The Adoration of the Magi sc710 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/north-netherlandish-15th-century-the-adoration-of-the-magi-fourth-quarter-15th-century-oil-on-canvas-transferred-from-panel-samuel-h-kress-collection-23-the-adoration-of-the-magi-sc710-image206562245.htmlRMP01M71–North Netherlandish 15th Century, The Adoration of the Magi, , fourth quarter 15th century, oil on canvas transferred from panel, Samuel H. Kress Collection 23 The Adoration of the Magi sc710
Leonardo da Vinci (1452-1519). Italian polymath. High Renaissance. Florentine School. Madonna and the Child (The Benois Madonna), 1478-1480. Oil on canvas transferred from panel. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-leonardo-da-vinci-1452-1519-italian-polymath-high-renaissance-florentine-104454074.htmlRMG1X86J–Leonardo da Vinci (1452-1519). Italian polymath. High Renaissance. Florentine School. Madonna and the Child (The Benois Madonna), 1478-1480. Oil on canvas transferred from panel. The State Hermitage Museum. Saint Petersburg. Russia.
Annunciation, by the Master of the Hartford Annunciation, France, School of Amiens, c. 1480, oil and tempera on canvas transferred from panel - Wadsworth Atheneum - Hartford, CT - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annunciation-by-the-master-of-the-hartford-annunciation-france-school-of-amiens-c-1480-oil-and-tempera-on-canvas-transferred-from-panel-wadsworth-atheneum-hartford-ct-image231928257.htmlRMRD96T1–Annunciation, by the Master of the Hartford Annunciation, France, School of Amiens, c. 1480, oil and tempera on canvas transferred from panel - Wadsworth Atheneum - Hartford, CT -
Title: Portrait of a Gentleman with a Tall Hat and Gloves Artist: Rembrandt van Rijn Year: c. 1656/1658 Medium: Oil on canvas transferred to canvas Dimensions: 99.5 × 82.5 cm Location: National Gallery, London, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-portrait-of-a-gentleman-with-a-tall-hat-and-gloves-artist-rembrandt-van-rijn-year-c-16561658-medium-oil-on-canvas-transferred-to-canvas-dimensions-995-825-cm-location-national-gallery-london-uk-image630126970.htmlRM2YH4NAJ–Title: Portrait of a Gentleman with a Tall Hat and Gloves Artist: Rembrandt van Rijn Year: c. 1656/1658 Medium: Oil on canvas transferred to canvas Dimensions: 99.5 × 82.5 cm Location: National Gallery, London, UK
The Madonna of Foligno (detail), 1511. Oil painting on wood, later transferred to canvas. By the Italian High Renaissance artist (Raphael), Raffaello Sanzio da Urbino (1483-1520). Madonna of Foligno was executed for Sigismondo de' Conti, chamberlain to Pope Julius II. The painting is a sacra conversazione, where holy figures seem to be in conversation and draw the audience into their discussion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-madonna-of-foligno-detail-1511-oil-painting-on-wood-later-transferred-131279314.htmlRMHHG82X–The Madonna of Foligno (detail), 1511. Oil painting on wood, later transferred to canvas. By the Italian High Renaissance artist (Raphael), Raffaello Sanzio da Urbino (1483-1520). Madonna of Foligno was executed for Sigismondo de' Conti, chamberlain to Pope Julius II. The painting is a sacra conversazione, where holy figures seem to be in conversation and draw the audience into their discussion
Falconer, fresco transferred to canvas by Master of San Baudelio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-falconer-fresco-transferred-to-canvas-by-master-of-san-baudelio-132688294.htmlRMHKTD7J–Falconer, fresco transferred to canvas by Master of San Baudelio
The Hermitage of San Baudelio de Berlanga (Ermita de San Baudelio de Berlanga) is an early 11th-century church at Caltojar in the province of Soria, Spain, 80 km south of Berlanga de Duero. It is an example of Mozarabic architecture and was built in the 11th century, in what was then the frontier between Islamic and Christian lands. It is dedicated to Saint Baudilus or Baudel. The hermitage housed many fine Romanesque frescoes from about 1125; most of these have been removed, but some have remained. Two sections, transferred to canvas, are now in the Indianapolis Museum of Art, showing the En Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hermitage-of-san-baudelio-de-berlanga-ermita-de-san-baudelio-de-berlanga-is-an-early-11th-century-church-at-caltojar-in-the-province-of-soria-spain-80-km-south-of-berlanga-de-duero-it-is-an-example-of-mozarabic-architecture-and-was-built-in-the-11th-century-in-what-was-then-the-frontier-between-islamic-and-christian-lands-it-is-dedicated-to-saint-baudilus-or-baudel-the-hermitage-housed-many-fine-romanesque-frescoes-from-about-1125-most-of-these-have-been-removed-but-some-have-remained-two-sections-transferred-to-canvas-are-now-in-the-indianapolis-museum-of-art-showing-the-en-image344276304.htmlRM2B033X8–The Hermitage of San Baudelio de Berlanga (Ermita de San Baudelio de Berlanga) is an early 11th-century church at Caltojar in the province of Soria, Spain, 80 km south of Berlanga de Duero. It is an example of Mozarabic architecture and was built in the 11th century, in what was then the frontier between Islamic and Christian lands. It is dedicated to Saint Baudilus or Baudel. The hermitage housed many fine Romanesque frescoes from about 1125; most of these have been removed, but some have remained. Two sections, transferred to canvas, are now in the Indianapolis Museum of Art, showing the En
Antonello da Messina – Saint Jerome 1472-73. 47×36 cm, tempera on canvas, transferred from panel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonello-da-messina-saint-jerome-1472-73-4736-cm-tempera-on-canvas-transferred-from-panel-image612836015.htmlRM2XH12GF–Antonello da Messina – Saint Jerome 1472-73. 47×36 cm, tempera on canvas, transferred from panel
Madonna and Child with Angels Workshop of Domenico Ghirlandaio Italian. Madonna and Child with Angels. Workshop of Domenico Ghirlandaio (Italian, Florence 1448/49–1494 Florence). Tempera on canvas, transferred from wood. Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-with-angels-workshop-of-domenico-ghirlandaio-italian-madonna-and-child-with-angels-workshop-of-domenico-ghirlandaio-italian-florence-1448491494-florence-tempera-on-canvas-transferred-from-wood-paintings-image458145857.htmlRM2HHA9M1–Madonna and Child with Angels Workshop of Domenico Ghirlandaio Italian. Madonna and Child with Angels. Workshop of Domenico Ghirlandaio (Italian, Florence 1448/49–1494 Florence). Tempera on canvas, transferred from wood. Paintings
Gentile Bellini, Madonna with Child and Two Donors. Circa 1460. Lime transferred to canvas. Gemaldegalerie, Berlin, Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gentile-bellini-madonna-with-child-and-two-donors-circa-1460-lime-76000327.htmlRMEBJ35B–Gentile Bellini, Madonna with Child and Two Donors. Circa 1460. Lime transferred to canvas. Gemaldegalerie, Berlin, Germany.
Madonna and Child with Saints John the Baptist and John the Evangelist 1485-1490 Vincenzo Foppa 1450-1516 15th Century Italy, Italian. ( Fresco Transferred To Canvas ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-with-saints-john-the-baptist-and-john-the-evangelist-1485-1490-vincenzo-foppa-1450-1516-15th-century-italy-italian-fresco-transferred-to-canvas-image355049776.htmlRM2BHHWH4–Madonna and Child with Saints John the Baptist and John the Evangelist 1485-1490 Vincenzo Foppa 1450-1516 15th Century Italy, Italian. ( Fresco Transferred To Canvas )
Traditional Mud Cloth Patterns (Africa) Transferred to Needlepoint Canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/traditional-mud-cloth-patterns-africa-transferred-to-needlepoint-canvas-image468726806.htmlRM2J6G9R2–Traditional Mud Cloth Patterns (Africa) Transferred to Needlepoint Canvas
Antonio de Saliba, Italian, 1466-1535, Christ at the Column, early 16th century, Oil on canvas, transferred from panel, Unframed: 14 3/8 × 11 3/4 inches (36.5 × 29.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonio-de-saliba-italian-1466-1535-christ-at-the-column-early-16th-century-oil-on-canvas-transferred-from-panel-unframed-14-38-11-34-inches-365-298-cm-image328720297.htmlRM2A2PE2H–Antonio de Saliba, Italian, 1466-1535, Christ at the Column, early 16th century, Oil on canvas, transferred from panel, Unframed: 14 3/8 × 11 3/4 inches (36.5 × 29.8 cm
Art inspired by The Coronation of the Virgin, Tempera on canvas, transferred from wood, 39 1/2 x 60 1/4 in. (100.3 x 153 cm), Paintings, Follower of Botticelli (Italian, Florentine, fourth quarter 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-coronation-of-the-virgin-tempera-on-canvas-transferred-from-wood-39-12-x-60-14-in-1003-x-153-cm-paintings-follower-of-botticelli-italian-florentine-fourth-quarter-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463023990.htmlRF2HW8FR2–Art inspired by The Coronation of the Virgin, Tempera on canvas, transferred from wood, 39 1/2 x 60 1/4 in. (100.3 x 153 cm), Paintings, Follower of Botticelli (Italian, Florentine, fourth quarter 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
James Ensor, Girl with Upturned Nose, portrait painting in oil on canvas transferred to panel, 1879 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-ensor-girl-with-upturned-nose-portrait-painting-in-oil-on-canvas-transferred-to-panel-1879-image475004163.htmlRM2JGP8JB–James Ensor, Girl with Upturned Nose, portrait painting in oil on canvas transferred to panel, 1879
Ann Old Coleman (Mrs. Robert Coleman). Dated: c. 1820. Dimensions: overall: 92 x 71.7 cm (36 1/4 x 28 1/4 in.) framed: 126.4 x 105.4 x 10.2 cm (49 3/4 x 41 1/2 x 4 in.). Medium: oil on canvas transferred to wood. Museum: National Gallery of Art, Washington DC. Author: Jacob Eichholtz. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ann-old-coleman-mrs-robert-coleman-dated-c-1820-dimensions-overall-92-x-717-cm-36-14-x-28-14-in-framed-1264-x-1054-x-102-cm-49-34-x-41-12-x-4-in-medium-oil-on-canvas-transferred-to-wood-museum-national-gallery-of-art-washington-dc-author-jacob-eichholtz-image218863534.htmlRMPM22JP–Ann Old Coleman (Mrs. Robert Coleman). Dated: c. 1820. Dimensions: overall: 92 x 71.7 cm (36 1/4 x 28 1/4 in.) framed: 126.4 x 105.4 x 10.2 cm (49 3/4 x 41 1/2 x 4 in.). Medium: oil on canvas transferred to wood. Museum: National Gallery of Art, Washington DC. Author: Jacob Eichholtz.
Saint Joseph and the Christ Child by Guido Reni (1575-1642), oil on canvas (transferred from panel), c. 1635 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-joseph-and-the-christ-child-by-guido-reni-1575-1642-oil-on-canvas-transferred-from-panel-c-1635-image459160732.htmlRM2HK0G5G–Saint Joseph and the Christ Child by Guido Reni (1575-1642), oil on canvas (transferred from panel), c. 1635
Raphael, The Saint Cecilia Altarpiece, 1514, Oil transferred from panel to canvas, National Picture Gallery, Bologna, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raphael-the-saint-cecilia-altarpiece-1514-oil-transferred-from-panel-to-canvas-national-picture-gallery-bologna-italy-image435585350.htmlRM2G8JHFJ–Raphael, The Saint Cecilia Altarpiece, 1514, Oil transferred from panel to canvas, National Picture Gallery, Bologna, Italy.
DESIGN FOR NEW YEAR'S EVE Mr Alfred Thomson, Royal Academy artist, puts the finishing touches to his design for the Chelsea Arts Ball background, in Milton house, Chelsea, London today. Mr Alexander Billibin assists him. The design depicts the Crystal Palace (1851) in Hyde Park, and, transferred to canvas 65 feet wide by 144 feet long . Mr Bilibin , will form the decoration of the Royal Albert Hall for the Chelsea Arts Ball on New Year's Eve. The ball is an annual costume party. 2 November 1950 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-new-years-eve-mr-alfred-thomson-royal-academy-artist-puts-the-finishing-touches-to-his-design-for-the-chelsea-arts-ball-background-in-milton-house-chelsea-london-today-mr-alexander-billibin-assists-him-the-design-depicts-the-crystal-palace-1851-in-hyde-park-and-transferred-to-canvas-65-feet-wide-by-144-feet-long-mr-bilibin-will-form-the-decoration-of-the-royal-albert-hall-for-the-chelsea-arts-ball-on-new-years-eve-the-ball-is-an-annual-costume-party-2-november-1950-image624412515.htmlRM2Y7TCEY–DESIGN FOR NEW YEAR'S EVE Mr Alfred Thomson, Royal Academy artist, puts the finishing touches to his design for the Chelsea Arts Ball background, in Milton house, Chelsea, London today. Mr Alexander Billibin assists him. The design depicts the Crystal Palace (1851) in Hyde Park, and, transferred to canvas 65 feet wide by 144 feet long . Mr Bilibin , will form the decoration of the Royal Albert Hall for the Chelsea Arts Ball on New Year's Eve. The ball is an annual costume party. 2 November 1950
Jan van Eyck (Netherlandish, c. 1390 - 1441 ), The Annunciation, c. 1434/1436, oil on canvas transferred from panel, Andrew W. Mellon Collection 309 Jan van Eyck The Annunciation 1434-1436 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-van-eyck-netherlandish-c-1390-1441-the-annunciation-c-14341436-oil-on-canvas-transferred-from-panel-andrew-w-mellon-collection-309-jan-van-eyck-the-annunciation-1434-1436-image213910677.htmlRMPC0D71–Jan van Eyck (Netherlandish, c. 1390 - 1441 ), The Annunciation, c. 1434/1436, oil on canvas transferred from panel, Andrew W. Mellon Collection 309 Jan van Eyck The Annunciation 1434-1436
Leonardo da Vinci (1452-1519). Italian polymath. High Renaissance. Florentine School. Madonna and the Child (The Benois Madonna), 1478-1480. Oil on canvas transferred from panel. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-leonardo-da-vinci-1452-1519-italian-polymath-high-renaissance-florentine-104454085.htmlRMG1X871–Leonardo da Vinci (1452-1519). Italian polymath. High Renaissance. Florentine School. Madonna and the Child (The Benois Madonna), 1478-1480. Oil on canvas transferred from panel. The State Hermitage Museum. Saint Petersburg. Russia.
Falconer, fresco transferred to canvas by Master of San Baudelio. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/falconer-fresco-transferred-to-canvas-by-master-of-san-baudelio-image328926168.htmlRM2A33TK4–Falconer, fresco transferred to canvas by Master of San Baudelio.
Wnnestou White Buffalo an Aged Medicine Man. “I have also transferred to my canvas the ‘looks and very resemblance’ of an aged chief, who combines with his high office, the envied title of mystery or medicine-man, i.e. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wnnestou-white-buffalo-an-aged-medicine-man-i-have-also-transferred-to-my-canvas-the-looks-and-very-resemblance-of-an-aged-chief-who-combines-with-his-high-office-the-envied-title-of-mystery-or-medicine-man-ie-image352193473.htmlRM2BCYPA9–Wnnestou White Buffalo an Aged Medicine Man. “I have also transferred to my canvas the ‘looks and very resemblance’ of an aged chief, who combines with his high office, the envied title of mystery or medicine-man, i.e.
Detail from 'The Virgin of the Rocks' (Madonna of the Rocks), one of two versions painted by Leonardo da Vinci, of the same subject, and of a composition which is identical except for several significant details. This is the version in the Louvre in Paris. originally painted on wooden panel, but transferred to canvas. Both paintings show the Madonna and child Jesus with the infant John the Baptist and an angel, in a rocky setting which gives the paintings their usual name. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-from-the-virgin-of-the-rocks-madonna-of-the-rocks-one-of-two-versions-painted-by-leonardo-da-vinci-of-the-same-subject-and-of-a-composition-which-is-identical-except-for-several-significant-details-this-is-the-version-in-the-louvre-in-paris-originally-painted-on-wooden-panel-but-transferred-to-canvas-both-paintings-show-the-madonna-and-child-jesus-with-the-infant-john-the-baptist-and-an-angel-in-a-rocky-setting-which-gives-the-paintings-their-usual-name-image328358319.htmlRM2A260AR–Detail from 'The Virgin of the Rocks' (Madonna of the Rocks), one of two versions painted by Leonardo da Vinci, of the same subject, and of a composition which is identical except for several significant details. This is the version in the Louvre in Paris. originally painted on wooden panel, but transferred to canvas. Both paintings show the Madonna and child Jesus with the infant John the Baptist and an angel, in a rocky setting which gives the paintings their usual name.
Venetian 16th Century, Orpheus, c. 1515, oil on panel transferred to canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-venetian-16th-century-orpheus-c-1515-oil-on-panel-transferred-to-canvas-50436302.htmlRMCX1G0E–Venetian 16th Century, Orpheus, c. 1515, oil on panel transferred to canvas
The Hermitage of San Baudelio de Berlanga (Ermita de San Baudelio de Berlanga) is an early 11th-century church at Caltojar in the province of Soria, Spain, 80 km south of Berlanga de Duero. It is an example of Mozarabic architecture and was built in the 11th century, in what was then the frontier between Islamic and Christian lands. It is dedicated to Saint Baudilus or Baudel. The hermitage housed many fine Romanesque frescoes from about 1125; most of these have been removed, but some have remained. Two sections, transferred to canvas, are now in the Indianapolis Museum of Art, showing the En Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hermitage-of-san-baudelio-de-berlanga-ermita-de-san-baudelio-de-berlanga-is-an-early-11th-century-church-at-caltojar-in-the-province-of-soria-spain-80-km-south-of-berlanga-de-duero-it-is-an-example-of-mozarabic-architecture-and-was-built-in-the-11th-century-in-what-was-then-the-frontier-between-islamic-and-christian-lands-it-is-dedicated-to-saint-baudilus-or-baudel-the-hermitage-housed-many-fine-romanesque-frescoes-from-about-1125-most-of-these-have-been-removed-but-some-have-remained-two-sections-transferred-to-canvas-are-now-in-the-indianapolis-museum-of-art-showing-the-en-image344276310.htmlRM2B033XE–The Hermitage of San Baudelio de Berlanga (Ermita de San Baudelio de Berlanga) is an early 11th-century church at Caltojar in the province of Soria, Spain, 80 km south of Berlanga de Duero. It is an example of Mozarabic architecture and was built in the 11th century, in what was then the frontier between Islamic and Christian lands. It is dedicated to Saint Baudilus or Baudel. The hermitage housed many fine Romanesque frescoes from about 1125; most of these have been removed, but some have remained. Two sections, transferred to canvas, are now in the Indianapolis Museum of Art, showing the En
PROVOST, Jan (b. ca. 1465, Mons, d. 1529, Bruges) The Coronation of the Virgin (detail) 1524 Oil on canvas transferred from wood The Hermitage, St. Petersburg --- Keywords: -------------- Author: PROVOST, Jan Title: The Coronation of the Virgin (detail) Time-line: 1501-1550 School: Flemish Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/provost-jan-b-ca-1465-mons-d-1529-bruges-the-coronation-of-the-virgin-detail-1524-oil-on-canvas-transferred-from-wood-the-hermitage-st-petersburg-keywords-author-provost-jan-title-the-coronation-of-the-virgin-detail-time-line-1501-1550-school-flemish-form-painting-type-religious-image624405798.htmlRM2Y7T3Y2–PROVOST, Jan (b. ca. 1465, Mons, d. 1529, Bruges) The Coronation of the Virgin (detail) 1524 Oil on canvas transferred from wood The Hermitage, St. Petersburg --- Keywords: -------------- Author: PROVOST, Jan Title: The Coronation of the Virgin (detail) Time-line: 1501-1550 School: Flemish Form: painting Type: religious
The Lamentation ca. 1520–25 Ambrosius Benson Netherlandish. The Lamentation. Ambrosius Benson (Netherlandish, Lombardy (?), active by 1519–died 1550 Bruges). ca. 1520–25. Oil on canvas, transferred from wood. Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lamentation-ca-152025-ambrosius-benson-netherlandish-the-lamentation-ambrosius-benson-netherlandish-lombardy-active-by-1519died-1550-bruges-ca-152025-oil-on-canvas-transferred-from-wood-paintings-image457910583.htmlRM2HGYHHB–The Lamentation ca. 1520–25 Ambrosius Benson Netherlandish. The Lamentation. Ambrosius Benson (Netherlandish, Lombardy (?), active by 1519–died 1550 Bruges). ca. 1520–25. Oil on canvas, transferred from wood. Paintings
Annibale Carracci, Healing the Man Born Blind 1605-06 Fresco transferred to canvas. Museu Nacional d'Art de Catalunya, Barcelona Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-annibale-carracci-healing-the-man-born-blind-1605-06-fresco-transferred-55762188.htmlRMD6M56M–Annibale Carracci, Healing the Man Born Blind 1605-06 Fresco transferred to canvas. Museu Nacional d'Art de Catalunya, Barcelona
Oslo 1989-09-24. The world's first 'drive-in opera' on Youngstorget. From the premiere of the 'Barber in Seville', the first act was transferred to a 70 square meter canvas located over the input of the Folketeater building. Photo: Morten Hvaal / NTB / NTB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oslo-1989-09-24-the-worlds-first-drive-in-opera-on-youngstorget-from-the-premiere-of-the-barber-in-seville-the-first-act-was-transferred-to-a-70-square-meter-canvas-located-over-the-input-of-the-folketeater-building-photo-morten-hvaal-ntb-ntb-image487325989.htmlRM2K8RH7H–Oslo 1989-09-24. The world's first 'drive-in opera' on Youngstorget. From the premiere of the 'Barber in Seville', the first act was transferred to a 70 square meter canvas located over the input of the Folketeater building. Photo: Morten Hvaal / NTB / NTB
Traditional Mud Cloth Patterns (Africa) Transferred to Needlepoint Canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/traditional-mud-cloth-patterns-africa-transferred-to-needlepoint-canvas-image468726751.htmlRM2J6G9N3–Traditional Mud Cloth Patterns (Africa) Transferred to Needlepoint Canvas
Pieter de Hooch, Interior with a Young Lady Reading a Letter, Interior with reading young lady, painting, genre art, 1668, Oil on canvas transferred from wood, Height, 57 cm (22.4 inches), Width, 48 cm (18.8 inches) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pieter-de-hooch-interior-with-a-young-lady-reading-a-letter-interior-with-reading-young-lady-painting-genre-art-1668-oil-on-canvas-transferred-from-wood-height-57-cm-224-inches-width-48-cm-188-inches-image261309826.htmlRMW53K9P–Pieter de Hooch, Interior with a Young Lady Reading a Letter, Interior with reading young lady, painting, genre art, 1668, Oil on canvas transferred from wood, Height, 57 cm (22.4 inches), Width, 48 cm (18.8 inches)
Art inspired by Salome with the Head of Saint John the Baptist, Tempera and gold on canvas, transferred from wood, 34 1/2 x 34 1/2 in. (87.6 x 87.6 cm), Paintings, Spanish (Catalan) Painter (mid-15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-salome-with-the-head-of-saint-john-the-baptist-tempera-and-gold-on-canvas-transferred-from-wood-34-12-x-34-12-in-876-x-876-cm-paintings-spanish-catalan-painter-mid-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463026343.htmlRF2HW8JR3–Art inspired by Salome with the Head of Saint John the Baptist, Tempera and gold on canvas, transferred from wood, 34 1/2 x 34 1/2 in. (87.6 x 87.6 cm), Paintings, Spanish (Catalan) Painter (mid-15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Antonio de Solario painting, The Virgin and Child with Saint John, oil on canvas transferred from wood, 1500-1510 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonio-de-solario-painting-the-virgin-and-child-with-saint-john-oil-on-canvas-transferred-from-wood-1500-1510-image597903306.htmlRM2WMMRNE–Antonio de Solario painting, The Virgin and Child with Saint John, oil on canvas transferred from wood, 1500-1510
Portrait of a Gentleman with a Tall Hat and Gloves. Dated: c. 1656/1658. Dimensions: overall: 99.5 x 82.5 cm (39 3/16 x 32 1/2 in.) framed: 132.1 x 114.3 cm (52 x 45 in.). Medium: oil on canvas transferred to canvas. Museum: National Gallery of Art, Washington DC. Author: REMBRANDT, HARMENSZOON VAN RIJN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-gentleman-with-a-tall-hat-and-gloves-dated-c-16561658-dimensions-overall-995-x-825-cm-39-316-x-32-12-in-framed-1321-x-1143-cm-52-x-45-in-medium-oil-on-canvas-transferred-to-canvas-museum-national-gallery-of-art-washington-dc-author-rembrandt-harmenszoon-van-rijn-image219068270.htmlRMPMBBPP–Portrait of a Gentleman with a Tall Hat and Gloves. Dated: c. 1656/1658. Dimensions: overall: 99.5 x 82.5 cm (39 3/16 x 32 1/2 in.) framed: 132.1 x 114.3 cm (52 x 45 in.). Medium: oil on canvas transferred to canvas. Museum: National Gallery of Art, Washington DC. Author: REMBRANDT, HARMENSZOON VAN RIJN.
The Annunciation by Jan van Eyck (c.1390-1441), oil on canvas transferred from panel, c. 1434-36 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-annunciation-by-jan-van-eyck-c1390-1441-oil-on-canvas-transferred-from-panel-c-1434-36-image434875604.htmlRM2G7E87G–The Annunciation by Jan van Eyck (c.1390-1441), oil on canvas transferred from panel, c. 1434-36
The Madonna of the Cherries is a 1515 painting by Titian, influenced by work of Giovanni Bellini. Originally oil on wood, it was later transferred to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-madonna-of-the-cherries-is-a-1515-painting-by-titian-influenced-by-work-of-giovanni-bellini-originally-oil-on-wood-it-was-later-transferred-to-image480109136.htmlRF2JW2T2T–The Madonna of the Cherries is a 1515 painting by Titian, influenced by work of Giovanni Bellini. Originally oil on wood, it was later transferred to
The Rest on the Flight into Egypt, or The Holy Family Served by Angels Bearing the Grapes of the Passion, Oil on panel transferred to canvas, about 15 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-rest-on-the-flight-into-egypt-or-the-holy-family-served-by-angels-bearing-the-grapes-of-the-passion-oil-on-panel-transferred-to-canvas-about-15-image621632795.htmlRM2Y39PY7–The Rest on the Flight into Egypt, or The Holy Family Served by Angels Bearing the Grapes of the Passion, Oil on panel transferred to canvas, about 15
. LEONARDO da Vinci Madonna with a Flower (Madonna Benois) Oil on canvas transferred from wood, 50 x 32 cm The Hermitage, St. Petersburg . circa 1478. see filename or category 840 Madonna benois 03 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leonardo-da-vinci-madonna-with-a-flower-madonna-benois-oil-on-canvas-transferred-from-wood-50-x-32-cm-the-hermitage-st-petersburg-circa-1478-see-filename-or-category-840-madonna-benois-03-image185843334.htmlRMMP9W1X–. LEONARDO da Vinci Madonna with a Flower (Madonna Benois) Oil on canvas transferred from wood, 50 x 32 cm The Hermitage, St. Petersburg . circa 1478. see filename or category 840 Madonna benois 03
Leonardo da Vinci (1452-1519). Italian polymath. High Renaissance. Florentine School. Madonna and the Child (The Benois Madonna), 1478-1480. Oil on canvas transferred from panel. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-leonardo-da-vinci-1452-1519-italian-polymath-high-renaissance-florentine-104454073.htmlRMG1X86H–Leonardo da Vinci (1452-1519). Italian polymath. High Renaissance. Florentine School. Madonna and the Child (The Benois Madonna), 1478-1480. Oil on canvas transferred from panel. The State Hermitage Museum. Saint Petersburg. Russia.
Minerva by Girolamo Genga, Italian, Urbino, 1506 or 1509, fresco transferred to canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/minerva-by-girolamo-genga-italian-urbino-1506-or-1509-fresco-transferred-to-canvas-image346108398.htmlRM2B32GP6–Minerva by Girolamo Genga, Italian, Urbino, 1506 or 1509, fresco transferred to canvas
Louvre museum, Paris, France.Bernardino Luini, The Infant Jesus asleep.oil on panel transferred to canvas, about 1525-1530 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louvre-museum-paris-francebernardino-luini-the-infant-jesus-asleepoil-on-panel-transferred-to-canvas-about-1525-1530-image629294371.htmlRF2YFPRAY–Louvre museum, Paris, France.Bernardino Luini, The Infant Jesus asleep.oil on panel transferred to canvas, about 1525-1530
Detail from 'The Virgin of the Rocks' (Madonna of the Rocks), one of two versions painted by Leonardo da Vinci, of the same subject, and of a composition which is identical except for several significant details. This is the version in the Louvre in Paris. originally painted on wooden panel, but transferred to canvas. Both paintings show the Madonna and child Jesus with the infant John the Baptist and an angel, in a rocky setting which gives the paintings their usual name. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-from-the-virgin-of-the-rocks-madonna-of-the-rocks-one-of-two-versions-painted-by-leonardo-da-vinci-of-the-same-subject-and-of-a-composition-which-is-identical-except-for-several-significant-details-this-is-the-version-in-the-louvre-in-paris-originally-painted-on-wooden-panel-but-transferred-to-canvas-both-paintings-show-the-madonna-and-child-jesus-with-the-infant-john-the-baptist-and-an-angel-in-a-rocky-setting-which-gives-the-paintings-their-usual-name-image328358320.htmlRM2A260AT–Detail from 'The Virgin of the Rocks' (Madonna of the Rocks), one of two versions painted by Leonardo da Vinci, of the same subject, and of a composition which is identical except for several significant details. This is the version in the Louvre in Paris. originally painted on wooden panel, but transferred to canvas. Both paintings show the Madonna and child Jesus with the infant John the Baptist and an angel, in a rocky setting which gives the paintings their usual name.
Raphael (Italian, 1483 - 1520 ), The Alba Madonna, c. 1510, oil on panel transferred to canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-raphael-italian-1483-1520-the-alba-madonna-c-1510-oil-on-panel-transferred-50436360.htmlRMCX1G2G–Raphael (Italian, 1483 - 1520 ), The Alba Madonna, c. 1510, oil on panel transferred to canvas
The Hermitage of San Baudelio de Berlanga (Ermita de San Baudelio de Berlanga) is an early 11th-century church at Caltojar in the province of Soria, Spain, 80 km south of Berlanga de Duero. It is an example of Mozarabic architecture and was built in the 11th century, in what was then the frontier between Islamic and Christian lands. It is dedicated to Saint Baudilus or Baudel. The hermitage housed many fine Romanesque frescoes from about 1125; most of these have been removed, but some have remained. Two sections, transferred to canvas, are now in the Indianapolis Museum of Art, showing the En Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hermitage-of-san-baudelio-de-berlanga-ermita-de-san-baudelio-de-berlanga-is-an-early-11th-century-church-at-caltojar-in-the-province-of-soria-spain-80-km-south-of-berlanga-de-duero-it-is-an-example-of-mozarabic-architecture-and-was-built-in-the-11th-century-in-what-was-then-the-frontier-between-islamic-and-christian-lands-it-is-dedicated-to-saint-baudilus-or-baudel-the-hermitage-housed-many-fine-romanesque-frescoes-from-about-1125-most-of-these-have-been-removed-but-some-have-remained-two-sections-transferred-to-canvas-are-now-in-the-indianapolis-museum-of-art-showing-the-en-image344276308.htmlRM2B033XC–The Hermitage of San Baudelio de Berlanga (Ermita de San Baudelio de Berlanga) is an early 11th-century church at Caltojar in the province of Soria, Spain, 80 km south of Berlanga de Duero. It is an example of Mozarabic architecture and was built in the 11th century, in what was then the frontier between Islamic and Christian lands. It is dedicated to Saint Baudilus or Baudel. The hermitage housed many fine Romanesque frescoes from about 1125; most of these have been removed, but some have remained. Two sections, transferred to canvas, are now in the Indianapolis Museum of Art, showing the En
RUBENS, Pieter Pauwel (b. 1577, Siegen, d. 1640, Antwerpen) Bacchus 1638-40 Oil on canvas, transferred from panel, 191 x 161,3 cm The Hermitage, St. Petersburg *** Keywords: ************* Author: RUBENS, Pieter Pauwel Title: Bacchus Time-line: 1601-1650 School: Flemish Form: painting Type: mythological Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rubens-pieter-pauwel-b-1577-siegen-d-1640-antwerpen-bacchus-1638-40-oil-on-canvas-transferred-from-panel-191-x-1613-cm-the-hermitage-st-petersburg-keywords-author-rubens-pieter-pauwel-title-bacchus-time-line-1601-1650-school-flemish-form-painting-type-mythological-image623067351.htmlRM2Y5K4NB–RUBENS, Pieter Pauwel (b. 1577, Siegen, d. 1640, Antwerpen) Bacchus 1638-40 Oil on canvas, transferred from panel, 191 x 161,3 cm The Hermitage, St. Petersburg *** Keywords: ************* Author: RUBENS, Pieter Pauwel Title: Bacchus Time-line: 1601-1650 School: Flemish Form: painting Type: mythological
John Crome, 1768–1821, British, A Barge with a Wounded Soldier, early 19th century. Oil on canvas (transferred from panel). barge , boat , boats , clouds , coast , fisherman , marine art , seascape , shore (landform) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-crome-17681821-british-a-barge-with-a-wounded-soldier-early-19th-century-oil-on-canvas-transferred-from-panel-barge-boat-boats-clouds-coast-fisherman-marine-art-seascape-shore-landform-image398368013.htmlRM2E436D1–John Crome, 1768–1821, British, A Barge with a Wounded Soldier, early 19th century. Oil on canvas (transferred from panel). barge , boat , boats , clouds , coast , fisherman , marine art , seascape , shore (landform)
Trial and Arrest of St. Catherine, 1241-1255, transferred to canvas It comes from the old chapel of St. Catherine's, MNAC 214241 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-trial-and-arrest-of-st-catherine-1241-1255-transferred-to-canvas-it-138985322.htmlRFJ2395E–Trial and Arrest of St. Catherine, 1241-1255, transferred to canvas It comes from the old chapel of St. Catherine's, MNAC 214241
Henri de Toulouse-Lautrec. Ballet Dancers. 1885. France. Oil on plaster, transferred to canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henri-de-toulouse-lautrec-ballet-dancers-1885-france-oil-on-plaster-transferred-to-canvas-image338005333.htmlRM2AHWD71–Henri de Toulouse-Lautrec. Ballet Dancers. 1885. France. Oil on plaster, transferred to canvas
!["Graziella" - painted by R. Lehmann - from the Exhibition of the Royal Academy, 1856. Engraving of a painting. 'This is one of Lamartine's prettiest word-pictures, exquisitely transferred to canvas by Rudolph Lehmann, of Rome. Lamartine relates in his autobiographical "Confidences" that having, during a youthful freak, been wrecked in a fishing-boat in the Greek isle of Procida, he and his companions were fed, clothed, and sheltered by a fisherman's family. One evening he read to them the story of "Paul and Virginia".' From "Illustrated London News", 185 Stock Photo](https://c8.alamy.com/comp/2R4DH3N/quotgraziellaquot-painted-by-r-lehmann-from-the-exhibition-of-the-royal-academy-1856-engraving-of-a-painting-this-is-one-of-lamartines-prettiest-word-pictures-exquisitely-transferred-to-canvas-by-rudolph-lehmann-of-rome-lamartine-relates-in-his-autobiographical-quotconfidencesquot-that-having-during-a-youthful-freak-been-wrecked-in-a-fishing-boat-in-the-greek-isle-of-procida-he-and-his-companions-were-fed-clothed-and-sheltered-by-a-fishermans-family-one-evening-he-read-to-them-the-story-of-quotpaul-and-virginiaquot-from-quotillustrated-london-newsquot-185-2R4DH3N.jpg ""Graziella" - painted by R. Lehmann - from the Exhibition of the Royal Academy, 1856. Engraving of a painting. 'This is one of Lamartine's prettiest word-pictures, exquisitely transferred to canvas by Rudolph Lehmann, of Rome. Lamartine relates in his autobiographical "Confidences" that having, during a youthful freak, been wrecked in a fishing-boat in the Greek isle of Procida, he and his companions were fed, clothed, and sheltered by a fisherman's family. One evening he read to them the story of "Paul and Virginia".' From "Illustrated London News", 185 Stock Photo")
"Graziella" - painted by R. Lehmann - from the Exhibition of the Royal Academy, 1856. Engraving of a painting. 'This is one of Lamartine's prettiest word-pictures, exquisitely transferred to canvas by Rudolph Lehmann, of Rome. Lamartine relates in his autobiographical "Confidences" that having, during a youthful freak, been wrecked in a fishing-boat in the Greek isle of Procida, he and his companions were fed, clothed, and sheltered by a fisherman's family. One evening he read to them the story of "Paul and Virginia".' From "Illustrated London News", 185 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotgraziellaquot-painted-by-r-lehmann-from-the-exhibition-of-the-royal-academy-1856-engraving-of-a-painting-this-is-one-of-lamartines-prettiest-word-pictures-exquisitely-transferred-to-canvas-by-rudolph-lehmann-of-rome-lamartine-relates-in-his-autobiographical-quotconfidencesquot-that-having-during-a-youthful-freak-been-wrecked-in-a-fishing-boat-in-the-greek-isle-of-procida-he-and-his-companions-were-fed-clothed-and-sheltered-by-a-fishermans-family-one-evening-he-read-to-them-the-story-of-quotpaul-and-virginiaquot-from-quotillustrated-london-newsquot-185-image553489209.htmlRM2R4DH3N–"Graziella" - painted by R. Lehmann - from the Exhibition of the Royal Academy, 1856. Engraving of a painting. 'This is one of Lamartine's prettiest word-pictures, exquisitely transferred to canvas by Rudolph Lehmann, of Rome. Lamartine relates in his autobiographical "Confidences" that having, during a youthful freak, been wrecked in a fishing-boat in the Greek isle of Procida, he and his companions were fed, clothed, and sheltered by a fisherman's family. One evening he read to them the story of "Paul and Virginia".' From "Illustrated London News", 185
A Barge with a Wounded Soldier, John Crome, 1768–1821, British, early 19th century, Oil on canvas (transferred from panel), Support (PTG): 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm), barge, boat, boats, clouds, coast, fisherman, marine art, seascape, shore (landform Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-barge-with-a-wounded-soldier-john-crome-17681821-british-early-19th-century-oil-on-canvas-transferred-from-panel-support-ptg-13-58-x-20-18-inches-346-x-511-cm-barge-boat-boats-clouds-coast-fisherman-marine-art-seascape-shore-landform-image389744909.htmlRM2DJ2BH1–A Barge with a Wounded Soldier, John Crome, 1768–1821, British, early 19th century, Oil on canvas (transferred from panel), Support (PTG): 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm), barge, boat, boats, clouds, coast, fisherman, marine art, seascape, shore (landform
Art inspired by A Young Woman as a Shepherdess ('Saskia as Flora'), Oil on canvas, transferred from wood, Oval, 26 1/4 x 19 7/8 in. (66.7 x 50.5 cm), Paintings, Govert Flinck (Dutch, Cleve 1615–1660 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-young-woman-as-a-shepherdess-saskia-as-flora-oil-on-canvas-transferred-from-wood-oval-26-14-x-19-78-in-667-x-505-cm-paintings-govert-flinck-dutch-cleve-16151660-amsterdam-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463025984.htmlRF2HW8JA8–Art inspired by A Young Woman as a Shepherdess ('Saskia as Flora'), Oil on canvas, transferred from wood, Oval, 26 1/4 x 19 7/8 in. (66.7 x 50.5 cm), Paintings, Govert Flinck (Dutch, Cleve 1615–1660 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Benvenuto Tisi called Il Garofalo painting, The Agony in the Garden, oil on canvas transferred from wood, 1524-1526 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/benvenuto-tisi-called-il-garofalo-painting-the-agony-in-the-garden-oil-on-canvas-transferred-from-wood-1524-1526-image609797624.htmlRM2XC2K2G–Benvenuto Tisi called Il Garofalo painting, The Agony in the Garden, oil on canvas transferred from wood, 1524-1526
The Adoration of the Magi. Dated: fourth quarter 15th century. Dimensions: overall: 183 x 164.5 cm (72 1/16 x 64 3/4 in.) framed: 215.9 x 203.2 x 12 cm (85 x 80 x 4 3/4 in.). Medium: oil on canvas transferred from panel. Museum: National Gallery of Art, Washington DC. Author: North Netherlandish 15th Century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-magi-dated-fourth-quarter-15th-century-dimensions-overall-183-x-1645-cm-72-116-x-64-34-in-framed-2159-x-2032-x-12-cm-85-x-80-x-4-34-in-medium-oil-on-canvas-transferred-from-panel-museum-national-gallery-of-art-washington-dc-author-north-netherlandish-15th-century-image218769126.htmlRMPKWP72–The Adoration of the Magi. Dated: fourth quarter 15th century. Dimensions: overall: 183 x 164.5 cm (72 1/16 x 64 3/4 in.) framed: 215.9 x 203.2 x 12 cm (85 x 80 x 4 3/4 in.). Medium: oil on canvas transferred from panel. Museum: National Gallery of Art, Washington DC. Author: North Netherlandish 15th Century.
The Virgin and Child with Saint John by Antonio de Solario, oil on canvas, transferred from wood, c.1500-10 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-and-child-with-saint-john-by-antonio-de-solario-oil-on-canvas-transferred-from-wood-c1500-10-image429266620.htmlRM2FXANXM–The Virgin and Child with Saint John by Antonio de Solario, oil on canvas, transferred from wood, c.1500-10
A gallery employee poses with oil on wood transferred to canvas painting 'The Virgin And Child With The Infant Saint John The Baptist ('The Alba Madonna')', dating from about 1509-11 by Italian Renaissance artist Raphael (1483-1520), during a press preview for 'The Credit Suisse Exhibition: Raphael' at the National Gallery in London, England, on April 4, 2022. The exhibition, delayed due to the covid-19 pandemic and marking the 500th anniversary of Raphael's death in 2020, is open to the public from April 9 to July 31 this year. NOTE: IMAGES EMBARGOED FOR PUBLICATION UNTIL 0001 UK TIME WEDNESD Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-gallery-employee-poses-with-oil-on-wood-transferred-to-canvas-painting-the-virgin-and-child-with-the-infant-saint-john-the-baptist-the-alba-madonna-dating-from-about-1509-11-by-italian-renaissance-artist-raphael-1483-1520-during-a-press-preview-for-the-credit-suisse-exhibition-raphael-at-the-national-gallery-in-london-england-on-april-4-2022-the-exhibition-delayed-due-to-the-covid-19-pandemic-and-marking-the-500th-anniversary-of-raphaels-death-in-2020-is-open-to-the-public-from-april-9-to-july-31-this-year-note-images-embargoed-for-publication-until-0001-uk-time-wednesd-image490032368.htmlRM2KD6W80–A gallery employee poses with oil on wood transferred to canvas painting 'The Virgin And Child With The Infant Saint John The Baptist ('The Alba Madonna')', dating from about 1509-11 by Italian Renaissance artist Raphael (1483-1520), during a press preview for 'The Credit Suisse Exhibition: Raphael' at the National Gallery in London, England, on April 4, 2022. The exhibition, delayed due to the covid-19 pandemic and marking the 500th anniversary of Raphael's death in 2020, is open to the public from April 9 to July 31 this year. NOTE: IMAGES EMBARGOED FOR PUBLICATION UNTIL 0001 UK TIME WEDNESD
The Virgin and Child between Saint John the Baptist and Saint Anthony Abbot, known as The Virgin of the Fountain, Oil on panel transferred to canvas, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-and-child-between-saint-john-the-baptist-and-saint-anthony-abbot-known-as-the-virgin-of-the-fountain-oil-on-panel-transferred-to-canvas-image621632718.htmlRM2Y39PTE–The Virgin and Child between Saint John the Baptist and Saint Anthony Abbot, known as The Virgin of the Fountain, Oil on panel transferred to canvas,
. LEONARDO da Vinci Madonna with a Flower (Madonna Benois) Oil on canvas transferred from wood, 50 x 32 cm The Hermitage, St. Petersburg . circa 1478. see filename or category 840 Madonna benois 04 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leonardo-da-vinci-madonna-with-a-flower-madonna-benois-oil-on-canvas-transferred-from-wood-50-x-32-cm-the-hermitage-st-petersburg-circa-1478-see-filename-or-category-840-madonna-benois-04-image185843335.htmlRMMP9W1Y–. LEONARDO da Vinci Madonna with a Flower (Madonna Benois) Oil on canvas transferred from wood, 50 x 32 cm The Hermitage, St. Petersburg . circa 1478. see filename or category 840 Madonna benois 04
Leonardo da Vinci (1452-1519). Italian polymath. High Renaissance. Florentine School. Madonna and the Child (The Litta Madonna), middle of the 1490s. Detail. Tempera on canvas transferred from panel. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-leonardo-da-vinci-1452-1519-italian-polymath-high-renaissance-florentine-104454076.htmlRMG1X86M–Leonardo da Vinci (1452-1519). Italian polymath. High Renaissance. Florentine School. Madonna and the Child (The Litta Madonna), middle of the 1490s. Detail. Tempera on canvas transferred from panel. The State Hermitage Museum. Saint Petersburg. Russia.
. Valuable paintings by the old masters of the northern and southern schools. No. 31 MADONNA AND CHILD WITHS. JOHN AND CHERUBS BY LUCAS CRANACH THE ELDER LUCAS CRANACH THE ELDER German (Saxon School) : 1472—1553 No. 31—MADONNA AND CHILD WITH S. JOHN AND CHERUBS (Canvas—transferred from Panel)Height, 46^j inches; width, 32 |j inches Three cherubs with blue-green wings, floating against anolive background, suspend a crimson velvet dossal overthe sacred group. Madonna is seated, facing three-quar-ters to the left, with her arms tenderly encircling theChrist as He stands on her lap, offering an ap Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/valuable-paintings-by-the-old-masters-of-the-northern-and-southern-schools-no-31-madonna-and-child-withs-john-and-cherubs-by-lucas-cranach-the-elder-lucas-cranach-the-elder-german-saxon-school-14721553-no-31madonna-and-child-with-s-john-and-cherubs-canvastransferred-from-panelheight-46j-inches-width-32-j-inches-three-cherubs-with-blue-green-wings-floating-against-anolive-background-suspend-a-crimson-velvet-dossal-overthe-sacred-group-madonna-is-seated-facing-three-quar-ters-to-the-left-with-her-arms-tenderly-encircling-thechrist-as-he-stands-on-her-lap-offering-an-ap-image336658229.htmlRM2AFM305–. Valuable paintings by the old masters of the northern and southern schools. No. 31 MADONNA AND CHILD WITHS. JOHN AND CHERUBS BY LUCAS CRANACH THE ELDER LUCAS CRANACH THE ELDER German (Saxon School) : 1472—1553 No. 31—MADONNA AND CHILD WITH S. JOHN AND CHERUBS (Canvas—transferred from Panel)Height, 46^j inches; width, 32 |j inches Three cherubs with blue-green wings, floating against anolive background, suspend a crimson velvet dossal overthe sacred group. Madonna is seated, facing three-quar-ters to the left, with her arms tenderly encircling theChrist as He stands on her lap, offering an ap
Louvre museum, Paris, France.Sebastiano Luciani, dit Sebastiano del Piombo, The Visitation.oil on panel transferred to canvas, about 1519 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louvre-museum-paris-francesebastiano-luciani-dit-sebastiano-del-piombo-the-visitationoil-on-panel-transferred-to-canvas-about-1519-image629294397.htmlRF2YFPRBW–Louvre museum, Paris, France.Sebastiano Luciani, dit Sebastiano del Piombo, The Visitation.oil on panel transferred to canvas, about 1519
Madonna of the Rose by Raffaello Sanzio known as Raffaello (1483-1520) 1518-1520 Oil on wood panel transferred to canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-of-the-rose-by-raffaello-sanzio-known-as-raffaello-1483-1520-1518-1520-oil-on-wood-panel-transferred-to-canvas-image613858449.htmlRM2XJKJM1–Madonna of the Rose by Raffaello Sanzio known as Raffaello (1483-1520) 1518-1520 Oil on wood panel transferred to canvas
Pietro Perugino (Italian, c. 1450 - 1523 ), Portrait of Lorenzo di Credi, 1488, oil on panel transferred to canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pietro-perugino-italian-c-1450-1523-portrait-of-lorenzo-di-credi-1488-50435826.htmlRMCX1FBE–Pietro Perugino (Italian, c. 1450 - 1523 ), Portrait of Lorenzo di Credi, 1488, oil on panel transferred to canvas
The Hermitage of San Baudelio de Berlanga (Ermita de San Baudelio de Berlanga) is an early 11th-century church at Caltojar in the province of Soria, Spain, 80 km south of Berlanga de Duero. It is an example of Mozarabic architecture and was built in the 11th century, in what was then the frontier between Islamic and Christian lands. It is dedicated to Saint Baudilus or Baudel. The hermitage housed many fine Romanesque frescoes from about 1125; most of these have been removed, but some have remained. Two sections, transferred to canvas, are now in the Indianapolis Museum of Art, showing the En Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hermitage-of-san-baudelio-de-berlanga-ermita-de-san-baudelio-de-berlanga-is-an-early-11th-century-church-at-caltojar-in-the-province-of-soria-spain-80-km-south-of-berlanga-de-duero-it-is-an-example-of-mozarabic-architecture-and-was-built-in-the-11th-century-in-what-was-then-the-frontier-between-islamic-and-christian-lands-it-is-dedicated-to-saint-baudilus-or-baudel-the-hermitage-housed-many-fine-romanesque-frescoes-from-about-1125-most-of-these-have-been-removed-but-some-have-remained-two-sections-transferred-to-canvas-are-now-in-the-indianapolis-museum-of-art-showing-the-en-image344276314.htmlRM2B033XJ–The Hermitage of San Baudelio de Berlanga (Ermita de San Baudelio de Berlanga) is an early 11th-century church at Caltojar in the province of Soria, Spain, 80 km south of Berlanga de Duero. It is an example of Mozarabic architecture and was built in the 11th century, in what was then the frontier between Islamic and Christian lands. It is dedicated to Saint Baudilus or Baudel. The hermitage housed many fine Romanesque frescoes from about 1125; most of these have been removed, but some have remained. Two sections, transferred to canvas, are now in the Indianapolis Museum of Art, showing the En
LUCAS van Leyden (b. 1494, Leiden, d. 1533, Leiden) Christ Healing the Blind (detail) 1531 Oil on canvas transferred from wood The Hermitage, St. Petersburg --- Keywords: -------------- Author: LUCAS van Leyden Title: Christ Healing the Blind (detail) Time-line: 1501-1550 School: Dutch Form: painting Type: religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lucas-van-leyden-b-1494-leiden-d-1533-leiden-christ-healing-the-blind-detail-1531-oil-on-canvas-transferred-from-wood-the-hermitage-st-petersburg-keywords-author-lucas-van-leyden-title-christ-healing-the-blind-detail-time-line-1501-1550-school-dutch-form-painting-type-religious-image625197628.htmlRM2Y945XM–LUCAS van Leyden (b. 1494, Leiden, d. 1533, Leiden) Christ Healing the Blind (detail) 1531 Oil on canvas transferred from wood The Hermitage, St. Petersburg --- Keywords: -------------- Author: LUCAS van Leyden Title: Christ Healing the Blind (detail) Time-line: 1501-1550 School: Dutch Form: painting Type: religious
Henry II (1519–1559), King of France Workshop of François Clouet French. Henry II (1519–1559), King of France. Workshop of François Clouet (French, Tours (?), active by 1536–died 1572 Paris). Oil on canvas, transferred from wood. Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-ii-15191559-king-of-france-workshop-of-franois-clouet-french-henry-ii-15191559-king-of-france-workshop-of-franois-clouet-french-tours-active-by-1536died-1572-paris-oil-on-canvas-transferred-from-wood-paintings-image457934954.htmlRM2HH0MKP–Henry II (1519–1559), King of France Workshop of François Clouet French. Henry II (1519–1559), King of France. Workshop of François Clouet (French, Tours (?), active by 1536–died 1572 Paris). Oil on canvas, transferred from wood. Paintings
Apse of Santa Maria d’Aneu Late eleventh century - the beginning of the twelfth century Fresco transferred to canvas from the Church of Santa Maria d Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-apse-of-santa-maria-daneu-late-eleventh-century-the-beginning-of-the-139217352.htmlRFJ2DW48–Apse of Santa Maria d’Aneu Late eleventh century - the beginning of the twelfth century Fresco transferred to canvas from the Church of Santa Maria d
Girolamo da Santacroce. Virgin and Child Enthroned. 1516. Italy. Tempera or oil on panel, transferred to canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/girolamo-da-santacroce-virgin-and-child-enthroned-1516-italy-tempera-or-oil-on-panel-transferred-to-canvas-image337948048.htmlRM2AHPT54–Girolamo da Santacroce. Virgin and Child Enthroned. 1516. Italy. Tempera or oil on panel, transferred to canvas
Rest during the flight into Egypt - oil on paper transferred to canvas - Giuseppe Diotti - 1809 - private collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rest-during-the-flight-into-egypt-oil-on-paper-transferred-to-canvas-giuseppe-diotti-1809-private-collection-image466572068.htmlRF2J325C4–Rest during the flight into Egypt - oil on paper transferred to canvas - Giuseppe Diotti - 1809 - private collection
North Netherlandish 15th Century, (painter), The Adoration of the Magi, fourth quarter 15th century, oil on canvas transferred from panel, overall: 183 x 164.5 cm (72 1/16 x 64 3/4 in.), framed: 215.9 x 203.2 x 12 cm (85 x 80 x 4 3/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/north-netherlandish-15th-century-painter-the-adoration-of-the-magi-fourth-quarter-15th-century-oil-on-canvas-transferred-from-panel-overall-183-x-1645-cm-72-116-x-64-34-in-framed-2159-x-2032-x-12-cm-85-x-80-x-4-34-in-image386279812.htmlRM2DCCFRG–North Netherlandish 15th Century, (painter), The Adoration of the Magi, fourth quarter 15th century, oil on canvas transferred from panel, overall: 183 x 164.5 cm (72 1/16 x 64 3/4 in.), framed: 215.9 x 203.2 x 12 cm (85 x 80 x 4 3/4 in
Art inspired by The Lamentation, possibly ca. 1520–25, Oil on canvas, transferred from wood, Shaped top, 36 x 22 1/8 in. (91.4 x 56.2 cm), Paintings, Ambrosius Benson (Netherlandish, Lombardy (?), active by 1519–died 1550 Bruges, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-lamentation-possibly-ca-152025-oil-on-canvas-transferred-from-wood-shaped-top-36-x-22-18-in-914-x-562-cm-paintings-ambrosius-benson-netherlandish-lombardy-active-by-1519died-1550-bruges-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463023839.htmlRF2HW8FHK–Art inspired by The Lamentation, possibly ca. 1520–25, Oil on canvas, transferred from wood, Shaped top, 36 x 22 1/8 in. (91.4 x 56.2 cm), Paintings, Ambrosius Benson (Netherlandish, Lombardy (?), active by 1519–died 1550 Bruges, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sandro Botticelli, The Nativity, fresco painting transferred to canvas, 1473-1475 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sandro-botticelli-the-nativity-fresco-painting-transferred-to-canvas-1473-1475-image488187845.htmlRM2KA6TG5–Sandro Botticelli, The Nativity, fresco painting transferred to canvas, 1473-1475
Portrait of a Man. Dated: c. 1470. Dimensions: overall: 24.2 x 19.1 cm (9 1/2 x 7 1/2 in.) framed: 37.6 x 32.5 x 3.2 cm (14 13/16 x 12 13/16 x 1 1/4 in.). Medium: tempera on hardboard transferred from canvas transferred from panel. Museum: National Gallery of Art, Washington DC. Author: Andrea Mantegna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-man-dated-c-1470-dimensions-overall-242-x-191-cm-9-12-x-7-12-in-framed-376-x-325-x-32-cm-14-1316-x-12-1316-x-1-14-in-medium-tempera-on-hardboard-transferred-from-canvas-transferred-from-panel-museum-national-gallery-of-art-washington-dc-author-andrea-mantegna-image218857781.htmlRMPM1R99–Portrait of a Man. Dated: c. 1470. Dimensions: overall: 24.2 x 19.1 cm (9 1/2 x 7 1/2 in.) framed: 37.6 x 32.5 x 3.2 cm (14 13/16 x 12 13/16 x 1 1/4 in.). Medium: tempera on hardboard transferred from canvas transferred from panel. Museum: National Gallery of Art, Washington DC. Author: Andrea Mantegna.
The Presentation in the Temple by the Master of Liesborn, oil on canvas transferred from oak, c. 1470-80. Part of the Liesborn Altarpiece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-presentation-in-the-temple-by-the-master-of-liesborn-oil-on-canvas-transferred-from-oak-c-1470-80-part-of-the-liesborn-altarpiece-image468946519.htmlRM2J6XA1Y–The Presentation in the Temple by the Master of Liesborn, oil on canvas transferred from oak, c. 1470-80. Part of the Liesborn Altarpiece.
