Captives facade Stock Photos and Images
Collosal Statue of Phrygian Captive, used as pier at Captives Facade in North Basilica, 2nd to 3rd century, Archaeological Museum of Ancient Corinth, municipality of Corinth, Peloponnese region, Greece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/collosal-statue-of-phrygian-captive-used-as-pier-at-captives-facade-in-north-basilica-2nd-to-3rd-century-archaeological-museum-of-ancient-corinth-municipality-of-corinth-peloponnese-region-greece-image551640993.htmlRF2R1DBM1–Collosal Statue of Phrygian Captive, used as pier at Captives Facade in North Basilica, 2nd to 3rd century, Archaeological Museum of Ancient Corinth, municipality of Corinth, Peloponnese region, Greece
Column in the shape of a Phrygian prisoner - Captives facade Northern Basilica Ancient Corinth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-column-in-the-shape-of-a-phrygian-prisoner-captives-facade-northern-27428906.htmlRFBGHDRP–Column in the shape of a Phrygian prisoner - Captives facade Northern Basilica Ancient Corinth
The ritual massacre of Asian captives by Ramesses III offered to the god Amun-Ra, south tower of the first pylon of the Mortuary Temple, Medinet Habu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ritual-massacre-of-asian-captives-by-ramesses-iii-offered-to-the-god-amun-ra-south-tower-of-the-first-pylon-of-the-mortuary-temple-medinet-habu-image465651460.htmlRM2J1G758–The ritual massacre of Asian captives by Ramesses III offered to the god Amun-Ra, south tower of the first pylon of the Mortuary Temple, Medinet Habu
Design of Wall Decoration and Equestrian Monument for Law Courts, Naples, Italy, Giovanni Battista Natali III, Italian, 1698 - 1765, Pen and black ink, brush and gray wash, graphite on ivory paper, Design of wall decoration and monument showing architectural façade with alternate suggestions for balconies and niches. At center, a large arch with military trophies and captives frames an equestrian statue and allegorical figural sculptures. Behind, a courtyard with the façade of another building., Naples, Italy, ca. 1750, architecture, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-of-wall-decoration-and-equestrian-monument-for-law-courts-naples-italy-giovanni-battista-natali-iii-italian-1698-1765-pen-and-black-ink-brush-and-gray-wash-graphite-on-ivory-paper-design-of-wall-decoration-and-monument-showing-architectural-faade-with-alternate-suggestions-for-balconies-and-niches-at-center-a-large-arch-with-military-trophies-and-captives-frames-an-equestrian-statue-and-allegorical-figural-sculptures-behind-a-courtyard-with-the-faade-of-another-building-naples-italy-ca-1750-architecture-drawing-image391784700.htmlRM2DNB9AM–Design of Wall Decoration and Equestrian Monument for Law Courts, Naples, Italy, Giovanni Battista Natali III, Italian, 1698 - 1765, Pen and black ink, brush and gray wash, graphite on ivory paper, Design of wall decoration and monument showing architectural façade with alternate suggestions for balconies and niches. At center, a large arch with military trophies and captives frames an equestrian statue and allegorical figural sculptures. Behind, a courtyard with the façade of another building., Naples, Italy, ca. 1750, architecture, Drawing
Relief depicting a row of captives, Sun Temple, Abu Simbel Temples; Egypt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-relief-depicting-a-row-of-captives-sun-temple-abu-simbel-temples-egypt-90318956.htmlRFF6XAN0–Relief depicting a row of captives, Sun Temple, Abu Simbel Temples; Egypt
Design of Wall Decoration and Equestrian Monument for Law Courts Naples Italy. Design of wall decoration and monument showing architectural façade with alternate suggestions for balconies and niches. At center, a large arch with military trophies and captives frames an equestrian statue and allegorical figural sculptures. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-of-wall-decoration-and-equestrian-monument-for-law-courts-naples-italy-design-of-wall-decoration-and-monument-showing-architectural-faade-with-alternate-suggestions-for-balconies-and-niches-at-center-a-large-arch-with-military-trophies-and-captives-frames-an-equestrian-statue-and-allegorical-figural-sculptures-image353526646.htmlRM2BF4ERJ–Design of Wall Decoration and Equestrian Monument for Law Courts Naples Italy. Design of wall decoration and monument showing architectural façade with alternate suggestions for balconies and niches. At center, a large arch with military trophies and captives frames an equestrian statue and allegorical figural sculptures.
The Cour Puget of Richelieu Wing of the Louvre Museum.The Group of sculpture'The Four Captives'(Four Defeated Nations) in the foreground.Paris,2013 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-cour-puget-of-richelieu-wing-of-the-louvre-museumthe-group-of-136809009.htmlRFHXG581–The Cour Puget of Richelieu Wing of the Louvre Museum.The Group of sculpture'The Four Captives'(Four Defeated Nations) in the foreground.Paris,2013
España. Andalucia. Provincia de Cádiz. Jerez de la Frontera. Cárcel de Jerez. Salida de una cuerda de presos con destino a la cárcel de Cádiz. Dibujo por Comba. Grabado por Vela. La Ilustración Española y Americana, 30 de marzo de 1883. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/espaa-andalucia-provincia-de-cdiz-jerez-de-la-frontera-crcel-de-jerez-salida-de-una-cuerda-de-presos-con-destino-a-la-crcel-de-cdiz-dibujo-por-comba-grabado-por-vela-la-ilustracin-espaola-y-americana-30-de-marzo-de-1883-image261118296.htmlRMW4PY1C–España. Andalucia. Provincia de Cádiz. Jerez de la Frontera. Cárcel de Jerez. Salida de una cuerda de presos con destino a la cárcel de Cádiz. Dibujo por Comba. Grabado por Vela. La Ilustración Española y Americana, 30 de marzo de 1883.
Photograph of Hezbollah Secretary-General Sayyed Hassan Nasrallah, inside Khiam Detention Centre, Khiam, southern Lebanon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photograph-of-hezbollah-secretary-general-sayyed-hassan-nasrallah-inside-khiam-detention-centre-khiam-southern-lebanon-image353253695.htmlRM2BEM2KB–Photograph of Hezbollah Secretary-General Sayyed Hassan Nasrallah, inside Khiam Detention Centre, Khiam, southern Lebanon.
Police officer arresting homeless person, USA, New York City Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-police-officer-arresting-homeless-person-usa-new-york-city-48833448.htmlRMCRCFFM–Police officer arresting homeless person, USA, New York City
. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. THE MAYAN CIVILIZATION 93 that elaborate many details of dress worn by the human beings carved on 1 he* monuments. The front view of the serpent's head is usually extended to fill an oblong panel and is often used to decorate the base of a monument or the facade of a building. There are several monsters closely connected with the serpent that will be discussed as the description proceeds. The Human Figure. The human beings pictured on Mayan monuments are captives, rulers, and priests or worshi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-civilizations-of-mexico-and-central-america-indians-of-mexico-indians-of-central-america-the-mayan-civilization-93-that-elaborate-many-details-of-dress-worn-by-the-human-beings-carved-on-1-he-monuments-the-front-view-of-the-serpents-head-is-usually-extended-to-fill-an-oblong-panel-and-is-often-used-to-decorate-the-base-of-a-monument-or-the-facade-of-a-building-there-are-several-monsters-closely-connected-with-the-serpent-that-will-be-discussed-as-the-description-proceeds-the-human-figure-the-human-beings-pictured-on-mayan-monuments-are-captives-rulers-and-priests-or-worshi-image232775176.htmlRMREKR34–. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. THE MAYAN CIVILIZATION 93 that elaborate many details of dress worn by the human beings carved on 1 he* monuments. The front view of the serpent's head is usually extended to fill an oblong panel and is often used to decorate the base of a monument or the facade of a building. There are several monsters closely connected with the serpent that will be discussed as the description proceeds. The Human Figure. The human beings pictured on Mayan monuments are captives, rulers, and priests or worshi
Collosal Statue of Phrygian Captive, used as pier at Captives Facade in North Basilica, 2nd to 3rd century, Archaeological Museum of Ancient Corinth, municipality of Corinth, Peloponnese region, Greece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/collosal-statue-of-phrygian-captive-used-as-pier-at-captives-facade-in-north-basilica-2nd-to-3rd-century-archaeological-museum-of-ancient-corinth-municipality-of-corinth-peloponnese-region-greece-image551640495.htmlRF2R1DB27–Collosal Statue of Phrygian Captive, used as pier at Captives Facade in North Basilica, 2nd to 3rd century, Archaeological Museum of Ancient Corinth, municipality of Corinth, Peloponnese region, Greece
Column in the shape of a Phrygian prisoner - Captives facade Northern Basilica Ancient Corinth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-column-in-the-shape-of-a-phrygian-prisoner-captives-facade-northern-27426710.htmlRFBGHB1A–Column in the shape of a Phrygian prisoner - Captives facade Northern Basilica Ancient Corinth
The ritual massacre of Asian captives by Ramesses III offered to the god Amun-Ra, south tower of the first pylon of the Mortuary Temple, Medinet Habu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ritual-massacre-of-asian-captives-by-ramesses-iii-offered-to-the-god-amun-ra-south-tower-of-the-first-pylon-of-the-mortuary-temple-medinet-habu-image465652530.htmlRM2J1G8FE–The ritual massacre of Asian captives by Ramesses III offered to the god Amun-Ra, south tower of the first pylon of the Mortuary Temple, Medinet Habu
Photograph of Hezbollah Secretary-General Sayyed Hassan Nasrallah, inside Khiam Detention Centre, Khiam, southern Lebanon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photograph-of-hezbollah-secretary-general-sayyed-hassan-nasrallah-inside-khiam-detention-centre-khiam-southern-lebanon-image353253244.htmlRM2BEM238–Photograph of Hezbollah Secretary-General Sayyed Hassan Nasrallah, inside Khiam Detention Centre, Khiam, southern Lebanon.
. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. THE MAYAN CIVILIZATION 03 that elaborate many details of dress worn by the human beings carved on the monuments. The front view of the serpent's head is usually extended to till an oblong panel and is often used to decorate the base of a monument or the facade of a building. There are several monsters closely connected with the serpent that will be discussed as the description proceeds. The Human Figure. The human beings pictured on Mayan monuments are captives, rulers, and priests or worshipp Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-civilizations-of-mexico-and-central-america-indians-of-mexico-indians-of-central-america-the-mayan-civilization-03-that-elaborate-many-details-of-dress-worn-by-the-human-beings-carved-on-the-monuments-the-front-view-of-the-serpents-head-is-usually-extended-to-till-an-oblong-panel-and-is-often-used-to-decorate-the-base-of-a-monument-or-the-facade-of-a-building-there-are-several-monsters-closely-connected-with-the-serpent-that-will-be-discussed-as-the-description-proceeds-the-human-figure-the-human-beings-pictured-on-mayan-monuments-are-captives-rulers-and-priests-or-worshipp-image232775544.htmlRMREKRG8–. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. THE MAYAN CIVILIZATION 03 that elaborate many details of dress worn by the human beings carved on the monuments. The front view of the serpent's head is usually extended to till an oblong panel and is often used to decorate the base of a monument or the facade of a building. There are several monsters closely connected with the serpent that will be discussed as the description proceeds. The Human Figure. The human beings pictured on Mayan monuments are captives, rulers, and priests or worshipp
Column in the shape of a Phrygian prisoner - Captives facade Northern Basilica Ancient Corinth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-column-in-the-shape-of-a-phrygian-prisoner-captives-facade-northern-27428885.htmlRFBGHDR1–Column in the shape of a Phrygian prisoner - Captives facade Northern Basilica Ancient Corinth
The pharaoh Ramesses III slaughtering prisoners after the battle of Djahy, Medinet Habu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pharaoh-ramesses-iii-slaughtering-prisoners-after-the-battle-of-djahy-medinet-habu-image465651455.htmlRM2J1G753–The pharaoh Ramesses III slaughtering prisoners after the battle of Djahy, Medinet Habu
. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. THE MAYAN CIVILIZATION it:; that elaborate many details of dress worn by the human beings carved on the monuments. The front view of the serpent's head is usually extended to till an oblong panel and is often used to decorate the l>a>o of a monument or the facade of a building. There are several monsters closely connected with the serpent that will be discussed as the description proceeds. The Human Figure. The human beings pictured on Mayan monuments are captives, rulers, and priests or Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-civilizations-of-mexico-and-central-america-indians-of-mexico-indians-of-central-america-the-mayan-civilization-it-that-elaborate-many-details-of-dress-worn-by-the-human-beings-carved-on-the-monuments-the-front-view-of-the-serpents-head-is-usually-extended-to-till-an-oblong-panel-and-is-often-used-to-decorate-the-lgtagto-of-a-monument-or-the-facade-of-a-building-there-are-several-monsters-closely-connected-with-the-serpent-that-will-be-discussed-as-the-description-proceeds-the-human-figure-the-human-beings-pictured-on-mayan-monuments-are-captives-rulers-and-priests-or-image236799406.htmlRMRN741J–. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. THE MAYAN CIVILIZATION it:; that elaborate many details of dress worn by the human beings carved on the monuments. The front view of the serpent's head is usually extended to till an oblong panel and is often used to decorate the l>a>o of a monument or the facade of a building. There are several monsters closely connected with the serpent that will be discussed as the description proceeds. The Human Figure. The human beings pictured on Mayan monuments are captives, rulers, and priests or
First pylon of the Mortuary Temple of Ramesses III, Medinet Habu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/first-pylon-of-the-mortuary-temple-of-ramesses-iii-medinet-habu-image465652529.htmlRM2J1G8FD–First pylon of the Mortuary Temple of Ramesses III, Medinet Habu
. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. THE MAYAN CIVILIZATION 03 that elaborate many details of dress worn by the human beings carved on the monuments. The front view of the serpent's head is usually extended to fill an oblong panel and is often used to decorate the base of a monument or the facade of a building. There are several monsters closely connected with the serpent that will be discussed as the description proceeds. The Human Figure. The human beings pictured on Mayan monuments are captives, rulers, and priests or worshipp Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-civilizations-of-mexico-and-central-america-indians-of-mexico-indians-of-central-america-the-mayan-civilization-03-that-elaborate-many-details-of-dress-worn-by-the-human-beings-carved-on-the-monuments-the-front-view-of-the-serpents-head-is-usually-extended-to-fill-an-oblong-panel-and-is-often-used-to-decorate-the-base-of-a-monument-or-the-facade-of-a-building-there-are-several-monsters-closely-connected-with-the-serpent-that-will-be-discussed-as-the-description-proceeds-the-human-figure-the-human-beings-pictured-on-mayan-monuments-are-captives-rulers-and-priests-or-worshipp-image236728389.htmlRMRN3WD9–. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. THE MAYAN CIVILIZATION 03 that elaborate many details of dress worn by the human beings carved on the monuments. The front view of the serpent's head is usually extended to fill an oblong panel and is often used to decorate the base of a monument or the facade of a building. There are several monsters closely connected with the serpent that will be discussed as the description proceeds. The Human Figure. The human beings pictured on Mayan monuments are captives, rulers, and priests or worshipp
First pylon of the Mortuary Temple of Ramesses III, Medinet Habu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/first-pylon-of-the-mortuary-temple-of-ramesses-iii-medinet-habu-image559383574.htmlRM2RE23CP–First pylon of the Mortuary Temple of Ramesses III, Medinet Habu
. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. ^TPc^ ^ ^ fesS-rrOril ^^^€^i Fig. 27. Upper Part of Serpent Head made into a Fret Orna- ment; a, Ixkun; b, Quirigua; c, d, g, Copan; e, Naranjo; /, Seibal. fill an oblong panel and is often used to decorate the base of a monument or the facade of a building. There are several monsters closely connected with the serpent that will be discussed as the description proceeds. The Human Figure. The human beings pictured on Mayan monuments are captives, rulers, and priests or worshippers. The captiv Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-civilizations-of-mexico-and-central-america-indians-of-mexico-indians-of-central-america-tpc-fess-rroril-i-fig-27-upper-part-of-serpent-head-made-into-a-fret-orna-ment-a-ixkun-b-quirigua-c-d-g-copan-e-naranjo-seibal-fill-an-oblong-panel-and-is-often-used-to-decorate-the-base-of-a-monument-or-the-facade-of-a-building-there-are-several-monsters-closely-connected-with-the-serpent-that-will-be-discussed-as-the-description-proceeds-the-human-figure-the-human-beings-pictured-on-mayan-monuments-are-captives-rulers-and-priests-or-worshippers-the-captiv-image236799591.htmlRMRN7487–. Ancient civilizations of Mexico and Central America. Indians of Mexico; Indians of Central America. ^TPc^ ^ ^ fesS-rrOril ^^^€^i Fig. 27. Upper Part of Serpent Head made into a Fret Orna- ment; a, Ixkun; b, Quirigua; c, d, g, Copan; e, Naranjo; /, Seibal. fill an oblong panel and is often used to decorate the base of a monument or the facade of a building. There are several monsters closely connected with the serpent that will be discussed as the description proceeds. The Human Figure. The human beings pictured on Mayan monuments are captives, rulers, and priests or worshippers. The captiv
First pylon of the Mortuary Temple of Ramesses III, Medinet Habu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/first-pylon-of-the-mortuary-temple-of-ramesses-iii-medinet-habu-image559383572.htmlRM2RE23CM–First pylon of the Mortuary Temple of Ramesses III, Medinet Habu
