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Cartouche placed Stock Photos and Images
Cartouche placed in front of a Pedestal with Buildings in the Background, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Etching on off-white paper, Cartouche design placed in front of a pedestal and buildings, France, 1700–1775, ornament, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartouche-placed-in-front-of-a-pedestal-with-buildings-in-the-background-pierre-edme-babel-french-ca-1720-1775-jacques-chreau-french-16881776-etching-on-off-white-paper-cartouche-design-placed-in-front-of-a-pedestal-and-buildings-france-17001775-ornament-print-image391511727.htmlRM2DMXW5K–Cartouche placed in front of a Pedestal with Buildings in the Background, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Etching on off-white paper, Cartouche design placed in front of a pedestal and buildings, France, 1700–1775, ornament, Print
Print, Cartouche placed in font of a Pedestal, 1700–1775 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-cartouche-placed-in-font-of-a-pedestal-17001775-image415086068.htmlRM2F38PEC–Print, Cartouche placed in font of a Pedestal, 1700–1775
Cartouche placed in front of a Pedestal. Research in ProgressCartouche design in front of a pedestal Cartouche placed in front of a Pedestal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartouche-placed-in-front-of-a-pedestal-research-in-progresscartouche-design-in-front-of-a-pedestal-cartouche-placed-in-front-of-a-pedestal-image352153672.htmlRM2BCWYGT–Cartouche placed in front of a Pedestal. Research in ProgressCartouche design in front of a pedestal Cartouche placed in front of a Pedestal
Print, Cartouche placed in font of a Pedestal; Designed by Pierre Edme Babel (French, 1720–1775); Published by Jacques Chéreau (French, 1688–1776); France; etching on off-white paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-cartouche-placed-in-font-of-a-pedestal-designed-by-pierre-edme-babel-french-17201775-published-by-jacques-chreau-french-16881776-france-etching-on-off-white-paper-image546075066.htmlRM2PMBT8X–Print, Cartouche placed in font of a Pedestal; Designed by Pierre Edme Babel (French, 1720–1775); Published by Jacques Chéreau (French, 1688–1776); France; etching on off-white paper
Portrait of Arend Roggeveen flanked by Putti, Joannes Loots, 1697 - 1724 print The portrait of Arend Roggeveen in a cartouche, placed for an architectural gate with left and right heaven -globes in Nissen. The portrait is flanked on either side by putti with ship instruments. At the top of a burning peat bowl, putti and countryside fragments of the continents of America and Africa. paper engraving / pen cupids: 'amores', 'amoretti', 'putti'. measuring-instruments Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-arend-roggeveen-flanked-by-putti-joannes-loots-1697-1724-print-the-portrait-of-arend-roggeveen-in-a-cartouche-placed-for-an-architectural-gate-with-left-and-right-heaven-globes-in-nissen-the-portrait-is-flanked-on-either-side-by-putti-with-ship-instruments-at-the-top-of-a-burning-peat-bowl-putti-and-countryside-fragments-of-the-continents-of-america-and-africa-paper-engraving-pen-cupids-amores-amoretti-putti-measuring-instruments-image594856461.htmlRM2WFP1DH–Portrait of Arend Roggeveen flanked by Putti, Joannes Loots, 1697 - 1724 print The portrait of Arend Roggeveen in a cartouche, placed for an architectural gate with left and right heaven -globes in Nissen. The portrait is flanked on either side by putti with ship instruments. At the top of a burning peat bowl, putti and countryside fragments of the continents of America and Africa. paper engraving / pen cupids: 'amores', 'amoretti', 'putti'. measuring-instruments
Oval Pendant or Case and Two Bezel Designs. Dimensions: Plate: 3 3/16 x 4 5/16 in. (8.1 x 11 cm). Printmaker: Giovanni Battista Costantini (Italian, active 1615-1628). Date: 1622. Print from a series of six with goldsmith's designs in blackwork. This print shows designs for three elements of goldsmith's work, placed in a seascape with fantastical water creatures. In the center an oval design for a case or pendant is presented. It is surrounded by a slim cartouche made up out of leaves and masks. On the top of the page, two figures sprout forward from the plant shoots. They each hold up a beze Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oval-pendant-or-case-and-two-bezel-designs-dimensions-plate-3-316-x-4-516-in-81-x-11-cm-printmaker-giovanni-battista-costantini-italian-active-1615-1628-date-1622-print-from-a-series-of-six-with-goldsmiths-designs-in-blackwork-this-print-shows-designs-for-three-elements-of-goldsmiths-work-placed-in-a-seascape-with-fantastical-water-creatures-in-the-center-an-oval-design-for-a-case-or-pendant-is-presented-it-is-surrounded-by-a-slim-cartouche-made-up-out-of-leaves-and-masks-on-the-top-of-the-page-two-figures-sprout-forward-from-the-plant-shoots-they-each-hold-up-a-beze-image212915824.htmlRMPAB48G–Oval Pendant or Case and Two Bezel Designs. Dimensions: Plate: 3 3/16 x 4 5/16 in. (8.1 x 11 cm). Printmaker: Giovanni Battista Costantini (Italian, active 1615-1628). Date: 1622. Print from a series of six with goldsmith's designs in blackwork. This print shows designs for three elements of goldsmith's work, placed in a seascape with fantastical water creatures. In the center an oval design for a case or pendant is presented. It is surrounded by a slim cartouche made up out of leaves and masks. On the top of the page, two figures sprout forward from the plant shoots. They each hold up a beze
Inspired by Cartouche rug, Cartouche rug. Midfield: brownish-red ground with double cross with pointed top and foot, in cognac color with green outline and filled with two blocks fitted with hooks outside and inside with concatenated lozenges. Edges: in two types: the standing edge different from the, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-cartouche-rug-cartouche-rug-midfield-brownish-red-ground-with-double-cross-with-pointed-top-and-foot-in-cognac-color-with-green-outline-and-filled-with-two-blocks-fitted-with-hooks-outside-and-inside-with-concatenated-lozenges-edges-in-two-types-the-standing-edge-different-from-the-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459387870.htmlRF2HKAWWJ–Inspired by Cartouche rug, Cartouche rug. Midfield: brownish-red ground with double cross with pointed top and foot, in cognac color with green outline and filled with two blocks fitted with hooks outside and inside with concatenated lozenges. Edges: in two types: the standing edge different from the, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. English: Title: Gandauum Amplissima Flandriae Urbs, ... Author: G.Braun & F.Hogenberg PlaceAndYear: Cologne 1572 Description: Flemish Ghent is shown here from the northwest and from a great height - the towns major buildings and the mills are minutely placed between the rivers. A cartouche in Latin at top left describes Ghent as the most famous city in Flanders, founded by Julius Caesar and called Gaius after his forename. Dimensions: 475 x 330 mm Colouring: coloured Technique: copperplate . 1572. Braun & Hogenberg Ghent, Belgium, Braun & Hogenberg, 1572 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-title-gandauum-amplissima-flandriae-urbs-author-gbraun-fhogenberg-placeandyear-cologne-1572-description-flemish-ghent-is-shown-here-from-the-northwest-and-from-a-great-height-the-towns-major-buildings-and-the-mills-are-minutely-placed-between-the-rivers-a-cartouche-in-latin-at-top-left-describes-ghent-as-the-most-famous-city-in-flanders-founded-by-julius-caesar-and-called-gaius-after-his-forename-dimensions-475-x-330-mm-colouring-coloured-technique-copperplate-1572-braun-hogenberg-ghent-belgium-braun-amp-hogenberg-1572-image184797217.htmlRMMMJ6MH–. English: Title: Gandauum Amplissima Flandriae Urbs, ... Author: G.Braun & F.Hogenberg PlaceAndYear: Cologne 1572 Description: Flemish Ghent is shown here from the northwest and from a great height - the towns major buildings and the mills are minutely placed between the rivers. A cartouche in Latin at top left describes Ghent as the most famous city in Flanders, founded by Julius Caesar and called Gaius after his forename. Dimensions: 475 x 330 mm Colouring: coloured Technique: copperplate . 1572. Braun & Hogenberg Ghent, Belgium, Braun & Hogenberg, 1572
Sleeve ruffle. Sleeve ruffle in a pattern showing freely-placed floral sprays and cartouche. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sleeve-ruffle-sleeve-ruffle-in-a-pattern-showing-freely-placed-floral-sprays-and-cartouche-image353512117.htmlRM2BF3T8N–Sleeve ruffle. Sleeve ruffle in a pattern showing freely-placed floral sprays and cartouche.
. English: 'John Russel. The First Earl of Bedford 1549' Half-lenght portrait of John Russel, first Earl of Bedford, by Jacobus Houbraken. The sitter is depicted within a baroque cartouche wearing the insignia of the order of the Garter. Below, a putti is holding a laurel wreath, a battle is depicted on a plinth, and an anchor is placed on the left-hand side. Jacobus Houbraken was one of the most accomplished portrait engravers of the eighteenth century. This print was included in the 'Heads of Illustrious Persons of Great Britain', his most famous engravings for English publication, done in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-john-russel-the-first-earl-of-bedford-1549-half-lenght-portrait-of-john-russel-first-earl-of-bedford-by-jacobus-houbraken-the-sitter-is-depicted-within-a-baroque-cartouche-wearing-the-insignia-of-the-order-of-the-garter-below-a-putti-is-holding-a-laurel-wreath-a-battle-is-depicted-on-a-plinth-and-an-anchor-is-placed-on-the-left-hand-side-jacobus-houbraken-was-one-of-the-most-accomplished-portrait-engravers-of-the-eighteenth-century-this-print-was-included-in-the-heads-of-illustrious-persons-of-great-britain-his-most-famous-engravings-for-english-publication-done-in-image206563405.htmlRMP01NMD–. English: 'John Russel. The First Earl of Bedford 1549' Half-lenght portrait of John Russel, first Earl of Bedford, by Jacobus Houbraken. The sitter is depicted within a baroque cartouche wearing the insignia of the order of the Garter. Below, a putti is holding a laurel wreath, a battle is depicted on a plinth, and an anchor is placed on the left-hand side. Jacobus Houbraken was one of the most accomplished portrait engravers of the eighteenth century. This print was included in the 'Heads of Illustrious Persons of Great Britain', his most famous engravings for English publication, done in
Cartouche Decorated with a Helmet and a Mask. Cartouche design decorated with a helmet and a mask placed on a pedestal with an empty tablet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartouche-decorated-with-a-helmet-and-a-mask-cartouche-design-decorated-with-a-helmet-and-a-mask-placed-on-a-pedestal-with-an-empty-tablet-image353510533.htmlRM2BF3P85–Cartouche Decorated with a Helmet and a Mask. Cartouche design decorated with a helmet and a mask placed on a pedestal with an empty tablet
Christ stripped of his clothes, Hieronymus Wierix, 1608 Two soldiers rip the clothes from Christ's body. The scene is contained in a cartouche and pla Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-stripped-of-his-clothes-hieronymus-wierix-1608-two-soldiers-rip-the-clothes-from-christs-body-the-scene-is-contained-in-a-cartouche-and-pla-image488049446.htmlRF2KA0G1A–Christ stripped of his clothes, Hieronymus Wierix, 1608 Two soldiers rip the clothes from Christ's body. The scene is contained in a cartouche and pla
Sidewall. Formal design of urn containing triple-branched tudor rose plant with leaves and quatrefoil blossoms, placed with cartouche shaped by flanking corinthian columns and acanthus scrolls. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-formal-design-of-urn-containing-triple-branched-tudor-rose-plant-with-leaves-and-quatrefoil-blossoms-placed-with-cartouche-shaped-by-flanking-corinthian-columns-and-acanthus-scrolls-image353471035.htmlRM2BF1YWF–Sidewall. Formal design of urn containing triple-branched tudor rose plant with leaves and quatrefoil blossoms, placed with cartouche shaped by flanking corinthian columns and acanthus scrolls.
Berlin, Germany. 04th Apr, 2023. A side wing of the cartouche is illuminated by the sun. The huge cartouche with coat of arms is placed above the Eosander portal, the main entrance of the reconstructed baroque castle facade with the help of a crane and facade climbers. Credit: Hannes P. Albert/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/berlin-germany-04th-apr-2023-a-side-wing-of-the-cartouche-is-illuminated-by-the-sun-the-huge-cartouche-with-coat-of-arms-is-placed-above-the-eosander-portal-the-main-entrance-of-the-reconstructed-baroque-castle-facade-with-the-help-of-a-crane-and-facade-climbers-credit-hannes-p-albertdpaalamy-live-news-image545156960.htmlRM2PJX17C–Berlin, Germany. 04th Apr, 2023. A side wing of the cartouche is illuminated by the sun. The huge cartouche with coat of arms is placed above the Eosander portal, the main entrance of the reconstructed baroque castle facade with the help of a crane and facade climbers. Credit: Hannes P. Albert/dpa/Alamy Live News
Cartouche Pitoresque Picturesque Cartouche. Plate 3 of a series of 4 cartouche ornament designs. Asymmetric cartouche in Rococo style, placed on a ground with hills, with lower left part of a read. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartouche-pitoresque-picturesque-cartouche-plate-3-of-a-series-of-4-cartouche-ornament-designs-asymmetric-cartouche-in-rococo-style-placed-on-a-ground-with-hills-with-lower-left-part-of-a-read-image353516240.htmlRM2BF41G0–Cartouche Pitoresque Picturesque Cartouche. Plate 3 of a series of 4 cartouche ornament designs. Asymmetric cartouche in Rococo style, placed on a ground with hills, with lower left part of a read.
Cairo, Egyptian Museum, royal necropolis of Tanis, burial of Psusennes : Gold plaque placed on the cut made to remove internal organs. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cairo-egyptian-museum-royal-necropolis-of-tanis-burial-of-psusennes-gold-plaque-placed-on-the-cut-made-to-remove-internal-organs-image368091455.htmlRM2CAT0BB–Cairo, Egyptian Museum, royal necropolis of Tanis, burial of Psusennes : Gold plaque placed on the cut made to remove internal organs.
Cartouche in the Shape of a Snail on Top of a Ship. Design for a title page in the form of a ship. The prow of a ship is supported by two mer-creatures on either side. Above, the sail of the ship functions as a rectangular cartouche where text would be placed. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartouche-in-the-shape-of-a-snail-on-top-of-a-ship-design-for-a-title-page-in-the-form-of-a-ship-the-prow-of-a-ship-is-supported-by-two-mer-creatures-on-either-side-above-the-sail-of-the-ship-functions-as-a-rectangular-cartouche-where-text-would-be-placed-image353497447.htmlRM2BF35GR–Cartouche in the Shape of a Snail on Top of a Ship. Design for a title page in the form of a ship. The prow of a ship is supported by two mer-creatures on either side. Above, the sail of the ship functions as a rectangular cartouche where text would be placed.
Gas vent cover placed on the Art Nouveau stucco decoration dated from 1905 on the revenue house in Černomořská Street in Vršovice district in Prague, Czech Republic. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gas-vent-cover-placed-on-the-art-nouveau-stucco-decoration-dated-from-1905-on-the-revenue-house-in-ernomosk-street-in-vrovice-district-in-prague-czech-republic-image364401710.htmlRM2C4RX2P–Gas vent cover placed on the Art Nouveau stucco decoration dated from 1905 on the revenue house in Černomořská Street in Vršovice district in Prague, Czech Republic.
Panel. 1715–1725. England. silk, satin weave with supplementary patterning wefts and self-patterned by areas of weft-float faced twill weave; two selvages present. Central cartouche with inscription surrounded by regularly placed carpenter's tools; say, compass, drill, plane, and mallet, in red on off-white ground Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-17151725-england-silk-satin-weave-with-supplementary-patterning-wefts-and-self-patterned-by-areas-of-weft-float-faced-twill-weave-two-selvages-present-central-cartouche-with-inscription-surrounded-by-regularly-placed-carpenters-tools-say-compass-drill-plane-and-mallet-in-red-on-off-white-ground-image337988720.htmlRM2AHTM1M–Panel. 1715–1725. England. silk, satin weave with supplementary patterning wefts and self-patterned by areas of weft-float faced twill weave; two selvages present. Central cartouche with inscription surrounded by regularly placed carpenter's tools; say, compass, drill, plane, and mallet, in red on off-white ground
Cartouche placed in font of a Pedestal, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Etching on off-white paper, Cartouche design in front of a pedestal, France, 1700–1775, ornament, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartouche-placed-in-font-of-a-pedestal-pierre-edme-babel-french-ca-1720-1775-pierre-edme-babel-french-ca-1720-1775-jacques-chreau-french-16881776-etching-on-off-white-paper-cartouche-design-in-front-of-a-pedestal-france-17001775-ornament-print-image391517764.htmlRM2DMY4W8–Cartouche placed in font of a Pedestal, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Etching on off-white paper, Cartouche design in front of a pedestal, France, 1700–1775, ornament, Print
Print, Cartouche placed in front of a Pedestal, 1700–1775 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-cartouche-placed-in-front-of-a-pedestal-17001775-image415086084.htmlRM2F38PF0–Print, Cartouche placed in front of a Pedestal, 1700–1775
Hieroglyphic symbols carved out on rock by the ancient Egyptians in a monument placed at London in England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hieroglyphic-symbols-carved-out-on-rock-by-the-ancient-egyptians-in-a-monument-placed-at-london-in-england-image359683045.htmlRF2BW4YB1–Hieroglyphic symbols carved out on rock by the ancient Egyptians in a monument placed at London in England.
![. The sacred beetle: a popular treatise on Egyptian scarabs in art and history. nd 433, Plates XI and XVI): arrangement of repeated; above and below cartouches of a king not yet placed. 450. Mysterious design of hieroglyphics, unread, very old style. 291. Mysterious design, as yet unread. Cowroid. Plate IX.] SCARABS OF MIDDLE KINGDOM STYLE. 95 396. Mysterious design of hieroglyphics, as yet unread, very peculiar.66. Mysterious design, as yet unread, seems very old style. 20. In centre a royal cartouche, as yet unread, with border of=r> and crown of Lower Egypt. Q 326. Royal cartouche, V sam Stock Photo](https://c8.alamy.com/comp/2CER2DW/the-sacred-beetle-a-popular-treatise-on-egyptian-scarabs-in-art-and-history-nd-433-plates-xi-and-xvi-arrangement-of-repeated-above-and-below-cartouches-of-a-king-not-yet-placed-450-mysterious-design-of-hieroglyphics-unread-very-old-style-291-mysterious-design-as-yet-unread-cowroid-plate-ix-scarabs-of-middle-kingdom-style-95-396-mysterious-design-of-hieroglyphics-as-yet-unread-very-peculiar66-mysterious-design-as-yet-unread-seems-very-old-style-20-in-centre-a-royal-cartouche-as-yet-unread-with-border-of=rgt-and-crown-of-lower-egypt-q-326-royal-cartouche-v-sam-2CER2DW.jpg ". The sacred beetle: a popular treatise on Egyptian scarabs in art and history. nd 433, Plates XI and XVI): arrangement of repeated; above and below cartouches of a king not yet placed. 450. Mysterious design of hieroglyphics, unread, very old style. 291. Mysterious design, as yet unread. Cowroid. Plate IX.] SCARABS OF MIDDLE KINGDOM STYLE. 95 396. Mysterious design of hieroglyphics, as yet unread, very peculiar.66. Mysterious design, as yet unread, seems very old style. 20. In centre a royal cartouche, as yet unread, with border of=r> and crown of Lower Egypt. Q 326. Royal cartouche, V sam Stock Photo")
. The sacred beetle: a popular treatise on Egyptian scarabs in art and history. nd 433, Plates XI and XVI): arrangement of repeated; above and below cartouches of a king not yet placed. 450. Mysterious design of hieroglyphics, unread, very old style. 291. Mysterious design, as yet unread. Cowroid. Plate IX.] SCARABS OF MIDDLE KINGDOM STYLE. 95 396. Mysterious design of hieroglyphics, as yet unread, very peculiar.66. Mysterious design, as yet unread, seems very old style. 20. In centre a royal cartouche, as yet unread, with border of=r> and crown of Lower Egypt. Q 326. Royal cartouche, V sam Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-sacred-beetle-a-popular-treatise-on-egyptian-scarabs-in-art-and-history-nd-433-plates-xi-and-xvi-arrangement-of-repeated-above-and-below-cartouches-of-a-king-not-yet-placed-450-mysterious-design-of-hieroglyphics-unread-very-old-style-291-mysterious-design-as-yet-unread-cowroid-plate-ix-scarabs-of-middle-kingdom-style-95-396-mysterious-design-of-hieroglyphics-as-yet-unread-very-peculiar66-mysterious-design-as-yet-unread-seems-very-old-style-20-in-centre-a-royal-cartouche-as-yet-unread-with-border-of=rgt-and-crown-of-lower-egypt-q-326-royal-cartouche-v-sam-image370529765.htmlRM2CER2DW–. The sacred beetle: a popular treatise on Egyptian scarabs in art and history. nd 433, Plates XI and XVI): arrangement of repeated; above and below cartouches of a king not yet placed. 450. Mysterious design of hieroglyphics, unread, very old style. 291. Mysterious design, as yet unread. Cowroid. Plate IX.] SCARABS OF MIDDLE KINGDOM STYLE. 95 396. Mysterious design of hieroglyphics, as yet unread, very peculiar.66. Mysterious design, as yet unread, seems very old style. 20. In centre a royal cartouche, as yet unread, with border of=r> and crown of Lower Egypt. Q 326. Royal cartouche, V sam
The portrait of Arend Roggeveen in a cartouche, placed for an architectural gate with left and right Hemelglobes in Nissen. The portrait is flanked on either side by putti with ship instruments. At the top of a burning peat heap, putti and map fragments of the America and Africa continents. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-portrait-of-arend-roggeveen-in-a-cartouche-placed-for-an-architectural-gate-with-left-and-right-hemelglobes-in-nissen-the-portrait-is-flanked-on-either-side-by-putti-with-ship-instruments-at-the-top-of-a-burning-peat-heap-putti-and-map-fragments-of-the-america-and-africa-continents-image414458703.htmlRM2F2868F–The portrait of Arend Roggeveen in a cartouche, placed for an architectural gate with left and right Hemelglobes in Nissen. The portrait is flanked on either side by putti with ship instruments. At the top of a burning peat heap, putti and map fragments of the America and Africa continents.
Panel. England or France. Date: 1715-1725. Dimensions: 223.3 × 57.1 cm (87 7/8 × 22 1/2 in.) Repeat: 43.2 × 28 cm (17 × 11 in.). Silk, satin weave with supplementary patterning wefts and self-patterned by areas of weft-float faced twill weave; two selvages present. Central cartouche with inscription surrounded by regularly placed carpenter's tools; say, compass, drill, plane, and mallet, in red on off-white ground. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-england-or-france-date-1715-1725-dimensions-2233-571-cm-87-78-22-12-in-repeat-432-28-cm-17-11-in-silk-satin-weave-with-supplementary-patterning-wefts-and-self-patterned-by-areas-of-weft-float-faced-twill-weave-two-selvages-present-central-cartouche-with-inscription-surrounded-by-regularly-placed-carpenters-tools-say-compass-drill-plane-and-mallet-in-red-on-off-white-ground-origin-england-museum-the-chicago-art-institute-image240098365.htmlRMRXHBWH–Panel. England or France. Date: 1715-1725. Dimensions: 223.3 × 57.1 cm (87 7/8 × 22 1/2 in.) Repeat: 43.2 × 28 cm (17 × 11 in.). Silk, satin weave with supplementary patterning wefts and self-patterned by areas of weft-float faced twill weave; two selvages present. Central cartouche with inscription surrounded by regularly placed carpenter's tools; say, compass, drill, plane, and mallet, in red on off-white ground. Origin: England. Museum: The Chicago Art Institute.
Art inspired by Cartouche rug, Cartouche rug. Midfield: brownish-red ground with double cross with pointed top and foot, in cognac color with green outline and filled with two blocks fitted with hooks outside and inside with concatenated lozenges. Edges: in two types: the standing edge, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-cartouche-rug-cartouche-rug-midfield-brownish-red-ground-with-double-cross-with-pointed-top-and-foot-in-cognac-color-with-green-outline-and-filled-with-two-blocks-fitted-with-hooks-outside-and-inside-with-concatenated-lozenges-edges-in-two-types-the-standing-edge-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459727879.htmlRF2HKXBGR–Art inspired by Cartouche rug, Cartouche rug. Midfield: brownish-red ground with double cross with pointed top and foot, in cognac color with green outline and filled with two blocks fitted with hooks outside and inside with concatenated lozenges. Edges: in two types: the standing edge, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![Title print for a series of Roman ruins; Roman ruins. TitleTrent for the series: Praecipva Aliqvot Romanae Antiquatatis RVINARVM [...], with 25 prints of Roman ruins. Title on a cartouche placed in a brick wall. Stock Photo](https://c8.alamy.com/comp/2FYY1EJ/title-print-for-a-series-of-roman-ruins-roman-ruins-titletrent-for-the-series-praecipva-aliqvot-romanae-antiquatatis-rvinarvm-with-25-prints-of-roman-ruins-title-on-a-cartouche-placed-in-a-brick-wall-2FYY1EJ.jpg "Title print for a series of Roman ruins; Roman ruins. TitleTrent for the series: Praecipva Aliqvot Romanae Antiquatatis RVINARVM [...], with 25 prints of Roman ruins. Title on a cartouche placed in a brick wall. Stock Photo")
Title print for a series of Roman ruins; Roman ruins. TitleTrent for the series: Praecipva Aliqvot Romanae Antiquatatis RVINARVM [...], with 25 prints of Roman ruins. Title on a cartouche placed in a brick wall. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-print-for-a-series-of-roman-ruins-roman-ruins-titletrent-for-the-series-praecipva-aliqvot-romanae-antiquatatis-rvinarvm-with-25-prints-of-roman-ruins-title-on-a-cartouche-placed-in-a-brick-wall-image430238442.htmlRM2FYY1EJ–Title print for a series of Roman ruins; Roman ruins. TitleTrent for the series: Praecipva Aliqvot Romanae Antiquatatis RVINARVM [...], with 25 prints of Roman ruins. Title on a cartouche placed in a brick wall.
Panel, England, c. 1720. Floral pattern with carpentry tools and the letters 'S.Ioseph', (St Joseph). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-england-c-1720-floral-pattern-with-carpentry-tools-and-the-letters-sioseph-st-joseph-image453129010.htmlRM2H95PJX–Panel, England, c. 1720. Floral pattern with carpentry tools and the letters 'S.Ioseph', (St Joseph).
Title print for a series of Roman ruins; Praecipva aliqvot romanae antiquis rvinarum moniment vivis prospectibus ad veri imitationem affa design data; Roman ruins. Title print for a series of Roman ruins. Title on a cartouche placed in a brick wall. This print is part of an album. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-print-for-a-series-of-roman-ruins-praecipva-aliqvot-romanae-antiquis-rvinarum-moniment-vivis-prospectibus-ad-veri-imitationem-affa-design-data-roman-ruins-title-print-for-a-series-of-roman-ruins-title-on-a-cartouche-placed-in-a-brick-wall-this-print-is-part-of-an-album-image432780371.htmlRM2G42RNR–Title print for a series of Roman ruins; Praecipva aliqvot romanae antiquis rvinarum moniment vivis prospectibus ad veri imitationem affa design data; Roman ruins. Title print for a series of Roman ruins. Title on a cartouche placed in a brick wall. This print is part of an album.
vector vintage template frame In gothic style Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-vintage-template-frame-in-gothic-style-image554739519.htmlRF2R6EFWK–vector vintage template frame In gothic style
Mascaron, waterspuwer, anonymous, c. 1700 - c. 1720 The aquywear consists of a head, placed on a cartouche and surrounded by foliage and fruits. Paris (possibly) bronze (metal) The aquywear consists of a head, placed on a cartouche and surrounded by foliage and fruits. Paris (possibly) bronze (metal) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mascaron-waterspuwer-anonymous-c-1700-c-1720-the-aquywear-consists-of-a-head-placed-on-a-cartouche-and-surrounded-by-foliage-and-fruits-paris-possibly-bronze-metal-the-aquywear-consists-of-a-head-placed-on-a-cartouche-and-surrounded-by-foliage-and-fruits-paris-possibly-bronze-metal-image576622901.htmlRM2TE3CB1–Mascaron, waterspuwer, anonymous, c. 1700 - c. 1720 The aquywear consists of a head, placed on a cartouche and surrounded by foliage and fruits. Paris (possibly) bronze (metal) The aquywear consists of a head, placed on a cartouche and surrounded by foliage and fruits. Paris (possibly) bronze (metal)
A lion was sculptured on a bronze lantern placed in the courtyard of Itsukushima-jinja in Miyajima, Japan. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-lion-was-sculptured-on-a-bronze-lantern-placed-in-the-courtyard-78041134.htmlRMEEY27A–A lion was sculptured on a bronze lantern placed in the courtyard of Itsukushima-jinja in Miyajima, Japan.
Berlin, Germany. 04th Apr, 2023. The cartouche is erected with the help of a crane, forklift trucks and fitters. The huge cartouche with coat of arms is placed above the Eosander portal, the main entrance of the reconstructed baroque castle facade, with the help of a crane and facade climbers. Credit: Hannes P. Albert/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/berlin-germany-04th-apr-2023-the-cartouche-is-erected-with-the-help-of-a-crane-forklift-trucks-and-fitters-the-huge-cartouche-with-coat-of-arms-is-placed-above-the-eosander-portal-the-main-entrance-of-the-reconstructed-baroque-castle-facade-with-the-help-of-a-crane-and-facade-climbers-credit-hannes-p-albertdpaalamy-live-news-image545156974.htmlRM2PJX17X–Berlin, Germany. 04th Apr, 2023. The cartouche is erected with the help of a crane, forklift trucks and fitters. The huge cartouche with coat of arms is placed above the Eosander portal, the main entrance of the reconstructed baroque castle facade, with the help of a crane and facade climbers. Credit: Hannes P. Albert/dpa/Alamy Live News
Allegory marriage Allegory of marriage, placed in a decorative cartouche made up of flowers , plants and architectural fragments. Cental in the show are a man and woman by an angel in marriage and honored by two putti. Their hands touch above a burning sacrifice pillar. The pair is assisted by allegorical figures and putti with flower garlands. In the distance is a classic building Where: putti with a horn of plenty and eternity symbol, the snake in its tail biting, flying. Right Juno by peacocks towed airborne car into her. At the bottom of the cartridge is Cupid with bow and arrow on a shell Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-marriage-allegory-of-marriage-placed-in-a-decorative-cartouche-made-up-of-flowers-plants-and-architectural-fragments-cental-in-the-show-are-a-man-and-woman-by-an-angel-in-marriage-and-honored-by-two-putti-their-hands-touch-above-a-burning-sacrifice-pillar-the-pair-is-assisted-by-allegorical-figures-and-putti-with-flower-garlands-in-the-distance-is-a-classic-building-where-putti-with-a-horn-of-plenty-and-eternity-symbol-the-snake-in-its-tail-biting-flying-right-juno-by-peacocks-towed-airborne-car-into-her-at-the-bottom-of-the-cartridge-is-cupid-with-bow-and-arrow-on-a-shell-image348126084.htmlRM2B6AEAC–Allegory marriage Allegory of marriage, placed in a decorative cartouche made up of flowers , plants and architectural fragments. Cental in the show are a man and woman by an angel in marriage and honored by two putti. Their hands touch above a burning sacrifice pillar. The pair is assisted by allegorical figures and putti with flower garlands. In the distance is a classic building Where: putti with a horn of plenty and eternity symbol, the snake in its tail biting, flying. Right Juno by peacocks towed airborne car into her. At the bottom of the cartridge is Cupid with bow and arrow on a shell
Cartouche placed in front of a Pedestal, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Etching on off-white paper, Cartouche design in front of a pedestal, France, 1700–1775, ornament, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartouche-placed-in-front-of-a-pedestal-pierre-edme-babel-french-ca-1720-1775-pierre-edme-babel-french-ca-1720-1775-jacques-chreau-french-16881776-etching-on-off-white-paper-cartouche-design-in-front-of-a-pedestal-france-17001775-ornament-print-image391532629.htmlRM2DMYRT5–Cartouche placed in front of a Pedestal, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Etching on off-white paper, Cartouche design in front of a pedestal, France, 1700–1775, ornament, Print
Print, Cartouche placed in front of a Pedestal with Buildings in the Background, 1700–1775 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-cartouche-placed-in-front-of-a-pedestal-with-buildings-in-the-background-17001775-image415086083.htmlRM2F38PEY–Print, Cartouche placed in front of a Pedestal with Buildings in the Background, 1700–1775
Strip of spool lace with a bow of branches from a triangular cartouche, Strip of natural spool of lace: Mechelen lace. The pattern consists of an arc formed by two branches from a triangular cartouche along the top of the strip. In the middle below the arch is a pointed oval-shaped cartouche along the underside of the strip. This composition is interspersed with a composite flower that rests against the top and underneath a trapezoidal cartouche placed against the bottom. The motifs are connected by a fine mesh soil. The motifs are made in linen with thicker and shiny contour threads. A few Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-spool-lace-with-a-bow-of-branches-from-a-triangular-cartouche-strip-of-natural-spool-of-lace-mechelen-lace-the-pattern-consists-of-an-arc-formed-by-two-branches-from-a-triangular-cartouche-along-the-top-of-the-strip-in-the-middle-below-the-arch-is-a-pointed-oval-shaped-cartouche-along-the-underside-of-the-strip-this-composition-is-interspersed-with-a-composite-flower-that-rests-against-the-top-and-underneath-a-trapezoidal-cartouche-placed-against-the-bottom-the-motifs-are-connected-by-a-fine-mesh-soil-the-motifs-are-made-in-linen-with-thicker-and-shiny-contour-threads-a-few-image261340085.htmlRMW551XD–Strip of spool lace with a bow of branches from a triangular cartouche, Strip of natural spool of lace: Mechelen lace. The pattern consists of an arc formed by two branches from a triangular cartouche along the top of the strip. In the middle below the arch is a pointed oval-shaped cartouche along the underside of the strip. This composition is interspersed with a composite flower that rests against the top and underneath a trapezoidal cartouche placed against the bottom. The motifs are connected by a fine mesh soil. The motifs are made in linen with thicker and shiny contour threads. A few
Strip of spool lace with a bow of branches from a triangular cartouche, Strip of natural spool of lace: Mechelen lace. The pattern consists of an arc formed by two branches from a triangular cartouche along the top of the strip. In the middle below the arch is a pointed oval-shaped cartouche along the underside of the strip. This composition is interspersed with a composite flower that rests against the top and underneath a trapezoidal cartouche placed against the bottom. The motifs are connected by a fine mesh soil. The motifs are made in linen with thicker and shiny contour threads. A few di Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-spool-lace-with-a-bow-of-branches-from-a-triangular-cartouche-strip-of-natural-spool-of-lace-mechelen-lace-the-pattern-consists-of-an-arc-formed-by-two-branches-from-a-triangular-cartouche-along-the-top-of-the-strip-in-the-middle-below-the-arch-is-a-pointed-oval-shaped-cartouche-along-the-underside-of-the-strip-this-composition-is-interspersed-with-a-composite-flower-that-rests-against-the-top-and-underneath-a-trapezoidal-cartouche-placed-against-the-bottom-the-motifs-are-connected-by-a-fine-mesh-soil-the-motifs-are-made-in-linen-with-thicker-and-shiny-contour-threads-a-few-di-image349954148.htmlRF2B99P2C–Strip of spool lace with a bow of branches from a triangular cartouche, Strip of natural spool of lace: Mechelen lace. The pattern consists of an arc formed by two branches from a triangular cartouche along the top of the strip. In the middle below the arch is a pointed oval-shaped cartouche along the underside of the strip. This composition is interspersed with a composite flower that rests against the top and underneath a trapezoidal cartouche placed against the bottom. The motifs are connected by a fine mesh soil. The motifs are made in linen with thicker and shiny contour threads. A few di
vector vintage cross In gothic style Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-vintage-cross-in-gothic-style-image554748376.htmlRF2R6EY60–vector vintage cross In gothic style
Birth of Karel, Erf Prince of England, Scotland, Ireland and France, Anonymous, 1630 live Silver medal. Front: four coats of arms placed in cross in cartouche; In between: Sun rays within Covering. Tours side: inscription Inside Sierrand Netherlands silver (metal) striking (metalworking) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/birth-of-karel-erf-prince-of-england-scotland-ireland-and-france-anonymous-1630-live-silver-medal-front-four-coats-of-arms-placed-in-cross-in-cartouche-in-between-sun-rays-within-covering-tours-side-inscription-inside-sierrand-netherlands-silver-metal-striking-metalworking-image590702309.htmlRM2W90PR1–Birth of Karel, Erf Prince of England, Scotland, Ireland and France, Anonymous, 1630 live Silver medal. Front: four coats of arms placed in cross in cartouche; In between: Sun rays within Covering. Tours side: inscription Inside Sierrand Netherlands silver (metal) striking (metalworking)
Berlin, Germany. 04th Apr, 2023. The crown of the cartouche lies on the storage surface of a transporter. The huge cartouche with coat of arms is placed above the Eosander portal, the main entrance of the reconstructed baroque palace facade, with the help of a crane and facade climbers. Credit: Hannes P. Albert/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/berlin-germany-04th-apr-2023-the-crown-of-the-cartouche-lies-on-the-storage-surface-of-a-transporter-the-huge-cartouche-with-coat-of-arms-is-placed-above-the-eosander-portal-the-main-entrance-of-the-reconstructed-baroque-palace-facade-with-the-help-of-a-crane-and-facade-climbers-credit-hannes-p-albertdpaalamy-live-news-image545195859.htmlRM2PJYPTK–Berlin, Germany. 04th Apr, 2023. The crown of the cartouche lies on the storage surface of a transporter. The huge cartouche with coat of arms is placed above the Eosander portal, the main entrance of the reconstructed baroque palace facade, with the help of a crane and facade climbers. Credit: Hannes P. Albert/dpa/Alamy Live News
Graflegging van Christus The body of Christ by Nicodemus and Joseph of Arimathea in tomb placed under a tree. The remaining figures around the grave mourning. is the crown of thorns at the feet of Mary. An angel holding a cartouche with a Latin text omhoog. Manufacturer : printmaker: anonymous, designed by Albrecht Dürer (listed property) Place manufacture: Nuremberg Date: 1507 and / or 1507 - 1578 Physical features: car material: paper Technique: engra (printing process) Dimensions : plate edge: h 237 mm × W 174 mm Subject: Christ's entombment (possibly by angels) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/graflegging-van-christus-the-body-of-christ-by-nicodemus-and-joseph-of-arimathea-in-tomb-placed-under-a-tree-the-remaining-figures-around-the-grave-mourning-is-the-crown-of-thorns-at-the-feet-of-mary-an-angel-holding-a-cartouche-with-a-latin-text-omhoog-manufacturer-printmaker-anonymous-designed-by-albrecht-drer-listed-property-place-manufacture-nuremberg-date-1507-and-or-1507-1578-physical-features-car-material-paper-technique-engra-printing-process-dimensions-plate-edge-h-237-mm-w-174-mm-subject-christs-entombment-possibly-by-angels-image348417323.htmlRM2B6RNRR–Graflegging van Christus The body of Christ by Nicodemus and Joseph of Arimathea in tomb placed under a tree. The remaining figures around the grave mourning. is the crown of thorns at the feet of Mary. An angel holding a cartouche with a Latin text omhoog. Manufacturer : printmaker: anonymous, designed by Albrecht Dürer (listed property) Place manufacture: Nuremberg Date: 1507 and / or 1507 - 1578 Physical features: car material: paper Technique: engra (printing process) Dimensions : plate edge: h 237 mm × W 174 mm Subject: Christ's entombment (possibly by angels)
Christ is bound to a pillar and flogged by two soldiers. The scene is framed in a cartouche and placed amidst the psalm text printed in a nodal pattern, Flogging of Christ The Seven Penitential Psalms (series title) Septem Psalmi Davidici (series title), print maker: Hieronymus Wierix, (mentioned on object), intermediary draughtsman: Hieronymus Wierix, (mentioned on object), Melchior Model, (mentioned on object), print maker: Antwerp, publisher: Paris, 1608, paper, engraving, h 153 mm × w 106 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-is-bound-to-a-pillar-and-flogged-by-two-soldiers-the-scene-is-framed-in-a-cartouche-and-placed-amidst-the-psalm-text-printed-in-a-nodal-pattern-flogging-of-christ-the-seven-penitential-psalms-series-title-septem-psalmi-davidici-series-title-print-maker-hieronymus-wierix-mentioned-on-object-intermediary-draughtsman-hieronymus-wierix-mentioned-on-object-melchior-model-mentioned-on-object-print-maker-antwerp-publisher-paris-1608-paper-engraving-h-153-mm-w-106-mm-image472032982.htmlRM2JBXXTP–Christ is bound to a pillar and flogged by two soldiers. The scene is framed in a cartouche and placed amidst the psalm text printed in a nodal pattern, Flogging of Christ The Seven Penitential Psalms (series title) Septem Psalmi Davidici (series title), print maker: Hieronymus Wierix, (mentioned on object), intermediary draughtsman: Hieronymus Wierix, (mentioned on object), Melchior Model, (mentioned on object), print maker: Antwerp, publisher: Paris, 1608, paper, engraving, h 153 mm × w 106 mm
Mascaron, gargoyle, The gargoyle consists of a head placed on a cartouche and surrounded by foliage and fruit., anonymous, Paris (possibly), c. 1700 - c. 1720, bronze (metal), h 52 cm × w 44 cm × d 17 cm × w 11.2 kg, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mascaron-gargoyle-the-gargoyle-consists-of-a-head-placed-on-a-cartouche-and-surrounded-by-foliage-and-fruit-anonymous-paris-possibly-c-1700-c-1720-bronze-metal-h-52-cm-w-44-cm-d-17-cm-w-112-kg-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349948145.htmlRF2B99EC1–Mascaron, gargoyle, The gargoyle consists of a head placed on a cartouche and surrounded by foliage and fruit., anonymous, Paris (possibly), c. 1700 - c. 1720, bronze (metal), h 52 cm × w 44 cm × d 17 cm × w 11.2 kg, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
vector vintage template frame In flower style Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-vintage-template-frame-in-flower-style-image554767519.htmlRF2R6FRHK–vector vintage template frame In flower style
Self -portrait of the artist, Anthony Van Dyck, 1645 - 1646 print Self -portrait of the artist that has been adapted as a title page for publication of the Iconographie. The self -portrait was transformed into a bust and placed on a pedestal on which the title of the series was applied in a cartouche. paper etching / engraving portrait, self-portrait of painter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-of-the-artist-anthony-van-dyck-1645-1646-print-self-portrait-of-the-artist-that-has-been-adapted-as-a-title-page-for-publication-of-the-iconographie-the-self-portrait-was-transformed-into-a-bust-and-placed-on-a-pedestal-on-which-the-title-of-the-series-was-applied-in-a-cartouche-paper-etching-engraving-portrait-self-portrait-of-painter-image594273094.htmlRM2WERDB2–Self -portrait of the artist, Anthony Van Dyck, 1645 - 1646 print Self -portrait of the artist that has been adapted as a title page for publication of the Iconographie. The self -portrait was transformed into a bust and placed on a pedestal on which the title of the series was applied in a cartouche. paper etching / engraving portrait, self-portrait of painter
Berlin, Germany. 04th Apr, 2023. The crown of the cartouche lies on the storage surface of a transporter. The huge cartouche with coat of arms is placed above the Eosander portal, the main entrance of the reconstructed baroque palace facade, with the help of a crane and facade climbers. Credit: Hannes P. Albert/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/berlin-germany-04th-apr-2023-the-crown-of-the-cartouche-lies-on-the-storage-surface-of-a-transporter-the-huge-cartouche-with-coat-of-arms-is-placed-above-the-eosander-portal-the-main-entrance-of-the-reconstructed-baroque-palace-facade-with-the-help-of-a-crane-and-facade-climbers-credit-hannes-p-albertdpaalamy-live-news-image545156959.htmlRM2PJX17B–Berlin, Germany. 04th Apr, 2023. The crown of the cartouche lies on the storage surface of a transporter. The huge cartouche with coat of arms is placed above the Eosander portal, the main entrance of the reconstructed baroque palace facade, with the help of a crane and facade climbers. Credit: Hannes P. Albert/dpa/Alamy Live News
Allegory marriage Allegory of marriage, placed in an ornate frame decorated with flowers, birds and trumpets. Links grabs a man's hand of his bride-to lead her to sacrifice pillar. The side of the column shows the image of two joined beaten hands, on top of which there are two burning hearts are held by an angel with a pair of pliers. The personified Courage (Fortitudo) waits for the pair. At the bottom of the list is a putto on a cartouche Where: the text Pretiosior Amor Auro staat. Manufacturer : printmaker Jacob Folkema (listed property) designed by: Nicholas Verkolje (listed building) Date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-marriage-allegory-of-marriage-placed-in-an-ornate-frame-decorated-with-flowers-birds-and-trumpets-links-grabs-a-mans-hand-of-his-bride-to-lead-her-to-sacrifice-pillar-the-side-of-the-column-shows-the-image-of-two-joined-beaten-hands-on-top-of-which-there-are-two-burning-hearts-are-held-by-an-angel-with-a-pair-of-pliers-the-personified-courage-fortitudo-waits-for-the-pair-at-the-bottom-of-the-list-is-a-putto-on-a-cartouche-where-the-text-pretiosior-amor-auro-staat-manufacturer-printmaker-jacob-folkema-listed-property-designed-by-nicholas-verkolje-listed-building-date-image348126111.htmlRM2B6AEBB–Allegory marriage Allegory of marriage, placed in an ornate frame decorated with flowers, birds and trumpets. Links grabs a man's hand of his bride-to lead her to sacrifice pillar. The side of the column shows the image of two joined beaten hands, on top of which there are two burning hearts are held by an angel with a pair of pliers. The personified Courage (Fortitudo) waits for the pair. At the bottom of the list is a putto on a cartouche Where: the text Pretiosior Amor Auro staat. Manufacturer : printmaker Jacob Folkema (listed property) designed by: Nicholas Verkolje (listed building) Date
Two soldiers tear the clothes from Christ's body. The scene is framed in a cartouche and placed amidst the psalm text printed in a nodal pattern, Christ stripped of his clothes The seven penitential psalms (series title) Septem Psalmi Davidici (series title), print maker: Hieronymus Wierix, (mentioned on object), intermediary draughtsman: Hieronymus Wierix, (mentioned on object), Melchior Model, (mentioned on object), print maker: Antwerp, publisher: Paris, 1608, paper, engraving, h 152 mm × w 106 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-soldiers-tear-the-clothes-from-christs-body-the-scene-is-framed-in-a-cartouche-and-placed-amidst-the-psalm-text-printed-in-a-nodal-pattern-christ-stripped-of-his-clothes-the-seven-penitential-psalms-series-title-septem-psalmi-davidici-series-title-print-maker-hieronymus-wierix-mentioned-on-object-intermediary-draughtsman-hieronymus-wierix-mentioned-on-object-melchior-model-mentioned-on-object-print-maker-antwerp-publisher-paris-1608-paper-engraving-h-152-mm-w-106-mm-image472033060.htmlRM2JBXXYG–Two soldiers tear the clothes from Christ's body. The scene is framed in a cartouche and placed amidst the psalm text printed in a nodal pattern, Christ stripped of his clothes The seven penitential psalms (series title) Septem Psalmi Davidici (series title), print maker: Hieronymus Wierix, (mentioned on object), intermediary draughtsman: Hieronymus Wierix, (mentioned on object), Melchior Model, (mentioned on object), print maker: Antwerp, publisher: Paris, 1608, paper, engraving, h 152 mm × w 106 mm
Allegory of marriage, placed in a graceful cartouche that is made up of flowers, plants, and architectural fragments. Centrally in the performance, a man and a woman are married and honored by two putti by an angel. Their hands touch each other above a burning sacrificial column. The couple is assisted by allegorical figures and putti with flower garlands. In the distance stands a classical building where putti with a cornucopia and the eternity symbol, the snake that bites its own tail, fly around. On the right, Juno is pulled in the car by peacocks in the air. At the bottom of the cartouche Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-marriage-placed-in-a-graceful-cartouche-that-is-made-up-of-flowers-plants-and-architectural-fragments-centrally-in-the-performance-a-man-and-a-woman-are-married-and-honored-by-two-putti-by-an-angel-their-hands-touch-each-other-above-a-burning-sacrificial-column-the-couple-is-assisted-by-allegorical-figures-and-putti-with-flower-garlands-in-the-distance-stands-a-classical-building-where-putti-with-a-cornucopia-and-the-eternity-symbol-the-snake-that-bites-its-own-tail-fly-around-on-the-right-juno-is-pulled-in-the-car-by-peacocks-in-the-air-at-the-bottom-of-the-cartouche-image350008764.htmlRF2B9C7N0–Allegory of marriage, placed in a graceful cartouche that is made up of flowers, plants, and architectural fragments. Centrally in the performance, a man and a woman are married and honored by two putti by an angel. Their hands touch each other above a burning sacrificial column. The couple is assisted by allegorical figures and putti with flower garlands. In the distance stands a classical building where putti with a cornucopia and the eternity symbol, the snake that bites its own tail, fly around. On the right, Juno is pulled in the car by peacocks in the air. At the bottom of the cartouche
vector vintage template frame In flower style Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-vintage-template-frame-in-flower-style-image554757939.htmlRF2R6FBBF–vector vintage template frame In flower style
Christ stripped of his clothing, Hieronymus Wierix, 1608 print Two soldiers pull the clothes of Christ's body. The show is caught in a cartouche and placed in the midst of the psalm text printed in a button pattern. print maker: Antwerppublisher: Paris paper engraving the book of Psalms. ornament cartouche. Christ disrobed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-stripped-of-his-clothing-hieronymus-wierix-1608-print-two-soldiers-pull-the-clothes-of-christs-body-the-show-is-caught-in-a-cartouche-and-placed-in-the-midst-of-the-psalm-text-printed-in-a-button-pattern-print-maker-antwerppublisher-paris-paper-engraving-the-book-of-psalms-ornament-cartouche-christ-disrobed-image592922241.htmlRM2WCHXA9–Christ stripped of his clothing, Hieronymus Wierix, 1608 print Two soldiers pull the clothes of Christ's body. The show is caught in a cartouche and placed in the midst of the psalm text printed in a button pattern. print maker: Antwerppublisher: Paris paper engraving the book of Psalms. ornament cartouche. Christ disrobed
Allegory marriage Allegory of marriage, placed in an ornate frame Where: upper arms families Neufville and De Wolff shine. Central is a couple that led to the sacrificial pillar by an angel with fire torches. Putti stand them waiting with flower wreaths. Airborne Juno looks down from a cloud far. In the background figures make music and flies a putto with two laurel wreaths. Outside the two river gods flanked list is a cartouche text: Iunctior Esse Expetit. Manufacturer : printmaker Jacob Folkema (listed building), designed by Gerard Detector (listed building) Dated: 1724 Physical features: et Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-marriage-allegory-of-marriage-placed-in-an-ornate-frame-where-upper-arms-families-neufville-and-de-wolff-shine-central-is-a-couple-that-led-to-the-sacrificial-pillar-by-an-angel-with-fire-torches-putti-stand-them-waiting-with-flower-wreaths-airborne-juno-looks-down-from-a-cloud-far-in-the-background-figures-make-music-and-flies-a-putto-with-two-laurel-wreaths-outside-the-two-river-gods-flanked-list-is-a-cartouche-text-iunctior-esse-expetit-manufacturer-printmaker-jacob-folkema-listed-building-designed-by-gerard-detector-listed-building-dated-1724-physical-features-et-image348126107.htmlRM2B6AEB7–Allegory marriage Allegory of marriage, placed in an ornate frame Where: upper arms families Neufville and De Wolff shine. Central is a couple that led to the sacrificial pillar by an angel with fire torches. Putti stand them waiting with flower wreaths. Airborne Juno looks down from a cloud far. In the background figures make music and flies a putto with two laurel wreaths. Outside the two river gods flanked list is a cartouche text: Iunctior Esse Expetit. Manufacturer : printmaker Jacob Folkema (listed building), designed by Gerard Detector (listed building) Dated: 1724 Physical features: et
Christ hangs on the cross. A soldier stabs him in the side with a lance. The representation is framed in a cartouche and placed amidst the psalm text printed in a nodal pattern., Crucifixion of Christ The Seven Penitential Psalms (series title) Septem Psalmi Davidici (series title), print maker: Antonie Wierix (II), (mentioned on object), intermediary draughtsman: Antonie Wierix (II), (mentioned on object), Melchior Model, (mentioned on object), print maker: Antwerp, publisher: Paris, 1608, paper, engraving, h 153 mm × w 106 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-hangs-on-the-cross-a-soldier-stabs-him-in-the-side-with-a-lance-the-representation-is-framed-in-a-cartouche-and-placed-amidst-the-psalm-text-printed-in-a-nodal-pattern-crucifixion-of-christ-the-seven-penitential-psalms-series-title-septem-psalmi-davidici-series-title-print-maker-antonie-wierix-ii-mentioned-on-object-intermediary-draughtsman-antonie-wierix-ii-mentioned-on-object-melchior-model-mentioned-on-object-print-maker-antwerp-publisher-paris-1608-paper-engraving-h-153-mm-w-106-mm-image472033056.htmlRM2JBXXYC–Christ hangs on the cross. A soldier stabs him in the side with a lance. The representation is framed in a cartouche and placed amidst the psalm text printed in a nodal pattern., Crucifixion of Christ The Seven Penitential Psalms (series title) Septem Psalmi Davidici (series title), print maker: Antonie Wierix (II), (mentioned on object), intermediary draughtsman: Antonie Wierix (II), (mentioned on object), Melchior Model, (mentioned on object), print maker: Antwerp, publisher: Paris, 1608, paper, engraving, h 153 mm × w 106 mm
Cap crown, Medium: linen Technique: bobbin lace, Brussels style, Cap crown with densely placed floral motifs emanating from a cartouche., Belgium, 1700–1750, lace, Cap crown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cap-crown-medium-linen-technique-bobbin-lace-brussels-style-cap-crown-with-densely-placed-floral-motifs-emanating-from-a-cartouche-belgium-17001750-lace-cap-crown-image391402597.htmlRM2DMNX05–Cap crown, Medium: linen Technique: bobbin lace, Brussels style, Cap crown with densely placed floral motifs emanating from a cartouche., Belgium, 1700–1750, lace, Cap crown
Sleeve ruffle, Medium: linen Technique: needle lace with bobbin lace ground, Sleeve ruffle in a pattern showing freely-placed floral sprays and cartouche., 18th century, lace, Sleeve ruffle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sleeve-ruffle-medium-linen-technique-needle-lace-with-bobbin-lace-ground-sleeve-ruffle-in-a-pattern-showing-freely-placed-floral-sprays-and-cartouche-18th-century-lace-sleeve-ruffle-image391369865.htmlRM2DMMC75–Sleeve ruffle, Medium: linen Technique: needle lace with bobbin lace ground, Sleeve ruffle in a pattern showing freely-placed floral sprays and cartouche., 18th century, lace, Sleeve ruffle
Strip of bobbin lace with slanted quadruple cartouche and berry branch, Strip of natural-colored bobbin lace, Lille side. The repeating pattern consists of an obliquely placed oval cartouche, a smaller triangular cartouche and a curved branch with berries. These motifs all spring from the bottom of the strip. The obliquely placed cartouche has a smaller oval cartouche and it is crowned by a more or less triangular cartouche and on top of that a smaller oval cartouche. Two different loose berries stand diagonally above the berry branch. The motifs are connected by a fine mesh ground, a lawn gro Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-bobbin-lace-with-slanted-quadruple-cartouche-and-berry-branch-strip-of-natural-colored-bobbin-lace-lille-side-the-repeating-pattern-consists-of-an-obliquely-placed-oval-cartouche-a-smaller-triangular-cartouche-and-a-curved-branch-with-berries-these-motifs-all-spring-from-the-bottom-of-the-strip-the-obliquely-placed-cartouche-has-a-smaller-oval-cartouche-and-it-is-crowned-by-a-more-or-less-triangular-cartouche-and-on-top-of-that-a-smaller-oval-cartouche-two-different-loose-berries-stand-diagonally-above-the-berry-branch-the-motifs-are-connected-by-a-fine-mesh-ground-a-lawn-gro-image349954314.htmlRF2B99P8A–Strip of bobbin lace with slanted quadruple cartouche and berry branch, Strip of natural-colored bobbin lace, Lille side. The repeating pattern consists of an obliquely placed oval cartouche, a smaller triangular cartouche and a curved branch with berries. These motifs all spring from the bottom of the strip. The obliquely placed cartouche has a smaller oval cartouche and it is crowned by a more or less triangular cartouche and on top of that a smaller oval cartouche. Two different loose berries stand diagonally above the berry branch. The motifs are connected by a fine mesh ground, a lawn gro
Mascaron, gargoyle, The gargoyle consists of a head placed on a cartouche and surrounded by foliage and fruit., anonymous, Paris (possibly), c. 1700 - c. 1720, bronze (metal), h 52 cm × w 44 cm × d 17 cm × w 11.2 kg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mascaron-gargoyle-the-gargoyle-consists-of-a-head-placed-on-a-cartouche-and-surrounded-by-foliage-and-fruit-anonymous-paris-possibly-c-1700-c-1720-bronze-metal-h-52-cm-w-44-cm-d-17-cm-w-112-kg-image261331429.htmlRMW54JW9–Mascaron, gargoyle, The gargoyle consists of a head placed on a cartouche and surrounded by foliage and fruit., anonymous, Paris (possibly), c. 1700 - c. 1720, bronze (metal), h 52 cm × w 44 cm × d 17 cm × w 11.2 kg
vector vintage template frame In flower style Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-vintage-template-frame-in-flower-style-image554747712.htmlRF2R6EXA8–vector vintage template frame In flower style
Christ stripped of his clothing, Hieronymus Wierix, 1608 print Two soldiers pull the clothes of Christ's body. The show is caught in a cartouche and placed in the midst of the psalm text printed in a button pattern. print maker: Antwerppublisher: Paris paper engraving the book of Psalms. ornament cartouche. Christ disrobed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-stripped-of-his-clothing-hieronymus-wierix-1608-print-two-soldiers-pull-the-clothes-of-christs-body-the-show-is-caught-in-a-cartouche-and-placed-in-the-midst-of-the-psalm-text-printed-in-a-button-pattern-print-maker-antwerppublisher-paris-paper-engraving-the-book-of-psalms-ornament-cartouche-christ-disrobed-image593825597.htmlRM2WE32H1–Christ stripped of his clothing, Hieronymus Wierix, 1608 print Two soldiers pull the clothes of Christ's body. The show is caught in a cartouche and placed in the midst of the psalm text printed in a button pattern. print maker: Antwerppublisher: Paris paper engraving the book of Psalms. ornament cartouche. Christ disrobed
Allegorical portrait of Leopold William, governor of the Southern Netherlands Portrait of Leopold William, Archduke of Austria and governor of the Southern Netherlands. His portrait is framed in a medallion placed at a monument decorated with caryatids. Putti decorate the portrait with tape rolling. Top arm of Austria in a cartouche flanked by angels and eagles. Top left a putto with a shield, and an upper right putto with a spring in the hand. Down a cartouche Where: in an inscription in Latin. Left foreground Bellona, in armor and with globe in hand, and right Freedom of broken chains. In Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegorical-portrait-of-leopold-william-governor-of-the-southern-netherlands-portrait-of-leopold-william-archduke-of-austria-and-governor-of-the-southern-netherlands-his-portrait-is-framed-in-a-medallion-placed-at-a-monument-decorated-with-caryatids-putti-decorate-the-portrait-with-tape-rolling-top-arm-of-austria-in-a-cartouche-flanked-by-angels-and-eagles-top-left-a-putto-with-a-shield-and-an-upper-right-putto-with-a-spring-in-the-hand-down-a-cartouche-where-in-an-inscription-in-latin-left-foreground-bellona-in-armor-and-with-globe-in-hand-and-right-freedom-of-broken-chains-in-image348128090.htmlRM2B6AGX2–Allegorical portrait of Leopold William, governor of the Southern Netherlands Portrait of Leopold William, Archduke of Austria and governor of the Southern Netherlands. His portrait is framed in a medallion placed at a monument decorated with caryatids. Putti decorate the portrait with tape rolling. Top arm of Austria in a cartouche flanked by angels and eagles. Top left a putto with a shield, and an upper right putto with a spring in the hand. Down a cartouche Where: in an inscription in Latin. Left foreground Bellona, in armor and with globe in hand, and right Freedom of broken chains. In
![Fireplace with a bust of King Louis XIV, Fireplace made of cast iron, with a semicircular top. At the center is a bust of Louis XIV in a cartouche. Four medallions are placed in the corners of the cartouches, with a star, a pigeon and two dolphins. On the left of the bust the Mercury staff, on the right an arrow and bow, both attributes of Apollo. At the very top is the all-seeing eye. Below a cartouche with the inscription: LVDOVICVS XIV / FRANCIA ET NAVARRA / [REX CHRISTIANISSIMVS], Louis XIV (King of France), anonymous, France (possibly), c. 1650 - c. 1675, iron (metal), founding, h 114.0 c Stock Photo](https://c8.alamy.com/comp/2B9A57F/fireplace-with-a-bust-of-king-louis-xiv-fireplace-made-of-cast-iron-with-a-semicircular-top-at-the-center-is-a-bust-of-louis-xiv-in-a-cartouche-four-medallions-are-placed-in-the-corners-of-the-cartouches-with-a-star-a-pigeon-and-two-dolphins-on-the-left-of-the-bust-the-mercury-staff-on-the-right-an-arrow-and-bow-both-attributes-of-apollo-at-the-very-top-is-the-all-seeing-eye-below-a-cartouche-with-the-inscription-lvdovicvs-xiv-francia-et-navarra-rex-christianissimvs-louis-xiv-king-of-france-anonymous-france-possibly-c-1650-c-1675-iron-metal-founding-h-1140-c-2B9A57F.jpg "Fireplace with a bust of King Louis XIV, Fireplace made of cast iron, with a semicircular top. At the center is a bust of Louis XIV in a cartouche. Four medallions are placed in the corners of the cartouches, with a star, a pigeon and two dolphins. On the left of the bust the Mercury staff, on the right an arrow and bow, both attributes of Apollo. At the very top is the all-seeing eye. Below a cartouche with the inscription: LVDOVICVS XIV / FRANCIA ET NAVARRA / [REX CHRISTIANISSIMVS], Louis XIV (King of France), anonymous, France (possibly), c. 1650 - c. 1675, iron (metal), founding, h 114.0 c Stock Photo"){kind=icon}
Fireplace with a bust of King Louis XIV, Fireplace made of cast iron, with a semicircular top. At the center is a bust of Louis XIV in a cartouche. Four medallions are placed in the corners of the cartouches, with a star, a pigeon and two dolphins. On the left of the bust the Mercury staff, on the right an arrow and bow, both attributes of Apollo. At the very top is the all-seeing eye. Below a cartouche with the inscription: LVDOVICVS XIV / FRANCIA ET NAVARRA / [REX CHRISTIANISSIMVS], Louis XIV (King of France), anonymous, France (possibly), c. 1650 - c. 1675, iron (metal), founding, h 114.0 c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fireplace-with-a-bust-of-king-louis-xiv-fireplace-made-of-cast-iron-with-a-semicircular-top-at-the-center-is-a-bust-of-louis-xiv-in-a-cartouche-four-medallions-are-placed-in-the-corners-of-the-cartouches-with-a-star-a-pigeon-and-two-dolphins-on-the-left-of-the-bust-the-mercury-staff-on-the-right-an-arrow-and-bow-both-attributes-of-apollo-at-the-very-top-is-the-all-seeing-eye-below-a-cartouche-with-the-inscription-lvdovicvs-xiv-francia-et-navarra-rex-christianissimvs-louis-xiv-king-of-france-anonymous-france-possibly-c-1650-c-1675-iron-metal-founding-h-1140-c-image349962915.htmlRF2B9A57F–Fireplace with a bust of King Louis XIV, Fireplace made of cast iron, with a semicircular top. At the center is a bust of Louis XIV in a cartouche. Four medallions are placed in the corners of the cartouches, with a star, a pigeon and two dolphins. On the left of the bust the Mercury staff, on the right an arrow and bow, both attributes of Apollo. At the very top is the all-seeing eye. Below a cartouche with the inscription: LVDOVICVS XIV / FRANCIA ET NAVARRA / [REX CHRISTIANISSIMVS], Louis XIV (King of France), anonymous, France (possibly), c. 1650 - c. 1675, iron (metal), founding, h 114.0 c
Key, Key with handle consisting of a cartouche between two consoles (bearded man's heads), which in turn carry two sphinxes placed at the back, enclose a vase and above which there is another cap consisting of a vase flanked by two turned away dolphins. The whole rests on a capital of composite order. The shaft is short and runs past the big beard and ends in a profiling., 1600 - 1625, bronze (metal), l 14.1 cm × w 5.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/key-key-with-handle-consisting-of-a-cartouche-between-two-consoles-bearded-mans-heads-which-in-turn-carry-two-sphinxes-placed-at-the-back-enclose-a-vase-and-above-which-there-is-another-cap-consisting-of-a-vase-flanked-by-two-turned-away-dolphins-the-whole-rests-on-a-capital-of-composite-order-the-shaft-is-short-and-runs-past-the-big-beard-and-ends-in-a-profiling-1600-1625-bronze-metal-l-141-cm-w-53-cm-image261356138.htmlRMW55PBP–Key, Key with handle consisting of a cartouche between two consoles (bearded man's heads), which in turn carry two sphinxes placed at the back, enclose a vase and above which there is another cap consisting of a vase flanked by two turned away dolphins. The whole rests on a capital of composite order. The shaft is short and runs past the big beard and ends in a profiling., 1600 - 1625, bronze (metal), l 14.1 cm × w 5.3 cm
vector vintage template frame In flower style Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-vintage-template-frame-in-flower-style-image554768540.htmlRF2R6FTX4–vector vintage template frame In flower style
Self -portrait of the artist, Anthony Van Dyck, 1645 - 1646 print Self -portrait of the artist that has been adapted as a title page for publication of the Iconographie. The self -portrait was transformed into a bust and placed on a pedestal on which the title of the series was applied in a cartouche. Low Countries paper etching / engraving portrait, self-portrait of painter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-of-the-artist-anthony-van-dyck-1645-1646-print-self-portrait-of-the-artist-that-has-been-adapted-as-a-title-page-for-publication-of-the-iconographie-the-self-portrait-was-transformed-into-a-bust-and-placed-on-a-pedestal-on-which-the-title-of-the-series-was-applied-in-a-cartouche-low-countries-paper-etching-engraving-portrait-self-portrait-of-painter-image594074598.htmlRM2WEEC5X–Self -portrait of the artist, Anthony Van Dyck, 1645 - 1646 print Self -portrait of the artist that has been adapted as a title page for publication of the Iconographie. The self -portrait was transformed into a bust and placed on a pedestal on which the title of the series was applied in a cartouche. Low Countries paper etching / engraving portrait, self-portrait of painter
![Het beleg van Haarlem, 1572-1573 TBeleg van Haerlem (titel op object) Overview of the siege the city of Haarlem in the surrounding area in an overhead view. In the foreground the camp of the Spanish troops at the Huis ter Kleef. Upper left arm of Holland, the right arm of Haarlem. Bottom left a cartouche held up by a young man with the legend 1-21, A-B and A-B in Dutch. Placed a banner with the title and arms of Holland and Haarlem. With signature of three verses of four lines in Dutch: Quartzite how Spanjaerds here benouwen the Haerlem Mers! [...] Manufacture Creator:. Printmaker Willem Outge Stock Photo](https://c8.alamy.com/comp/2B6THEC/het-beleg-van-haarlem-1572-1573-tbeleg-van-haerlem-titel-op-object-overview-of-the-siege-the-city-of-haarlem-in-the-surrounding-area-in-an-overhead-view-in-the-foreground-the-camp-of-the-spanish-troops-at-the-huis-ter-kleef-upper-left-arm-of-holland-the-right-arm-of-haarlem-bottom-left-a-cartouche-held-up-by-a-young-man-with-the-legend-1-21-a-b-and-a-b-in-dutch-placed-a-banner-with-the-title-and-arms-of-holland-and-haarlem-with-signature-of-three-verses-of-four-lines-in-dutch-quartzite-how-spanjaerds-here-benouwen-the-haerlem-mers!-manufacture-creator-printmaker-willem-outge-2B6THEC.jpg "Het beleg van Haarlem, 1572-1573 TBeleg van Haerlem (titel op object) Overview of the siege the city of Haarlem in the surrounding area in an overhead view. In the foreground the camp of the Spanish troops at the Huis ter Kleef. Upper left arm of Holland, the right arm of Haarlem. Bottom left a cartouche held up by a young man with the legend 1-21, A-B and A-B in Dutch. Placed a banner with the title and arms of Holland and Haarlem. With signature of three verses of four lines in Dutch: Quartzite how Spanjaerds here benouwen the Haerlem Mers! [...] Manufacture Creator:. Printmaker Willem Outge Stock Photo")
Het beleg van Haarlem, 1572-1573 TBeleg van Haerlem (titel op object) Overview of the siege the city of Haarlem in the surrounding area in an overhead view. In the foreground the camp of the Spanish troops at the Huis ter Kleef. Upper left arm of Holland, the right arm of Haarlem. Bottom left a cartouche held up by a young man with the legend 1-21, A-B and A-B in Dutch. Placed a banner with the title and arms of Holland and Haarlem. With signature of three verses of four lines in Dutch: Quartzite how Spanjaerds here benouwen the Haerlem Mers! [...] Manufacture Creator:. Printmaker Willem Outge Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/het-beleg-van-haarlem-1572-1573-tbeleg-van-haerlem-titel-op-object-overview-of-the-siege-the-city-of-haarlem-in-the-surrounding-area-in-an-overhead-view-in-the-foreground-the-camp-of-the-spanish-troops-at-the-huis-ter-kleef-upper-left-arm-of-holland-the-right-arm-of-haarlem-bottom-left-a-cartouche-held-up-by-a-young-man-with-the-legend-1-21-a-b-and-a-b-in-dutch-placed-a-banner-with-the-title-and-arms-of-holland-and-haarlem-with-signature-of-three-verses-of-four-lines-in-dutch-quartzite-how-spanjaerds-here-benouwen-the-haerlem-mers!-manufacture-creator-printmaker-willem-outge-image348435876.htmlRM2B6THEC–Het beleg van Haarlem, 1572-1573 TBeleg van Haerlem (titel op object) Overview of the siege the city of Haarlem in the surrounding area in an overhead view. In the foreground the camp of the Spanish troops at the Huis ter Kleef. Upper left arm of Holland, the right arm of Haarlem. Bottom left a cartouche held up by a young man with the legend 1-21, A-B and A-B in Dutch. Placed a banner with the title and arms of Holland and Haarlem. With signature of three verses of four lines in Dutch: Quartzite how Spanjaerds here benouwen the Haerlem Mers! [...] Manufacture Creator:. Printmaker Willem Outge
Key, Key with handle consisting of a cartouche between two consoles (bearded man's heads), which in turn carry two sphinxes placed at the back, enclose a vase and above which there is another cap consisting of a vase flanked by two turned away dolphins. The whole rests on a capital of composite order. The shaft is short and runs past the big beard and ends in a profiling., 1600 - 1625, bronze (metal), l 14.1 cm × w 5.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, emb Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/key-key-with-handle-consisting-of-a-cartouche-between-two-consoles-bearded-mans-heads-which-in-turn-carry-two-sphinxes-placed-at-the-back-enclose-a-vase-and-above-which-there-is-another-cap-consisting-of-a-vase-flanked-by-two-turned-away-dolphins-the-whole-rests-on-a-capital-of-composite-order-the-shaft-is-short-and-runs-past-the-big-beard-and-ends-in-a-profiling-1600-1625-bronze-metal-l-141-cm-w-53-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-emb-image349965825.htmlRF2B9A8YD–Key, Key with handle consisting of a cartouche between two consoles (bearded man's heads), which in turn carry two sphinxes placed at the back, enclose a vase and above which there is another cap consisting of a vase flanked by two turned away dolphins. The whole rests on a capital of composite order. The shaft is short and runs past the big beard and ends in a profiling., 1600 - 1625, bronze (metal), l 14.1 cm × w 5.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, emb
Allegory of marriage, placed in a graceful cartouche that is made up of flowers, plants, and architectural fragments. Centrally in the performance, a man and a woman are married and honored by two putti by an angel. Their hands touch each other above a burning sacrificial column. The couple is assisted by allegorical figures and putti with flower garlands. In the distance stands a classical building where putti with a cornucopia and the eternity symbol, the snake that bites its own tail, fly around. On the right, Juno is pulled in the car by peacocks in the air. At the bottom of the cartouche Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-marriage-placed-in-a-graceful-cartouche-that-is-made-up-of-flowers-plants-and-architectural-fragments-centrally-in-the-performance-a-man-and-a-woman-are-married-and-honored-by-two-putti-by-an-angel-their-hands-touch-each-other-above-a-burning-sacrificial-column-the-couple-is-assisted-by-allegorical-figures-and-putti-with-flower-garlands-in-the-distance-stands-a-classical-building-where-putti-with-a-cornucopia-and-the-eternity-symbol-the-snake-that-bites-its-own-tail-fly-around-on-the-right-juno-is-pulled-in-the-car-by-peacocks-in-the-air-at-the-bottom-of-the-cartouche-image261405460.htmlRMW58198–Allegory of marriage, placed in a graceful cartouche that is made up of flowers, plants, and architectural fragments. Centrally in the performance, a man and a woman are married and honored by two putti by an angel. Their hands touch each other above a burning sacrificial column. The couple is assisted by allegorical figures and putti with flower garlands. In the distance stands a classical building where putti with a cornucopia and the eternity symbol, the snake that bites its own tail, fly around. On the right, Juno is pulled in the car by peacocks in the air. At the bottom of the cartouche
vector vintage template frame In flower style Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-vintage-template-frame-in-flower-style-image554758163.htmlRF2R6FBKF–vector vintage template frame In flower style
Portret Van Pietro Strozzi, Dominicus Custos, After Giovanni Battista Fontana, c. 1582 - In Or Before 1601 print Portrait of Pietro Strozzi MT Harness. Placed in a niche, with architectural frame decorated with guns, fruits and putti. Under the image a cartouche in which the name of the portrayed person is filled in with pen. Augsburg paper engraving armour Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portret-van-pietro-strozzi-dominicus-custos-after-giovanni-battista-fontana-c-1582-in-or-before-1601-print-portrait-of-pietro-strozzi-mt-harness-placed-in-a-niche-with-architectural-frame-decorated-with-guns-fruits-and-putti-under-the-image-a-cartouche-in-which-the-name-of-the-portrayed-person-is-filled-in-with-pen-augsburg-paper-engraving-armour-image593282150.htmlRM2WD69C6–Portret Van Pietro Strozzi, Dominicus Custos, After Giovanni Battista Fontana, c. 1582 - In Or Before 1601 print Portrait of Pietro Strozzi MT Harness. Placed in a niche, with architectural frame decorated with guns, fruits and putti. Under the image a cartouche in which the name of the portrayed person is filled in with pen. Augsburg paper engraving armour
![Het beleg van Haarlem, 1572-1573 TBeleg van Haerlem (titel op object) Overview of the siege of the city of Haarlem in the surrounding area in an overhead view. In the foreground the camp of the Spanish troops at the Huis ter Kleef. Upper left arm of Holland, the right arm of Haarlem. Bottom left a cartouche held up by a young man with the legend 1-21, A-B and A-B in Dutch. Placed a banner with the title and arms of Holland and Haarlem. With signature of three verses of four lines in Dutch: Quartzite how Spanjaerds here benouwen the Haerlem Mers! [...] Manufacture Creator:. Printmaker Willem Ou Stock Photo](https://c8.alamy.com/comp/2B6THC1/het-beleg-van-haarlem-1572-1573-tbeleg-van-haerlem-titel-op-object-overview-of-the-siege-of-the-city-of-haarlem-in-the-surrounding-area-in-an-overhead-view-in-the-foreground-the-camp-of-the-spanish-troops-at-the-huis-ter-kleef-upper-left-arm-of-holland-the-right-arm-of-haarlem-bottom-left-a-cartouche-held-up-by-a-young-man-with-the-legend-1-21-a-b-and-a-b-in-dutch-placed-a-banner-with-the-title-and-arms-of-holland-and-haarlem-with-signature-of-three-verses-of-four-lines-in-dutch-quartzite-how-spanjaerds-here-benouwen-the-haerlem-mers!-manufacture-creator-printmaker-willem-ou-2B6THC1.jpg "Het beleg van Haarlem, 1572-1573 TBeleg van Haerlem (titel op object) Overview of the siege of the city of Haarlem in the surrounding area in an overhead view. In the foreground the camp of the Spanish troops at the Huis ter Kleef. Upper left arm of Holland, the right arm of Haarlem. Bottom left a cartouche held up by a young man with the legend 1-21, A-B and A-B in Dutch. Placed a banner with the title and arms of Holland and Haarlem. With signature of three verses of four lines in Dutch: Quartzite how Spanjaerds here benouwen the Haerlem Mers! [...] Manufacture Creator:. Printmaker Willem Ou Stock Photo")
Het beleg van Haarlem, 1572-1573 TBeleg van Haerlem (titel op object) Overview of the siege of the city of Haarlem in the surrounding area in an overhead view. In the foreground the camp of the Spanish troops at the Huis ter Kleef. Upper left arm of Holland, the right arm of Haarlem. Bottom left a cartouche held up by a young man with the legend 1-21, A-B and A-B in Dutch. Placed a banner with the title and arms of Holland and Haarlem. With signature of three verses of four lines in Dutch: Quartzite how Spanjaerds here benouwen the Haerlem Mers! [...] Manufacture Creator:. Printmaker Willem Ou Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/het-beleg-van-haarlem-1572-1573-tbeleg-van-haerlem-titel-op-object-overview-of-the-siege-of-the-city-of-haarlem-in-the-surrounding-area-in-an-overhead-view-in-the-foreground-the-camp-of-the-spanish-troops-at-the-huis-ter-kleef-upper-left-arm-of-holland-the-right-arm-of-haarlem-bottom-left-a-cartouche-held-up-by-a-young-man-with-the-legend-1-21-a-b-and-a-b-in-dutch-placed-a-banner-with-the-title-and-arms-of-holland-and-haarlem-with-signature-of-three-verses-of-four-lines-in-dutch-quartzite-how-spanjaerds-here-benouwen-the-haerlem-mers!-manufacture-creator-printmaker-willem-ou-image348435809.htmlRM2B6THC1–Het beleg van Haarlem, 1572-1573 TBeleg van Haerlem (titel op object) Overview of the siege of the city of Haarlem in the surrounding area in an overhead view. In the foreground the camp of the Spanish troops at the Huis ter Kleef. Upper left arm of Holland, the right arm of Haarlem. Bottom left a cartouche held up by a young man with the legend 1-21, A-B and A-B in Dutch. Placed a banner with the title and arms of Holland and Haarlem. With signature of three verses of four lines in Dutch: Quartzite how Spanjaerds here benouwen the Haerlem Mers! [...] Manufacture Creator:. Printmaker Willem Ou
Death of Jacob Mossel, Golden oval medal with support ring and braided edge. Front: three mussel shells placed 2-1 in cartouche, above which a helmet of a harness with a mussel shell as a reward. Around a variety of militaria. Reverse: the inscription inscribed in writing: IN MEMORIAL. VAN WIJLEN / HIS EXCELLENCE / THE LORD / JACOB MOSSEL / IN LIFE / GENERAL OF THE STATE / AND / GOVERNOR GENERAL / OF THE NETHERLANDS INDIA / BORN TO ENKHUIZEN / DEN 28: OCTOB: A: 1704. AND DEATH ON BATAVIA DEN 15: MEIJ A: 1761, Dutch East Indies, The, Jacob Mossel (1704-1761), anonymous, Jakarta, 15-May-1761, go Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/death-of-jacob-mossel-golden-oval-medal-with-support-ring-and-braided-edge-front-three-mussel-shells-placed-2-1-in-cartouche-above-which-a-helmet-of-a-harness-with-a-mussel-shell-as-a-reward-around-a-variety-of-militaria-reverse-the-inscription-inscribed-in-writing-in-memorial-van-wijlen-his-excellence-the-lord-jacob-mossel-in-life-general-of-the-state-and-governor-general-of-the-netherlands-india-born-to-enkhuizen-den-28-octob-a-1704-and-death-on-batavia-den-15-meij-a-1761-dutch-east-indies-the-jacob-mossel-1704-1761-anonymous-jakarta-15-may-1761-go-image349982791.htmlRF2B9B2HB–Death of Jacob Mossel, Golden oval medal with support ring and braided edge. Front: three mussel shells placed 2-1 in cartouche, above which a helmet of a harness with a mussel shell as a reward. Around a variety of militaria. Reverse: the inscription inscribed in writing: IN MEMORIAL. VAN WIJLEN / HIS EXCELLENCE / THE LORD / JACOB MOSSEL / IN LIFE / GENERAL OF THE STATE / AND / GOVERNOR GENERAL / OF THE NETHERLANDS INDIA / BORN TO ENKHUIZEN / DEN 28: OCTOB: A: 1704. AND DEATH ON BATAVIA DEN 15: MEIJ A: 1761, Dutch East Indies, The, Jacob Mossel (1704-1761), anonymous, Jakarta, 15-May-1761, go
![Fireplace with a bust of King Louis XIV, Fireplace made of cast iron, with a semicircular top. At the center is a bust of Louis XIV in a cartouche. Four medallions are placed in the corners of the cartouches, with a star, a pigeon and two dolphins. On the left of the bust the Mercury staff, on the right an arrow and bow, both attributes of Apollo. At the very top is the all-seeing eye. Below a cartouche with the inscription: LVDOVICVS XIV / FRANCIA ET NAVARRA / [REX CHRISTIANISSIMVS], Louis XIV (King of France), anonymous, France (possibly), c. 1650 - c. 1675, iron (metal), founding, h 114.0 Stock Photo](https://c8.alamy.com/comp/W55H5J/fireplace-with-a-bust-of-king-louis-xiv-fireplace-made-of-cast-iron-with-a-semicircular-top-at-the-center-is-a-bust-of-louis-xiv-in-a-cartouche-four-medallions-are-placed-in-the-corners-of-the-cartouches-with-a-star-a-pigeon-and-two-dolphins-on-the-left-of-the-bust-the-mercury-staff-on-the-right-an-arrow-and-bow-both-attributes-of-apollo-at-the-very-top-is-the-all-seeing-eye-below-a-cartouche-with-the-inscription-lvdovicvs-xiv-francia-et-navarra-rex-christianissimvs-louis-xiv-king-of-france-anonymous-france-possibly-c-1650-c-1675-iron-metal-founding-h-1140-W55H5J.jpg "Fireplace with a bust of King Louis XIV, Fireplace made of cast iron, with a semicircular top. At the center is a bust of Louis XIV in a cartouche. Four medallions are placed in the corners of the cartouches, with a star, a pigeon and two dolphins. On the left of the bust the Mercury staff, on the right an arrow and bow, both attributes of Apollo. At the very top is the all-seeing eye. Below a cartouche with the inscription: LVDOVICVS XIV / FRANCIA ET NAVARRA / [REX CHRISTIANISSIMVS], Louis XIV (King of France), anonymous, France (possibly), c. 1650 - c. 1675, iron (metal), founding, h 114.0 Stock Photo"){kind=icon}
Fireplace with a bust of King Louis XIV, Fireplace made of cast iron, with a semicircular top. At the center is a bust of Louis XIV in a cartouche. Four medallions are placed in the corners of the cartouches, with a star, a pigeon and two dolphins. On the left of the bust the Mercury staff, on the right an arrow and bow, both attributes of Apollo. At the very top is the all-seeing eye. Below a cartouche with the inscription: LVDOVICVS XIV / FRANCIA ET NAVARRA / [REX CHRISTIANISSIMVS], Louis XIV (King of France), anonymous, France (possibly), c. 1650 - c. 1675, iron (metal), founding, h 114.0 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fireplace-with-a-bust-of-king-louis-xiv-fireplace-made-of-cast-iron-with-a-semicircular-top-at-the-center-is-a-bust-of-louis-xiv-in-a-cartouche-four-medallions-are-placed-in-the-corners-of-the-cartouches-with-a-star-a-pigeon-and-two-dolphins-on-the-left-of-the-bust-the-mercury-staff-on-the-right-an-arrow-and-bow-both-attributes-of-apollo-at-the-very-top-is-the-all-seeing-eye-below-a-cartouche-with-the-inscription-lvdovicvs-xiv-francia-et-navarra-rex-christianissimvs-louis-xiv-king-of-france-anonymous-france-possibly-c-1650-c-1675-iron-metal-founding-h-1140-image261352046.htmlRMW55H5J–Fireplace with a bust of King Louis XIV, Fireplace made of cast iron, with a semicircular top. At the center is a bust of Louis XIV in a cartouche. Four medallions are placed in the corners of the cartouches, with a star, a pigeon and two dolphins. On the left of the bust the Mercury staff, on the right an arrow and bow, both attributes of Apollo. At the very top is the all-seeing eye. Below a cartouche with the inscription: LVDOVICVS XIV / FRANCIA ET NAVARRA / [REX CHRISTIANISSIMVS], Louis XIV (King of France), anonymous, France (possibly), c. 1650 - c. 1675, iron (metal), founding, h 114.0
vector vintage template frame In flower style Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-vintage-template-frame-in-flower-style-image554758017.htmlRF2R6FBE9–vector vintage template frame In flower style
Graflegging van Christus, anonymous, after Albrecht Dürer, 1507 - 1578 print The body of Christ is placed under a tree by Nikodemus and Joseph of Arimatea in a tomb. The other figures around the grave mourn. The thorn crown is located at Maria's feet. An angel holds up a cartouche with a Latin text. Nuremberg paper engraving Christ's entombment (possibly by angels) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/graflegging-van-christus-anonymous-after-albrecht-drer-1507-1578-print-the-body-of-christ-is-placed-under-a-tree-by-nikodemus-and-joseph-of-arimatea-in-a-tomb-the-other-figures-around-the-grave-mourn-the-thorn-crown-is-located-at-marias-feet-an-angel-holds-up-a-cartouche-with-a-latin-text-nuremberg-paper-engraving-christs-entombment-possibly-by-angels-image594926509.htmlRM2WFW6R9–Graflegging van Christus, anonymous, after Albrecht Dürer, 1507 - 1578 print The body of Christ is placed under a tree by Nikodemus and Joseph of Arimatea in a tomb. The other figures around the grave mourn. The thorn crown is located at Maria's feet. An angel holds up a cartouche with a Latin text. Nuremberg paper engraving Christ's entombment (possibly by angels)
Glas-in-loodraam met koning Filips IV die afstand doet van de Nederlanden, 1648 stained-glass window with a representation of the Spanish king Philip IV a document kept getting Where: in he waives the Netherlands, after the conclusion of the Peace of Westphalia, 1648. in a cartouche a fresh four rules. Stained-glass window in the Oude Kerk in Amsterdam, placed in 1656 and renewed in 1767. Manufacturer : printmaker Jan Point to drawing of Abraham Pietersz. Hulk To design: Pieter Jansz.Plaats manufacture: Amsterdam Date: 1779 Physical characteristics: etching material: paper Technique: etching d Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glas-in-loodraam-met-koning-filips-iv-die-afstand-doet-van-de-nederlanden-1648-stained-glass-window-with-a-representation-of-the-spanish-king-philip-iv-a-document-kept-getting-where-in-he-waives-the-netherlands-after-the-conclusion-of-the-peace-of-westphalia-1648-in-a-cartouche-a-fresh-four-rules-stained-glass-window-in-the-oude-kerk-in-amsterdam-placed-in-1656-and-renewed-in-1767-manufacturer-printmaker-jan-point-to-drawing-of-abraham-pietersz-hulk-to-design-pieter-janszplaats-manufacture-amsterdam-date-1779-physical-characteristics-etching-material-paper-technique-etching-d-image348415357.htmlRM2B6RK9H–Glas-in-loodraam met koning Filips IV die afstand doet van de Nederlanden, 1648 stained-glass window with a representation of the Spanish king Philip IV a document kept getting Where: in he waives the Netherlands, after the conclusion of the Peace of Westphalia, 1648. in a cartouche a fresh four rules. Stained-glass window in the Oude Kerk in Amsterdam, placed in 1656 and renewed in 1767. Manufacturer : printmaker Jan Point to drawing of Abraham Pietersz. Hulk To design: Pieter Jansz.Plaats manufacture: Amsterdam Date: 1779 Physical characteristics: etching material: paper Technique: etching d
Chest Cassone with a coat of arms in a cartouche, Casket of walnut on claw legs placed on the front. The front is crop on the corners and in the middle and shows a cartouche coat of arms in the middle of a flat field, held by standing putti with a turned away head. Volute pilasters on the corners with a pearl border in the middle and Ionic capitals. The lid carries a cushion that is hollow on the inside. The sides have flat fields., Cupids: 'amores', 'amoretti', 'putti', anonymous, Italy, c. 1550 - c. 1599, wood (plant material), walnut (hardwood), h 64.5 cm × w 176 cm × d 59 cm w 176 cm d 59 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chest-cassone-with-a-coat-of-arms-in-a-cartouche-casket-of-walnut-on-claw-legs-placed-on-the-front-the-front-is-crop-on-the-corners-and-in-the-middle-and-shows-a-cartouche-coat-of-arms-in-the-middle-of-a-flat-field-held-by-standing-putti-with-a-turned-away-head-volute-pilasters-on-the-corners-with-a-pearl-border-in-the-middle-and-ionic-capitals-the-lid-carries-a-cushion-that-is-hollow-on-the-inside-the-sides-have-flat-fields-cupids-amores-amoretti-putti-anonymous-italy-c-1550-c-1599-wood-plant-material-walnut-hardwood-h-645-cm-w-176-cm-d-59-cm-w-176-cm-d-59-image349946271.htmlRF2B99C13–Chest Cassone with a coat of arms in a cartouche, Casket of walnut on claw legs placed on the front. The front is crop on the corners and in the middle and shows a cartouche coat of arms in the middle of a flat field, held by standing putti with a turned away head. Volute pilasters on the corners with a pearl border in the middle and Ionic capitals. The lid carries a cushion that is hollow on the inside. The sides have flat fields., Cupids: 'amores', 'amoretti', 'putti', anonymous, Italy, c. 1550 - c. 1599, wood (plant material), walnut (hardwood), h 64.5 cm × w 176 cm × d 59 cm w 176 cm d 59
Strip of bobbin lace with slanted quadruple cartouche and berry branch, Strip of natural-colored bobbin lace, Lille side. The repeating pattern consists of an obliquely placed oval cartouche, a smaller triangular cartouche and a curved branch with berries. These motifs all spring from the bottom of the strip. The obliquely placed cartouche has a smaller oval cartouche and it is crowned by a more or less triangular cartouche and on top of that a smaller oval cartouche. Two different loose berries stand diagonally above the berry branch. The motifs are connected by a fine mesh ground, a lawn Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-bobbin-lace-with-slanted-quadruple-cartouche-and-berry-branch-strip-of-natural-colored-bobbin-lace-lille-side-the-repeating-pattern-consists-of-an-obliquely-placed-oval-cartouche-a-smaller-triangular-cartouche-and-a-curved-branch-with-berries-these-motifs-all-spring-from-the-bottom-of-the-strip-the-obliquely-placed-cartouche-has-a-smaller-oval-cartouche-and-it-is-crowned-by-a-more-or-less-triangular-cartouche-and-on-top-of-that-a-smaller-oval-cartouche-two-different-loose-berries-stand-diagonally-above-the-berry-branch-the-motifs-are-connected-by-a-fine-mesh-ground-a-lawn-image261340217.htmlRMW55235–Strip of bobbin lace with slanted quadruple cartouche and berry branch, Strip of natural-colored bobbin lace, Lille side. The repeating pattern consists of an obliquely placed oval cartouche, a smaller triangular cartouche and a curved branch with berries. These motifs all spring from the bottom of the strip. The obliquely placed cartouche has a smaller oval cartouche and it is crowned by a more or less triangular cartouche and on top of that a smaller oval cartouche. Two different loose berries stand diagonally above the berry branch. The motifs are connected by a fine mesh ground, a lawn
vector vintage template frame In flower style Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-vintage-template-frame-in-flower-style-image554759020.htmlRF2R6FCP4–vector vintage template frame In flower style
Graflegging van Christus, anonymous, after Albrecht Dürer, 1507 - 1578 print The body of Christ is placed under a tree by Nikodemus and Joseph of Arimatea in a tomb. The other figures around the grave mourn. The thorn crown is located at Maria's feet. An angel holds up a cartouche with a Latin text. Nuremberg paper engraving Christ's entombment (possibly by angels) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/graflegging-van-christus-anonymous-after-albrecht-drer-1507-1578-print-the-body-of-christ-is-placed-under-a-tree-by-nikodemus-and-joseph-of-arimatea-in-a-tomb-the-other-figures-around-the-grave-mourn-the-thorn-crown-is-located-at-marias-feet-an-angel-holds-up-a-cartouche-with-a-latin-text-nuremberg-paper-engraving-christs-entombment-possibly-by-angels-image594907450.htmlRM2WFTAEJ–Graflegging van Christus, anonymous, after Albrecht Dürer, 1507 - 1578 print The body of Christ is placed under a tree by Nikodemus and Joseph of Arimatea in a tomb. The other figures around the grave mourn. The thorn crown is located at Maria's feet. An angel holds up a cartouche with a Latin text. Nuremberg paper engraving Christ's entombment (possibly by angels)
Historische kaart van Nederland met de gebieden van de Bataven en Friezen Typus Frisiae veteris Insulae Batavorum (titel op object) Map of the Frisian and Batavian areas. Right a cartouche depicting a plant. Part of 16 cards of the land of the Batavi and the Friesians first prepared for and recorded in M. Alting, Descriptio ant. agri Batavi et Frisii, s. notitia Germ. infer., 2 parts, 1697-1700. Reused in F. Halma, Tooneel of the United Netherlands and dependent landscapes, geopent placed in a general historical, genealogical, geographic or political dictionary, 2 parts, 1725. According to wor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/historische-kaart-van-nederland-met-de-gebieden-van-de-bataven-en-friezen-typus-frisiae-veteris-insulae-batavorum-titel-op-object-map-of-the-frisian-and-batavian-areas-right-a-cartouche-depicting-a-plant-part-of-16-cards-of-the-land-of-the-batavi-and-the-friesians-first-prepared-for-and-recorded-in-m-alting-descriptio-ant-agri-batavi-et-frisii-s-notitia-germ-infer-2-parts-1697-1700-reused-in-f-halma-tooneel-of-the-united-netherlands-and-dependent-landscapes-geopent-placed-in-a-general-historical-genealogical-geographic-or-political-dictionary-2-parts-1725-according-to-wor-image348441406.htmlRM2B6TTFX–Historische kaart van Nederland met de gebieden van de Bataven en Friezen Typus Frisiae veteris Insulae Batavorum (titel op object) Map of the Frisian and Batavian areas. Right a cartouche depicting a plant. Part of 16 cards of the land of the Batavi and the Friesians first prepared for and recorded in M. Alting, Descriptio ant. agri Batavi et Frisii, s. notitia Germ. infer., 2 parts, 1697-1700. Reused in F. Halma, Tooneel of the United Netherlands and dependent landscapes, geopent placed in a general historical, genealogical, geographic or political dictionary, 2 parts, 1725. According to wor
Napkin with a flower pattern, Napkin of linen damask with flower pattern. Midfield: loose tulips, daffodils, carnations etc. Standing edges: flowers placed above each other, including tiger lily, outside a narrow block edge. Lying top edge: cartouche with rolling work with the inscription GHELEYN HAVWEEL 1625. Lying bottom bottom: cartouche with rolling work with the inscription MARGRIETE CANNEEL. Corners: circle within which four flower vaults., anonymous, Vlaanderen (possibly), 1625, linen (material), damask, h 100 cm × w 71 cm, Reimagined by Gibon, design of warm cheerful glowing of brightn Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/napkin-with-a-flower-pattern-napkin-of-linen-damask-with-flower-pattern-midfield-loose-tulips-daffodils-carnations-etc-standing-edges-flowers-placed-above-each-other-including-tiger-lily-outside-a-narrow-block-edge-lying-top-edge-cartouche-with-rolling-work-with-the-inscription-gheleyn-havweel-1625-lying-bottom-bottom-cartouche-with-rolling-work-with-the-inscription-margriete-canneel-corners-circle-within-which-four-flower-vaults-anonymous-vlaanderen-possibly-1625-linen-material-damask-h-100-cm-w-71-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightn-image349972410.htmlRF2B9AHAJ–Napkin with a flower pattern, Napkin of linen damask with flower pattern. Midfield: loose tulips, daffodils, carnations etc. Standing edges: flowers placed above each other, including tiger lily, outside a narrow block edge. Lying top edge: cartouche with rolling work with the inscription GHELEYN HAVWEEL 1625. Lying bottom bottom: cartouche with rolling work with the inscription MARGRIETE CANNEEL. Corners: circle within which four flower vaults., anonymous, Vlaanderen (possibly), 1625, linen (material), damask, h 100 cm × w 71 cm, Reimagined by Gibon, design of warm cheerful glowing of brightn
Death of Jacob Mossel, Golden oval medal with support ring and braided edge. Front: three mussel shells placed 2-1 in cartouche, above which a helmet of a harness with a mussel shell as a reward. Around a variety of militaria. Reverse: the inscription inscribed in writing: IN MEMORIAL. VAN WIJLEN / HIS EXCELLENCE / THE LORD / JACOB MOSSEL / IN LIFE / GENERAL OF THE STATE / AND / GOVERNOR GENERAL / OF THE NETHERLANDS INDIA / BORN TO ENKHUIZEN / DEN 28: OCTOB: A: 1704. AND DEATH ON BATAVIA DEN 15: MEIJ A: 1761, Dutch East Indies, The, Jacob Mossel (1704-1761), anonymous, Jakarta, 15-May-1761 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/death-of-jacob-mossel-golden-oval-medal-with-support-ring-and-braided-edge-front-three-mussel-shells-placed-2-1-in-cartouche-above-which-a-helmet-of-a-harness-with-a-mussel-shell-as-a-reward-around-a-variety-of-militaria-reverse-the-inscription-inscribed-in-writing-in-memorial-van-wijlen-his-excellence-the-lord-jacob-mossel-in-life-general-of-the-state-and-governor-general-of-the-netherlands-india-born-to-enkhuizen-den-28-octob-a-1704-and-death-on-batavia-den-15-meij-a-1761-dutch-east-indies-the-jacob-mossel-1704-1761-anonymous-jakarta-15-may-1761-image261378872.htmlRMW56RBM–Death of Jacob Mossel, Golden oval medal with support ring and braided edge. Front: three mussel shells placed 2-1 in cartouche, above which a helmet of a harness with a mussel shell as a reward. Around a variety of militaria. Reverse: the inscription inscribed in writing: IN MEMORIAL. VAN WIJLEN / HIS EXCELLENCE / THE LORD / JACOB MOSSEL / IN LIFE / GENERAL OF THE STATE / AND / GOVERNOR GENERAL / OF THE NETHERLANDS INDIA / BORN TO ENKHUIZEN / DEN 28: OCTOB: A: 1704. AND DEATH ON BATAVIA DEN 15: MEIJ A: 1761, Dutch East Indies, The, Jacob Mossel (1704-1761), anonymous, Jakarta, 15-May-1761
vector vintage template frame In flower style Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-vintage-template-frame-in-flower-style-image554768980.htmlRF2R6FWDT–vector vintage template frame In flower style
Graflegging van Christus, anonymous, after Albrecht Dürer, 1507 - 1578 print The body of Christ is placed under a tree by Nikodemus and Joseph of Arimatea in a tomb. The other figures around the grave mourn. The thorn crown is located at Maria's feet. An angel holds up a cartouche with a Latin text. Nuremberg paper engraving Christ's entombment (possibly by angels) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/graflegging-van-christus-anonymous-after-albrecht-drer-1507-1578-print-the-body-of-christ-is-placed-under-a-tree-by-nikodemus-and-joseph-of-arimatea-in-a-tomb-the-other-figures-around-the-grave-mourn-the-thorn-crown-is-located-at-marias-feet-an-angel-holds-up-a-cartouche-with-a-latin-text-nuremberg-paper-engraving-christs-entombment-possibly-by-angels-image593207685.htmlRM2WD2XCN–Graflegging van Christus, anonymous, after Albrecht Dürer, 1507 - 1578 print The body of Christ is placed under a tree by Nikodemus and Joseph of Arimatea in a tomb. The other figures around the grave mourn. The thorn crown is located at Maria's feet. An angel holds up a cartouche with a Latin text. Nuremberg paper engraving Christ's entombment (possibly by angels)
Cartouche lobe ornament, placed a mask with mouth open Veelderhande Niewe Comp Arte Mente (series title) Cartouche with lobe ornament, placed a mask with open mondVeelderhande Niewe Comp Arte Mente (series title) Property Type: print ornament picture Serial Number: 8 / 24Objectnummer: RP-P-1883-A-7437Catalogusreferentie: Orn Cat II 144-2 Manufacturer : printmaker : Michiel Mosijnnaar design: Gerbrand van den Eeckhout Publisher: Clement de Jongh Place manufacture: Amsterdam Date: 1640 - 1655 Material: paper Technique: engra (printing process) / etching dimensions: plate edge: h 240 mm × W 190 m Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartouche-lobe-ornament-placed-a-mask-with-mouth-open-veelderhande-niewe-comp-arte-mente-series-title-cartouche-with-lobe-ornament-placed-a-mask-with-open-mondveelderhande-niewe-comp-arte-mente-series-title-property-type-print-ornament-picture-serial-number-8-24objectnummer-rp-p-1883-a-7437catalogusreferentie-orn-cat-ii-144-2-manufacturer-printmaker-michiel-mosijnnaar-design-gerbrand-van-den-eeckhout-publisher-clement-de-jongh-place-manufacture-amsterdam-date-1640-1655-material-paper-technique-engra-printing-process-etching-dimensions-plate-edge-h-240-mm-w-190-m-image348248843.htmlRM2B6G2XK–Cartouche lobe ornament, placed a mask with mouth open Veelderhande Niewe Comp Arte Mente (series title) Cartouche with lobe ornament, placed a mask with open mondVeelderhande Niewe Comp Arte Mente (series title) Property Type: print ornament picture Serial Number: 8 / 24Objectnummer: RP-P-1883-A-7437Catalogusreferentie: Orn Cat II 144-2 Manufacturer : printmaker : Michiel Mosijnnaar design: Gerbrand van den Eeckhout Publisher: Clement de Jongh Place manufacture: Amsterdam Date: 1640 - 1655 Material: paper Technique: engra (printing process) / etching dimensions: plate edge: h 240 mm × W 190 m
Sgabello with octagonal seat, Chair made of walnut, resting on a front and back board, placed in a staggered position, connected by a twisted sport. The front plate is decorated with grunts, acanthus vines and vines and a circle rosette. The wide seating lines are smooth, the front line has a circle rosette. The seat is octagonal. The back has the shape of an inverted isosceles triangle with two flat panels. The top sill is decorated with circular rosettes, scrolling cartouche with a button, and acanthus volutes and vines., anonymous, Italy, c. 1500 - c. 1600, wood (plant material), walnut (ha Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sgabello-with-octagonal-seat-chair-made-of-walnut-resting-on-a-front-and-back-board-placed-in-a-staggered-position-connected-by-a-twisted-sport-the-front-plate-is-decorated-with-grunts-acanthus-vines-and-vines-and-a-circle-rosette-the-wide-seating-lines-are-smooth-the-front-line-has-a-circle-rosette-the-seat-is-octagonal-the-back-has-the-shape-of-an-inverted-isosceles-triangle-with-two-flat-panels-the-top-sill-is-decorated-with-circular-rosettes-scrolling-cartouche-with-a-button-and-acanthus-volutes-and-vines-anonymous-italy-c-1500-c-1600-wood-plant-material-walnut-ha-image349946348.htmlRF2B99C3T–Sgabello with octagonal seat, Chair made of walnut, resting on a front and back board, placed in a staggered position, connected by a twisted sport. The front plate is decorated with grunts, acanthus vines and vines and a circle rosette. The wide seating lines are smooth, the front line has a circle rosette. The seat is octagonal. The back has the shape of an inverted isosceles triangle with two flat panels. The top sill is decorated with circular rosettes, scrolling cartouche with a button, and acanthus volutes and vines., anonymous, Italy, c. 1500 - c. 1600, wood (plant material), walnut (ha
Chest Cassone with a coat of arms in a cartouche, Casket of walnut on claw legs placed on the front. The front is crop on the corners and in the middle and shows a cartouche coat of arms in the middle of a flat field, held by standing putti with a turned away head. Volute pilasters on the corners with a pearl border in the middle and Ionic capitals. The lid carries a cushion that is hollow on the inside. The sides have flat fields., Cupids: 'amores', 'amoretti', 'putti', anonymous, Italy, c. 1550 - c. 1599, wood (plant material), walnut (hardwood), h 64.5 cm × w 176 cm × d 59 cm w 176 cm d 59 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chest-cassone-with-a-coat-of-arms-in-a-cartouche-casket-of-walnut-on-claw-legs-placed-on-the-front-the-front-is-crop-on-the-corners-and-in-the-middle-and-shows-a-cartouche-coat-of-arms-in-the-middle-of-a-flat-field-held-by-standing-putti-with-a-turned-away-head-volute-pilasters-on-the-corners-with-a-pearl-border-in-the-middle-and-ionic-capitals-the-lid-carries-a-cushion-that-is-hollow-on-the-inside-the-sides-have-flat-fields-cupids-amores-amoretti-putti-anonymous-italy-c-1550-c-1599-wood-plant-material-walnut-hardwood-h-645-cm-w-176-cm-d-59-cm-w-176-cm-d-59-image261328709.htmlRMW54FC5–Chest Cassone with a coat of arms in a cartouche, Casket of walnut on claw legs placed on the front. The front is crop on the corners and in the middle and shows a cartouche coat of arms in the middle of a flat field, held by standing putti with a turned away head. Volute pilasters on the corners with a pearl border in the middle and Ionic capitals. The lid carries a cushion that is hollow on the inside. The sides have flat fields., Cupids: 'amores', 'amoretti', 'putti', anonymous, Italy, c. 1550 - c. 1599, wood (plant material), walnut (hardwood), h 64.5 cm × w 176 cm × d 59 cm w 176 cm d 59
Christ heals the lame (The scene placed in an architectural frame, which has an empty cartouche in the semicircle at the top), Jacopo Chimenti (Florence around 1551 - 1640 Florence), drawing, chalk; Feather; washed; light brown primed paper; holey; rubbed areas, 36.8 x 24.5 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-heals-the-lame-the-scene-placed-in-an-architectural-frame-which-has-an-empty-cartouche-in-the-semicircle-at-the-top-jacopo-chimenti-florence-around-1551-1640-florence-drawing-chalk-feather-washed-light-brown-primed-paper-holey-rubbed-areas-368-x-245-cm-ll-duke-albert-of-saxe-teschen-image573318044.htmlRM2T8MW0C–Christ heals the lame (The scene placed in an architectural frame, which has an empty cartouche in the semicircle at the top), Jacopo Chimenti (Florence around 1551 - 1640 Florence), drawing, chalk; Feather; washed; light brown primed paper; holey; rubbed areas, 36.8 x 24.5 cm, l.l. Duke Albert of Saxe-Teschen
Crucifixion of Christ, Antonie Wierix (II), 1608 print Christ hangs on the cross. A soldier sticks him in his side with a lance. The show is caught in a cartouche and placed in the midst of the psalm text printed in a button pattern. print maker: Antwerppublisher: Paris paper engraving the book of Psalms. ornament cartouche. Longinus pierces Christ's side with a lance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crucifixion-of-christ-antonie-wierix-ii-1608-print-christ-hangs-on-the-cross-a-soldier-sticks-him-in-his-side-with-a-lance-the-show-is-caught-in-a-cartouche-and-placed-in-the-midst-of-the-psalm-text-printed-in-a-button-pattern-print-maker-antwerppublisher-paris-paper-engraving-the-book-of-psalms-ornament-cartouche-longinus-pierces-christs-side-with-a-lance-image592946197.htmlRM2WCK0WW–Crucifixion of Christ, Antonie Wierix (II), 1608 print Christ hangs on the cross. A soldier sticks him in his side with a lance. The show is caught in a cartouche and placed in the midst of the psalm text printed in a button pattern. print maker: Antwerppublisher: Paris paper engraving the book of Psalms. ornament cartouche. Longinus pierces Christ's side with a lance
Cartouche Decorated with a Helmet and a Mask, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques-Gabriel Huquier, French, 1725 - 1805, Etching on off-white paper, Cartouche design decorated with a helmet and a mask placed on a pedestal with an empty tablet, France, 1700–1775, ornament, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartouche-decorated-with-a-helmet-and-a-mask-pierre-edme-babel-french-ca-1720-1775-pierre-edme-babel-french-ca-1720-1775-jacques-gabriel-huquier-french-1725-1805-etching-on-off-white-paper-cartouche-design-decorated-with-a-helmet-and-a-mask-placed-on-a-pedestal-with-an-empty-tablet-france-17001775-ornament-print-image391492720.htmlRM2DMX0XT–Cartouche Decorated with a Helmet and a Mask, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques-Gabriel Huquier, French, 1725 - 1805, Etching on off-white paper, Cartouche design decorated with a helmet and a mask placed on a pedestal with an empty tablet, France, 1700–1775, ornament, Print
vector vintage template frame In flower style Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-vintage-template-frame-in-flower-style-image554769437.htmlRF2R6FX25–vector vintage template frame In flower style
Sgabello with octagonal seat, Chair made of walnut, resting on a front and back board, placed in a staggered position, connected by a twisted sport. The front plate is decorated with acanthusvoluten and a circle rosette with a palette above it. The wide seating lines are smooth, the front line has a circle rosette. The seat is octagonal. The back has the shape of an inverted isosceles triangle with two flat panels. The upper threshold ends in circular rosettes with a rolling cartouche in the middle flanked by leaf motifs., anonymous, Italy, 1500 - 1600, wood (plant material), walnut (hardwood) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sgabello-with-octagonal-seat-chair-made-of-walnut-resting-on-a-front-and-back-board-placed-in-a-staggered-position-connected-by-a-twisted-sport-the-front-plate-is-decorated-with-acanthusvoluten-and-a-circle-rosette-with-a-palette-above-it-the-wide-seating-lines-are-smooth-the-front-line-has-a-circle-rosette-the-seat-is-octagonal-the-back-has-the-shape-of-an-inverted-isosceles-triangle-with-two-flat-panels-the-upper-threshold-ends-in-circular-rosettes-with-a-rolling-cartouche-in-the-middle-flanked-by-leaf-motifs-anonymous-italy-1500-1600-wood-plant-material-walnut-hardwood-image349947837.htmlRF2B99E11–Sgabello with octagonal seat, Chair made of walnut, resting on a front and back board, placed in a staggered position, connected by a twisted sport. The front plate is decorated with acanthusvoluten and a circle rosette with a palette above it. The wide seating lines are smooth, the front line has a circle rosette. The seat is octagonal. The back has the shape of an inverted isosceles triangle with two flat panels. The upper threshold ends in circular rosettes with a rolling cartouche in the middle flanked by leaf motifs., anonymous, Italy, 1500 - 1600, wood (plant material), walnut (hardwood)
Bronze cannon, VOC Enkhuizen, E. Borchhard, 1765 cannon Front loader; grape that runs somewhat pointy. Kulas band; Between Zundgat and first break, approval in high-relief Rococo-Cartouche with VOC e weapon within it. The E is placed to the right of the middle. Around Zundgat with rectangle around it engraved. Two tires at the second break and collar. With tapping. Enkhuizen bronze (metal) casting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bronze-cannon-voc-enkhuizen-e-borchhard-1765-cannon-front-loader-grape-that-runs-somewhat-pointy-kulas-band-between-zundgat-and-first-break-approval-in-high-relief-rococo-cartouche-with-voc-e-weapon-within-it-the-e-is-placed-to-the-right-of-the-middle-around-zundgat-with-rectangle-around-it-engraved-two-tires-at-the-second-break-and-collar-with-tapping-enkhuizen-bronze-metal-casting-image590755620.htmlRM2W936R0–Bronze cannon, VOC Enkhuizen, E. Borchhard, 1765 cannon Front loader; grape that runs somewhat pointy. Kulas band; Between Zundgat and first break, approval in high-relief Rococo-Cartouche with VOC e weapon within it. The E is placed to the right of the middle. Around Zundgat with rectangle around it engraved. Two tires at the second break and collar. With tapping. Enkhuizen bronze (metal) casting
Cartouche Pitoresque (Picturesque Cartouche), Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Engraving on paper, Plate 3 of a series of 4 cartouche ornament designs. Asymmetric cartouche in Rococo style, placed on a ground with hills, with lower left part of a read., Paris, France, 1720–75, ornament, Bound print, Bound print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartouche-pitoresque-picturesque-cartouche-pierre-edme-babel-french-ca-1720-1775-jacques-chreau-french-16881776-engraving-on-paper-plate-3-of-a-series-of-4-cartouche-ornament-designs-asymmetric-cartouche-in-rococo-style-placed-on-a-ground-with-hills-with-lower-left-part-of-a-read-paris-france-172075-ornament-bound-print-bound-print-image391589832.htmlRM2DN2CR4–Cartouche Pitoresque (Picturesque Cartouche), Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688–1776, Engraving on paper, Plate 3 of a series of 4 cartouche ornament designs. Asymmetric cartouche in Rococo style, placed on a ground with hills, with lower left part of a read., Paris, France, 1720–75, ornament, Bound print, Bound print
vector vintage template frame In flower style Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-vintage-template-frame-in-flower-style-image554768652.htmlRF2R6FW24–vector vintage template frame In flower style
Table Table with marbled leaves, Table of gilded lime wood with S-shaped legs placed at an angle, decorated with carving of acanthus leaves, from which fruit bunches emerge. Four eagles sit on the curves of the legs. The legs are connected by a rule at the rear at the height of the upper swelling. The front line shows, amid symmetrically placed acanthus leaves, a cartouche of acanthus leaves with an alliance weapon held in the middle by two putti. Marbled leaves, ornament derived from plant forms, anonymous, Netherlands, 1650 - 1675, wood (plant material), linden, plywood, gilding (material), Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/table-table-with-marbled-leaves-table-of-gilded-lime-wood-with-s-shaped-legs-placed-at-an-angle-decorated-with-carving-of-acanthus-leaves-from-which-fruit-bunches-emerge-four-eagles-sit-on-the-curves-of-the-legs-the-legs-are-connected-by-a-rule-at-the-rear-at-the-height-of-the-upper-swelling-the-front-line-shows-amid-symmetrically-placed-acanthus-leaves-a-cartouche-of-acanthus-leaves-with-an-alliance-weapon-held-in-the-middle-by-two-putti-marbled-leaves-ornament-derived-from-plant-forms-anonymous-netherlands-1650-1675-wood-plant-material-linden-plywood-gilding-material-image349950045.htmlRF2B99GRW–Table Table with marbled leaves, Table of gilded lime wood with S-shaped legs placed at an angle, decorated with carving of acanthus leaves, from which fruit bunches emerge. Four eagles sit on the curves of the legs. The legs are connected by a rule at the rear at the height of the upper swelling. The front line shows, amid symmetrically placed acanthus leaves, a cartouche of acanthus leaves with an alliance weapon held in the middle by two putti. Marbled leaves, ornament derived from plant forms, anonymous, Netherlands, 1650 - 1675, wood (plant material), linden, plywood, gilding (material),
Crucifixion of Christ, Antonie Wierix (II), 1608 print Christ hangs on the cross. A soldier sticks him in his side with a lance. The show is caught in a cartouche and placed in the midst of the psalm text printed in a button pattern. print maker: Antwerppublisher: Paris paper engraving the book of Psalms. ornament cartouche. Longinus pierces Christ's side with a lance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crucifixion-of-christ-antonie-wierix-ii-1608-print-christ-hangs-on-the-cross-a-soldier-sticks-him-in-his-side-with-a-lance-the-show-is-caught-in-a-cartouche-and-placed-in-the-midst-of-the-psalm-text-printed-in-a-button-pattern-print-maker-antwerppublisher-paris-paper-engraving-the-book-of-psalms-ornament-cartouche-longinus-pierces-christs-side-with-a-lance-image593830153.htmlRM2WE38BN–Crucifixion of Christ, Antonie Wierix (II), 1608 print Christ hangs on the cross. A soldier sticks him in his side with a lance. The show is caught in a cartouche and placed in the midst of the psalm text printed in a button pattern. print maker: Antwerppublisher: Paris paper engraving the book of Psalms. ornament cartouche. Longinus pierces Christ's side with a lance
Tile, Tin-enamelled earthenware, underglaze polychrome decoration, Vertical rectangle, Time from a stove, with flanges of back broken off. Decorated with checkered squares diagonally placed, with hatching running in alternating directions, in green; rococo cartouche outlined with manganese violet scrolls, with reverse, in centre of which is a spray of yellow, blue and violet roses with green foliage., Rorstrand, Sweden, ca. 1770, tiles, Decorative Arts, Tile Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tile-tin-enamelled-earthenware-underglaze-polychrome-decoration-vertical-rectangle-time-from-a-stove-with-flanges-of-back-broken-off-decorated-with-checkered-squares-diagonally-placed-with-hatching-running-in-alternating-directions-in-green-rococo-cartouche-outlined-with-manganese-violet-scrolls-with-reverse-in-centre-of-which-is-a-spray-of-yellow-blue-and-violet-roses-with-green-foliage-rorstrand-sweden-ca-1770-tiles-decorative-arts-tile-image391673346.htmlRM2DN679P–Tile, Tin-enamelled earthenware, underglaze polychrome decoration, Vertical rectangle, Time from a stove, with flanges of back broken off. Decorated with checkered squares diagonally placed, with hatching running in alternating directions, in green; rococo cartouche outlined with manganese violet scrolls, with reverse, in centre of which is a spray of yellow, blue and violet roses with green foliage., Rorstrand, Sweden, ca. 1770, tiles, Decorative Arts, Tile
Search Results for Cartouche placed Stock Photos and Images (431)
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