Bust-Length Study of a Bearded Man with Cap in Three-Quarter View. Artist: Jacopo Bassano (Jacopo da Ponte) (Italian, Bassano del Grappa ca. 1510-1592 Bassano del Grappa). Dimensions: 5 1/4 x 4 1/2in. (13.3 x 11.4cm). Date: 1510-92. Jacopo Bassano was among the most innovative painters at the end of the sixteenth century. This intimate portraitlike study in color is a textbook example of Bassano's celebrated naturalism and dazzlingly economic pastel technique. This characteristic drawing, depicting a frequent head type in his canvases, was preparatory for an onlooker on the right in the Mirac Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bust-length-study-of-a-bearded-man-with-cap-in-three-quarter-view-artist-jacopo-bassano-jacopo-da-ponte-italian-bassano-del-grappa-ca-1510-1592-bassano-del-grappa-dimensions-5-14-x-4-12in-133-x-114cm-date-1510-92-jacopo-bassano-was-among-the-most-innovative-painters-at-the-end-of-the-sixteenth-century-this-intimate-portraitlike-study-in-color-is-a-textbook-example-of-bassanos-celebrated-naturalism-and-dazzlingly-economic-pastel-technique-this-characteristic-drawing-depicting-a-frequent-head-type-in-his-canvases-was-preparatory-for-an-onlooker-on-the-right-in-the-mirac-image213113271.html
RMPAM447–Bust-Length Study of a Bearded Man with Cap in Three-Quarter View. Artist: Jacopo Bassano (Jacopo da Ponte) (Italian, Bassano del Grappa ca. 1510-1592 Bassano del Grappa). Dimensions: 5 1/4 x 4 1/2in. (13.3 x 11.4cm). Date: 1510-92. Jacopo Bassano was among the most innovative painters at the end of the sixteenth century. This intimate portraitlike study in color is a textbook example of Bassano's celebrated naturalism and dazzlingly economic pastel technique. This characteristic drawing, depicting a frequent head type in his canvases, was preparatory for an onlooker on the right in the Mirac
Bust-Length Study of a Bearded Man with Cap in Three-Quarter View 1510–92 Jacopo Bassano (Jacopo da Ponte) Italian Jacopo Bassano was among the most innovative painters at the end of the sixteenth century. This intimate portraitlike study in color is a textbook example of Bassano's celebrated naturalism and dazzlingly economic pastel technique. This characteristic drawing, depicting a frequent head type in his canvases, was preparatory for an onlooker on the right in the Miracle of Saint Peter Curing the Cripple (private collection), a connection that had been unnoticed prior to its acquisitio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bust-length-study-of-a-bearded-man-with-cap-in-three-quarter-view-151092-jacopo-bassano-jacopo-da-ponte-italian-jacopo-bassano-was-among-the-most-innovative-painters-at-the-end-of-the-sixteenth-century-this-intimate-portraitlike-study-in-color-is-a-textbook-example-of-bassanos-celebrated-naturalism-and-dazzlingly-economic-pastel-technique-this-characteristic-drawing-depicting-a-frequent-head-type-in-his-canvases-was-preparatory-for-an-onlooker-on-the-right-in-the-miracle-of-saint-peter-curing-the-cripple-private-collection-a-connection-that-had-been-unnoticed-prior-to-its-acquisitio-image458571791.html
RM2HJ1MYY–Bust-Length Study of a Bearded Man with Cap in Three-Quarter View 1510–92 Jacopo Bassano (Jacopo da Ponte) Italian Jacopo Bassano was among the most innovative painters at the end of the sixteenth century. This intimate portraitlike study in color is a textbook example of Bassano's celebrated naturalism and dazzlingly economic pastel technique. This characteristic drawing, depicting a frequent head type in his canvases, was preparatory for an onlooker on the right in the Miracle of Saint Peter Curing the Cripple (private collection), a connection that had been unnoticed prior to its acquisitio
Teabowl with Leaf Decor, 12th-13th century, 1 7/8 x 5 3/4 in. (4.76 x 14.61 cm), Chi-chou ware Stoneware with brown glaze, China, 12th-13th century, Leaf pattern bowls rank amongst the rarest and most celebrated products of the Jizhou kilns in Hubei province. The decoration was apparently achieved by affixing a leaf to the interior of the bowl before immersing it in the iron-rich slurry used to create the dark brown glaze used at Jizhou. In the heat of the kiln, the natural chemicals in the leaf react with the glaze, rendering it nearly transparent. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/teabowl-with-leaf-decor-12th-13th-century-1-78-x-5-34-in-476-x-1461-cm-chi-chou-ware-stoneware-with-brown-glaze-china-12th-13th-century-leaf-pattern-bowls-rank-amongst-the-rarest-and-most-celebrated-products-of-the-jizhou-kilns-in-hubei-province-the-decoration-was-apparently-achieved-by-affixing-a-leaf-to-the-interior-of-the-bowl-before-immersing-it-in-the-iron-rich-slurry-used-to-create-the-dark-brown-glaze-used-at-jizhou-in-the-heat-of-the-kiln-the-natural-chemicals-in-the-leaf-react-with-the-glaze-rendering-it-nearly-transparent-image573507967.html
RM2T91F7B–Teabowl with Leaf Decor, 12th-13th century, 1 7/8 x 5 3/4 in. (4.76 x 14.61 cm), Chi-chou ware Stoneware with brown glaze, China, 12th-13th century, Leaf pattern bowls rank amongst the rarest and most celebrated products of the Jizhou kilns in Hubei province. The decoration was apparently achieved by affixing a leaf to the interior of the bowl before immersing it in the iron-rich slurry used to create the dark brown glaze used at Jizhou. In the heat of the kiln, the natural chemicals in the leaf react with the glaze, rendering it nearly transparent.
The celebrated french writer Emile ZOLA ( 1840 - 1902 ) - NATURALISMO - NATURALISM - SCRITTORE - LETTERATURA - LITERATURE - OCCHIALI - pincenez - pince-nez - glasses - barba e baffi - beard ---- Archivio GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-celebrated-french-writer-emile-zola-1840-1902-naturalismo-naturalism-scrittore-letteratura-literature-occhiali-pincenez-pince-nez-glasses-barba-e-baffi-beard-archivio-gbb-image478610200.html
Andrea del Castagno's 'David' (circa 1450): This fresco depicts the biblical hero David, triumphant with Goliath's head at his feet. Castagno's rendition is celebrated for its vivid realism and dynamic expression, showcasing the artist's mastery in capturing the essence of human strength and victory. The work is notable for its detailed attention to anatomy and the use of perspective, reflecting the period's growing interest in naturalism and individualism. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/andrea-del-castagnos-david-circa-1450-this-fresco-depicts-the-biblical-hero-david-triumphant-with-goliaths-head-at-his-feet-castagnos-rendition-is-celebrated-for-its-vivid-realism-and-dynamic-expression-showcasing-the-artists-mastery-in-capturing-the-essence-of-human-strength-and-victory-the-work-is-notable-for-its-detailed-attention-to-anatomy-and-the-use-of-perspective-reflecting-the-periods-growing-interest-in-naturalism-and-individualism-image600862386.html
RM2WWFJ2X–Andrea del Castagno's 'David' (circa 1450): This fresco depicts the biblical hero David, triumphant with Goliath's head at his feet. Castagno's rendition is celebrated for its vivid realism and dynamic expression, showcasing the artist's mastery in capturing the essence of human strength and victory. The work is notable for its detailed attention to anatomy and the use of perspective, reflecting the period's growing interest in naturalism and individualism.
Triumph of Bacchus ca. 1890 Luigi Frullini The central scene of this relief shows the Triumph of Bacchus. The wine god symbolizes the unrestrained life force that is also made manifest in the spiraling fruit and flowering branches. The presence of hounds, hare, and stag, refers to the hunt symbolizing a darker side of nature and death. Called the Donatello of wood-carvers, the Florentine Luigi Frullini was celebrated for his virtuoso Renaissance revival carvings that often combined naturalism and fantasy. A frequent participant in international exhibitions, the artist’s work was celebrated thr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/triumph-of-bacchus-ca-1890-luigi-frullini-the-central-scene-of-this-relief-shows-the-triumph-of-bacchus-the-wine-god-symbolizes-the-unrestrained-life-force-that-is-also-made-manifest-in-the-spiraling-fruit-and-flowering-branches-the-presence-of-hounds-hare-and-stag-refers-to-the-hunt-symbolizing-a-darker-side-of-nature-and-death-called-the-donatello-of-wood-carvers-the-florentine-luigi-frullini-was-celebrated-for-his-virtuoso-renaissance-revival-carvings-that-often-combined-naturalism-and-fantasy-a-frequent-participant-in-international-exhibitions-the-artists-work-was-celebrated-thr-image457995249.html
RM2HH3DH5–Triumph of Bacchus ca. 1890 Luigi Frullini The central scene of this relief shows the Triumph of Bacchus. The wine god symbolizes the unrestrained life force that is also made manifest in the spiraling fruit and flowering branches. The presence of hounds, hare, and stag, refers to the hunt symbolizing a darker side of nature and death. Called the Donatello of wood-carvers, the Florentine Luigi Frullini was celebrated for his virtuoso Renaissance revival carvings that often combined naturalism and fantasy. A frequent participant in international exhibitions, the artist’s work was celebrated thr
Bust-Length Study of a Bearded Man with Cap in Three-Quarter View, Jacopo Bassano, 1510–92 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bust-length-study-of-a-bearded-man-with-cap-in-three-quarter-view-162465432.html
RMKC8X8T–Bust-Length Study of a Bearded Man with Cap in Three-Quarter View, Jacopo Bassano, 1510–92
A Gazelle in Profile, Moving Toward the Right early 15th century Circle of Michelino da Besozzo (Michelino de Mulinari) Italian The Lombard artist Michelino da Besozzo was celebrated during his lifetime for his naturalism, especially in rendering animals and birds. This magnificent drawing, probably made by an artist strongly influenced by Michelino, resembles the technique of the illuminations for which he was famous. As it is executed on vellum (a fine-quality parchment) rather than paper, it may have come from a model book; such books were commonly used at the time to record motifs for late Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-gazelle-in-profile-moving-toward-the-right-early-15th-century-circle-of-michelino-da-besozzo-michelino-de-mulinari-italian-the-lombard-artist-michelino-da-besozzo-was-celebrated-during-his-lifetime-for-his-naturalism-especially-in-rendering-animals-and-birds-this-magnificent-drawing-probably-made-by-an-artist-strongly-influenced-by-michelino-resembles-the-technique-of-the-illuminations-for-which-he-was-famous-as-it-is-executed-on-vellum-a-fine-quality-parchment-rather-than-paper-it-may-have-come-from-a-model-book-such-books-were-commonly-used-at-the-time-to-record-motifs-for-late-image458585444.html
RM2HJ2ABG–A Gazelle in Profile, Moving Toward the Right early 15th century Circle of Michelino da Besozzo (Michelino de Mulinari) Italian The Lombard artist Michelino da Besozzo was celebrated during his lifetime for his naturalism, especially in rendering animals and birds. This magnificent drawing, probably made by an artist strongly influenced by Michelino, resembles the technique of the illuminations for which he was famous. As it is executed on vellum (a fine-quality parchment) rather than paper, it may have come from a model book; such books were commonly used at the time to record motifs for late
Art portrait of Scottish Enlightenment philosopher, historian & economist, David Hume, known for philosophical empiricism, scepticism & naturalism. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-portrait-of-scottish-enlightenment-philosopher-historian-economist-david-hume-known-for-philosophical-empiricism-scepticism-naturalism-image507033123.html
RM2MCW9WR–Art portrait of Scottish Enlightenment philosopher, historian & economist, David Hume, known for philosophical empiricism, scepticism & naturalism.
The Cardplayer 1655–81 copy after Frans van Mieris the Elder Dutch This study is thought to be a copy of a drawing by Frans van Mieris the Elder that was much celebrated in the eighteenth century. Aspiring to an ever-greater degree of naturalism in his figures, van Mieris portrayed the common man in Dutch society with a poise and casual elegance that appealed to the local elite and the European nobility. Here the card player leans back confidently as he smiles and points to his winning hand, inviting the viewer’s engagement with the scene.. The Cardplayer. copy after Frans van Mieris the Elder Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cardplayer-165581-copy-after-frans-van-mieris-the-elder-dutch-this-study-is-thought-to-be-a-copy-of-a-drawing-by-frans-van-mieris-the-elder-that-was-much-celebrated-in-the-eighteenth-century-aspiring-to-an-ever-greater-degree-of-naturalism-in-his-figures-van-mieris-portrayed-the-common-man-in-dutch-society-with-a-poise-and-casual-elegance-that-appealed-to-the-local-elite-and-the-european-nobility-here-the-card-player-leans-back-confidently-as-he-smiles-and-points-to-his-winning-hand-inviting-the-viewers-engagement-with-the-scene-the-cardplayer-copy-after-frans-van-mieris-the-elder-image457994328.html
RM2HH3CC8–The Cardplayer 1655–81 copy after Frans van Mieris the Elder Dutch This study is thought to be a copy of a drawing by Frans van Mieris the Elder that was much celebrated in the eighteenth century. Aspiring to an ever-greater degree of naturalism in his figures, van Mieris portrayed the common man in Dutch society with a poise and casual elegance that appealed to the local elite and the European nobility. Here the card player leans back confidently as he smiles and points to his winning hand, inviting the viewer’s engagement with the scene.. The Cardplayer. copy after Frans van Mieris the Elder
Art inspired by Bust-Length Study of a Bearded Man with Cap in Three-Quarter View, 1510–92, Pastel and charcoal on blue paper, 5 1/4 x 4 1/2in. (13.3 x 11.4cm), Drawings, Jacopo Bassano (Jacopo da Ponte) (Italian, Bassano del Grappa ca. 1510–1592 Bassano del Grappa), Jacopo Bassano was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bust-length-study-of-a-bearded-man-with-cap-in-three-quarter-view-151092-pastel-and-charcoal-on-blue-paper-5-14-x-4-12in-133-x-114cm-drawings-jacopo-bassano-jacopo-da-ponte-italian-bassano-del-grappa-ca-15101592-bassano-del-grappa-jacopo-bassano-was-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462950611.html
RF2HW566B–Art inspired by Bust-Length Study of a Bearded Man with Cap in Three-Quarter View, 1510–92, Pastel and charcoal on blue paper, 5 1/4 x 4 1/2in. (13.3 x 11.4cm), Drawings, Jacopo Bassano (Jacopo da Ponte) (Italian, Bassano del Grappa ca. 1510–1592 Bassano del Grappa), Jacopo Bassano was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
German biologist, zoologist, naturalist, philosopher, physician and artist Ernst Heinrich Philipp August Haeckel (1834 - 1919). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-german-biologist-zoologist-naturalist-philosopher-physician-and-artist-35003092.html
RMC0XEPC–German biologist, zoologist, naturalist, philosopher, physician and artist Ernst Heinrich Philipp August Haeckel (1834 - 1919).
The Cardplayer, copy after Frans van Mieris the Elder, 1655–81 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-cardplayer-copy-after-frans-van-mieris-the-elder-165581-162557807.html
RMKCD43Y–The Cardplayer, copy after Frans van Mieris the Elder, 1655–81
Art inspired by The Cardplayer, 1655–81, Black chalk, probably moistened in certain areas, and gray wash on vellum., 4 5/8 x 5 7/8 in. (11.7 x 15 cm), Drawings, copy after Frans van Mieris the Elder (Dutch, Leiden 1635–1681 Leiden), This study is thought to be a copy of a drawing by, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-cardplayer-165581-black-chalk-probably-moistened-in-certain-areas-and-gray-wash-on-vellum-4-58-x-5-78-in-117-x-15-cm-drawings-copy-after-frans-van-mieris-the-elder-dutch-leiden-16351681-leiden-this-study-is-thought-to-be-a-copy-of-a-drawing-by-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463030309.html
RF2HW8RTN–Art inspired by The Cardplayer, 1655–81, Black chalk, probably moistened in certain areas, and gray wash on vellum., 4 5/8 x 5 7/8 in. (11.7 x 15 cm), Drawings, copy after Frans van Mieris the Elder (Dutch, Leiden 1635–1681 Leiden), This study is thought to be a copy of a drawing by, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Cardplayer. Artist: copy after Frans van Mieris the Elder (Dutch, Leiden 1635-1681 Leiden). Dimensions: 4 5/8 x 5 7/8 in. (11.7 x 15 cm). Date: 1655-81. This study is thought to be a copy of a drawing by Frans van Mieris the Elder that was much celebrated in the eighteenth century. Aspiring to an ever-greater degree of naturalism in his figures, van Mieris portrayed the common man in Dutch society with a poise and casual elegance that appealed to the local elite and the European nobility. Here the card player leans back confidently as he smiles and points to his winning hand, inviting th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cardplayer-artist-copy-after-frans-van-mieris-the-elder-dutch-leiden-1635-1681-leiden-dimensions-4-58-x-5-78-in-117-x-15-cm-date-1655-81-this-study-is-thought-to-be-a-copy-of-a-drawing-by-frans-van-mieris-the-elder-that-was-much-celebrated-in-the-eighteenth-century-aspiring-to-an-ever-greater-degree-of-naturalism-in-his-figures-van-mieris-portrayed-the-common-man-in-dutch-society-with-a-poise-and-casual-elegance-that-appealed-to-the-local-elite-and-the-european-nobility-here-the-card-player-leans-back-confidently-as-he-smiles-and-points-to-his-winning-hand-inviting-th-image212914659.html
RMPAB2PY–The Cardplayer. Artist: copy after Frans van Mieris the Elder (Dutch, Leiden 1635-1681 Leiden). Dimensions: 4 5/8 x 5 7/8 in. (11.7 x 15 cm). Date: 1655-81. This study is thought to be a copy of a drawing by Frans van Mieris the Elder that was much celebrated in the eighteenth century. Aspiring to an ever-greater degree of naturalism in his figures, van Mieris portrayed the common man in Dutch society with a poise and casual elegance that appealed to the local elite and the European nobility. Here the card player leans back confidently as he smiles and points to his winning hand, inviting th
The celebrated french writer Emile ZOLA ( 1840 - 1902 ) - NATURALISMO - NATURALISM - SCRITTORE - LETTERATURA - LITERATURE - OCCHIALI - pincenez - pince-nez - glasses - barba e baffi - beard ---- Archivio GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-celebrated-french-writer-emile-zola-1840-1902-naturalismo-naturalism-scrittore-letteratura-literature-occhiali-pincenez-pince-nez-glasses-barba-e-baffi-beard-archivio-gbb-image478610199.html
Paul Cézanne's 'Still Life with Apples' (circa 1890): Housed in the Musée d'Orsay, Paris, this simple arrangement of apples is celebrated for its innovative composition, and the way it challenges traditional perspectives, emphasizing the artist's role in bridging Impressionism and Cubism. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-czannes-still-life-with-apples-circa-1890-housed-in-the-muse-dorsay-paris-this-simple-arrangement-of-apples-is-celebrated-for-its-innovative-composition-and-the-way-it-challenges-traditional-perspectives-emphasizing-the-artists-role-in-bridging-impressionism-and-cubism-image600862330.html
RM2WWFJ0X–Paul Cézanne's 'Still Life with Apples' (circa 1890): Housed in the Musée d'Orsay, Paris, this simple arrangement of apples is celebrated for its innovative composition, and the way it challenges traditional perspectives, emphasizing the artist's role in bridging Impressionism and Cubism.
Vintage portrait photo circa 1861 of Swiss scientist Louis Agassiz (1807 - 1873). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vintage-portrait-photo-circa-1861-of-swiss-scientist-louis-agassiz-34677410.html
RMC0BKAX–Vintage portrait photo circa 1861 of Swiss scientist Louis Agassiz (1807 - 1873).
A Gazelle in Profile, Moving Toward the Right, Circle of Michelino da Besozzo, early 15th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-a-gazelle-in-profile-moving-toward-the-right-circle-of-michelino-da-162439706.html
RMKC7NE2–A Gazelle in Profile, Moving Toward the Right, Circle of Michelino da Besozzo, early 15th century
Art inspired by A Gazelle in Profile, Moving Toward the Right, early 15th century, Tip of the brush and brown, gray (both in various shades), and black ink; contours with metalpoint (?or black chalk?); touches of white chalk; brown and light brownish gray wash; on vellum., 3 9/16 x 4 3, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-gazelle-in-profile-moving-toward-the-right-early-15th-century-tip-of-the-brush-and-brown-gray-both-in-various-shades-and-black-ink-contours-with-metalpoint-or-black-chalk-touches-of-white-chalk-brown-and-light-brownish-gray-wash-on-vellum-3-916-x-4-3-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463030442.html
RF2HW8T1E–Art inspired by A Gazelle in Profile, Moving Toward the Right, early 15th century, Tip of the brush and brown, gray (both in various shades), and black ink; contours with metalpoint (?or black chalk?); touches of white chalk; brown and light brownish gray wash; on vellum., 3 9/16 x 4 3, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The celebrated french writer Emile ZOLA ( 1840 - 1902 ) - NATURALISMO - NATURALISM - SCRITTORE - LETTERATURA - LITERATURE - OCCHIALI - pincenez - pince-nez - glasses - barba e baffi - beard ---- Archivio GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-celebrated-french-writer-emile-zola-1840-1902-naturalismo-naturalism-scrittore-letteratura-literature-occhiali-pincenez-pince-nez-glasses-barba-e-baffi-beard-archivio-gbb-image478610198.html
Duccio di Buoninsegna's 'The Marys at the Tomb' (1308-1311): This panel, part of the Maestà altarpiece in Siena's Cathedral, exemplifies early Italian Renaissance art with its depiction of the three Marys discovering Christ's empty tomb.This work is celebrated for its detailed storytelling and the introduction of a more naturalistic approach to sacred scenes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/duccio-di-buoninsegnas-the-marys-at-the-tomb-1308-1311-this-panel-part-of-the-maest-altarpiece-in-sienas-cathedral-exemplifies-early-italian-renaissance-art-with-its-depiction-of-the-three-marys-discovering-christs-empty-tombthis-work-is-celebrated-for-its-detailed-storytelling-and-the-introduction-of-a-more-naturalistic-approach-to-sacred-scenes-image600862373.html
RM2WWFJ2D–Duccio di Buoninsegna's 'The Marys at the Tomb' (1308-1311): This panel, part of the Maestà altarpiece in Siena's Cathedral, exemplifies early Italian Renaissance art with its depiction of the three Marys discovering Christ's empty tomb.This work is celebrated for its detailed storytelling and the introduction of a more naturalistic approach to sacred scenes.
1888 ca , Medan , FRANCE : The celebrated french writer Emile ZOLA ( Paris 1840 - 1902 ) at home . - NATURALISMO - NATURALISM - SCRITTORE - LETTERATURA - LITERATURE - studio - atelier - desk - scrivania - scrittoio - barba e baffi - beard ---- Archivio GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1888-ca-medan-france-the-celebrated-french-writer-emile-zola-paris-1840-1902-at-home-naturalismo-naturalism-scrittore-letteratura-literature-studio-atelier-desk-scrivania-scrittoio-barba-e-baffi-beard-archivio-gbb-image539181433.html
RM2P95RBN–1888 ca , Medan , FRANCE : The celebrated french writer Emile ZOLA ( Paris 1840 - 1902 ) at home . - NATURALISMO - NATURALISM - SCRITTORE - LETTERATURA - LITERATURE - studio - atelier - desk - scrivania - scrittoio - barba e baffi - beard ---- Archivio GBB
1880 c, FRANCE : The celebrated french writer Emile ZOLA ( 1840 - 1902 ) . Photo by Nadar , Paris . - NATURALISMO - NATURALISM - SCRITTORE - LETTERATURA - LITERATURE - OCCHIALI - pincenez - pince-nez - glasses - barba e baffi - beard ---- Archivio GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1880-c-france-the-celebrated-french-writer-emile-zola-1840-1902-photo-by-nadar-paris-naturalismo-naturalism-scrittore-letteratura-literature-occhiali-pincenez-pince-nez-glasses-barba-e-baffi-beard-archivio-gbb-image537724853.html
RM2P6RDF1–1880 c, FRANCE : The celebrated french writer Emile ZOLA ( 1840 - 1902 ) . Photo by Nadar , Paris . - NATURALISMO - NATURALISM - SCRITTORE - LETTERATURA - LITERATURE - OCCHIALI - pincenez - pince-nez - glasses - barba e baffi - beard ---- Archivio GBB
1890 c : The most celebrated french writer GUY DE MAUPASSANT ( 1850 - 1893 ) , athor of Une Vie ( 1883 ) , Bel Ami ( 1885 ) , Mont-Oriol ( 1887 ) , Pierre et Jean ( 1888 ) , Notre Coeur ( 1890 ) .- NATURALISMO - NATURALISME - NATURALISM - scrittore - baffi - moustaches - cravatta - tie ---- Archivio GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1890-c-the-most-celebrated-french-writer-guy-de-maupassant-1850-1893-athor-of-une-vie-1883-bel-ami-1885-mont-oriol-1887-pierre-et-jean-1888-notre-coeur-1890-naturalismo-naturalisme-naturalism-scrittore-baffi-moustaches-cravatta-tie-archivio-gbb-image540713083.html
RM2PBKH1F–1890 c : The most celebrated french writer GUY DE MAUPASSANT ( 1850 - 1893 ) , athor of Une Vie ( 1883 ) , Bel Ami ( 1885 ) , Mont-Oriol ( 1887 ) , Pierre et Jean ( 1888 ) , Notre Coeur ( 1890 ) .- NATURALISMO - NATURALISME - NATURALISM - scrittore - baffi - moustaches - cravatta - tie ---- Archivio GBB
Portrait photo circa 1900 of English novelist and poet Thomas Hardy (1840 - 1928). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-photo-circa-1900-of-english-novelist-and-poet-thomas-hardy-30021192.html
RMBMRG9C–Portrait photo circa 1900 of English novelist and poet Thomas Hardy (1840 - 1928).
1890 c : The most celebrated french writer GUY DE MAUPASSANT ( 1850 - 1893 ) , athor of Une Vie ( 1883 ) , Bel Ami ( 1885 ) , Mont-Oriol ( 1887 ) , Pierre et Jean ( 1888 ) , Notre Coeur ( 1890 ) .- NATURALISMO - NATURALISME - NATURALISM - scrittore - baffi - moustaches - cravatta - tie ---- Archivio GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1890-c-the-most-celebrated-french-writer-guy-de-maupassant-1850-1893-athor-of-une-vie-1883-bel-ami-1885-mont-oriol-1887-pierre-et-jean-1888-notre-coeur-1890-naturalismo-naturalisme-naturalism-scrittore-baffi-moustaches-cravatta-tie-archivio-gbb-image540713084.html
RM2PBKH1G–1890 c : The most celebrated french writer GUY DE MAUPASSANT ( 1850 - 1893 ) , athor of Une Vie ( 1883 ) , Bel Ami ( 1885 ) , Mont-Oriol ( 1887 ) , Pierre et Jean ( 1888 ) , Notre Coeur ( 1890 ) .- NATURALISMO - NATURALISME - NATURALISM - scrittore - baffi - moustaches - cravatta - tie ---- Archivio GBB
German dramatist and novelist Gerhart Hauptmann (1862 - 1946) - winner of the Nobel Prize in Literature in 1912. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-german-dramatist-and-novelist-gerhart-hauptmann-1862-1946-winner-of-34703566.html
RMC0CTN2–German dramatist and novelist Gerhart Hauptmann (1862 - 1946) - winner of the Nobel Prize in Literature in 1912.
1890 c : The most celebrated french writer GUY DE MAUPASSANT ( 1850 - 1893 ) , athor of Une Vie ( 1883 ) , Bel Ami ( 1885 ) , Mont-Oriol ( 1887 ) , Pierre et Jean ( 1888 ) , Notre Coeur ( 1890 ) .- NATURALISMO - NATURALISME - NATURALISM - scrittore - baffi - moustaches - cravatta - tie ---- Archivio GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1890-c-the-most-celebrated-french-writer-guy-de-maupassant-1850-1893-athor-of-une-vie-1883-bel-ami-1885-mont-oriol-1887-pierre-et-jean-1888-notre-coeur-1890-naturalismo-naturalisme-naturalism-scrittore-baffi-moustaches-cravatta-tie-archivio-gbb-image541176761.html
RM2PCCMDD–1890 c : The most celebrated french writer GUY DE MAUPASSANT ( 1850 - 1893 ) , athor of Une Vie ( 1883 ) , Bel Ami ( 1885 ) , Mont-Oriol ( 1887 ) , Pierre et Jean ( 1888 ) , Notre Coeur ( 1890 ) .- NATURALISMO - NATURALISME - NATURALISM - scrittore - baffi - moustaches - cravatta - tie ---- Archivio GBB
The celebrated italian abbot priest writer and naturalist ANTONIO STOPPANI ( 1824 - 1891 ), author of book IL BEL PAESE ( 1875 ) - SCRITTORE - LETTERATURA - LETTERATO - LITERATURE - NATURALISTA - NATURALISMO - NATURALISM - NATURA - NATURE - abate - religioso - prete - white hair - capelli bianchi - abito talare - colletto - collar - religioso ---- Archivio GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-celebrated-italian-abbot-priest-writer-and-naturalist-antonio-stoppani-1824-1891-author-of-book-il-bel-paese-1875-scrittore-letteratura-letterato-literature-naturalista-naturalismo-naturalism-natura-nature-abate-religioso-prete-white-hair-capelli-bianchi-abito-talare-colletto-collar-religioso-archivio-gbb-image389424689.html
RM2DHFR4H–The celebrated italian abbot priest writer and naturalist ANTONIO STOPPANI ( 1824 - 1891 ), author of book IL BEL PAESE ( 1875 ) - SCRITTORE - LETTERATURA - LETTERATO - LITERATURE - NATURALISTA - NATURALISMO - NATURALISM - NATURA - NATURE - abate - religioso - prete - white hair - capelli bianchi - abito talare - colletto - collar - religioso ---- Archivio GBB
Vintage portrait painting circa 1880s of French naturalist and zoologist Georges Cuvier (1769 - 1832). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vintage-portrait-painting-circa-1880s-of-french-naturalist-and-zoologist-34667148.html
RMC0B68C–Vintage portrait painting circa 1880s of French naturalist and zoologist Georges Cuvier (1769 - 1832).
1890 c, FRANCE : The celebrated french writer GUY DE MAUPASSANT ( 1850 - 1893 ), athor of Une Vie ( 1883 ) , Bel Ami ( 1885 ) , Mont-Oriol ( 1887 ) , Pierre et Jean ( 1888 ) , Notre Coeur ( 1890 ) . Photo by Boyer , Berlin , Germany .- NATURALISMO - NATURALISME - NATURALISM - scrittore - baffi - moustaches - cravatta - tie ---- Archivio GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1890-c-france-the-celebrated-french-writer-guy-de-maupassant-1850-1893-athor-of-une-vie-1883-bel-ami-1885-mont-oriol-1887-pierre-et-jean-1888-notre-coeur-1890-photo-by-boyer-berlin-germany-naturalismo-naturalisme-naturalism-scrittore-baffi-moustaches-cravatta-tie-archivio-gbb-image538323310.html
RM2P7PMTE–1890 c, FRANCE : The celebrated french writer GUY DE MAUPASSANT ( 1850 - 1893 ), athor of Une Vie ( 1883 ) , Bel Ami ( 1885 ) , Mont-Oriol ( 1887 ) , Pierre et Jean ( 1888 ) , Notre Coeur ( 1890 ) . Photo by Boyer , Berlin , Germany .- NATURALISMO - NATURALISME - NATURALISM - scrittore - baffi - moustaches - cravatta - tie ---- Archivio GBB
1890 c : the most celebrated french writer GUY DE MAUPASSANT ( Chateau de Miromesnil , Dieppe 1850 - Paris 1893 ) , athor of Une Vie ( 1883 ) , Bel Ami ( 1885 ) , Mont-Oriol ( 1887 ) , Pierre et Jean ( 1888 ) , Notre Coeur ( 1890 ) - NATURALISMO - NATURALISME - NATURALISM - scrittore - baffi - moustaches - cravatta - tie ---- Archivio GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1890-c-the-most-celebrated-french-writer-guy-de-maupassant-chateau-de-miromesnil-dieppe-1850-paris-1893-athor-of-une-vie-1883-bel-ami-1885-mont-oriol-1887-pierre-et-jean-1888-notre-coeur-1890-naturalismo-naturalisme-naturalism-scrittore-baffi-moustaches-cravatta-tie-archivio-gbb-image384372002.html
RM2D99JBE–1890 c : the most celebrated french writer GUY DE MAUPASSANT ( Chateau de Miromesnil , Dieppe 1850 - Paris 1893 ) , athor of Une Vie ( 1883 ) , Bel Ami ( 1885 ) , Mont-Oriol ( 1887 ) , Pierre et Jean ( 1888 ) , Notre Coeur ( 1890 ) - NATURALISMO - NATURALISME - NATURALISM - scrittore - baffi - moustaches - cravatta - tie ---- Archivio GBB
File photo of the Duke of Sussex at the age of 25. File photo dated 15/06/10 of Prince Harry and Prince William pose with a rock python during a visit to the Mokolodi Nature Reserve in Gabarone, Botswana. The Duke of Sussex will celebrate his 40th birthday on Sunday. Issue date: Friday September 13, 2024. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/file-photo-of-the-duke-of-sussex-at-the-age-of-25-file-photo-dated-150610-of-prince-harry-and-prince-william-pose-with-a-rock-python-during-a-visit-to-the-mokolodi-nature-reserve-in-gabarone-botswana-the-duke-of-sussex-will-celebrate-his-40th-birthday-on-sunday-issue-date-friday-september-13-2024-image621595495.html
RM2Y383B3–File photo of the Duke of Sussex at the age of 25. File photo dated 15/06/10 of Prince Harry and Prince William pose with a rock python during a visit to the Mokolodi Nature Reserve in Gabarone, Botswana. The Duke of Sussex will celebrate his 40th birthday on Sunday. Issue date: Friday September 13, 2024.
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