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Chalk drawing by raphael Stock Photos and Images
Julius II (Giuliano della Rovere) 5.12.1443 - 21.2.1513, pope 31.10.1503 - 21.2.1516, portrait, chalk drawing by Raphael, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-julius-ii-giuliano-della-rovere-5121443-2121513-pope-31101503-2121516-23531869.htmlRMBA7Y3W–Julius II (Giuliano della Rovere) 5.12.1443 - 21.2.1513, pope 31.10.1503 - 21.2.1516, portrait, chalk drawing by Raphael,
Guard Drawing His Sword, 17th century, After Raffaello Sanzio, called Raphael, Italian, 1483-1520, Italy, Black chalk on tan laid paper, edge mounted on buff laid paper, 432 x 280 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guard-drawing-his-sword-17th-century-after-raffaello-sanzio-called-raphael-italian-1483-1520-italy-black-chalk-on-tan-laid-paper-edge-mounted-on-buff-laid-paper-432-x-280-mm-image328622789.htmlRM2A2J1M5–Guard Drawing His Sword, 17th century, After Raffaello Sanzio, called Raphael, Italian, 1483-1520, Italy, Black chalk on tan laid paper, edge mounted on buff laid paper, 432 x 280 mm
Black chalk drawing 'Head of a Young Apostle' (1518-1520) by Italian Renaissance painter Raphael on display at his retrospective exhibition in the Albertina Museum in Vienna, Austria. The drawing became the most expensive work on paper in the world after it was sold for £29.7 million on the Sotheby's in December 2012. The exhibition runs till 7 January 2018. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/black-chalk-drawing-head-of-a-young-apostle-1518-1520-by-italian-renaissance-painter-raphael-on-display-at-his-retrospective-exhibition-in-the-albertina-museum-in-vienna-austria-the-drawing-became-the-most-expensive-work-on-paper-in-the-world-after-it-was-sold-for-297-million-on-the-sothebys-in-december-2012-the-exhibition-runs-till-7-january-2018-image178443585.htmlRMMA8PH5–Black chalk drawing 'Head of a Young Apostle' (1518-1520) by Italian Renaissance painter Raphael on display at his retrospective exhibition in the Albertina Museum in Vienna, Austria. The drawing became the most expensive work on paper in the world after it was sold for £29.7 million on the Sotheby's in December 2012. The exhibition runs till 7 January 2018.
Raphael, Christ in Glory, drawing, 1519-1520 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-christ-in-glory-drawing-1519-1520-image438935913.htmlRM2GE376H–Raphael, Christ in Glory, drawing, 1519-1520
sketch for the Battle of Anghiari; cartoon; Chalk on paper, 1506, by Raphael Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sketch-for-the-battle-of-anghiari-cartoon-chalk-on-paper-1506-by-raphael-image328358287.htmlRM2A2609K–sketch for the Battle of Anghiari; cartoon; Chalk on paper, 1506, by Raphael
Raphael, Head of An Apostle in the Transfiguration, drawing, c. 1519 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-head-of-an-apostle-in-the-transfiguration-drawing-c-1519-image243662103.htmlRMT4BNDY–Raphael, Head of An Apostle in the Transfiguration, drawing, c. 1519
Part from the Entombment of Christ, after Raphael, Johann Nepomuk Schaller, Vienna 1777 - 1842 Vienna, 1790, drawing, red chalk, according to Cahier: 58.7 x 45 cm, Austria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/part-from-the-entombment-of-christ-after-raphael-johann-nepomuk-schaller-vienna-1777-1842-vienna-1790-drawing-red-chalk-according-to-cahier-587-x-45-cm-austria-image573264157.htmlRM2T8JC7W–Part from the Entombment of Christ, after Raphael, Johann Nepomuk Schaller, Vienna 1777 - 1842 Vienna, 1790, drawing, red chalk, according to Cahier: 58.7 x 45 cm, Austria
Raphael, Lucretia, drawing, 1508-1510 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-lucretia-drawing-1508-1510-image359402182.htmlRM2BTM546–Raphael, Lucretia, drawing, 1508-1510
Head study after Raphael, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), around 1800, drawing, black chalk, white heightened in places, 48.1 × 36.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-study-after-raphael-josef-abel-aschach-upper-austria-1764-1818-vienna-around-1800-drawing-black-chalk-white-heightened-in-places-481-364-cm-image573315104.htmlRM2T8MN7C–Head study after Raphael, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), around 1800, drawing, black chalk, white heightened in places, 48.1 × 36.4 cm
Great close-up view of a street artist in Florence, drawing with chalk on asphalt the famous Madonna della seggiola painting by the Italian... Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/great-close-up-view-of-a-street-artist-in-florence-drawing-with-chalk-on-asphalt-the-famous-madonna-della-seggiola-painting-by-the-italian-image382680736.htmlRF2D6GH54–Great close-up view of a street artist in Florence, drawing with chalk on asphalt the famous Madonna della seggiola painting by the Italian...
Head of an Apostle (c. 1519-1520). Raphael (also Raffaello Santi, Raffaello Sanzio da Urbino) (1483-1520). Black chalk. Facsimile. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-an-apostle-c-1519-1520-raphael-also-raffaello-santi-raffaello-sanzio-da-urbino-1483-1520-black-chalk-facsimile-image357314109.htmlRF2BN91P5–Head of an Apostle (c. 1519-1520). Raphael (also Raffaello Santi, Raffaello Sanzio da Urbino) (1483-1520). Black chalk. Facsimile.
Horse of the ancient Dioscuri group on the Quirinall Hill by Raffaello Sanzio known as Raffaello (1483-1520) about 1514-1515 red chalk, stylus:measurement not by Raphael, pen and brown ink Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horse-of-the-ancient-dioscuri-group-on-the-quirinall-hill-by-raffaello-sanzio-known-as-raffaello-1483-1520-about-1514-1515-red-chalk-stylusmeasurement-not-by-raphael-pen-and-brown-ink-image415922999.htmlRM2F4JX0R–Horse of the ancient Dioscuri group on the Quirinall Hill by Raffaello Sanzio known as Raffaello (1483-1520) about 1514-1515 red chalk, stylus:measurement not by Raphael, pen and brown ink
Head of An Apostle in the Transfiguration, 1519-1520. Date/Period: From 1519 until 1520. Drawing. Black chalk on paper over traces of a metal-stylus preliminary drawing, transfer traces. Author: RAPHAEL. Raphael (Raffaello Sanzio da Urbino). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-an-apostle-in-the-transfiguration-1519-1520-dateperiod-from-1519-until-1520-drawing-black-chalk-on-paper-over-traces-of-a-metal-stylus-preliminary-drawing-transfer-traces-author-raphael-raphael-raffaello-sanzio-da-urbino-image219704490.htmlRMPNCB8X–Head of An Apostle in the Transfiguration, 1519-1520. Date/Period: From 1519 until 1520. Drawing. Black chalk on paper over traces of a metal-stylus preliminary drawing, transfer traces. Author: RAPHAEL. Raphael (Raffaello Sanzio da Urbino).
Study for a 'Sacre Conversazione' (chalk) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Gabinetto dei Disegni e Stampe, Galleria Degli Uffizi, Florence, Tuscany, Italy; Italian, out of copyright. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-for-a-sacre-conversazione-chalk-by-raphael-raffaello-sanzio-of-urbino-1483-1520-gabinetto-dei-disegni-e-stampe-galleria-degli-uffizi-florence-tuscany-italy-italian-out-of-copyright-image468941828.htmlRM2J6X42C–Study for a 'Sacre Conversazione' (chalk) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Gabinetto dei Disegni e Stampe, Galleria Degli Uffizi, Florence, Tuscany, Italy; Italian, out of copyright.
Art inspired by Lucretia, 1508–10, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso), 15-5/8 x 11-1/2 in. (39.7 x 29.2 cm), Drawings, Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome), This, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-lucretia-150810-pen-and-brown-ink-over-black-chalk-partially-incised-with-a-stylus-recto-rubbed-with-black-chalk-for-transfer-verso-15-58-x-11-12-in-397-x-292-cm-drawings-raphael-raffaello-sanzio-or-santi-italian-urbino-14831520-rome-this-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462801048.htmlRF2HTXBCT–Art inspired by Lucretia, 1508–10, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso), 15-5/8 x 11-1/2 in. (39.7 x 29.2 cm), Drawings, Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome), This, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Raphael. Guard Drawing His Sword. 1600–1699. Italy. Black chalk on tan laid paper, edge mounted on buff laid paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-guard-drawing-his-sword-16001699-italy-black-chalk-on-tan-laid-paper-edge-mounted-on-buff-laid-paper-image337995082.htmlRM2AHW04X–Raphael. Guard Drawing His Sword. 1600–1699. Italy. Black chalk on tan laid paper, edge mounted on buff laid paper
Drawing, Two Attendants with the Heavenly Horseman; Designed by Felice Giani (Italian, 1758–1823); After Raphael (Italian, 1483 - 1520); Italy; pen and brown ink, brush and sepia wash over black chalk on off white laid paper; 20.5 x 27.6 cm (8 1/16 x 10 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-two-attendants-with-the-heavenly-horseman-designed-by-felice-giani-italian-17581823-after-raphael-italian-1483-1520-italy-pen-and-brown-ink-brush-and-sepia-wash-over-black-chalk-on-off-white-laid-paper-205-x-276-cm-8-116-x-10-78-in-image546211521.htmlRM2PMJ2A9–Drawing, Two Attendants with the Heavenly Horseman; Designed by Felice Giani (Italian, 1758–1823); After Raphael (Italian, 1483 - 1520); Italy; pen and brown ink, brush and sepia wash over black chalk on off white laid paper; 20.5 x 27.6 cm (8 1/16 x 10 7/8 in.)
Madonna with the Pomegranate, c. 1504. Artist: Raphael (1483-1520) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-with-the-pomegranate-c-1504-artist-raphael-1483-1520-image60396617.htmlRMDE78E1–Madonna with the Pomegranate, c. 1504. Artist: Raphael (1483-1520)
Vulcan, Anton Raphael Meng, 1738 - 1779 drawing paper. chalk (story of) Vulcan (Hephaestus) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vulcan-anton-raphael-meng-1738-1779-drawing-paper-chalk-story-of-vulcan-hephaestus-image595551177.htmlRM2WGWKGW–Vulcan, Anton Raphael Meng, 1738 - 1779 drawing paper. chalk (story of) Vulcan (Hephaestus)
Studies for two kneeling Women, c1500-1520. Artist: Raphael. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studies-for-two-kneeling-women-c1500-1520-artist-raphael-image207557759.htmlRMP1K213–Studies for two kneeling Women, c1500-1520. Artist: Raphael.
Raphael, Young Man carrying an Old Man on his back, drawing, circa 1514 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-young-man-carrying-an-old-man-on-his-back-drawing-circa-1514-image359402224.htmlRM2BTM55M–Raphael, Young Man carrying an Old Man on his back, drawing, circa 1514
Holy Family, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), before 1772, drawing, black chalk, 24.1 x 19.7 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/holy-family-anton-raphael-mengs-aussig-bohemia-1728-1779-rome-before-1772-drawing-black-chalk-241-x-197-cm-ll-duke-albert-of-saxe-teschen-image573314338.htmlRM2T8MM82–Holy Family, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), before 1772, drawing, black chalk, 24.1 x 19.7 cm, l.l. Duke Albert of Saxe-Teschen
Madonna of the Pomegranate (c. 1504). Raphael (also Raffaello Santi, Raffaello Sanzio da Urbino) (1483-1520). Black chalk. Facsimile. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-of-the-pomegranate-c-1504-raphael-also-raffaello-santi-raffaello-sanzio-da-urbino-1483-1520-black-chalk-facsimile-image357479904.htmlRF2BNGH7C–Madonna of the Pomegranate (c. 1504). Raphael (also Raffaello Santi, Raffaello Sanzio da Urbino) (1483-1520). Black chalk. Facsimile.
Jacon's Dream 1517-1518 by Raffaello Pen and brown ink, brush and broen ink wash, black chalk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacons-dream-1517-1518-by-raffaello-pen-and-brown-ink-brush-and-broen-ink-wash-black-chalk-image401300459.htmlRM2E8TPR7–Jacon's Dream 1517-1518 by Raffaello Pen and brown ink, brush and broen ink wash, black chalk
The Prophets Hosea and Jonah. Date/Period: Ca. 1510. Drawing. Pen and brown ink with brown wash over black chalk, heightened with white and squared for transfer on laid paper. Height: 26.20 mm (1.03 in); Width: 20 mm (0.78 in). Author: RAPHAEL. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-prophets-hosea-and-jonah-dateperiod-ca-1510-drawing-pen-and-brown-ink-with-brown-wash-over-black-chalk-heightened-with-white-and-squared-for-transfer-on-laid-paper-height-2620-mm-103-in-width-20-mm-078-in-author-raphael-image219749352.htmlRMPNECF4–The Prophets Hosea and Jonah. Date/Period: Ca. 1510. Drawing. Pen and brown ink with brown wash over black chalk, heightened with white and squared for transfer on laid paper. Height: 26.20 mm (1.03 in); Width: 20 mm (0.78 in). Author: RAPHAEL.
Christ the Redeemer (panel) by Diana, Benedetto (Rusconi) (c.1460-1525); Galleria e Museo Estense, Modena, Italy; Italian, out of copyright. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-the-redeemer-panel-by-diana-benedetto-rusconi-c1460-1525-galleria-e-museo-estense-modena-italy-italian-out-of-copyright-image468941842.htmlRM2J6X42X–Christ the Redeemer (panel) by Diana, Benedetto (Rusconi) (c.1460-1525); Galleria e Museo Estense, Modena, Italy; Italian, out of copyright.
Raphael. Upraised Right Hand, with Palm Facing Outward Study for Saint Peter. 1518–1520. Italy. Black chalk, heightened with white chalk and lead white, partially oxidized, over stylus underdrawing, on cream laid paper The traditional attribution for Raphael of this long overlooked and hitherto unpublished drawing was recently upheld by Konrad Oberhuber, Paul Joannides, and Nicholas Turner (in conversation, 1995/96) all of whom agreed that it should be dated 1518/20, towards the very end of Raphael’s career. In the image represented, as well as its medium, technique and style, the drawing rela Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raphael-upraised-right-hand-with-palm-facing-outward-study-for-saint-peter-15181520-italy-black-chalk-heightened-with-white-chalk-and-lead-white-partially-oxidized-over-stylus-underdrawing-on-cream-laid-paper-the-traditional-attribution-for-raphael-of-this-long-overlooked-and-hitherto-unpublished-drawing-was-recently-upheld-by-konrad-oberhuber-paul-joannides-and-nicholas-turner-in-conversation-199596-all-of-whom-agreed-that-it-should-be-dated-151820-towards-the-very-end-of-raphaels-career-in-the-image-represented-as-well-as-its-medium-technique-and-style-the-drawing-rela-image337928244.htmlRM2AHNXWT–Raphael. Upraised Right Hand, with Palm Facing Outward Study for Saint Peter. 1518–1520. Italy. Black chalk, heightened with white chalk and lead white, partially oxidized, over stylus underdrawing, on cream laid paper The traditional attribution for Raphael of this long overlooked and hitherto unpublished drawing was recently upheld by Konrad Oberhuber, Paul Joannides, and Nicholas Turner (in conversation, 1995/96) all of whom agreed that it should be dated 1518/20, towards the very end of Raphael’s career. In the image represented, as well as its medium, technique and style, the drawing rela
Drawing, Two Groups Captives from the Victory of Leo IV over the Saracens; Designed by Felice Giani (Italian, 1758–1823); After Raphael (Italian, 1483 - 1520); Italy; pen and brown ink, brush and sepia wash, black chalk on off white laid paper; 20.7 x 27.6 cm (8 1/8 x 10 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-two-groups-captives-from-the-victory-of-leo-iv-over-the-saracens-designed-by-felice-giani-italian-17581823-after-raphael-italian-1483-1520-italy-pen-and-brown-ink-brush-and-sepia-wash-black-chalk-on-off-white-laid-paper-207-x-276-cm-8-18-x-10-78-in-image546208215.htmlRM2PMHX47–Drawing, Two Groups Captives from the Victory of Leo IV over the Saracens; Designed by Felice Giani (Italian, 1758–1823); After Raphael (Italian, 1483 - 1520); Italy; pen and brown ink, brush and sepia wash, black chalk on off white laid paper; 20.7 x 27.6 cm (8 1/8 x 10 7/8 in.)
Avoiding a cobbler, Anton Raphael Mengs (Possible), 1738 - 1779 drawing paper. chalk infant, baby Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/avoiding-a-cobbler-anton-raphael-mengs-possible-1738-1779-drawing-paper-chalk-infant-baby-image595587675.htmlRM2WGYA4B–Avoiding a cobbler, Anton Raphael Mengs (Possible), 1738 - 1779 drawing paper. chalk infant, baby
Studies for two kneeling Women, c1500-1520. Artist: Raphael. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studies-for-two-kneeling-women-c1500-1520-artist-raphael-image207557760.htmlRMP1K214–Studies for two kneeling Women, c1500-1520. Artist: Raphael.
Un Hebreo, from Christ Shown to the People (recto); Design for a Wall Decoration with Pasted-in Sketches after Raphael (verso), after 1556 (recto), c. 1580s-90s (verso). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/un-hebreo-from-christ-shown-to-the-people-recto-design-for-a-wall-decoration-with-pasted-in-sketches-after-raphael-verso-after-1556-recto-c-1580s-90s-verso-image330132583.htmlRM2A52RDB–Un Hebreo, from Christ Shown to the People (recto); Design for a Wall Decoration with Pasted-in Sketches after Raphael (verso), after 1556 (recto), c. 1580s-90s (verso).
Hercules Farnese, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), early 1740s, drawing, red chalk, 35.1 x 20.3 cm, r.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hercules-farnese-anton-raphael-mengs-aussig-bohemia-1728-1779-rome-early-1740s-drawing-red-chalk-351-x-203-cm-rl-duke-albert-of-saxe-teschen-image573314385.htmlRM2T8MM9N–Hercules Farnese, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), early 1740s, drawing, red chalk, 35.1 x 20.3 cm, r.l. Duke Albert of Saxe-Teschen
Madonna of the Pomegranate (c. 1504). Raphael (also Raffaello Santi, Raffaello Sanzio da Urbino) (1483-1520). Black chalk. Facsimile. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-of-the-pomegranate-c-1504-raphael-also-raffaello-santi-raffaello-sanzio-da-urbino-1483-1520-black-chalk-facsimile-image357314096.htmlRF2BN91NM–Madonna of the Pomegranate (c. 1504). Raphael (also Raffaello Santi, Raffaello Sanzio da Urbino) (1483-1520). Black chalk. Facsimile.
Study for the Madonna of Belvedere by Raffaello Sanzio known as Raffaello (1483-1520) 1506-1506 circa - red chalk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-for-the-madonna-of-belvedere-by-raffaello-sanzio-known-as-raffaello-1483-1520-1506-1506-circa-red-chalk-image613858577.htmlRM2XJKJTH–Study for the Madonna of Belvedere by Raffaello Sanzio known as Raffaello (1483-1520) 1506-1506 circa - red chalk
Putto. After Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1503-1520. Dimensions: 164 x 142 mm. Black crayon, heightened with traces of white chalk, on tan wove paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/putto-after-raffaello-sanzio-called-raphael-italian-1483-1520-date-1503-1520-dimensions-164-x-142-mm-black-crayon-heightened-with-traces-of-white-chalk-on-tan-wove-paper-origin-italy-museum-the-chicago-art-institute-image239740816.htmlRMRX13T0–Putto. After Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1503-1520. Dimensions: 164 x 142 mm. Black crayon, heightened with traces of white chalk, on tan wove paper. Origin: Italy. Museum: The Chicago Art Institute.
Portrait of a young woman (chalk on paper) by Bartolomeo, Fra (Baccio della Porta) (1472-1517); Gabinetto dei Disegni e Stampe, Galleria Degli Uffizi, Florence, Tuscany, Italy; Italian, out of copyright. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-young-woman-chalk-on-paper-by-bartolomeo-fra-baccio-della-porta-1472-1517-gabinetto-dei-disegni-e-stampe-galleria-degli-uffizi-florence-tuscany-italy-italian-out-of-copyright-image468941834.htmlRM2J6X42J–Portrait of a young woman (chalk on paper) by Bartolomeo, Fra (Baccio della Porta) (1472-1517); Gabinetto dei Disegni e Stampe, Galleria Degli Uffizi, Florence, Tuscany, Italy; Italian, out of copyright.
Follower of Parmigianino. Marriage of the Virgin. 1573–1577. Italy. Pen and brown ink with brush and blue wash, corrected with touches of lead white (partially oxidized), over black chalk, on cream laid paper, laid down on ivory wove card Parmigianino’s assimilation of Raphael and the Roman School was very influential for the next generation of Mannerist draftsmen. This large and impressive sheet, once thought to be by Parmigianino himself, is freely derived from a drawing by him in the Ecole des Beaux-Arts in Paris, which relies heavily on Raphael’s Vatican frescoes. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/follower-of-parmigianino-marriage-of-the-virgin-15731577-italy-pen-and-brown-ink-with-brush-and-blue-wash-corrected-with-touches-of-lead-white-partially-oxidized-over-black-chalk-on-cream-laid-paper-laid-down-on-ivory-wove-card-parmigianinos-assimilation-of-raphael-and-the-roman-school-was-very-influential-for-the-next-generation-of-mannerist-draftsmen-this-large-and-impressive-sheet-once-thought-to-be-by-parmigianino-himself-is-freely-derived-from-a-drawing-by-him-in-the-ecole-des-beaux-arts-in-paris-which-relies-heavily-on-raphaels-vatican-frescoes-image337975708.htmlRM2AHT3D0–Follower of Parmigianino. Marriage of the Virgin. 1573–1577. Italy. Pen and brown ink with brush and blue wash, corrected with touches of lead white (partially oxidized), over black chalk, on cream laid paper, laid down on ivory wove card Parmigianino’s assimilation of Raphael and the Roman School was very influential for the next generation of Mannerist draftsmen. This large and impressive sheet, once thought to be by Parmigianino himself, is freely derived from a drawing by him in the Ecole des Beaux-Arts in Paris, which relies heavily on Raphael’s Vatican frescoes.
Drawing, The Phrygian Sybil from Raphael’s Fresco in St. Maria della Pace; After Raphael (Italian, 1483 - 1520); Italy; graphite, chalk on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-the-phrygian-sybil-from-raphaels-fresco-in-st-maria-della-pace-after-raphael-italian-1483-1520-italy-graphite-chalk-on-paper-image546179085.htmlRM2PMGGYW–Drawing, The Phrygian Sybil from Raphael’s Fresco in St. Maria della Pace; After Raphael (Italian, 1483 - 1520); Italy; graphite, chalk on paper
Veresthoofd, Anton Raphael Dial, After Anonymous, 1738 - 1779 drawing paper. chalk piece of sculpture, reproduction of a piece of sculpture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/veresthoofd-anton-raphael-dial-after-anonymous-1738-1779-drawing-paper-chalk-piece-of-sculpture-reproduction-of-a-piece-of-sculpture-image595564042.htmlRM2WGX80A–Veresthoofd, Anton Raphael Dial, After Anonymous, 1738 - 1779 drawing paper. chalk piece of sculpture, reproduction of a piece of sculpture
![Study for the Head of St. Michael, 1633. Pietro da Cortona drew this angelically beautiful face in a style reminiscent of the work of Renaissance master Raphael (1483-1520). Cortona's use of black chalk to develop extremely subtle effects of shading shows the technique at its most refined. He drew this sheet in preparation for a ceiling decoration, Saint Michael and Angels with the Instruments of the Passion , painted in fresco in the church of Santa Maria in Vallicella (better known as the Chiesa Nuova, or "New Church") in Rome, completed in 1633. Stock Photo](https://c8.alamy.com/comp/2A52ACA/study-for-the-head-of-st-michael-1633-pietro-da-cortona-drew-this-angelically-beautiful-face-in-a-style-reminiscent-of-the-work-of-renaissance-master-raphael-1483-1520-cortonas-use-of-black-chalk-to-develop-extremely-subtle-effects-of-shading-shows-the-technique-at-its-most-refined-he-drew-this-sheet-in-preparation-for-a-ceiling-decoration-saint-michael-and-angels-with-the-instruments-of-the-passion-painted-in-fresco-in-the-church-of-santa-maria-in-vallicella-better-known-as-the-chiesa-nuova-or-quotnew-churchquot-in-rome-completed-in-1633-2A52ACA.jpg "Study for the Head of St. Michael, 1633. Pietro da Cortona drew this angelically beautiful face in a style reminiscent of the work of Renaissance master Raphael (1483-1520). Cortona's use of black chalk to develop extremely subtle effects of shading shows the technique at its most refined. He drew this sheet in preparation for a ceiling decoration, Saint Michael and Angels with the Instruments of the Passion , painted in fresco in the church of Santa Maria in Vallicella (better known as the Chiesa Nuova, or "New Church") in Rome, completed in 1633. Stock Photo")
Study for the Head of St. Michael, 1633. Pietro da Cortona drew this angelically beautiful face in a style reminiscent of the work of Renaissance master Raphael (1483-1520). Cortona's use of black chalk to develop extremely subtle effects of shading shows the technique at its most refined. He drew this sheet in preparation for a ceiling decoration, Saint Michael and Angels with the Instruments of the Passion , painted in fresco in the church of Santa Maria in Vallicella (better known as the Chiesa Nuova, or "New Church") in Rome, completed in 1633. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-for-the-head-of-st-michael-1633-pietro-da-cortona-drew-this-angelically-beautiful-face-in-a-style-reminiscent-of-the-work-of-renaissance-master-raphael-1483-1520-cortonas-use-of-black-chalk-to-develop-extremely-subtle-effects-of-shading-shows-the-technique-at-its-most-refined-he-drew-this-sheet-in-preparation-for-a-ceiling-decoration-saint-michael-and-angels-with-the-instruments-of-the-passion-painted-in-fresco-in-the-church-of-santa-maria-in-vallicella-better-known-as-the-chiesa-nuova-or-quotnew-churchquot-in-rome-completed-in-1633-image330122362.htmlRM2A52ACA–Study for the Head of St. Michael, 1633. Pietro da Cortona drew this angelically beautiful face in a style reminiscent of the work of Renaissance master Raphael (1483-1520). Cortona's use of black chalk to develop extremely subtle effects of shading shows the technique at its most refined. He drew this sheet in preparation for a ceiling decoration, Saint Michael and Angels with the Instruments of the Passion , painted in fresco in the church of Santa Maria in Vallicella (better known as the Chiesa Nuova, or "New Church") in Rome, completed in 1633.
Head study after Raphael, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), around 1800, drawing, colored chalk, 34.8 × 44.4 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-study-after-raphael-josef-abel-aschach-upper-austria-1764-1818-vienna-around-1800-drawing-colored-chalk-348-444-cm-ll-duke-albert-of-saxe-teschen-image573315105.htmlRM2T8MN7D–Head study after Raphael, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), around 1800, drawing, colored chalk, 34.8 × 44.4 cm, l.l. Duke Albert of Saxe-Teschen
Head of an Apostle (c. 1519-1520). Raphael (also Raffaello Santi, Raffaello Sanzio da Urbino) (1483-1520). Black chalk. Facsimile. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-an-apostle-c-1519-1520-raphael-also-raffaello-santi-raffaello-sanzio-da-urbino-1483-1520-black-chalk-facsimile-image357479912.htmlRF2BNGH7M–Head of an Apostle (c. 1519-1520). Raphael (also Raffaello Santi, Raffaello Sanzio da Urbino) (1483-1520). Black chalk. Facsimile.
Hercules and the Hydra by Raffaello Sanzio known as Raffaello (1483-1520) about 1509 Pen and brown ink, black chalk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hercules-and-the-hydra-by-raffaello-sanzio-known-as-raffaello-1483-1520-about-1509-pen-and-brown-ink-black-chalk-image415923303.htmlRM2F4JXBK–Hercules and the Hydra by Raffaello Sanzio known as Raffaello (1483-1520) about 1509 Pen and brown ink, black chalk
Transfiguration. After Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1528-1532. Dimensions: 194 x 202 mm (max.). Pen and brown ink, with red chalk, on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/transfiguration-after-raffaello-sanzio-called-raphael-italian-1483-1520-date-1528-1532-dimensions-194-x-202-mm-max-pen-and-brown-ink-with-red-chalk-on-ivory-laid-paper-origin-italy-museum-the-chicago-art-institute-image239835703.htmlRMRX5CTR–Transfiguration. After Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1528-1532. Dimensions: 194 x 202 mm (max.). Pen and brown ink, with red chalk, on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute.
Heraclitus Pensive man. Manufacturer : to painting: Raphael Artist: anonymous Date: 1550 - 1599 Physical features: red and black chalk material: paper chalk Dimensions: h 135 mm × W 80 mmToelichtingHeraclitus the drawing Michelangelo. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heraclitus-pensive-man-manufacturer-to-painting-raphael-artist-anonymous-date-1550-1599-physical-features-red-and-black-chalk-material-paper-chalk-dimensions-h-135-mm-w-80-mmtoelichtingheraclitus-the-drawing-michelangelo-image348431857.htmlRM2B6TCAW–Heraclitus Pensive man. Manufacturer : to painting: Raphael Artist: anonymous Date: 1550 - 1599 Physical features: red and black chalk material: paper chalk Dimensions: h 135 mm × W 80 mmToelichtingHeraclitus the drawing Michelangelo.
Drawing, Studies with figure of Apollo from Raphel's School of Athens; Jean-Robert Ango (French, active in Rome 1759 –1770, d. 1773); After Raphael (Italian, 1483 - 1520); France; red chalk on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-studies-with-figure-of-apollo-from-raphels-school-of-athens-jean-robert-ango-french-active-in-rome-1759-1770-d-1773-after-raphael-italian-1483-1520-france-red-chalk-on-paper-image546127783.htmlRM2PME7FK–Drawing, Studies with figure of Apollo from Raphel's School of Athens; Jean-Robert Ango (French, active in Rome 1759 –1770, d. 1773); After Raphael (Italian, 1483 - 1520); France; red chalk on paper
Youngsters, seen from below, Anton Raphael Mengs, After Anonymous, 1738 - 1779 drawing paper. chalk piece of sculpture, reproduction of a piece of sculpture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/youngsters-seen-from-below-anton-raphael-mengs-after-anonymous-1738-1779-drawing-paper-chalk-piece-of-sculpture-reproduction-of-a-piece-of-sculpture-image595549675.htmlRM2WGWHK7–Youngsters, seen from below, Anton Raphael Mengs, After Anonymous, 1738 - 1779 drawing paper. chalk piece of sculpture, reproduction of a piece of sculpture
Guard Drawing His Sword, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guard-drawing-his-sword-nd-image491542914.htmlRM2KFKM02–Guard Drawing His Sword, n.d.
Study for an angel, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), 1750s, drawing, black chalk and sanguine, 23 x 17.8 cm, l.l. Duke Albert of Saxe-Teschen, r.o. 'mengs Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-for-an-angel-anton-raphael-mengs-aussig-bohemia-1728-1779-rome-1750s-drawing-black-chalk-and-sanguine-23-x-178-cm-ll-duke-albert-of-saxe-teschen-ro-mengs-image573314434.htmlRM2T8MMBE–Study for an angel, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), 1750s, drawing, black chalk and sanguine, 23 x 17.8 cm, l.l. Duke Albert of Saxe-Teschen, r.o. 'mengs
Head of Muse by Raffaello Sanzio known as Raffaello (1483-1520) 15010 -1511 circa - black chalk over traces of stylus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-muse-by-raffaello-sanzio-known-as-raffaello-1483-1520-15010-1511-circa-black-chalk-over-traces-of-stylus-image613858576.htmlRM2XJKJTG–Head of Muse by Raffaello Sanzio known as Raffaello (1483-1520) 15010 -1511 circa - black chalk over traces of stylus
Female Head in Profile, Facing Right. After workshop of Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1700-1720. Dimensions: 175 x 148 mm. Black and red chalk on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/female-head-in-profile-facing-right-after-workshop-of-raffaello-sanzio-called-raphael-italian-1483-1520-date-1700-1720-dimensions-175-x-148-mm-black-and-red-chalk-on-ivory-laid-paper-origin-italy-museum-the-chicago-art-institute-image239952364.htmlRMRXANK8–Female Head in Profile, Facing Right. After workshop of Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1700-1720. Dimensions: 175 x 148 mm. Black and red chalk on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute.
Jongelingshoofd, van onderen gezien Youth head, seen from below object type: Drawing Object number: RP-T 1959-73 Manufacturer : artist Anton Raphael Mengs to design: anonymous Date: 1738 - 1779 Physical features: black and white chalk on light brown paper material: paper chalk Dimensions : h 391 mm × W 254 mmToelichtingJongelingshoofd, seen from below, for example in pleister. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jongelingshoofd-van-onderen-gezien-youth-head-seen-from-below-object-type-drawing-object-number-rp-t-1959-73-manufacturer-artist-anton-raphael-mengs-to-design-anonymous-date-1738-1779-physical-features-black-and-white-chalk-on-light-brown-paper-material-paper-chalk-dimensions-h-391-mm-w-254-mmtoelichtingjongelingshoofd-seen-from-below-for-example-in-pleister-image348466767.htmlRM2B6X0WK–Jongelingshoofd, van onderen gezien Youth head, seen from below object type: Drawing Object number: RP-T 1959-73 Manufacturer : artist Anton Raphael Mengs to design: anonymous Date: 1738 - 1779 Physical features: black and white chalk on light brown paper material: paper chalk Dimensions : h 391 mm × W 254 mmToelichtingJongelingshoofd, seen from below, for example in pleister.
Drawing, Burning of the Borgo, after Raphael; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and ink, brush and sepia wash over black chalk on laid paper; 27.7 x 19.6 cm (10 7/8 x 7 11/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-burning-of-the-borgo-after-raphael-designed-by-felice-giani-italian-17581823-italy-pen-and-ink-brush-and-sepia-wash-over-black-chalk-on-laid-paper-277-x-196-cm-10-78-x-7-1116-in-image546205333.htmlRM2PMHPD9–Drawing, Burning of the Borgo, after Raphael; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and ink, brush and sepia wash over black chalk on laid paper; 27.7 x 19.6 cm (10 7/8 x 7 11/16 in.)
Study into a late -classic men's head, Anton Raphael Mengs (Possible), 1738 - 1779 drawing paper. chalk piece of sculpture, reproduction of a piece of sculpture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-into-a-late-classic-mens-head-anton-raphael-mengs-possible-1738-1779-drawing-paper-chalk-piece-of-sculpture-reproduction-of-a-piece-of-sculpture-image595589523.htmlRM2WGYCEB–Study into a late -classic men's head, Anton Raphael Mengs (Possible), 1738 - 1779 drawing paper. chalk piece of sculpture, reproduction of a piece of sculpture
Tobias and the Angel Raphael, c.1605. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tobias-and-the-angel-raphael-c1605-image466985226.htmlRM2J3N0BP–Tobias and the Angel Raphael, c.1605.
Anton Raphael Mengs, Self-Portrait, Christian Friedrich Boetius (Germany, 1706 - 1782), 1770, drawing, black and white chalk on yellow-tinted paper, 16.8 x 13 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anton-raphael-mengs-self-portrait-christian-friedrich-boetius-germany-1706-1782-1770-drawing-black-and-white-chalk-on-yellow-tinted-paper-168-x-13-cm-ll-duke-albert-of-saxe-teschen-image573314334.htmlRM2T8MM7X–Anton Raphael Mengs, Self-Portrait, Christian Friedrich Boetius (Germany, 1706 - 1782), 1770, drawing, black and white chalk on yellow-tinted paper, 16.8 x 13 cm, l.l. Duke Albert of Saxe-Teschen
Head of Muse by Raffaello Sanzio known as Raffaello (1483-1520) - black chalk over traces of stylus and pricked for transfer (auxiliary cartoon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-muse-by-raffaello-sanzio-known-as-raffaello-1483-1520-black-chalk-over-traces-of-stylus-and-pricked-for-transfer-auxiliary-cartoon-image613858488.htmlRM2XJKJNC–Head of Muse by Raffaello Sanzio known as Raffaello (1483-1520) - black chalk over traces of stylus and pricked for transfer (auxiliary cartoon
Madonna of the Pomegranate, c. 1504. Date/Period: Ca. 1504. Black-gray chalk. Author: RAPHAEL. Raphael (Raffaello Sanzio da Urbino). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-of-the-pomegranate-c-1504-dateperiod-ca-1504-black-gray-chalk-author-raphael-raphael-raffaello-sanzio-da-urbino-image219708727.htmlRMPNCGM7–Madonna of the Pomegranate, c. 1504. Date/Period: Ca. 1504. Black-gray chalk. Author: RAPHAEL. Raphael (Raffaello Sanzio da Urbino).
Amor and three gratiën Object Type : Drawing Object number: RP-T-1889-A-2198 Manufacturer : artist: Cornelis van Poelenburch to print by François Perrier to painting: Raphael Date: 1600 - 1667 Physical features: red chalk material: paper chalk Dimensions: h 186 mm × W 146 mmToelichtingKopie to print by François Perrier. Subject: Graces (Charites), gene rally three in number; 'Grace' (Ripa) (story of) Cupid, Amor (Eros) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amor-and-three-gratin-object-type-drawing-object-number-rp-t-1889-a-2198-manufacturer-artist-cornelis-van-poelenburch-to-print-by-franois-perrier-to-painting-raphael-date-1600-1667-physical-features-red-chalk-material-paper-chalk-dimensions-h-186-mm-w-146-mmtoelichtingkopie-to-print-by-franois-perrier-subject-graces-charites-gene-rally-three-in-number-grace-ripa-story-of-cupid-amor-eros-image348133190.htmlRM2B6ARC6–Amor and three gratiën Object Type : Drawing Object number: RP-T-1889-A-2198 Manufacturer : artist: Cornelis van Poelenburch to print by François Perrier to painting: Raphael Date: 1600 - 1667 Physical features: red chalk material: paper chalk Dimensions: h 186 mm × W 146 mmToelichtingKopie to print by François Perrier. Subject: Graces (Charites), gene rally three in number; 'Grace' (Ripa) (story of) Cupid, Amor (Eros)
Drawing, Five Figures from Parnassus by Raphael Sanzio; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and ink, brush and sepia wash over black chalk on laid paper; 20.7 x 27.7 cm (8 1/8 x 10 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-five-figures-from-parnassus-by-raphael-sanzio-designed-by-felice-giani-italian-17581823-italy-pen-and-ink-brush-and-sepia-wash-over-black-chalk-on-laid-paper-207-x-277-cm-8-18-x-10-78-in-image546205664.htmlRM2PMHPW4–Drawing, Five Figures from Parnassus by Raphael Sanzio; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and ink, brush and sepia wash over black chalk on laid paper; 20.7 x 27.7 cm (8 1/8 x 10 7/8 in.)
Tobias in De Engel, Antonio Maria Viani, 1570 - 1629 drawing paper. chalk. ink pen Tobias and the angel Raphael travelling, accompanied by Tobias' dog Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tobias-in-de-engel-antonio-maria-viani-1570-1629-drawing-paper-chalk-ink-pen-tobias-and-the-angel-raphael-travelling-accompanied-by-tobias-dog-image595571092.htmlRM2WGXH04–Tobias in De Engel, Antonio Maria Viani, 1570 - 1629 drawing paper. chalk. ink pen Tobias and the angel Raphael travelling, accompanied by Tobias' dog
Design for a Wall Decoration with Pasted-in Sketches after Raphael (verso), c. 1580s-90s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-wall-decoration-with-pasted-in-sketches-after-raphael-verso-c-1580s-90s-image330085633.htmlRM2A50KGH–Design for a Wall Decoration with Pasted-in Sketches after Raphael (verso), c. 1580s-90s.
Head study after Raphael, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), around 1800, drawing, colored chalk, blue-grey paper, 39.1 × 31.4 cm, r.r. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-study-after-raphael-josef-abel-aschach-upper-austria-1764-1818-vienna-around-1800-drawing-colored-chalk-blue-grey-paper-391-314-cm-rr-duke-albert-of-saxe-teschen-image573315098.htmlRM2T8MN76–Head study after Raphael, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), around 1800, drawing, colored chalk, blue-grey paper, 39.1 × 31.4 cm, r.r. Duke Albert of Saxe-Teschen
Study for a seated figure for the Alba Madonna by Raffaello Sanzio known as Raffaello (1483-1520) about 1510-1511 Penna e Pietra rossa Pen and Red chalk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-for-a-seated-figure-for-the-alba-madonna-by-raffaello-sanzio-known-as-raffaello-1483-1520-about-1510-1511-penna-e-pietra-rossa-pen-and-red-chalk-image364525593.htmlRM2C51G35–Study for a seated figure for the Alba Madonna by Raffaello Sanzio known as Raffaello (1483-1520) about 1510-1511 Penna e Pietra rossa Pen and Red chalk
Woman and Children. After Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1650. Dimensions: 267 x 190 mm. Red and black chalk, on tan laid paper, laid down on ivory laid board. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-and-children-after-raffaello-sanzio-called-raphael-italian-1483-1520-date-1650-dimensions-267-x-190-mm-red-and-black-chalk-on-tan-laid-paper-laid-down-on-ivory-laid-board-origin-italy-museum-the-chicago-art-institute-image239943437.htmlRMRXAA8D–Woman and Children. After Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1650. Dimensions: 267 x 190 mm. Red and black chalk, on tan laid paper, laid down on ivory laid board. Origin: Italy. Museum: The Chicago Art Institute.
Heilige Familie met een lam Holy Family with a lam Object Type : Drawing Object number: RP-T 1953-354 Manufacturer : to painting: Raphael Artist: anonymous Date: 1500 - 1620 Physical features: brush in brown on pink tinted paper; signature black chalk material: paper prepared chalk Technique: Brush dimensions: H 134 mm × W 97 mm Subject: Holy Family, and derived representation and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heilige-familie-met-een-lam-holy-family-with-a-lam-object-type-drawing-object-number-rp-t-1953-354-manufacturer-to-painting-raphael-artist-anonymous-date-1500-1620-physical-features-brush-in-brown-on-pink-tinted-paper-signature-black-chalk-material-paper-prepared-chalk-technique-brush-dimensions-h-134-mm-w-97-mm-subject-holy-family-and-derived-representation-and-image348428725.htmlRM2B6T8B1–Heilige Familie met een lam Holy Family with a lam Object Type : Drawing Object number: RP-T 1953-354 Manufacturer : to painting: Raphael Artist: anonymous Date: 1500 - 1620 Physical features: brush in brown on pink tinted paper; signature black chalk material: paper prepared chalk Technique: Brush dimensions: H 134 mm × W 97 mm Subject: Holy Family, and derived representation and
Drawing, Man and Woman, Cartoon for 'Death of Ananias' after Raphael Sanzio; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and ink, brush and sepia wash over black chalk on laid paper; 20.7 x 27.7 cm (8 1/8 x 10 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-man-and-woman-cartoon-for-death-of-ananias-after-raphael-sanzio-designed-by-felice-giani-italian-17581823-italy-pen-and-ink-brush-and-sepia-wash-over-black-chalk-on-laid-paper-207-x-277-cm-8-18-x-10-78-in-image546214085.htmlRM2PMJ5HW–Drawing, Man and Woman, Cartoon for 'Death of Ananias' after Raphael Sanzio; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and ink, brush and sepia wash over black chalk on laid paper; 20.7 x 27.7 cm (8 1/8 x 10 7/8 in.)
Tobias and the Engel, Pieter Jansz, c. 1655 - c. 1669 drawing paper. graphite (mineral). chalk. ink pen / brush Tobias and the angel Raphael travelling, accompanied by Tobias' dog Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tobias-and-the-engel-pieter-jansz-c-1655-c-1669-drawing-paper-graphite-mineral-chalk-ink-pen-brush-tobias-and-the-angel-raphael-travelling-accompanied-by-tobias-dog-image595575009.htmlRM2WGXP01–Tobias and the Engel, Pieter Jansz, c. 1655 - c. 1669 drawing paper. graphite (mineral). chalk. ink pen / brush Tobias and the angel Raphael travelling, accompanied by Tobias' dog
Female Head in Profile, Facing Right, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/female-head-in-profile-facing-right-nd-image491542634.htmlRM2KFKKJ2–Female Head in Profile, Facing Right, n.d.
Head study after Raphael, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), around 1800, drawing, colored chalk, blue-grey paper, 33.9 × 43.7 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-study-after-raphael-josef-abel-aschach-upper-austria-1764-1818-vienna-around-1800-drawing-colored-chalk-blue-grey-paper-339-437-cm-ll-duke-albert-of-saxe-teschen-image573315092.htmlRM2T8MN70–Head study after Raphael, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), around 1800, drawing, colored chalk, blue-grey paper, 33.9 × 43.7 cm, l.l. Duke Albert of Saxe-Teschen
God the Father with the Symbols of the Evangelists by Raffaello Sanzio known as Raffaello (1483-1520) about 1516-1517 Black chalk, red chalk, brush and brown ink wash, white highlights Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/god-the-father-with-the-symbols-of-the-evangelists-by-raffaello-sanzio-known-as-raffaello-1483-1520-about-1516-1517-black-chalk-red-chalk-brush-and-brown-ink-wash-white-highlights-image364525529.htmlRM2C51G0W–God the Father with the Symbols of the Evangelists by Raffaello Sanzio known as Raffaello (1483-1520) about 1516-1517 Black chalk, red chalk, brush and brown ink wash, white highlights
Joanna of Aragon. After Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1500-1520. Dimensions: 341 x 276 mm. Black chalk with red chalk, on ivory laid paper; verso brushed with heavy gray wash. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joanna-of-aragon-after-raffaello-sanzio-called-raphael-italian-1483-1520-date-1500-1520-dimensions-341-x-276-mm-black-chalk-with-red-chalk-on-ivory-laid-paper-verso-brushed-with-heavy-gray-wash-origin-italy-museum-the-chicago-art-institute-image239739116.htmlRMRX11K8–Joanna of Aragon. After Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1500-1520. Dimensions: 341 x 276 mm. Black chalk with red chalk, on ivory laid paper; verso brushed with heavy gray wash. Origin: Italy. Museum: The Chicago Art Institute.
. Drawing for beginners . Perspective, 114-140 205 Drawing for Beginners Plumb-line, the use of, 114-118Powdered chalk, drawing with, 190Proportions of inanimate objects, 83-87 Raphael, 181Rembrandt, 166, 170Reynolds, Sir Joshua, 164, 166Rubens, Peter Paul, 170Ruins, sketching, 154-155 Shade, studies in light and, 182- 192Silhouette portraits, 160-163Sketching outfit, 142Sprayers, 203 Steinbach paper, 203Stump-drawing, 190Subject, choice of, 20-27 ; contrastof, 24-27 Thumbnail sketches, 155Tinted paper, 183Titian, 165Tracing paper, 197Trees, drawing, 152-154 Van Dyck, Antony, 170Velasquez, 165 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-for-beginners-perspective-114-140-205-drawing-for-beginners-plumb-line-the-use-of-114-118powdered-chalk-drawing-with-190proportions-of-inanimate-objects-83-87-raphael-181rembrandt-166-170reynolds-sir-joshua-164-166rubens-peter-paul-170ruins-sketching-154-155-shade-studies-in-light-and-182-192silhouette-portraits-160-163sketching-outfit-142sprayers-203-steinbach-paper-203stump-drawing-190subject-choice-of-20-27-contrastof-24-27-thumbnail-sketches-155tinted-paper-183titian-165tracing-paper-197trees-drawing-152-154-van-dyck-antony-170velasquez-165-image374741837.htmlRM2CNJY11–. Drawing for beginners . Perspective, 114-140 205 Drawing for Beginners Plumb-line, the use of, 114-118Powdered chalk, drawing with, 190Proportions of inanimate objects, 83-87 Raphael, 181Rembrandt, 166, 170Reynolds, Sir Joshua, 164, 166Rubens, Peter Paul, 170Ruins, sketching, 154-155 Shade, studies in light and, 182- 192Silhouette portraits, 160-163Sketching outfit, 142Sprayers, 203 Steinbach paper, 203Stump-drawing, 190Subject, choice of, 20-27 ; contrastof, 24-27 Thumbnail sketches, 155Tinted paper, 183Titian, 165Tracing paper, 197Trees, drawing, 152-154 Van Dyck, Antony, 170Velasquez, 165
Display of Guido Reni's Aurora, Raphael Morghen, After Guido Reni, 1771 - 1833 drawing Design for a print. paper. chalk personification of the morning, 'Aurora'; 'Aurora' (Ripa). Apollo in the chariot of the sun, drawn by four horses, usually preceded by Aurora holding a torch; 'Carro del Sole' (Ripa) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/display-of-guido-renis-aurora-raphael-morghen-after-guido-reni-1771-1833-drawing-design-for-a-print-paper-chalk-personification-of-the-morning-aurora-aurora-ripa-apollo-in-the-chariot-of-the-sun-drawn-by-four-horses-usually-preceded-by-aurora-holding-a-torch-carro-del-sole-ripa-image595593021.htmlRM2WGYGY9–Display of Guido Reni's Aurora, Raphael Morghen, After Guido Reni, 1771 - 1833 drawing Design for a print. paper. chalk personification of the morning, 'Aurora'; 'Aurora' (Ripa). Apollo in the chariot of the sun, drawn by four horses, usually preceded by Aurora holding a torch; 'Carro del Sole' (Ripa)
Cartoon for Zachariah, The High Priest, 1872. Ford Madox Brown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cartoon-for-zachariah-the-high-priest-1872-ford-madox-brown-image551007035.htmlRM2R0CF2K–Cartoon for Zachariah, The High Priest, 1872. Ford Madox Brown
Head of a Bearded Man, 1700/1799. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-a-bearded-man-17001799-image491542925.htmlRM2KFKM0D–Head of a Bearded Man, 1700/1799.
Head study after Raphael, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), c. 1800, drawing, black chalk, heightened with white (oxidized), 33.8 × 43.4 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-study-after-raphael-josef-abel-aschach-upper-austria-1764-1818-vienna-c-1800-drawing-black-chalk-heightened-with-white-oxidized-338-434-cm-ll-duke-albert-of-saxe-teschen-image573315095.htmlRM2T8MN73–Head study after Raphael, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), c. 1800, drawing, black chalk, heightened with white (oxidized), 33.8 × 43.4 cm, l.l. Duke Albert of Saxe-Teschen
Alexander the Great has Homre's books laid out on dario's chest by Raffaello Sanzio known as Raffaello (1483-1520), 1513-1514 - red chalk over stylus. stylus quarring Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alexander-the-great-has-homres-books-laid-out-on-darios-chest-by-raffaello-sanzio-known-as-raffaello-1483-1520-1513-1514-red-chalk-over-stylus-stylus-quarring-image613858484.htmlRM2XJKJN8–Alexander the Great has Homre's books laid out on dario's chest by Raffaello Sanzio known as Raffaello (1483-1520), 1513-1514 - red chalk over stylus. stylus quarring
Finding of Moses. Workshop of Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1518-1519. Dimensions: 183 x 243 mm. Pen and brown ink with brush and pale brown wash, on buff laid paper, squared in black chalk. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/finding-of-moses-workshop-of-raffaello-sanzio-called-raphael-italian-1483-1520-date-1518-1519-dimensions-183-x-243-mm-pen-and-brown-ink-with-brush-and-pale-brown-wash-on-buff-laid-paper-squared-in-black-chalk-origin-italy-museum-the-chicago-art-institute-image239835545.htmlRMRX5CK5–Finding of Moses. Workshop of Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1518-1519. Dimensions: 183 x 243 mm. Pen and brown ink with brush and pale brown wash, on buff laid paper, squared in black chalk. Origin: Italy. Museum: The Chicago Art Institute.
![. Illustrated catalogue of a miscellaneous selection of rare engravings, etchings and original drawings of many schools and periods [electronic resource] : from the portfolios of R. Ederheimer Print-Cabinet . CiOLTZIUS No. 142 145 Diana, Original Drawing ery spirited design in pen and water-color.()-al, 5?g in. high, 43/^ in. wide. 41 60.00 146 The Triumph of Galathea, Original Design for theEngraving After Raphael Pen, in red ink and India ink wash. 21 in. high, 17 in. wide. 35.00 School of Goltzius (Matham or Saenredam) 147 Sketch With Three Young Women Spirited lilack chalk drawing on gre Stock Photo](https://c8.alamy.com/comp/2CDYX7W/illustrated-catalogue-of-a-miscellaneous-selection-of-rare-engravings-etchings-and-original-drawings-of-many-schools-and-periods-electronic-resource-from-the-portfolios-of-r-ederheimer-print-cabinet-cioltzius-no-142-145-diana-original-drawing-ery-spirited-design-in-pen-and-water-color-al-5g-in-high-43-in-wide-41-6000-146-the-triumph-of-galathea-original-design-for-theengraving-after-raphael-pen-in-red-ink-and-india-ink-wash-21-in-high-17-in-wide-3500-school-of-goltzius-matham-or-saenredam-147-sketch-with-three-young-women-spirited-lilack-chalk-drawing-on-gre-2CDYX7W.jpg ". Illustrated catalogue of a miscellaneous selection of rare engravings, etchings and original drawings of many schools and periods [electronic resource] : from the portfolios of R. Ederheimer Print-Cabinet . CiOLTZIUS No. 142 145 Diana, Original Drawing ery spirited design in pen and water-color.()-al, 5?g in. high, 43/^ in. wide. 41 60.00 146 The Triumph of Galathea, Original Design for theEngraving After Raphael Pen, in red ink and India ink wash. 21 in. high, 17 in. wide. 35.00 School of Goltzius (Matham or Saenredam) 147 Sketch With Three Young Women Spirited lilack chalk drawing on gre Stock Photo")
. Illustrated catalogue of a miscellaneous selection of rare engravings, etchings and original drawings of many schools and periods [electronic resource] : from the portfolios of R. Ederheimer Print-Cabinet . CiOLTZIUS No. 142 145 Diana, Original Drawing ery spirited design in pen and water-color.()-al, 5?g in. high, 43/^ in. wide. 41 60.00 146 The Triumph of Galathea, Original Design for theEngraving After Raphael Pen, in red ink and India ink wash. 21 in. high, 17 in. wide. 35.00 School of Goltzius (Matham or Saenredam) 147 Sketch With Three Young Women Spirited lilack chalk drawing on gre Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustrated-catalogue-of-a-miscellaneous-selection-of-rare-engravings-etchings-and-original-drawings-of-many-schools-and-periods-electronic-resource-from-the-portfolios-of-r-ederheimer-print-cabinet-cioltzius-no-142-145-diana-original-drawing-ery-spirited-design-in-pen-and-water-color-al-5g-in-high-43-in-wide-41-6000-146-the-triumph-of-galathea-original-design-for-theengraving-after-raphael-pen-in-red-ink-and-india-ink-wash-21-in-high-17-in-wide-3500-school-of-goltzius-matham-or-saenredam-147-sketch-with-three-young-women-spirited-lilack-chalk-drawing-on-gre-image370021565.htmlRM2CDYX7W–. Illustrated catalogue of a miscellaneous selection of rare engravings, etchings and original drawings of many schools and periods [electronic resource] : from the portfolios of R. Ederheimer Print-Cabinet . CiOLTZIUS No. 142 145 Diana, Original Drawing ery spirited design in pen and water-color.()-al, 5?g in. high, 43/^ in. wide. 41 60.00 146 The Triumph of Galathea, Original Design for theEngraving After Raphael Pen, in red ink and India ink wash. 21 in. high, 17 in. wide. 35.00 School of Goltzius (Matham or Saenredam) 147 Sketch With Three Young Women Spirited lilack chalk drawing on gre
Allegory of Sea Trade, 18th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegory-of-sea-trade-18th-century-image491543005.htmlRM2KFKM39–Allegory of Sea Trade, 18th century.
Head of the Magdalena, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), around 1771, drawing, black chalk on light grey-green paper, heightened with white, 46 x 35.7 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-the-magdalena-anton-raphael-mengs-aussig-bohemia-1728-1779-rome-around-1771-drawing-black-chalk-on-light-grey-green-paper-heightened-with-white-46-x-357-cm-ll-duke-albert-of-saxe-teschen-image573314411.htmlRM2T8MMAK–Head of the Magdalena, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), around 1771, drawing, black chalk on light grey-green paper, heightened with white, 46 x 35.7 cm, l.l. Duke Albert of Saxe-Teschen
Battle of Costantine against Massemzio (or Battle of the Pons Milvius) 1519-1520 circa by Raffaello Pen and brown ink, brush and broen ink wash, white highlights, black chalk squaring over different assembles sheets, beige prepared colour Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-of-costantine-against-massemzio-or-battle-of-the-pons-milvius-1519-1520-circa-by-raffaello-pen-and-brown-ink-brush-and-broen-ink-wash-white-highlights-black-chalk-squaring-over-different-assembles-sheets-beige-prepared-colour-image613858453.htmlRM2XJKJM5–Battle of Costantine against Massemzio (or Battle of the Pons Milvius) 1519-1520 circa by Raffaello Pen and brown ink, brush and broen ink wash, white highlights, black chalk squaring over different assembles sheets, beige prepared colour
Caryatid with Yoke and Scroll. After Raffaello Sanzio, called Raphael, and his workshop; Italian, 1483-1520. Date: 1700-1720. Dimensions: 395 x 154 mm (max.). Red chalk with brush and red chalk wash, on ivory laid paper, laid down on card. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caryatid-with-yoke-and-scroll-after-raffaello-sanzio-called-raphael-and-his-workshop-italian-1483-1520-date-1700-1720-dimensions-395-x-154-mm-max-red-chalk-with-brush-and-red-chalk-wash-on-ivory-laid-paper-laid-down-on-card-origin-italy-museum-the-chicago-art-institute-image239921587.htmlRMRX9AC3–Caryatid with Yoke and Scroll. After Raffaello Sanzio, called Raphael, and his workshop; Italian, 1483-1520. Date: 1700-1720. Dimensions: 395 x 154 mm (max.). Red chalk with brush and red chalk wash, on ivory laid paper, laid down on card. Origin: Italy. Museum: The Chicago Art Institute.
Woman and Children, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-and-children-nd-image491542843.htmlRM2KFKKWF–Woman and Children, n.d.
Head study after Raphael, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), c. 1800, drawing, black chalk, white heightened in places (oxidized), 46.2 × 33.7 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-study-after-raphael-josef-abel-aschach-upper-austria-1764-1818-vienna-c-1800-drawing-black-chalk-white-heightened-in-places-oxidized-462-337-cm-ll-duke-albert-of-saxe-teschen-image573315108.htmlRM2T8MN7G–Head study after Raphael, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), c. 1800, drawing, black chalk, white heightened in places (oxidized), 46.2 × 33.7 cm, l.l. Duke Albert of Saxe-Teschen
Lucrece, Johann Adam von Bartsch, Vienna 1757 - 1821 Vienna, drawing, black stone chalk, 29.8 x 19.4 cm, l.l. Duke Albert of Saxe-Teschen, l.l. 'D'après Raphael'; r.u. 'Par A. Bartsch, Austria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lucrece-johann-adam-von-bartsch-vienna-1757-1821-vienna-drawing-black-stone-chalk-298-x-194-cm-ll-duke-albert-of-saxe-teschen-ll-daprs-raphael-ru-par-a-bartsch-austria-image573272819.htmlRM2T8JR97–Lucrece, Johann Adam von Bartsch, Vienna 1757 - 1821 Vienna, drawing, black stone chalk, 29.8 x 19.4 cm, l.l. Duke Albert of Saxe-Teschen, l.l. 'D'après Raphael'; r.u. 'Par A. Bartsch, Austria
Head of a Girl by Raffaello Sanzio known as Raffaello (1483-1520) about 1502-1503 black chalk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-a-girl-by-raffaello-sanzio-known-as-raffaello-1483-1520-about-1502-1503-black-chalk-image415923369.htmlRM2F4JXE1–Head of a Girl by Raffaello Sanzio known as Raffaello (1483-1520) about 1502-1503 black chalk
Therese Concordia Mengs, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), 1743, drawing, black chalk with heavily rubbed white highlights on yellow-grey primed paper, 36 x 24.3 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/therese-concordia-mengs-anton-raphael-mengs-aussig-bohemia-1728-1779-rome-1743-drawing-black-chalk-with-heavily-rubbed-white-highlights-on-yellow-grey-primed-paper-36-x-243-cm-ll-duke-albert-of-saxe-teschen-image573314331.htmlRM2T8MM7R–Therese Concordia Mengs, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), 1743, drawing, black chalk with heavily rubbed white highlights on yellow-grey primed paper, 36 x 24.3 cm, l.l. Duke Albert of Saxe-Teschen
Saint George and the Dragon. Dimensions: overall (approximate): 24.5 x 20.3 cm (9 5/8 x 8 in.). Medium: brush and brown ink heightened with white over black chalk, incised with stylus. Museum: National Gallery of Art, Washington DC. Author: RAPHAEL. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-george-and-the-dragon-dimensions-overall-approximate-245-x-203-cm-9-58-x-8-in-medium-brush-and-brown-ink-heightened-with-white-over-black-chalk-incised-with-stylus-museum-national-gallery-of-art-washington-dc-author-raphael-image218914460.htmlRMPM4BHG–Saint George and the Dragon. Dimensions: overall (approximate): 24.5 x 20.3 cm (9 5/8 x 8 in.). Medium: brush and brown ink heightened with white over black chalk, incised with stylus. Museum: National Gallery of Art, Washington DC. Author: RAPHAEL.
Putto, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/putto-nd-image491542840.htmlRM2KFKKWC–Putto, n.d.
The Miraculous Draught of Fishes by Raffaello Sanzio known as Raffaello (1483-1520) about 1515 Pen and Brown ink over balck chalk, brush and brown ink wash, red chalk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-miraculous-draught-of-fishes-by-raffaello-sanzio-known-as-raffaello-1483-1520-about-1515-pen-and-brown-ink-over-balck-chalk-brush-and-brown-ink-wash-red-chalk-image401300469.htmlRM2E8TPRH–The Miraculous Draught of Fishes by Raffaello Sanzio known as Raffaello (1483-1520) about 1515 Pen and Brown ink over balck chalk, brush and brown ink wash, red chalk
Head study after Raphael, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), around 1800, drawing, black stone chalk, sanguine, heightened with white on blue paper, 48.3 x 36.8 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-study-after-raphael-josef-abel-aschach-upper-austria-1764-1818-vienna-around-1800-drawing-black-stone-chalk-sanguine-heightened-with-white-on-blue-paper-483-x-368-cm-ll-duke-albert-of-saxe-teschen-image573315089.htmlRM2T8MN6W–Head study after Raphael, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), around 1800, drawing, black stone chalk, sanguine, heightened with white on blue paper, 48.3 x 36.8 cm, l.l. Duke Albert of Saxe-Teschen
Putti Playing with Swans. Circle of Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1503-1520. Dimensions: 198 x 288 mm. Black chalk with brush and gray wash, on tan laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute. Author: School of Raphael. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/putti-playing-with-swans-circle-of-raffaello-sanzio-called-raphael-italian-1483-1520-date-1503-1520-dimensions-198-x-288-mm-black-chalk-with-brush-and-gray-wash-on-tan-laid-paper-laid-down-on-ivory-laid-paper-origin-italy-museum-the-chicago-art-institute-author-school-of-raphael-image239827167.htmlRMRX51YY–Putti Playing with Swans. Circle of Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1503-1520. Dimensions: 198 x 288 mm. Black chalk with brush and gray wash, on tan laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute. Author: School of Raphael.
Woman Carrying Water Jar, 17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-carrying-water-jar-17th-century-image491542856.htmlRM2KFKKX0–Woman Carrying Water Jar, 17th century.
Study for Venus and Cupid before Jupiter by Raffaello Sanzio known as Raffaello (1483-1520) about 1517 Red chalk over stylus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-for-venus-and-cupid-before-jupiter-by-raffaello-sanzio-known-as-raffaello-1483-1520-about-1517-red-chalk-over-stylus-image364525588.htmlRM2C51G30–Study for Venus and Cupid before Jupiter by Raffaello Sanzio known as Raffaello (1483-1520) about 1517 Red chalk over stylus
Head study after Raphael, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), around 1800, drawing, black stone chalk, red chalk wiped on blue paper, 38.5 x 28.7 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-study-after-raphael-josef-abel-aschach-upper-austria-1764-1818-vienna-around-1800-drawing-black-stone-chalk-red-chalk-wiped-on-blue-paper-385-x-287-cm-ll-duke-albert-of-saxe-teschen-image573315093.htmlRM2T8MN71–Head study after Raphael, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), around 1800, drawing, black stone chalk, red chalk wiped on blue paper, 38.5 x 28.7 cm, l.l. Duke Albert of Saxe-Teschen
Resurrection. After workshop of Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1500-1520. Dimensions: 382 x 657 mm (max.). Red chalk, heightened with lead white (partially discolored), on brown laid paper, laid down on ivory laid card. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/resurrection-after-workshop-of-raffaello-sanzio-called-raphael-italian-1483-1520-date-1500-1520-dimensions-382-x-657-mm-max-red-chalk-heightened-with-lead-white-partially-discolored-on-brown-laid-paper-laid-down-on-ivory-laid-card-origin-italy-museum-the-chicago-art-institute-image239841939.htmlRMRX5MRF–Resurrection. After workshop of Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1500-1520. Dimensions: 382 x 657 mm (max.). Red chalk, heightened with lead white (partially discolored), on brown laid paper, laid down on ivory laid card. Origin: Italy. Museum: The Chicago Art Institute.
The Phrygian Sybil from Raphael’s Fresco in St. Maria della Pace, Raphael, (Italian, 1483–1520), Graphite, chalk on paper, A robed figure standing with one foot on a vase., Italy, ca. 1800, figures, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-phrygian-sybil-from-raphaels-fresco-in-st-maria-della-pace-raphael-italian-14831520-graphite-chalk-on-paper-a-robed-figure-standing-with-one-foot-on-a-vase-italy-ca-1800-figures-drawing-image391500129.htmlRM2DMXABD–The Phrygian Sybil from Raphael’s Fresco in St. Maria della Pace, Raphael, (Italian, 1483–1520), Graphite, chalk on paper, A robed figure standing with one foot on a vase., Italy, ca. 1800, figures, Drawing
Group of Figures from Raphael's Incendio del Borgo, Raphael, (Italian, 1483–1520), Black chalk on paper, The central group in the foreground of Raphael's Incendio del Borgo. A kneeling woman and a woman sitting with a child. Another woman with a child, worshipping., Italy, 1800-1850, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/group-of-figures-from-raphaels-incendio-del-borgo-raphael-italian-14831520-black-chalk-on-paper-the-central-group-in-the-foreground-of-raphaels-incendio-del-borgo-a-kneeling-woman-and-a-woman-sitting-with-a-child-another-woman-with-a-child-worshipping-italy-1800-1850-drawing-image391152324.htmlRM2DMAENT–Group of Figures from Raphael's Incendio del Borgo, Raphael, (Italian, 1483–1520), Black chalk on paper, The central group in the foreground of Raphael's Incendio del Borgo. A kneeling woman and a woman sitting with a child. Another woman with a child, worshipping., Italy, 1800-1850, Drawing
Search Results for Chalk drawing by raphael Stock Photos and Images (207)
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