Valluvar Kottam is a temple chariot like-monument in Chennai, built to honour the renowned classical Tamil poet and saint, Thiruvalluvar. Valluvar Kottam was built in the year 1976. Valluvar Kottam Monument is the memorial monument, 39 Meters Tall. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/valluvar-kottam-is-a-temple-chariot-like-monument-in-chennai-built-to-honour-the-renowned-classical-tamil-poet-and-saint-thiruvalluvar-valluvar-kottam-was-built-in-the-year-1976-valluvar-kottam-monument-is-the-memorial-monument-39-meters-tall-image505979252.html
RF2MB59KG–Valluvar Kottam is a temple chariot like-monument in Chennai, built to honour the renowned classical Tamil poet and saint, Thiruvalluvar. Valluvar Kottam was built in the year 1976. Valluvar Kottam Monument is the memorial monument, 39 Meters Tall.
This image shows a chariot race in the Circus Maximus by Ulpiano Fernández-Checa y Sanz (1860 –1916), known as Ulpiano Checa, a Spanish painter, sculptor, poster designer and illustrator. He used both impressionistic and academic techniques, and mainly painted historical subjects. The circus was a specific arena, shaped like a bullet, for the staging of chariot races, the largest of these was the Circus Maximus in Rome. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-image-shows-a-chariot-race-in-the-circus-maximus-by-ulpiano-fernndez-checa-y-sanz1860-1916-known-asulpiano-checa-a-spanish-painter-sculptor-poster-designer-and-illustrator-he-used-bothimpressionisticandacademictechniques-and-mainly-painted-historical-subjects-the-circus-was-a-specific-arena-shaped-like-a-bullet-for-the-staging-of-chariot-races-the-largest-of-these-was-the-circus-maximus-in-rome-image410745305.html
RF2ET71R5–This image shows a chariot race in the Circus Maximus by Ulpiano Fernández-Checa y Sanz (1860 –1916), known as Ulpiano Checa, a Spanish painter, sculptor, poster designer and illustrator. He used both impressionistic and academic techniques, and mainly painted historical subjects. The circus was a specific arena, shaped like a bullet, for the staging of chariot races, the largest of these was the Circus Maximus in Rome.
Valluvar Kottam is a temple chariot like-monument in Chennai, built to honour the renowned classical Tamil poet and saint, Thiruvalluvar. Valluvar Kottam was built in the year 1976. Valluvar Kottam Monument is the memorial monument, 39 Meters Tall. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/valluvar-kottam-is-a-temple-chariot-like-monument-in-chennai-built-to-honour-the-renowned-classical-tamil-poet-and-saint-thiruvalluvar-valluvar-kottam-was-built-in-the-year-1976-valluvar-kottam-monument-is-the-memorial-monument-39-meters-tall-image505962052.html
RF2MB4FN8–Valluvar Kottam is a temple chariot like-monument in Chennai, built to honour the renowned classical Tamil poet and saint, Thiruvalluvar. Valluvar Kottam was built in the year 1976. Valluvar Kottam Monument is the memorial monument, 39 Meters Tall.
Man and woman riding in carriage like a chariot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-man-and-woman-riding-in-carriage-like-a-chariot-79492828.html
RMEH95WG–Man and woman riding in carriage like a chariot
The Circus Maximus was an ancient Roman chariot-racing stadium and mass entertainment venue located in Rome, Italy. Situated in the valley between the Aventine and Palatine Hills, it was the first and largest stadium in ancient Rome and a venue for Ludi, or public games, featuring religious ceremonies, feasts, horse and chariot racing, athletics, plays, recitals, gladiator fights and occasional public executions. Most were held at annual intervals on the Roman calendar. Others to fulfill a religious vow, such as the games in celebration of a triumph, like Julius Caesar's over Pompey. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-circus-maximus-was-an-ancient-roman-chariot-racing-stadium-and-mass-entertainment-venue-located-in-rome-italy-situated-in-the-valley-between-the-aventine-and-palatine-hills-it-was-the-first-and-largest-stadium-in-ancient-rome-and-a-venue-for-ludi-or-public-games-featuring-religious-ceremonies-feasts-horse-and-chariot-racing-athletics-plays-recitals-gladiator-fights-and-occasional-public-executions-most-were-held-at-annual-intervals-on-the-roman-calendar-others-to-fulfill-a-religious-vow-such-as-the-games-in-celebration-of-a-triumph-like-julius-caesars-over-pompey-image263102250.html
RMW819GX–The Circus Maximus was an ancient Roman chariot-racing stadium and mass entertainment venue located in Rome, Italy. Situated in the valley between the Aventine and Palatine Hills, it was the first and largest stadium in ancient Rome and a venue for Ludi, or public games, featuring religious ceremonies, feasts, horse and chariot racing, athletics, plays, recitals, gladiator fights and occasional public executions. Most were held at annual intervals on the Roman calendar. Others to fulfill a religious vow, such as the games in celebration of a triumph, like Julius Caesar's over Pompey.
King Solomon The Wise Man 'the Throng Divides Like A Parted Wave, Making Way For A Stately Chariot, Drawn By Splendid Horse, And Surrounded By A Body- Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-solomon-the-wise-man-the-throng-divides-like-a-parted-wave-making-way-for-a-stately-chariot-drawn-by-splendid-horse-and-surrounded-by-a-body-image476282439.html
RM2JJTF33–King Solomon The Wise Man 'the Throng Divides Like A Parted Wave, Making Way For A Stately Chariot, Drawn By Splendid Horse, And Surrounded By A Body-
Venus and Cupid, Stipple engraving with etching, printed with colors on paper, Venus, seated in her chariot, flies a winged heart on the string, kite-like, while cupid aims at it with his bow and arrow. In a hexagon inscribed in a circle. Decoration for the lid of a snuff box., France, 1760-1790, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/venus-and-cupid-stipple-engraving-with-etching-printed-with-colors-on-paper-venus-seated-in-her-chariot-flies-a-winged-heart-on-the-string-kite-like-while-cupid-aims-at-it-with-his-bow-and-arrow-in-a-hexagon-inscribed-in-a-circle-decoration-for-the-lid-of-a-snuff-box-france-1760-1790-print-image391708681.html
RM2DN7TBN–Venus and Cupid, Stipple engraving with etching, printed with colors on paper, Venus, seated in her chariot, flies a winged heart on the string, kite-like, while cupid aims at it with his bow and arrow. In a hexagon inscribed in a circle. Decoration for the lid of a snuff box., France, 1760-1790, Print
A. C. Bhaktivedanta Swami Prabhupada. The International Society for Krishna Consciousness (ISKCON), also known as the 'Hare Krishna movement'. Hindu Rathayatra or chariot festival. Devotees gather in Trafalgar Square. A life like waxwork model of Swami Prabhupada who founded the 'Hare Krishna movement' in New York in 1966. The image of Swami Prabhupada has been carried in procession London, England July 2004 2000s UK HOMER SYKES Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-c-bhaktivedanta-swami-prabhupada-the-international-society-for-krishna-consciousness-iskcon-also-known-as-the-hare-krishna-movement-hindu-rathayatra-or-chariot-festival-devotees-gather-in-trafalgar-square-a-life-like-waxwork-model-of-swami-prabhupada-who-founded-the-hare-krishna-movement-in-new-york-in-1966-the-image-of-swami-prabhupada-has-been-carried-in-procession-london-england-july-2004-2000s-uk-homer-sykes-image625101496.html
RM2Y8YR9C–A. C. Bhaktivedanta Swami Prabhupada. The International Society for Krishna Consciousness (ISKCON), also known as the 'Hare Krishna movement'. Hindu Rathayatra or chariot festival. Devotees gather in Trafalgar Square. A life like waxwork model of Swami Prabhupada who founded the 'Hare Krishna movement' in New York in 1966. The image of Swami Prabhupada has been carried in procession London, England July 2004 2000s UK HOMER SYKES
Book of Hours, Man pushes chariot with dog, This small Book of Hours is especially interesting for its profusion of humorous drolleries. Humans, animals, and hybrids are featured in the margins of each page of the book. The artists rendered in small scenes a variety of actions, like cooking, playing game, climbing, fishing, making music or moving the bodies in a dance. These drolleries amuse the faithful during his prayers, while showing scenes that work as metaphors of the soul fighting the vices Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-man-pushes-chariot-with-dog-this-small-book-of-hours-is-especially-interesting-for-its-profusion-of-humorous-drolleries-humans-animals-and-hybrids-are-featured-in-the-margins-of-each-page-of-the-book-the-artists-rendered-in-small-scenes-a-variety-of-actions-like-cooking-playing-game-climbing-fishing-making-music-or-moving-the-bodies-in-a-dance-these-drolleries-amuse-the-faithful-during-his-prayers-while-showing-scenes-that-work-as-metaphors-of-the-soul-fighting-the-vices-image573461639.html
RM2T8YC4R–Book of Hours, Man pushes chariot with dog, This small Book of Hours is especially interesting for its profusion of humorous drolleries. Humans, animals, and hybrids are featured in the margins of each page of the book. The artists rendered in small scenes a variety of actions, like cooking, playing game, climbing, fishing, making music or moving the bodies in a dance. These drolleries amuse the faithful during his prayers, while showing scenes that work as metaphors of the soul fighting the vices
Sarangapani temple sanctum sanctorum built like a chariot with beautifully sculpted elephant drawing it in Kumbakonam, Tamil Nadu, India, Asia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sarangapani-temple-sanctum-sanctorum-built-like-a-chariot-with-beautifully-sculpted-elephant-drawing-it-in-kumbakonam-tamil-nadu-india-asia-image554281686.html
RM2R5NKXE–Sarangapani temple sanctum sanctorum built like a chariot with beautifully sculpted elephant drawing it in Kumbakonam, Tamil Nadu, India, Asia
Chariot Fitting, 3rd-2nd century BCE, 16-7/16 x 2-3/16 x 2-3/16 in. (41.8 x 5.6 x 5.6 cm), Bronze with silver inlay, China, 3rd-2nd century BCE, This extraordinary ornamental fitting was made for the central coupling of a wood shaft supporting the umbrella-like canopy over the chariot of an imperial prince or high ranking dignitary. The production of such complex designs in precious metals inlaid in bronze was an innovation of the Warring States period (480-221 b.c.). This was the era when painted lacquer designs began to influence the designs of the bronze industry Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chariot-fitting-3rd-2nd-century-bce-16-716-x-2-316-x-2-316-in-418-x-56-x-56-cm-bronze-with-silver-inlay-china-3rd-2nd-century-bce-this-extraordinary-ornamental-fitting-was-made-for-the-central-coupling-of-a-wood-shaft-supporting-the-umbrella-like-canopy-over-the-chariot-of-an-imperial-prince-or-high-ranking-dignitary-the-production-of-such-complex-designs-in-precious-metals-inlaid-in-bronze-was-an-innovation-of-the-warring-states-period-480-221-bc-this-was-the-era-when-painted-lacquer-designs-began-to-influence-the-designs-of-the-bronze-industry-image573505983.html
RM2T91CMF–Chariot Fitting, 3rd-2nd century BCE, 16-7/16 x 2-3/16 x 2-3/16 in. (41.8 x 5.6 x 5.6 cm), Bronze with silver inlay, China, 3rd-2nd century BCE, This extraordinary ornamental fitting was made for the central coupling of a wood shaft supporting the umbrella-like canopy over the chariot of an imperial prince or high ranking dignitary. The production of such complex designs in precious metals inlaid in bronze was an innovation of the Warring States period (480-221 b.c.). This was the era when painted lacquer designs began to influence the designs of the bronze industry
Infographic about the Roman Coliseum, destined for shows like naumachia, chariot races, and fights between gladiators and wild animals. [QuarkXPress (.qxp); Adobe InDesign (.indd); 4960x3188]. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/infographic-about-the-roman-coliseum-destined-for-shows-like-naumachia-chariot-races-and-fights-between-gladiators-and-wild-animals-quarkxpress-qxp-adobe-indesign-indd-4960x3188-image525183404.html
RM2NEC4P4–Infographic about the Roman Coliseum, destined for shows like naumachia, chariot races, and fights between gladiators and wild animals. [QuarkXPress (.qxp); Adobe InDesign (.indd); 4960x3188].
Attic Panathenaic Amphora, attributed to Kleophrades Painter (Greek), circa 500-480 B.C. The Greater Panathenaia, a state religious festival, honored Athena, the patron goddess of Athens. Held every four years, the festival included athletic and musical competitions, and amphorae like this one filled with oil from Athena's sacred olive trees were given as prizes. This amphora was awarded to the winner of the four-horse-chariot race depicted on it. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attic-panathenaic-amphora-attributed-to-kleophrades-painter-greek-circa-500-480-bc-the-greater-panathenaia-a-state-religious-festival-honored-athena-the-patron-goddess-of-athens-held-every-four-years-the-festival-included-athletic-and-musical-competitions-and-amphorae-like-this-one-filled-with-oil-from-athenas-sacred-olive-trees-were-given-as-prizes-this-amphora-was-awarded-to-the-winner-of-the-four-horse-chariot-race-depicted-on-it-image526957688.html
RM2NH8YWC–Attic Panathenaic Amphora, attributed to Kleophrades Painter (Greek), circa 500-480 B.C. The Greater Panathenaia, a state religious festival, honored Athena, the patron goddess of Athens. Held every four years, the festival included athletic and musical competitions, and amphorae like this one filled with oil from Athena's sacred olive trees were given as prizes. This amphora was awarded to the winner of the four-horse-chariot race depicted on it.
image of ratha making process with various activities like painting, carpentry etc at puri odisha. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-of-ratha-making-process-with-various-activities-like-painting-carpentry-etc-at-puri-odisha-image611321778.html
RF2XEG34J–image of ratha making process with various activities like painting, carpentry etc at puri odisha.
Swami Prabhupada (model) at Hindu Ratha Yatra RathaYatraor Chariot festival, London England 2004 2000s UK HOMER SYKES Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/swami-prabhupada-model-at-hindu-ratha-yatra-rathayatraor-chariot-festival-image3602116.html
RMA4FJC5–Swami Prabhupada (model) at Hindu Ratha Yatra RathaYatraor Chariot festival, London England 2004 2000s UK HOMER SYKES
. 'Figure de la Fontaine': Contemporary illustration of the fountain chariot from the Ballet comique de la reine, 1581. The chariot, designed like a fountain, contained Queen Louise, her ladies, and musicians. The narrative of the ballet, one of the 'magnificences' of the age of Catherine de' Medici, mother of Henri III of France, was based on the myth of Circe, who turned men into beasts. This symbolised the state of civil war in France at the time. . 1581. Designer / engraver: Jacques Patin (15..–1587) Description French painter, decorator, draughtsman and engraver Date of birth/deat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-de-la-fontaine-contemporary-illustration-of-the-fountain-chariot-from-the-ballet-comique-de-la-reine-1581-the-chariot-designed-like-a-fountain-contained-queen-louise-her-ladies-and-musicians-the-narrative-of-the-ballet-one-of-the-magnificences-of-the-age-of-catherine-de-medici-mother-of-henri-iii-of-france-was-based-on-the-myth-of-circe-who-turned-men-into-beasts-this-symbolised-the-state-of-civil-war-in-france-at-the-time-1581-designer-engraver-jacques-patin-151587-description-french-painter-decorator-draughtsman-and-engraver-date-of-birthdeat-image184981828.html
RMMMXJ5T–. 'Figure de la Fontaine': Contemporary illustration of the fountain chariot from the Ballet comique de la reine, 1581. The chariot, designed like a fountain, contained Queen Louise, her ladies, and musicians. The narrative of the ballet, one of the 'magnificences' of the age of Catherine de' Medici, mother of Henri III of France, was based on the myth of Circe, who turned men into beasts. This symbolised the state of civil war in France at the time. . 1581. Designer / engraver: Jacques Patin (15..–1587) Description French painter, decorator, draughtsman and engraver Date of birth/deat
Arles France - a view looking past the edge of the ruined Roman amphitheatre out over the river Rhone. The amphitheatre, which has 120 arches like those pictured all around its walls, was originally built in 90AD and hosted chariot races and hand-to-hand battles. In more modern times it has hosted bullfights, plays and concerts. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arles-france-a-view-looking-past-the-edge-of-the-ruined-roman-amphitheatre-out-over-the-river-rhone-the-amphitheatre-which-has-120-arches-like-those-pictured-all-around-its-walls-was-originally-built-in-90ad-and-hosted-chariot-races-and-hand-to-hand-battles-in-more-modern-times-it-has-hosted-bullfights-plays-and-concerts-image504811754.html
RM2M984F6–Arles France - a view looking past the edge of the ruined Roman amphitheatre out over the river Rhone. The amphitheatre, which has 120 arches like those pictured all around its walls, was originally built in 90AD and hosted chariot races and hand-to-hand battles. In more modern times it has hosted bullfights, plays and concerts.
GREEK MYTHOLOGY - RHEA The Mother of the Gods - an ancient Earth-goddess (literally, the Earth itself), normally drawn in a chariot by four lions (here by two) and crowned with a turret-like crown (as a goddess-founder of cities), and carrying the sacred tympanum. The figure to the right is one of the corybantes, or priests - the sickle perhaps an indication that he has castrated himself. Woodcut from a 16th century edition of Natalis Comitis, Mythologiae. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/greek-mythology-rhea-the-mother-of-the-gods-an-ancient-earth-goddess-literally-the-earth-itself-normally-drawn-in-a-chariot-by-four-lions-here-by-two-and-crowned-with-a-turret-like-crown-as-a-goddess-founder-of-cities-and-carrying-the-sacred-tympanum-the-figure-to-the-right-is-one-of-the-corybantes-or-priests-the-sickle-perhaps-an-indication-that-he-has-castrated-himself-woodcut-from-a-16th-century-edition-of-natalis-comitis-mythologiae-image179623922.html
RMMC6G42–GREEK MYTHOLOGY - RHEA The Mother of the Gods - an ancient Earth-goddess (literally, the Earth itself), normally drawn in a chariot by four lions (here by two) and crowned with a turret-like crown (as a goddess-founder of cities), and carrying the sacred tympanum. The figure to the right is one of the corybantes, or priests - the sickle perhaps an indication that he has castrated himself. Woodcut from a 16th century edition of Natalis Comitis, Mythologiae.
Vintage archival photograph taken in 1955 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vintage-archival-photograph-taken-in-1955-177014095.html
RMM7YK7Y–Vintage archival photograph taken in 1955
Old golden Austrian feudal-like charriot in Opatija, Croatia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-golden-austrian-feudal-like-charriot-in-opatija-croatia-image223316854.html
RMPY8XWX–Old golden Austrian feudal-like charriot in Opatija, Croatia
Textile. Straight repeat which includes garden pavilions, a chariot, a man wearing a plumed turban rowing a gondola. The motifs are tied together by plant forms and a large fern-like leaf or plume. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-straight-repeat-which-includes-garden-pavilions-a-chariot-a-man-wearing-a-plumed-turban-rowing-a-gondola-the-motifs-are-tied-together-by-plant-forms-and-a-large-fern-like-leaf-or-plume-image353460471.html
RM2BF1EC7–Textile. Straight repeat which includes garden pavilions, a chariot, a man wearing a plumed turban rowing a gondola. The motifs are tied together by plant forms and a large fern-like leaf or plume.
High Street, Colchester, Essex, UK. 17th Sep, 2023. The historic city of Colchester is hosting its first soapbox rally, with around 50 entrants taking part. The karts are being launched down a ramp to give them the speed to tackle the course down the High Street which includes various obstacles before the drivers reach the finish line. Roman chariot team, in reference to Colchester's Roman history Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/high-street-colchester-essex-uk-17th-sep-2023-the-historic-city-of-colchester-is-hosting-its-first-soapbox-rally-with-around-50-entrants-taking-part-the-karts-are-being-launched-down-a-ramp-to-give-them-the-speed-to-tackle-the-course-down-the-high-street-which-includes-various-obstacles-before-the-drivers-reach-the-finish-line-roman-chariot-team-in-reference-to-colchesters-roman-history-image566241964.html
RM2RW6FB8–High Street, Colchester, Essex, UK. 17th Sep, 2023. The historic city of Colchester is hosting its first soapbox rally, with around 50 entrants taking part. The karts are being launched down a ramp to give them the speed to tackle the course down the High Street which includes various obstacles before the drivers reach the finish line. Roman chariot team, in reference to Colchester's Roman history
Venus and Cupid. Venus, seated in her chariot, flies a winged heart on the string, kite-like, while cupid aims at it with his bow and arrow. In a hexagon inscribed in a circle. Decoration for the lid of a snuff box. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/venus-and-cupid-venus-seated-in-her-chariot-flies-a-winged-heart-on-the-string-kite-like-while-cupid-aims-at-it-with-his-bow-and-arrow-in-a-hexagon-inscribed-in-a-circle-decoration-for-the-lid-of-a-snuff-box-image353493746.html
RM2BF30TJ–Venus and Cupid. Venus, seated in her chariot, flies a winged heart on the string, kite-like, while cupid aims at it with his bow and arrow. In a hexagon inscribed in a circle. Decoration for the lid of a snuff box.
A wall painting from Rajasthan The painting looks like Ragamala paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-wall-painting-from-rajasthan-the-painting-looks-like-ragamala-paintings-image773130.html
RFABCC0A–A wall painting from Rajasthan The painting looks like Ragamala paintings
Parade with people dressed and chariot shaped like a whale, rue de Paris. 'Défilé avec personnes déguisées et char en forme de baleine, rue de Paris'. Photographie anonyme. Aristotype. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/parade-with-people-dressed-and-chariot-shaped-like-a-whale-rue-de-paris-dfil-avec-personnes-dguises-et-char-en-forme-de-baleine-rue-de-paris-photographie-anonyme-aristotype-paris-muse-carnavalet-image349670655.html
RM2B8TTDK–Parade with people dressed and chariot shaped like a whale, rue de Paris. 'Défilé avec personnes déguisées et char en forme de baleine, rue de Paris'. Photographie anonyme. Aristotype. Paris, musée Carnavalet.
A large crowd celebrate Iscon 's Rath Jatra. The chariot of Lord Jagannath in Kolkata, West Bengal,India. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-large-crowd-celebrate-iscon-s-rath-jatra-the-chariot-of-lord-jagannath-111418815.html
RMGD7FRB–A large crowd celebrate Iscon 's Rath Jatra. The chariot of Lord Jagannath in Kolkata, West Bengal,India.
Textile, Medium: silk, metallic thread Technique: 8-harness satin patterned by floats of foundation weft and discontinuous supplementary weft bound on the front in 1/3 twill, Straight repeat which includes garden pavilions, a chariot, a man wearing a plumed turban rowing a gondola. The motifs are tied together by plant forms and a large fern-like leaf or plume., England or France, late 17th or early 18th century, woven textiles, Textile Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-medium-silk-metallic-thread-technique-8-harness-satin-patterned-by-floats-of-foundation-weft-and-discontinuous-supplementary-weft-bound-on-the-front-in-13-twill-straight-repeat-which-includes-garden-pavilions-a-chariot-a-man-wearing-a-plumed-turban-rowing-a-gondola-the-motifs-are-tied-together-by-plant-forms-and-a-large-fern-like-leaf-or-plume-england-or-france-late-17th-or-early-18th-century-woven-textiles-textile-image391327147.html
RM2DMJDNF–Textile, Medium: silk, metallic thread Technique: 8-harness satin patterned by floats of foundation weft and discontinuous supplementary weft bound on the front in 1/3 twill, Straight repeat which includes garden pavilions, a chariot, a man wearing a plumed turban rowing a gondola. The motifs are tied together by plant forms and a large fern-like leaf or plume., England or France, late 17th or early 18th century, woven textiles, Textile
Competitors racing a vehicle designed like a Roman chariot crash into hay bales at the Red Bull Soap Box Derby on October 24, 2015 in Atlanta, GA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/competitors-racing-a-vehicle-designed-like-a-roman-chariot-crash-into-hay-bales-at-the-red-bull-soap-box-derby-on-october-24-2015-in-atlanta-ga-image181577433.html
RFMFBFT9–Competitors racing a vehicle designed like a Roman chariot crash into hay bales at the Red Bull Soap Box Derby on October 24, 2015 in Atlanta, GA.
Hendrick Goltzius, Phaeton, 1588, engraving on paper, 13 in. (33 cm), Inspired by the Haarlem Mannerist Cornelis van Haarlem, Goltzius converts Phaeton's body into an abstract whirligig tumbling toward the burning earth and placid waters below.The exaggerated muscles of back, hip, thigh and calf form a rippling contour as the doomed youth strains futilely against his terrible fate.Phaeton's head, seen from the back, streams with flame-like tufts of hair recalling his failure to control the fiery chariot of the sun. Goltzius's masterful engraving adds to Cornelis' original design the effect of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hendrick-goltzius-phaeton-1588-engraving-on-paper-13-in-33-cm-inspired-by-the-haarlem-mannerist-cornelis-van-haarlem-goltzius-converts-phaetons-body-into-an-abstract-whirligig-tumbling-toward-the-burning-earth-and-placid-waters-belowthe-exaggerated-muscles-of-back-hip-thigh-and-calf-form-a-rippling-contour-as-the-doomed-youth-strains-futilely-against-his-terrible-fatephaetons-head-seen-from-the-back-streams-with-flame-like-tufts-of-hair-recalling-his-failure-to-control-the-fiery-chariot-of-the-sun-goltziuss-masterful-engraving-adds-to-cornelis-original-design-the-effect-of-image344473136.html
RM2B0C300–Hendrick Goltzius, Phaeton, 1588, engraving on paper, 13 in. (33 cm), Inspired by the Haarlem Mannerist Cornelis van Haarlem, Goltzius converts Phaeton's body into an abstract whirligig tumbling toward the burning earth and placid waters below.The exaggerated muscles of back, hip, thigh and calf form a rippling contour as the doomed youth strains futilely against his terrible fate.Phaeton's head, seen from the back, streams with flame-like tufts of hair recalling his failure to control the fiery chariot of the sun. Goltzius's masterful engraving adds to Cornelis' original design the effect of
Devotees wearing facemasks gather as the chariot festival of Rato Machhindranath concludes.Devotees took down the red god from its chariot in Pulchok and carried it to its temple in Bungamati. The annual chariot festival Rato Machhindranath skipped out on its traditional route and series of high-profile cultural events like Bhoto Jatra in Jawlakhel and coconut throwing in Lagankhel due to the Covid-19 pandemic. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/devotees-wearing-facemasks-gather-as-the-chariot-festival-of-rato-machhindranath-concludesdevotees-took-down-the-red-god-from-its-chariot-in-pulchok-and-carried-it-to-its-temple-in-bungamati-the-annual-chariot-festival-rato-machhindranath-skipped-out-on-its-traditional-route-and-series-of-high-profile-cultural-events-like-bhoto-jatra-in-jawlakhel-and-coconut-throwing-in-lagankhel-due-to-the-covid-19-pandemic-image372461969.html
RM2CHY315–Devotees wearing facemasks gather as the chariot festival of Rato Machhindranath concludes.Devotees took down the red god from its chariot in Pulchok and carried it to its temple in Bungamati. The annual chariot festival Rato Machhindranath skipped out on its traditional route and series of high-profile cultural events like Bhoto Jatra in Jawlakhel and coconut throwing in Lagankhel due to the Covid-19 pandemic.
Panel with the Triumph of Dionysos. Dimensions: 8.62 in. high 13.37 in. wide (22 cm high 34 cm wide). Date: 4th-6th century. Like most textiles from Egypt, this fourth-century panel may have been part of a ritual or festive garment. It was manufactured in the Early Byzantine period from undyed linen and purple wool in tapestry weave technique. Dionysos, the center figure, rides a chariot drawn by two panthers. As the god of wine and intoxication, he holds in his raised right hand a characteristic bunch of grapes. Immediately adjacent to him caper two maenads (female followers). On his far ri Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-with-the-triumph-of-dionysos-dimensions-862-in-high-1337-in-wide-22-cm-high-34-cm-wide-date-4th-6th-century-like-most-textiles-from-egypt-this-fourth-century-panel-may-have-been-part-of-a-ritual-or-festive-garment-it-was-manufactured-in-the-early-byzantine-period-from-undyed-linen-and-purple-wool-in-tapestry-weave-technique-dionysos-the-center-figure-rides-a-chariot-drawn-by-two-panthers-as-the-god-of-wine-and-intoxication-he-holds-in-his-raised-right-hand-a-characteristic-bunch-of-grapes-immediately-adjacent-to-him-caper-two-maenads-female-followers-on-his-far-ri-image213317951.html
RMPB1D67–Panel with the Triumph of Dionysos. Dimensions: 8.62 in. high 13.37 in. wide (22 cm high 34 cm wide). Date: 4th-6th century. Like most textiles from Egypt, this fourth-century panel may have been part of a ritual or festive garment. It was manufactured in the Early Byzantine period from undyed linen and purple wool in tapestry weave technique. Dionysos, the center figure, rides a chariot drawn by two panthers. As the god of wine and intoxication, he holds in his raised right hand a characteristic bunch of grapes. Immediately adjacent to him caper two maenads (female followers). On his far ri
The Puá¹£paka chariot next flies over Śṛṅgaverapura, where resides Guha, king of the Niá¹£Ädas. RÄma tells HanumÄn to adopt human guise to tell Guha and then Bharata the news of RÄma’s return. HanumÄn arrives at the palace at NandigrÄma outside AyodhyÄ where Bharata and Åšatrughna, clad in hermit’s clothes like their brothers, sit and wait by the throne on which are placed RÄma’s sandals. HanumÄn tells them that RÄma’s exile is over and relates all that has happened to them. Ramayana, Yuddha Kanda. Udaipur, 1652. Hanuman,Rama,Ayodhya,Bharata,Satrughna,. . Source: Add. 15 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pupaka-chariot-next-flies-over-gaverapura-where-resides-guha-king-of-the-nidas-rma-tells-hanumn-to-adopt-human-guise-to-tell-guha-and-then-bharata-the-news-of-rmas-return-hanumn-arrives-at-the-palace-at-nandigrma-outside-ayodhy-where-bharata-and-atrughna-clad-in-hermits-clothes-like-their-brothers-sit-and-wait-by-the-throne-on-which-are-placed-rmas-sandals-hanumn-tells-them-that-rmas-exile-is-over-and-relates-all-that-has-happened-to-them-ramayana-yuddha-kanda-udaipur-1652-hanumanramaayodhyabharatasatrughna-source-add-15-image226833013.html
RMR513R1–The Puá¹£paka chariot next flies over Śṛṅgaverapura, where resides Guha, king of the Niá¹£Ädas. RÄma tells HanumÄn to adopt human guise to tell Guha and then Bharata the news of RÄma’s return. HanumÄn arrives at the palace at NandigrÄma outside AyodhyÄ where Bharata and Åšatrughna, clad in hermit’s clothes like their brothers, sit and wait by the throne on which are placed RÄma’s sandals. HanumÄn tells them that RÄma’s exile is over and relates all that has happened to them. Ramayana, Yuddha Kanda. Udaipur, 1652. Hanuman,Rama,Ayodhya,Bharata,Satrughna,. . Source: Add. 15
image of ratha making process with various activities like painting, carpentry etc at puri odisha. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-of-ratha-making-process-with-various-activities-like-painting-carpentry-etc-at-puri-odisha-image611321768.html
RF2XEG348–image of ratha making process with various activities like painting, carpentry etc at puri odisha.
Fountain of Trevi - Rome, 1850. '...a colossal marble group, representing Neptune in his chariot, drawn by sea-horses, and heralded by marine deities...The general effect is very line. Rushing impetuously like a cataract over the face of the artificial rock, the waters plunge with a hoarse roar into a capacious basin, depressed below the level of the street; and the spray, as it dances up and mingles with the lesser streams that issue from the mouths of the marine monsters, envelopes the lower region of the substructure in a misty mantle of gauze - the ensemble suggesting to an active fancy th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fountain-of-trevi-rome-1850-a-colossal-marble-group-representing-neptune-in-his-chariot-drawn-by-sea-horses-and-heralded-by-marine-deitiesthe-general-effect-is-very-line-rushing-impetuously-like-a-cataract-over-the-face-of-the-artificial-rock-the-waters-plunge-with-a-hoarse-roar-into-a-capacious-basin-depressed-below-the-level-of-the-street-and-the-spray-as-it-dances-up-and-mingles-with-the-lesser-streams-that-issue-from-the-mouths-of-the-marine-monsters-envelopes-the-lower-region-of-the-substructure-in-a-misty-mantle-of-gauze-the-ensemble-suggesting-to-an-active-fancy-th-image462361681.html
RM2HT6B15–Fountain of Trevi - Rome, 1850. '...a colossal marble group, representing Neptune in his chariot, drawn by sea-horses, and heralded by marine deities...The general effect is very line. Rushing impetuously like a cataract over the face of the artificial rock, the waters plunge with a hoarse roar into a capacious basin, depressed below the level of the street; and the spray, as it dances up and mingles with the lesser streams that issue from the mouths of the marine monsters, envelopes the lower region of the substructure in a misty mantle of gauze - the ensemble suggesting to an active fancy th
. English: Contemporary illustration of a siren from the Ballet comique de la reine of 1581. The sirens escorted a chariot, designed like a fountain, containing Queen Louise, her ladies, and musicians. The narrative of the ballet, one of the 'magnificences' of the age of Catherine de' Medici, mother of Henri III of France, was based on the myth of Circe, who turned men into beasts. This was held to symbolise the state of civil war in France at the time. 1581. Designer / engraver: Jacques Patin (15..–1587) Description French painter, decorator, draughtsman and engraver Date of birth/deat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-contemporary-illustration-of-a-siren-from-the-ballet-comique-de-la-reine-of-1581-the-sirens-escorted-a-chariot-designed-like-a-fountain-containing-queen-louise-her-ladies-and-musicians-the-narrative-of-the-ballet-one-of-the-magnificences-of-the-age-of-catherine-de-medici-mother-of-henri-iii-of-france-was-based-on-the-myth-of-circe-who-turned-men-into-beasts-this-was-held-to-symbolise-the-state-of-civil-war-in-france-at-the-time-1581-designer-engraver-jacques-patin-151587-description-french-painter-decorator-draughtsman-and-engraver-date-of-birthdeat-image185591259.html
RMMNXBF7–. English: Contemporary illustration of a siren from the Ballet comique de la reine of 1581. The sirens escorted a chariot, designed like a fountain, containing Queen Louise, her ladies, and musicians. The narrative of the ballet, one of the 'magnificences' of the age of Catherine de' Medici, mother of Henri III of France, was based on the myth of Circe, who turned men into beasts. This was held to symbolise the state of civil war in France at the time. 1581. Designer / engraver: Jacques Patin (15..–1587) Description French painter, decorator, draughtsman and engraver Date of birth/deat
Abduction on a Unicorn, 1516, Albrecht Dürer, German, 1471–1528, 12 1/8 x 8 1/4 in. (30.8 x 20.96 cm) (plate), Etching, Germany, 16th century, Albrecht Dürer may have put a twist on the Abduction of Proserpina story. Usually Pluto (the abductor) is shown on foot or driving a chariot. But here he rides a unicorn. And this unicorn—neither a snorting, fiery steed nor a symbol of purity—seems like the horse version of a leering pervert. Pluto’s detached expression sets an odd mood, and as for the woman, she is remarkably ill formed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abduction-on-a-unicorn-1516-albrecht-drer-german-14711528-12-18-x-8-14-in-308-x-2096-cm-plate-etching-germany-16th-century-albrecht-drer-may-have-put-a-twist-on-the-abduction-of-proserpina-story-usually-pluto-the-abductor-is-shown-on-foot-or-driving-a-chariot-but-here-he-rides-a-unicorn-and-this-unicornneither-a-snorting-fiery-steed-nor-a-symbol-of-purityseems-like-the-horse-version-of-a-leering-pervert-plutos-detached-expression-sets-an-odd-mood-and-as-for-the-woman-she-is-remarkably-ill-formed-image573511188.html
RM2T91KAC–Abduction on a Unicorn, 1516, Albrecht Dürer, German, 1471–1528, 12 1/8 x 8 1/4 in. (30.8 x 20.96 cm) (plate), Etching, Germany, 16th century, Albrecht Dürer may have put a twist on the Abduction of Proserpina story. Usually Pluto (the abductor) is shown on foot or driving a chariot. But here he rides a unicorn. And this unicorn—neither a snorting, fiery steed nor a symbol of purity—seems like the horse version of a leering pervert. Pluto’s detached expression sets an odd mood, and as for the woman, she is remarkably ill formed
The princess; or The Bguine . ning and of the morning toilet : you mistakeit altogether. But, Princess,1 said Lady Frances, glancing at an oppositemirror in conscious beauty, and ever charmed by flattery atall hoursand from all persons, u I never see my husband at breakfast; and,at this season, but rarely at dinner—that is, at home. We sometimesdo dine out together. Yes, I know. Ive seen you perched up in the same chariot,like two sulky birds in a cage after a pecking-match. You are bothto blame; you most, as being the superior animal. Lady Frances smiled, and shook her head. Yes, you are, by Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-princess-or-the-bguine-ning-and-of-the-morning-toilet-you-mistakeit-altogether-but-princess1-said-lady-frances-glancing-at-an-oppositemirror-in-conscious-beauty-and-ever-charmed-by-flattery-atall-hoursand-from-all-persons-u-i-never-see-my-husband-at-breakfast-andat-this-season-but-rarely-at-dinnerthat-is-at-home-we-sometimesdo-dine-out-together-yes-i-know-ive-seen-you-perched-up-in-the-same-chariotlike-two-sulky-birds-in-a-cage-after-a-pecking-match-you-are-bothto-blame-you-most-as-being-the-superior-animal-lady-frances-smiled-and-shook-her-head-yes-you-are-by-image340093084.html
RM2AN8G5G–The princess; or The Bguine . ning and of the morning toilet : you mistakeit altogether. But, Princess,1 said Lady Frances, glancing at an oppositemirror in conscious beauty, and ever charmed by flattery atall hoursand from all persons, u I never see my husband at breakfast; and,at this season, but rarely at dinner—that is, at home. We sometimesdo dine out together. Yes, I know. Ive seen you perched up in the same chariot,like two sulky birds in a cage after a pecking-match. You are bothto blame; you most, as being the superior animal. Lady Frances smiled, and shook her head. Yes, you are, by
Reduced copy after an allegorical print by Pieter van Schuppen, 1659. Jupiter directs his lightning bolts at a collapsing lion below him. From the sea, Neptune approaches the shoreline. He stands on a chariot drawn by hippocampi. Mars, wearing a shield with a double-headed eagle, drives the lion further into the breach. He too, like Neptune and Jupiter, wears fasces. Stars illuminate the three figures, Allegorical depiction with Jupiter, Neptune and Mars, Pieter van Schuppen, (mentioned on object), in or after 1659 - in or before 1689, paper, etching, letterpress printing, h 109 mm × w 133 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reduced-copy-after-an-allegorical-print-by-pieter-van-schuppen-1659-jupiter-directs-his-lightning-bolts-at-a-collapsing-lion-below-him-from-the-sea-neptune-approaches-the-shoreline-he-stands-on-a-chariot-drawn-by-hippocampi-mars-wearing-a-shield-with-a-double-headed-eagle-drives-the-lion-further-into-the-breach-he-too-like-neptune-and-jupiter-wears-fasces-stars-illuminate-the-three-figures-allegorical-depiction-with-jupiter-neptune-and-mars-pieter-van-schuppen-mentioned-on-object-in-or-after-1659-in-or-before-1689-paper-etching-letterpress-printing-h-109-mm-w-133-mm-image472154724.html
RM2JC4E4M–Reduced copy after an allegorical print by Pieter van Schuppen, 1659. Jupiter directs his lightning bolts at a collapsing lion below him. From the sea, Neptune approaches the shoreline. He stands on a chariot drawn by hippocampi. Mars, wearing a shield with a double-headed eagle, drives the lion further into the breach. He too, like Neptune and Jupiter, wears fasces. Stars illuminate the three figures, Allegorical depiction with Jupiter, Neptune and Mars, Pieter van Schuppen, (mentioned on object), in or after 1659 - in or before 1689, paper, etching, letterpress printing, h 109 mm × w 133 mm
Chariot on which Time (Tempus), like a winged old man with crutches, sits. At his feet is an hourglass that marks the passage of time. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chariot-on-which-time-tempus-like-a-winged-old-man-with-crutches-sits-at-his-feet-is-an-hourglass-that-marks-the-passage-of-time-image488048324.html
RF2KA0EH8–Chariot on which Time (Tempus), like a winged old man with crutches, sits. At his feet is an hourglass that marks the passage of time.
18-04-11. Marrakech, Morocco. A donkey hitched to a trailer, used to haul building materials inside the medina, where the streets are too narrow for v Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/18-04-11-marrakech-morocco-a-donkey-hitched-to-a-trailer-used-to-haul-building-materials-inside-the-medina-where-the-streets-are-too-narrow-for-v-image226654537.html
RMR4N04W–18-04-11. Marrakech, Morocco. A donkey hitched to a trailer, used to haul building materials inside the medina, where the streets are too narrow for v
Muse Erato, Quadriga, Panther, Alte Oper, Opernplatz, Frankfurt am Main, Hesse, Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/muse-erato-quadriga-panther-alte-oper-opernplatz-frankfurt-am-main-hesse-germany-image472157770.html
RM2JC4J1E–Muse Erato, Quadriga, Panther, Alte Oper, Opernplatz, Frankfurt am Main, Hesse, Germany
Lalitpur, Nepal. 14th Sep, 2020. Devotees wearing facemasks gather as the chariot festival of Rato Machhindranath concludes.Devotees took down the red god from its chariot in Pulchok and carried it to its temple in Bungamati. The annual chariot festival Rato Machhindranath skipped out on its traditional route and series of high-profile cultural events like Bhoto Jatra in Jawlakhel and coconut throwing in Lagankhel due to the Covid-19 pandemic. Credit: Prabin Ranabhat/SOPA Images/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lalitpur-nepal-14th-sep-2020-devotees-wearing-facemasks-gather-as-the-chariot-festival-of-rato-machhindranath-concludesdevotees-took-down-the-red-god-from-its-chariot-in-pulchok-and-carried-it-to-its-temple-in-bungamati-the-annual-chariot-festival-rato-machhindranath-skipped-out-on-its-traditional-route-and-series-of-high-profile-cultural-events-like-bhoto-jatra-in-jawlakhel-and-coconut-throwing-in-lagankhel-due-to-the-covid-19-pandemic-credit-prabin-ranabhatsopa-imageszuma-wirealamy-live-news-image373139072.html
RM2CK1XKC–Lalitpur, Nepal. 14th Sep, 2020. Devotees wearing facemasks gather as the chariot festival of Rato Machhindranath concludes.Devotees took down the red god from its chariot in Pulchok and carried it to its temple in Bungamati. The annual chariot festival Rato Machhindranath skipped out on its traditional route and series of high-profile cultural events like Bhoto Jatra in Jawlakhel and coconut throwing in Lagankhel due to the Covid-19 pandemic. Credit: Prabin Ranabhat/SOPA Images/ZUMA Wire/Alamy Live News
Vetter Triumphator, Marius Bauer, 1895 print Cartoon on the hero status of General Vetter in the Netherlands after his penalty expedition on Lombok in 1894. The general drives like a Roman triumphant on a chariot through the Arena, behind his cart he drags the dead body of Lombok. Published in the addition of 'De Kroniek' of 26 May 1895. print maker: Netherlandsprinter: Amsterdampublisher: Amsterdam paper political caricatures and satires. chariot, triumphal car Lombok Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vetter-triumphator-marius-bauer-1895-print-cartoon-on-the-hero-status-of-general-vetter-in-the-netherlands-after-his-penalty-expedition-on-lombok-in-1894-the-general-drives-like-a-roman-triumphant-on-a-chariot-through-the-arena-behind-his-cart-he-drags-the-dead-body-of-lombok-published-in-the-addition-of-de-kroniek-of-26-may-1895-print-maker-netherlandsprinter-amsterdampublisher-amsterdam-paper-political-caricatures-and-satires-chariot-triumphal-car-lombok-image590784939.html
RM2W94G63–Vetter Triumphator, Marius Bauer, 1895 print Cartoon on the hero status of General Vetter in the Netherlands after his penalty expedition on Lombok in 1894. The general drives like a Roman triumphant on a chariot through the Arena, behind his cart he drags the dead body of Lombok. Published in the addition of 'De Kroniek' of 26 May 1895. print maker: Netherlandsprinter: Amsterdampublisher: Amsterdam paper political caricatures and satires. chariot, triumphal car Lombok
Gilded figure of King Neptune in a shell-like chariot driving his team of sea horses on the prow of the Dutch Royal Barge Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gilded-figure-of-king-neptune-in-a-shell-like-chariot-driving-his-team-of-sea-horses-on-the-prow-of-the-dutch-royal-barge-image230604534.html
RMRB4XC6–Gilded figure of King Neptune in a shell-like chariot driving his team of sea horses on the prow of the Dutch Royal Barge
Chess set 18th century Burmese chessmen with British board The set, which was made for playing, is representational. The king is a 'Great King,' here a seated figure. He has not a queen but a lieutenant general, also seated, with a small round shield in one hand. The elephant with rider (bishop) represents, as it did in the original Indian game, the elephant corps, and a horse and rider (knight) represents the cavalry. The pagoda-like structure is the chariot, or rook. The pawns are foot soldiers. Burmese sets are sometimes white and red, as well as green and red like this one.. Chess set 199 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chess-set-18th-century-burmese-chessmen-with-british-board-the-set-which-was-made-for-playing-is-representational-the-king-is-a-great-king-here-a-seated-figure-he-has-not-a-queen-but-a-lieutenant-general-also-seated-with-a-small-round-shield-in-one-hand-the-elephant-with-rider-bishop-represents-as-it-did-in-the-original-indian-game-the-elephant-corps-and-a-horse-and-rider-knight-represents-the-cavalry-the-pagoda-like-structure-is-the-chariot-or-rook-the-pawns-are-foot-soldiers-burmese-sets-are-sometimes-white-and-red-as-well-as-green-and-red-like-this-one-chess-set-199-image458191406.html
RM2HHCBPP–Chess set 18th century Burmese chessmen with British board The set, which was made for playing, is representational. The king is a 'Great King,' here a seated figure. He has not a queen but a lieutenant general, also seated, with a small round shield in one hand. The elephant with rider (bishop) represents, as it did in the original Indian game, the elephant corps, and a horse and rider (knight) represents the cavalry. The pagoda-like structure is the chariot, or rook. The pawns are foot soldiers. Burmese sets are sometimes white and red, as well as green and red like this one.. Chess set 199
Colchester Soapbox Rally. Soapbox derby gravity racing in the High Street of Colchester, Essex, UK. Entrant 24, Moves like Sparta Roman chariot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/colchester-soapbox-rally-soapbox-derby-gravity-racing-in-the-high-street-of-colchester-essex-uk-entrant-24-moves-like-sparta-roman-chariot-image566331266.html
RM2RWAH8J–Colchester Soapbox Rally. Soapbox derby gravity racing in the High Street of Colchester, Essex, UK. Entrant 24, Moves like Sparta Roman chariot
Vignettes of cupids or genii playing at hunting and racing. Above, a dynamic depiction of the Genius of the Hunt with spears, dogs and stags. Below, two genii race chariots pulled by dolphins in the sea - one seems to be asleep like the famous ferryman of Aeneas. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vignettes-of-cupids-or-genii-playing-at-hunting-and-racing-above-a-dynamic-depiction-of-the-genius-of-the-hunt-with-spears-dogs-and-stags-below-two-genii-race-chariots-pulled-by-dolphins-in-the-sea-one-seems-to-be-asleep-like-the-famous-ferryman-of-aeneas-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image331681599.html
RM2A7HB7B–Vignettes of cupids or genii playing at hunting and racing. Above, a dynamic depiction of the Genius of the Hunt with spears, dogs and stags. Below, two genii race chariots pulled by dolphins in the sea - one seems to be asleep like the famous ferryman of Aeneas. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.
Devotees wearing face masks and shields pull the chariot of Rato Machhindranath during the festival.Devotees took down the red god from its chariot in Pulchok and carried it to its temple in Bungamati. The annual chariot festival Rato Machhindranath skipped out on its traditional route and series of high-profile cultural events like Bhoto Jatra in Jawlakhel and coconut throwing in Lagankhel due to the Covid-19 pandemic. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/devotees-wearing-face-masks-and-shields-pull-the-chariot-of-rato-machhindranath-during-the-festivaldevotees-took-down-the-red-god-from-its-chariot-in-pulchok-and-carried-it-to-its-temple-in-bungamati-the-annual-chariot-festival-rato-machhindranath-skipped-out-on-its-traditional-route-and-series-of-high-profile-cultural-events-like-bhoto-jatra-in-jawlakhel-and-coconut-throwing-in-lagankhel-due-to-the-covid-19-pandemic-image372461973.html
RM2CHY319–Devotees wearing face masks and shields pull the chariot of Rato Machhindranath during the festival.Devotees took down the red god from its chariot in Pulchok and carried it to its temple in Bungamati. The annual chariot festival Rato Machhindranath skipped out on its traditional route and series of high-profile cultural events like Bhoto Jatra in Jawlakhel and coconut throwing in Lagankhel due to the Covid-19 pandemic.
Vignettes of cupids or genii playing at hunting and racing. Above, a dynamic depiction of the Genius of the Hunt with spears, dogs and stags. Below, two genii race chariots pulled by dolphins in the sea - one seems to be asleep like the famous ferryman of Aeneas. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vignettes-of-cupids-or-genii-playing-at-hunting-and-racing-above-a-dynamic-depiction-of-the-genius-of-the-hunt-with-spears-dogs-and-stags-below-two-genii-race-chariots-pulled-by-dolphins-in-the-sea-one-seems-to-be-asleep-like-the-famous-ferryman-of-aeneas-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image231189101.html
RMRC3G1H–Vignettes of cupids or genii playing at hunting and racing. Above, a dynamic depiction of the Genius of the Hunt with spears, dogs and stags. Below, two genii race chariots pulled by dolphins in the sea - one seems to be asleep like the famous ferryman of Aeneas. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.
Seven Deities: Nox (Night), 1588-1590. Goltzius, famous as an engraver and painter, was the most important advocate of chiaroscuro woodcuts in the Netherlands. Nox is part of a group of seven oval portraits of gods and goddesses shown in their habitats. Accompanied by an owl and rooster, Nox rides in a chariot pulled by bats. Behind her, the sun shines on the orb of the earth and the personification of Sleep dozes contentedly. Because the earliest impressions of Nox , and other Goltzius chiaroscuros, were printed in muted shades like the grays of this impression, the artist may not have had Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seven-deities-nox-night-1588-1590-goltzius-famous-as-an-engraver-and-painter-was-the-most-important-advocate-of-chiaroscuro-woodcuts-in-the-netherlands-nox-is-part-of-a-group-of-seven-oval-portraits-of-gods-and-goddesses-shown-in-their-habitats-accompanied-by-an-owl-and-rooster-nox-rides-in-a-chariot-pulled-by-bats-behind-her-the-sun-shines-on-the-orb-of-the-earth-and-the-personification-of-sleep-dozes-contentedly-because-the-earliest-impressions-of-nox-and-other-goltzius-chiaroscuros-were-printed-in-muted-shades-like-the-grays-of-this-impression-the-artist-may-not-have-had-image330117686.html
RM2A524DA–Seven Deities: Nox (Night), 1588-1590. Goltzius, famous as an engraver and painter, was the most important advocate of chiaroscuro woodcuts in the Netherlands. Nox is part of a group of seven oval portraits of gods and goddesses shown in their habitats. Accompanied by an owl and rooster, Nox rides in a chariot pulled by bats. Behind her, the sun shines on the orb of the earth and the personification of Sleep dozes contentedly. Because the earliest impressions of Nox , and other Goltzius chiaroscuros, were printed in muted shades like the grays of this impression, the artist may not have had
image of ratha making process with various activities like painting, carpentry etc at puri odisha. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-of-ratha-making-process-with-various-activities-like-painting-carpentry-etc-at-puri-odisha-image611321761.html
RF2XEG341–image of ratha making process with various activities like painting, carpentry etc at puri odisha.
. 'Figure des Sereines': Contemporary illustration of three sirens, or mermaids, from the Ballet Comique de la Reine, 1581. The sirens escorted a chariot, designed like a fountain, containing Queen Louise and her ladies above, and musicians below. The narrative of the ballet, one of the 'magnificences' of the age of Catherine de' Medici, mother of Henri III of France, was based on the myth of Circe, who turned men into beasts. This symbolised the state of civil war in France at the time. 1581. Designer / engraver: Jacques Patin (15..–1587) Description French painter, decorator, draughtsm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-des-sereines-contemporary-illustration-of-three-sirens-or-mermaids-from-the-ballet-comique-de-la-reine-1581-the-sirens-escorted-a-chariot-designed-like-a-fountain-containing-queen-louise-and-her-ladies-above-and-musicians-below-the-narrative-of-the-ballet-one-of-the-magnificences-of-the-age-of-catherine-de-medici-mother-of-henri-iii-of-france-was-based-on-the-myth-of-circe-who-turned-men-into-beasts-this-symbolised-the-state-of-civil-war-in-france-at-the-time-1581-designer-engraver-jacques-patin-151587-description-french-painter-decorator-draughtsm-image185601840.html
RMMNXW14–. 'Figure des Sereines': Contemporary illustration of three sirens, or mermaids, from the Ballet Comique de la Reine, 1581. The sirens escorted a chariot, designed like a fountain, containing Queen Louise and her ladies above, and musicians below. The narrative of the ballet, one of the 'magnificences' of the age of Catherine de' Medici, mother of Henri III of France, was based on the myth of Circe, who turned men into beasts. This symbolised the state of civil war in France at the time. 1581. Designer / engraver: Jacques Patin (15..–1587) Description French painter, decorator, draughtsm
a fractal like ancient stone chariot near a Hindu temple Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-fractal-like-ancient-stone-chariot-near-a-hindu-temple-76119666.html
RMEBRFBE–a fractal like ancient stone chariot near a Hindu temple
Cinder and sand racing at Marsa racetrack, Trotters, Horse-racing, Trot races at the Racing Club, Racecourse Street, Marsa, Malta. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cinder-and-sand-racing-at-marsa-racetrack-trotters-horse-racing-trot-17665536.html
RFB0MMG0–Cinder and sand racing at Marsa racetrack, Trotters, Horse-racing, Trot races at the Racing Club, Racecourse Street, Marsa, Malta.
. Zigzag journeys in the White city. With visits to the neighboring metropolis . THE FOLK-LORE SOCIETYS QUEER STORIES. 63 BLINGO, THE BLACKSMITH. Tommy Topp sat sunning himself in the wide open door of Blingos black-smith shop, when a cloud of oust appeared in the highway; a chariot presentlybroke into view from the dusty cloud, and four black horses stopped underthe golden elms that shaded a rustic watering-trough near the rural smithy. This was a strange event. People did not ride in chariots in Massachu-setts during the last century, as a rule, and never in a chariot like this.. MACMONNIES Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zigzag-journeys-in-the-white-city-with-visits-to-the-neighboring-metropolis-the-folk-lore-societys-queer-stories-63-blingo-the-blacksmith-tommy-topp-sat-sunning-himself-in-the-wide-open-door-of-blingos-black-smith-shop-when-a-cloud-of-oust-appeared-in-the-highway-a-chariot-presentlybroke-into-view-from-the-dusty-cloud-and-four-black-horses-stopped-underthe-golden-elms-that-shaded-a-rustic-watering-trough-near-the-rural-smithy-this-was-a-strange-event-people-did-not-ride-in-chariots-in-massachu-setts-during-the-last-century-as-a-rule-and-never-in-a-chariot-like-this-macmonnies-image371774241.html
RM2CGRNRD–. Zigzag journeys in the White city. With visits to the neighboring metropolis . THE FOLK-LORE SOCIETYS QUEER STORIES. 63 BLINGO, THE BLACKSMITH. Tommy Topp sat sunning himself in the wide open door of Blingos black-smith shop, when a cloud of oust appeared in the highway; a chariot presentlybroke into view from the dusty cloud, and four black horses stopped underthe golden elms that shaded a rustic watering-trough near the rural smithy. This was a strange event. People did not ride in chariots in Massachu-setts during the last century, as a rule, and never in a chariot like this.. MACMONNIES
The gigantic wheels of the big and small ratha chariots used in Hindu festivals like Shivaratri in Gokarna, India, Asia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-gigantic-wheels-of-the-big-and-small-ratha-chariots-used-in-hindu-festivals-like-shivaratri-in-gokarna-india-asia-image619210112.html
RM2XYBCPT–The gigantic wheels of the big and small ratha chariots used in Hindu festivals like Shivaratri in Gokarna, India, Asia
STUTTGART, GERMANY - OCTOBER 16, 2018: Mercedes Museum. Black horse wagon. Old vehicle looks like new one. Person behind Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stuttgart-germany-october-16-2018-mercedes-museum-black-horse-wagon-old-vehicle-looks-like-new-one-person-behind-image334500168.html
RF2AC5PAG–STUTTGART, GERMANY - OCTOBER 16, 2018: Mercedes Museum. Black horse wagon. Old vehicle looks like new one. Person behind
Wellington Arch, Quadriga - Ancient Four horse chariot, London 2021. The Quadriga was installed on Wellington arch in 1912. This replaced the origi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wellington-arch-quadriga-ancient-four-horse-chariot-london-2021-the-quadriga-was-installed-on-wellington-arch-in-1912-this-replaced-the-origi-image447891653.html
RF2H0K6AD–Wellington Arch, Quadriga - Ancient Four horse chariot, London 2021. The Quadriga was installed on Wellington arch in 1912. This replaced the origi
A statue of a golden Garuda, a bird like creature common in both Buddhism and Hinduhism in Ubon Ratchatani city, in the Isaan re Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-statue-of-a-golden-garuda-a-bird-like-creature-common-in-both-buddhism-97141986.html
RFFJ15GJ–A statue of a golden Garuda, a bird like creature common in both Buddhism and Hinduhism in Ubon Ratchatani city, in the Isaan re
Lalitpur, Nepal. 14th Sep, 2020. Devotees wearing face masks and shields pull the chariot of Rato Machhindranath during the festival.Devotees took down the red god from its chariot in Pulchok and carried it to its temple in Bungamati. The annual chariot festival Rato Machhindranath skipped out on its traditional route and series of high-profile cultural events like Bhoto Jatra in Jawlakhel and coconut throwing in Lagankhel due to the Covid-19 pandemic. Credit: Prabin Ranabhat/SOPA Images/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lalitpur-nepal-14th-sep-2020-devotees-wearing-face-masks-and-shields-pull-the-chariot-of-rato-machhindranath-during-the-festivaldevotees-took-down-the-red-god-from-its-chariot-in-pulchok-and-carried-it-to-its-temple-in-bungamati-the-annual-chariot-festival-rato-machhindranath-skipped-out-on-its-traditional-route-and-series-of-high-profile-cultural-events-like-bhoto-jatra-in-jawlakhel-and-coconut-throwing-in-lagankhel-due-to-the-covid-19-pandemic-credit-prabin-ranabhatsopa-imageszuma-wirealamy-live-news-image373139059.html
RM2CK1XJY–Lalitpur, Nepal. 14th Sep, 2020. Devotees wearing face masks and shields pull the chariot of Rato Machhindranath during the festival.Devotees took down the red god from its chariot in Pulchok and carried it to its temple in Bungamati. The annual chariot festival Rato Machhindranath skipped out on its traditional route and series of high-profile cultural events like Bhoto Jatra in Jawlakhel and coconut throwing in Lagankhel due to the Covid-19 pandemic. Credit: Prabin Ranabhat/SOPA Images/ZUMA Wire/Alamy Live News
'Suddenly, hundreds of rats raced past me, fleeing like a regiment of cavalry.' Part II, Chapter XXV. Illustration from 'Sans Famille', written by Hector Malot in 1878. 1880 edition illustrated by Emile Bayard and published by Hetzel & Cie. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/suddenly-hundreds-of-rats-raced-past-me-fleeing-like-a-regiment-of-cavalry-part-ii-chapter-xxv-illustration-from-sans-famille-written-by-hector-malot-in-1878-1880-edition-illustrated-by-emile-bayard-and-published-by-hetzel-cie-image601307810.html
RM2WX7X6X–'Suddenly, hundreds of rats raced past me, fleeing like a regiment of cavalry.' Part II, Chapter XXV. Illustration from 'Sans Famille', written by Hector Malot in 1878. 1880 edition illustrated by Emile Bayard and published by Hetzel & Cie.
HanumÄn tells RÄma to climb onto his back to attack RÄvaṇa, like Viṣṇu on his eagle mount Garuá¸a. The furious RÄma advances into battle on HanumÄn’s back and one of his arrows pierces RÄvaṇa’s crown, which falls to the ground. RÄvaṇa is wounded but allowed by the chivalrous RÄma to retire with his army; downcast he marches off. Laká¹£maṇa still lies wounded on the left. Ramayana, Uttara Kanda. Udaipur, 1653. Source: Add. 15297(1), f.61. Language: Sanskrit. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hanumn-tells-rma-to-climb-onto-his-back-to-attack-rvaa-like-viu-on-his-eagle-mount-garua-the-furious-rma-advances-into-battle-on-hanumns-back-and-one-of-his-arrows-pierces-rvaas-crown-which-falls-to-the-ground-rvaa-is-wounded-but-allowed-by-the-chivalrous-rma-to-retire-with-his-army-downcast-he-marches-off-lakmaa-still-lies-wounded-on-the-left-ramayana-uttara-kanda-udaipur-1653-source-add-152971-f61-language-sanskrit-image227213627.html
RMR5JD8B–HanumÄn tells RÄma to climb onto his back to attack RÄvaṇa, like Viṣṇu on his eagle mount Garuá¸a. The furious RÄma advances into battle on HanumÄn’s back and one of his arrows pierces RÄvaṇa’s crown, which falls to the ground. RÄvaṇa is wounded but allowed by the chivalrous RÄma to retire with his army; downcast he marches off. Laká¹£maṇa still lies wounded on the left. Ramayana, Uttara Kanda. Udaipur, 1653. Source: Add. 15297(1), f.61. Language: Sanskrit.
Panel with the Triumph of Dionysos 4th–6th century Like most textiles from Egypt, this fourth-century panel may have been part of a ritual or festive garment. It was manufactured in the Early Byzantine period from undyed linen and purple wool in tapestry weave technique.Dionysos, the center figure, rides a chariot drawn by two panthers. As the god of wine and intoxication, he holds in his raised right hand a characteristic bunch of grapes. Immediately adjacent to him caper two maenads (female followers). On his far right is a satyr and on the opposite side is an Indian captive in spotted panta Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-with-the-triumph-of-dionysos-4th6th-century-like-most-textiles-from-egypt-this-fourth-century-panel-may-have-been-part-of-a-ritual-or-festive-garment-it-was-manufactured-in-the-early-byzantine-period-from-undyed-linen-and-purple-wool-in-tapestry-weave-techniquedionysos-the-center-figure-rides-a-chariot-drawn-by-two-panthers-as-the-god-of-wine-and-intoxication-he-holds-in-his-raised-right-hand-a-characteristic-bunch-of-grapes-immediately-adjacent-to-him-caper-two-maenads-female-followers-on-his-far-right-is-a-satyr-and-on-the-opposite-side-is-an-indian-captive-in-spotted-panta-image458293688.html
RM2HHH27M–Panel with the Triumph of Dionysos 4th–6th century Like most textiles from Egypt, this fourth-century panel may have been part of a ritual or festive garment. It was manufactured in the Early Byzantine period from undyed linen and purple wool in tapestry weave technique.Dionysos, the center figure, rides a chariot drawn by two panthers. As the god of wine and intoxication, he holds in his raised right hand a characteristic bunch of grapes. Immediately adjacent to him caper two maenads (female followers). On his far right is a satyr and on the opposite side is an Indian captive in spotted panta
Kolkata, India. 09th July, 2022. Artists dress up like a Hindu god and goddess and are waiting to perform on the last day of the week-long celebration of Lord Jagannath's 'Rath Yatra', or the chariot procession, in Kolkata. (Photo by Sudipta Das/Pacific Press) Credit: Pacific Press Media Production Corp./Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kolkata-india-09th-july-2022-artists-dress-up-like-a-hindu-god-and-goddess-and-are-waiting-to-perform-on-the-last-day-of-the-week-long-celebration-of-lord-jagannaths-rath-yatra-or-the-chariot-procession-in-kolkata-photo-by-sudipta-daspacific-press-credit-pacific-press-media-production-corpalamy-live-news-image474766621.html
RM2JGBDJN–Kolkata, India. 09th July, 2022. Artists dress up like a Hindu god and goddess and are waiting to perform on the last day of the week-long celebration of Lord Jagannath's 'Rath Yatra', or the chariot procession, in Kolkata. (Photo by Sudipta Das/Pacific Press) Credit: Pacific Press Media Production Corp./Alamy Live News
Attendants in a Procession ca. 1353–1336 B.C. New Kingdom, Amarna Period This block comes from a scene of the king and the royal family processing to the temple, a popular subject in the reliefs at Amarna. The family is often accompanied by attendants carrying fans and sunshades, like the four men whose heads are preserved on the block at the upper left. The men appear to stand beside the king’s chariot, which the king himself drove; the reins extending between the chariot box and the horse’s necks may be seen across the bottom of the block. One man is depicted with a short haircut characteris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attendants-in-a-procession-ca-13531336-bc-new-kingdom-amarna-period-this-block-comes-from-a-scene-of-the-king-and-the-royal-family-processing-to-the-temple-a-popular-subject-in-the-reliefs-at-amarna-the-family-is-often-accompanied-by-attendants-carrying-fans-and-sunshades-like-the-four-men-whose-heads-are-preserved-on-the-block-at-the-upper-left-the-men-appear-to-stand-beside-the-kings-chariot-which-the-king-himself-drove-the-reins-extending-between-the-chariot-box-and-the-horses-necks-may-be-seen-across-the-bottom-of-the-block-one-man-is-depicted-with-a-short-haircut-characteris-image458003507.html
RM2HH3T43–Attendants in a Procession ca. 1353–1336 B.C. New Kingdom, Amarna Period This block comes from a scene of the king and the royal family processing to the temple, a popular subject in the reliefs at Amarna. The family is often accompanied by attendants carrying fans and sunshades, like the four men whose heads are preserved on the block at the upper left. The men appear to stand beside the king’s chariot, which the king himself drove; the reins extending between the chariot box and the horse’s necks may be seen across the bottom of the block. One man is depicted with a short haircut characteris
Priests carry the idol of Rato Machhindranath to the Bungamati Temple during the last day of the Rato Machhindranath chariot festival.Devotees took down the red god from its chariot in Pulchok and carried it to its temple in Bungamati. The annual chariot festival Rato Machhindranath skipped out on its traditional route and series of high-profile cultural events like Bhoto Jatra in Jawlakhel and coconut throwing in Lagankhel due to the Covid-19 pandemic. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/priests-carry-the-idol-of-rato-machhindranath-to-the-bungamati-temple-during-the-last-day-of-the-rato-machhindranath-chariot-festivaldevotees-took-down-the-red-god-from-its-chariot-in-pulchok-and-carried-it-to-its-temple-in-bungamati-the-annual-chariot-festival-rato-machhindranath-skipped-out-on-its-traditional-route-and-series-of-high-profile-cultural-events-like-bhoto-jatra-in-jawlakhel-and-coconut-throwing-in-lagankhel-due-to-the-covid-19-pandemic-image372461950.html
RM2CHY30E–Priests carry the idol of Rato Machhindranath to the Bungamati Temple during the last day of the Rato Machhindranath chariot festival.Devotees took down the red god from its chariot in Pulchok and carried it to its temple in Bungamati. The annual chariot festival Rato Machhindranath skipped out on its traditional route and series of high-profile cultural events like Bhoto Jatra in Jawlakhel and coconut throwing in Lagankhel due to the Covid-19 pandemic.
Terracotta horse and cart, Mausoleum of Qin Shihuangdi, Exhibition Hall, High Chariot, Xian, Shaanxi, China, Asia, Four terracotta horses in front of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/terracotta-horse-and-cart-mausoleum-of-qin-shihuangdi-exhibition-hall-high-chariot-xian-shaanxi-china-asia-four-terracotta-horses-in-front-of-image603838922.html
RM2X2B6KP–Terracotta horse and cart, Mausoleum of Qin Shihuangdi, Exhibition Hall, High Chariot, Xian, Shaanxi, China, Asia, Four terracotta horses in front of
Apollo, 1588. This engraving depicts Apollo as the radiant sun god. With fire-like hair, he strides through rolling waves of clouds, while in the background his chariot makes its daily trip across the sky. The Latin text that forms his halo translates: "With its aureole and shining ray, the bright Sun drives away the darkness and lights the whole earth." Apollo’s excessively muscled body reflects an aspect of Mannerism, a stylistic trend in the mid- to late 1500s that exaggerated natural qualities. By over embellishing Apollo’s musculature, Goltzius transformed an athle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apollo-1588-this-engraving-depicts-apollo-as-the-radiant-sun-god-with-fire-like-hair-he-strides-through-rolling-waves-of-clouds-while-in-the-background-his-chariot-makes-its-daily-trip-across-the-sky-the-latin-text-that-forms-his-halo-translates-quotwith-its-aureole-and-shining-ray-the-bright-sun-drives-away-the-darkness-and-lights-the-whole-earthquot-apollox2019s-excessively-muscled-body-reflects-an-aspect-of-mannerism-a-stylistic-trend-in-the-mid-to-late-1500s-that-exaggerated-natural-qualities-by-over-embellishing-apollox2019s-musculature-goltzius-transformed-an-athle-image330074810.html
RM2A505P2–Apollo, 1588. This engraving depicts Apollo as the radiant sun god. With fire-like hair, he strides through rolling waves of clouds, while in the background his chariot makes its daily trip across the sky. The Latin text that forms his halo translates: "With its aureole and shining ray, the bright Sun drives away the darkness and lights the whole earth." Apollo’s excessively muscled body reflects an aspect of Mannerism, a stylistic trend in the mid- to late 1500s that exaggerated natural qualities. By over embellishing Apollo’s musculature, Goltzius transformed an athle
image of ratha making process with various activities like painting, carpentry etc at puri odisha. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-of-ratha-making-process-with-various-activities-like-painting-carpentry-etc-at-puri-odisha-image611321707.html
RF2XEG323–image of ratha making process with various activities like painting, carpentry etc at puri odisha.
Rathajatra is a journey in a chariot accompanied by the public. It typically refers to a procession (journey) of deities, people dressed like deities, or simply religious saints and political leaders. The term appears in medieval texts of India such as the Puranas, which mention the Rathajatra of Surya (Sun god), of Devi (Mother goddess), and of Vishnu. These chariot journeys have elaborate celebrations where the individuals or the deities come out of a temple accompanied by the public journeying with them through the Ksetra (region, streets) to another temple or to the river or the sea. Somet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rathajatra-is-a-journey-in-a-chariot-accompanied-by-the-public-it-typically-refers-to-a-procession-journey-of-deities-people-dressed-like-deities-or-simply-religious-saints-and-political-leaders-the-term-appears-in-medieval-texts-of-india-such-as-the-puranas-which-mention-the-rathajatra-of-surya-sun-god-of-devi-mother-goddess-and-of-vishnu-these-chariot-journeys-have-elaborate-celebrations-where-the-individuals-or-the-deities-come-out-of-a-temple-accompanied-by-the-public-journeying-with-them-through-the-ksetra-region-streets-to-another-temple-or-to-the-river-or-the-sea-somet-image259429540.html
RMW2210M–Rathajatra is a journey in a chariot accompanied by the public. It typically refers to a procession (journey) of deities, people dressed like deities, or simply religious saints and political leaders. The term appears in medieval texts of India such as the Puranas, which mention the Rathajatra of Surya (Sun god), of Devi (Mother goddess), and of Vishnu. These chariot journeys have elaborate celebrations where the individuals or the deities come out of a temple accompanied by the public journeying with them through the Ksetra (region, streets) to another temple or to the river or the sea. Somet
David Teniers / 'Rinaldo Flees from the Fortunate Isles', 1628-1630, Flemish School, Oil on copper, 27 cm x 39 cm, P01829. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: DAVID TENIERS THE YOUNGER. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-teniers-rinaldo-flees-from-the-fortunate-isles-1628-1630-flemish-school-oil-on-copper-27-cm-x-39-cm-p01829-museum-museo-del-prado-madrid-spain-author-david-teniers-the-younger-image630871850.html
RM2YJAKDE–David Teniers / 'Rinaldo Flees from the Fortunate Isles', 1628-1630, Flemish School, Oil on copper, 27 cm x 39 cm, P01829. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: DAVID TENIERS THE YOUNGER.
The interior walls of The Chariot Hall have splendid stained glass. tells a simple religious story like villagers at Wat Xieng Thong in Luang Prabang. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-interior-walls-of-the-chariot-hall-have-splendid-stained-glass-tells-a-simple-religious-story-like-villagers-at-wat-xieng-thong-in-luang-prabang-image545592948.html
RF2PKHWAC–The interior walls of The Chariot Hall have splendid stained glass. tells a simple religious story like villagers at Wat Xieng Thong in Luang Prabang.
Cinder and sand racing at Marsa racetrack, Trotters, Horse-racing, Trot races at the Racing Club, Racecourse Street, Marsa, Malta. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cinder-and-sand-racing-at-marsa-racetrack-trotters-horse-racing-trot-17869923.html
RMB1217F–Cinder and sand racing at Marsa racetrack, Trotters, Horse-racing, Trot races at the Racing Club, Racecourse Street, Marsa, Malta.
Comparative physiognomy; or, Resemblances between men and animals . horizon like a loadedwain, but the chariot of the sun must be drawn by horses.As the difference between the beauty of objects in moonlightand of objects in sunlight, so is the difference between Eng-lish art and Italian. The former is soft and subdued, and hasthe air of stillness and repose; but the latter presents thestrongest contrast of light and shade, and has all the charac-teristics of the garish day. It is one of the peculiarities ofthe horse, which we have often observed, that a shade in abroad sunlight is especially p Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/comparative-physiognomy-or-resemblances-between-men-and-animals-horizon-like-a-loadedwain-but-the-chariot-of-the-sun-must-be-drawn-by-horsesas-the-difference-between-the-beauty-of-objects-in-moonlightand-of-objects-in-sunlight-so-is-the-difference-between-eng-lish-art-and-italian-the-former-is-soft-and-subdued-and-hasthe-air-of-stillness-and-repose-but-the-latter-presents-thestrongest-contrast-of-light-and-shade-and-has-all-the-charac-teristics-of-the-garish-day-it-is-one-of-the-peculiarities-ofthe-horse-which-we-have-often-observed-that-a-shade-in-abroad-sunlight-is-especially-p-image339470640.html
RM2AM867C–Comparative physiognomy; or, Resemblances between men and animals . horizon like a loadedwain, but the chariot of the sun must be drawn by horses.As the difference between the beauty of objects in moonlightand of objects in sunlight, so is the difference between Eng-lish art and Italian. The former is soft and subdued, and hasthe air of stillness and repose; but the latter presents thestrongest contrast of light and shade, and has all the charac-teristics of the garish day. It is one of the peculiarities ofthe horse, which we have often observed, that a shade in abroad sunlight is especially p
Quadriga on the Siegestor, Bavaria with four lions, Ludwigstrasse, Maxvorstadt, Munich, drone shot, Upper Bavaria, Bavaria, Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quadriga-on-the-siegestor-bavaria-with-four-lions-ludwigstrasse-maxvorstadt-munich-drone-shot-upper-bavaria-bavaria-germany-image363264301.html
RF2C30391–Quadriga on the Siegestor, Bavaria with four lions, Ludwigstrasse, Maxvorstadt, Munich, drone shot, Upper Bavaria, Bavaria, Germany
Spain - Madrid - Plaza de las Cibeles - The Cibeles fountain - Communications Palace Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-spain-madrid-plaza-de-las-cibeles-the-cibeles-fountain-communications-20651506.html
RFB5GN5P–Spain - Madrid - Plaza de las Cibeles - The Cibeles fountain - Communications Palace
Rath Yatra is a Hindu festival. In Ahmedabad Rath Yatra has been organized by Jagannath Temple, Ahmedabad on every Asadh-Sud-Bij since 1878. This annual festival celebrates Jagannath, Balrama and Subhdra. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rath-yatra-is-a-hindu-festival-in-ahmedabad-rath-yatra-has-been-organized-by-jagannath-temple-ahmedabad-on-every-asadh-sud-bij-since-1878-this-annual-festival-celebrates-jagannath-balrama-and-subhdra-image488078214.html
RF2KA1TMP–Rath Yatra is a Hindu festival. In Ahmedabad Rath Yatra has been organized by Jagannath Temple, Ahmedabad on every Asadh-Sud-Bij since 1878. This annual festival celebrates Jagannath, Balrama and Subhdra.
A statue of a golden Garuda, a bird like creature common in both Buddhism and Hinduhism in Ubon Ratchatani city, in the Isaan re Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-statue-of-a-golden-garuda-a-bird-like-creature-common-in-both-buddhism-97141980.html
RFFJ15GC–A statue of a golden Garuda, a bird like creature common in both Buddhism and Hinduhism in Ubon Ratchatani city, in the Isaan re
Lalitpur, Nepal. 14th Sep, 2020. Priests carry the idol of Rato Machhindranath to the Bungamati Temple during the last day of the Rato Machhindranath chariot festival.Devotees took down the red god from its chariot in Pulchok and carried it to its temple in Bungamati. The annual chariot festival Rato Machhindranath skipped out on its traditional route and series of high-profile cultural events like Bhoto Jatra in Jawlakhel and coconut throwing in Lagankhel due to the Covid-19 pandemic. Credit: Prabin Ranabhat/SOPA Images/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lalitpur-nepal-14th-sep-2020-priests-carry-the-idol-of-rato-machhindranath-to-the-bungamati-temple-during-the-last-day-of-the-rato-machhindranath-chariot-festivaldevotees-took-down-the-red-god-from-its-chariot-in-pulchok-and-carried-it-to-its-temple-in-bungamati-the-annual-chariot-festival-rato-machhindranath-skipped-out-on-its-traditional-route-and-series-of-high-profile-cultural-events-like-bhoto-jatra-in-jawlakhel-and-coconut-throwing-in-lagankhel-due-to-the-covid-19-pandemic-credit-prabin-ranabhatsopa-imageszuma-wirealamy-live-news-image373139068.html
RM2CK1XK8–Lalitpur, Nepal. 14th Sep, 2020. Priests carry the idol of Rato Machhindranath to the Bungamati Temple during the last day of the Rato Machhindranath chariot festival.Devotees took down the red god from its chariot in Pulchok and carried it to its temple in Bungamati. The annual chariot festival Rato Machhindranath skipped out on its traditional route and series of high-profile cultural events like Bhoto Jatra in Jawlakhel and coconut throwing in Lagankhel due to the Covid-19 pandemic. Credit: Prabin Ranabhat/SOPA Images/ZUMA Wire/Alamy Live News
Rath Yatra is a Hindu festival. In Ahmedabad Rath Yatra has been organized by Jagannath Temple, Ahmedabad on every Asadh-Sud-Bij since 1878. This annual festival celebrates Jagannath, Balrama and Subhdra. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rath-yatra-is-a-hindu-festival-in-ahmedabad-rath-yatra-has-been-organized-by-jagannath-temple-ahmedabad-on-every-asadh-sud-bij-since-1878-this-annual-festival-celebrates-jagannath-balrama-and-subhdra-image488078216.html
RF2KA1TMT–Rath Yatra is a Hindu festival. In Ahmedabad Rath Yatra has been organized by Jagannath Temple, Ahmedabad on every Asadh-Sud-Bij since 1878. This annual festival celebrates Jagannath, Balrama and Subhdra.
EXCLUSIVE!! EXCLUSIVE!! Following her performance at the amfaR Inspiration Gala, Lady Gaga left the event in the early hours of the morning and took a ride down Sunset Boulevard to grab a bite to eat at the local In-N-Out Burger. Like a scene from a movie, the star looked like Queen Boadicea riding her immaculate white chariot as she stood up through the sunroof of her moving white Rolls Royce. Whilst waiting for her late night snack, Lady Gaga sat in the front passenger seat drumming with her hands on the dashboard while her bodyguard went into the junkfood restaurant to retrieve her order. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exclusive!!-exclusive!!-following-her-performance-at-the-amfar-inspiration-gala-lady-gaga-left-the-event-in-the-early-hours-of-the-morning-and-took-a-ride-down-sunset-boulevard-to-grab-a-bite-to-eat-at-the-local-in-n-out-burger-like-a-scene-from-a-movie-the-star-looked-like-queen-boadicea-riding-her-immaculate-white-chariot-as-she-stood-up-through-the-sunroof-of-her-moving-white-rolls-royce-whilst-waiting-for-her-late-night-snack-lady-gaga-sat-in-the-front-passenger-seat-drumming-with-her-hands-on-the-dashboard-while-her-bodyguard-went-into-the-junkfood-restaurant-to-retrieve-her-order-image513265846.html
RM2MR17R2–EXCLUSIVE!! EXCLUSIVE!! Following her performance at the amfaR Inspiration Gala, Lady Gaga left the event in the early hours of the morning and took a ride down Sunset Boulevard to grab a bite to eat at the local In-N-Out Burger. Like a scene from a movie, the star looked like Queen Boadicea riding her immaculate white chariot as she stood up through the sunroof of her moving white Rolls Royce. Whilst waiting for her late night snack, Lady Gaga sat in the front passenger seat drumming with her hands on the dashboard while her bodyguard went into the junkfood restaurant to retrieve her order.
Angels Statue on an antique Thai temple Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angels-statue-on-an-antique-thai-temple-image67387652.html
RFDWHNHT–Angels Statue on an antique Thai temple
Bruges, Belgium - 18 February 2018: a woman riding a horse drawn carriage in front of a building at Brugge, Bruges, Belgium. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bruges-belgium-18-february-2018-a-woman-riding-a-horse-drawn-carriage-in-front-of-a-building-at-brugge-bruges-belgium-image226957365.html
RFR56PC5–Bruges, Belgium - 18 February 2018: a woman riding a horse drawn carriage in front of a building at Brugge, Bruges, Belgium.
Bronze and iron fittings from a cart or chariot ca. 500–480 B.C. Etruscan This large collection of bronze fittings, many with their iron or bronze nails still preserved, once belonged to a wheeled wooden cart or chariot. Because all the larger elements have a flat back, we can assume that they came from a vehicle that was basically rectilinear rather than curved like the Monteleone Chariot displayed in this gallery. In a number of instances, the same Etruscan tomb contained both a chariot and a light cart that perhaps served as a hearse to carry the deceased to the cemetery. The precise functi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bronze-and-iron-fittings-from-a-cart-or-chariot-ca-500480-bc-etruscan-this-large-collection-of-bronze-fittings-many-with-their-iron-or-bronze-nails-still-preserved-once-belonged-to-a-wheeled-wooden-cart-or-chariot-because-all-the-larger-elements-have-a-flat-back-we-can-assume-that-they-came-from-a-vehicle-that-was-basically-rectilinear-rather-than-curved-like-the-monteleone-chariot-displayed-in-this-gallery-in-a-number-of-instances-the-same-etruscan-tomb-contained-both-a-chariot-and-a-light-cart-that-perhaps-served-as-a-hearse-to-carry-the-deceased-to-the-cemetery-the-precise-functi-image458064944.html
RM2HH6JE8–Bronze and iron fittings from a cart or chariot ca. 500–480 B.C. Etruscan This large collection of bronze fittings, many with their iron or bronze nails still preserved, once belonged to a wheeled wooden cart or chariot. Because all the larger elements have a flat back, we can assume that they came from a vehicle that was basically rectilinear rather than curved like the Monteleone Chariot displayed in this gallery. In a number of instances, the same Etruscan tomb contained both a chariot and a light cart that perhaps served as a hearse to carry the deceased to the cemetery. The precise functi
Priests carry the idol of Rato Machindranath to the Bungamati Temple during the last day of the Rato Machindranath chariot festival.Devotees took down the red god from its chariot in Pulchok and carried it to its temple in Bungamati. The annual chariot festival Rato Machhindranath skipped out on its traditional route and series of high-profile cultural events like Bhoto Jatra in Jawlakhel and coconut throwing in Lagankhel due to the Covid-19 pandemic. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/priests-carry-the-idol-of-rato-machindranath-to-the-bungamati-temple-during-the-last-day-of-the-rato-machindranath-chariot-festivaldevotees-took-down-the-red-god-from-its-chariot-in-pulchok-and-carried-it-to-its-temple-in-bungamati-the-annual-chariot-festival-rato-machhindranath-skipped-out-on-its-traditional-route-and-series-of-high-profile-cultural-events-like-bhoto-jatra-in-jawlakhel-and-coconut-throwing-in-lagankhel-due-to-the-covid-19-pandemic-image372462396.html
RM2CHY3GC–Priests carry the idol of Rato Machindranath to the Bungamati Temple during the last day of the Rato Machindranath chariot festival.Devotees took down the red god from its chariot in Pulchok and carried it to its temple in Bungamati. The annual chariot festival Rato Machhindranath skipped out on its traditional route and series of high-profile cultural events like Bhoto Jatra in Jawlakhel and coconut throwing in Lagankhel due to the Covid-19 pandemic.
Limestone sarcophagus ca. 475–450 B.C. Cypriot On the long sides A: HuntB: BanquetOn the short sides A: Chariot sceneB: Perseus departs with the head of the Gorgon Medusa. The winged horse Pegasos and the hero Chrysaor are born from her severed neck.Like the large sarcophagus in the adjacent gallery, this chest-shaped sarcophagus stands on four square feet and has a lid in the form of a peaked roof. The scenes carved in low relief on all four sides have parallels in Greek art but show variations in style and in detail that were introduced by the artists working at Golgoi. In the hunting scene Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/limestone-sarcophagus-ca-475450-bc-cypriot-on-the-long-sides-a-huntb-banqueton-the-short-sides-a-chariot-sceneb-perseus-departs-with-the-head-of-the-gorgon-medusa-the-winged-horse-pegasos-and-the-hero-chrysaor-are-born-from-her-severed-necklike-the-large-sarcophagus-in-the-adjacent-gallery-this-chest-shaped-sarcophagus-stands-on-four-square-feet-and-has-a-lid-in-the-form-of-a-peaked-roof-the-scenes-carved-in-low-relief-on-all-four-sides-have-parallels-in-greek-art-but-show-variations-in-style-and-in-detail-that-were-introduced-by-the-artists-working-at-golgoi-in-the-hunting-scene-image458546001.html
RM2HJ0G2W–Limestone sarcophagus ca. 475–450 B.C. Cypriot On the long sides A: HuntB: BanquetOn the short sides A: Chariot sceneB: Perseus departs with the head of the Gorgon Medusa. The winged horse Pegasos and the hero Chrysaor are born from her severed neck.Like the large sarcophagus in the adjacent gallery, this chest-shaped sarcophagus stands on four square feet and has a lid in the form of a peaked roof. The scenes carved in low relief on all four sides have parallels in Greek art but show variations in style and in detail that were introduced by the artists working at Golgoi. In the hunting scene
Belgium, Bruges, Provincial Court, horse drawn carriage at night Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/belgium-bruges-provincial-court-horse-drawn-carriage-at-night-image226997666.html
RFR58HRE–Belgium, Bruges, Provincial Court, horse drawn carriage at night
image of ratha making process with various activities like painting, carpentry etc at puri odisha. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-of-ratha-making-process-with-various-activities-like-painting-carpentry-etc-at-puri-odisha-image611321770.html
RF2XEG34A–image of ratha making process with various activities like painting, carpentry etc at puri odisha.
Vishnu as Varaha, the Boar Avatar, Slays Banasur, A Demon General: Page from an Unknown Manuscript ca.1800 India (Punjab Hills, Guler) Vishnu has many incarnations in which he descends to earth to restore cosmic order. In his third, he appears as Varaha, a boar-headed creature who saves the earth from a demon who has dragged it beneath the ocean. In this page, Varaha rides on Garuda, the avian mount of Vishnu, and has just used his thrown discus to behead a general riding in a chariot. Although an inscription on the back refers to the demon Banasur, he had one thousand arms and is not the like Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vishnu-as-varaha-the-boar-avatar-slays-banasur-a-demon-general-page-from-an-unknown-manuscript-ca1800-india-punjab-hills-guler-vishnu-has-many-incarnations-in-which-he-descends-to-earth-to-restore-cosmic-order-in-his-third-he-appears-as-varaha-a-boar-headed-creature-who-saves-the-earth-from-a-demon-who-has-dragged-it-beneath-the-ocean-in-this-page-varaha-rides-on-garuda-the-avian-mount-of-vishnu-and-has-just-used-his-thrown-discus-to-behead-a-general-riding-in-a-chariot-although-an-inscription-on-the-back-refers-to-the-demon-banasur-he-had-one-thousand-arms-and-is-not-the-like-image458429859.html
RM2HHR7XY–Vishnu as Varaha, the Boar Avatar, Slays Banasur, A Demon General: Page from an Unknown Manuscript ca.1800 India (Punjab Hills, Guler) Vishnu has many incarnations in which he descends to earth to restore cosmic order. In his third, he appears as Varaha, a boar-headed creature who saves the earth from a demon who has dragged it beneath the ocean. In this page, Varaha rides on Garuda, the avian mount of Vishnu, and has just used his thrown discus to behead a general riding in a chariot. Although an inscription on the back refers to the demon Banasur, he had one thousand arms and is not the like
Rathajatra is a journey in a chariot accompanied by the public. It typically refers to a procession (journey) of deities, people dressed like deities, or simply religious saints and political leaders. The term appears in medieval texts of India such as the Puranas, which mention the Rathajatra of Surya (Sun god), of Devi (Mother goddess), and of Vishnu. These chariot journeys have elaborate celebrations where the individuals or the deities come out of a temple accompanied by the public journeying with them through the Ksetra (region, streets) to another temple or to the river or the sea. Somet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rathajatra-is-a-journey-in-a-chariot-accompanied-by-the-public-it-typically-refers-to-a-procession-journey-of-deities-people-dressed-like-deities-or-simply-religious-saints-and-political-leaders-the-term-appears-in-medieval-texts-of-india-such-as-the-puranas-which-mention-the-rathajatra-of-surya-sun-god-of-devi-mother-goddess-and-of-vishnu-these-chariot-journeys-have-elaborate-celebrations-where-the-individuals-or-the-deities-come-out-of-a-temple-accompanied-by-the-public-journeying-with-them-through-the-ksetra-region-streets-to-another-temple-or-to-the-river-or-the-sea-somet-image259429524.html
RMW22104–Rathajatra is a journey in a chariot accompanied by the public. It typically refers to a procession (journey) of deities, people dressed like deities, or simply religious saints and political leaders. The term appears in medieval texts of India such as the Puranas, which mention the Rathajatra of Surya (Sun god), of Devi (Mother goddess), and of Vishnu. These chariot journeys have elaborate celebrations where the individuals or the deities come out of a temple accompanied by the public journeying with them through the Ksetra (region, streets) to another temple or to the river or the sea. Somet
Triumph of Time over Fame. unknown c. 1590-1610 Tapestry Dimensions: H 11' x W 13'10' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Inscriptions: City mark on lower guard, left Figure of Time as old man with crutches in chariot driven by mythical creatures [like winged reindeer] (top), various figures surround Fame (?) who lies on ground (center, foreground), cityscape (background) (BRD) vignette scenes of figures in landscapes with many animals (various birds, camels, deer, various sea animals, some mythological), framed by 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/triumph-of-time-over-fame-unknown-c-1590-1610-tapestry-dimensions-h-11-x-w-1310-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-french-co-inscriptions-city-mark-on-lower-guard-left-figure-of-time-as-old-man-with-crutches-in-chariot-driven-by-mythical-creatures-like-winged-reindeer-top-various-figures-surround-fame-who-lies-on-ground-center-foreground-cityscape-background-brd-vignette-scenes-of-figures-in-landscapes-with-many-animals-various-birds-camels-deer-various-sea-animals-some-mythological-framed-by-2-image600263581.html
RM2WTGA91–Triumph of Time over Fame. unknown c. 1590-1610 Tapestry Dimensions: H 11' x W 13'10' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Inscriptions: City mark on lower guard, left Figure of Time as old man with crutches in chariot driven by mythical creatures [like winged reindeer] (top), various figures surround Fame (?) who lies on ground (center, foreground), cityscape (background) (BRD) vignette scenes of figures in landscapes with many animals (various birds, camels, deer, various sea animals, some mythological), framed by 2
Cinder and sand racing at Marsa racetrack, Trotters, Horse-racing, Trot races at the Racing Club, Racecourse Street, Marsa, Malta. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cinder-and-sand-racing-at-marsa-racetrack-trotters-horse-racing-trot-17739104.html
RFB0T2BC–Cinder and sand racing at Marsa racetrack, Trotters, Horse-racing, Trot races at the Racing Club, Racecourse Street, Marsa, Malta.
The interior walls of The Chariot Hall have splendid stained glass. tells a simple religious story like villagers at Wat Xieng Thong in Luang Prabang. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-interior-walls-of-the-chariot-hall-have-splendid-stained-glass-tells-a-simple-religious-story-like-villagers-at-wat-xieng-thong-in-luang-prabang-image545592962.html
RF2PKHWAX–The interior walls of The Chariot Hall have splendid stained glass. tells a simple religious story like villagers at Wat Xieng Thong in Luang Prabang.
The arch of Titus and the spoils of the temple ... . r, with many of the friends and attendants whoformed his personal staff on the occasion. The chariot, commonly used in triumphs, differed from the military and from the circus chariot.^ It was like a short circular tower, as we see it on the Arch and on coins and medals. It was usually made of ivory and gold ; a work of great artistic skill; and it was generally drawn by four white horses abreast. Pompey, on his return from Africa, appeared with elephants harnessed to his car; ^ but the white horses, which were introduced by Camillus, at no Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-arch-of-titus-and-the-spoils-of-the-temple-r-with-many-of-the-friends-and-attendants-whoformed-his-personal-staff-on-the-occasion-the-chariot-commonly-used-in-triumphs-differed-from-the-military-and-from-the-circus-chariot-it-was-like-a-short-circular-tower-as-we-see-it-on-the-arch-and-on-coins-and-medals-it-was-usually-made-of-ivory-and-gold-a-work-of-great-artistic-skill-and-it-was-generally-drawn-by-four-white-horses-abreast-pompey-on-his-return-from-africa-appeared-with-elephants-harnessed-to-his-car-but-the-white-horses-which-were-introduced-by-camillus-at-no-image338421230.html
RM2AJGBME–The arch of Titus and the spoils of the temple ... . r, with many of the friends and attendants whoformed his personal staff on the occasion. The chariot, commonly used in triumphs, differed from the military and from the circus chariot.^ It was like a short circular tower, as we see it on the Arch and on coins and medals. It was usually made of ivory and gold ; a work of great artistic skill; and it was generally drawn by four white horses abreast. Pompey, on his return from Africa, appeared with elephants harnessed to his car; ^ but the white horses, which were introduced by Camillus, at no
Quadriga on the Siegestor, Bavaria with four lions, Ludwigstrasse, Maxvorstadt, Munich, drone shot, Upper Bavaria, Bavaria, Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quadriga-on-the-siegestor-bavaria-with-four-lions-ludwigstrasse-maxvorstadt-munich-drone-shot-upper-bavaria-bavaria-germany-image363264288.html
RF2C3038G–Quadriga on the Siegestor, Bavaria with four lions, Ludwigstrasse, Maxvorstadt, Munich, drone shot, Upper Bavaria, Bavaria, Germany
Temple and skyline Wat Arun Bangkok Thailand South East Asia compound Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-and-skyline-wat-arun-bangkok-thailand-south-east-asia-compound-image3139256.html
RFAXP6B9–Temple and skyline Wat Arun Bangkok Thailand South East Asia compound
A statue of a golden Garuda, a bird like creature common in both Buddhism and Hinduhism in Ubon Ratchatani city, in the Isaan re Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-statue-of-a-golden-garuda-a-bird-like-creature-common-in-both-buddhism-97141981.html
RFFJ15GD–A statue of a golden Garuda, a bird like creature common in both Buddhism and Hinduhism in Ubon Ratchatani city, in the Isaan re
Lalitpur, Nepal. 14th Sep, 2020. Priests take down the red idol Machhindranath from its chariot to the Bungamati Temple during the last day of the Rato Machindranath chariot festival.Devotees took down the red god from its chariot in Pulchok and carried it to its temple in Bungamati. The annual chariot festival Rato Machhindranath skipped out on its traditional route and series of high-profile cultural events like Bhoto Jatra in Jawlakhel and coconut throwing in Lagankhel due to the Covid-19 pandemic. Credit: Prabin Ranabhat/SOPA Images/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lalitpur-nepal-14th-sep-2020-priests-take-down-the-red-idol-machhindranath-from-its-chariot-to-the-bungamati-temple-during-the-last-day-of-the-rato-machindranath-chariot-festivaldevotees-took-down-the-red-god-from-its-chariot-in-pulchok-and-carried-it-to-its-temple-in-bungamati-the-annual-chariot-festival-rato-machhindranath-skipped-out-on-its-traditional-route-and-series-of-high-profile-cultural-events-like-bhoto-jatra-in-jawlakhel-and-coconut-throwing-in-lagankhel-due-to-the-covid-19-pandemic-credit-prabin-ranabhatsopa-imageszuma-wirealamy-live-news-image373139106.html
RM2CK1XMJ–Lalitpur, Nepal. 14th Sep, 2020. Priests take down the red idol Machhindranath from its chariot to the Bungamati Temple during the last day of the Rato Machindranath chariot festival.Devotees took down the red god from its chariot in Pulchok and carried it to its temple in Bungamati. The annual chariot festival Rato Machhindranath skipped out on its traditional route and series of high-profile cultural events like Bhoto Jatra in Jawlakhel and coconut throwing in Lagankhel due to the Covid-19 pandemic. Credit: Prabin Ranabhat/SOPA Images/ZUMA Wire/Alamy Live News
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