Plate. Culture: American. Dimensions: Diam. 8 3/16 in. (20.8 cm). Maker: Chelsea Pottery U. S. (1891-1895). Date: 1891-95. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-culture-american-dimensions-diam-8-316-in-208-cm-maker-chelsea-pottery-u-s-1891-1895-date-1891-95-museum-metropolitan-museum-of-art-new-york-usa-image212862890.html
RMPA8MP2–Plate. Culture: American. Dimensions: Diam. 8 3/16 in. (20.8 cm). Maker: Chelsea Pottery U. S. (1891-1895). Date: 1891-95. Museum: Metropolitan Museum of Art, New York, USA.
Plate, 1891–95, Made in Chelsea, Massachusetts, United States, American, Earthenware, Diam. 8 3/16 in. (20.8 cm), Ceramics Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-plate-189195-made-in-chelsea-massachusetts-united-states-american-162431403.html
RMKC7AWF–Plate, 1891–95, Made in Chelsea, Massachusetts, United States, American, Earthenware, Diam. 8 3/16 in. (20.8 cm), Ceramics
Chelsea Pottery Vase - Vintage Cigarette Card Illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chelsea-pottery-vase-vintage-cigarette-card-illustration-image592693741.html
Art inspired by Plate, 1891–95, Made in Chelsea, Massachusetts, United States, American, Earthenware, Diam. 8 3/16 in. (20.8 cm), Ceramics, Chelsea Pottery U. S. (1891–1895, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-plate-189195-made-in-chelsea-massachusetts-united-states-american-earthenware-diam-8-316-in-208-cm-ceramics-chelsea-pottery-u-s-18911895-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462889096.html
RF2HW2BNC–Art inspired by Plate, 1891–95, Made in Chelsea, Massachusetts, United States, American, Earthenware, Diam. 8 3/16 in. (20.8 cm), Ceramics, Chelsea Pottery U. S. (1891–1895, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Vintage 1960-70s Chelsea pottery sun face tile by Joyce Morgan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-1960-70s-chelsea-pottery-sun-face-tile-by-joyce-morgan-image570801571.html
RM2T4J76B–Vintage 1960-70s Chelsea pottery sun face tile by Joyce Morgan
English Pottery Porcelain Chelsea Figurine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-pottery-porcelain-chelsea-figurine-image268812683.html
RMWH9D8Y–English Pottery Porcelain Chelsea Figurine
Young Potters - At the famous Chelsea Pottery, two young brothers from Kensington Peter Hall (11) and Patrick Hall (6) - left to right - are seen' pottering about', with the expert assistance of the founder of the Pottery, Mr. David Rawnsley, artist and designer.At the famous Chelsea Pottery, famous artists working in the new medium of ceramics, rub shoulders with youngsters 'just pottering about'. Youngsters who show an interest in pottery are encouraged to try their hand at the art and often get assistance and guidance from people whose names are famous in the artistic world. This is a very Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-potters-at-the-famous-chelsea-pottery-two-young-brothers-from-kensington-peter-hall-11-and-patrick-hall-6-left-to-right-are-seen-pottering-about-with-the-expert-assistance-of-the-founder-of-the-pottery-mr-david-rawnsley-artist-and-designerat-the-famous-chelsea-pottery-famous-artists-working-in-the-new-medium-of-ceramics-rub-shoulders-with-youngsters-just-pottering-about-youngsters-who-show-an-interest-in-pottery-are-encouraged-to-try-their-hand-at-the-art-and-often-get-assistance-and-guidance-from-people-whose-names-are-famous-in-the-artistic-world-this-is-a-very-image463554908.html
RM2HX4N0C–Young Potters - At the famous Chelsea Pottery, two young brothers from Kensington Peter Hall (11) and Patrick Hall (6) - left to right - are seen' pottering about', with the expert assistance of the founder of the Pottery, Mr. David Rawnsley, artist and designer.At the famous Chelsea Pottery, famous artists working in the new medium of ceramics, rub shoulders with youngsters 'just pottering about'. Youngsters who show an interest in pottery are encouraged to try their hand at the art and often get assistance and guidance from people whose names are famous in the artistic world. This is a very
Shepherdess 1765 Man Manufacture de Chelsea London, about 1745-1784 Soft-paste porcelain England Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shepherdess-1765-man-manufacture-de-chelsea-london-about-1745-1784-soft-paste-porcelain-england-image399009858.html
RM2E54D42–Shepherdess 1765 Man Manufacture de Chelsea London, about 1745-1784 Soft-paste porcelain England
Popular Pottery - Mr. David Rawnsley, the founder of the Chelsea Pottery in Radnor Walk, Chelsea (London) seen at work on a novel container called 'Sancho Panza' which is destined for the U.S.A., where much of the work from the Chelsea Potters finds a ready market.Founded only 2 1/2-years-ago by artist David Rawnsley, The Chelsea Pottery has already made a reputation for itself. Work produced at this pottery is now sent all over the world and is much sought after by collectors and connoisseurs. A specialty with these Chelsea potters is their 'Thrown sculpture' which which is extremely popular. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/popular-pottery-mr-david-rawnsley-the-founder-of-the-chelsea-pottery-in-radnor-walk-chelsea-london-seen-at-work-on-a-novel-container-called-sancho-panza-which-is-destined-for-the-usa-where-much-of-the-work-from-the-chelsea-potters-finds-a-ready-marketfounded-only-2-12-years-ago-by-artist-david-rawnsley-the-chelsea-pottery-has-already-made-a-reputation-for-itself-work-produced-at-this-pottery-is-now-sent-all-over-the-world-and-is-much-sought-after-by-collectors-and-connoisseurs-a-specialty-with-these-chelsea-potters-is-their-thrown-sculpture-which-which-is-extremely-popular-image463554893.html
RM2HX4MYW–Popular Pottery - Mr. David Rawnsley, the founder of the Chelsea Pottery in Radnor Walk, Chelsea (London) seen at work on a novel container called 'Sancho Panza' which is destined for the U.S.A., where much of the work from the Chelsea Potters finds a ready market.Founded only 2 1/2-years-ago by artist David Rawnsley, The Chelsea Pottery has already made a reputation for itself. Work produced at this pottery is now sent all over the world and is much sought after by collectors and connoisseurs. A specialty with these Chelsea potters is their 'Thrown sculpture' which which is extremely popular.
Vintage Large MYOTT Platter Olde Chelsea Staffordshire pottery Plate Pink Swirl with Petite Roses Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-large-myott-platter-olde-chelsea-staffordshire-pottery-plate-pink-swirl-with-petite-roses-image608755337.html
RM2XAB5J1–Vintage Large MYOTT Platter Olde Chelsea Staffordshire pottery Plate Pink Swirl with Petite Roses
Plaque ca. 1895–1900 Caroline H. Rimmer Caroline H. Rimmer, a sculptor, worked and lived in Chelsea, Massachusetts, and it was perhaps inevitable that she would have modeled vessels at the Robertsons’ Chelsea Keramic Art Works there. She studied with her father, William, an artist and educator who taught anatomy and modeling. Her experience at the Chelsea pottery, as well as her father’s work in clay, may have stimulated her own interest in terra-cotta, which she continued to pursue in her later career. This plaque, initialed by her but undated, shows Venus and a swan carefully modeled in low Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plaque-ca-18951900-caroline-h-rimmer-caroline-h-rimmer-a-sculptor-worked-and-lived-in-chelsea-massachusetts-and-it-was-perhaps-inevitable-that-she-would-have-modeled-vessels-at-the-robertsons-chelsea-keramic-art-works-there-she-studied-with-her-father-william-an-artist-and-educator-who-taught-anatomy-and-modeling-her-experience-at-the-chelsea-pottery-as-well-as-her-fathers-work-in-clay-may-have-stimulated-her-own-interest-in-terra-cotta-which-she-continued-to-pursue-in-her-later-career-this-plaque-initialed-by-her-but-undated-shows-venus-and-a-swan-carefully-modeled-in-low-image458445878.html
RM2HHT0B2–Plaque ca. 1895–1900 Caroline H. Rimmer Caroline H. Rimmer, a sculptor, worked and lived in Chelsea, Massachusetts, and it was perhaps inevitable that she would have modeled vessels at the Robertsons’ Chelsea Keramic Art Works there. She studied with her father, William, an artist and educator who taught anatomy and modeling. Her experience at the Chelsea pottery, as well as her father’s work in clay, may have stimulated her own interest in terra-cotta, which she continued to pursue in her later career. This plaque, initialed by her but undated, shows Venus and a swan carefully modeled in low
Vase, Dedham Pottery, Earthenware, oxblood, Gray-white stoneware body, thrown. Bulbous body with tapering neck; with slightly bulging area below rim; flat foot. Covered with a deep red or scarlet glaze with slight golden luster effect. Black striations through glaze. Very dark red at rim bulge. Dimpled surface allover. Interior glazed. Bottom not glazed. Glaze very thick at base., Chelsea, Massachusetts, USA, 1884–88, ceramics, Decorative Arts, Vase Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vase-dedham-pottery-earthenware-oxblood-gray-white-stoneware-body-thrown-bulbous-body-with-tapering-neck-with-slightly-bulging-area-below-rim-flat-foot-covered-with-a-deep-red-or-scarlet-glaze-with-slight-golden-luster-effect-black-striations-through-glaze-very-dark-red-at-rim-bulge-dimpled-surface-allover-interior-glazed-bottom-not-glazed-glaze-very-thick-at-base-chelsea-massachusetts-usa-188488-ceramics-decorative-arts-vase-image391335818.html
RM2DMJTR6–Vase, Dedham Pottery, Earthenware, oxblood, Gray-white stoneware body, thrown. Bulbous body with tapering neck; with slightly bulging area below rim; flat foot. Covered with a deep red or scarlet glaze with slight golden luster effect. Black striations through glaze. Very dark red at rim bulge. Dimpled surface allover. Interior glazed. Bottom not glazed. Glaze very thick at base., Chelsea, Massachusetts, USA, 1884–88, ceramics, Decorative Arts, Vase
Pottery shop on South Street, one of the Victorian independent shopping streets of Little Chelsea in Eastbourne, East Sussex. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pottery-shop-on-south-street-one-of-the-victorian-independent-shopping-streets-of-little-chelsea-in-eastbourne-east-sussex-image538293264.html
RM2P7NAFC–Pottery shop on South Street, one of the Victorian independent shopping streets of Little Chelsea in Eastbourne, East Sussex.
Ewer Chelsea from the book ' A history of pottery and porcelain, mediaeval and modern ' by Joseph Marryat, Published in London by John Murray, Albemarle Street in 1857 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ewer-chelsea-from-the-book-a-history-of-pottery-and-porcelain-mediaeval-and-modern-by-joseph-marryat-published-in-london-by-john-murray-albemarle-street-in-1857-image556077338.html
RF2R8KE8X–Ewer Chelsea from the book ' A history of pottery and porcelain, mediaeval and modern ' by Joseph Marryat, Published in London by John Murray, Albemarle Street in 1857
Chinese Han Dynasty green glazed pottery Baluster vases on console table with tapestry backdrop Guinevere's antique shop Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chinese-han-dynasty-green-glazed-pottery-baluster-vases-on-console-125009737.html
RMH7AK5D–Chinese Han Dynasty green glazed pottery Baluster vases on console table with tapestry backdrop Guinevere's antique shop
LONDON NOTTING HILL PASTEL COLOURED HOUSES A PINK HOUSE AT THE START OF POTTERY LANE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-notting-hill-pastel-coloured-houses-a-pink-house-at-the-start-of-pottery-lane-image247349018.html
RFTABM5E–LONDON NOTTING HILL PASTEL COLOURED HOUSES A PINK HOUSE AT THE START OF POTTERY LANE
'Chelsea Glory', the 1986 Chelsea Flower Show plate by Aynsley Pottery, commissioned by The Royal Horticultural Society Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chelsea-glory-the-1986-chelsea-flower-show-plate-by-aynsley-pottery-83539000.html
RMERWERM–'Chelsea Glory', the 1986 Chelsea Flower Show plate by Aynsley Pottery, commissioned by The Royal Horticultural Society
David Rawnsley's Chelsea Studio. September 1952 C4513 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-david-rawnsleys-chelsea-studio-september-1952-c4513-20343306.html
RMB52M2J–David Rawnsley's Chelsea Studio. September 1952 C4513
Members of a pottery studio in the New York neighborhood of Chelsea hold a holiday sale prior to Christmas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-members-of-a-pottery-studio-in-the-new-york-neighborhood-of-chelsea-52288292.html
RMD11X70–Members of a pottery studio in the New York neighborhood of Chelsea hold a holiday sale prior to Christmas
Houses in Pottery Lane Notting Hill Bayswater London Borough of Kensington and Chelsea GB UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-houses-in-pottery-lane-notting-hill-bayswater-london-borough-of-kensington-20169952.html
RMB4PPYC–Houses in Pottery Lane Notting Hill Bayswater London Borough of Kensington and Chelsea GB UK
Teapot, 1879–83, Made in Chelsea, Massachusetts, United States, American, Ceramic, 7 x 9 in. (17.8 x 22.9 cm), Ceramics Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-teapot-187983-made-in-chelsea-massachusetts-united-states-american-162399359.html
RMKC5X13–Teapot, 1879–83, Made in Chelsea, Massachusetts, United States, American, Ceramic, 7 x 9 in. (17.8 x 22.9 cm), Ceramics
Vintage 1960-70s Chelsea pottery sun face tile by Joyce Morgan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-1960-70s-chelsea-pottery-sun-face-tile-by-joyce-morgan-image570801568.html
RM2T4J768–Vintage 1960-70s Chelsea pottery sun face tile by Joyce Morgan
Scent Bottle : Hussar , Chelsea porcelain - Girl in a swing type pottery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scent-bottle-hussar-chelsea-porcelain-girl-in-a-swing-type-pottery-image268849789.html
RMWHB4J5–Scent Bottle : Hussar , Chelsea porcelain - Girl in a swing type pottery
Greek Reproduction, Chelsea Keramic Art Works Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/greek-reproduction-chelsea-keramic-art-works-image592091762.html
RF2WB832A–Greek Reproduction, Chelsea Keramic Art Works
18C CHELSEA BRITISH PORCELAIN FIGURINE GROUP Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-18c-chelsea-british-porcelain-figurine-group-43262716.html
RFCEAP10–18C CHELSEA BRITISH PORCELAIN FIGURINE GROUP
Popular Pottery - Mrs. Mary Rawnsley, wife of the founder of the Chelsea Pottery in Radnor Walk, Chelsea (London) seen at work on 'The Cookerel Jug' a novel and decorative place of sculpture which she is making at the Pottery. Founded only 2 1/2-years-ago by artist David Rawnsley, The Chelsea Pottery has already made a reputation for itself. Work produced at this pottery is now sent all over the world and is much sought after by collectors and connoisseurs. A specialty with these Chelsea potters is their 'Thrown sculpture' which which is extremely popular. May 4, 1955. (Photo by Fox Photos). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/popular-pottery-mrs-mary-rawnsley-wife-of-the-founder-of-the-chelsea-pottery-in-radnor-walk-chelsea-london-seen-at-work-on-the-cookerel-jug-a-novel-and-decorative-place-of-sculpture-which-she-is-making-at-the-pottery-founded-only-2-12-years-ago-by-artist-david-rawnsley-the-chelsea-pottery-has-already-made-a-reputation-for-itself-work-produced-at-this-pottery-is-now-sent-all-over-the-world-and-is-much-sought-after-by-collectors-and-connoisseurs-a-specialty-with-these-chelsea-potters-is-their-thrown-sculpture-which-which-is-extremely-popular-may-4-1955-photo-by-fox-photos-image463554904.html
RM2HX4N08–Popular Pottery - Mrs. Mary Rawnsley, wife of the founder of the Chelsea Pottery in Radnor Walk, Chelsea (London) seen at work on 'The Cookerel Jug' a novel and decorative place of sculpture which she is making at the Pottery. Founded only 2 1/2-years-ago by artist David Rawnsley, The Chelsea Pottery has already made a reputation for itself. Work produced at this pottery is now sent all over the world and is much sought after by collectors and connoisseurs. A specialty with these Chelsea potters is their 'Thrown sculpture' which which is extremely popular. May 4, 1955. (Photo by Fox Photos).
Myott Olde Chelsea Staffordshire Stamp on the Base of Large Plate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/myott-olde-chelsea-staffordshire-stamp-on-the-base-of-large-plate-image608755331.html
RM2XAB5HR–Myott Olde Chelsea Staffordshire Stamp on the Base of Large Plate
Vase ca. 1891–95 Chelsea Pottery U. S. Steeped in ceramics from birth, Hugh C. Robertson pursued his craft with fierce devotion and a passion for experimentation. From a family of trained English ceramists, he honed his skills in New Jersey before settling in Massachusetts as one of the founders of Chelsea Keramic Art Works and later, Dedham Pottery. Robertson’s lifelong explorations in glazes, particularly their color and texture, make him one of the key figures of American art pottery at the turn of the twentieth century.As all-consuming as his pursuit of the ideal oxblood glaze was, Roberts Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vase-ca-189195-chelsea-pottery-u-s-steeped-in-ceramics-from-birth-hugh-c-robertson-pursued-his-craft-with-fierce-devotion-and-a-passion-for-experimentation-from-a-family-of-trained-english-ceramists-he-honed-his-skills-in-new-jersey-before-settling-in-massachusetts-as-one-of-the-founders-of-chelsea-keramic-art-works-and-later-dedham-pottery-robertsons-lifelong-explorations-in-glazes-particularly-their-color-and-texture-make-him-one-of-the-key-figures-of-american-art-pottery-at-the-turn-of-the-twentieth-centuryas-all-consuming-as-his-pursuit-of-the-ideal-oxblood-glaze-was-roberts-image458447315.html
RM2HHT26B–Vase ca. 1891–95 Chelsea Pottery U. S. Steeped in ceramics from birth, Hugh C. Robertson pursued his craft with fierce devotion and a passion for experimentation. From a family of trained English ceramists, he honed his skills in New Jersey before settling in Massachusetts as one of the founders of Chelsea Keramic Art Works and later, Dedham Pottery. Robertson’s lifelong explorations in glazes, particularly their color and texture, make him one of the key figures of American art pottery at the turn of the twentieth century.As all-consuming as his pursuit of the ideal oxblood glaze was, Roberts
'Course it's an elephant,' says Caron Rawnsley (left) as Bareno Velleman dubiously fingers the lump of clay Caron has been modelling. Jonathan Levy is busy with what he says is a railway train. Caron and his friends, watched over by Mrs. Rawnsley, are playing in artist David Rawnsley's Chelsea (London) studios where, since David Started making pottery, there is plenty of modelling clay for little fingers to muck about with. September 15, 1952. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/course-its-an-elephant-says-caron-rawnsley-left-as-bareno-velleman-dubiously-fingers-the-lump-of-clay-caron-has-been-modelling-jonathan-levy-is-busy-with-what-he-says-is-a-railway-train-caron-and-his-friends-watched-over-by-mrs-rawnsley-are-playing-in-artist-david-rawnsleys-chelsea-london-studios-where-since-david-started-making-pottery-there-is-plenty-of-modelling-clay-for-little-fingers-to-muck-about-with-september-15-1952-image463554907.html
RM2HX4N0B–'Course it's an elephant,' says Caron Rawnsley (left) as Bareno Velleman dubiously fingers the lump of clay Caron has been modelling. Jonathan Levy is busy with what he says is a railway train. Caron and his friends, watched over by Mrs. Rawnsley, are playing in artist David Rawnsley's Chelsea (London) studios where, since David Started making pottery, there is plenty of modelling clay for little fingers to muck about with. September 15, 1952.
Plate 1891–95 Chelsea Pottery U. S.. Plate. American. 1891–95. Earthenware. Made in Chelsea, Massachusetts, United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-189195-chelsea-pottery-u-s-plate-american-189195-earthenware-made-in-chelsea-massachusetts-united-states-image458137875.html
RM2HH9YEY–Plate 1891–95 Chelsea Pottery U. S.. Plate. American. 1891–95. Earthenware. Made in Chelsea, Massachusetts, United States
Pottery shop on South Street, one of the Victorian independent shopping streets of Little Chelsea in Eastbourne, East Sussex. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pottery-shop-on-south-street-one-of-the-victorian-independent-shopping-streets-of-little-chelsea-in-eastbourne-east-sussex-image538293367.html
RM2P7NAK3–Pottery shop on South Street, one of the Victorian independent shopping streets of Little Chelsea in Eastbourne, East Sussex.
Chelsea Vase Foundling Hospital from the book ' A history of pottery and porcelain, mediaeval and modern ' by Joseph Marryat, Published in London by John Murray, Albemarle Street in 1857 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chelsea-vase-foundling-hospital-from-the-book-a-history-of-pottery-and-porcelain-mediaeval-and-modern-by-joseph-marryat-published-in-london-by-john-murray-albemarle-street-in-1857-image556077347.html
RF2R8KE97–Chelsea Vase Foundling Hospital from the book ' A history of pottery and porcelain, mediaeval and modern ' by Joseph Marryat, Published in London by John Murray, Albemarle Street in 1857
Art inspired by The Nurse, model ca. 1607–8, French, Fontainebleau or Avon, Lead-glazed earthenware, Height: 9 3/4 in. (24.8 cm), Ceramics-Pottery, This earthenware statuette of a wet nurse swaddling a large baby was popular throughout the seventeenth century and was copied in Chelsea, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-nurse-model-ca-16078-french-fontainebleau-or-avon-lead-glazed-earthenware-height-9-34-in-248-cm-ceramics-pottery-this-earthenware-statuette-of-a-wet-nurse-swaddling-a-large-baby-was-popular-throughout-the-seventeenth-century-and-was-copied-in-chelsea-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462775812.html
RF2HTW77G–Art inspired by The Nurse, model ca. 1607–8, French, Fontainebleau or Avon, Lead-glazed earthenware, Height: 9 3/4 in. (24.8 cm), Ceramics-Pottery, This earthenware statuette of a wet nurse swaddling a large baby was popular throughout the seventeenth century and was copied in Chelsea, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
LONDON NOTTING HILL HOUSES IN POTTERY LANE AND HIPPODROME PLACE AND ST FRANCIS OF ASSISI CHURCH Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-notting-hill-houses-in-pottery-lane-and-hippodrome-place-and-st-francis-of-assisi-church-image247348988.html
RFTABM4C–LONDON NOTTING HILL HOUSES IN POTTERY LANE AND HIPPODROME PLACE AND ST FRANCIS OF ASSISI CHURCH
Art inspired by Teapot, 1879–83, Made in Chelsea, Massachusetts, United States, American, Ceramic, 7 x 9 in. (17.8 x 22.9 cm), Ceramics, This teapot, in both its shape and relief decoration, demonstrates the penchant for Japonisme during the Aesthetic Movement. The distinctive shape, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-teapot-187983-made-in-chelsea-massachusetts-united-states-american-ceramic-7-x-9-in-178-x-229-cm-ceramics-this-teapot-in-both-its-shape-and-relief-decoration-demonstrates-the-penchant-for-japonisme-during-the-aesthetic-movement-the-distinctive-shape-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462897622.html
RF2HW2PHX–Art inspired by Teapot, 1879–83, Made in Chelsea, Massachusetts, United States, American, Ceramic, 7 x 9 in. (17.8 x 22.9 cm), Ceramics, This teapot, in both its shape and relief decoration, demonstrates the penchant for Japonisme during the Aesthetic Movement. The distinctive shape, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
David Rawnsley's Chelsea Studio. September 1952 C4513-005 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-david-rawnsleys-chelsea-studio-september-1952-c4513-005-20343303.html
RMB52M2F–David Rawnsley's Chelsea Studio. September 1952 C4513-005
Members of a pottery studio in the New York neighborhood of Chelsea hold a holiday sale prior to Christmas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-members-of-a-pottery-studio-in-the-new-york-neighborhood-of-chelsea-52288441.html
RMD11XC9–Members of a pottery studio in the New York neighborhood of Chelsea hold a holiday sale prior to Christmas
POSITIVELY STOKE-ON-TRENT - DESIGNERS BARTHOLOMEW LANDSCAPING AND STOKE-ON-TRENT CITY COUNCIL - RHS CHELSEA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/positively-stoke-on-trent-designers-bartholomew-landscaping-and-stoke-on-trent-city-council-rhs-chelsea-image339927232.html
RM2AN10J8–POSITIVELY STOKE-ON-TRENT - DESIGNERS BARTHOLOMEW LANDSCAPING AND STOKE-ON-TRENT CITY COUNCIL - RHS CHELSEA
Round serving dish, c1755. Artists: Unknown, Chelsea factory. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/round-serving-dish-c1755-artists-unknown-chelsea-factory-image186200917.html
RMMPX54N–Round serving dish, c1755. Artists: Unknown, Chelsea factory.
Vintage 1960-70s Chelsea pottery sun face tile by Joyce Morgan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-1960-70s-chelsea-pottery-sun-face-tile-by-joyce-morgan-image570801561.html
RM2T4J761–Vintage 1960-70s Chelsea pottery sun face tile by Joyce Morgan
'Chelsea Pensioner' ceramic Staffordshire character / Toby jug by Shorter & Son Ltd from the 1950's Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chelsea-pensioner-ceramic-staffordshire-character-toby-jug-by-shorter-image61893569.html
RMDGKDTH–'Chelsea Pensioner' ceramic Staffordshire character / Toby jug by Shorter & Son Ltd from the 1950's
White Chelsea Porcelain gardener's companion figure, c1770. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/white-chelsea-porcelain-gardeners-companion-figure-c1770-artist-unknown-image262789485.html
RMW7F2JN–White Chelsea Porcelain gardener's companion figure, c1770. Artist: Unknown.
18C CHELSEA BRITISH PORCELAIN FIGURINE GROUP Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-18c-chelsea-british-porcelain-figurine-group-43262725.html
RFCEAP19–18C CHELSEA BRITISH PORCELAIN FIGURINE GROUP
Rare and Exceptionally Large and Important Chelsea Group of the Red Anchor Period, C1752. (1923) Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rare-and-exceptionally-large-and-important-chelsea-group-of-the-red-anchor-period-c1752-1923-artist-unknown-image262779981.html
RMW7EJF9–Rare and Exceptionally Large and Important Chelsea Group of the Red Anchor Period, C1752. (1923) Artist: Unknown
The remains of a nineteenth century bottle kiln in Notting Hill, London. DETAILS IN DESCRIPTION. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-remains-of-a-nineteenth-century-bottle-kiln-in-notting-hill-london-83265893.html
RMERD2DW–The remains of a nineteenth century bottle kiln in Notting Hill, London. DETAILS IN DESCRIPTION.
Vase. Culture: American. Dimensions: H. 7 1/2 (19.1 cm); Diam. 3 3/4 in. (9.5 cm). Maker: Chelsea Keramic Art Works (1872-1889). Date: 1876-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vase-culture-american-dimensions-h-7-12-191-cm-diam-3-34-in-95-cm-maker-chelsea-keramic-art-works-1872-1889-date-1876-80-museum-metropolitan-museum-of-art-new-york-usa-image212913136.html
RMPAB0TG–Vase. Culture: American. Dimensions: H. 7 1/2 (19.1 cm); Diam. 3 3/4 in. (9.5 cm). Maker: Chelsea Keramic Art Works (1872-1889). Date: 1876-80. Museum: Metropolitan Museum of Art, New York, USA.
International studio . THE DRAMA, ETCHINGBY E. GORDON CRAIG(DORIEN LEIGH GALLERIES) 147 STUDIO-TALK. CHEYNE FIGURES. DESIGNEDAND EXECUTED BY G. M. PAR-NELL (THE CHELSEA POTTERY) ment which ordains that a candidateelected shall not receive his letter ofadmission till he hath deposited in theRoyal Academy, to remain there, a picture,bas-relief, or other specimen of his abilitiesapproved of by the then sitting Council ofthe Academy. a 0 a a Mr. Richard Jack, who with Sir WilliamLlewelyn, Mr. Julius Olsson, and Mr.Derwent Wood appeared in the last batchof new R.A.s, is known chiefly by hisportrait Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/international-studio-the-drama-etchingby-e-gordon-craigdorien-leigh-galleries-147-studio-talk-cheyne-figures-designedand-executed-by-g-m-par-nell-the-chelsea-pottery-ment-which-ordains-that-a-candidateelected-shall-not-receive-his-letter-ofadmission-till-he-hath-deposited-in-theroyal-academy-to-remain-there-a-picturebas-relief-or-other-specimen-of-his-abilitiesapproved-of-by-the-then-sitting-council-ofthe-academy-a-0-a-a-mr-richard-jack-who-with-sir-williamllewelyn-mr-julius-olsson-and-mrderwent-wood-appeared-in-the-last-batchof-new-ras-is-known-chiefly-by-hisportrait-image338398492.html
RM2AJFAMC–International studio . THE DRAMA, ETCHINGBY E. GORDON CRAIG(DORIEN LEIGH GALLERIES) 147 STUDIO-TALK. CHEYNE FIGURES. DESIGNEDAND EXECUTED BY G. M. PAR-NELL (THE CHELSEA POTTERY) ment which ordains that a candidateelected shall not receive his letter ofadmission till he hath deposited in theRoyal Academy, to remain there, a picture,bas-relief, or other specimen of his abilitiesapproved of by the then sitting Council ofthe Academy. a 0 a a Mr. Richard Jack, who with Sir WilliamLlewelyn, Mr. Julius Olsson, and Mr.Derwent Wood appeared in the last batchof new R.A.s, is known chiefly by hisportrait
Second Hand Stall, Portobello Green Market, London, UK. Portobello Road is famous for its antique market, but it also has fresh fruit and vegetables Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/second-hand-stall-portobello-green-market-london-uk-portobello-road-is-famous-for-its-antique-market-but-it-also-has-fresh-fruit-and-vegetables-image479543084.html
RM2JT522M–Second Hand Stall, Portobello Green Market, London, UK. Portobello Road is famous for its antique market, but it also has fresh fruit and vegetables
Pottery shop on South Street, one of the Victorian independent shopping streets of Little Chelsea in Eastbourne, East Sussex. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pottery-shop-on-south-street-one-of-the-victorian-independent-shopping-streets-of-little-chelsea-in-eastbourne-east-sussex-image538293374.html
RM2P7NAKA–Pottery shop on South Street, one of the Victorian independent shopping streets of Little Chelsea in Eastbourne, East Sussex.
Figure of a Shepherdess, Chelsea, about 1765. Height, 12.5 in. from ' A book of porcelain, fine examples in the Victoria and Albert museum ' by Bernard Rackham, and William Gibb, Publication date 1910 Publisher London, A. & C. Black Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-of-a-shepherdess-chelsea-about-1765-height-125-in-from-a-book-of-porcelain-fine-examples-in-the-victoria-and-albert-museum-by-bernard-rackham-and-william-gibb-publication-date-1910-publisher-london-a-c-black-image476709759.html
RF2JKG04F–Figure of a Shepherdess, Chelsea, about 1765. Height, 12.5 in. from ' A book of porcelain, fine examples in the Victoria and Albert museum ' by Bernard Rackham, and William Gibb, Publication date 1910 Publisher London, A. & C. Black
Louis XV kingwood parquetry bombe commode with ormolu mounts and grey marble. The pottery horse is Chinese Han dynasty. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-xv-kingwood-parquetry-bombe-commode-with-ormolu-mounts-and-grey-125009743.html
RMH7AK5K–Louis XV kingwood parquetry bombe commode with ormolu mounts and grey marble. The pottery horse is Chinese Han dynasty.
The DialAFlight Potter's Garden at RHS Chelsea Flower Show. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-dialaflight-potters-garden-at-rhs-chelsea-flower-show-70141657.html
RME236B5–The DialAFlight Potter's Garden at RHS Chelsea Flower Show.
19th century pottery kiln still in existence and preserved in Kensington and Chelsea, in Walmer Road, just north of Pottery Lane Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/19th-century-pottery-kiln-still-in-existence-and-preserved-in-kensington-and-chelsea-in-walmer-road-just-north-of-pottery-lane-image634697177.html
RF2YTGXM9–19th century pottery kiln still in existence and preserved in Kensington and Chelsea, in Walmer Road, just north of Pottery Lane
One of the pottters wheels at David Rawnsley's Chelsea Studio. September 1952 C4513 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-one-of-the-pottters-wheels-at-david-rawnsleys-chelsea-studio-september-20343299.html
RMB52M2B–One of the pottters wheels at David Rawnsley's Chelsea Studio. September 1952 C4513
Members of a pottery studio in the New York neighborhood of Chelsea hold a holiday sale prior to Christmas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-members-of-a-pottery-studio-in-the-new-york-neighborhood-of-chelsea-52288363.html
RMD11X9F–Members of a pottery studio in the New York neighborhood of Chelsea hold a holiday sale prior to Christmas
POSITIVELY STOKE-ON-TRENT - DESIGNERS BARTHOLOMEW LANDSCAPING AND STOKE-ON-TRENT CITY COUNCIL - RHS CHELSEA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/positively-stoke-on-trent-designers-bartholomew-landscaping-and-stoke-on-trent-city-council-rhs-chelsea-image339927198.html
RM2AN10H2–POSITIVELY STOKE-ON-TRENT - DESIGNERS BARTHOLOMEW LANDSCAPING AND STOKE-ON-TRENT CITY COUNCIL - RHS CHELSEA
Round serving dish, c1755. Artists: Unknown, Chelsea factory. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/round-serving-dish-c1755-artists-unknown-chelsea-factory-image186200914.html
RMMPX54J–Round serving dish, c1755. Artists: Unknown, Chelsea factory.
Vintage 1960-70s Chelsea pottery sun face tile by Joyce Morgan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-1960-70s-chelsea-pottery-sun-face-tile-by-joyce-morgan-image570801566.html
RM2T4J766–Vintage 1960-70s Chelsea pottery sun face tile by Joyce Morgan
'Chelsea Pensioner' ceramic Staffordshire character / Toby jug by Shorter & Son Ltd from the 1950's Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chelsea-pensioner-ceramic-staffordshire-character-toby-jug-by-shorter-image61893578.html
RMDGKDTX–'Chelsea Pensioner' ceramic Staffordshire character / Toby jug by Shorter & Son Ltd from the 1950's
White Chelsea Porcelain gardener's companion figure, c1770. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-white-chelsea-porcelain-gardeners-companion-figure-c1770-artist-unknown-135280738.html
RMHT2FXX–White Chelsea Porcelain gardener's companion figure, c1770. Artist: Unknown.
18C CHELSEA BRITISH PORCELAIN FIGURINE GROUP Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-18c-chelsea-british-porcelain-figurine-group-43262720.html
RFCEAP14–18C CHELSEA BRITISH PORCELAIN FIGURINE GROUP
Rare and Exceptionally Large and Important Chelsea Group of the Red Anchor Period, C1752. (1923) Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rare-and-exceptionally-large-and-important-chelsea-group-of-the-red-135249113.html
RMHT13HD–Rare and Exceptionally Large and Important Chelsea Group of the Red Anchor Period, C1752. (1923) Artist: Unknown
The DialAFlight Potter's Garden at RHS Chelsea Flower Show 2014. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-dialaflight-potters-garden-at-rhs-chelsea-flower-show-2014-image69635948.html
RME185A4–The DialAFlight Potter's Garden at RHS Chelsea Flower Show 2014.
Vase. Culture: American. Dimensions: H. 12 3/4 in. (32.4 cm); Diam. 3 1/4 in. (8.3 cm). Maker: Chelsea Keramic Art Works (1872-1889). Date: 1876-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vase-culture-american-dimensions-h-12-34-in-324-cm-diam-3-14-in-83-cm-maker-chelsea-keramic-art-works-1872-1889-date-1876-80-museum-metropolitan-museum-of-art-new-york-usa-image213147657.html
RMPANM09–Vase. Culture: American. Dimensions: H. 12 3/4 in. (32.4 cm); Diam. 3 1/4 in. (8.3 cm). Maker: Chelsea Keramic Art Works (1872-1889). Date: 1876-80. Museum: Metropolitan Museum of Art, New York, USA.
Bluebird Garage, King's Road, Chelsea, London, 1927. Artist: Bedford Lemere and Company Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bluebird-garage-kings-road-chelsea-london-1927-artist-bedford-lemere-28055215.html
RMBHJ0KY–Bluebird Garage, King's Road, Chelsea, London, 1927. Artist: Bedford Lemere and Company
Teapot 1879–83 Manufactured by Chelsea Keramic Art Works This teapot, in both its shape and relief decoration, demonstrates the penchant for Japonisme during the Aesthetic Movement. The distinctive shape with flat sides has prototypes in English pottery. The molded decoration of bamboo and swallows are motifs popular in the period.. Teapot 17230 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/teapot-187983-manufactured-by-chelsea-keramic-art-works-this-teapot-in-both-its-shape-and-relief-decoration-demonstrates-the-penchant-for-japonisme-during-the-aesthetic-movement-the-distinctive-shape-with-flat-sides-has-prototypes-in-english-pottery-the-molded-decoration-of-bamboo-and-swallows-are-motifs-popular-in-the-period-teapot-17230-image458296609.html
RM2HHH601–Teapot 1879–83 Manufactured by Chelsea Keramic Art Works This teapot, in both its shape and relief decoration, demonstrates the penchant for Japonisme during the Aesthetic Movement. The distinctive shape with flat sides has prototypes in English pottery. The molded decoration of bamboo and swallows are motifs popular in the period.. Teapot 17230
'The Ceramic Gallery, South Kensington Museum', c1876, (1881). Interior view of the Ceramics Gallery, a tiled and painted room housing the Museum's collection of pottery and porcelain. The gallery, which opened in 1868, was designed in the fashionable revived Italian Renaissance manner. Its floor was covered in Minton tiles, with ten columns covered in shining majolica (painted tin-glazed earthenware). In the foreground is a ceramic solid fuel stove. The ceiling and friezes were painted over after the Second World War, but much of the gallery was restored during the 1990s. From "The South Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ceramic-gallery-south-kensington-museum-c1876-1881-interior-view-of-the-ceramics-gallery-a-tiled-and-painted-room-housing-the-museums-collection-of-pottery-and-porcelain-the-gallery-which-opened-in-1868-was-designed-in-the-fashionable-revived-italian-renaissance-manner-its-floor-was-covered-in-minton-tiles-with-ten-columns-covered-in-shining-majolica-painted-tin-glazed-earthenware-in-the-foreground-is-a-ceramic-solid-fuel-stove-the-ceiling-and-friezes-were-painted-over-after-the-second-world-war-but-much-of-the-gallery-was-restored-during-the-1990s-from-quotthe-south-image274158441.html
RMWX0YTW–'The Ceramic Gallery, South Kensington Museum', c1876, (1881). Interior view of the Ceramics Gallery, a tiled and painted room housing the Museum's collection of pottery and porcelain. The gallery, which opened in 1868, was designed in the fashionable revived Italian Renaissance manner. Its floor was covered in Minton tiles, with ten columns covered in shining majolica (painted tin-glazed earthenware). In the foreground is a ceramic solid fuel stove. The ceiling and friezes were painted over after the Second World War, but much of the gallery was restored during the 1990s. From "The South
Jar, with Cover, Chelsea, about 1755, copied from Japanese Kakiyemon ware. Height, 12.5 in. from ' A book of porcelain, fine examples in the Victoria and Albert museum ' by Bernard Rackham, and William Gibb, Publication date 1910 Publisher London, A. & C. Black Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jar-with-cover-chelsea-about-1755-copied-from-japanese-kakiyemon-ware-height-125-in-from-a-book-of-porcelain-fine-examples-in-the-victoria-and-albert-museum-by-bernard-rackham-and-william-gibb-publication-date-1910-publisher-london-a-c-black-image476709767.html
RF2JKG04R–Jar, with Cover, Chelsea, about 1755, copied from Japanese Kakiyemon ware. Height, 12.5 in. from ' A book of porcelain, fine examples in the Victoria and Albert museum ' by Bernard Rackham, and William Gibb, Publication date 1910 Publisher London, A. & C. Black
Pitcher ca. 1875–89 Chelsea Keramic Art Works The Chelsea Keramic Art Works was the first American ceramics firm to designate itself an 'art pottery.' It was founded in Chelsea, Massachusetts, by members of the Robertson family, all of whom had honed their skills in the ceramics industry in Britain before coming to this country. An early specialty of the firm was the reproduction of Ancient Greek pottery made fashionable by such English tastemakers as Charles Locke Eastlake. Especially well-received I the United Sates were the Greek style wares exhibited at the 1876 Centennial Exhibition in Ph Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pitcher-ca-187589-chelsea-keramic-art-works-the-chelsea-keramic-art-works-was-the-first-american-ceramics-firm-to-designate-itself-an-art-pottery-it-was-founded-in-chelsea-massachusetts-by-members-of-the-robertson-family-all-of-whom-had-honed-their-skills-in-the-ceramics-industry-in-britain-before-coming-to-this-country-an-early-specialty-of-the-firm-was-the-reproduction-of-ancient-greek-pottery-made-fashionable-by-such-english-tastemakers-as-charles-locke-eastlake-especially-well-received-i-the-united-sates-were-the-greek-style-wares-exhibited-at-the-1876-centennial-exhibition-in-ph-image458059659.html
RM2HH6BNF–Pitcher ca. 1875–89 Chelsea Keramic Art Works The Chelsea Keramic Art Works was the first American ceramics firm to designate itself an 'art pottery.' It was founded in Chelsea, Massachusetts, by members of the Robertson family, all of whom had honed their skills in the ceramics industry in Britain before coming to this country. An early specialty of the firm was the reproduction of Ancient Greek pottery made fashionable by such English tastemakers as Charles Locke Eastlake. Especially well-received I the United Sates were the Greek style wares exhibited at the 1876 Centennial Exhibition in Ph
19th century pottery kiln still in existence and preserved in Kensington and Chelsea, in Walmer Road, just north of Pottery Lane Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/19th-century-pottery-kiln-still-in-existence-and-preserved-in-kensington-and-chelsea-in-walmer-road-just-north-of-pottery-lane-image634697237.html
RF2YTGXPD–19th century pottery kiln still in existence and preserved in Kensington and Chelsea, in Walmer Road, just north of Pottery Lane
Children seen here playing with clay at David Rawnsley's Chelsea Studio. September 1952 C4513 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-children-seen-here-playing-with-clay-at-david-rawnsleys-chelsea-studio-20343295.html
RMB52M27–Children seen here playing with clay at David Rawnsley's Chelsea Studio. September 1952 C4513
Members of a pottery studio in the New York neighborhood of Chelsea hold a holiday sale prior to Christmas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-members-of-a-pottery-studio-in-the-new-york-neighborhood-of-chelsea-52288461.html
RMD11XD1–Members of a pottery studio in the New York neighborhood of Chelsea hold a holiday sale prior to Christmas
Pitcher ca. 1877–89 Chelsea Keramic Art Works The Chelsea Keramic Art Works was the first American ceramics firm to designate itself an 'art pottery.' It was founded in Chelsea, Massachusetts, by members of the Robertson family, all of whom had honed their skills in the ceramics industry in Britain before coming to this country. An early specialty of the firm was the reproduction of Ancient Greek pottery made fashionable by such English tastemakers as Charles Locke Eastlake. Especially well-received I the United Sates were the Greek style wares exhibited at the 1876 Centennial Exhibition in Ph Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pitcher-ca-187789-chelsea-keramic-art-works-the-chelsea-keramic-art-works-was-the-first-american-ceramics-firm-to-designate-itself-an-art-pottery-it-was-founded-in-chelsea-massachusetts-by-members-of-the-robertson-family-all-of-whom-had-honed-their-skills-in-the-ceramics-industry-in-britain-before-coming-to-this-country-an-early-specialty-of-the-firm-was-the-reproduction-of-ancient-greek-pottery-made-fashionable-by-such-english-tastemakers-as-charles-locke-eastlake-especially-well-received-i-the-united-sates-were-the-greek-style-wares-exhibited-at-the-1876-centennial-exhibition-in-ph-image458455120.html
RM2HHTC54–Pitcher ca. 1877–89 Chelsea Keramic Art Works The Chelsea Keramic Art Works was the first American ceramics firm to designate itself an 'art pottery.' It was founded in Chelsea, Massachusetts, by members of the Robertson family, all of whom had honed their skills in the ceramics industry in Britain before coming to this country. An early specialty of the firm was the reproduction of Ancient Greek pottery made fashionable by such English tastemakers as Charles Locke Eastlake. Especially well-received I the United Sates were the Greek style wares exhibited at the 1876 Centennial Exhibition in Ph
Second Hand Stall, Portobello Green Market, London, UK. Portobello Road is famous for its antique market, but it also has fresh fruit and vegetables Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/second-hand-stall-portobello-green-market-london-uk-portobello-road-is-famous-for-its-antique-market-but-it-also-has-fresh-fruit-and-vegetables-image479543152.html
RM2JT5254–Second Hand Stall, Portobello Green Market, London, UK. Portobello Road is famous for its antique market, but it also has fresh fruit and vegetables
London, UK, 20/05/2013 : 2013 RHS Chelsea Flower Show. A man and pottery figure in matching outfits. Picture by Julie Edwards Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-london-uk-20052013-2013-rhs-chelsea-flower-show-a-man-and-pottery-56682703.html
RMD863A7–London, UK, 20/05/2013 : 2013 RHS Chelsea Flower Show. A man and pottery figure in matching outfits. Picture by Julie Edwards
Kensal Green Cemetery is a cemetery in the Kensal Green area of the Royal Borough of Kensington and Chelsea in London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kensal-green-cemetery-is-a-cemetery-in-the-kensal-green-area-of-the-royal-borough-of-kensington-and-chelsea-in-london-image413669876.html
RF2F10844–Kensal Green Cemetery is a cemetery in the Kensal Green area of the Royal Borough of Kensington and Chelsea in London
18C CHELSEA BRITISH PORCELAIN FIGURINE GROUP Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-18c-chelsea-british-porcelain-figurine-group-43262719.html
RFCEAP13–18C CHELSEA BRITISH PORCELAIN FIGURINE GROUP
he DialAFlight Potter's Garden at RHS Chelsea Flower Show 2014. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/he-dialaflight-potters-garden-at-rhs-chelsea-flower-show-2014-image69643954.html
RME18FG2–he DialAFlight Potter's Garden at RHS Chelsea Flower Show 2014.
Vase. Culture: American. Dimensions: H. 5 11/16 in. (14.4 cm); Diam. 3 1/8 in. (7.9 cm). Maker: Chelsea Keramic Art Works (1872-1889). Date: ca. 1886-89. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vase-culture-american-dimensions-h-5-1116-in-144-cm-diam-3-18-in-79-cm-maker-chelsea-keramic-art-works-1872-1889-date-ca-1886-89-museum-metropolitan-museum-of-art-new-york-usa-image213365367.html
RMPB3HKK–Vase. Culture: American. Dimensions: H. 5 11/16 in. (14.4 cm); Diam. 3 1/8 in. (7.9 cm). Maker: Chelsea Keramic Art Works (1872-1889). Date: ca. 1886-89. Museum: Metropolitan Museum of Art, New York, USA.
Emma Bridgewater Factory Stoke on Trent, UK. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-emma-bridgewater-factory-stoke-on-trent-uk-89031312.html
RMF4RM9M–Emma Bridgewater Factory Stoke on Trent, UK.
View of the Low Art Tile Works, Chelsea, Mass Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-low-art-tile-works-chelsea-mass-image592091877.html
RF2WB836D–View of the Low Art Tile Works, Chelsea, Mass
Group of Silver and Porcelain Rarities from the Sibthorp Collection, 1856. 'In the centre is a crystal cup, fitted into a silver frame and stand...On the left of this is a very handsome vase, of pale green colour, mounted in or-moulu...Behind this is a silver stand, or plinth, with a Bacchanalian subject...The tall, narrow vessel, or jar...is of Chelsea ware...The next object is the reliquary called Thomas a Becket's...The next object is of silver, and is supposed to have been used for condiments or salt: it is in the form of a vessel in full sail...[next is] an Oriental essence-sprinkler of v Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/group-of-silver-and-porcelain-rarities-from-the-sibthorp-collection-1856-in-the-centre-is-a-crystal-cup-fitted-into-a-silver-frame-and-standon-the-left-of-this-is-a-very-handsome-vase-of-pale-green-colour-mounted-in-or-moulubehind-this-is-a-silver-stand-or-plinth-with-a-bacchanalian-subjectthe-tall-narrow-vessel-or-jaris-of-chelsea-warethe-next-object-is-the-reliquary-called-thomas-a-becketsthe-next-object-is-of-silver-and-is-supposed-to-have-been-used-for-condiments-or-salt-it-is-in-the-form-of-a-vessel-in-full-sail-next-is-an-oriental-essence-sprinkler-of-v-image553489900.html
RM2R4DJ0C–Group of Silver and Porcelain Rarities from the Sibthorp Collection, 1856. 'In the centre is a crystal cup, fitted into a silver frame and stand...On the left of this is a very handsome vase, of pale green colour, mounted in or-moulu...Behind this is a silver stand, or plinth, with a Bacchanalian subject...The tall, narrow vessel, or jar...is of Chelsea ware...The next object is the reliquary called Thomas a Becket's...The next object is of silver, and is supposed to have been used for condiments or salt: it is in the form of a vessel in full sail...[next is] an Oriental essence-sprinkler of v
Vase from a set of three, Chelsea, about 1760, with gilt relief decoration on a mazarine-blue ground. Height, 11.5 in. from ' A book of porcelain, fine examples in the Victoria and Albert museum ' by Bernard Rackham, and William Gibb, Publication date 1910 Publisher London, A. & C. Black Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vase-from-a-set-of-three-chelsea-about-1760-with-gilt-relief-decoration-on-a-mazarine-blue-ground-height-115-in-from-a-book-of-porcelain-fine-examples-in-the-victoria-and-albert-museum-by-bernard-rackham-and-william-gibb-publication-date-1910-publisher-london-a-c-black-image476709781.html
RF2JKG059–Vase from a set of three, Chelsea, about 1760, with gilt relief decoration on a mazarine-blue ground. Height, 11.5 in. from ' A book of porcelain, fine examples in the Victoria and Albert museum ' by Bernard Rackham, and William Gibb, Publication date 1910 Publisher London, A. & C. Black
Two ladies and stall owner look at bracelets & colourful decorated Moroccan embossed porcelain bowls & plates at Portobello Road Market, London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-ladies-and-stall-owner-look-at-bracelets-colourful-decorated-moroccan-embossed-porcelain-bowls-plates-at-portobello-road-market-london-image359282410.html
RM2BTEMAJ–Two ladies and stall owner look at bracelets & colourful decorated Moroccan embossed porcelain bowls & plates at Portobello Road Market, London.
Porcelain is a fictile material intermediate between glass and pottery, being formed of two substances, fusible and infusible, vintage line drawing or Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/porcelain-is-a-fictile-material-intermediate-between-glass-and-pottery-being-formed-of-two-substances-fusible-and-infusible-vintage-line-drawing-or-image367218067.html
RF2C9C6AY–Porcelain is a fictile material intermediate between glass and pottery, being formed of two substances, fusible and infusible, vintage line drawing or
An ornamental urn decorated with a thistle pattern designed by Whichford Pottery under Carpinus betulus and surrounded by herbaceous perennials in the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-ornamental-urn-decorated-with-a-thistle-pattern-designed-by-whichford-pottery-under-carpinus-betulus-and-surrounded-by-herbaceous-perennials-in-the-image471201141.html
RM2JAH1T5–An ornamental urn decorated with a thistle pattern designed by Whichford Pottery under Carpinus betulus and surrounded by herbaceous perennials in the
Children seen here playing with clay at David Rawnsley's Chelsea Studio. September 1952 C4513 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-children-seen-here-playing-with-clay-at-david-rawnsleys-chelsea-studio-20343297.html
RMB52M29–Children seen here playing with clay at David Rawnsley's Chelsea Studio. September 1952 C4513
Members of a pottery studio in the New York neighborhood of Chelsea hold a holiday sale prior to Christmas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-members-of-a-pottery-studio-in-the-new-york-neighborhood-of-chelsea-52288354.html
RMD11X96–Members of a pottery studio in the New York neighborhood of Chelsea hold a holiday sale prior to Christmas
Green Cup and Saucer, Maker: Chelsea Keramic Art Works, 1872-1889, Earthenware Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-green-cup-and-saucer-maker-chelsea-keramic-art-works-1872-1889-earthenware-168198447.html
RMKNJ2RB–Green Cup and Saucer, Maker: Chelsea Keramic Art Works, 1872-1889, Earthenware
Vase ca. 1877-85 Chelsea Keramic Art Works The Chelsea Keramic Art Works was the first American ceramics firm to designate itself an 'art pottery.' It was founded in Chelsea, Massachusetts, by members of the Robertson family, all of whom had honed their skills in the ceramics industry in Britain before coming to this country. Hugh Robertson, the guiding force behind the pottery, created work that was not only inspired by classical Greek pottery but also by forms and decoration that align with English Reform design. The angular shape of this vase resonates with the innovative shapes developed b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vase-ca-1877-85-chelsea-keramic-art-works-the-chelsea-keramic-art-works-was-the-first-american-ceramics-firm-to-designate-itself-an-art-pottery-it-was-founded-in-chelsea-massachusetts-by-members-of-the-robertson-family-all-of-whom-had-honed-their-skills-in-the-ceramics-industry-in-britain-before-coming-to-this-country-hugh-robertson-the-guiding-force-behind-the-pottery-created-work-that-was-not-only-inspired-by-classical-greek-pottery-but-also-by-forms-and-decoration-that-align-with-english-reform-design-the-angular-shape-of-this-vase-resonates-with-the-innovative-shapes-developed-b-image458435068.html
RM2HHREH0–Vase ca. 1877-85 Chelsea Keramic Art Works The Chelsea Keramic Art Works was the first American ceramics firm to designate itself an 'art pottery.' It was founded in Chelsea, Massachusetts, by members of the Robertson family, all of whom had honed their skills in the ceramics industry in Britain before coming to this country. Hugh Robertson, the guiding force behind the pottery, created work that was not only inspired by classical Greek pottery but also by forms and decoration that align with English Reform design. The angular shape of this vase resonates with the innovative shapes developed b
Second Hand Stall, Portobello Green Market, London, UK. Portobello Road is famous for its antique market, but it also has fresh fruit and vegetables Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/second-hand-stall-portobello-green-market-london-uk-portobello-road-is-famous-for-its-antique-market-but-it-also-has-fresh-fruit-and-vegetables-image479543075.html
RM2JT522B–Second Hand Stall, Portobello Green Market, London, UK. Portobello Road is famous for its antique market, but it also has fresh fruit and vegetables