Cheltnam smith Stock Photos and Images
The city of New York 1855 by Cheltnam, Charles Smith Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-city-of-new-york-1855-by-cheltnam-charles-smith-image633160396.htmlRM2YP2XF8–The city of New York 1855 by Cheltnam, Charles Smith
![Exhibition of the British Institution - No. 2., "Medora" - painted by W. Fisher, 1850. Engraving of a painting in a London exhibition: '...Mr. Fisher's "Medora", 2 feet 2 inches in height by 1 foot 10 inches in width - in the North Room....A half-length portrait of an Eastern lady, as the name denotes. The face is very beautiful, the expression good, and the execution careful'. From "Illustrated London News", 1850. Stock Photo](https://c8.alamy.com/comp/2HT69PR/exhibition-of-the-british-institution-no-2-quotmedoraquot-painted-by-w-fisher-1850-engraving-of-a-painting-in-a-london-exhibition-mr-fishers-quotmedoraquot-2-feet-2-inches-in-height-by-1-foot-10-inches-in-width-in-the-north-rooma-half-length-portrait-of-an-eastern-lady-as-the-name-denotes-the-face-is-very-beautiful-the-expression-good-and-the-execution-careful-from-quotillustrated-london-newsquot-1850-2HT69PR.jpg "Exhibition of the British Institution - No. 2., "Medora" - painted by W. Fisher, 1850. Engraving of a painting in a London exhibition: '...Mr. Fisher's "Medora", 2 feet 2 inches in height by 1 foot 10 inches in width - in the North Room....A half-length portrait of an Eastern lady, as the name denotes. The face is very beautiful, the expression good, and the execution careful'. From "Illustrated London News", 1850. Stock Photo")
Exhibition of the British Institution - No. 2., "Medora" - painted by W. Fisher, 1850. Engraving of a painting in a London exhibition: '...Mr. Fisher's "Medora", 2 feet 2 inches in height by 1 foot 10 inches in width - in the North Room....A half-length portrait of an Eastern lady, as the name denotes. The face is very beautiful, the expression good, and the execution careful'. From "Illustrated London News", 1850. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exhibition-of-the-british-institution-no-2-quotmedoraquot-painted-by-w-fisher-1850-engraving-of-a-painting-in-a-london-exhibition-mr-fishers-quotmedoraquot-2-feet-2-inches-in-height-by-1-foot-10-inches-in-width-in-the-north-rooma-half-length-portrait-of-an-eastern-lady-as-the-name-denotes-the-face-is-very-beautiful-the-expression-good-and-the-execution-careful-from-quotillustrated-london-newsquot-1850-image462360719.htmlRM2HT69PR–Exhibition of the British Institution - No. 2., "Medora" - painted by W. Fisher, 1850. Engraving of a painting in a London exhibition: '...Mr. Fisher's "Medora", 2 feet 2 inches in height by 1 foot 10 inches in width - in the North Room....A half-length portrait of an Eastern lady, as the name denotes. The face is very beautiful, the expression good, and the execution careful'. From "Illustrated London News", 1850.
![Royal Academy Exhibition - No. 221. - "Hospitality - The Mote, Ightham, Kent" - painted by J. C. Horsley, 1850. London exhibition of painting. 'The Mote at Ightham, in Kent, in front of which Mr. Horsley has laid the scene of his pleasing picture called "Hospitality," is too often neglected, both by the tourist and the antiquary. It lies the distance of a short and pleasant walk from Sevenoaks, and the Hall is very perfect, and of fourteenth-century work. Mr. Horsley's; explanatory motto: "Use hospitality one to another, without grudging", is excellently suited to Stock Photo](https://c8.alamy.com/comp/2HT6BRD/royal-academy-exhibition-no-221-quothospitality-the-mote-ightham-kentquot-painted-by-j-c-horsley-1850-london-exhibition-of-painting-the-mote-at-ightham-in-kent-in-front-of-which-mr-horsley-has-laid-the-scene-of-his-pleasing-picture-called-quothospitalityquot-is-too-often-neglected-both-by-the-tourist-and-the-antiquary-it-lies-the-distance-of-a-short-and-pleasant-walk-from-sevenoaks-and-the-hall-is-very-perfect-and-of-fourteenth-century-work-mr-horsleys-explanatory-motto-quotuse-hospitality-one-to-another-without-grudgingquot-is-excellently-suited-to-2HT6BRD.jpg "Royal Academy Exhibition - No. 221. - "Hospitality - The Mote, Ightham, Kent" - painted by J. C. Horsley, 1850. London exhibition of painting. 'The Mote at Ightham, in Kent, in front of which Mr. Horsley has laid the scene of his pleasing picture called "Hospitality," is too often neglected, both by the tourist and the antiquary. It lies the distance of a short and pleasant walk from Sevenoaks, and the Hall is very perfect, and of fourteenth-century work. Mr. Horsley's; explanatory motto: "Use hospitality one to another, without grudging", is excellently suited to Stock Photo")
Royal Academy Exhibition - No. 221. - "Hospitality - The Mote, Ightham, Kent" - painted by J. C. Horsley, 1850. London exhibition of painting. 'The Mote at Ightham, in Kent, in front of which Mr. Horsley has laid the scene of his pleasing picture called "Hospitality," is too often neglected, both by the tourist and the antiquary. It lies the distance of a short and pleasant walk from Sevenoaks, and the Hall is very perfect, and of fourteenth-century work. Mr. Horsley's; explanatory motto: "Use hospitality one to another, without grudging", is excellently suited to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/royal-academy-exhibition-no-221-quothospitality-the-mote-ightham-kentquot-painted-by-j-c-horsley-1850-london-exhibition-of-painting-the-mote-at-ightham-in-kent-in-front-of-which-mr-horsley-has-laid-the-scene-of-his-pleasing-picture-called-quothospitalityquot-is-too-often-neglected-both-by-the-tourist-and-the-antiquary-it-lies-the-distance-of-a-short-and-pleasant-walk-from-sevenoaks-and-the-hall-is-very-perfect-and-of-fourteenth-century-work-mr-horsleys-explanatory-motto-quotuse-hospitality-one-to-another-without-grudgingquot-is-excellently-suited-to-image462362305.htmlRM2HT6BRD–Royal Academy Exhibition - No. 221. - "Hospitality - The Mote, Ightham, Kent" - painted by J. C. Horsley, 1850. London exhibition of painting. 'The Mote at Ightham, in Kent, in front of which Mr. Horsley has laid the scene of his pleasing picture called "Hospitality," is too often neglected, both by the tourist and the antiquary. It lies the distance of a short and pleasant walk from Sevenoaks, and the Hall is very perfect, and of fourteenth-century work. Mr. Horsley's; explanatory motto: "Use hospitality one to another, without grudging", is excellently suited to
![The late Queen of the Belgians, from a drawing by M. Baugniet, 1850. Portrait of Louise of Orléans who died of phthisis, 'On the night of the 9th [October] her Majesty had a few hours of rest; but at six o'clock next morning a crisis ensued, in consequence of which her Majesty fell into a state of general and fatal prostration. After a short time, however, she rallied, and regained sufficient strength to converse with her Confessor. Although exhausted to the last degree, she retained possession of all her mental faculties...she received the Communion and the Extreme Unction. She met her f Stock Photo](https://c8.alamy.com/comp/2HT685F/the-late-queen-of-the-belgians-from-a-drawing-by-m-baugniet-1850-portrait-of-louise-of-orlxe9ans-who-died-of-phthisis-on-the-night-of-the-9th-october-her-majesty-had-a-few-hours-of-rest-but-at-six-oclock-next-morning-a-crisis-ensued-in-consequence-of-which-her-majesty-fell-into-a-state-of-general-and-fatal-prostration-after-a-short-time-however-she-rallied-and-regained-sufficient-strength-to-converse-with-her-confessor-although-exhausted-to-the-last-degree-she-retained-possession-of-all-her-mental-facultiesshe-received-the-communion-and-the-extreme-unction-she-met-her-f-2HT685F.jpg "The late Queen of the Belgians, from a drawing by M. Baugniet, 1850. Portrait of Louise of Orléans who died of phthisis, 'On the night of the 9th [October] her Majesty had a few hours of rest; but at six o'clock next morning a crisis ensued, in consequence of which her Majesty fell into a state of general and fatal prostration. After a short time, however, she rallied, and regained sufficient strength to converse with her Confessor. Although exhausted to the last degree, she retained possession of all her mental faculties...she received the Communion and the Extreme Unction. She met her f Stock Photo")
The late Queen of the Belgians, from a drawing by M. Baugniet, 1850. Portrait of Louise of Orléans who died of phthisis, 'On the night of the 9th [October] her Majesty had a few hours of rest; but at six o'clock next morning a crisis ensued, in consequence of which her Majesty fell into a state of general and fatal prostration. After a short time, however, she rallied, and regained sufficient strength to converse with her Confessor. Although exhausted to the last degree, she retained possession of all her mental faculties...she received the Communion and the Extreme Unction. She met her f Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-late-queen-of-the-belgians-from-a-drawing-by-m-baugniet-1850-portrait-of-louise-of-orlxe9ans-who-died-of-phthisis-on-the-night-of-the-9th-october-her-majesty-had-a-few-hours-of-rest-but-at-six-oclock-next-morning-a-crisis-ensued-in-consequence-of-which-her-majesty-fell-into-a-state-of-general-and-fatal-prostration-after-a-short-time-however-she-rallied-and-regained-sufficient-strength-to-converse-with-her-confessor-although-exhausted-to-the-last-degree-she-retained-possession-of-all-her-mental-facultiesshe-received-the-communion-and-the-extreme-unction-she-met-her-f-image462359451.htmlRM2HT685F–The late Queen of the Belgians, from a drawing by M. Baugniet, 1850. Portrait of Louise of Orléans who died of phthisis, 'On the night of the 9th [October] her Majesty had a few hours of rest; but at six o'clock next morning a crisis ensued, in consequence of which her Majesty fell into a state of general and fatal prostration. After a short time, however, she rallied, and regained sufficient strength to converse with her Confessor. Although exhausted to the last degree, she retained possession of all her mental faculties...she received the Communion and the Extreme Unction. She met her f
![Royal Academy Exhibition - No. 597 - "Contentment", painted by A. Rankley, 1850. 'A cottager's parlour'. Interior with a family at the tea table; a young man in academic robes looks nostalgically towards the contented children sitting around a smaller table. From "Illustrated London News", 1850. Stock Photo](https://c8.alamy.com/comp/2HT6BXW/royal-academy-exhibition-no-597-quotcontentmentquot-painted-by-a-rankley-1850-a-cottagers-parlour-interior-with-a-family-at-the-tea-table-a-young-man-in-academic-robes-looks-nostalgically-towards-the-contented-children-sitting-around-a-smaller-table-from-quotillustrated-london-newsquot-1850-2HT6BXW.jpg "Royal Academy Exhibition - No. 597 - "Contentment", painted by A. Rankley, 1850. 'A cottager's parlour'. Interior with a family at the tea table; a young man in academic robes looks nostalgically towards the contented children sitting around a smaller table. From "Illustrated London News", 1850. Stock Photo")
Royal Academy Exhibition - No. 597 - "Contentment", painted by A. Rankley, 1850. 'A cottager's parlour'. Interior with a family at the tea table; a young man in academic robes looks nostalgically towards the contented children sitting around a smaller table. From "Illustrated London News", 1850. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/royal-academy-exhibition-no-597-quotcontentmentquot-painted-by-a-rankley-1850-a-cottagers-parlour-interior-with-a-family-at-the-tea-table-a-young-man-in-academic-robes-looks-nostalgically-towards-the-contented-children-sitting-around-a-smaller-table-from-quotillustrated-london-newsquot-1850-image462362401.htmlRM2HT6BXW–Royal Academy Exhibition - No. 597 - "Contentment", painted by A. Rankley, 1850. 'A cottager's parlour'. Interior with a family at the tea table; a young man in academic robes looks nostalgically towards the contented children sitting around a smaller table. From "Illustrated London News", 1850.
