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Chilkat weaving Stock Photos and Images
Chilkat, Alaska: c. 1910. A Chilkat woman weaving a blanket. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chilkat-alaska-c-1910-a-chilkat-woman-weaving-a-blanket-image566088530.htmlRM2RTYFKE–Chilkat, Alaska: c. 1910. A Chilkat woman weaving a blanket.
A close up of details on a vintage Tlingit Chilkat ceremonial blanket or robe for sale in Santa Fe, New Mexico. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-close-up-of-details-on-a-vintage-tlingit-chilkat-ceremonial-blanket-or-robe-for-sale-in-santa-fe-new-mexico-image438976096.htmlRF2GE52DM–A close up of details on a vintage Tlingit Chilkat ceremonial blanket or robe for sale in Santa Fe, New Mexico.
Chilkat woman weaving blanket, Alaska) - Winter & Pond, Juneau, Alaska Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chilkat-woman-weaving-blanket-alaska-winter-pond-juneau-alaska-image259744276.htmlRMW2GAD8–Chilkat woman weaving blanket, Alaska) - Winter & Pond, Juneau, Alaska
![Chilkat woman weaving blanket, Alaska] / Winter & Pond, Juneau, Alaska Stock Photo](https://c8.alamy.com/comp/WAA0A5/chilkat-woman-weaving-blanket-alaska-winter-pond-juneau-alaska-WAA0A5.jpg "Chilkat woman weaving blanket, Alaska] / Winter & Pond, Juneau, Alaska Stock Photo")
Chilkat woman weaving blanket, Alaska] / Winter & Pond, Juneau, Alaska Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chilkat-woman-weaving-blanket-alaska-winter-pond-juneau-alaska-image264521885.htmlRMWAA0A5–Chilkat woman weaving blanket, Alaska] / Winter & Pond, Juneau, Alaska
Northwest Coast Indian dancing and singing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-northwest-coast-indian-dancing-and-singing-20124355.htmlRMB4MMPY–Northwest Coast Indian dancing and singing
Dance Blanket with Diving Whale and Raven Motifs. Chilkat Tlingit; Southeastern Alaska, United States. Date: 1880-1900. Dimensions: 176.1 x 138.5 cm (69 1/4 x 54 1/2 in.). Wool and bark, dovetail and single interlocking, discontinuous weft, alternate pair weft twining; extended float twining, eccentric weft twining, and three-strand weft twining; main warp cut fringe; edges of twill oblique interlacing terminating in cut fringe; additional knotted fringe. Origin: Northwest Coast. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dance-blanket-with-diving-whale-and-raven-motifs-chilkat-tlingit-southeastern-alaska-united-states-date-1880-1900-dimensions-1761-x-1385-cm-69-14-x-54-12-in-wool-and-bark-dovetail-and-single-interlocking-discontinuous-weft-alternate-pair-weft-twining-extended-float-twining-eccentric-weft-twining-and-three-strand-weft-twining-main-warp-cut-fringe-edges-of-twill-oblique-interlacing-terminating-in-cut-fringe-additional-knotted-fringe-origin-northwest-coast-museum-the-chicago-art-institute-image240194639.htmlRMRXNPKY–Dance Blanket with Diving Whale and Raven Motifs. Chilkat Tlingit; Southeastern Alaska, United States. Date: 1880-1900. Dimensions: 176.1 x 138.5 cm (69 1/4 x 54 1/2 in.). Wool and bark, dovetail and single interlocking, discontinuous weft, alternate pair weft twining; extended float twining, eccentric weft twining, and three-strand weft twining; main warp cut fringe; edges of twill oblique interlacing terminating in cut fringe; additional knotted fringe. Origin: Northwest Coast. Museum: The Chicago Art Institute.
General guide to the exhibition halls of the American Museum of Natural History . ESKIMO WOMAN FISHING THROUGH THE ICE (Group in the Eskimo Hall) end of the hall is depicted the return of avictorious war party. No less conspicuous than the wood-carv-ing art of the Northwest Coast Indians istheir skill in weaving in mountain goat wooland shredded bark and in making baskets.Notice in this connection the Chilkat cere-monial blankets a little over halfway along the hall, on the left, and the Tlingit basketsat the end. These Indians have likewise dis-tinguished themselves in the carving of stone,bo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/general-guide-to-the-exhibition-halls-of-the-american-museum-of-natural-history-eskimo-woman-fishing-through-the-ice-group-in-the-eskimo-hall-end-of-the-hall-is-depicted-the-return-of-avictorious-war-party-no-less-conspicuous-than-the-wood-carv-ing-art-of-the-northwest-coast-indians-istheir-skill-in-weaving-in-mountain-goat-wooland-shredded-bark-and-in-making-basketsnotice-in-this-connection-the-chilkat-cere-monial-blankets-a-little-over-halfway-along-the-hall-on-the-left-and-the-tlingit-basketsat-the-end-these-indians-have-likewise-dis-tinguished-themselves-in-the-carving-of-stonebo-image340213821.htmlRM2ANE25H–General guide to the exhibition halls of the American Museum of Natural History . ESKIMO WOMAN FISHING THROUGH THE ICE (Group in the Eskimo Hall) end of the hall is depicted the return of avictorious war party. No less conspicuous than the wood-carv-ing art of the Northwest Coast Indians istheir skill in weaving in mountain goat wooland shredded bark and in making baskets.Notice in this connection the Chilkat cere-monial blankets a little over halfway along the hall, on the left, and the Tlingit basketsat the end. These Indians have likewise dis-tinguished themselves in the carving of stone,bo
Dance Blanket with Diving Whale and Raven Motifs, Northwest Coast, Late 19th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dance-blanket-with-diving-whale-and-raven-motifs-northwest-coast-late-19th-century-image451396194.htmlRM2H6ATCJ–Dance Blanket with Diving Whale and Raven Motifs, Northwest Coast, Late 19th century.
A close up of details on a vintage Tlingit Chilkat ceremonial blanket or robe for sale in Santa Fe, New Mexico. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-close-up-of-details-on-a-vintage-tlingit-chilkat-ceremonial-blanket-or-robe-for-sale-in-santa-fe-new-mexico-image438976125.htmlRF2GE52EN–A close up of details on a vintage Tlingit Chilkat ceremonial blanket or robe for sale in Santa Fe, New Mexico.
. Yarn and cloth making; an economic study; a college and normal schools text preliminary to fabric study, and a reference for teachers of industrial history and art in secondary and elementary schools. Fig. 30. — One-beam Loom, North America The warp strands of bark strips are hung loosely over a beam supported by twoposts. The weft is run in over and under the warp strands without ashedding device.. Fig. 31. — Wool Weaving on One-beam Loom This Chilkat blanket in process of making is not in plain over and under weavebut of twined weaving. The warp strands hang loosely without stretchingas in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yarn-and-cloth-making-an-economic-study-a-college-and-normal-schools-text-preliminary-to-fabric-study-and-a-reference-for-teachers-of-industrial-history-and-art-in-secondary-and-elementary-schools-fig-30-one-beam-loom-north-america-the-warp-strands-of-bark-strips-are-hung-loosely-over-a-beam-supported-by-twoposts-the-weft-is-run-in-over-and-under-the-warp-strands-without-ashedding-device-fig-31-wool-weaving-on-one-beam-loom-this-chilkat-blanket-in-process-of-making-is-not-in-plain-over-and-under-weavebut-of-twined-weaving-the-warp-strands-hang-loosely-without-stretchingas-in-image336675015.htmlRM2AFMTBK–. Yarn and cloth making; an economic study; a college and normal schools text preliminary to fabric study, and a reference for teachers of industrial history and art in secondary and elementary schools. Fig. 30. — One-beam Loom, North America The warp strands of bark strips are hung loosely over a beam supported by twoposts. The weft is run in over and under the warp strands without ashedding device.. Fig. 31. — Wool Weaving on One-beam Loom This Chilkat blanket in process of making is not in plain over and under weavebut of twined weaving. The warp strands hang loosely without stretchingas in
General guide to the exhibition halls of the American Museum of Natural History . Comrighl WEAVING A CHILKAT BLANKET A mural painting by Will S. Taylor. c 33 o fcH o> UJ z -5 UJ u M w — 3 u § ; 0 to X o D3 EO ?£ 5 2 UJ -5 CO w C s 40 ESKIMO the winter to dramatic ceremonies in which grotesque masks wereworn. Examples of these will be found near the middle of the westside 0 the hall. At the farther end the art of the Tlingit Indians of Alaska is shownin considerable detail. They are especially expert in carving in stone,bone, ivory and wood. One of the tribes of the Tlingit, the < liilk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/general-guide-to-the-exhibition-halls-of-the-american-museum-of-natural-history-comrighl-weaving-a-chilkat-blanket-a-mural-painting-by-will-s-taylor-c-33-o-fch-ogt-uj-z-5-uj-u-m-w-3-u-0-to-x-o-d3-eo-5-2-uj-5-co-w-c-s-40-eskimo-the-winter-to-dramatic-ceremonies-in-which-grotesque-masks-wereworn-examples-of-these-will-be-found-near-the-middle-of-the-westside-0-the-hall-at-the-farther-end-the-art-of-the-tlingit-indians-of-alaska-is-shownin-considerable-detail-they-are-especially-expert-in-carving-in-stonebone-ivory-and-wood-one-of-the-tribes-of-the-tlingit-the-lt-liilk-image339436275.htmlRM2AM6JC3–General guide to the exhibition halls of the American Museum of Natural History . Comrighl WEAVING A CHILKAT BLANKET A mural painting by Will S. Taylor. c 33 o fcH o> UJ z -5 UJ u M w — 3 u § ; 0 to X o D3 EO ?£ 5 2 UJ -5 CO w C s 40 ESKIMO the winter to dramatic ceremonies in which grotesque masks wereworn. Examples of these will be found near the middle of the westside 0 the hall. At the farther end the art of the Tlingit Indians of Alaska is shownin considerable detail. They are especially expert in carving in stone,bone, ivory and wood. One of the tribes of the Tlingit, the < liilk
. Yarn and cloth making; an economic study; a college and normal schools text preliminary to fabric study, and a reference for teachers of industrial history and art in secondary and elementary schools. t. 5. Frayed bag. 6. Charred cloth from mounds in Ohio. 7. Charred fabric from mounds.9. Fabric marked pottery. figs. 5, 6, 8, 10, 16, 18, 19. Ancient fabrics and im-pressions of fabrics on ancient pottery.Kissell (0, fig. I. Kwakiutl squaw. 2. Mat with checked design. 3. Primitive loom with plaited mat. WEAVING TYPES 119 4- Another type of loom. 5- Unfinished Chilkat blanket. 6. Old Chilkat bl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yarn-and-cloth-making-an-economic-study-a-college-and-normal-schools-text-preliminary-to-fabric-study-and-a-reference-for-teachers-of-industrial-history-and-art-in-secondary-and-elementary-schools-t-5-frayed-bag-6-charred-cloth-from-mounds-in-ohio-7-charred-fabric-from-mounds9-fabric-marked-pottery-figs-5-6-8-10-16-18-19-ancient-fabrics-and-im-pressions-of-fabrics-on-ancient-potterykissell-0-fig-i-kwakiutl-squaw-2-mat-with-checked-design-3-primitive-loom-with-plaited-mat-weaving-types-119-4-another-type-of-loom-5-unfinished-chilkat-blanket-6-old-chilkat-bl-image336674217.htmlRM2AFMRB5–. Yarn and cloth making; an economic study; a college and normal schools text preliminary to fabric study, and a reference for teachers of industrial history and art in secondary and elementary schools. t. 5. Frayed bag. 6. Charred cloth from mounds in Ohio. 7. Charred fabric from mounds.9. Fabric marked pottery. figs. 5, 6, 8, 10, 16, 18, 19. Ancient fabrics and im-pressions of fabrics on ancient pottery.Kissell (0, fig. I. Kwakiutl squaw. 2. Mat with checked design. 3. Primitive loom with plaited mat. WEAVING TYPES 119 4- Another type of loom. 5- Unfinished Chilkat blanket. 6. Old Chilkat bl
. Annual report of the Board of Regents of the Smithsonian Institution . all its details, the costume shown in Plate ix well illus-trates the height to which the native arts of weaving, inlaying, carving,and dyeing had risen on this coast before being influenced by the ad-vent of the whites. The dress of a Chilkat chief, encountered by Vancouver at LynnCanal in 1794 is thus described by him: His external robe was a very fine large garment that reached from his neck downto his heels, made of wool from the mountain sheep, neatly variegated with several EXPLANATION OF PLATE IX. General Type of Ts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annual-report-of-the-board-of-regents-of-the-smithsonian-institution-all-its-details-the-costume-shown-in-plate-ix-well-illus-trates-the-height-to-which-the-native-arts-of-weaving-inlaying-carvingand-dyeing-had-risen-on-this-coast-before-being-influenced-by-the-ad-vent-of-the-whites-the-dress-of-a-chilkat-chief-encountered-by-vancouver-at-lynncanal-in-1794-is-thus-described-by-him-his-external-robe-was-a-very-fine-large-garment-that-reached-from-his-neck-downto-his-heels-made-of-wool-from-the-mountain-sheep-neatly-variegated-with-several-explanation-of-plate-ix-general-type-of-ts-image372428322.htmlRM2CHWG3E–. Annual report of the Board of Regents of the Smithsonian Institution . all its details, the costume shown in Plate ix well illus-trates the height to which the native arts of weaving, inlaying, carving,and dyeing had risen on this coast before being influenced by the ad-vent of the whites. The dress of a Chilkat chief, encountered by Vancouver at LynnCanal in 1794 is thus described by him: His external robe was a very fine large garment that reached from his neck downto his heels, made of wool from the mountain sheep, neatly variegated with several EXPLANATION OF PLATE IX. General Type of Ts
. Annual report of the Board of Regents of the Smithsonian Institution . General Type of Tsimshian, Haida, and Tlingit Chiefs Costume. EXPLANATION OF PLATE X,. Details of Chiefs Costume, as shown in Plate IX. From photographs and sketches by the author Fig. 83. Ceremonial Blanket. Worn by Indians of rank and wealth on the North-west coast, commonly called a Chilkat blanket, because the bests^Decimens come from the Chilkat country, although other tribes aremore or less exjDert in weaving them. The warp is composed of twistedcord or twine of cedar bark fiber, and the woof of worsted spun from th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annual-report-of-the-board-of-regents-of-the-smithsonian-institution-general-type-of-tsimshian-haida-and-tlingit-chiefs-costume-explanation-of-plate-x-details-of-chiefs-costume-as-shown-in-plate-ix-from-photographs-and-sketches-by-the-author-fig-83-ceremonial-blanket-worn-by-indians-of-rank-and-wealth-on-the-north-west-coast-commonly-called-a-chilkat-blanket-because-the-bestsdecimens-come-from-the-chilkat-country-although-other-tribes-aremore-or-less-exjdert-in-weaving-them-the-warp-is-composed-of-twistedcord-or-twine-of-cedar-bark-fiber-and-the-woof-of-worsted-spun-from-th-image372426483.htmlRM2CHWDNR–. Annual report of the Board of Regents of the Smithsonian Institution . General Type of Tsimshian, Haida, and Tlingit Chiefs Costume. EXPLANATION OF PLATE X,. Details of Chiefs Costume, as shown in Plate IX. From photographs and sketches by the author Fig. 83. Ceremonial Blanket. Worn by Indians of rank and wealth on the North-west coast, commonly called a Chilkat blanket, because the bests^Decimens come from the Chilkat country, although other tribes aremore or less exjDert in weaving them. The warp is composed of twistedcord or twine of cedar bark fiber, and the woof of worsted spun from th
. Annual report of the Board of Regents of the Smithsonian Institution . (Cat. No. 21.>60, U. S. N. M. Chilkat Indians, Alaska. Collected by Dr. J. B. White, U. S. A.) Plate XXXVII, represents a general type*of both Haida and Tlingitopen-work twined basket, the details of the twine weaving being shownin b of the same plate. This is reproduced from Professor O. T. Masonsarticle on ^ Aboriginal Basket-work already referred to. Dishes.—In nothing more than in their wooden and horn dishes havethese Indians been conservative. Portlock and Dixon (1787), Marchand(1791), and Lisiansky (1805), all d Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annual-report-of-the-board-of-regents-of-the-smithsonian-institution-cat-no-21gt60-u-s-n-m-chilkat-indians-alaska-collected-by-dr-j-b-white-u-s-a-plate-xxxvii-represents-a-general-typeof-both-haida-and-tlingitopen-work-twined-basket-the-details-of-the-twine-weaving-being-shownin-b-of-the-same-plate-this-is-reproduced-from-professor-o-t-masonsarticle-on-aboriginal-basket-work-already-referred-to-dishesin-nothing-more-than-in-their-wooden-and-horn-dishes-havethese-indians-been-conservative-portlock-and-dixon-1787-marchand1791-and-lisiansky-1805-all-d-image372342727.htmlRM2CHNJXF–. Annual report of the Board of Regents of the Smithsonian Institution . (Cat. No. 21.>60, U. S. N. M. Chilkat Indians, Alaska. Collected by Dr. J. B. White, U. S. A.) Plate XXXVII, represents a general type*of both Haida and Tlingitopen-work twined basket, the details of the twine weaving being shownin b of the same plate. This is reproduced from Professor O. T. Masonsarticle on ^ Aboriginal Basket-work already referred to. Dishes.—In nothing more than in their wooden and horn dishes havethese Indians been conservative. Portlock and Dixon (1787), Marchand(1791), and Lisiansky (1805), all d
. Bulletin. Ethnology. CHILKAT CEREMONIAL ROBE. (nIBLACk) pendence, as was also the ornamentation ujion his weapons and his shield. In the S. y. blankets bordered with a design woven in colors were used on ceremonial occasions, and with the ))road belts, white robes, and fringed sashes worn at marriage are interesting specimens of weaving and color treatment. The bril- liant Navaho blankets with their cosmic symbols are well known. The most re- markable example of the native weaver's skill is the ceremonial blanket and apron of the Chilkat tribe of Alaska; it is made of the wool of the mounta Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-ethnology-chilkat-ceremonial-robe-niblack-pendence-as-was-also-the-ornamentation-ujion-his-weapons-and-his-shield-in-the-s-y-blankets-bordered-with-a-design-woven-in-colors-were-used-on-ceremonial-occasions-and-with-the-road-belts-white-robes-and-fringed-sashes-worn-at-marriage-are-interesting-specimens-of-weaving-and-color-treatment-the-bril-liant-navaho-blankets-with-their-cosmic-symbols-are-well-known-the-most-re-markable-example-of-the-native-weavers-skill-is-the-ceremonial-blanket-and-apron-of-the-chilkat-tribe-of-alaska-it-is-made-of-the-wool-of-the-mounta-image234137688.htmlRMRGWW08–. Bulletin. Ethnology. CHILKAT CEREMONIAL ROBE. (nIBLACk) pendence, as was also the ornamentation ujion his weapons and his shield. In the S. y. blankets bordered with a design woven in colors were used on ceremonial occasions, and with the ))road belts, white robes, and fringed sashes worn at marriage are interesting specimens of weaving and color treatment. The bril- liant Navaho blankets with their cosmic symbols are well known. The most re- markable example of the native weaver's skill is the ceremonial blanket and apron of the Chilkat tribe of Alaska; it is made of the wool of the mounta
. Bulletin. Ethnology. construction or combination of parts, and geometric characters necessarily prevail. The same is true in general of the decora- tions in the allied arts of basketry, featherwork, beadwork, quillwork, net- ting, and embroidery (q. v.). The last named, although assuming some of the characteristics of the textile foundation. ceremonial chilkat garment with designs in gobelin style, (niblack) on which it is superposed, frequently ex- presses its designs in flowing graphic forms, and the same is true to a lesser degree in the Gobelin style of weaving practised by the N. W. coa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-ethnology-construction-or-combination-of-parts-and-geometric-characters-necessarily-prevail-the-same-is-true-in-general-of-the-decora-tions-in-the-allied-arts-of-basketry-featherwork-beadwork-quillwork-net-ting-and-embroidery-q-v-the-last-named-although-assuming-some-of-the-characteristics-of-the-textile-foundation-ceremonial-chilkat-garment-with-designs-in-gobelin-style-niblack-on-which-it-is-superposed-frequently-ex-presses-its-designs-in-flowing-graphic-forms-and-the-same-is-true-to-a-lesser-degree-in-the-gobelin-style-of-weaving-practised-by-the-n-w-coa-image234137537.htmlRMRGWTPW–. Bulletin. Ethnology. construction or combination of parts, and geometric characters necessarily prevail. The same is true in general of the decora- tions in the allied arts of basketry, featherwork, beadwork, quillwork, net- ting, and embroidery (q. v.). The last named, although assuming some of the characteristics of the textile foundation. ceremonial chilkat garment with designs in gobelin style, (niblack) on which it is superposed, frequently ex- presses its designs in flowing graphic forms, and the same is true to a lesser degree in the Gobelin style of weaving practised by the N. W. coa
. Bulletin. Ethnology. ceremonial chilkat garment with designs in gobelin style, (niblack) on which it is superposed, frequently ex- presses its designs in flowing graphic forms, and the same is true to a lesser degree in the Gobelin style of weaving practised by the N. W. coast tribes. As already stated, the decorative motives of the last-mentioned tribes are in the main representative of life forms, but, with the exception of the Nootka and other of the more southern tribes, their basketry decoration is almost exclusively geo- metric. Featherwork had a prominent place in native art and is st Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-ethnology-ceremonial-chilkat-garment-with-designs-in-gobelin-style-niblack-on-which-it-is-superposed-frequently-ex-presses-its-designs-in-flowing-graphic-forms-and-the-same-is-true-to-a-lesser-degree-in-the-gobelin-style-of-weaving-practised-by-the-n-w-coast-tribes-as-already-stated-the-decorative-motives-of-the-last-mentioned-tribes-are-in-the-main-representative-of-life-forms-but-with-the-exception-of-the-nootka-and-other-of-the-more-southern-tribes-their-basketry-decoration-is-almost-exclusively-geo-metric-featherwork-had-a-prominent-place-in-native-art-and-is-st-image234137524.htmlRMRGWTPC–. Bulletin. Ethnology. ceremonial chilkat garment with designs in gobelin style, (niblack) on which it is superposed, frequently ex- presses its designs in flowing graphic forms, and the same is true to a lesser degree in the Gobelin style of weaving practised by the N. W. coast tribes. As already stated, the decorative motives of the last-mentioned tribes are in the main representative of life forms, but, with the exception of the Nootka and other of the more southern tribes, their basketry decoration is almost exclusively geo- metric. Featherwork had a prominent place in native art and is st
. Annual report of the American Museum of Natural History for the year. American Museum of Natural History; Natural history museums. department of anthropology Weaving a Chilkat Blanket at a Camp on a Salmon River One of the Mural Panels by Will S. Taylor for the Northwest Coast Hall The blanket is being made for the man of the family who stands at the left. The young girl has stopped in the process of separating the strands of the cedar bark to be used for warp. The woman at the right has looked up from her work of spinning the wool. Please note that these images are extracted from scanned pa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annual-report-of-the-american-museum-of-natural-history-for-the-year-american-museum-of-natural-history-natural-history-museums-department-of-anthropology-weaving-a-chilkat-blanket-at-a-camp-on-a-salmon-river-one-of-the-mural-panels-by-will-s-taylor-for-the-northwest-coast-hall-the-blanket-is-being-made-for-the-man-of-the-family-who-stands-at-the-left-the-young-girl-has-stopped-in-the-process-of-separating-the-strands-of-the-cedar-bark-to-be-used-for-warp-the-woman-at-the-right-has-looked-up-from-her-work-of-spinning-the-wool-please-note-that-these-images-are-extracted-from-scanned-pa-image236188302.htmlRMRM78GE–. Annual report of the American Museum of Natural History for the year. American Museum of Natural History; Natural history museums. department of anthropology Weaving a Chilkat Blanket at a Camp on a Salmon River One of the Mural Panels by Will S. Taylor for the Northwest Coast Hall The blanket is being made for the man of the family who stands at the left. The young girl has stopped in the process of separating the strands of the cedar bark to be used for warp. The woman at the right has looked up from her work of spinning the wool. Please note that these images are extracted from scanned pa
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