Chinese literati hi-res stock photography and images

Nagasawa Rosetsu, Landscapes with the Chinese Literati Su Shi and Tao Qian, Japan, Edo period (1615–1868), Nagasawa Rosetsu (Japanese, 1754–1799), 1795–99, Japan, Pair of six-panel folding screens; ink and gold leaf on paper, Image (each screen): 67 3/8 in. x 12 ft. 2 3/4 in. (171.1 x 372.7 cm), Screens Stock Photo

RM2B0MTA7–Nagasawa Rosetsu, Landscapes with the Chinese Literati Su Shi and Tao Qian, Japan, Edo period (1615–1868), Nagasawa Rosetsu (Japanese, 1754–1799), 1795–99, Japan, Pair of six-panel folding screens; ink and gold leaf on paper, Image (each screen): 67 3/8 in. x 12 ft. 2 3/4 in. (171.1 x 372.7 cm), Screens

Art inspired by Landscapes with the Chinese Literati Su Shi and Tao Qian, 山水唐人物図屏風, Edo period (1615–1868), 1795–99, Japan, Pair of six-panel folding screens; ink on gold leaf on paper, Image (each screen): 67 3/8 in. x 12 ft. 2 3/4 in. (171.1 x 372.7 cm), Screens, Nagasawa Rosetsu (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTTCG6–Art inspired by Landscapes with the Chinese Literati Su Shi and Tao Qian, 山水唐人物図屏風, Edo period (1615–1868), 1795–99, Japan, Pair of six-panel folding screens; ink on gold leaf on paper, Image (each screen): 67 3/8 in. x 12 ft. 2 3/4 in. (171.1 x 372.7 cm), Screens, Nagasawa Rosetsu (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Calligraphy brush, late 19th century, 15 × 1 × 1 in. (38.1 × 2.54 × 2.54 cm), Horn, horse hair, China, 19th century, In Chinese literati culture, the brush, a writing implement, is known as one of the 'four treasures of the study' along with the inkstick, inkstone, and paper. Brush handles are commonly constructed from bamboo, but some brushes have handles of sandalwood, jade, carved bone or ivory, and other precious materials as demonstrated by these examples. During late imperial times, artists catered to the tastes of gentlemen collectors and elaborated brushes with motifs Stock Photo

RM2T90DJW–Calligraphy brush, late 19th century, 15 × 1 × 1 in. (38.1 × 2.54 × 2.54 cm), Horn, horse hair, China, 19th century, In Chinese literati culture, the brush, a writing implement, is known as one of the 'four treasures of the study' along with the inkstick, inkstone, and paper. Brush handles are commonly constructed from bamboo, but some brushes have handles of sandalwood, jade, carved bone or ivory, and other precious materials as demonstrated by these examples. During late imperial times, artists catered to the tastes of gentlemen collectors and elaborated brushes with motifs

China: Chinese literati of the Song Dynasty period (960-1279 CE), c. 19th century. The Song Dynasty (Chinese: 宋朝; pinyin: Sòng Cháo; Wade-Giles: Sung Ch'ao) was the ruling dynasty in China between 960 and 1279; it succeeded the Five Dynasties and Ten Kingdoms Period, and was followed by the Yuan Dynasty. It was the first government in world history to issue banknotes or paper money, and the first Chinese government to establish a permanent standing navy. This dynasty also saw the first known use of gunpowder, as well as first discernment of true north using a compass. Stock Photo

RM2B01K4W–China: Chinese literati of the Song Dynasty period (960-1279 CE), c. 19th century. The Song Dynasty (Chinese: 宋朝; pinyin: Sòng Cháo; Wade-Giles: Sung Ch'ao) was the ruling dynasty in China between 960 and 1279; it succeeded the Five Dynasties and Ten Kingdoms Period, and was followed by the Yuan Dynasty. It was the first government in world history to issue banknotes or paper money, and the first Chinese government to establish a permanent standing navy. This dynasty also saw the first known use of gunpowder, as well as first discernment of true north using a compass.

The Four Accomplishments (Kinkishoga). Artist: Kitagawa Utamaro (Japanese, ca. 1754-1806). Culture: Japan. Dimensions: 15 x 30 in. (38.1 x 76.2 cm). Date: ca. 1788-90. The Four Elegant Accomplishments were the highly esteemed cultural activities of Chinese literati. Here, Utamaro parodies the venerable tradition by setting a contemporary version in an Edo pleasure house. Instead of learned gentlemen, renowned courtesans practice calligraphy, play the Chinese board game go, perform on the lute, and paint pictures. Although the Four Accomplishments were traditionally depicted with equal emphasi Stock Photo

RMPAP11H–The Four Accomplishments (Kinkishoga). Artist: Kitagawa Utamaro (Japanese, ca. 1754-1806). Culture: Japan. Dimensions: 15 x 30 in. (38.1 x 76.2 cm). Date: ca. 1788-90. The Four Elegant Accomplishments were the highly esteemed cultural activities of Chinese literati. Here, Utamaro parodies the venerable tradition by setting a contemporary version in an Edo pleasure house. Instead of learned gentlemen, renowned courtesans practice calligraphy, play the Chinese board game go, perform on the lute, and paint pictures. Although the Four Accomplishments were traditionally depicted with equal emphasi

Confucianism's chief deity is Wen Ch'ang, god of literature (middle figure clothed in blue and holding scepter in right hand). Stock Photo

RFBR6F6K–Confucianism's chief deity is Wen Ch'ang, god of literature (middle figure clothed in blue and holding scepter in right hand).

. English: A trading junk at sea Western-style oil paintings produced in China in the 19th century were in most cases done by anonymous craftsmen, and were never considered high art by Chinese literati. Apart from a few very well-known workshops targeting Western customers in Canton, Hong Kong, and Shanghai, the majority of the craftsmen did not leave their signatures on these export paintings. If they ever signed, they would sign in English (e.g., “Sunqua”, the pseudonym of one of the best known Chinese export painting artists working in 19th century Canton.) Painted on the stern of the junk Stock Photo

RMP0DMYX–. English: A trading junk at sea Western-style oil paintings produced in China in the 19th century were in most cases done by anonymous craftsmen, and were never considered high art by Chinese literati. Apart from a few very well-known workshops targeting Western customers in Canton, Hong Kong, and Shanghai, the majority of the craftsmen did not leave their signatures on these export paintings. If they ever signed, they would sign in English (e.g., “Sunqua”, the pseudonym of one of the best known Chinese export painting artists working in 19th century Canton.) Painted on the stern of the junk

Square Covered Box with Hundred Antiquities, 1723-1735. The painted decoration in this box cover provides an interesting image of the antiquities and objects being collected in the Chinese scholar’s desk—all of which are emblems of taste, status, and affluence. Connoisseurship, art cataloguing, art historical study, and elegant social gatherings developed alongside art collecting as part of the Chinese literati culture. Stock Photo

RM2A528X5–Square Covered Box with Hundred Antiquities, 1723-1735. The painted decoration in this box cover provides an interesting image of the antiquities and objects being collected in the Chinese scholar’s desk—all of which are emblems of taste, status, and affluence. Connoisseurship, art cataloguing, art historical study, and elegant social gatherings developed alongside art collecting as part of the Chinese literati culture.

Pair of Antique Chinese Paintings on Silk With Inscriptions. Early 20th century Stock Photo

RF2K5P1FR–Pair of Antique Chinese Paintings on Silk With Inscriptions. Early 20th century

Landscapes with the Chinese Literati Su Shi and Tao Qian 1975 by Nagasawa Rosetsu Stock Photo

RM2TCF276–Landscapes with the Chinese Literati Su Shi and Tao Qian 1975 by Nagasawa Rosetsu

Vintage Chinese painting: Example of a 'Bunjinga' Landscape. Reproduction of book illustration of 1912 Nanga (Japanese painting) 'Southern painting', Stock Photo

RM2HG3EYD–Vintage Chinese painting: Example of a 'Bunjinga' Landscape. Reproduction of book illustration of 1912 Nanga (Japanese painting) 'Southern painting',

Finger Painting of a Landscape 18th century Ike Taiga Taiga was one of the most prolific artists of the Nanga school, which was inspired by Chinese literati painting. This intimate landscape was painted with the artist's fingers rather than with a brush. Manipulating the effects of ink to create an almost abstract presentation, Taiga employed a technique known as tarashikomi, in which ink is applied over a still-wet surface.. Finger Painting of a Landscape 48989 Stock Photo

RM2HH968M–Finger Painting of a Landscape 18th century Ike Taiga Taiga was one of the most prolific artists of the Nanga school, which was inspired by Chinese literati painting. This intimate landscape was painted with the artist's fingers rather than with a brush. Manipulating the effects of ink to create an almost abstract presentation, Taiga employed a technique known as tarashikomi, in which ink is applied over a still-wet surface.. Finger Painting of a Landscape 48989

Art inspired by Poems by Famous Literati in Nanjing, Ming dynasty (1368–1644), 16th–17th century, China, Hanging scroll; ink on paper, Image: 38 9/16 x 10 3/16 in. (97.9 x 25.9 cm), Calligraphy, Liu Xiang (Chinese, active mid-17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3BHR–Art inspired by Poems by Famous Literati in Nanjing, Ming dynasty (1368–1644), 16th–17th century, China, Hanging scroll; ink on paper, Image: 38 9/16 x 10 3/16 in. (97.9 x 25.9 cm), Calligraphy, Liu Xiang (Chinese, active mid-17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Dish ca. 1700 Japanese, for European market Small compositions of birds and trees or flowers are a mainstay of Japanese painting. They often carry seasonal or literary associations. This grouping of birds, a rock, and the Three Friends (a Chinese literati theme) relates to Chinese traditions and symbolism of the plum for forbearance (as it blossoms in early spring), the bamboo for flexible strength, and the pine for venerability but still retains the Japanese lyrical approach to the natural world.. Dish 208315 Stock Photo

RM2HJ1A1W–Dish ca. 1700 Japanese, for European market Small compositions of birds and trees or flowers are a mainstay of Japanese painting. They often carry seasonal or literary associations. This grouping of birds, a rock, and the Three Friends (a Chinese literati theme) relates to Chinese traditions and symbolism of the plum for forbearance (as it blossoms in early spring), the bamboo for flexible strength, and the pine for venerability but still retains the Japanese lyrical approach to the natural world.. Dish 208315

the pavilion in traditional chinese garden Stock Photo

RFEJBDND–the pavilion in traditional chinese garden

China: Huang Tingjian (1045-1105), sculpture exhibition in the grounds of Du Fu Caotang (Du Fu's Thatched Cottage), Chengdu, Sichuan Province Huang Tingjian was a Chinese artist. He is predominantly known as a calligrapher, but was also admired for his painting and poetry. He was one of the Four masters of the Song Dynasty, and was a student of Su Shi at his school of literati painting. Du Fu (Dù Fǔ; Wade–Giles: Tu Fu, 712–770) was a prominent Chinese poet of the Tang Dynasty. Along with Li Bai (Li Bo), he is frequently called the greatest of the Chinese poets. In 759 Du Fu moved to Chengdu. Stock Photo

RM2B014TD–China: Huang Tingjian (1045-1105), sculpture exhibition in the grounds of Du Fu Caotang (Du Fu's Thatched Cottage), Chengdu, Sichuan Province Huang Tingjian was a Chinese artist. He is predominantly known as a calligrapher, but was also admired for his painting and poetry. He was one of the Four masters of the Song Dynasty, and was a student of Su Shi at his school of literati painting. Du Fu (Dù Fǔ; Wade–Giles: Tu Fu, 712–770) was a prominent Chinese poet of the Tang Dynasty. Along with Li Bai (Li Bo), he is frequently called the greatest of the Chinese poets. In 759 Du Fu moved to Chengdu.

Ceramic handicrafts of ancient Chinese literati Stock Photo

RFTCT3JG–Ceramic handicrafts of ancient Chinese literati

Statue of Luxun who is a famous Chinese writer Stock Photo

RMC5F7AP–Statue of Luxun who is a famous Chinese writer

Beijing, China's Fujian Province. 28th Mar, 2019. Wu Zhoufu, inheritor of the workmanship of Jianzhan teaware, observes pieces of porcelain at his workshop in Jianyang District of Nanping City, south China's Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. Credit: Wei Peiquan/Xinhua/Alamy Live News Stock Photo

RMT1Y81R–Beijing, China's Fujian Province. 28th Mar, 2019. Wu Zhoufu, inheritor of the workmanship of Jianzhan teaware, observes pieces of porcelain at his workshop in Jianyang District of Nanping City, south China's Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. Credit: Wei Peiquan/Xinhua/Alamy Live News

Hong Kong - January 18 2020 : Close Up of Miniature Tree, Bonsai with Chinese Ceramic Doll in Chi Lin Nunnery, Kowloon, Eye Level View Stock Photo

RF2B273TB–Hong Kong - January 18 2020 : Close Up of Miniature Tree, Bonsai with Chinese Ceramic Doll in Chi Lin Nunnery, Kowloon, Eye Level View

China: Wang Guowei (2 December 1877 - 2 June 1927), Chinese literary figure, historian and scholar, c. 1910s. Wang Guowei/Wang Kuo-wei, courtesy name Jing'an (靜安) or Boyu (伯隅), was a Chinese scholar, writer and poet. A versatile and original scholar, he made important contributions to the studies of ancient history, epigraphy, philology, vernacular literature and literary theory. Stock Photo

RM2B01K50–China: Wang Guowei (2 December 1877 - 2 June 1927), Chinese literary figure, historian and scholar, c. 1910s. Wang Guowei/Wang Kuo-wei, courtesy name Jing'an (靜安) or Boyu (伯隅), was a Chinese scholar, writer and poet. A versatile and original scholar, he made important contributions to the studies of ancient history, epigraphy, philology, vernacular literature and literary theory.

Calligraphy brush, late 19th century, 24 × 3 × 3 in. (60.96 × 7.62 × 7.62 cm) (without hanging cord), Bamboo, hair, China, 19th century, In Chinese literati culture, the brush, a writing implement, is known as one of the 'four treasures of the study' along with the inkstick, inkstone, and paper. Brush handles are commonly constructed from bamboo, but some brushes have handles of sandalwood, jade, carved bone or ivory, and other precious materials as demonstrated by these examples. During late imperial times, artists catered to the tastes of gentlemen collectors and elaborated brushes Stock Photo

RM2T90DMC–Calligraphy brush, late 19th century, 24 × 3 × 3 in. (60.96 × 7.62 × 7.62 cm) (without hanging cord), Bamboo, hair, China, 19th century, In Chinese literati culture, the brush, a writing implement, is known as one of the 'four treasures of the study' along with the inkstick, inkstone, and paper. Brush handles are commonly constructed from bamboo, but some brushes have handles of sandalwood, jade, carved bone or ivory, and other precious materials as demonstrated by these examples. During late imperial times, artists catered to the tastes of gentlemen collectors and elaborated brushes

Han Yu, courtesy name Tuizhi and commonly called Han Wengong, was a precursor of Neo-Confucianism as well as an essayist and poet during the Tang dynasty. The Indiana Companion calls him 'comparable in stature to Dante, Shakespeare or Goethe' for his influence on the Chinese literary tradition. He stood for strong central authority in politics and orthodoxy in cultural matters. He is also among China's finest prose writers, second only to Sima Qian, and first among the 'Eight Great Prose Masters of the Tang and Song'. Stock Photo

RM2B018J2–Han Yu, courtesy name Tuizhi and commonly called Han Wengong, was a precursor of Neo-Confucianism as well as an essayist and poet during the Tang dynasty. The Indiana Companion calls him 'comparable in stature to Dante, Shakespeare or Goethe' for his influence on the Chinese literary tradition. He stood for strong central authority in politics and orthodoxy in cultural matters. He is also among China's finest prose writers, second only to Sima Qian, and first among the 'Eight Great Prose Masters of the Tang and Song'.

Two Paintings of Deer Antlers. Artist: Qianlong Emperor (Chinese, (1711-1799; r. 1736-95)). Culture: China. Dimensions: a: 9 3/4 × 81 1/4 in. (24.8 × 206.4 cm) b: 9 7/8 × 81 1/4 in. (25.1 × 206.4 cm). Date: dated 1762 and 1767. The Qianlong Emperor practiced both calligraphy and painting as a way of identifying himself with Chinese literati ideals of self-cultivation. However, the subject matter of these two scrolls reveals his concomitant desire to align himself with Manchu hunting traditions. Furthermore, the realistic rendering of texture and three-dimensional form reflects the influence Stock Photo

RMPA96A3–Two Paintings of Deer Antlers. Artist: Qianlong Emperor (Chinese, (1711-1799; r. 1736-95)). Culture: China. Dimensions: a: 9 3/4 × 81 1/4 in. (24.8 × 206.4 cm) b: 9 7/8 × 81 1/4 in. (25.1 × 206.4 cm). Date: dated 1762 and 1767. The Qianlong Emperor practiced both calligraphy and painting as a way of identifying himself with Chinese literati ideals of self-cultivation. However, the subject matter of these two scrolls reveals his concomitant desire to align himself with Manchu hunting traditions. Furthermore, the realistic rendering of texture and three-dimensional form reflects the influence

old chinese poet hand drawn in sumi-e style by watercolors on kraft paper Stock Photo

RF2A7CKGT–old chinese poet hand drawn in sumi-e style by watercolors on kraft paper

English: Roukaku Sansui Zu(landscape with tower) 日本語: 楼閣山水図 . Left of a pair of six-section folding screens (byōbu) painted in Chinese Southern School style. This screen depicts the Zuiweng Arbor at Mount Langya in which literati hold a gathering. English: mid 18th century 日本語: 江戸時代 . 1075 Roukaku Sansui Zu Stock Photo

RMMNWXJD–English: Roukaku Sansui Zu(landscape with tower) 日本語: 楼閣山水図 . Left of a pair of six-section folding screens (byōbu) painted in Chinese Southern School style. This screen depicts the Zuiweng Arbor at Mount Langya in which literati hold a gathering. English: mid 18th century 日本語: 江戸時代 . 1075 Roukaku Sansui Zu

Pair of Bowls: Kakiemon Ware, late 17th century. The Chinese style of decoration identifies this bowl as a product made for the markets in England, Holland, France, and Germany. Here, kakiemon potters rearranged the Chinese literati motifs of the plum, pine, and bamboo. Such kakiemon ware inspired domestic porcelain production in Europe in the 1700s-1800s. Stock Photo

RM2A51RF5–Pair of Bowls: Kakiemon Ware, late 17th century. The Chinese style of decoration identifies this bowl as a product made for the markets in England, Holland, France, and Germany. Here, kakiemon potters rearranged the Chinese literati motifs of the plum, pine, and bamboo. Such kakiemon ware inspired domestic porcelain production in Europe in the 1700s-1800s.

Landskape, by Koetsu, inscription by Hojo Gen'an, ink on paper, Muromachi period, 16th century Stock Photo

RFWHWGXN–Landskape, by Koetsu, inscription by Hojo Gen'an, ink on paper, Muromachi period, 16th century

(190329) -- BEIJING, March 29, 2019 (Xinhua) -- Wu Zhoufu, inheritor of the workmanship of Jianzhan teaware, observes pieces of porcelain at his workshop in Jianyang District of Nanping City, south China s Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. (Xinhua/Wei Peiquan) XINHUA PHOTOS OF THE DAY PUBLICATIONxNOTxINxCHN Stock Photo

RM2RP996M–(190329) -- BEIJING, March 29, 2019 (Xinhua) -- Wu Zhoufu, inheritor of the workmanship of Jianzhan teaware, observes pieces of porcelain at his workshop in Jianyang District of Nanping City, south China s Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. (Xinhua/Wei Peiquan) XINHUA PHOTOS OF THE DAY PUBLICATIONxNOTxINxCHN

Taoranting Park, Beijing, China, is a city park located to the north of Beijing's Southern Railway Station in Xuanwu District, the southern part of the city. A former location for literati to get together, while most of Beijing's gardens were reserved only for imperial families during the Qing Dynasty, it gained its name from a poem by the Tang Dynasty poet Bai Juyi, 'Wait till the chrysanthemums are yellow and home-made wine is ripe, (I'll) drink with you and be carefree.' Stock Photo

RM2R215FY–Taoranting Park, Beijing, China, is a city park located to the north of Beijing's Southern Railway Station in Xuanwu District, the southern part of the city. A former location for literati to get together, while most of Beijing's gardens were reserved only for imperial families during the Qing Dynasty, it gained its name from a poem by the Tang Dynasty poet Bai Juyi, 'Wait till the chrysanthemums are yellow and home-made wine is ripe, (I'll) drink with you and be carefree.'

New York, USA. 09th Mar, 2017. Zheng Chongbin poses for photo in front of his painting. INK Studio, the acclaimed art gallery in Beijing, presents at New York's Asia Week, 'China Now: New Literati Art'. His first group exhibition in North America. The exhibition features the names of the most influential and influential comtemporary artists: Li Jin Bingyi, Li Huasheng, Li Jin, Yang Jiechang, and Zheng Chongbin. The expocisao remains from 9-18 March at the ART100 New York. Credit: Luiz Roberto Lima/Pacific Press/Alamy Live News Stock Photo

RMHTEK8K–New York, USA. 09th Mar, 2017. Zheng Chongbin poses for photo in front of his painting. INK Studio, the acclaimed art gallery in Beijing, presents at New York's Asia Week, 'China Now: New Literati Art'. His first group exhibition in North America. The exhibition features the names of the most influential and influential comtemporary artists: Li Jin Bingyi, Li Huasheng, Li Jin, Yang Jiechang, and Zheng Chongbin. The expocisao remains from 9-18 March at the ART100 New York. Credit: Luiz Roberto Lima/Pacific Press/Alamy Live News

Art inspired by 清, 金?, 梅花, 扇面, Plum, Qing dynasty (1644–1911), dated 1886, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 x 21 in. (17.8 x 53.3 cm), Paintings, Jin Lan (Chinese, 1841–1910), The influence of literati ideals in professional circles is evident, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTTPT9–Art inspired by 清, 金?, 梅花, 扇面, Plum, Qing dynasty (1644–1911), dated 1886, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 x 21 in. (17.8 x 53.3 cm), Paintings, Jin Lan (Chinese, 1841–1910), The influence of literati ideals in professional circles is evident, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Four Accomplishments (Kinkishoga) ca. 1788–90 Kitagawa Utamaro Japanese The Four Elegant Accomplishments were the highly esteemed cultural activities of Chinese literati. Here, Utamaro parodies the venerable tradition by setting a contemporary version in an Edo pleasure house. Instead of learned gentlemen, renowned courtesans practice calligraphy, play the Chinese board game go, perform on the lute, and paint pictures. Although the Four Accomplishments were traditionally depicted with equal emphasis, the perspectival arrangement of this print clearly favors painting over the other activiti Stock Photo

RM2HHB6JP–The Four Accomplishments (Kinkishoga) ca. 1788–90 Kitagawa Utamaro Japanese The Four Elegant Accomplishments were the highly esteemed cultural activities of Chinese literati. Here, Utamaro parodies the venerable tradition by setting a contemporary version in an Edo pleasure house. Instead of learned gentlemen, renowned courtesans practice calligraphy, play the Chinese board game go, perform on the lute, and paint pictures. Although the Four Accomplishments were traditionally depicted with equal emphasis, the perspectival arrangement of this print clearly favors painting over the other activiti

RMMKMEXG–Sitting By the River

Two Paintings of Deer Antlers dated 1762 and 1767 Qianlong Emperor Chinese The Qianlong Emperor practiced both calligraphy and painting as a way of identifying himself with Chinese literati ideals of self-cultivation. However, the subject matter of these two scrolls reveals his concomitant desire to align himself with Manchu hunting traditions. Furthermore, the realistic rendering of texture and three-dimensional form reflects the influence of Western pictorial techniques, introduced to the court by Jesuit painters such as Giuseppe Castiglione (1688–1766). The earlier of the two scrolls depict Stock Photo

RM2HHWAM9–Two Paintings of Deer Antlers dated 1762 and 1767 Qianlong Emperor Chinese The Qianlong Emperor practiced both calligraphy and painting as a way of identifying himself with Chinese literati ideals of self-cultivation. However, the subject matter of these two scrolls reveals his concomitant desire to align himself with Manchu hunting traditions. Furthermore, the realistic rendering of texture and three-dimensional form reflects the influence of Western pictorial techniques, introduced to the court by Jesuit painters such as Giuseppe Castiglione (1688–1766). The earlier of the two scrolls depict

Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers . Plate III-CHINESE RUG OF THE KANG-HI DYNASTY Patterned with symbols of the Literati. ASTY 180 Stock Photo

RM2AJA37B–Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers . Plate III-CHINESE RUG OF THE KANG-HI DYNASTY Patterned with symbols of the Literati. ASTY 180

California, San Francisco, Portsmouth Square, Chinatown Stock Photo

RMAHW223–California, San Francisco, Portsmouth Square, Chinatown

(190328) -- JIANYANG, March 28, 2019 (Xinhua) -- Wu Lizhu, inheritor of the workmanship of Jianzhan teaware, carries pieces of porcelain at his workshop in Jianyang District of Nanping City, south China's Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. Jianzhan teawares are known for their variability. Glazes can range in color from dark plum to yellow, green, and blue. Du Stock Photo

RMT1RACW–(190328) -- JIANYANG, March 28, 2019 (Xinhua) -- Wu Lizhu, inheritor of the workmanship of Jianzhan teaware, carries pieces of porcelain at his workshop in Jianyang District of Nanping City, south China's Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. Jianzhan teawares are known for their variability. Glazes can range in color from dark plum to yellow, green, and blue. Du

RF2B273TA–Hong Kong - January 18 2020 : Close Up of Miniature Tree, Bonsai with Chinese Ceramic Doll in Chi Lin Nunnery, Kowloon, Eye Level View

I Dream I Seek my Garden Chelsea Flower Show 2008 designed by Shao Fan Stock Photo

RMB101PC–I Dream I Seek my Garden Chelsea Flower Show 2008 designed by Shao Fan

Calligraphy brush, late 19th century, 14 1/8 × 1 3/4 × 1 3/4 in. (35.88 × 4.45 × 4.45 cm) (without hanging loops), Wood, hair, China, 19th century, In Chinese literati culture, the brush, a writing implement, is known as one of the 'four treasures of the study' along with the inkstick, inkstone, and paper. Brush handles are commonly constructed from bamboo, but some brushes have handles of sandalwood, jade, carved bone or ivory, and other precious materials as demonstrated by these examples. During late imperial times, artists catered to the tastes of gentlemen collectors Stock Photo

RM2T90DMH–Calligraphy brush, late 19th century, 14 1/8 × 1 3/4 × 1 3/4 in. (35.88 × 4.45 × 4.45 cm) (without hanging loops), Wood, hair, China, 19th century, In Chinese literati culture, the brush, a writing implement, is known as one of the 'four treasures of the study' along with the inkstick, inkstone, and paper. Brush handles are commonly constructed from bamboo, but some brushes have handles of sandalwood, jade, carved bone or ivory, and other precious materials as demonstrated by these examples. During late imperial times, artists catered to the tastes of gentlemen collectors

China: Jia Dao (779-843), Tang Dynasty poet and calligrapher. Woodblock print from 'Images of Ancient People in History', c. 1498. Jia Dao, also spelt Chia Tao and courtesy name Langxian, was a Chinese poet active during the Tang Dynasty. He was born near modern Beijing; after a period as a Buddhist monk, he went to Chang'an. He became one of Han Yu's disciples, but failed the jinshi exam several times. He wrote both discursive gushi and lyric jintishi. His works were dismissed as 'thin' by Su Shi, and some other commentators have considered them limited and artificial. Stock Photo

RM2B018HW–China: Jia Dao (779-843), Tang Dynasty poet and calligrapher. Woodblock print from 'Images of Ancient People in History', c. 1498. Jia Dao, also spelt Chia Tao and courtesy name Langxian, was a Chinese poet active during the Tang Dynasty. He was born near modern Beijing; after a period as a Buddhist monk, he went to Chang'an. He became one of Han Yu's disciples, but failed the jinshi exam several times. He wrote both discursive gushi and lyric jintishi. His works were dismissed as 'thin' by Su Shi, and some other commentators have considered them limited and artificial.

RMPAXWGF–Orchids and Bamboo. Artist: Zheng Xie (Chinese, 1693-1765). Culture: China. Dimensions: Image: 13 3/4 x 147 1/2 in. (34.9 x 374.7 cm) Overall with mounting: 15 1/8 x 295 1/4 in. (38.4 x 749.9 cm). Date: dated 1742. Inscribed by the artist and by Gu Yuankui (juren degree, 1744); Yinxi (1711-1758); Zhu Wenzhen (1718-ca. 1778); and Cheng Duo (act. early-mid-18th century) Inspired by the viewing of a friend's orchids in full bloom, Zheng Xie painted two plants admired by Chinese literati: the orchid, symbol of loyalty and unappreciated virtue, and the bamboo, symbol of the superior man who is st

lying chinese boy hand drawn in sumi-e style by black ink on kraft paper Stock Photo

RF2A7CKDA–lying chinese boy hand drawn in sumi-e style by black ink on kraft paper

. Depicted place: Yueyang Tower English: Right of a pair of six-section folding screens (byōbu) painted in Chinese Southern School style. This screen depicts the Yueyang Tower at Dongting Lake in which literati hold a gathering. Japanese: ??????? - Roukaku Sansui Zu Landscape with towe. circa 1750. Chinese landscape screen Stock Photo

RMMMW246–. Depicted place: Yueyang Tower English: Right of a pair of six-section folding screens (byōbu) painted in Chinese Southern School style. This screen depicts the Yueyang Tower at Dongting Lake in which literati hold a gathering. Japanese: ??????? - Roukaku Sansui Zu Landscape with towe. circa 1750. Chinese landscape screen

One of a Pair of Bowls: Kakiemon Ware, late 17th century. The Chinese style of decoration identifies this bowl as a product made for the markets in England, Holland, France, and Germany. Here, kakiemon potters rearranged the Chinese literati motifs of the plum, pine, and bamboo. Such kakiemon ware inspired domestic porcelain production in Europe in the 1700s and 1800s. Stock Photo

RM2A51NCP–One of a Pair of Bowls: Kakiemon Ware, late 17th century. The Chinese style of decoration identifies this bowl as a product made for the markets in England, Holland, France, and Germany. Here, kakiemon potters rearranged the Chinese literati motifs of the plum, pine, and bamboo. Such kakiemon ware inspired domestic porcelain production in Europe in the 1700s and 1800s.

The Poet Lin Heijing Returning Home (detail), by Ike no Taiga, light color on paper, Edo period, 18th century Stock Photo

RF2BGXKXA–The Poet Lin Heijing Returning Home (detail), by Ike no Taiga, light color on paper, Edo period, 18th century

(190328) -- JIANYANG, March 28, 2019 (Xinhua) -- Wu Lizhu, inheritor of the workmanship of Jianzhan teaware, smashes unsatisfying pieces of porcelain at his workshop in Jianyang District of Nanping City, south China s Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. Jianzhan teawares are known for their variability. Glazes can range in color from dark plum to yellow, green, and Stock Photo

RM2RP98DX–(190328) -- JIANYANG, March 28, 2019 (Xinhua) -- Wu Lizhu, inheritor of the workmanship of Jianzhan teaware, smashes unsatisfying pieces of porcelain at his workshop in Jianyang District of Nanping City, south China s Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. Jianzhan teawares are known for their variability. Glazes can range in color from dark plum to yellow, green, and

sketch of prawn on pink colored paper Stock Photo

RFR5JD35–sketch of prawn on pink colored paper

(190523) -- SYDNEY, May 23, 2019 -- Photo taken on May 23, 2019 shows items during an auction held by Bonhams Asian Art department in Sydney, Australia. A collection of rare Chinese artifacts went up for auction in Sydney on Wednesday night, netting combined sales of over 480,000 U.S. dollars. Bonhams facilitated the sale of around 100 ceramics, carvings and works of art from China, with the highest priced being a work by literati painter Huang Binhong, titled Recluse by the Stream, which sold for 42,000 U.S. dollars. ) AUSTRALIA-SYDNEY-AUCTION BaixXuefei PUBLICATIONxNOTxINxCHN Stock Photo

RM2RPB0GD–(190523) -- SYDNEY, May 23, 2019 -- Photo taken on May 23, 2019 shows items during an auction held by Bonhams Asian Art department in Sydney, Australia. A collection of rare Chinese artifacts went up for auction in Sydney on Wednesday night, netting combined sales of over 480,000 U.S. dollars. Bonhams facilitated the sale of around 100 ceramics, carvings and works of art from China, with the highest priced being a work by literati painter Huang Binhong, titled Recluse by the Stream, which sold for 42,000 U.S. dollars. ) AUSTRALIA-SYDNEY-AUCTION BaixXuefei PUBLICATIONxNOTxINxCHN

Art inspired by 近代楊逸青松扇面, Pine, dated 1923, China, Folding fan mounted as an album leaf; ink and color on alum paper, 8 x 21 1/2 in. (20.3 x 54.6 cm), Paintings, Yang Yi (Chinese, 1864–1929), Yang Yi, a member of the literati circle of painters in Shanghai, was a calligrapher and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTTAT6–Art inspired by 近代楊逸青松扇面, Pine, dated 1923, China, Folding fan mounted as an album leaf; ink and color on alum paper, 8 x 21 1/2 in. (20.3 x 54.6 cm), Paintings, Yang Yi (Chinese, 1864–1929), Yang Yi, a member of the literati circle of painters in Shanghai, was a calligrapher and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

(190328) -- JIANYANG, March 28, 2019 (Xinhua) -- Wu Lizhu, inheritor of the workmanship of Jianzhan teaware, makes a piece of porcelain at his workshop in Jianyang District of Nanping City, south China s Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. Jianzhan teawares are known for their variability. Glazes can range in color from dark plum to yellow, green, and blue. During Stock Photo

RM2RP98DW–(190328) -- JIANYANG, March 28, 2019 (Xinhua) -- Wu Lizhu, inheritor of the workmanship of Jianzhan teaware, makes a piece of porcelain at his workshop in Jianyang District of Nanping City, south China s Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. Jianzhan teawares are known for their variability. Glazes can range in color from dark plum to yellow, green, and blue. During

New York, USA. 09th Mar, 2017. Zheng Chongbin poses for photo in front of his painting at the show in New York. INK Studio, the acclaimed art gallery in Beijing, presents at New York's Asia Week, 'China Now: New Literati Art'. His first group exhibition in North America. The exhibition features the names of the most influential and influential comtemporary artists: Li Jin Bingyi, Li Huasheng, Li Jin, Yang Jiechang, and Zheng Chongbin. The expocisao remains from 9-18 March at the ART100 New York. Credit: Luiz Roberto Lima/Pacific Press/Alamy Live News Stock Photo

RMHTEK8T–New York, USA. 09th Mar, 2017. Zheng Chongbin poses for photo in front of his painting at the show in New York. INK Studio, the acclaimed art gallery in Beijing, presents at New York's Asia Week, 'China Now: New Literati Art'. His first group exhibition in North America. The exhibition features the names of the most influential and influential comtemporary artists: Li Jin Bingyi, Li Huasheng, Li Jin, Yang Jiechang, and Zheng Chongbin. The expocisao remains from 9-18 March at the ART100 New York. Credit: Luiz Roberto Lima/Pacific Press/Alamy Live News

Fan-shaped dish ca. 1725–30 Vienna This dish and its Japanese prototype show a creative amalgamation of form and decoration from several sources. The shape is a Japanese invention, with precedents in paintings on fans and in fan-shaped paintings pasted on screens. The Three Friends motif of pine, bamboo, and plum has its origins in Chinese literati painting. The Du Paquier factory made the only known copies of this Japanese model in Europe.. Fan-shaped dish 199314 Stock Photo

RM2HHT3AB–Fan-shaped dish ca. 1725–30 Vienna This dish and its Japanese prototype show a creative amalgamation of form and decoration from several sources. The shape is a Japanese invention, with precedents in paintings on fans and in fan-shaped paintings pasted on screens. The Three Friends motif of pine, bamboo, and plum has its origins in Chinese literati painting. The Du Paquier factory made the only known copies of this Japanese model in Europe.. Fan-shaped dish 199314

Chinese horrors and persecutions of the Christians; containing a full account of the great insurrection in China; atrocities of the 'Boxers' ..together with the complete history of China down to the present time .. . was carriedout with terrible completeness, and suchworks as were preserved are not free fromthe suspicion of being garbled or incompleteversions of their original text. The burningof the books was accompanied by the execu-tion of five hundred of the literati, and by thebanishment of many thousands. Inexcusable Tyranny. By this sweeping measure, to which noparallel is to be found i Stock Photo

RM2AWMNT5–Chinese horrors and persecutions of the Christians; containing a full account of the great insurrection in China; atrocities of the 'Boxers' ..together with the complete history of China down to the present time .. . was carriedout with terrible completeness, and suchworks as were preserved are not free fromthe suspicion of being garbled or incompleteversions of their original text. The burningof the books was accompanied by the execu-tion of five hundred of the literati, and by thebanishment of many thousands. Inexcusable Tyranny. By this sweeping measure, to which noparallel is to be found i

ink wash painting style blank poster model Stock Vector

RFH7WJ05–ink wash painting style blank poster model

(190328) -- JIANYANG, March 28, 2019 (Xinhua) -- Chen Yufeng, inheritor of the workmanship of Jianzhan teaware, adjusts the shape of a piece of porcelain at his workshop in Jianyang District of Nanping City, south China's Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. Jianzhan teawares are known for their variability. Glazes can range in color from dark plum to yellow, gr Stock Photo

RMT1RADG–(190328) -- JIANYANG, March 28, 2019 (Xinhua) -- Chen Yufeng, inheritor of the workmanship of Jianzhan teaware, adjusts the shape of a piece of porcelain at his workshop in Jianyang District of Nanping City, south China's Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. Jianzhan teawares are known for their variability. Glazes can range in color from dark plum to yellow, gr

Rain Flower Stone, a specialty of Nanjing, China Stock Photo

RF2K178FJ–Rain Flower Stone, a specialty of Nanjing, China

Inside view of Yipu garden, a traditional Chinese garden and UNESCO heritage in Suzhou, China. Stock Photo

RF2G1908C–Inside view of Yipu garden, a traditional Chinese garden and UNESCO heritage in Suzhou, China.

Calligraphy brush, late 19th century, 14 × 7/8 × 7/8 in. (35.56 × 2.22 × 2.22 cm) (without hanging loop), Horn, hair, China, 19th century, In Chinese literati culture, the brush, a writing implement, is known as one of the 'four treasures of the study' along with the inkstick, inkstone, and paper. Brush handles are commonly constructed from bamboo, but some brushes have handles of sandalwood, jade, carved bone or ivory, and other precious materials as demonstrated by these examples. During late imperial times, artists catered to the tastes of gentlemen collectors and elaborated brushes Stock Photo

RM2T90DMD–Calligraphy brush, late 19th century, 14 × 7/8 × 7/8 in. (35.56 × 2.22 × 2.22 cm) (without hanging loop), Horn, hair, China, 19th century, In Chinese literati culture, the brush, a writing implement, is known as one of the 'four treasures of the study' along with the inkstick, inkstone, and paper. Brush handles are commonly constructed from bamboo, but some brushes have handles of sandalwood, jade, carved bone or ivory, and other precious materials as demonstrated by these examples. During late imperial times, artists catered to the tastes of gentlemen collectors and elaborated brushes

China: Chinese script. Tang Dynasty (618-907) calligraphy attributed to Lee Yang-bing (Li Yangbing), c. 8th century. Li Yangbing (traditional Chinese: 李陽冰; simplified Chinese: 李阳冰; pinyin: Lǐ Yángbīng, courtesy name: Shaowen) was a high-ranking Tang Dynasty Chinese government official (imperial magistrate), important literary figure, noted calligrapher, and relative of the famous Chinese poet Li Bai. Li Yangbing (also appearing in English as Li Yang-Ping) is notable for being the initial editor and compiler of the poetry of his kinsman, Li Bai. Stock Photo

RM2B00NBE–China: Chinese script. Tang Dynasty (618-907) calligraphy attributed to Lee Yang-bing (Li Yangbing), c. 8th century. Li Yangbing (traditional Chinese: 李陽冰; simplified Chinese: 李阳冰; pinyin: Lǐ Yángbīng, courtesy name: Shaowen) was a high-ranking Tang Dynasty Chinese government official (imperial magistrate), important literary figure, noted calligrapher, and relative of the famous Chinese poet Li Bai. Li Yangbing (also appearing in English as Li Yang-Ping) is notable for being the initial editor and compiler of the poetry of his kinsman, Li Bai.

Landscape with Waterfall. Artist: Nakabayashi Chikuto (Japanese, 1776-1853). Culture: Japan. Dimensions: Image: 61 15/16 x 34 3/16 in. (157.3 x 86.8 cm) Overall with mounting: 111 1/4 x 41 15/16 in. (282.5 x 106.5 cm) Overall with knobs: 111 1/4 x 45 1/16 in. (282.5 x 114.5 cm). Date: 1841. Chikuto painted this large landscape in the spirit of the Plum Blossom Daoist, the name given to the acclaimed Yuan-dynasty literati painter Wu Zhen (1280-1354). Chikuto's diligent study of Chinese literati theory and technique, as expressed in printed treatises and manuals on painting, is evident here, Stock Photo

RMPAM311–Landscape with Waterfall. Artist: Nakabayashi Chikuto (Japanese, 1776-1853). Culture: Japan. Dimensions: Image: 61 15/16 x 34 3/16 in. (157.3 x 86.8 cm) Overall with mounting: 111 1/4 x 41 15/16 in. (282.5 x 106.5 cm) Overall with knobs: 111 1/4 x 45 1/16 in. (282.5 x 114.5 cm). Date: 1841. Chikuto painted this large landscape in the spirit of the Plum Blossom Daoist, the name given to the acclaimed Yuan-dynasty literati painter Wu Zhen (1280-1354). Chikuto's diligent study of Chinese literati theory and technique, as expressed in printed treatises and manuals on painting, is evident here,

Li Bai (701-762), widely known in the West as Li Po, Chinese poet of the Tang Dynasty (618-907). Woodblock print from 'Images of Ancient People in History', c. 1498. Li Bai, also known as Li Bo and courtesy name Taibai and art name Qinglian Jushi, has generally been regarded as one of the greatest poets in China's Tang period, which is often called China's 'golden age' of poetry. Around a thousand existing poems are attributed to him, but the authenticity of many of these is uncertain. Thirty-four of his poems are included in the popular anthology 'Three Hundred Tang Poems'. Stock Photo

RM2B018HX–Li Bai (701-762), widely known in the West as Li Po, Chinese poet of the Tang Dynasty (618-907). Woodblock print from 'Images of Ancient People in History', c. 1498. Li Bai, also known as Li Bo and courtesy name Taibai and art name Qinglian Jushi, has generally been regarded as one of the greatest poets in China's Tang period, which is often called China's 'golden age' of poetry. Around a thousand existing poems are attributed to him, but the authenticity of many of these is uncertain. Thirty-four of his poems are included in the popular anthology 'Three Hundred Tang Poems'.

old chinese pundit hand drawn in sumi-e style by black ink on white paper Stock Photo

RF2A7CKH1–old chinese pundit hand drawn in sumi-e style by black ink on white paper

Scepter in the Shape of a Ruyi Fungus, 1700s. The ruyi scepter was among the decorative items collected by the Chinese literati. It was thought that lofty and refined men of ancient times—the Seven Sages of the Bamboo Grove of the late AD 200s—carried ruyi scepters during the so-called pure conversations of the Daoists. The name ruyi (literally, as one wishes) conveys blessings of wish fulfillment. The fungus-shaped head is an emblem of immortality. Stock Photo

RM2A523KN–Scepter in the Shape of a Ruyi Fungus, 1700s. The ruyi scepter was among the decorative items collected by the Chinese literati. It was thought that lofty and refined men of ancient times—the Seven Sages of the Bamboo Grove of the late AD 200s—carried ruyi scepters during the so-called pure conversations of the Daoists. The name ruyi (literally, as one wishes) conveys blessings of wish fulfillment. The fungus-shaped head is an emblem of immortality.

RF2BGXKWD–The Poet Lin Heijing Returning Home (detail), by Ike no Taiga, light color on paper, Edo period, 18th century

A Chinese calligrapher writes calligraphy and creates a calligraphy work Stock Photo

RF2T28GF4–A Chinese calligrapher writes calligraphy and creates a calligraphy work

wild goose on blue colored paper Stock Photo

RFR5JDB8–wild goose on blue colored paper

RF2C2KPME–old chinese poet hand drawn in sumi-e style by watercolors on kraft paper

Art inspired by 清, 趙之謙, 芍藥桃花, 扇面, Peach Blossoms and Peony, Qing dynasty (1644–1911), ca. 1860, China, Folding fan mounted as an album leaf; ink and color on gold-flecked paper, 7 1/2 x 21 1/2 in. (19.1 x 54.6 cm), Paintings, Zhao Zhiqian (Chinese, 1829–1884), The preeminent literati, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3C3Y–Art inspired by 清, 趙之謙, 芍藥桃花, 扇面, Peach Blossoms and Peony, Qing dynasty (1644–1911), ca. 1860, China, Folding fan mounted as an album leaf; ink and color on gold-flecked paper, 7 1/2 x 21 1/2 in. (19.1 x 54.6 cm), Paintings, Zhao Zhiqian (Chinese, 1829–1884), The preeminent literati, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

(190328) -- JIANYANG, March 28, 2019 (Xinhua) -- Wu Lizhu, inheritor of the workmanship of Jianzhan teaware, glazes a piece of porcelain at his workshop in Jianyang District of Nanping City, south China s Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. Jianzhan teawares are known for their variability. Glazes can range in color from dark plum to yellow, green, and blue. During Stock Photo

RM2RP98DD–(190328) -- JIANYANG, March 28, 2019 (Xinhua) -- Wu Lizhu, inheritor of the workmanship of Jianzhan teaware, glazes a piece of porcelain at his workshop in Jianyang District of Nanping City, south China s Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. Jianzhan teawares are known for their variability. Glazes can range in color from dark plum to yellow, green, and blue. During

Art inspired by 清弘曆(乾隆皇帝) 鹿角雙幅卷, Two Paintings of Deer Antlers, Qing dynasty (1644–1911), dated 1762 and 1767, China, Two handscrolls; ink and color on paper, a: 9 3/4 × 81 1/4 in. (24.8 × 206.4 cm), Paintings, Qianlong Emperor (Chinese, (1711–1799; r. 1736–95)), The Qianlong Emperor, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3C2H–Art inspired by 清弘曆(乾隆皇帝) 鹿角雙幅卷, Two Paintings of Deer Antlers, Qing dynasty (1644–1911), dated 1762 and 1767, China, Two handscrolls; ink and color on paper, a: 9 3/4 × 81 1/4 in. (24.8 × 206.4 cm), Paintings, Qianlong Emperor (Chinese, (1711–1799; r. 1736–95)), The Qianlong Emperor, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Tray with scholars 15th century China This dish depicts Chinese literati, or scholar-officials, engaging in leisure activities. In the foreground, three such men, identifiable by their clothing, travel on horseback toward a gate attended by two figures holding large fans. The trio in the middle ground examines a painting displayed by a pair of young attendants. The other scholars are either strolling in the garden, reading books, enjoying tea, or engaged in conversation.. Tray with scholars 40259 Stock Photo

RM2HHW71N–Tray with scholars 15th century China This dish depicts Chinese literati, or scholar-officials, engaging in leisure activities. In the foreground, three such men, identifiable by their clothing, travel on horseback toward a gate attended by two figures holding large fans. The trio in the middle ground examines a painting displayed by a pair of young attendants. The other scholars are either strolling in the garden, reading books, enjoying tea, or engaged in conversation.. Tray with scholars 40259

Art inspired by 近代, 吳昌碩, 烹茶圖, 橫軸, Brewing Tea, dated 1918, China, Horizontal painting; ink on paper, 15 9/16 x 54 in. (39.5 x 137.2 cm), Paintings, Wu Changshuo (Chinese, 1844–1927), Wu Changshuo created a distinctive style that fused the classical epigraphic approach to painting with, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3C79–Art inspired by 近代, 吳昌碩, 烹茶圖, 橫軸, Brewing Tea, dated 1918, China, Horizontal painting; ink on paper, 15 9/16 x 54 in. (39.5 x 137.2 cm), Paintings, Wu Changshuo (Chinese, 1844–1927), Wu Changshuo created a distinctive style that fused the classical epigraphic approach to painting with, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Bowl: Kakiemon Ware (2 of 2), late 1600s. Japan, Edo period (1615-1868). Porcelain; diameter: 35.6 cm (14 in.); height: 13.1 cm (5 3/16 in.). The Chinese style of decoration identifies this bowl as a product made for the markets in England, Holland, France, and Germany. Here, kakiemon potters rearranged the Chinese literati motifs of the plum, pine, and bamboo. Such kakiemon ware inspired domestic porcelain production in Europe in the 18th and 19th centuries. Stock Photo

RM2H0Y0M7–Bowl: Kakiemon Ware (2 of 2), late 1600s. Japan, Edo period (1615-1868). Porcelain; diameter: 35.6 cm (14 in.); height: 13.1 cm (5 3/16 in.). The Chinese style of decoration identifies this bowl as a product made for the markets in England, Holland, France, and Germany. Here, kakiemon potters rearranged the Chinese literati motifs of the plum, pine, and bamboo. Such kakiemon ware inspired domestic porcelain production in Europe in the 18th and 19th centuries.

RMT1RADA–(190328) -- JIANYANG, March 28, 2019 (Xinhua) -- Chen Yufeng, inheritor of the workmanship of Jianzhan teaware, adjusts the shape of a piece of porcelain at his workshop in Jianyang District of Nanping City, south China's Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. Jianzhan teawares are known for their variability. Glazes can range in color from dark plum to yellow, gr

Landscape with Waterfall 1841 Nakabayashi Chikutō Japanese Chikutō painted this large landscape in the spirit of the Plum Blossom Daoist, the name given to the acclaimed Yuan-dynasty literati painter Wu Zhen (1280–1354). Chikutō’s diligent study of Chinese literati theory and technique, as expressed in printed treatises and manuals on painting, is evident here, particularly in his masterful rendering of the rocks using a combination of long, unaccented brushstrokes in pale, dry ink and staccato accents. Together with the darker horizontals of the distant pines and foliage, such brushwork deriv Stock Photo

RM2HJ4PCW–Landscape with Waterfall 1841 Nakabayashi Chikutō Japanese Chikutō painted this large landscape in the spirit of the Plum Blossom Daoist, the name given to the acclaimed Yuan-dynasty literati painter Wu Zhen (1280–1354). Chikutō’s diligent study of Chinese literati theory and technique, as expressed in printed treatises and manuals on painting, is evident here, particularly in his masterful rendering of the rocks using a combination of long, unaccented brushstrokes in pale, dry ink and staccato accents. Together with the darker horizontals of the distant pines and foliage, such brushwork deriv

Art inspired by 清王鑑倣巨然《溪山高士圖》軸紙本, Lofty Scholar among Streams and Mountains after Juran, Qing dynasty (1644–1911), China, Hanging scroll; ink on paper, Image: 72 x 33 in. (182.9 x 83.8 cm), Paintings, Wang Jian (Chinese, 1609–1677 or 1688), In this work, Wang Jian emulates the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW399X–Art inspired by 清王鑑倣巨然《溪山高士圖》軸紙本, Lofty Scholar among Streams and Mountains after Juran, Qing dynasty (1644–1911), China, Hanging scroll; ink on paper, Image: 72 x 33 in. (182.9 x 83.8 cm), Paintings, Wang Jian (Chinese, 1609–1677 or 1688), In this work, Wang Jian emulates the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Calligraphy brush, late 19th century, 16 3/4 × 1 5/16 × 1 5/16 in. (42.55 × 3.33 × 3.33 cm) (without hanging cord), Bamboo, bone, hair, China, 19th century, In Chinese literati culture, the brush, a writing implement, is known as one of the 'four treasures of the study' along with the inkstick, inkstone, and paper. Brush handles are commonly constructed from bamboo, but some brushes have handles of sandalwood, jade, carved bone or ivory, and other precious materials as demonstrated by these examples. During late imperial times, artists catered to the tastes of gentlemen collectors Stock Photo

RM2T90DMM–Calligraphy brush, late 19th century, 16 3/4 × 1 5/16 × 1 5/16 in. (42.55 × 3.33 × 3.33 cm) (without hanging cord), Bamboo, bone, hair, China, 19th century, In Chinese literati culture, the brush, a writing implement, is known as one of the 'four treasures of the study' along with the inkstick, inkstone, and paper. Brush handles are commonly constructed from bamboo, but some brushes have handles of sandalwood, jade, carved bone or ivory, and other precious materials as demonstrated by these examples. During late imperial times, artists catered to the tastes of gentlemen collectors

Pair of Bowls: Kakiemon Ware, late 1600s. Japan, Edo period (1615-1868). Imari ware porcelain with overglaze enamel and gold decoration; diameter: 35.6 cm (14 in.); height: 13.1 cm (5 3/16 in.). The Chinese style of decoration identifies this bowl as a product made for the markets in England, Holland, France, and Germany. Here, kakiemon potters rearranged the Chinese literati motifs of the plum, pine, and bamboo. Such kakiemon ware inspired domestic porcelain production in Europe in the 1700s–1800s. Stock Photo

RM2H0Y0MB–Pair of Bowls: Kakiemon Ware, late 1600s. Japan, Edo period (1615-1868). Imari ware porcelain with overglaze enamel and gold decoration; diameter: 35.6 cm (14 in.); height: 13.1 cm (5 3/16 in.). The Chinese style of decoration identifies this bowl as a product made for the markets in England, Holland, France, and Germany. Here, kakiemon potters rearranged the Chinese literati motifs of the plum, pine, and bamboo. Such kakiemon ware inspired domestic porcelain production in Europe in the 1700s–1800s.

Landscapes with the Chinese Literati Su Shi and Tao Qian. Artist: Nagasawa Rosetsu (Japanese, 1754-1799). Culture: Japan. Dimensions: Image (each screen): 67 3/8 in. x 12 ft. 2 3/4 in. (171.1 x 372.7 cm). Date: 1795-99. The forbidding, grotto-pierced precipice at left suggests a site on the Yangzi River where the Chinese poet Su Shi (Dongpo, 1037-1101) composed his famous 'Ode on the Red Cliff.' The gentler scene at the right, centering on a scholar with young attendants in a hut within a willow grove, is meant to depict the Chinese poet-recluse Tao Qian (Tao Yuanming, 365-472) in his country Stock Photo

RMPB1Y71–Landscapes with the Chinese Literati Su Shi and Tao Qian. Artist: Nagasawa Rosetsu (Japanese, 1754-1799). Culture: Japan. Dimensions: Image (each screen): 67 3/8 in. x 12 ft. 2 3/4 in. (171.1 x 372.7 cm). Date: 1795-99. The forbidding, grotto-pierced precipice at left suggests a site on the Yangzi River where the Chinese poet Su Shi (Dongpo, 1037-1101) composed his famous 'Ode on the Red Cliff.' The gentler scene at the right, centering on a scholar with young attendants in a hut within a willow grove, is meant to depict the Chinese poet-recluse Tao Qian (Tao Yuanming, 365-472) in his country

Autumn Festival on a Mountain Okada Hank? Japanese first half of the 19th century This tall, narrow composition rendered in the Chinese literati-influenced manner of the Nanga school features distant towering peaks, a pavilion in the middle ground, and tiny figures meandering along mountain paths and a foreground bridge. The image is gently reminiscent of Chinese literati paintings of scholar-gentlemen in a mountain setting. Washes of color endow the scene with an atmosphere of seasonal change, a quality that combines with soft, parallel brushstrokes on foliage and rocks, and the rounded conto Stock Photo

RM2T2EYX1–Autumn Festival on a Mountain Okada Hank? Japanese first half of the 19th century This tall, narrow composition rendered in the Chinese literati-influenced manner of the Nanga school features distant towering peaks, a pavilion in the middle ground, and tiny figures meandering along mountain paths and a foreground bridge. The image is gently reminiscent of Chinese literati paintings of scholar-gentlemen in a mountain setting. Washes of color endow the scene with an atmosphere of seasonal change, a quality that combines with soft, parallel brushstrokes on foliage and rocks, and the rounded conto

Li Bai (701-762), widely known in the West as Li Po, Chinese poet of the Tang Dynasty (618-907). Illustration from 'Wan Hsiao Tang' by Shangguan Zhou (c. 1665-1750), c. 1743. Li Bai, also known as Li Bo and courtesy name Taibai and art name Qinglian Jushi, has generally been regarded as one of the greatest poets in China's Tang period, which is often called China's 'golden age' of poetry. Around a thousand existing poems are attributed to him, but the authenticity of many of these is uncertain. Thirty-four of his poems are included in the popular anthology 'Three Hundred Tang Poems'. Stock Photo

RM2B018J0–Li Bai (701-762), widely known in the West as Li Po, Chinese poet of the Tang Dynasty (618-907). Illustration from 'Wan Hsiao Tang' by Shangguan Zhou (c. 1665-1750), c. 1743. Li Bai, also known as Li Bo and courtesy name Taibai and art name Qinglian Jushi, has generally been regarded as one of the greatest poets in China's Tang period, which is often called China's 'golden age' of poetry. Around a thousand existing poems are attributed to him, but the authenticity of many of these is uncertain. Thirty-four of his poems are included in the popular anthology 'Three Hundred Tang Poems'.

Landscape 16th century Attributed to Kano Motonobu Japanese This mist-shrouded pine grove where temple rooflines are faintly visible is a set motif that signals one scene, Evening Bell from the Distant Temple, from a classic series of landscape vignettes, Eight Views of the Xiao and Xiang Rivers, that developed among Chinese literati-artists in the eleventh century. It came to hold seminal importance in Japanese ink painting by the mid-fifteenth century, when no less than four versions of the subject were included among the Chinese paintings treasured by the Ashikaga shoguns. The impressionist Stock Photo

RM2HGXF2B–Landscape 16th century Attributed to Kano Motonobu Japanese This mist-shrouded pine grove where temple rooflines are faintly visible is a set motif that signals one scene, Evening Bell from the Distant Temple, from a classic series of landscape vignettes, Eight Views of the Xiao and Xiang Rivers, that developed among Chinese literati-artists in the eleventh century. It came to hold seminal importance in Japanese ink painting by the mid-fifteenth century, when no less than four versions of the subject were included among the Chinese paintings treasured by the Ashikaga shoguns. The impressionist

A Poetic Gathering, late 1700s-early 1800s. In Japan, both Chinese-style poems ( kanshi ) and Edo period Japanese poems ( haikai ) paralleled the Chinese literati and Japanese painting haiga traditions. Edo literati painter Matsumura Goshun painted eight poets from the anthology of 36 haikai poets compiled by his teacher Yosa Buson. When Buson died in 1783, Matsumura was asked to care for his teacher’s young daughter; Matsumura added paintings to Buson’s poetic writings to sell and raise money for her marriage. Here, he included Buson’s poem at the top of the painting. Stock Photo

RM2A500B4–A Poetic Gathering, late 1700s-early 1800s. In Japan, both Chinese-style poems ( kanshi ) and Edo period Japanese poems ( haikai ) paralleled the Chinese literati and Japanese painting haiga traditions. Edo literati painter Matsumura Goshun painted eight poets from the anthology of 36 haikai poets compiled by his teacher Yosa Buson. When Buson died in 1783, Matsumura was asked to care for his teacher’s young daughter; Matsumura added paintings to Buson’s poetic writings to sell and raise money for her marriage. Here, he included Buson’s poem at the top of the painting.

Mountain Stream on a Summer Day first half of the19th century Nakabayashi Chikut? Japanese Born in Nagoya, the son of a doctor, Nakabayashi Chikut? moved to Kyoto in 1803 with fellow artist and friend Yamamoto Baiitsu (1783–1856) to join the circle of the philosopher-artist-poet Rai San’y? (1780–1832). After studying Chinese literati theory and technique, he developed a personal style that incorporated elements derived from the work of Chinese scholar-artists. In his inscription following the title of this painting, he notes that he modeled the work after the paintings of the Yuan-dynasty Chin Stock Photo

RM2HHA74P–Mountain Stream on a Summer Day first half of the19th century Nakabayashi Chikut? Japanese Born in Nagoya, the son of a doctor, Nakabayashi Chikut? moved to Kyoto in 1803 with fellow artist and friend Yamamoto Baiitsu (1783–1856) to join the circle of the philosopher-artist-poet Rai San’y? (1780–1832). After studying Chinese literati theory and technique, he developed a personal style that incorporated elements derived from the work of Chinese scholar-artists. In his inscription following the title of this painting, he notes that he modeled the work after the paintings of the Yuan-dynasty Chin

old chinese landowner hand drawn in sumi-e style by watercolors ink on white paper Stock Photo

RF2A7CKH8–old chinese landowner hand drawn in sumi-e style by watercolors ink on white paper

RF2BGXKWJ–The Poet Lin Heijing Returning Home (detail), by Ike no Taiga, light color on paper, Edo period, 18th century

Art inspired by 近代, 陳衡恪, 秋山蕭寺, 扇面, Remote Temple on the Autumn Mountain, dated 1920, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 15/16 x 22 in. (20.2 x 55.9 cm), Paintings, Chen Hengke (Chinese, 1876–1923), This painting dates from the period when Chen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3C7F–Art inspired by 近代, 陳衡恪, 秋山蕭寺, 扇面, Remote Temple on the Autumn Mountain, dated 1920, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 15/16 x 22 in. (20.2 x 55.9 cm), Paintings, Chen Hengke (Chinese, 1876–1923), This painting dates from the period when Chen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2RP98GN–(190328) -- JIANYANG, March 28, 2019 (Xinhua) -- Wu Lizhu, inheritor of the workmanship of Jianzhan teaware, glazes a piece of porcelain at his workshop in Jianyang District of Nanping City, south China s Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. Jianzhan teawares are known for their variability. Glazes can range in color from dark plum to yellow, green, and blue. During

Art inspired by Poem on the Theme of a Monk’s Life, 墨蹟, Nanbokuchō period (1336–92), 14th century, Japan, Hanging scroll; ink on paper, Image: 16 x 23 3/8 in. (40.6 x 59.4 cm), Calligraphy, Sesson Yūbai (Japanese, 1290–1346), Sesson Yūbai, one of the most accomplished literati Zen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW4N3–Art inspired by Poem on the Theme of a Monk’s Life, 墨蹟, Nanbokuchō period (1336–92), 14th century, Japan, Hanging scroll; ink on paper, Image: 16 x 23 3/8 in. (40.6 x 59.4 cm), Calligraphy, Sesson Yūbai (Japanese, 1290–1346), Sesson Yūbai, one of the most accomplished literati Zen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

New York, USA. 09th Mar, 2017. Li Jin poses for photo in front of his painting at the show in New York. INK Studio, the acclaimed art gallery in Beijing, presents at New York's Asia Week, 'China Now: New Literati Art'. His first group exhibition in North America. The exhibition features the names of the most influential and influential comtemporary artists: Li Jin Bingyi, Li Huasheng, Li Jin, Yang Jiechang, and Zheng Chongbin. The expocisao remains from 9-18 March at the ART100 New York. Credit: Luiz Roberto Lima/Pacific Press/Alamy Live News Stock Photo

RMHTEK9J–New York, USA. 09th Mar, 2017. Li Jin poses for photo in front of his painting at the show in New York. INK Studio, the acclaimed art gallery in Beijing, presents at New York's Asia Week, 'China Now: New Literati Art'. His first group exhibition in North America. The exhibition features the names of the most influential and influential comtemporary artists: Li Jin Bingyi, Li Huasheng, Li Jin, Yang Jiechang, and Zheng Chongbin. The expocisao remains from 9-18 March at the ART100 New York. Credit: Luiz Roberto Lima/Pacific Press/Alamy Live News

Art inspired by Shōrinji Temple, Edo period (1615–1868), 1817, Japan, Hanging scroll; ink and color on paper, Image: 70 1/8 x 35 5/8 in. (178.1 x 90.5 cm), Paintings, Okada Beisanjin (Japanese, 1744–1820), By fancifully reinterpreting this Zen temple near Osaka as a Chinese retreat, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTTH76–Art inspired by Shōrinji Temple, Edo period (1615–1868), 1817, Japan, Hanging scroll; ink and color on paper, Image: 70 1/8 x 35 5/8 in. (178.1 x 90.5 cm), Paintings, Okada Beisanjin (Japanese, 1744–1820), By fancifully reinterpreting this Zen temple near Osaka as a Chinese retreat, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Vietnam: A family portrait, Tonkin, late 19th century. Tonkin is the northernmost part of Vietnam, south of China's Yunnan and Guangxi Provinces, east of northern Laos, and west of the Gulf of Tonkin. Locally, it is known as Bắc Kỳ, meaning 'Northern Region'. Located on the fertile delta of the Red River, Tonkin is rich in rice production. Its capital was Ha Noi, or Hanoi, which is now capital of unified Vietnam. After the Viet Minh army defeated the French at the Battle of Dien Bien Phu (in Western Tonkin) in 1954, the republic transformed into what became known as North Vietnam. Stock Photo

RM2B00Y4D–Vietnam: A family portrait, Tonkin, late 19th century. Tonkin is the northernmost part of Vietnam, south of China's Yunnan and Guangxi Provinces, east of northern Laos, and west of the Gulf of Tonkin. Locally, it is known as Bắc Kỳ, meaning 'Northern Region'. Located on the fertile delta of the Red River, Tonkin is rich in rice production. Its capital was Ha Noi, or Hanoi, which is now capital of unified Vietnam. After the Viet Minh army defeated the French at the Battle of Dien Bien Phu (in Western Tonkin) in 1954, the republic transformed into what became known as North Vietnam.

(190328) -- JIANYANG, March 28, 2019 (Xinhua) -- Wu Lizhu, inheritor of the workmanship of Jianzhan teaware, observes pieces of porcelain in the kiln at his workshop in Jianyang District of Nanping City, south China's Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. Jianzhan teawares are known for their variability. Glazes can range in color from dark plum to yellow, green, Stock Photo

RMT1RAD6–(190328) -- JIANYANG, March 28, 2019 (Xinhua) -- Wu Lizhu, inheritor of the workmanship of Jianzhan teaware, observes pieces of porcelain in the kiln at his workshop in Jianyang District of Nanping City, south China's Fujian Province, March 28, 2019. Jianzhan teaware, a well-known Chinese porcelain originated in Jianyang, dates back to more than 1,000 years ago in Song dynasty (960-1279). It was the best teaware for scholars and literati to use during that time in tea competitions. Jianzhan teawares are known for their variability. Glazes can range in color from dark plum to yellow, green,

Japan and the Japanese illustrated . ofSingous-jou, went still further into the simplification of Chinese signs. He alsochose forty-seven proper forms to represent the Japanese syllables ; he took away theirfigurative or metaphorical value, and adapted them to the most cursive form of Chinese u 146 LIFE IN JAPAN. ? writing, aud tlius composed the system that is called the Hirakana. It is this whichis used by women, by the lower orders, and even liy the literati themselves, in writing-ordinary things aud composing works of light literature, such as romances, songs, andcomedies. All the Japanese Stock Photo

RM2AMY5KM–Japan and the Japanese illustrated . ofSingous-jou, went still further into the simplification of Chinese signs. He alsochose forty-seven proper forms to represent the Japanese syllables ; he took away theirfigurative or metaphorical value, and adapted them to the most cursive form of Chinese u 146 LIFE IN JAPAN. ? writing, aud tlius composed the system that is called the Hirakana. It is this whichis used by women, by the lower orders, and even liy the literati themselves, in writing-ordinary things aud composing works of light literature, such as romances, songs, andcomedies. All the Japanese

orchids, by Gyokuen Bonpo, ink on paper, Nanbokcho period, 14th century Stock Photo

RFW28WEP–orchids, by Gyokuen Bonpo, ink on paper, Nanbokcho period, 14th century

Calligraphy brush, late 19th century, 13 1/2 × 1 11/16 × 1 11/16 in. (34.29 × 4.29 × 4.29 cm), Amber, hair, China, 19th century, In Chinese literati culture, the brush, a writing implement, is known as one of the 'four treasures of the study' along with the inkstick, inkstone, and paper. Brush handles are commonly constructed from bamboo, but some brushes have handles of sandalwood, jade, carved bone or ivory, and other precious materials as demonstrated by these examples. During late imperial times, artists catered to the tastes of gentlemen collectors and elaborated brushes with motifs Stock Photo

RM2T90DK0–Calligraphy brush, late 19th century, 13 1/2 × 1 11/16 × 1 11/16 in. (34.29 × 4.29 × 4.29 cm), Amber, hair, China, 19th century, In Chinese literati culture, the brush, a writing implement, is known as one of the 'four treasures of the study' along with the inkstick, inkstone, and paper. Brush handles are commonly constructed from bamboo, but some brushes have handles of sandalwood, jade, carved bone or ivory, and other precious materials as demonstrated by these examples. During late imperial times, artists catered to the tastes of gentlemen collectors and elaborated brushes with motifs

RFH7WHYX–ink wash painting style blank poster model

Small Birds on a Willow Branch and Hibiscus Blossoms. Artist: Tsubaki Chinzan (Japanese, 1801-1854). Culture: Japan. Dimensions: Image: 43 3/8 x 17 1/2 in. (110.2 x 44.4 cm) Overall: 75 3/8 x 30 3/8in. (191.5 x 77.2 cm). Date: dated Fall 1850. Chinzan was raised in Edo in a samurai family. He trained under the Nanga painters Tani Buncho (1763-1840) and Watanabe Kazan (1793-1841) and favored Chinese literati artists of the Ming dynasty (1368-1644). Specializing in paintings of birds and flowers, he was an avid participant in sencha tea ceremonies, during which he would enjoy viewings of Chine Stock Photo

RMPAB3T3–Small Birds on a Willow Branch and Hibiscus Blossoms. Artist: Tsubaki Chinzan (Japanese, 1801-1854). Culture: Japan. Dimensions: Image: 43 3/8 x 17 1/2 in. (110.2 x 44.4 cm) Overall: 75 3/8 x 30 3/8in. (191.5 x 77.2 cm). Date: dated Fall 1850. Chinzan was raised in Edo in a samurai family. He trained under the Nanga painters Tani Buncho (1763-1840) and Watanabe Kazan (1793-1841) and favored Chinese literati artists of the Ming dynasty (1368-1644). Specializing in paintings of birds and flowers, he was an avid participant in sencha tea ceremonies, during which he would enjoy viewings of Chine

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