1950s 1960s BRUNETTE WOMAN CHIN UP SUPERIOR THOUGHTFUL FACIAL EXPRESSION LOOKING AT CAMERA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1950s-1960s-brunette-woman-chin-up-superior-thoughtful-facial-expression-122815898.html
RMH3PMX2–1950s 1960s BRUNETTE WOMAN CHIN UP SUPERIOR THOUGHTFUL FACIAL EXPRESSION LOOKING AT CAMERA
Linear black and white portrait of a classy woman Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/linear-black-and-white-portrait-of-a-classy-woman-image555413639.html
RF2R7H7NB–Linear black and white portrait of a classy woman
RMCMR7W5–1950s 1960s PORTRAIT WOMAN POLKA DOT DRESS LOOKING OVER EYEGLASSES
At the Royal Academy [in London], 1870. 'A lady's comments...may be overheard with advantage by the most learned critic. The feminine quickness of external perception and precise remembrance of individual details in scenery or in costume may go far to make up for the want of a scientific study of principles..."I like that so much!" and..."Oh! isn't that lovely?" are commonplace expressions of approval...women are qualified to feel the sentiment or moral purpose which the artist has sought to express; they enter...into the spirit of his work, especially when it represents so Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/at-the-royal-academy-in-london-1870-a-ladys-commentsmay-be-overheard-with-advantage-by-the-most-learned-critic-the-feminine-quickness-of-external-perception-and-precise-remembrance-of-individual-details-in-scenery-or-in-costume-may-go-far-to-make-up-for-the-want-of-a-scientific-study-of-principlesquoti-like-that-so-much!quot-andquotoh!-isnt-that-lovelyquot-are-commonplace-expressions-of-approvalwomen-are-qualified-to-feel-the-sentiment-or-moral-purpose-which-the-artist-has-sought-to-express-they-enterinto-the-spirit-of-his-work-especially-when-it-represents-so-image617180421.html
RM2XT2YWW–At the Royal Academy [in London], 1870. 'A lady's comments...may be overheard with advantage by the most learned critic. The feminine quickness of external perception and precise remembrance of individual details in scenery or in costume may go far to make up for the want of a scientific study of principles..."I like that so much!" and..."Oh! isn't that lovely?" are commonplace expressions of approval...women are qualified to feel the sentiment or moral purpose which the artist has sought to express; they enter...into the spirit of his work, especially when it represents so
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