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Contemporaries no Stock Photos and Images
JAMES POLK, PRESIDENT, THE CLUB. STATE V.N.A. from d. art institution i.e. Biblical institute in Hildbh. Contemporaries No. 176 (VII year Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-polk-president-the-club-state-vna-from-d-art-institution-ie-biblical-institute-in-hildbh-contemporaries-no-176-vii-year-image573206888.htmlRM2T8FR6G–JAMES POLK, PRESIDENT, THE CLUB. STATE V.N.A. from d. art institution i.e. Biblical institute in Hildbh. Contemporaries No. 176 (VII year
Japan: Oai No Kata swimming at Okazaki. Ukiyo-e woodblock print by Yoshu Chikanobu (1838-1912), 1886. Oai No kata was born in Okazaki and was both beautiful and strong, although of low social status. One day while swimming in a river, a young man tried to bother her, but she quickly defeated him. According to the cartouche, even the shogun Tokugawa Ieyasu praised her courage. Toyohara Chikanobu, better known to his contemporaries as Yōshū Chikanobu, was a prolific woodblock artist of Japan's Meiji period. His works capture the transition from the age of the samurai to Meiji modernity. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-oai-no-kata-swimming-at-okazaki-ukiyo-e-woodblock-print-by-yoshu-chikanobu-1838-1912-1886-oai-no-kata-was-born-in-okazaki-and-was-both-beautiful-and-strong-although-of-low-social-status-one-day-while-swimming-in-a-river-a-young-man-tried-to-bother-her-but-she-quickly-defeated-him-according-to-the-cartouche-even-the-shogun-tokugawa-ieyasu-praised-her-courage-toyohara-chikanobu-better-known-to-his-contemporaries-as-ysh-chikanobu-was-a-prolific-woodblock-artist-of-japans-meiji-period-his-works-capture-the-transition-from-the-age-of-the-samurai-to-meiji-modernity-image344240788.htmlRM2B01EHT–Japan: Oai No Kata swimming at Okazaki. Ukiyo-e woodblock print by Yoshu Chikanobu (1838-1912), 1886. Oai No kata was born in Okazaki and was both beautiful and strong, although of low social status. One day while swimming in a river, a young man tried to bother her, but she quickly defeated him. According to the cartouche, even the shogun Tokugawa Ieyasu praised her courage. Toyohara Chikanobu, better known to his contemporaries as Yōshū Chikanobu, was a prolific woodblock artist of Japan's Meiji period. His works capture the transition from the age of the samurai to Meiji modernity.
Portret Van ioannis Kapodistrias, Johann Friedrich Bolt, after Aleksandr Bylov, print Legal Sighter: Contemporaries No. 7. Print Maker: Berlin Publisher: Hildburghausen paper historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portret-van-ioannis-kapodistrias-johann-friedrich-bolt-after-aleksandr-bylov-print-legal-sighter-contemporaries-no-7-print-maker-berlin-publisher-hildburghausen-paper-historical-persons-image592790626.htmlRM2WCBXDP–Portret Van ioannis Kapodistrias, Johann Friedrich Bolt, after Aleksandr Bylov, print Legal Sighter: Contemporaries No. 7. Print Maker: Berlin Publisher: Hildburghausen paper historical persons
Uraeus Amulet of Djedmutesankh. Dimensions: H. 2 cm (13/16 in.). Dynasty: Dynasty 21. Date: ca. 1070-945 B.C.. The Lady Djedmutesankh, a wife or daughter of the High Priest of Amun, was buried with this miniature gold uraeus (rearing cobra) tied to her forehead. Although her family controlled the Theban region, Djedmutesankh's funerary equipment is no better made than that found buried with her lower-ranking contemporaries. For other objects found in the burial of Djedmutesankh, see 25.3.1-.3; 154a-d;.17-.18; .24; .27; and .167-.170. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/uraeus-amulet-of-djedmutesankh-dimensions-h-2-cm-1316-in-dynasty-dynasty-21-date-ca-1070-945-bc-the-lady-djedmutesankh-a-wife-or-daughter-of-the-high-priest-of-amun-was-buried-with-this-miniature-gold-uraeus-rearing-cobra-tied-to-her-forehead-although-her-family-controlled-the-theban-region-djedmutesankhs-funerary-equipment-is-no-better-made-than-that-found-buried-with-her-lower-ranking-contemporaries-for-other-objects-found-in-the-burial-of-djedmutesankh-see-2531-3-154a-d17-18-24-27-and-167-170-museum-metropolitan-museum-of-art-new-york-usa-image212864193.htmlRMPA8PCH–Uraeus Amulet of Djedmutesankh. Dimensions: H. 2 cm (13/16 in.). Dynasty: Dynasty 21. Date: ca. 1070-945 B.C.. The Lady Djedmutesankh, a wife or daughter of the High Priest of Amun, was buried with this miniature gold uraeus (rearing cobra) tied to her forehead. Although her family controlled the Theban region, Djedmutesankh's funerary equipment is no better made than that found buried with her lower-ranking contemporaries. For other objects found in the burial of Djedmutesankh, see 25.3.1-.3; 154a-d;.17-.18; .24; .27; and .167-.170. Museum: Metropolitan Museum of Art, New York, USA.
Jan. 1, 1970 - Miner Violin Maker: When Alfred Eaglen, from Kippax, Yorkshire was a boy, he went down the local mines as did most of his contemporaries in the area. There he stayed until he retired eight years ago. But, Alfred Eagles is no ordinary miner. He is also the creator of miniature violins which are exact copies of the most famous manufactured in the world today, and each piece is dedicated to the people is history who have inspired him Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-1-1970-miner-violin-maker-when-alfred-eaglen-from-kippax-yorkshire-image69446380.htmlRME0YFFT–Jan. 1, 1970 - Miner Violin Maker: When Alfred Eaglen, from Kippax, Yorkshire was a boy, he went down the local mines as did most of his contemporaries in the area. There he stayed until he retired eight years ago. But, Alfred Eagles is no ordinary miner. He is also the creator of miniature violins which are exact copies of the most famous manufactured in the world today, and each piece is dedicated to the people is history who have inspired him
Inspired by Tokaido gojo santsugi. Shirasuka. Plate No 33. From the series: Fifty-three stations of the Tokaido Road., Utagawa Hiroshige, artist, Late 1830's, Japan, Utagawa (Ando) Hiroshige (1797-1858), was a renowned painter and print artist, who old-time authorities still hail as the last of the, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-tokaido-gojo-santsugi-shirasuka-plate-no-33-from-the-series-fifty-three-stations-of-the-tokaido-road-utagawa-hiroshige-artist-late-1830s-japan-utagawa-ando-hiroshige-1797-1858-was-a-renowned-painter-and-print-artist-who-old-time-authorities-still-hail-as-the-last-of-the-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459335547.htmlRF2HK8F4Y–Inspired by Tokaido gojo santsugi. Shirasuka. Plate No 33. From the series: Fifty-three stations of the Tokaido Road., Utagawa Hiroshige, artist, Late 1830's, Japan, Utagawa (Ando) Hiroshige (1797-1858), was a renowned painter and print artist, who old-time authorities still hail as the last of the, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
May 05, 1967 - FIVE-YEAR OLD EXHIBITS AT THE ROYAL ACADEMY. A visit to the Zoo triggered off Lewis Lyons inspired painting called ‘Trees and Monkeys' which was accepted by the Royal Academy. The gifted young painter is young any standards even the young contemporaries, he is only five and is the son of the Claude L. Lyons (72) and his second, Italian, wife (44). They live in Hampstead and had no idea they had a genius in their midst Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/may-05-1967-five-year-old-exhibits-at-the-royal-academy-a-visit-to-image69427251.htmlRME0XK4K–May 05, 1967 - FIVE-YEAR OLD EXHIBITS AT THE ROYAL ACADEMY. A visit to the Zoo triggered off Lewis Lyons inspired painting called ‘Trees and Monkeys' which was accepted by the Royal Academy. The gifted young painter is young any standards even the young contemporaries, he is only five and is the son of the Claude L. Lyons (72) and his second, Italian, wife (44). They live in Hampstead and had no idea they had a genius in their midst
Inspired by Tokaido gojo santsugi. Shimada. Plate No 24. From the series: Fifty-three stations of the Tokaido Road., Utagawa Hiroshige, artist, 1837-1839, Japan, woodcut, Utagawa (Ando) Hiroshige (1797-1858), was a renowned painter and print artist, who old-time authorities still hail as the last of, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-tokaido-gojo-santsugi-shimada-plate-no-24-from-the-series-fifty-three-stations-of-the-tokaido-road-utagawa-hiroshige-artist-1837-1839-japan-woodcut-utagawa-ando-hiroshige-1797-1858-was-a-renowned-painter-and-print-artist-who-old-time-authorities-still-hail-as-the-last-of-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459335549.htmlRF2HK8F51–Inspired by Tokaido gojo santsugi. Shimada. Plate No 24. From the series: Fifty-three stations of the Tokaido Road., Utagawa Hiroshige, artist, 1837-1839, Japan, woodcut, Utagawa (Ando) Hiroshige (1797-1858), was a renowned painter and print artist, who old-time authorities still hail as the last of, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Japan: 'Ichikawa Harima No. 7: Okaru Sawamura Shozo'. Woodblock print by Utagawa Kunisada I (1786-1865), 19th century. Utagawa Kunisada, also known as Utagawa Toyokuni III, was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. His favourite subjects were pleasure-houses and tea ceremonies. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-ichikawa-harima-no-7-okaru-sawamura-shozo-woodblock-print-by-utagawa-kunisada-i-1786-1865-19th-century-utagawa-kunisada-also-known-as-utagawa-toyokuni-iii-was-the-most-popular-prolific-and-financially-successful-designer-of-ukiyo-e-woodblock-prints-in-19th-century-japan-in-his-own-time-his-reputation-far-exceeded-that-of-his-contemporaries-hokusai-hiroshige-and-kuniyoshi-his-favourite-subjects-were-pleasure-houses-and-tea-ceremonies-image436520638.htmlRM2GA56EP–Japan: 'Ichikawa Harima No. 7: Okaru Sawamura Shozo'. Woodblock print by Utagawa Kunisada I (1786-1865), 19th century. Utagawa Kunisada, also known as Utagawa Toyokuni III, was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. His favourite subjects were pleasure-houses and tea ceremonies.
Art inspired by Tokaido gojo santsugi. Shirasuka. Plate No 33. From the series: Fifty-three stations of the Tokaido Road., Utagawa Hiroshige, artist, Late 1830's, Japan, Utagawa (Ando) Hiroshige (1797-1858), was a renowned painter and print artist, who old-time authorities still hail as, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-tokaido-gojo-santsugi-shirasuka-plate-no-33-from-the-series-fifty-three-stations-of-the-tokaido-road-utagawa-hiroshige-artist-late-1830s-japan-utagawa-ando-hiroshige-1797-1858-was-a-renowned-painter-and-print-artist-who-old-time-authorities-still-hail-as-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459681422.htmlRF2HKT89J–Art inspired by Tokaido gojo santsugi. Shirasuka. Plate No 33. From the series: Fifty-three stations of the Tokaido Road., Utagawa Hiroshige, artist, Late 1830's, Japan, Utagawa (Ando) Hiroshige (1797-1858), was a renowned painter and print artist, who old-time authorities still hail as, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Japan: 'Shelter from the Rain, Encounters on the Road at New Year, No. 6: Actors Ichikawa Kodanji IV, Iwai Kumesaburo III, Bando Hikosaburo IV'. Part of triptych print by Utagawa Kunisada I (1786-1865), 1855. Utagawa Kunisada, also known as Utagawa Toyokuni III, was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. His favourite subjects were pleasure-houses and tea ceremonies. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-shelter-from-the-rain-encounters-on-the-road-at-new-year-no-6-actors-ichikawa-kodanji-iv-iwai-kumesaburo-iii-bando-hikosaburo-iv-part-of-triptych-print-by-utagawa-kunisada-i-1786-1865-1855-utagawa-kunisada-also-known-as-utagawa-toyokuni-iii-was-the-most-popular-prolific-and-financially-successful-designer-of-ukiyo-e-woodblock-prints-in-19th-century-japan-in-his-own-time-his-reputation-far-exceeded-that-of-his-contemporaries-hokusai-hiroshige-and-kuniyoshi-his-favourite-subjects-were-pleasure-houses-and-tea-ceremonies-image436520775.htmlRM2GA56KK–Japan: 'Shelter from the Rain, Encounters on the Road at New Year, No. 6: Actors Ichikawa Kodanji IV, Iwai Kumesaburo III, Bando Hikosaburo IV'. Part of triptych print by Utagawa Kunisada I (1786-1865), 1855. Utagawa Kunisada, also known as Utagawa Toyokuni III, was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. His favourite subjects were pleasure-houses and tea ceremonies.
Art inspired by Tokaido gojo santsugi. Shimada. Plate No 24. From the series: Fifty-three stations of the Tokaido Road., Utagawa Hiroshige, artist, 1837-1839, Japan, woodcut, Utagawa (Ando) Hiroshige (1797-1858), was a renowned painter and print artist, who old-time authorities still, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-tokaido-gojo-santsugi-shimada-plate-no-24-from-the-series-fifty-three-stations-of-the-tokaido-road-utagawa-hiroshige-artist-1837-1839-japan-woodcut-utagawa-ando-hiroshige-1797-1858-was-a-renowned-painter-and-print-artist-who-old-time-authorities-still-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459681418.htmlRF2HKT89E–Art inspired by Tokaido gojo santsugi. Shimada. Plate No 24. From the series: Fifty-three stations of the Tokaido Road., Utagawa Hiroshige, artist, 1837-1839, Japan, woodcut, Utagawa (Ando) Hiroshige (1797-1858), was a renowned painter and print artist, who old-time authorities still, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Japan: 'Shelter from the Rain, Encounters on the Road at New Year, No. 4: Actors Sawamura Tossho II, Nakamura Tsuruzo I, Kawarazaki Gonjuro I'. Part of triptych print by Utagawa Kunisada I (1786-1865), 1855. Utagawa Kunisada, also known as Utagawa Toyokuni III, was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. His favourite subjects were pleasure-houses and tea ceremonies. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-shelter-from-the-rain-encounters-on-the-road-at-new-year-no-4-actors-sawamura-tossho-ii-nakamura-tsuruzo-i-kawarazaki-gonjuro-i-part-of-triptych-print-by-utagawa-kunisada-i-1786-1865-1855-utagawa-kunisada-also-known-as-utagawa-toyokuni-iii-was-the-most-popular-prolific-and-financially-successful-designer-of-ukiyo-e-woodblock-prints-in-19th-century-japan-in-his-own-time-his-reputation-far-exceeded-that-of-his-contemporaries-hokusai-hiroshige-and-kuniyoshi-his-favourite-subjects-were-pleasure-houses-and-tea-ceremonies-image436522075.htmlRM2GA58A3–Japan: 'Shelter from the Rain, Encounters on the Road at New Year, No. 4: Actors Sawamura Tossho II, Nakamura Tsuruzo I, Kawarazaki Gonjuro I'. Part of triptych print by Utagawa Kunisada I (1786-1865), 1855. Utagawa Kunisada, also known as Utagawa Toyokuni III, was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. His favourite subjects were pleasure-houses and tea ceremonies.
Feb. 08, 1961 - 8-2-61 Press view of young contemporaries exhibition. “No. 1†creation from empty tin cans – Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/feb-08-1961-8-2-61-press-view-of-young-contemporaries-exhibition-no-image69392515.htmlRME0W2T3–Feb. 08, 1961 - 8-2-61 Press view of young contemporaries exhibition. “No. 1†creation from empty tin cans –
Geisha. Utagawa Kunisada is one of the lesser-known ukiyo-e printmakers, but he is no less talented than his contemporaries Hokusai and Hiroshige. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/geisha-utagawa-kunisada-is-one-of-the-lesser-known-ukiyo-e-printmakers-but-he-is-no-less-talented-than-his-contemporaries-hokusai-and-hiroshige-image353568030.htmlRM2BF6BHJ–Geisha. Utagawa Kunisada is one of the lesser-known ukiyo-e printmakers, but he is no less talented than his contemporaries Hokusai and Hiroshige.
Apr. 05, 2012 - Five year old exhibits at the Royal academy; A visit to the zoo triggered off Lewis Lyons inspired painting called ''Trees and Monkeys'' which was accepted by the Royal Academy. The gifted young painter is young by any standards even the young contemporaries he is only five and is the son of Claude L. Lyons (72) and his second Italian wife (44). They live in Hamstead and had no idea they had a genius in their midst. Photo Shows ''Gino'' with some of his paintings which he chose specially to show our photographer. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apr-05-2012-five-year-old-exhibits-at-the-royal-academy-a-visit-to-image69559888.htmlRME14M9M–Apr. 05, 2012 - Five year old exhibits at the Royal academy; A visit to the zoo triggered off Lewis Lyons inspired painting called ''Trees and Monkeys'' which was accepted by the Royal Academy. The gifted young painter is young by any standards even the young contemporaries he is only five and is the son of Claude L. Lyons (72) and his second Italian wife (44). They live in Hamstead and had no idea they had a genius in their midst. Photo Shows ''Gino'' with some of his paintings which he chose specially to show our photographer.
Memorial and biographical record and illustrated compendium of biography ..of ..citizens of Columbia . s views werenot always in harmony with those of manyof his contemporaries, no one will deny thathis sentiments were honestly conceived andfearlessly expressed on all occasions. He was born near Peterboro, Madisoncounty, New York, September 9. 1S33, andis a son of George ^ Ellinwood and Han-nah J. Alexander. At the age of sixteen)ears he started out to make his own wayin the world and spent the first season as afarm laborer at eight dollars per month.The ne.xt year he entered New York Centra Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/memorial-and-biographical-record-and-illustrated-compendium-of-biography-of-citizens-of-columbia-s-views-werenot-always-in-harmony-with-those-of-manyof-his-contemporaries-no-one-will-deny-thathis-sentiments-were-honestly-conceived-andfearlessly-expressed-on-all-occasions-he-was-born-near-peterboro-madisoncounty-new-york-september-9-1s33-andis-a-son-of-george-ellinwood-and-han-nah-j-alexander-at-the-age-of-sixteenears-he-started-out-to-make-his-own-wayin-the-world-and-spent-the-first-season-as-afarm-laborer-at-eight-dollars-per-monththe-next-year-he-entered-new-york-centra-image339942586.htmlRM2AN1M6J–Memorial and biographical record and illustrated compendium of biography ..of ..citizens of Columbia . s views werenot always in harmony with those of manyof his contemporaries, no one will deny thathis sentiments were honestly conceived andfearlessly expressed on all occasions. He was born near Peterboro, Madisoncounty, New York, September 9. 1S33, andis a son of George ^ Ellinwood and Han-nah J. Alexander. At the age of sixteen)ears he started out to make his own wayin the world and spent the first season as afarm laborer at eight dollars per month.The ne.xt year he entered New York Centra
May 05, 1967 - Five year old exhibits at the Royal Academy.: A visit to the Zoo triggered off Lewis Lyons, inspired painting called ''trees and Monkeys'' which was accepted by the Royal Academy. The gifted young painter is young by any standards even the young contemporaries - he is only five, and is the son of Claude L. Lyons (72) and his second, Italian, wife (44). They live in Hampstead and had no idea they had a genius in their midst. Photo shows this is the painting ''Trees and Monkeys'' by five year old Lewis Lyons, which is now hanging in the Royal Academy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/may-05-1967-five-year-old-exhibits-at-the-royal-academy-a-visit-to-image69427301.htmlRME0XK6D–May 05, 1967 - Five year old exhibits at the Royal Academy.: A visit to the Zoo triggered off Lewis Lyons, inspired painting called ''trees and Monkeys'' which was accepted by the Royal Academy. The gifted young painter is young by any standards even the young contemporaries - he is only five, and is the son of Claude L. Lyons (72) and his second, Italian, wife (44). They live in Hampstead and had no idea they had a genius in their midst. Photo shows this is the painting ''Trees and Monkeys'' by five year old Lewis Lyons, which is now hanging in the Royal Academy.
View of the organ at Luitpold Hall at the Nazi party rally grounds in Nuremberg, 1936. The organ was built by company E.F. Walcker & Co. and was considered by contemporaries as the 'biggest organ in Europe'. (Flaws in quality due to the historic picture copy) Fotoarchiv für Zeitgeschichtee - NO WIRE SERVICE - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-view-of-the-organ-at-luitpold-hall-at-the-nazi-party-rally-grounds-74254788.htmlRME8PGMM–View of the organ at Luitpold Hall at the Nazi party rally grounds in Nuremberg, 1936. The organ was built by company E.F. Walcker & Co. and was considered by contemporaries as the 'biggest organ in Europe'. (Flaws in quality due to the historic picture copy) Fotoarchiv für Zeitgeschichtee - NO WIRE SERVICE -
D'apè lithographed:. A. Spiess sc. Munich. LÆTITIA, mother of the NAPOLEONIDS. from d. art institution i.e. Bibliogr. institute in Hildb. Contemporaries No. 127 (5th year Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dap-lithographed-a-spiess-sc-munich-ltitia-mother-of-the-napoleonids-from-d-art-institution-ie-bibliogr-institute-in-hildb-contemporaries-no-127-5th-year-image573205949.htmlRM2T8FP11–D'apè lithographed:. A. Spiess sc. Munich. LÆTITIA, mother of the NAPOLEONIDS. from d. art institution i.e. Bibliogr. institute in Hildb. Contemporaries No. 127 (5th year
The Hague, Netherlands. 11th Oct, 2016. The Hague, 11-10-2016 HRH Princess Kate visit at the exhibition HRH Princess Kate visits the Netherlands for the opening of the exhibition 'At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection' in the Mauritshuis, the Residence of the Ambassador in The Hague and De Bouwkeet Work Space in Rotterdam RPE/Albert Nieboer/NETHERLANDSOUT/Point de Vue Out - NO WIRE SERVICE- Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-hague-netherlands-11th-oct-2016-the-hague-11-10-2016-hrh-princess-122792841.htmlRMH3NKEH–The Hague, Netherlands. 11th Oct, 2016. The Hague, 11-10-2016 HRH Princess Kate visit at the exhibition HRH Princess Kate visits the Netherlands for the opening of the exhibition 'At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection' in the Mauritshuis, the Residence of the Ambassador in The Hague and De Bouwkeet Work Space in Rotterdam RPE/Albert Nieboer/NETHERLANDSOUT/Point de Vue Out - NO WIRE SERVICE- Credit: dpa/Alamy Live News
Portrait of Charles II van Brunswijk, Ferdinand Bahmann, 1829 - c. 1840 print Legal Sighter: Contemporaries No. 2. print maker: Germanypublisher: Hildburghausen paper engraving historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-charles-ii-van-brunswijk-ferdinand-bahmann-1829-c-1840-print-legal-sighter-contemporaries-no-2-print-maker-germanypublisher-hildburghausen-paper-engraving-historical-persons-image592783459.htmlRM2WCBH9R–Portrait of Charles II van Brunswijk, Ferdinand Bahmann, 1829 - c. 1840 print Legal Sighter: Contemporaries No. 2. print maker: Germanypublisher: Hildburghausen paper engraving historical persons
![The Evening Dress. Artist: Thomas Wilmer Dewing (1851-1938). Dimensions: Sight: 14 1/4 x 11 in. (36.2 x 27.9 cm). Date: before 1926. Like many of his contemporaries, Dewing often depicted idealized women, but he invented the refined feminine type depicted in this drawing. In 1902, critic Sadakichi Hartmann wrote that Dewing aimed 'to represent beautiful ladies, mostly mature women of thirty ... [who] seem to possess large fortunes and no inclination for any professional work. ...They all have a dream-like tendency, and though absolutely modern, are something quite different from what we gener Stock Photo](https://c8.alamy.com/comp/PAXAM2/the-evening-dress-artist-thomas-wilmer-dewing-1851-1938-dimensions-sight-14-14-x-11-in-362-x-279-cm-date-before-1926-like-many-of-his-contemporaries-dewing-often-depicted-idealized-women-but-he-invented-the-refined-feminine-type-depicted-in-this-drawing-in-1902-critic-sadakichi-hartmann-wrote-that-dewing-aimed-to-represent-beautiful-ladies-mostly-mature-women-of-thirty-who-seem-to-possess-large-fortunes-and-no-inclination-for-any-professional-work-they-all-have-a-dream-like-tendency-and-though-absolutely-modern-are-something-quite-different-from-what-we-gener-PAXAM2.jpg "The Evening Dress. Artist: Thomas Wilmer Dewing (1851-1938). Dimensions: Sight: 14 1/4 x 11 in. (36.2 x 27.9 cm). Date: before 1926. Like many of his contemporaries, Dewing often depicted idealized women, but he invented the refined feminine type depicted in this drawing. In 1902, critic Sadakichi Hartmann wrote that Dewing aimed 'to represent beautiful ladies, mostly mature women of thirty ... [who] seem to possess large fortunes and no inclination for any professional work. ...They all have a dream-like tendency, and though absolutely modern, are something quite different from what we gener Stock Photo")
The Evening Dress. Artist: Thomas Wilmer Dewing (1851-1938). Dimensions: Sight: 14 1/4 x 11 in. (36.2 x 27.9 cm). Date: before 1926. Like many of his contemporaries, Dewing often depicted idealized women, but he invented the refined feminine type depicted in this drawing. In 1902, critic Sadakichi Hartmann wrote that Dewing aimed 'to represent beautiful ladies, mostly mature women of thirty ... [who] seem to possess large fortunes and no inclination for any professional work. ...They all have a dream-like tendency, and though absolutely modern, are something quite different from what we gener Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-evening-dress-artist-thomas-wilmer-dewing-1851-1938-dimensions-sight-14-14-x-11-in-362-x-279-cm-date-before-1926-like-many-of-his-contemporaries-dewing-often-depicted-idealized-women-but-he-invented-the-refined-feminine-type-depicted-in-this-drawing-in-1902-critic-sadakichi-hartmann-wrote-that-dewing-aimed-to-represent-beautiful-ladies-mostly-mature-women-of-thirty-who-seem-to-possess-large-fortunes-and-no-inclination-for-any-professional-work-they-all-have-a-dream-like-tendency-and-though-absolutely-modern-are-something-quite-different-from-what-we-gener-image213250130.htmlRMPAXAM2–The Evening Dress. Artist: Thomas Wilmer Dewing (1851-1938). Dimensions: Sight: 14 1/4 x 11 in. (36.2 x 27.9 cm). Date: before 1926. Like many of his contemporaries, Dewing often depicted idealized women, but he invented the refined feminine type depicted in this drawing. In 1902, critic Sadakichi Hartmann wrote that Dewing aimed 'to represent beautiful ladies, mostly mature women of thirty ... [who] seem to possess large fortunes and no inclination for any professional work. ...They all have a dream-like tendency, and though absolutely modern, are something quite different from what we gener
![Market Place, Cornwall, c1780-1825. '"Market Place, Cornwall" is of the essence of Rowlandson's village-scene subjects. In it he achieves qualities of drawing and color not to be found in any contemporary's work. As a caricature artist, he lived before his time; popularity was his even during the period when his work followed the pattern of that of his contemporaries and before he had fully developed the idiosyncrasies of his unique individuality...He had no worldly ambitions; therefore, he suffered no great artistic losses, although several financial ones. He raised himself to such Stock Photo](https://c8.alamy.com/comp/2H9867Y/market-place-cornwall-c1780-1825-quotmarket-place-cornwallquot-is-of-the-essence-of-rowlandsons-village-scene-subjects-in-it-he-achieves-qualities-of-drawing-and-color-not-to-be-found-in-any-contemporarys-work-as-a-caricature-artist-he-lived-before-his-time-popularity-was-his-even-during-the-period-when-his-work-followed-the-pattern-of-that-of-his-contemporaries-and-before-he-had-fully-developed-the-idiosyncrasies-of-his-unique-individualityhe-had-no-worldly-ambitions-therefore-he-suffered-no-great-artistic-losses-although-several-financial-ones-he-raised-himself-to-such-2H9867Y.jpg "Market Place, Cornwall, c1780-1825. '"Market Place, Cornwall" is of the essence of Rowlandson's village-scene subjects. In it he achieves qualities of drawing and color not to be found in any contemporary's work. As a caricature artist, he lived before his time; popularity was his even during the period when his work followed the pattern of that of his contemporaries and before he had fully developed the idiosyncrasies of his unique individuality...He had no worldly ambitions; therefore, he suffered no great artistic losses, although several financial ones. He raised himself to such Stock Photo")
Market Place, Cornwall, c1780-1825. '"Market Place, Cornwall" is of the essence of Rowlandson's village-scene subjects. In it he achieves qualities of drawing and color not to be found in any contemporary's work. As a caricature artist, he lived before his time; popularity was his even during the period when his work followed the pattern of that of his contemporaries and before he had fully developed the idiosyncrasies of his unique individuality...He had no worldly ambitions; therefore, he suffered no great artistic losses, although several financial ones. He raised himself to such Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/market-place-cornwall-c1780-1825-quotmarket-place-cornwallquot-is-of-the-essence-of-rowlandsons-village-scene-subjects-in-it-he-achieves-qualities-of-drawing-and-color-not-to-be-found-in-any-contemporarys-work-as-a-caricature-artist-he-lived-before-his-time-popularity-was-his-even-during-the-period-when-his-work-followed-the-pattern-of-that-of-his-contemporaries-and-before-he-had-fully-developed-the-idiosyncrasies-of-his-unique-individualityhe-had-no-worldly-ambitions-therefore-he-suffered-no-great-artistic-losses-although-several-financial-ones-he-raised-himself-to-such-image453182015.htmlRM2H9867Y–Market Place, Cornwall, c1780-1825. '"Market Place, Cornwall" is of the essence of Rowlandson's village-scene subjects. In it he achieves qualities of drawing and color not to be found in any contemporary's work. As a caricature artist, he lived before his time; popularity was his even during the period when his work followed the pattern of that of his contemporaries and before he had fully developed the idiosyncrasies of his unique individuality...He had no worldly ambitions; therefore, he suffered no great artistic losses, although several financial ones. He raised himself to such
1974 - Five year old exhibits at the Royal academy; A visit to the zoo triggered off Lewis Lyons inspired painting called ''Trees and Monkeys'' which was accepted by the Royal Academy. The gifted young painter is young by any standards even the young contemporaries he is only five and is the son of Claude L. Lyons (72) and his second Italian wife (44). They live in Hamstead and had no idea they had a genius in their midst. Photo Shows ''Gino'' with some of his paintings which he chose specially to show our photographer. © Keystone Pictures USA/ZUMAPRESS.com/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1974-five-year-old-exhibits-at-the-royal-academy-a-visit-to-the-zoo-95782259.htmlRMFFR76Y–1974 - Five year old exhibits at the Royal academy; A visit to the zoo triggered off Lewis Lyons inspired painting called ''Trees and Monkeys'' which was accepted by the Royal Academy. The gifted young painter is young by any standards even the young contemporaries he is only five and is the son of Claude L. Lyons (72) and his second Italian wife (44). They live in Hamstead and had no idea they had a genius in their midst. Photo Shows ''Gino'' with some of his paintings which he chose specially to show our photographer. © Keystone Pictures USA/ZUMAPRESS.com/Alamy Live News
Lack of direction concept Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lack-of-direction-concept-93616124.htmlRMFC8G90–Lack of direction concept
Amsterdam, Netherlands. 30th Jan, 2023. AMSTERDAM - The work of art The Bust, painted by artist Rembrandt van Rijn, is being unpacked by the Hermitage Museum. In addition to the painting, more than thirty paintings from The Leiden Collection will come to Amsterdam. Under the title Rembrandt and contemporaries, these pieces will be exhibited to the public from February to the end of August. ANP RAMON VAN FLYMEN netherlands out - belgium out Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amsterdam-netherlands-30th-jan-2023-amsterdam-the-work-of-art-the-bust-painted-by-artist-rembrandt-van-rijn-is-being-unpacked-by-the-hermitage-museum-in-addition-to-the-painting-more-than-thirty-paintings-from-the-leiden-collection-will-come-to-amsterdam-under-the-title-rembrandt-and-contemporaries-these-pieces-will-be-exhibited-to-the-public-from-february-to-the-end-of-august-anp-ramon-van-flymen-netherlands-out-belgium-out-image511994157.htmlRM2MMY9NH–Amsterdam, Netherlands. 30th Jan, 2023. AMSTERDAM - The work of art The Bust, painted by artist Rembrandt van Rijn, is being unpacked by the Hermitage Museum. In addition to the painting, more than thirty paintings from The Leiden Collection will come to Amsterdam. Under the title Rembrandt and contemporaries, these pieces will be exhibited to the public from February to the end of August. ANP RAMON VAN FLYMEN netherlands out - belgium out
No Parking Bus Stop sign Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/no-parking-bus-stop-sign-image2992012.htmlRFARP78D–No Parking Bus Stop sign
dismal, office, corridor, linoleum, dismals, offices, corridors, hallway, linoleums Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dismal-office-corridor-linoleum-dismals-offices-corridors-hallway-linoleums-image455930004.htmlRF2HDNBAC–dismal, office, corridor, linoleum, dismals, offices, corridors, hallway, linoleums
No sign to voting against for higher taxes by state government in protest in southern USA Georgia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/no-sign-to-voting-against-for-higher-taxes-by-state-government-in-image1424296.htmlRMANBBA9–No sign to voting against for higher taxes by state government in protest in southern USA Georgia
Art inspired by Uraeus Amulet of Djedmutesankh, Third Intermediate Period, Dynasty 21, ca. 1070–945 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb, Chamber B, Burial of Djedmutesankh (5), 1923–24, Sheet gold, H. 2 cm (13/16 in.), The Lady Djedmutesankh, a wife or daughter, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-uraeus-amulet-of-djedmutesankh-third-intermediate-period-dynasty-21-ca-1070945-bc-from-egypt-upper-egypt-thebes-deir-el-bahri-tomb-chamber-b-burial-of-djedmutesankh-5-192324-sheet-gold-h-2-cm-1316-in-the-lady-djedmutesankh-a-wife-or-daughter-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462852907.htmlRF2HW0NGY–Art inspired by Uraeus Amulet of Djedmutesankh, Third Intermediate Period, Dynasty 21, ca. 1070–945 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb, Chamber B, Burial of Djedmutesankh (5), 1923–24, Sheet gold, H. 2 cm (13/16 in.), The Lady Djedmutesankh, a wife or daughter, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Japan: 'Shelter from the Rain, Encounters on the Road at New Year, No. 5: Actors Arashi Kichisaburo III, Asao Okuyama III, Ichikawa Hirogoro I, Nakamura Daikichi III'. Part of triptych print by Utagawa Kunisada I (1786-1865), 1855. Utagawa Kunisada, also known as Utagawa Toyokuni III, was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. His favourite subjects were pleasure-houses and tea ceremonies. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-shelter-from-the-rain-encounters-on-the-road-at-new-year-no-5-actors-arashi-kichisaburo-iii-asao-okuyama-iii-ichikawa-hirogoro-i-nakamura-daikichi-iii-part-of-triptych-print-by-utagawa-kunisada-i-1786-1865-1855-utagawa-kunisada-also-known-as-utagawa-toyokuni-iii-was-the-most-popular-prolific-and-financially-successful-designer-of-ukiyo-e-woodblock-prints-in-19th-century-japan-in-his-own-time-his-reputation-far-exceeded-that-of-his-contemporaries-hokusai-hiroshige-and-kuniyoshi-his-favourite-subjects-were-pleasure-houses-and-tea-ceremonies-image436522164.htmlRM2GA58D8–Japan: 'Shelter from the Rain, Encounters on the Road at New Year, No. 5: Actors Arashi Kichisaburo III, Asao Okuyama III, Ichikawa Hirogoro I, Nakamura Daikichi III'. Part of triptych print by Utagawa Kunisada I (1786-1865), 1855. Utagawa Kunisada, also known as Utagawa Toyokuni III, was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. His favourite subjects were pleasure-houses and tea ceremonies.
Pupils in school hall, in exam conditions taking their end of year exams Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pupils-in-school-hall-in-exam-conditions-taking-their-end-of-year-exams-image547040919.htmlRM2PNYT7K–Pupils in school hall, in exam conditions taking their end of year exams
A secret tryst with a young woman, her face partially hidden perhaps against the cold, opening a sliding screen which lets a beam of light illuminate her through the darkness. From a set of six prints: Secret Meetings by Moonlight, Tsuki no kage shinobiau yoru. Published c. 1836 – 38 by Yamamoto Kyubei. Utagawa Kunisada (1786 – January 12, 1865) (Japanese: 歌川 国貞, also known as Utagawa Toyokuni III 三代歌川豊国 ) was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-secret-tryst-with-a-young-woman-her-face-partially-hidden-perhaps-against-the-cold-opening-a-sliding-screen-which-lets-a-beam-of-light-illuminate-her-through-the-darkness-from-a-set-of-six-prints-secret-meetings-by-moonlight-tsuki-no-kage-shinobiau-yoru-published-c-1836-38-by-yamamoto-kyubei-utagawa-kunisada-1786-january-12-1865-japanese-also-known-as-utagawa-toyokuni-iii-was-the-most-popular-prolific-and-financially-successful-designer-of-ukiyo-e-woodblock-prints-in-19th-century-japan-in-his-own-time-his-reputation-far-exceeded-that-of-his-contemporaries-image344254163.htmlRM2B023KF–A secret tryst with a young woman, her face partially hidden perhaps against the cold, opening a sliding screen which lets a beam of light illuminate her through the darkness. From a set of six prints: Secret Meetings by Moonlight, Tsuki no kage shinobiau yoru. Published c. 1836 – 38 by Yamamoto Kyubei. Utagawa Kunisada (1786 – January 12, 1865) (Japanese: 歌川 国貞, also known as Utagawa Toyokuni III 三代歌川豊国 ) was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries
Low angle view of communications tower Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-low-angle-view-of-communications-tower-33432746.htmlRFBXAYPJ–Low angle view of communications tower
Toyohara Chikanobu, better known to his contemporaries as Yōshū Chikanobu, was a prolific woodblock artist of Japan's Meiji period. His works capture the transition from the age of the samurai to Meiji modernity. In 1875 (Meiji 8), he decided to try to make a living as an artist. He travelled to Tokyo. He found work as an artist for the Kaishin Shimbun. In addition, he produced nishiki-e artworks. In his younger days, he had studied the Kanō school of painting; but his interest was drawn to ukiyo-e. Like many ukiyo-e artists, Chikanobu turned his attention towards a great variety of subjects Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/toyohara-chikanobu-better-known-to-his-contemporaries-as-ysh-chikanobu-was-a-prolific-woodblock-artist-of-japans-meiji-period-his-works-capture-the-transition-from-the-age-of-the-samurai-to-meiji-modernity-in-1875-meiji-8-he-decided-to-try-to-make-a-living-as-an-artist-he-travelled-to-tokyo-he-found-work-as-an-artist-for-the-kaishin-shimbun-in-addition-he-produced-nishiki-e-artworks-in-his-younger-days-he-had-studied-the-kan-school-of-painting-but-his-interest-was-drawn-to-ukiyo-e-like-many-ukiyo-e-artists-chikanobu-turned-his-attention-towards-a-great-variety-of-subjects-image344279391.htmlRM2B037TF–Toyohara Chikanobu, better known to his contemporaries as Yōshū Chikanobu, was a prolific woodblock artist of Japan's Meiji period. His works capture the transition from the age of the samurai to Meiji modernity. In 1875 (Meiji 8), he decided to try to make a living as an artist. He travelled to Tokyo. He found work as an artist for the Kaishin Shimbun. In addition, he produced nishiki-e artworks. In his younger days, he had studied the Kanō school of painting; but his interest was drawn to ukiyo-e. Like many ukiyo-e artists, Chikanobu turned his attention towards a great variety of subjects
Bomb . that many a keydet, inspired bySammy, began singing to the multitudes of how great a hound he was. Sammysheight of ambition is to rival and perhaps equal his contemporaries, Ted Lewisand Bert Williams. There is no question that he will do so, for he is confident;and is it not said that confidence is half the battle? Sammy is as witty as HarryLauder, at times, but it is rumored that he met his Waterloo when he wonderedaloud as to whether Galax was a postoffice. Sammy is an outstanding star in hisclasses and many a laugh has he furnished his tired, jaded instructors. However,along with hi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bomb-that-many-a-keydet-inspired-bysammy-began-singing-to-the-multitudes-of-how-great-a-hound-he-was-sammysheight-of-ambition-is-to-rival-and-perhaps-equal-his-contemporaries-ted-lewisand-bert-williams-there-is-no-question-that-he-will-do-so-for-he-is-confidentand-is-it-not-said-that-confidence-is-half-the-battle-sammy-is-as-witty-as-harrylauder-at-times-but-it-is-rumored-that-he-met-his-waterloo-when-he-wonderedaloud-as-to-whether-galax-was-a-postoffice-sammy-is-an-outstanding-star-in-hisclasses-and-many-a-laugh-has-he-furnished-his-tired-jaded-instructors-howeveralong-with-hi-image339217913.htmlRM2AKTKWD–Bomb . that many a keydet, inspired bySammy, began singing to the multitudes of how great a hound he was. Sammysheight of ambition is to rival and perhaps equal his contemporaries, Ted Lewisand Bert Williams. There is no question that he will do so, for he is confident;and is it not said that confidence is half the battle? Sammy is as witty as HarryLauder, at times, but it is rumored that he met his Waterloo when he wonderedaloud as to whether Galax was a postoffice. Sammy is an outstanding star in hisclasses and many a laugh has he furnished his tired, jaded instructors. However,along with hi
Utagawa Kunisada (1786-1865), also known as Utagawa Toyokuni III, was the most popular and prolific designer of Ukiyo-e woodblock prints in 19th-century Japan. His reputation and financial success far exceeded those of his contemporaries. Surprisingly, not many details of Kunisada's life are recorded, aside from a few well-established events. He was born in 1786 in Honjo, a district of Edo (now Tokyo), with the given name Sumida Shogoro IX. His family owned a fairly successful ferry-boat service, and he soon developed an artistic talent as he grew up. So impressive were his early sketches tha Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/utagawa-kunisada-1786-1865-also-known-as-utagawa-toyokuni-iii-was-the-most-popular-and-prolific-designer-of-ukiyo-e-woodblock-prints-in-19th-century-japan-his-reputation-and-financial-success-far-exceeded-those-of-his-contemporaries-surprisingly-not-many-details-of-kunisadas-life-are-recorded-aside-from-a-few-well-established-events-he-was-born-in-1786-in-honjo-a-district-of-edo-now-tokyo-with-the-given-name-sumida-shogoro-ix-his-family-owned-a-fairly-successful-ferry-boat-service-and-he-soon-developed-an-artistic-talent-as-he-grew-up-so-impressive-were-his-early-sketches-tha-image344280044.htmlRM2B038KT–Utagawa Kunisada (1786-1865), also known as Utagawa Toyokuni III, was the most popular and prolific designer of Ukiyo-e woodblock prints in 19th-century Japan. His reputation and financial success far exceeded those of his contemporaries. Surprisingly, not many details of Kunisada's life are recorded, aside from a few well-established events. He was born in 1786 in Honjo, a district of Edo (now Tokyo), with the given name Sumida Shogoro IX. His family owned a fairly successful ferry-boat service, and he soon developed an artistic talent as he grew up. So impressive were his early sketches tha
yeah Ender signed crepe and Mrs. Stöber. stamped in steel. Drawn from life, MARIA da GLORIA, QUEEN of PORTUGAL. Printed and published by the Bibliographic Institute in Hildburghausen. Contemporaries N° 45 (II year). illustration from: contemporaries; no. 45 (II year Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yeah-ender-signed-crepe-and-mrs-stber-stamped-in-steel-drawn-from-life-maria-da-gloria-queen-of-portugal-printed-and-published-by-the-bibliographic-institute-in-hildburghausen-contemporaries-n-45-ii-year-illustration-from-contemporaries-no-45-ii-year-image573204023.htmlRM2T8FKG7–yeah Ender signed crepe and Mrs. Stöber. stamped in steel. Drawn from life, MARIA da GLORIA, QUEEN of PORTUGAL. Printed and published by the Bibliographic Institute in Hildburghausen. Contemporaries N° 45 (II year). illustration from: contemporaries; no. 45 (II year
The Hague, Netherlands. 11th Oct, 2016. The Hague, 11-10-2016 HRH Princess Kate arrival at the Mauritshuis HRH Princess Kate visits the Netherlands for the opening of the exhibition 'At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection' in the Mauritshuis, the Residence of the Ambassador in The Hague and De Bouwkeet Work Space in Rotterdam RPE/Albert Nieboer/NETHERLANDSOUT/Point de Vue Out - NO WIRE SERVICE- Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-hague-netherlands-11th-oct-2016-the-hague-11-10-2016-hrh-princess-122792833.htmlRMH3NKE9–The Hague, Netherlands. 11th Oct, 2016. The Hague, 11-10-2016 HRH Princess Kate arrival at the Mauritshuis HRH Princess Kate visits the Netherlands for the opening of the exhibition 'At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection' in the Mauritshuis, the Residence of the Ambassador in The Hague and De Bouwkeet Work Space in Rotterdam RPE/Albert Nieboer/NETHERLANDSOUT/Point de Vue Out - NO WIRE SERVICE- Credit: dpa/Alamy Live News
Portrait of Charles II van Brunswijk, Ferdinand Bahmann, 1829 - c. 1840 print Legal Sighter: Contemporaries No. 2. print maker: Germanypublisher: Hildburghausen paper engraving historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-charles-ii-van-brunswijk-ferdinand-bahmann-1829-c-1840-print-legal-sighter-contemporaries-no-2-print-maker-germanypublisher-hildburghausen-paper-engraving-historical-persons-image592792447.htmlRM2WCC0PR–Portrait of Charles II van Brunswijk, Ferdinand Bahmann, 1829 - c. 1840 print Legal Sighter: Contemporaries No. 2. print maker: Germanypublisher: Hildburghausen paper engraving historical persons
The Great Wave, Sète. Gustave Le Gray; French, 1820-1884. Date: 1857. Dimensions: 34.1 × 41.8 cm (image/paper); 50.8 × 64.5 cm (album page). Albumen print, No. 17 from the Vistas del Mar album. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-great-wave-ste-gustave-le-gray-french-1820-1884-date-1857-dimensions-341-418-cm-imagepaper-508-645-cm-album-page-albumen-print-no-17-from-the-vistas-del-mar-album-origin-france-museum-the-chicago-art-institute-image240140272.htmlRMRXK9A8–The Great Wave, Sète. Gustave Le Gray; French, 1820-1884. Date: 1857. Dimensions: 34.1 × 41.8 cm (image/paper); 50.8 × 64.5 cm (album page). Albumen print, No. 17 from the Vistas del Mar album. Origin: France. Museum: The Chicago Art Institute.
Jeroboam Sacrificing to the Idols, c.1704-c.1744. Jeroboam, the King of Israel, enjoined his people to idolatry to prevent their contact with the Kingdom of Judah. When he tried to arrest a defiant priest during a pagan sacrifice, his hand withered and the altar shattered. He had trespassed God’s First Commandment: ‘Thou shalt have no other gods before me.’ De Roore impressed his contemporaries with such depictions of complex stories. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jeroboam-sacrificing-to-the-idols-c1704-c1744-jeroboam-the-king-of-israel-enjoined-his-people-to-idolatry-to-prevent-their-contact-with-the-kingdom-of-judah-when-he-tried-to-arrest-a-defiant-priest-during-a-pagan-sacrifice-his-hand-withered-and-the-altar-shattered-he-had-trespassed-godx2019s-first-commandment-x2018thou-shalt-have-no-other-gods-before-mex2019-de-roore-impressed-his-contemporaries-with-such-depictions-of-complex-stories-image556242812.htmlRM2R8Y1AM–Jeroboam Sacrificing to the Idols, c.1704-c.1744. Jeroboam, the King of Israel, enjoined his people to idolatry to prevent their contact with the Kingdom of Judah. When he tried to arrest a defiant priest during a pagan sacrifice, his hand withered and the altar shattered. He had trespassed God’s First Commandment: ‘Thou shalt have no other gods before me.’ De Roore impressed his contemporaries with such depictions of complex stories.
Variety of modern design lamps on top of desk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-variety-of-modern-design-lamps-on-top-of-desk-34162477.htmlRFBYG6GD–Variety of modern design lamps on top of desk
Lack of direction concept Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lack-of-direction-concept-93616131.htmlRMFC8G97–Lack of direction concept
Amsterdam, Netherlands. 30th Jan, 2023. AMSTERDAM - The work of art The Bust, painted by artist Rembrandt van Rijn, is being unpacked by the Hermitage Museum. In addition to the painting, more than thirty paintings from The Leiden Collection will come to Amsterdam. Under the title Rembrandt and contemporaries, these pieces will be exhibited to the public from February to the end of August. ANP RAMON VAN FLYMEN netherlands out - belgium out Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amsterdam-netherlands-30th-jan-2023-amsterdam-the-work-of-art-the-bust-painted-by-artist-rembrandt-van-rijn-is-being-unpacked-by-the-hermitage-museum-in-addition-to-the-painting-more-than-thirty-paintings-from-the-leiden-collection-will-come-to-amsterdam-under-the-title-rembrandt-and-contemporaries-these-pieces-will-be-exhibited-to-the-public-from-february-to-the-end-of-august-anp-ramon-van-flymen-netherlands-out-belgium-out-image511994757.htmlRM2MMYAF1–Amsterdam, Netherlands. 30th Jan, 2023. AMSTERDAM - The work of art The Bust, painted by artist Rembrandt van Rijn, is being unpacked by the Hermitage Museum. In addition to the painting, more than thirty paintings from The Leiden Collection will come to Amsterdam. Under the title Rembrandt and contemporaries, these pieces will be exhibited to the public from February to the end of August. ANP RAMON VAN FLYMEN netherlands out - belgium out
A library in Hammarby Sjostad Stockholm Sweden. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-library-in-hammarby-sjostad-stockholm-sweden-25711358.htmlRFBDR72P–A library in Hammarby Sjostad Stockholm Sweden.
. Dawn of life: being the history of the oldest known fossil remains, and their relation to geological time and to the development of the animal kingdom. Paleontology; Eozoon; Life. CONTEMPORARIES AND SUCCESSORS OF EOZOON. 135 oval in outline, about tliree inches in lengtli,, wholly made up of rounded or cylindrical cells, tlie walls of whicli have a beautiful tubular structure, but there is little or no supplemental skeleton. Whether this is a portion accidentally broken off from the top of a mass of Eozoon, or a peculiar varietal form, or a dis-. Please note that these images are extracted f Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dawn-of-life-being-the-history-of-the-oldest-known-fossil-remains-and-their-relation-to-geological-time-and-to-the-development-of-the-animal-kingdom-paleontology-eozoon-life-contemporaries-and-successors-of-eozoon-135-oval-in-outline-about-tliree-inches-in-lengtli-wholly-made-up-of-rounded-or-cylindrical-cells-tlie-walls-of-whicli-have-a-beautiful-tubular-structure-but-there-is-little-or-no-supplemental-skeleton-whether-this-is-a-portion-accidentally-broken-off-from-the-top-of-a-mass-of-eozoon-or-a-peculiar-varietal-form-or-a-dis-please-note-that-these-images-are-extracted-f-image216098632.htmlRMPFG408–. Dawn of life: being the history of the oldest known fossil remains, and their relation to geological time and to the development of the animal kingdom. Paleontology; Eozoon; Life. CONTEMPORARIES AND SUCCESSORS OF EOZOON. 135 oval in outline, about tliree inches in lengtli,, wholly made up of rounded or cylindrical cells, tlie walls of whicli have a beautiful tubular structure, but there is little or no supplemental skeleton. Whether this is a portion accidentally broken off from the top of a mass of Eozoon, or a peculiar varietal form, or a dis-. Please note that these images are extracted f
No sign to voting against for higher taxes by state government in protest in southern USA Georgia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/no-sign-to-voting-against-for-higher-taxes-by-state-government-in-image1424299.htmlRMANBBAC–No sign to voting against for higher taxes by state government in protest in southern USA Georgia
Sign on building exterior Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sign-on-building-exterior-33434025.htmlRFBXB1C9–Sign on building exterior
middle aged white Caucasian Couple in Airport waiting area being patient while the airplane is not arriving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/middle-aged-white-caucasian-couple-in-airport-waiting-area-being-patient-image1529890.htmlRMAR5823–middle aged white Caucasian Couple in Airport waiting area being patient while the airplane is not arriving
Detail of a coffe machine in a caf close-up. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-detail-of-a-coffe-machine-in-a-caf-close-up-25711304.htmlRFBDR70T–Detail of a coffe machine in a caf close-up.
Leonardo da Vinci, artist, thinker and man of science; . edifiedhis contemporaries. We knowthat another friend of Leonardo,his fellow-pupil, Lorenzo diCredi, was famous all throut^hhis life for piety. Puit thesemasters, who were nothing butpainters, are not to be com-pared with him, for intellectualscope and power. Leonardo over and overagain reverts to the benevo-lence and grandeur of theSupreme Being. He nameshim with emotion. He cele-brates the justice of the Creator,of the primo motore whohad willed that no force should lack the necessary qualities for the work it had to do. This declarati Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leonardo-da-vinci-artist-thinker-and-man-of-science-edifiedhis-contemporaries-we-knowthat-another-friend-of-leonardohis-fellow-pupil-lorenzo-dicredi-was-famous-all-throuthhis-life-for-piety-puit-thesemasters-who-were-nothing-butpainters-are-not-to-be-com-pared-with-him-for-intellectualscope-and-power-leonardo-over-and-overagain-reverts-to-the-benevo-lence-and-grandeur-of-thesupreme-being-he-nameshim-with-emotion-he-cele-brates-the-justice-of-the-creatorof-the-primo-motore-whohad-willed-that-no-force-should-lack-the-necessary-qualities-for-the-work-it-had-to-do-this-declarati-image339261581.htmlRM2AKXKH1–Leonardo da Vinci, artist, thinker and man of science; . edifiedhis contemporaries. We knowthat another friend of Leonardo,his fellow-pupil, Lorenzo diCredi, was famous all throut^hhis life for piety. Puit thesemasters, who were nothing butpainters, are not to be com-pared with him, for intellectualscope and power. Leonardo over and overagain reverts to the benevo-lence and grandeur of theSupreme Being. He nameshim with emotion. He cele-brates the justice of the Creator,of the primo motore whohad willed that no force should lack the necessary qualities for the work it had to do. This declarati
Bottom right: Zeitgenossen No 25. Portrait of Don Miguel, King of Portugal Contemporaries Zeitgenossen , print maker: Joseph Stöber, (mentioned on object), print maker: Franz Xaver Stöber, (mentioned on object), intermediary draughtsman: Gonsalva, (mentioned on object), Vienna, 1829 - c. 1840, paper, steel engraving, h 167 mm - w 107 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bottom-right-zeitgenossen-no-25-portrait-of-don-miguel-king-of-portugal-contemporaries-zeitgenossen-print-maker-joseph-stber-mentioned-on-object-print-maker-franz-xaver-stber-mentioned-on-object-intermediary-draughtsman-gonsalva-mentioned-on-object-vienna-1829-c-1840-paper-steel-engraving-h-167-mm-w-107-mm-image472228903.htmlRM2JC7TNY–Bottom right: Zeitgenossen No 25. Portrait of Don Miguel, King of Portugal Contemporaries Zeitgenossen , print maker: Joseph Stöber, (mentioned on object), print maker: Franz Xaver Stöber, (mentioned on object), intermediary draughtsman: Gonsalva, (mentioned on object), Vienna, 1829 - c. 1840, paper, steel engraving, h 167 mm - w 107 mm
The Hague, Netherlands. 11th Oct, 2016. The Hague, 11-10-2016 HRH Princess Kate arrival at the Mauritshuis HRH Princess Kate visits the Netherlands for the opening of the exhibition 'At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection' in the Mauritshuis, the Residence of the Ambassador in The Hague and De Bouwkeet Work Space in Rotterdam RPE/Albert Nieboer/NETHERLANDSOUT/Point de Vue Out - NO WIRE SERVICE- Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-hague-netherlands-11th-oct-2016-the-hague-11-10-2016-hrh-princess-122792851.htmlRMH3NKEY–The Hague, Netherlands. 11th Oct, 2016. The Hague, 11-10-2016 HRH Princess Kate arrival at the Mauritshuis HRH Princess Kate visits the Netherlands for the opening of the exhibition 'At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection' in the Mauritshuis, the Residence of the Ambassador in The Hague and De Bouwkeet Work Space in Rotterdam RPE/Albert Nieboer/NETHERLANDSOUT/Point de Vue Out - NO WIRE SERVICE- Credit: dpa/Alamy Live News
Portret van jules the polignac, g. Metzotottot, After Bernard Romain julie, 1829 - c. 1840 print Legal Sighter: Contemporaries No. 24. Hildburghausen paper engraving historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portret-van-jules-the-polignac-g-metzotottot-after-bernard-romain-julie-1829-c-1840-print-legal-sighter-contemporaries-no-24-hildburghausen-paper-engraving-historical-persons-image592790608.htmlRM2WCBXD4–Portret van jules the polignac, g. Metzotottot, After Bernard Romain julie, 1829 - c. 1840 print Legal Sighter: Contemporaries No. 24. Hildburghausen paper engraving historical persons
The way to Emmaus, no.2, 1914. In this scene, the resurrected Christ has found two disciples on the road to Emmaus who are dressed like working-class contemporaries of Strang. A disguised Christ interacts with them and they convince him to travel with them, all the while discussing with sadness the recent event of his death. The road is minimally described, and there is nothing in the distance apart from a few houses on the left. The message of Christ's humanity, surely consistent with Strang's socialist sympathies, is what ultimately counts. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-way-to-emmaus-no2-1914-in-this-scene-the-resurrected-christ-has-found-two-disciples-on-the-road-to-emmaus-who-are-dressed-like-working-class-contemporaries-of-strang-a-disguised-christ-interacts-with-them-and-they-convince-him-to-travel-with-them-all-the-while-discussing-with-sadness-the-recent-event-of-his-death-the-road-is-minimally-described-and-there-is-nothing-in-the-distance-apart-from-a-few-houses-on-the-left-the-message-of-christs-humanity-surely-consistent-with-strangs-socialist-sympathies-is-what-ultimately-counts-image603651469.htmlRM2X22KH1–The way to Emmaus, no.2, 1914. In this scene, the resurrected Christ has found two disciples on the road to Emmaus who are dressed like working-class contemporaries of Strang. A disguised Christ interacts with them and they convince him to travel with them, all the while discussing with sadness the recent event of his death. The road is minimally described, and there is nothing in the distance apart from a few houses on the left. The message of Christ's humanity, surely consistent with Strang's socialist sympathies, is what ultimately counts.
Lack of direction concept Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lack-of-direction-concept-93616128.htmlRMFC8G94–Lack of direction concept
Amsterdam, Netherlands. 30th Jan, 2023. AMSTERDAM - The work of art The Bust, painted by artist Rembrandt van Rijn, is being unpacked by the Hermitage Museum. In addition to the painting, more than thirty paintings from The Leiden Collection will come to Amsterdam. Under the title Rembrandt and contemporaries, these pieces will be exhibited to the public from February to the end of August. ANP RAMON VAN FLYMEN netherlands out - belgium out Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amsterdam-netherlands-30th-jan-2023-amsterdam-the-work-of-art-the-bust-painted-by-artist-rembrandt-van-rijn-is-being-unpacked-by-the-hermitage-museum-in-addition-to-the-painting-more-than-thirty-paintings-from-the-leiden-collection-will-come-to-amsterdam-under-the-title-rembrandt-and-contemporaries-these-pieces-will-be-exhibited-to-the-public-from-february-to-the-end-of-august-anp-ramon-van-flymen-netherlands-out-belgium-out-image511995168.htmlRM2MMYB1M–Amsterdam, Netherlands. 30th Jan, 2023. AMSTERDAM - The work of art The Bust, painted by artist Rembrandt van Rijn, is being unpacked by the Hermitage Museum. In addition to the painting, more than thirty paintings from The Leiden Collection will come to Amsterdam. Under the title Rembrandt and contemporaries, these pieces will be exhibited to the public from February to the end of August. ANP RAMON VAN FLYMEN netherlands out - belgium out
Detail of a coffe machine in a caf close-up. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-detail-of-a-coffe-machine-in-a-caf-close-up-25711308.htmlRFBDR710–Detail of a coffe machine in a caf close-up.
Operative gynecology : . s pulled over by it backward. The unusual size and antero-posterior thickness will be of assistance here in clearing up the diagnosis, espe-cially if a sound is introduced into the uterine cavity when the finger in therectum detects the increased thickness of the intervening body. The uterinesound used so much by Sir James Y. Simpson and his contemporaries as ameans of determining flexions and correcting them, has now passed largely outof vogue. There can, however, be no objection to its occasional gentle use forthe purpose of diagnosis and demonstration, but it should Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/operative-gynecology-s-pulled-over-by-it-backward-the-unusual-size-and-antero-posterior-thickness-will-be-of-assistance-here-in-clearing-up-the-diagnosis-espe-cially-if-a-sound-is-introduced-into-the-uterine-cavity-when-the-finger-in-therectum-detects-the-increased-thickness-of-the-intervening-body-the-uterinesound-used-so-much-by-sir-james-y-simpson-and-his-contemporaries-as-ameans-of-determining-flexions-and-correcting-them-has-now-passed-largely-outof-vogue-there-can-however-be-no-objection-to-its-occasional-gentle-use-forthe-purpose-of-diagnosis-and-demonstration-but-it-should-image338270571.htmlRM2AJ9FFR–Operative gynecology : . s pulled over by it backward. The unusual size and antero-posterior thickness will be of assistance here in clearing up the diagnosis, espe-cially if a sound is introduced into the uterine cavity when the finger in therectum detects the increased thickness of the intervening body. The uterinesound used so much by Sir James Y. Simpson and his contemporaries as ameans of determining flexions and correcting them, has now passed largely outof vogue. There can, however, be no objection to its occasional gentle use forthe purpose of diagnosis and demonstration, but it should
Portrait of Christoph Friedrich von Ammon, Contemporaries (series title), Zeitgenossen (series title), Bottom right: Zeitgenossen No 116 (V. Jahrg.)., print maker: Friedrich Wagner, after painting by: Friedrich Dittmar, printer: Bibliographisches Institut, print maker: Germany, printer: Hildburghausen, publisher: Hildburghausen, 1829 - c. 1840, paper, steel engraving, height 176 mm × width 121 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-christoph-friedrich-von-ammon-contemporaries-series-title-zeitgenossen-series-title-bottom-right-zeitgenossen-no-116-v-jahrg-print-maker-friedrich-wagner-after-painting-by-friedrich-dittmar-printer-bibliographisches-institut-print-maker-germany-printer-hildburghausen-publisher-hildburghausen-1829-c-1840-paper-steel-engraving-height-176-mm-width-121-mm-print-image599519864.htmlRM2WRADKM–Portrait of Christoph Friedrich von Ammon, Contemporaries (series title), Zeitgenossen (series title), Bottom right: Zeitgenossen No 116 (V. Jahrg.)., print maker: Friedrich Wagner, after painting by: Friedrich Dittmar, printer: Bibliographisches Institut, print maker: Germany, printer: Hildburghausen, publisher: Hildburghausen, 1829 - c. 1840, paper, steel engraving, height 176 mm × width 121 mm, print
The Hague, Netherlands. 11th Oct, 2016. The Hague, 11-10-2016 HRH Princess Kate visit at the exhibition HRH Princess Kate visits the Netherlands for the opening of the exhibition 'At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection' in the Mauritshuis, the Residence of the Ambassador in The Hague and De Bouwkeet Work Space in Rotterdam RPE/Albert Nieboer/NETHERLANDSOUT/Point de Vue Out - NO WIRE SERVICE- Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-hague-netherlands-11th-oct-2016-the-hague-11-10-2016-hrh-princess-122792836.htmlRMH3NKEC–The Hague, Netherlands. 11th Oct, 2016. The Hague, 11-10-2016 HRH Princess Kate visit at the exhibition HRH Princess Kate visits the Netherlands for the opening of the exhibition 'At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection' in the Mauritshuis, the Residence of the Ambassador in The Hague and De Bouwkeet Work Space in Rotterdam RPE/Albert Nieboer/NETHERLANDSOUT/Point de Vue Out - NO WIRE SERVICE- Credit: dpa/Alamy Live News
Portret van Karl FERDINAND VON GIEFES, G. Metzeroth, 1829 - C. 1840 print Legal Sighter: Contemporaries No. 32 (II year). Hildburghausen paper steel engraving historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portret-van-karl-ferdinand-von-giefes-g-metzeroth-1829-c-1840-print-legal-sighter-contemporaries-no-32-ii-year-hildburghausen-paper-steel-engraving-historical-persons-image593685900.htmlRM2WDTMBT–Portret van Karl FERDINAND VON GIEFES, G. Metzeroth, 1829 - C. 1840 print Legal Sighter: Contemporaries No. 32 (II year). Hildburghausen paper steel engraving historical persons
Lack of direction concept Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lack-of-direction-concept-93616129.htmlRMFC8G95–Lack of direction concept
Detail of a coffe machine in a caf close-up. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-detail-of-a-coffe-machine-in-a-caf-close-up-25711310.htmlRFBDR712–Detail of a coffe machine in a caf close-up.
Building under construction Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-building-under-construction-34154012.htmlRFBYFRP4–Building under construction
Quain's elements of anatomy . given at p. G98 of this volume. Introdtiction of the Spermatozoa into the Ovum.—The factof the actual entrance of spermatozoa within the zona or covering ofthe mammiferous ovum was first observed by Martin Barry in 1843,and although his statement was received with considerable hesitationby his contemporaries, it has since been repeatedly confirmed by theminute and careful investigation of many observers. In certain animals the spermatozoa have been seen to enter the cavityof the oxmn. by an obvious micropyle aperture, as first observed byRansom in fishes (No. 72), Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/quains-elements-of-anatomy-given-at-p-g98-of-this-volume-introdtiction-of-the-spermatozoa-into-the-ovumthe-factof-the-actual-entrance-of-spermatozoa-within-the-zona-or-covering-ofthe-mammiferous-ovum-was-first-observed-by-martin-barry-in-1843and-although-his-statement-was-received-with-considerable-hesitationby-his-contemporaries-it-has-since-been-repeatedly-confirmed-by-theminute-and-careful-investigation-of-many-observers-in-certain-animals-the-spermatozoa-have-been-seen-to-enter-the-cavityof-the-oxmn-by-an-obvious-micropyle-aperture-as-first-observed-byransom-in-fishes-no-72-image340285483.htmlRM2ANH9GY–Quain's elements of anatomy . given at p. G98 of this volume. Introdtiction of the Spermatozoa into the Ovum.—The factof the actual entrance of spermatozoa within the zona or covering ofthe mammiferous ovum was first observed by Martin Barry in 1843,and although his statement was received with considerable hesitationby his contemporaries, it has since been repeatedly confirmed by theminute and careful investigation of many observers. In certain animals the spermatozoa have been seen to enter the cavityof the oxmn. by an obvious micropyle aperture, as first observed byRansom in fishes (No. 72),
Twin Towers Kuala Lumpur Malaysia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-twin-towers-kuala-lumpur-malaysia-25710736.htmlRFBDR68G–Twin Towers Kuala Lumpur Malaysia.
Portrait of William Lamb, 2nd Viscount Melbourne, Contemporaries (series title), Zeitgenossen (series title), Numbered bottom right: Zeitgenossen No. 144 (VI Year)., print maker: Carl Mayer, after painting by: Joshua Reynolds, publisher: Bibliographisches Institut, print maker: Neurenberg, publisher: Hildburghausen, 1834 - c. 1840, paper, steel engraving, height 185 mm × width 127 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-william-lamb-2nd-viscount-melbourne-contemporaries-series-title-zeitgenossen-series-title-numbered-bottom-right-zeitgenossen-no-144-vi-year-print-maker-carl-mayer-after-painting-by-joshua-reynolds-publisher-bibliographisches-institut-print-maker-neurenberg-publisher-hildburghausen-1834-c-1840-paper-steel-engraving-height-185-mm-width-127-mm-print-image599506787.htmlRM2WR9W0K–Portrait of William Lamb, 2nd Viscount Melbourne, Contemporaries (series title), Zeitgenossen (series title), Numbered bottom right: Zeitgenossen No. 144 (VI Year)., print maker: Carl Mayer, after painting by: Joshua Reynolds, publisher: Bibliographisches Institut, print maker: Neurenberg, publisher: Hildburghausen, 1834 - c. 1840, paper, steel engraving, height 185 mm × width 127 mm, print
The Hague, Netherlands. 11th Oct, 2016. The Hague, 11-10-2016 HRH Princess Kate arrival at the Mauritshuis HRH Princess Kate visits the Netherlands for the opening of the exhibition 'At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection' in the Mauritshuis, the Residence of the Ambassador in The Hague and De Bouwkeet Work Space in Rotterdam RPE/Albert Nieboer/NETHERLANDSOUT/Point de Vue Out - NO WIRE SERVICE- Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-hague-netherlands-11th-oct-2016-the-hague-11-10-2016-hrh-princess-122792838.htmlRMH3NKEE–The Hague, Netherlands. 11th Oct, 2016. The Hague, 11-10-2016 HRH Princess Kate arrival at the Mauritshuis HRH Princess Kate visits the Netherlands for the opening of the exhibition 'At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection' in the Mauritshuis, the Residence of the Ambassador in The Hague and De Bouwkeet Work Space in Rotterdam RPE/Albert Nieboer/NETHERLANDSOUT/Point de Vue Out - NO WIRE SERVICE- Credit: dpa/Alamy Live News
PortraT van Ludwig Tieck, Gustav Zumpe, 1829 - c. 1840 print Legal Sighter: Contemporaries No. 13. print maker: Germanypublisher: Hildburghausen paper engraving historical persons. writer, poet, author Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrat-van-ludwig-tieck-gustav-zumpe-1829-c-1840-print-legal-sighter-contemporaries-no-13-print-maker-germanypublisher-hildburghausen-paper-engraving-historical-persons-writer-poet-author-image593684037.htmlRM2WDTJ19–PortraT van Ludwig Tieck, Gustav Zumpe, 1829 - c. 1840 print Legal Sighter: Contemporaries No. 13. print maker: Germanypublisher: Hildburghausen paper engraving historical persons. writer, poet, author
View of construction site Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-view-of-construction-site-36694244.htmlRFC3KFTM–View of construction site
Sculpture in Norra Hammarbyhamnen Stockholm Sweden. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sculpture-in-norra-hammarbyhamnen-stockholm-sweden-25711336.htmlRFBDR720–Sculpture in Norra Hammarbyhamnen Stockholm Sweden.
Lack of direction concept Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lack-of-direction-concept-93616132.htmlRMFC8G98–Lack of direction concept
Embroidered message on a wall hanging, Sweden. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-embroidered-message-on-a-wall-hanging-sweden-28022874.htmlRFBHGFCX–Embroidered message on a wall hanging, Sweden.
France, Paris, outdoor cafe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-france-paris-outdoor-cafe-33432307.htmlRFBXAY6Y–France, Paris, outdoor cafe
Scandinavia, Sweden, V?sterg?tland, M?lndal, View of factory building with chimney Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-scandinavia-sweden-vstergtland-mlndal-view-of-factory-building-with-29823558.htmlRFBMEG72–Scandinavia, Sweden, V?sterg?tland, M?lndal, View of factory building with chimney
A white building against a blue sky, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-white-building-against-a-blue-sky-usa-29912767.htmlRFBMJJ13–A white building against a blue sky, USA.
An empty platform, Berlin, Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-an-empty-platform-berlin-germany-27561603.htmlRFBGRF2Y–An empty platform, Berlin, Germany.
Gardens of celebrities and celebrated gardens in and around London . impedi-ment would walke into the sweete woods, there to rejoice theirspirits with the beauty and flavour of sweet Flowers, and thesewere the field flowers that are Avith us still. When HerricksCorinna, that sweet slug-a-bed, went a-maying with herfriends, they sniffed the same delicious flower-incense that weinhale whenever the thorn is white with blossom. The thoughtseems to me to bridge the centuries, and to bring us nearer to Baconand Shakespeare and to their contemporaries—for here, in thisold English garden, are no doubl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gardens-of-celebrities-and-celebrated-gardens-in-and-around-london-impedi-ment-would-walke-into-the-sweete-woods-there-to-rejoice-theirspirits-with-the-beauty-and-flavour-of-sweet-flowers-and-thesewere-the-field-flowers-that-are-avith-us-still-when-herrickscorinna-that-sweet-slug-a-bed-went-a-maying-with-herfriends-they-sniffed-the-same-delicious-flower-incense-that-weinhale-whenever-the-thorn-is-white-with-blossom-the-thoughtseems-to-me-to-bridge-the-centuries-and-to-bring-us-nearer-to-baconand-shakespeare-and-to-their-contemporariesfor-here-in-thisold-english-garden-are-no-doubl-image340255659.htmlRM2ANFYFR–Gardens of celebrities and celebrated gardens in and around London . impedi-ment would walke into the sweete woods, there to rejoice theirspirits with the beauty and flavour of sweet Flowers, and thesewere the field flowers that are Avith us still. When HerricksCorinna, that sweet slug-a-bed, went a-maying with herfriends, they sniffed the same delicious flower-incense that weinhale whenever the thorn is white with blossom. The thoughtseems to me to bridge the centuries, and to bring us nearer to Baconand Shakespeare and to their contemporaries—for here, in thisold English garden, are no doubl
A sofa in a livingroom, Sweden. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-sofa-in-a-livingroom-sweden-23582167.htmlRFBAA787–A sofa in a livingroom, Sweden.
Bottom right: Zeitgenossen (II Jahrgang) No. 42. Portrait of Louis Joseph de Potter Contemporaries Zeitgenossen , print maker: Ferdinand Bahmann, printer: Bibliographisches Institut, (mentioned on object), publisher: Bibliographisches Institut, (mentioned on object), print maker: Germany, printer: Hildburghausen, publisher: Hildburghausen, 1829 - c. 1840, paper, steel engraving, h 172 mm × w 118 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bottom-right-zeitgenossen-ii-jahrgang-no-42-portrait-of-louis-joseph-de-potter-contemporaries-zeitgenossen-print-maker-ferdinand-bahmann-printer-bibliographisches-institut-mentioned-on-object-publisher-bibliographisches-institut-mentioned-on-object-print-maker-germany-printer-hildburghausen-publisher-hildburghausen-1829-c-1840-paper-steel-engraving-h-172-mm-w-118-mm-image472257883.htmlRM2JC95MY–Bottom right: Zeitgenossen (II Jahrgang) No. 42. Portrait of Louis Joseph de Potter Contemporaries Zeitgenossen , print maker: Ferdinand Bahmann, printer: Bibliographisches Institut, (mentioned on object), publisher: Bibliographisches Institut, (mentioned on object), print maker: Germany, printer: Hildburghausen, publisher: Hildburghausen, 1829 - c. 1840, paper, steel engraving, h 172 mm × w 118 mm
The Hague, Netherlands. 11th Oct, 2016. The Hague, 11-10-2016 HRH Princess Kate arrival at the Mauritshuis HRH Princess Kate visits the Netherlands for the opening of the exhibition 'At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection' in the Mauritshuis, the Residence of the Ambassador in The Hague and De Bouwkeet Work Space in Rotterdam RPE/Albert Nieboer/NETHERLANDSOUT/Point de Vue Out - NO WIRE SERVICE- Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-hague-netherlands-11th-oct-2016-the-hague-11-10-2016-hrh-princess-122792850.htmlRMH3NKEX–The Hague, Netherlands. 11th Oct, 2016. The Hague, 11-10-2016 HRH Princess Kate arrival at the Mauritshuis HRH Princess Kate visits the Netherlands for the opening of the exhibition 'At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection' in the Mauritshuis, the Residence of the Ambassador in The Hague and De Bouwkeet Work Space in Rotterdam RPE/Albert Nieboer/NETHERLANDSOUT/Point de Vue Out - NO WIRE SERVICE- Credit: dpa/Alamy Live News
PortraT van Bernhard August von Lindenau, Franz Xaver Stöber, 1829 - c. 1840 print Legal Sighter: Contemporaries No 58 (III Year) Vienna paper steel engraving historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrat-van-bernhard-august-von-lindenau-franz-xaver-stber-1829-c-1840-print-legal-sighter-contemporaries-no-58-iii-year-vienna-paper-steel-engraving-historical-persons-image593677891.htmlRM2WDTA5R–PortraT van Bernhard August von Lindenau, Franz Xaver Stöber, 1829 - c. 1840 print Legal Sighter: Contemporaries No 58 (III Year) Vienna paper steel engraving historical persons
Geisha, Utagawa Kunisada, Japanese, 1786 – 1864, Woodblock print in colored ink on paper, Utagawa Kunisada is one of the lesser-known ukiyo-e printmakers, but he is no less talented than his contemporaries Hokusai and Hiroshige. Herem the architectural designs, wood mark in the night sky, and the magnitude of colors and prints in the geisha’s kimono are numerous examples as to how Kunisada is just as talented. Kunisada’s mostly known for depicting women, kabuki actors, and couples in the thrawls of lovemaking., Japan, 1855, theater, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/geisha-utagawa-kunisada-japanese-1786-1864-woodblock-print-in-colored-ink-on-paper-utagawa-kunisada-is-one-of-the-lesser-known-ukiyo-e-printmakers-but-he-is-no-less-talented-than-his-contemporaries-hokusai-and-hiroshige-herem-the-architectural-designs-wood-mark-in-the-night-sky-and-the-magnitude-of-colors-and-prints-in-the-geishas-kimono-are-numerous-examples-as-to-how-kunisada-is-just-as-talented-kunisadas-mostly-known-for-depicting-women-kabuki-actors-and-couples-in-the-thrawls-of-lovemaking-japan-1855-theater-print-image391429635.htmlRM2DMR4DR–Geisha, Utagawa Kunisada, Japanese, 1786 – 1864, Woodblock print in colored ink on paper, Utagawa Kunisada is one of the lesser-known ukiyo-e printmakers, but he is no less talented than his contemporaries Hokusai and Hiroshige. Herem the architectural designs, wood mark in the night sky, and the magnitude of colors and prints in the geisha’s kimono are numerous examples as to how Kunisada is just as talented. Kunisada’s mostly known for depicting women, kabuki actors, and couples in the thrawls of lovemaking., Japan, 1855, theater, Print
Tōkaidō gojo santsugi. Shirasuka. Plate No 33. From the series: Fifty-three stations of the Tōkaidō Road., Utagawa Hiroshige, artist, Late 1830's, Japan, Utagawa (Andō) Hiroshige (1797-1858), was a renowned painter and print artist, who old-time authorities still hail as the last of the great Japanese print masters, surely short-changing his brilliant contemporaries Kuniyoshi and Kunisada, not to mention later artists, notably Yoshitoshi. A son of an official in the fire department, he was a pupil of Utagawa Toyohiro and also studied with Okajima Rinsai and Ooka Umpo. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tkaid-gojo-santsugi-shirasuka-plate-no-33-from-the-series-fifty-three-stations-of-the-tkaid-road-utagawa-hiroshige-artist-late-1830s-japan-utagawa-and-hiroshige-1797-1858-was-a-renowned-painter-and-print-artist-who-old-time-authorities-still-hail-as-the-last-of-the-great-japanese-print-masters-surely-short-changing-his-brilliant-contemporaries-kuniyoshi-and-kunisada-not-to-mention-later-artists-notably-yoshitoshi-a-son-of-an-official-in-the-fire-department-he-was-a-pupil-of-utagawa-toyohiro-and-also-studied-with-okajima-rinsai-and-ooka-umpo-image454320466.htmlRM2HB42AX–Tōkaidō gojo santsugi. Shirasuka. Plate No 33. From the series: Fifty-three stations of the Tōkaidō Road., Utagawa Hiroshige, artist, Late 1830's, Japan, Utagawa (Andō) Hiroshige (1797-1858), was a renowned painter and print artist, who old-time authorities still hail as the last of the great Japanese print masters, surely short-changing his brilliant contemporaries Kuniyoshi and Kunisada, not to mention later artists, notably Yoshitoshi. A son of an official in the fire department, he was a pupil of Utagawa Toyohiro and also studied with Okajima Rinsai and Ooka Umpo.
Tōkaidō gojo santsugi. Shimada. Plate No 24. From the series: Fifty-three stations of the Tokaido Road., Utagawa Hiroshige, artist, 1837-1839, Japan, woodcut, Utagawa (Andō) Hiroshige (1797-1858), was a renowned painter and print artist, who old-time authorities still hail as the last of the great Japanese print masters, surely short-changing his brilliant contemporaries Kuniyoshi and Kunisada, not to mention later artists, notably Yoshitoshi. A son of an official in the fire department, he was a pupil of Utagawa Toyohiro and also studied with Okajima Rinsai and Ooka Umpo. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tkaid-gojo-santsugi-shimada-plate-no-24-from-the-series-fifty-three-stations-of-the-tokaido-road-utagawa-hiroshige-artist-1837-1839-japan-woodcut-utagawa-and-hiroshige-1797-1858-was-a-renowned-painter-and-print-artist-who-old-time-authorities-still-hail-as-the-last-of-the-great-japanese-print-masters-surely-short-changing-his-brilliant-contemporaries-kuniyoshi-and-kunisada-not-to-mention-later-artists-notably-yoshitoshi-a-son-of-an-official-in-the-fire-department-he-was-a-pupil-of-utagawa-toyohiro-and-also-studied-with-okajima-rinsai-and-ooka-umpo-image454320484.htmlRM2HB42BG–Tōkaidō gojo santsugi. Shimada. Plate No 24. From the series: Fifty-three stations of the Tokaido Road., Utagawa Hiroshige, artist, 1837-1839, Japan, woodcut, Utagawa (Andō) Hiroshige (1797-1858), was a renowned painter and print artist, who old-time authorities still hail as the last of the great Japanese print masters, surely short-changing his brilliant contemporaries Kuniyoshi and Kunisada, not to mention later artists, notably Yoshitoshi. A son of an official in the fire department, he was a pupil of Utagawa Toyohiro and also studied with Okajima Rinsai and Ooka Umpo.
Portrait of a Woman and her Dog, 1871, Henri Monnier, French, Paris 1799–Paris 1877, 8 5/16 x 5 7/16 in. (21.11 x 13.81 cm) (sheet), Watercolor and ink with white heightening, France, 19th century, Henri Bonaventure Monnier (1805–1877) was an actor and playwright as well as an artist. A contemporary of Honoré Daumier and Paul Gavarni, Monnier was a good-humored chronicler of French middle-class mores. He applied his considerable wit to satirizing the foibles and pretentions of his contemporaries and is best known for his creation of the character of Monsieur Joseph Prudhomme Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-and-her-dog-1871-henri-monnier-french-paris-1799paris-1877-8-516-x-5-716-in-2111-x-1381-cm-sheet-watercolor-and-ink-with-white-heightening-france-19th-century-henri-bonaventure-monnier-18051877-was-an-actor-and-playwright-as-well-as-an-artist-a-contemporary-of-honor-daumier-and-paul-gavarni-monnier-was-a-good-humored-chronicler-of-french-middle-class-mores-he-applied-his-considerable-wit-to-satirizing-the-foibles-and-pretentions-of-his-contemporaries-and-is-best-known-for-his-creation-of-the-character-of-monsieur-joseph-prudhomme-image573481881.htmlRM2T909YN–Portrait of a Woman and her Dog, 1871, Henri Monnier, French, Paris 1799–Paris 1877, 8 5/16 x 5 7/16 in. (21.11 x 13.81 cm) (sheet), Watercolor and ink with white heightening, France, 19th century, Henri Bonaventure Monnier (1805–1877) was an actor and playwright as well as an artist. A contemporary of Honoré Daumier and Paul Gavarni, Monnier was a good-humored chronicler of French middle-class mores. He applied his considerable wit to satirizing the foibles and pretentions of his contemporaries and is best known for his creation of the character of Monsieur Joseph Prudhomme
Uraeus Amulet of Djedmutesankh, Third Intermediate Period, Dynasty 21, ca. 1070–945 B.C., From Egypt, Upper Egypt, Thebes, Deir Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-uraeus-amulet-of-djedmutesankh-third-intermediate-period-dynasty-21-162352995.htmlRMKC3PW7–Uraeus Amulet of Djedmutesankh, Third Intermediate Period, Dynasty 21, ca. 1070–945 B.C., From Egypt, Upper Egypt, Thebes, Deir
. The Farm-poultry. re more prone to vicethan others, and it seems to depend mostly onthe disposition. We never had any troublewith Brahma or Cochin hens by egg eating,leather eating, or picking the combs of themales. Still we think that under favoringconditions they would develop such vices, andhave no doubt that they often do. Theysimply are more contented and less easilytempted than some of the others. One of our English contemporaries, theFeathered World, is overw helmed with pre-paid advertising—which corresponds to ourclassified ads. So the editor appeals topatrons to cut their ads. as s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-farm-poultry-re-more-prone-to-vicethan-others-and-it-seems-to-depend-mostly-onthe-disposition-we-never-had-any-troublewith-brahma-or-cochin-hens-by-egg-eatingleather-eating-or-picking-the-combs-of-themales-still-we-think-that-under-favoringconditions-they-would-develop-such-vices-andhave-no-doubt-that-they-often-do-theysimply-are-more-contented-and-less-easilytempted-than-some-of-the-others-one-of-our-english-contemporaries-thefeathered-world-is-overw-helmed-with-pre-paid-advertisingwhich-corresponds-to-ourclassified-ads-so-the-editor-appeals-topatrons-to-cut-their-ads-as-s-image336966652.htmlRM2AG64B8–. The Farm-poultry. re more prone to vicethan others, and it seems to depend mostly onthe disposition. We never had any troublewith Brahma or Cochin hens by egg eating,leather eating, or picking the combs of themales. Still we think that under favoringconditions they would develop such vices, andhave no doubt that they often do. Theysimply are more contented and less easilytempted than some of the others. One of our English contemporaries, theFeathered World, is overw helmed with pre-paid advertising—which corresponds to ourclassified ads. So the editor appeals topatrons to cut their ads. as s
A sofa in a livingroom, Sweden. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-sofa-in-a-livingroom-sweden-23581886.htmlRFBAA6X6–A sofa in a livingroom, Sweden.
The Hague, Netherlands. 11th Oct, 2016. The Hague, 11-10-2016 HRH Princess Kate visit at the exhibition HRH Princess Kate visits the Netherlands for the opening of the exhibition 'At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection' in the Mauritshuis, the Residence of the Ambassador in The Hague and De Bouwkeet Work Space in Rotterdam RPE/Albert Nieboer/NETHERLANDSOUT/Point de Vue Out - NO WIRE SERVICE- Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-hague-netherlands-11th-oct-2016-the-hague-11-10-2016-hrh-princess-122792828.htmlRMH3NKE4–The Hague, Netherlands. 11th Oct, 2016. The Hague, 11-10-2016 HRH Princess Kate visit at the exhibition HRH Princess Kate visits the Netherlands for the opening of the exhibition 'At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection' in the Mauritshuis, the Residence of the Ambassador in The Hague and De Bouwkeet Work Space in Rotterdam RPE/Albert Nieboer/NETHERLANDSOUT/Point de Vue Out - NO WIRE SERVICE- Credit: dpa/Alamy Live News
Portret Van Ferdinland-Philpipe hertog Van Orleans, G. Metzeroth, 1829 - c. 1840 print Legal Sighter: Contemporaries No. 138 (II year). Hildburghausen paper steel engraving historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portret-van-ferdinland-philpipe-hertog-van-orleans-g-metzeroth-1829-c-1840-print-legal-sighter-contemporaries-no-138-ii-year-hildburghausen-paper-steel-engraving-historical-persons-image592807977.htmlRM2WCCMHD–Portret Van Ferdinland-Philpipe hertog Van Orleans, G. Metzeroth, 1829 - c. 1840 print Legal Sighter: Contemporaries No. 138 (II year). Hildburghausen paper steel engraving historical persons
Twentieth century palace; the Piccadilly Hotel; with some notes on the history, landmarks & worthies of Piccadilly & Regent street . TKe Lounge. In the basement will be found the most beautifuland the most ornate of London s numerous Grill-rooms.The general inspiration has apparently been derived fromdecorations of the far-famed Galleries of the Palace ofVersailles, but there has been no slavish copying. LikeChippendale and his contemporaries, the designers and thedecorators have only worked, but that most effectually, A Tiventieth Century Palace. 51 on the impressions derived from the reveren Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/twentieth-century-palace-the-piccadilly-hotel-with-some-notes-on-the-history-landmarks-worthies-of-piccadilly-regent-street-tke-lounge-in-the-basement-will-be-found-the-most-beautifuland-the-most-ornate-of-london-s-numerous-grill-roomsthe-general-inspiration-has-apparently-been-derived-fromdecorations-of-the-far-famed-galleries-of-the-palace-ofversailles-but-there-has-been-no-slavish-copying-likechippendale-and-his-contemporaries-the-designers-and-thedecorators-have-only-worked-but-that-most-effectually-a-tiventieth-century-palace-51-on-the-impressions-derived-from-the-reveren-image342852336.htmlRM2AWP7J8–Twentieth century palace; the Piccadilly Hotel; with some notes on the history, landmarks & worthies of Piccadilly & Regent street . TKe Lounge. In the basement will be found the most beautifuland the most ornate of London s numerous Grill-rooms.The general inspiration has apparently been derived fromdecorations of the far-famed Galleries of the Palace ofVersailles, but there has been no slavish copying. LikeChippendale and his contemporaries, the designers and thedecorators have only worked, but that most effectually, A Tiventieth Century Palace. 51 on the impressions derived from the reveren
A sofa in a livingroom, Sweden. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-sofa-in-a-livingroom-sweden-23582381.htmlRFBAA7FW–A sofa in a livingroom, Sweden.
The Hague, Netherlands. 11th Oct, 2016. The Hague, 11-10-2016 HRH Princess Kate arrival at the Mauritshuis HRH Princess Kate visits the Netherlands for the opening of the exhibition 'At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection' in the Mauritshuis, the Residence of the Ambassador in The Hague and De Bouwkeet Work Space in Rotterdam RPE/Albert Nieboer/NETHERLANDSOUT/Point de Vue Out - NO WIRE SERVICE- Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-hague-netherlands-11th-oct-2016-the-hague-11-10-2016-hrh-princess-122792862.htmlRMH3NKFA–The Hague, Netherlands. 11th Oct, 2016. The Hague, 11-10-2016 HRH Princess Kate arrival at the Mauritshuis HRH Princess Kate visits the Netherlands for the opening of the exhibition 'At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection' in the Mauritshuis, the Residence of the Ambassador in The Hague and De Bouwkeet Work Space in Rotterdam RPE/Albert Nieboer/NETHERLANDSOUT/Point de Vue Out - NO WIRE SERVICE- Credit: dpa/Alamy Live News
Portret Van Bertel Thorvaldsen, G. Metzeroth, After Karl Begas (I), 1829 - 1840 print Legal Sighter: Contemporaries No. 18. Hildburghausen paper engraving historical persons. portrait, self-portrait of sculptor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portret-van-bertel-thorvaldsen-g-metzeroth-after-karl-begas-i-1829-1840-print-legal-sighter-contemporaries-no-18-hildburghausen-paper-engraving-historical-persons-portrait-self-portrait-of-sculptor-image592791642.htmlRM2WCBYP2–Portret Van Bertel Thorvaldsen, G. Metzeroth, After Karl Begas (I), 1829 - 1840 print Legal Sighter: Contemporaries No. 18. Hildburghausen paper engraving historical persons. portrait, self-portrait of sculptor
![The history of the nineteenth century in caricature . like the malignant spawn of someforgotten circle of the lower inferno. It would be idle to dispute the far-reaching power ofGillrays genius, perverted though it was. Throughout the;Napoleonic wars, caricature and the name of Gillray are con-vertible terms; for, even after he was forced to lay down hispencil, his brilliant contemporaries and successors, Rowland-son and Cruikshank, found themselves unable to throw of]the fetters of his influence. No history of Napoleon is quit(jcomplete which fails to recognize Gillray as a potent factor iijc Stock Photo](https://c8.alamy.com/comp/2AJAG1B/the-history-of-the-nineteenth-century-in-caricature-like-the-malignant-spawn-of-someforgotten-circle-of-the-lower-inferno-it-would-be-idle-to-dispute-the-far-reaching-power-ofgillrays-genius-perverted-though-it-was-throughout-thenapoleonic-wars-caricature-and-the-name-of-gillray-are-con-vertible-terms-for-even-after-he-was-forced-to-lay-down-hispencil-his-brilliant-contemporaries-and-successors-rowland-son-and-cruikshank-found-themselves-unable-to-throw-of-the-fetters-of-his-influence-no-history-of-napoleon-is-quitjcomplete-which-fails-to-recognize-gillray-as-a-potent-factor-iijc-2AJAG1B.jpg "The history of the nineteenth century in caricature . like the malignant spawn of someforgotten circle of the lower inferno. It would be idle to dispute the far-reaching power ofGillrays genius, perverted though it was. Throughout the;Napoleonic wars, caricature and the name of Gillray are con-vertible terms; for, even after he was forced to lay down hispencil, his brilliant contemporaries and successors, Rowland-son and Cruikshank, found themselves unable to throw of]the fetters of his influence. No history of Napoleon is quit(jcomplete which fails to recognize Gillray as a potent factor iijc Stock Photo")
The history of the nineteenth century in caricature . like the malignant spawn of someforgotten circle of the lower inferno. It would be idle to dispute the far-reaching power ofGillrays genius, perverted though it was. Throughout the;Napoleonic wars, caricature and the name of Gillray are con-vertible terms; for, even after he was forced to lay down hispencil, his brilliant contemporaries and successors, Rowland-son and Cruikshank, found themselves unable to throw of]the fetters of his influence. No history of Napoleon is quit(jcomplete which fails to recognize Gillray as a potent factor iijc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-history-of-the-nineteenth-century-in-caricature-like-the-malignant-spawn-of-someforgotten-circle-of-the-lower-inferno-it-would-be-idle-to-dispute-the-far-reaching-power-ofgillrays-genius-perverted-though-it-was-throughout-thenapoleonic-wars-caricature-and-the-name-of-gillray-are-con-vertible-terms-for-even-after-he-was-forced-to-lay-down-hispencil-his-brilliant-contemporaries-and-successors-rowland-son-and-cruikshank-found-themselves-unable-to-throw-of-the-fetters-of-his-influence-no-history-of-napoleon-is-quitjcomplete-which-fails-to-recognize-gillray-as-a-potent-factor-iijc-image338292903.htmlRM2AJAG1B–The history of the nineteenth century in caricature . like the malignant spawn of someforgotten circle of the lower inferno. It would be idle to dispute the far-reaching power ofGillrays genius, perverted though it was. Throughout the;Napoleonic wars, caricature and the name of Gillray are con-vertible terms; for, even after he was forced to lay down hispencil, his brilliant contemporaries and successors, Rowland-son and Cruikshank, found themselves unable to throw of]the fetters of his influence. No history of Napoleon is quit(jcomplete which fails to recognize Gillray as a potent factor iijc
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