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Court on canvas Stock Photos and Images
Fiona Walker, the woman in the famous Athena poster (left) poses with an original copy at Christie's in London today to launch 'Court on Canvas' an exhibition exploring tennis as a subject in art running from May 27 to September 18 at Birmingham's Barber Institute of Fine Arts. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fiona-walker-the-woman-in-the-famous-athena-poster-left-poses-with-105869936.htmlRMG46P54–Fiona Walker, the woman in the famous Athena poster (left) poses with an original copy at Christie's in London today to launch 'Court on Canvas' an exhibition exploring tennis as a subject in art running from May 27 to September 18 at Birmingham's Barber Institute of Fine Arts.
An interior shot of Salts Mill in West Yorkshire. A large tiled print of artist David Hockney's 'Court on Canvas' is on display. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-interior-shot-of-salts-mill-in-west-yorkshire-a-large-tiled-print-of-artist-david-hockneys-court-on-canvas-is-on-display-image186087852.htmlRFMPN0XM–An interior shot of Salts Mill in West Yorkshire. A large tiled print of artist David Hockney's 'Court on Canvas' is on display.
Netherlands/Turkey: 'Aeneas at the Court of Latinus'. Oil on canvas painting by Ferdinand Bol (24 June 1616 - 24 August 1680), c. 1661-1663. In Greco-Roman mythology, Aeneas was a prince of Troy, the son of Anchises and the goddess Aphrodite, and the legendary founder of Rome. His voyages and heroism are recounted in Homer’s ‘The Iliad’ and Virgil's ‘Aeneid’. In the ‘Aeneid’, the Trojan prince boosts his crew’s morale on the long voyage from Troy (modern-day Turkey) to Rome. He organizes ship races. Here he rewards the winner of a race with a magnificent suit of armour. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/netherlandsturkey-aeneas-at-the-court-of-latinus-oil-on-canvas-painting-by-ferdinand-bol-24-june-1616-24-august-1680-c-1661-1663-in-greco-roman-mythology-aeneas-was-a-prince-of-troy-the-son-of-anchises-and-the-goddess-aphrodite-and-the-legendary-founder-of-rome-his-voyages-and-heroism-are-recounted-in-homers-the-iliad-and-virgils-aeneid-in-the-aeneid-the-trojan-prince-boosts-his-crews-morale-on-the-long-voyage-from-troy-modern-day-turkey-to-rome-he-organizes-ship-races-here-he-rewards-the-winner-of-a-race-with-a-magnificent-suit-of-armour-image344234420.htmlRM2B016EC–Netherlands/Turkey: 'Aeneas at the Court of Latinus'. Oil on canvas painting by Ferdinand Bol (24 June 1616 - 24 August 1680), c. 1661-1663. In Greco-Roman mythology, Aeneas was a prince of Troy, the son of Anchises and the goddess Aphrodite, and the legendary founder of Rome. His voyages and heroism are recounted in Homer’s ‘The Iliad’ and Virgil's ‘Aeneid’. In the ‘Aeneid’, the Trojan prince boosts his crew’s morale on the long voyage from Troy (modern-day Turkey) to Rome. He organizes ship races. Here he rewards the winner of a race with a magnificent suit of armour.
The March of the Guards to Finchley, 1750, (detail), oil-on-canvas painting by English artist William Hogarth. The painting is a depiction of a fictional mustering of troops on the Tottenham Court Road to march north to Finchley to defend the capital from the second Jacobite rebellion of 1745, which was part of a series of uprisings that had been occurring since the late 17th century and were aimed at returning the Stuart Dynasty to the throne after the Glorious Revolution of 1688 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-march-of-the-guards-to-finchley-1750-detail-oil-on-canvas-painting-by-english-artist-william-hogarth-the-painting-is-a-depiction-of-a-fictional-mustering-of-troops-on-the-tottenham-court-road-to-march-north-to-finchley-to-defend-the-capital-from-the-second-jacobite-rebellion-of-1745-which-was-part-of-a-series-of-uprisings-that-had-been-occurring-since-the-late-17th-century-and-were-aimed-at-returning-the-stuart-dynasty-to-the-throne-after-the-glorious-revolution-of-1688-image235321214.htmlRMRJRPH2–The March of the Guards to Finchley, 1750, (detail), oil-on-canvas painting by English artist William Hogarth. The painting is a depiction of a fictional mustering of troops on the Tottenham Court Road to march north to Finchley to defend the capital from the second Jacobite rebellion of 1745, which was part of a series of uprisings that had been occurring since the late 17th century and were aimed at returning the Stuart Dynasty to the throne after the Glorious Revolution of 1688
Ford Madox Brown, Chaucer at the court of Edward III, painting in oil on canvas, 1847-1851 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ford-madox-brown-chaucer-at-the-court-of-edward-iii-painting-in-oil-on-canvas-1847-1851-image557464600.htmlRM2RAXKP0–Ford Madox Brown, Chaucer at the court of Edward III, painting in oil on canvas, 1847-1851
William Lowndes, Auditor of His Majesty's Court of Exchequer William Lowndes Stone Inscribed, lower left: 'W.m Lowndes Esqr' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-lowndes-auditor-of-his-majestys-court-of-exchequer-william-77448031.htmlRMEE01N3–William Lowndes, Auditor of His Majesty's Court of Exchequer William Lowndes Stone Inscribed, lower left: 'W.m Lowndes Esqr'
Aeneas at the Court of Latinus by Ferdinand Bol (1616-1680), oil on canvas, c. 1661-63 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aeneas-at-the-court-of-latinus-by-ferdinand-bol-1616-1680-oil-on-canvas-c-1661-63-image455119345.htmlRM2HCCDA9–Aeneas at the Court of Latinus by Ferdinand Bol (1616-1680), oil on canvas, c. 1661-63
Joaquin Sorolla y Bastida (1863-1923). Spanish painter. Court of the Pool, Alhambra, Granada, 1917 (Patio de la Alberca, Alhambra, Granada, 1917). Oil on canvas, 95,5 x 64,5 cm. Sorolla Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joaquin-sorolla-y-bastida-1863-1923-spanish-painter-court-of-the-pool-alhambra-granada-1917-patio-de-la-alberca-alhambra-granada-1917-oil-on-canvas-955-x-645-cm-sorolla-museum-madrid-spain-image255990237.htmlRMTTDA4D–Joaquin Sorolla y Bastida (1863-1923). Spanish painter. Court of the Pool, Alhambra, Granada, 1917 (Patio de la Alberca, Alhambra, Granada, 1917). Oil on canvas, 95,5 x 64,5 cm. Sorolla Museum. Madrid. Spain.
Bartholomeus van der Helst, Abraham del Court and his wife Maria de Kaersgieter 1654 Oil on canvas. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bartholomeus-van-der-helst-abraham-del-court-and-his-wife-maria-de-57028991.htmlRMD8NW1K–Bartholomeus van der Helst, Abraham del Court and his wife Maria de Kaersgieter 1654 Oil on canvas.
Art inspired by Recess of the Court, Oil on canvas, 23 7/8 x 28 7/8 in. (60.6 x 73.3 cm), Paintings, Jean-Louis Forain (French, Reims 1852–1931 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-recess-of-the-court-oil-on-canvas-23-78-x-28-78-in-606-x-733-cm-paintings-jean-louis-forain-french-reims-18521931-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462815245.htmlRF2HTY1FW–Art inspired by Recess of the Court, Oil on canvas, 23 7/8 x 28 7/8 in. (60.6 x 73.3 cm), Paintings, Jean-Louis Forain (French, Reims 1852–1931 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Vienna Uprising 1848 Oil on canvas, unsigned. Multi-figured depiction of the Siege of Vienna by brigades loyal to the emperor in October 1848. In the foreground arraying Austrian and Croatian troops, on the right side of that artillery firing at the city. In the background view of Vienna. Behind the town wall the St. Stephan's Cathedral, to its right side the burning court library at Josefsplatz. Partly slightly restored. In a wooden moulded frame. Dimensions of the painting 34.5 x 48 cm. With the storming of Vienna on 31 October 1848 the civ, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-vienna-uprising-1848-oil-on-canvas-unsigned-multi-figured-depiction-of-the-siege-of-vienna-by-brigades-loyal-to-the-emperor-in-october-1848-in-the-foreground-arraying-austrian-and-croatian-troops-on-the-right-side-of-that-artillery-firing-at-the-city-in-the-background-view-of-vienna-behind-the-town-wall-the-st-stephans-cathedral-to-its-right-side-the-burning-court-library-at-josefsplatz-partly-slightly-restored-in-a-wooden-moulded-frame-dimensions-of-the-painting-345-x-48-cm-with-the-storming-of-vienna-on-31-october-1848-the-civ-additional-rights-clearance-info-not-available-image247950291.htmlRMTBB33F–The Vienna Uprising 1848 Oil on canvas, unsigned. Multi-figured depiction of the Siege of Vienna by brigades loyal to the emperor in October 1848. In the foreground arraying Austrian and Croatian troops, on the right side of that artillery firing at the city. In the background view of Vienna. Behind the town wall the St. Stephan's Cathedral, to its right side the burning court library at Josefsplatz. Partly slightly restored. In a wooden moulded frame. Dimensions of the painting 34.5 x 48 cm. With the storming of Vienna on 31 October 1848 the civ, Additional-Rights-Clearance-Info-Not-Available
The Court of Death based on painting by Rembrandt Peale. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-court-of-death-based-on-painting-by-rembrandt-peale-20781264.htmlRMB5PJM0–The Court of Death based on painting by Rembrandt Peale.
The 1916 caption reads: “Pieter de Hooch 1629-1677. Dutch School - Court of a Dutch House paved with Bricks in National Gallery. Signed P D H A 1658 - on a stone built into the base of the porch. Painted in oil on canvas. 2 ft 5 in h. x 1 ft 11.5 in w.” Pieter de Hooch was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway. He was a contemporary, in the Delft Guild of St. Luke, of Jan Vermeer with whom his work shares themes and style. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-1916-caption-reads-pieter-de-hooch-1629-1677-dutch-school-court-of-a-dutch-house-paved-with-bricks-in-national-gallery-signed-p-d-h-a-1658-on-a-stone-built-into-the-base-of-the-porch-painted-in-oil-on-canvas-2-ft-5-in-h-x-1-ft-115-in-w-pieter-de-hooch-was-a-dutch-golden-age-painter-famous-for-his-genre-works-of-quiet-domestic-scenes-with-an-open-doorway-he-was-a-contemporary-in-the-delft-guild-of-st-luke-of-jan-vermeer-with-whom-his-work-shares-themes-and-style-image571387278.htmlRF2T5GX8E–The 1916 caption reads: “Pieter de Hooch 1629-1677. Dutch School - Court of a Dutch House paved with Bricks in National Gallery. Signed P D H A 1658 - on a stone built into the base of the porch. Painted in oil on canvas. 2 ft 5 in h. x 1 ft 11.5 in w.” Pieter de Hooch was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway. He was a contemporary, in the Delft Guild of St. Luke, of Jan Vermeer with whom his work shares themes and style.
Portrait of a master of the armory in court attire Iran 18th century oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-a-master-of-the-armory-in-court-attire-iran-18th-century-84835014.htmlRMEX0FWX–Portrait of a master of the armory in court attire Iran 18th century oil on canvas
'Rural Festival', (detail), by Joachim Beuckelaer. 1563. Found in the collection of the Hermitage, St Petersburg, Russia. 112 x 163.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rural-festival-detail-by-joachim-beuckelaer-1563-found-in-the-collection-of-the-hermitage-st-petersburg-russia-112-x-1635-cm-image483535007.htmlRM2K2JWRB–'Rural Festival', (detail), by Joachim Beuckelaer. 1563. Found in the collection of the Hermitage, St Petersburg, Russia. 112 x 163.5 cm
ActiveMuseum 0003596.jpg / Courting with no hope - oil on canvas 08/01/2014 - / 20th century Collection / Active Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-activemuseum-0003596jpg-courting-with-no-hope-oil-on-canvas-08012014-79294003.htmlRMEH048K–ActiveMuseum 0003596.jpg / Courting with no hope - oil on canvas 08/01/2014 - / 20th century Collection / Active Museum
Diego Velazquez Christ on the Cross 1631 Prado Museum - Madrid Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-diego-velazquez-christ-on-the-cross-1631-prado-museum-madrid-49888522.htmlRMCW4H8X–Diego Velazquez Christ on the Cross 1631 Prado Museum - Madrid
Johann Carl Schultz (1801-1873). German painter. Artus Court in Gdansk, 1840-60. Oil on canvas. National Museum. Gdansk. Poland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johann-carl-schultz-1801-1873-german-painter-artus-court-in-gdansk-1840-60-oil-on-canvas-national-museum-gdansk-poland-image220219992.htmlRMPP7TRM–Johann Carl Schultz (1801-1873). German painter. Artus Court in Gdansk, 1840-60. Oil on canvas. National Museum. Gdansk. Poland.
THE FOREST OF ARDEN, by Albert Pinkham Ryder, 1888-1908, American painting, oil on canvas. The title refers to a scene in Shakespeares comedy, AS YOU LIKE IT, as three characters escaped from the court of Duke Frederick into the Forest of Arden. Ryder based landscape on a local Bronx, NYC, park (BSLOC 2017 9 35) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-forest-of-arden-by-albert-pinkham-ryder-1888-1908-american-painting-170559398.htmlRMKWDJ72–THE FOREST OF ARDEN, by Albert Pinkham Ryder, 1888-1908, American painting, oil on canvas. The title refers to a scene in Shakespeares comedy, AS YOU LIKE IT, as three characters escaped from the court of Duke Frederick into the Forest of Arden. Ryder based landscape on a local Bronx, NYC, park (BSLOC 2017 9 35)
Court on Canvas exhibition Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-court-on-canvas-exhibition-105869940.htmlRMG46P58–Court on Canvas exhibition
Hortense de Beauharnais, Queen of Holland, Anne-Louis Girodet-Trioson, 1805 - 1809 Dutch, The Netherlands. oil on canvas, 60 × 49. Hortense was the stepdaughter of Emperor Napoleon. Through her marriage to Napoleon's brother, Lodewijk Napoleon, she became Queen of Holland in 1806. The marriage was unsuccessful and Hortense thought Holland was a cold and gloomy country. She preferred to live with her sons in Paris, at court. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hortense-de-beauharnais-queen-of-holland-anne-louis-girodet-trioson-1805-1809-dutch-the-netherlands-oil-on-canvas-60-49-hortense-was-the-stepdaughter-of-emperor-napoleon-through-her-marriage-to-napoleons-brother-lodewijk-napoleon-she-became-queen-of-holland-in-1806-the-marriage-was-unsuccessful-and-hortense-thought-holland-was-a-cold-and-gloomy-country-she-preferred-to-live-with-her-sons-in-paris-at-court-image439552246.htmlRM2GF39AE–Hortense de Beauharnais, Queen of Holland, Anne-Louis Girodet-Trioson, 1805 - 1809 Dutch, The Netherlands. oil on canvas, 60 × 49. Hortense was the stepdaughter of Emperor Napoleon. Through her marriage to Napoleon's brother, Lodewijk Napoleon, she became Queen of Holland in 1806. The marriage was unsuccessful and Hortense thought Holland was a cold and gloomy country. She preferred to live with her sons in Paris, at court.
Egypt/Netherlands: ‘The Banquet of Cleopatra’. Oil on canvas painting by Gerard de Lairesse (11 September 1641 - June 1711), c. 1675-1680. Cleopatra VII (69-30 BCE) was the last pharaoh of ancient Egypt and last of the Ptolemaic dynasty. In this scene from her court in Alexandria, Cleopatra has bet her lover Mark Anthony that she could host the more expensive banquet. After he accepted the wager, Cleopatra removed one of her pearl earrings, dissolved it in vinegar, then drank it. She is in the process of removing her second earring when she is stopped by former Roman senator Lucius Plancus. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/egyptnetherlands-the-banquet-of-cleopatra-oil-on-canvas-painting-by-gerard-de-lairesse-11-september-1641-june-1711-c-1675-1680-cleopatra-vii-69-30-bce-was-the-last-pharaoh-of-ancient-egypt-and-last-of-the-ptolemaic-dynasty-in-this-scene-from-her-court-in-alexandria-cleopatra-has-bet-her-lover-mark-anthony-that-she-could-host-the-more-expensive-banquet-after-he-accepted-the-wager-cleopatra-removed-one-of-her-pearl-earrings-dissolved-it-in-vinegar-then-drank-it-she-is-in-the-process-of-removing-her-second-earring-when-she-is-stopped-by-former-roman-senator-lucius-plancus-image344235557.htmlRM2B017Y1–Egypt/Netherlands: ‘The Banquet of Cleopatra’. Oil on canvas painting by Gerard de Lairesse (11 September 1641 - June 1711), c. 1675-1680. Cleopatra VII (69-30 BCE) was the last pharaoh of ancient Egypt and last of the Ptolemaic dynasty. In this scene from her court in Alexandria, Cleopatra has bet her lover Mark Anthony that she could host the more expensive banquet. After he accepted the wager, Cleopatra removed one of her pearl earrings, dissolved it in vinegar, then drank it. She is in the process of removing her second earring when she is stopped by former Roman senator Lucius Plancus.
Representation of the tournament in the Court of Belvedere in the Vatican to celebrate the marriage of Count Annibale Altemps and Ortensia Borromeo, nephew and niece of Pope Pius IV, 5 March 1665. Oil on canvas, Italian School. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-representation-of-the-tournament-in-the-court-of-belvedere-in-the-57353478.htmlRMD98JXE–Representation of the tournament in the Court of Belvedere in the Vatican to celebrate the marriage of Count Annibale Altemps and Ortensia Borromeo, nephew and niece of Pope Pius IV, 5 March 1665. Oil on canvas, Italian School.
Frederic Leighton, Dramatic Scene in a Court, painting in oil on canvas, before 1896 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederic-leighton-dramatic-scene-in-a-court-painting-in-oil-on-canvas-before-1896-image567128765.htmlRM2RXJXEN–Frederic Leighton, Dramatic Scene in a Court, painting in oil on canvas, before 1896
Recess of the Court, Oil on canvas, 23 7/8 x 28 7/8 in. (60.6 x 73.3 cm), Paintings, Jean-Louis Forain (French, Reims 1852–1931 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-recess-of-the-court-oil-on-canvas-23-78-x-28-78-in-606-x-733-cm-paintings-162537616.htmlRMKCC6AT–Recess of the Court, Oil on canvas, 23 7/8 x 28 7/8 in. (60.6 x 73.3 cm), Paintings, Jean-Louis Forain (French, Reims 1852–1931
The Garden Court (from The Briar Rose Series) by Edward Burne-Jones (1833-1898), oil on canvas, 1894 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-garden-court-from-the-briar-rose-series-by-edward-burne-jones-1833-1898-oil-on-canvas-1894-image449567755.htmlRM2H3BG77–The Garden Court (from The Briar Rose Series) by Edward Burne-Jones (1833-1898), oil on canvas, 1894
Joaquin Sorolla y Bastida (1863-1923). Spanish painter. Court of the Alhambra, Granada, 1910. Oil on canvas. Sorolla Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joaquin-sorolla-y-bastida-1863-1923-spanish-painter-court-of-the-alhambra-granada-1910-oil-on-canvas-sorolla-museum-madrid-spain-image255962768.htmlRMTTC33C–Joaquin Sorolla y Bastida (1863-1923). Spanish painter. Court of the Alhambra, Granada, 1910. Oil on canvas. Sorolla Museum. Madrid. Spain.
Franz Michael Augustin von Purgau, Sleighride of the Imperial Court 1766 Oil on canvas. Imperial Carriage Museum, Wien, Austria. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-franz-michael-augustin-von-purgau-sleighride-of-the-imperial-court-72640051.htmlRME6513F–Franz Michael Augustin von Purgau, Sleighride of the Imperial Court 1766 Oil on canvas. Imperial Carriage Museum, Wien, Austria.
Inspired by The Republican Court, Lady Washington's Reception Day, Daniel Huntington, American, 1816-1906, Oil on canvas, 1861, 66 x 109 1/16 in., 167.6 x 277 cm, American Painting, colonial, dresses, Federalist, figures, Founding Fathers, hall, interior, painting, portrait, reception, rich, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-the-republican-court-lady-washingtons-reception-day-daniel-huntington-american-1816-1906-oil-on-canvas-1861-66-x-109-116-in-1676-x-277-cm-american-painting-colonial-dresses-federalist-figures-founding-fathers-hall-interior-painting-portrait-reception-rich-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253844.htmlRF2HK4PY0–Inspired by The Republican Court, Lady Washington's Reception Day, Daniel Huntington, American, 1816-1906, Oil on canvas, 1861, 66 x 109 1/16 in., 167.6 x 277 cm, American Painting, colonial, dresses, Federalist, figures, Founding Fathers, hall, interior, painting, portrait, reception, rich, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Vienna Uprising 1848 Oil on canvas, unsigned. Multi-figured depiction of the Siege of Vienna by brigades loyal to the emperor in October 1848. In the foreground arraying Austrian and Croatian troops, on the right side of that artillery firing at the city. In the background view of Vienna. Behind the town wall the St. Stephan's Cathedral, to its right side the burning court library at Josefsplatz. Partly slightly restored. In a wooden moulded frame. Dimensions of the painting 34.5 x 48 cm. With the storming of Vienna on 31 October 1848 the civ, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-vienna-uprising-1848-oil-on-canvas-unsigned-multi-figured-depiction-of-the-siege-of-vienna-by-brigades-loyal-to-the-emperor-in-october-1848-in-the-foreground-arraying-austrian-and-croatian-troops-on-the-right-side-of-that-artillery-firing-at-the-city-in-the-background-view-of-vienna-behind-the-town-wall-the-st-stephans-cathedral-to-its-right-side-the-burning-court-library-at-josefsplatz-partly-slightly-restored-in-a-wooden-moulded-frame-dimensions-of-the-painting-345-x-48-cm-with-the-storming-of-vienna-on-31-october-1848-the-civ-additional-rights-clearance-info-not-available-image247950290.htmlRMTBB33E–The Vienna Uprising 1848 Oil on canvas, unsigned. Multi-figured depiction of the Siege of Vienna by brigades loyal to the emperor in October 1848. In the foreground arraying Austrian and Croatian troops, on the right side of that artillery firing at the city. In the background view of Vienna. Behind the town wall the St. Stephan's Cathedral, to its right side the burning court library at Josefsplatz. Partly slightly restored. In a wooden moulded frame. Dimensions of the painting 34.5 x 48 cm. With the storming of Vienna on 31 October 1848 the civ, Additional-Rights-Clearance-Info-Not-Available
RICHARD WILLIS 1724 1780 attrib Pine or Hoare Oil on Canvas in the Great Hall at Clevedon Court Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-richard-willis-1724-1780-attrib-pine-or-hoare-oil-on-canvas-in-the-22682839.htmlRMB8W85B–RICHARD WILLIS 1724 1780 attrib Pine or Hoare Oil on Canvas in the Great Hall at Clevedon Court
Francesco Podesti 1800-1895. Torquato Tasso recites the Gerusalemme Liberata at the Estense court. 1832-1834 oil painting on canvas cm 170 x 247. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francesco-podesti-1800-1895-torquato-tasso-recites-the-gerusalemme-liberata-at-the-estense-court-1832-1834-oil-painting-on-canvas-cm-170-x-247-image390686414.htmlRM2DKH8E6–Francesco Podesti 1800-1895. Torquato Tasso recites the Gerusalemme Liberata at the Estense court. 1832-1834 oil painting on canvas cm 170 x 247.
The Tennis Court Oath, 20th June 1789, (oil on canvas) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-tennis-court-oath-20th-june-1789-oil-on-canvas-image543566821.htmlRF2PG9H0N–The Tennis Court Oath, 20th June 1789, (oil on canvas)
Painting titled 'Portrait of a Lady' (Possibly Saint Ivo) by the Workshop of Rogier van der Weyden (1400-1464) an Early Netherlandish painter. Dated 15th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-titled-portrait-of-a-lady-possibly-saint-ivo-by-the-workshop-of-rogier-van-der-weyden-1400-1464-an-early-netherlandish-painter-dated-15th-century-image257293546.htmlRMTXGMF6–Painting titled 'Portrait of a Lady' (Possibly Saint Ivo) by the Workshop of Rogier van der Weyden (1400-1464) an Early Netherlandish painter. Dated 15th Century
Girl standing on marking at blue sports court Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/girl-standing-on-marking-at-blue-sports-court-image386925420.htmlRF2DDDY90–Girl standing on marking at blue sports court
Diego Velazquez Philip IV on horseback 1635 Prado Museum - Madrid Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-diego-velazquez-philip-iv-on-horseback-1635-prado-museum-madrid-49888925.htmlRMCW4HR9–Diego Velazquez Philip IV on horseback 1635 Prado Museum - Madrid
Diego Velázquez / 'Court Jester Calabacillas', 1635-1639, Oil on canvas, 106 × 83 cm, P01205. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diego-velzquez-court-jester-calabacillas-1635-1639-oil-on-canvas-106-83-cm-p01205-museum-museo-del-prado-madrid-spain-image556022039.htmlRM2R8GYNY–Diego Velázquez / 'Court Jester Calabacillas', 1635-1639, Oil on canvas, 106 × 83 cm, P01205. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
A court scene. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-court-scene-image186171848.htmlRMMPTT2G–A court scene.
Court on Canvas exhibition Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-court-on-canvas-exhibition-105869937.htmlRMG46P55–Court on Canvas exhibition
Antonis Mor, or Anthonis Mor van Dashorst or Antonio Moro, Netherlandish court portrait painter, c.1517-1577. Pictured in front of a canvas on an easel in ruff collar, doublet with puffed sleeves, holding paintbrushes and palette. Antonio Moor, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonis-mor-oranthonis-mor-van-dashorstorantonio-moro-netherlandish-court-portrait-painter-c1517-1577-pictured-in-front-of-a-canvas-on-an-easel-in-ruff-collar-doublet-with-puffed-sleeves-holding-paintbrushes-and-palette-antonio-moor-pittore-copperplate-engraving-by-carlo-gregori-after-giovanni-domenico-campiglia-after-a-self-portrait-by-the-artist-from-francesco-mouckes-museo-florentino-museum-florentinum-serie-di-ritratti-de-pittori-series-of-portraits-of-painters-stamperia-mouckiana-florence-1752-62-image543597604.htmlRM2PGB084–Antonis Mor, or Anthonis Mor van Dashorst or Antonio Moro, Netherlandish court portrait painter, c.1517-1577. Pictured in front of a canvas on an easel in ruff collar, doublet with puffed sleeves, holding paintbrushes and palette. Antonio Moor, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
France: 'View of the Estate of Versailles from Place d'Armes'. Oil on canvas painting by Pierre-Denis Martin (1663-1742), 1722. Formerly a hunting lodge, the court of Versailles was the centre of political power in France from 1682, when Louis XIV moved from Paris, until the royal family was forced to return to the capital in October 1789 after the beginning of the French Revolution. Versailles is therefore famous not only as a magnificent building, but as a symbol of absolute monarchy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-view-of-the-estate-of-versailles-from-place-darmes-oil-on-canvas-painting-by-pierre-denis-martin-1663-1742-1722-formerly-a-hunting-lodge-the-court-of-versailles-was-the-centre-of-political-power-in-france-from-1682-when-louis-xiv-moved-from-paris-until-the-royal-family-was-forced-to-return-to-the-capital-in-october-1789-after-the-beginning-of-the-french-revolution-versailles-is-therefore-famous-not-only-as-a-magnificent-building-but-as-a-symbol-of-absolute-monarchy-image344228129.htmlRM2B00XDN–France: 'View of the Estate of Versailles from Place d'Armes'. Oil on canvas painting by Pierre-Denis Martin (1663-1742), 1722. Formerly a hunting lodge, the court of Versailles was the centre of political power in France from 1682, when Louis XIV moved from Paris, until the royal family was forced to return to the capital in October 1789 after the beginning of the French Revolution. Versailles is therefore famous not only as a magnificent building, but as a symbol of absolute monarchy.
Juan de Austria's presentation to Emperor Carlos V in Yuste by Don Juan of Austria. Circa 1868 or 1869. Oil on canvas. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/juan-de-austrias-presentation-to-emperor-carlos-v-in-yuste-by-don-image68557220.htmlRMDYF1C4–Juan de Austria's presentation to Emperor Carlos V in Yuste by Don Juan of Austria. Circa 1868 or 1869. Oil on canvas.
Weimar's Courtyard of the Muses (Friedrich Schiller reading to the court in Tiefurt), painting in oil on canvas by Theobald von Oer, 1860 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/weimars-courtyard-of-the-muses-friedrich-schiller-reading-to-the-court-in-tiefurt-painting-in-oil-on-canvas-by-theobald-von-oer-1860-image497768400.htmlRM2KWR8JT–Weimar's Courtyard of the Muses (Friedrich Schiller reading to the court in Tiefurt), painting in oil on canvas by Theobald von Oer, 1860
school of Francois Clouet, French, 1510-1572, A Nobleman of the Valois Court, 16th Century, oil on canvas, Unframed: 79 1/2 × 42 5/8 inches (201.9 × 108.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/school-of-francois-clouet-french-1510-1572-a-nobleman-of-the-valois-court-16th-century-oil-on-canvas-unframed-79-12-42-58-inches-2019-1083-cm-image328720685.htmlRM2A2PEGD–school of Francois Clouet, French, 1510-1572, A Nobleman of the Valois Court, 16th Century, oil on canvas, Unframed: 79 1/2 × 42 5/8 inches (201.9 × 108.3 cm
Portrait of United States Supreme Court Justice, Joseph Story (1779-1845) by Chester Harding, oil on canvas, 1827 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-united-states-supreme-court-justice-joseph-story-1779-1845-by-chester-harding-oil-on-canvas-1827-image463654718.htmlRM2HX9892–Portrait of United States Supreme Court Justice, Joseph Story (1779-1845) by Chester Harding, oil on canvas, 1827
Johann Carl Schultz (1801-1873). German painter. Artus Court in Gdansk, 1840-60. Oil on canvas. National Museum. Gdansk. Poland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-johann-carl-schultz-1801-1873-german-painter-artus-court-in-gdansk-131168775.htmlRMHHB733–Johann Carl Schultz (1801-1873). German painter. Artus Court in Gdansk, 1840-60. Oil on canvas. National Museum. Gdansk. Poland
Johann Leberecht Eggink - Prince Vladimir Chooses a Religion in 988. / A Religious Dispute in the Russian court. 1822 Oil on canvas. Latvian National Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johann-leberecht-eggink-prince-vladimir-chooses-a-religion-in-988-a-religious-dispute-in-the-russian-court-1822-oil-on-canvas-latvian-national-image220398085.htmlRMPPG005–Johann Leberecht Eggink - Prince Vladimir Chooses a Religion in 988. / A Religious Dispute in the Russian court. 1822 Oil on canvas. Latvian National
Art inspired by A Musical Gathering at the Court of the Elector Karl Albrecht of Bavaria, 1730, Oil on canvas, 34 1/2 x 42 in. (87.6 x 106.7 cm), Paintings, Peter Jacob Horemans (Flemish, 1700–1776, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-musical-gathering-at-the-court-of-the-elector-karl-albrecht-of-bavaria-1730-oil-on-canvas-34-12-x-42-in-876-x-1067-cm-paintings-peter-jacob-horemans-flemish-17001776-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463025029.htmlRF2HW8H45–Art inspired by A Musical Gathering at the Court of the Elector Karl Albrecht of Bavaria, 1730, Oil on canvas, 34 1/2 x 42 in. (87.6 x 106.7 cm), Paintings, Peter Jacob Horemans (Flemish, 1700–1776, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
fine arts, Velazquez, Diego Rodriguez de Silva y (1599 - 1660), 'The Buffoon Calabazas (Calabacillas)', 1637 - 1639, oil on canvas, 105.5 cm x 82.5 cm, Prado, Madrid, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-velazquez-diego-rodriguez-de-silva-y-1599-1660-the-buffoon-110337956.htmlRMGBE958–fine arts, Velazquez, Diego Rodriguez de Silva y (1599 - 1660), 'The Buffoon Calabazas (Calabacillas)', 1637 - 1639, oil on canvas, 105.5 cm x 82.5 cm, Prado, Madrid,
CHIVALRY DYING OF LOVE FOR THE GODDESSES oil on canvas by Eleanor F Brickdale in the Great Hall Gallery at Clevedon Court Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chivalry-dying-of-love-for-the-goddesses-oil-on-canvas-by-eleanor-22682995.htmlRMB8W8AY–CHIVALRY DYING OF LOVE FOR THE GODDESSES oil on canvas by Eleanor F Brickdale in the Great Hall Gallery at Clevedon Court
Ancient Chinese painting, portrait of a Chinese dignitary, tempera on canvas, Qing period 1644-1911. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-chinese-painting-portrait-of-a-chinese-dignitary-tempera-on-canvas-qing-period-1644-1911-image473305185.htmlRM2JE0WGH–Ancient Chinese painting, portrait of a Chinese dignitary, tempera on canvas, Qing period 1644-1911.
Allegory of the Court of Isabella d'Este, also known as The Coronation of Isabella d'Este, Tempera on canvas, 1505-1506, Lorenzo COSTA, Ferrare (Émili Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-the-court-of-isabella-deste-also-known-as-the-coronation-of-isabella-deste-tempera-on-canvas-1505-1506-lorenzo-costa-ferrare-mili-image621632712.htmlRM2Y39PT8–Allegory of the Court of Isabella d'Este, also known as The Coronation of Isabella d'Este, Tempera on canvas, 1505-1506, Lorenzo COSTA, Ferrare (Émili
Count Don Antonio el Ingles with his dog. 1640-1645. Diego Velasquez (1599-1660) Spanish painter. Oil on canvas. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/count-don-antonio-el-ingles-with-his-dog-1640-1645-diego-velasquez-1599-1660-spanish-painter-oil-on-canvas-image181801916.htmlRMMFNP5G–Count Don Antonio el Ingles with his dog. 1640-1645. Diego Velasquez (1599-1660) Spanish painter. Oil on canvas.
Girl standing on yellow line on blue sports court Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/girl-standing-on-yellow-line-on-blue-sports-court-image386868004.htmlRF2DDBA2C–Girl standing on yellow line on blue sports court
Diego Velazquez Philip III on horseback 1635 Prado Museum - Madrid Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-diego-velazquez-philip-iii-on-horseback-1635-prado-museum-madrid-49888630.htmlRMCW4HCP–Diego Velazquez Philip III on horseback 1635 Prado Museum - Madrid
Allegory of the Court of Isabella d'Este, also known as The Coronation of Isabella d'Este, Tempera on canvas, 1505-1506, Lorenzo COSTA, Ferrare (Émilie-Romagne), 1460 - Mantoue (Lombardie), 1535, Musée du Louvre, Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-the-court-of-isabella-deste-also-known-as-the-coronation-of-isabella-deste-tempera-on-canvas-1505-1506-lorenzo-costa-ferrare-milie-romagne-1460-mantoue-lombardie-1535-muse-du-louvre-paris-france-image623472468.htmlRM2Y69HDT–Allegory of the Court of Isabella d'Este, also known as The Coronation of Isabella d'Este, Tempera on canvas, 1505-1506, Lorenzo COSTA, Ferrare (Émilie-Romagne), 1460 - Mantoue (Lombardie), 1535, Musée du Louvre, Paris, France.
French court dress with wide panniers, 1778. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-court-dress-with-wide-panniers-1778-image60412141.htmlRMDE808D–French court dress with wide panniers, 1778.
Joan of Arc dedicates her weapon to the Virgin. Oil on canvas, Laure de Chatillon. Musee Antoine Vivenel. Joan of Arc (January 6, 1412 - May 30, 1431) national heroine of France and a Roman Catholic saint. A peasant girl born in eastern France who claimed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joan-of-arc-dedicates-her-weapon-to-the-virgin-oil-on-canvas-laure-104001456.htmlRMG15JWM–Joan of Arc dedicates her weapon to the Virgin. Oil on canvas, Laure de Chatillon. Musee Antoine Vivenel. Joan of Arc (January 6, 1412 - May 30, 1431) national heroine of France and a Roman Catholic saint. A peasant girl born in eastern France who claimed
Versailles, by Auguste Renoir, 1900-5, French impressionist painting, oil on canvas. The scene of a fountain and woods on the north side of the Chateau of Versailles (BSLOC 2017 3 92) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-versailles-by-auguste-renoir-1900-5-french-impressionist-painting-170544166.htmlRMKWCXR2–Versailles, by Auguste Renoir, 1900-5, French impressionist painting, oil on canvas. The scene of a fountain and woods on the north side of the Chateau of Versailles (BSLOC 2017 3 92)
China: Consort Rong or Iparhan, 'The Fragrant Concubine' (1734-1788), of the Qianlong Emperor. Contemporary painting (late 20th century) at Chinibagh, Kashgar. The Fragrant Concubine (Chinese: Xiāngfēi; Uyghur: Iparxan, Khoja Iparhan) is a figure in Chinese legend who was taken as a consort by the Qianlong Emperor during the 18th century. Although the stories about her are believed to be mythical, they may have been based on an actual concubine from western China who entered the harem of the emperor in 1760 and who carried the court title of Rong Fei. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-consort-rong-or-iparhan-the-fragrant-concubine-1734-1788-of-the-qianlong-emperor-contemporary-painting-late-20th-century-at-chinibagh-kashgar-the-fragrant-concubine-chinese-xingfi-uyghur-iparxan-khoja-iparhan-is-a-figure-in-chinese-legend-who-was-taken-as-a-consort-by-the-qianlong-emperor-during-the-18th-century-although-the-stories-about-her-are-believed-to-be-mythical-they-may-have-been-based-on-an-actual-concubine-from-western-china-who-entered-the-harem-of-the-emperor-in-1760-and-who-carried-the-court-title-of-rong-fei-image344248219.htmlRM2B01T37–China: Consort Rong or Iparhan, 'The Fragrant Concubine' (1734-1788), of the Qianlong Emperor. Contemporary painting (late 20th century) at Chinibagh, Kashgar. The Fragrant Concubine (Chinese: Xiāngfēi; Uyghur: Iparxan, Khoja Iparhan) is a figure in Chinese legend who was taken as a consort by the Qianlong Emperor during the 18th century. Although the stories about her are believed to be mythical, they may have been based on an actual concubine from western China who entered the harem of the emperor in 1760 and who carried the court title of Rong Fei.
Juan de Austria's presentation to Emperor Carlos V in Yuste by Don Juan of Austria. Circa 1868 or 1869. Oil on canvas. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/juan-de-austrias-presentation-to-emperor-carlos-v-in-yuste-by-don-image68557221.htmlRMDYF1C5–Juan de Austria's presentation to Emperor Carlos V in Yuste by Don Juan of Austria. Circa 1868 or 1869. Oil on canvas.
The Tennis Court Oath, 20th June 1789, (Le Serment du Jeu de Paume), oil on canvas French Revolution painting by Jacques Louis David, 1791 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-tennis-court-oath-20th-june-1789-le-serment-du-jeu-de-paume-oil-on-canvas-french-revolution-painting-by-jacques-louis-david-1791-image461329236.htmlRM2HPFA44–The Tennis Court Oath, 20th June 1789, (Le Serment du Jeu de Paume), oil on canvas French Revolution painting by Jacques Louis David, 1791
David Klöcker Ehrenstrahl, Hinric Hasenberger, The Court Jester, Hovnarren Hinric Hasenberger, painting, portrait, 1652, Oil on canvas, Height, 107 cm (42.1 inches), Width, 87 cm (34.2 inches), Signed, David Klöker fecit Ao 1652 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-klcker-ehrenstrahl-hinric-hasenberger-the-court-jester-hovnarren-hinric-hasenberger-painting-portrait-1652-oil-on-canvas-height-107-cm-421-inches-width-87-cm-342-inches-signed-david-klker-fecit-ao-1652-image261311368.htmlRMW53N8T–David Klöcker Ehrenstrahl, Hinric Hasenberger, The Court Jester, Hovnarren Hinric Hasenberger, painting, portrait, 1652, Oil on canvas, Height, 107 cm (42.1 inches), Width, 87 cm (34.2 inches), Signed, David Klöker fecit Ao 1652
Fourth Chief Justice of the United States Supreme Court, John Marshall (1755-1835) by James Reid Lambdin, oil on canvas, after 1831 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fourth-chief-justice-of-the-united-states-supreme-court-john-marshall-1755-1835-by-james-reid-lambdin-oil-on-canvas-after-1831-image463542480.htmlRM2HX454G–Fourth Chief Justice of the United States Supreme Court, John Marshall (1755-1835) by James Reid Lambdin, oil on canvas, after 1831
Mariana of Austria (1634-1696). Queen consort of Spain (1649-1665) as second wife of Philip IV and regent (1665-1675) as mother of Charles II (1661-1700). Portrait by Juan Bautista Martínez del Mazo (1611-1667), ca. 1666. Oil on canvas. El Greco Museum. Toledo, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mariana-of-austria-1634-1696-queen-consort-of-spain-1649-1665-as-second-wife-of-philip-iv-and-regent-1665-1675-as-mother-of-charles-ii-1661-1700-portrait-by-juan-bautista-martnez-del-mazo-1611-1667-ca-1666-oil-on-canvas-el-greco-museum-toledo-spain-image475241741.htmlRM2JH53K9–Mariana of Austria (1634-1696). Queen consort of Spain (1649-1665) as second wife of Philip IV and regent (1665-1675) as mother of Charles II (1661-1700). Portrait by Juan Bautista Martínez del Mazo (1611-1667), ca. 1666. Oil on canvas. El Greco Museum. Toledo, Spain.
Antonio Carnicero, Ascent of a Balloon in the Presence of the Court of Charles IV. Circa 1783. Oil on canvas. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-antonio-carnicero-ascent-of-a-balloon-in-the-presence-of-the-court-56374177.htmlRMD7M1RD–Antonio Carnicero, Ascent of a Balloon in the Presence of the Court of Charles IV. Circa 1783. Oil on canvas.
Inspired by Sketch for The Republican Court, Daniel Huntington, American, 1816-1906, Oil on canvas, ca. 1861, 7 7/8 x 9 7/8 in., 20 x 25.1 cm, 19th, American, American artist, ca.1861, canvas, Century, Daniel Huntington, Martha Washington, Oil, oil on canvas, Oil sketch', painting, sketch, The, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-sketch-for-the-republican-court-daniel-huntington-american-1816-1906-oil-on-canvas-ca-1861-7-78-x-9-78-in-20-x-251-cm-19th-american-american-artist-ca1861-canvas-century-daniel-huntington-martha-washington-oil-oil-on-canvas-oil-sketch-painting-sketch-the-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253830.htmlRF2HK4PXE–Inspired by Sketch for The Republican Court, Daniel Huntington, American, 1816-1906, Oil on canvas, ca. 1861, 7 7/8 x 9 7/8 in., 20 x 25.1 cm, 19th, American, American artist, ca.1861, canvas, Century, Daniel Huntington, Martha Washington, Oil, oil on canvas, Oil sketch', painting, sketch, The, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Elector Maximilian III Joseph (1727 - 1777) - a portrait According to the painting of the Munich painter to the court George Desmarées (1697 - 1776), depiction with armour and ermine, with Golden Fleece Order set with diamonds as well as House Knight's Order of St. George. Oil on canvas, doubled, in a gilt frame of earlier date, dimensions of the frame 72.5 x 53.5 cm. Good quality, possibly from the workshop of George Desmarées. Max III was a son of Emperor Charles VII, he focussed on the modernisation, the economic and artistic advancement in Bavaria , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elector-maximilian-iii-joseph-1727-1777-a-portrait-according-to-the-painting-of-the-munich-painter-to-the-court-george-desmares-1697-1776-depiction-with-armour-and-ermine-with-golden-fleece-order-set-with-diamonds-as-well-as-house-knights-order-of-st-george-oil-on-canvas-doubled-in-a-gilt-frame-of-earlier-date-dimensions-of-the-frame-725-x-535-cm-good-quality-possibly-from-the-workshop-of-george-desmares-max-iii-was-a-son-of-emperor-charles-vii-he-focussed-on-the-modernisation-the-economic-and-artistic-advancement-in-bavaria-artists-copyright-has-not-to-be-cleared-image247950004.htmlRMTBB2N8–Elector Maximilian III Joseph (1727 - 1777) - a portrait According to the painting of the Munich painter to the court George Desmarées (1697 - 1776), depiction with armour and ermine, with Golden Fleece Order set with diamonds as well as House Knight's Order of St. George. Oil on canvas, doubled, in a gilt frame of earlier date, dimensions of the frame 72.5 x 53.5 cm. Good quality, possibly from the workshop of George Desmarées. Max III was a son of Emperor Charles VII, he focussed on the modernisation, the economic and artistic advancement in Bavaria , Artist's Copyright has not to be cleared
Laetitia à Court *oil on canvas *76.2 x 63.5 cm 357 Laetitia à Court, by George Romney Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laetitia-court-oil-on-canvas-762-x-635-cm-357-laetitia-court-by-george-romney-image214114820.htmlRMPC9NHT–Laetitia à Court *oil on canvas *76.2 x 63.5 cm 357 Laetitia à Court, by George Romney
A painting by Icy & Sot at the Welling Court Mural Project in the Astoria neighborhood of Queens in New York on Saturday, June 13, 2015. The annual neighborhood event decorates walls in this industrial part of Astoria. The project is crowd-funded and emerging street artists work side by side with established stars. (© Richard B. Levine) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-painting-by-icy-sot-at-the-welling-court-mural-project-in-the-astoria-84143565.htmlRMETW1Y9–A painting by Icy & Sot at the Welling Court Mural Project in the Astoria neighborhood of Queens in New York on Saturday, June 13, 2015. The annual neighborhood event decorates walls in this industrial part of Astoria. The project is crowd-funded and emerging street artists work side by side with established stars. (© Richard B. Levine)
Detail, Allegory of the Court of Isabella d'Este, also known as The Coronation of Isabella d'Este, Tempera on canvas, 1505-1506, Lorenzo COSTA, Ferrar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-allegory-of-the-court-of-isabella-deste-also-known-as-the-coronation-of-isabella-deste-tempera-on-canvas-1505-1506-lorenzo-costa-ferrar-image621632714.htmlRM2Y39PTA–Detail, Allegory of the Court of Isabella d'Este, also known as The Coronation of Isabella d'Este, Tempera on canvas, 1505-1506, Lorenzo COSTA, Ferrar
Jean-Antoine Watteau French school An Embarrassing Proposal 17515-1716 Oil on canvas (65 x 84.5 cm) Saint Petersburg, Hermitage museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jean-antoine-watteau-french-school-an-embarrassing-proposal-17515-113153405.htmlRMGG2G91–Jean-Antoine Watteau French school An Embarrassing Proposal 17515-1716 Oil on canvas (65 x 84.5 cm) Saint Petersburg, Hermitage museum
'Chaucer at the Court of Edward III', oil on canvas painting by Ford Madox Brown, 1847-1851, Art Gallery of New South Wales Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chaucer-at-the-court-of-edward-iii-oil-on-canvas-painting-by-ford-madox-brown-1847-1851-art-gallery-of-new-south-wales-image206952603.htmlRMP0KE4B–'Chaucer at the Court of Edward III', oil on canvas painting by Ford Madox Brown, 1847-1851, Art Gallery of New South Wales
Diego Velazquez Queen Margaret of Austria on horseback1635 Prado Museum - Madrid Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-diego-velazquez-queen-margaret-of-austria-on-horseback1635-prado-museum-49888550.htmlRMCW4H9X–Diego Velazquez Queen Margaret of Austria on horseback1635 Prado Museum - Madrid
Detail, Allegory of the Court of Isabella d'Este, also known as The Coronation of Isabella d'Este, Tempera on canvas, 1505-1506, Lorenzo COSTA, Ferrare (Émilie-Romagne), 1460 - Mantoue (Lombardie), 1535, Musée du Louvre, Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-allegory-of-the-court-of-isabella-deste-also-known-as-the-coronation-of-isabella-deste-tempera-on-canvas-1505-1506-lorenzo-costa-ferrare-milie-romagne-1460-mantoue-lombardie-1535-muse-du-louvre-paris-france-image623470497.htmlRM2Y69EYD–Detail, Allegory of the Court of Isabella d'Este, also known as The Coronation of Isabella d'Este, Tempera on canvas, 1505-1506, Lorenzo COSTA, Ferrare (Émilie-Romagne), 1460 - Mantoue (Lombardie), 1535, Musée du Louvre, Paris, France.
The family of Philip V, 1743, oil on canvas by Louis Van Loo. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-family-of-philip-v-1743-oil-on-canvas-by-louis-van-loo-image212466940.htmlRMP9JKN0–The family of Philip V, 1743, oil on canvas by Louis Van Loo.
Arsenal footballers take the opportunity to try out the boxing ring that is being erected at the Arsenal Stadium, Highbury, where Cassius Clay and Henry Cooper will fight on Saturday. On the canvas are (l-r) Frank McLintock, David Court, John Sammels, and Alan Skirton. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-arsenal-footballers-take-the-opportunity-to-try-out-the-boxing-ring-108547351.htmlRMG8GN73–Arsenal footballers take the opportunity to try out the boxing ring that is being erected at the Arsenal Stadium, Highbury, where Cassius Clay and Henry Cooper will fight on Saturday. On the canvas are (l-r) Frank McLintock, David Court, John Sammels, and Alan Skirton.
'Chaucer at the Court of Edward III', oil on canvas painting by Ford Madox Brown, 1847 1851, Art Gallery of New South Wales Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chaucer-at-the-court-of-edward-iii-oil-on-canvas-painting-by-ford-137384666.htmlRMHYEBF6–'Chaucer at the Court of Edward III', oil on canvas painting by Ford Madox Brown, 1847 1851, Art Gallery of New South Wales
Vietnam: Modern commercial painting of a young woman in an ao dai dress descending from a covered pony cart, copied from a 1950s photograph, for sale in Saigon. The ao dai (Vietnamese: áo dài) is a Vietnamese national costume, now most commonly for women. In its current form, it is a tight-fitting silk tunic worn over pantaloons. The word is pronounced ow-zye in the north and ow-yai in the south, and translates as 'long dress'. The name áo dài was originally applied to the dress worn at the court of the Nguyễn Lords at Huế in the 18th century. This outfit evolved into the áo ngũ thân. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vietnam-modern-commercial-painting-of-a-young-woman-in-an-ao-dai-dress-descending-from-a-covered-pony-cart-copied-from-a-1950s-photograph-for-sale-in-saigon-the-ao-dai-vietnamese-o-di-is-a-vietnamese-national-costume-now-most-commonly-for-women-in-its-current-form-it-is-a-tight-fitting-silk-tunic-worn-over-pantaloons-the-word-is-pronounced-ow-zye-in-the-north-and-ow-yai-in-the-south-and-translates-as-long-dress-the-name-o-di-was-originally-applied-to-the-dress-worn-at-the-court-of-the-nguyn-lords-at-hu-in-the-18th-century-this-outfit-evolved-into-the-o-ng-thn-image344238775.htmlRM2B01C1Y–Vietnam: Modern commercial painting of a young woman in an ao dai dress descending from a covered pony cart, copied from a 1950s photograph, for sale in Saigon. The ao dai (Vietnamese: áo dài) is a Vietnamese national costume, now most commonly for women. In its current form, it is a tight-fitting silk tunic worn over pantaloons. The word is pronounced ow-zye in the north and ow-yai in the south, and translates as 'long dress'. The name áo dài was originally applied to the dress worn at the court of the Nguyễn Lords at Huế in the 18th century. This outfit evolved into the áo ngũ thân.
Las Meninas' (The Maids of Honour), 1656. Oil on canvas. Portrait by Diego Velasquez (1599-1660) Spanish painter. Infanta Margarita Teresa attended by maids of honour, chaperone, bodyguard, dwarfs and large dog. Velasquez, left. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-las-meninas-the-maids-of-honour-1656-oil-on-canvas-portrait-by-diego-57355038.htmlRMD98MX6–Las Meninas' (The Maids of Honour), 1656. Oil on canvas. Portrait by Diego Velasquez (1599-1660) Spanish painter. Infanta Margarita Teresa attended by maids of honour, chaperone, bodyguard, dwarfs and large dog. Velasquez, left.
Saint Vincent de Paul preaching to the Court of Louis XIII on behalf of the Abandoned Children, painting by Paul Delaroche, 1823 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-vincent-de-paul-preaching-to-the-court-of-louisxiiion-behalf-of-the-abandonedchildren-painting-by-paul-delaroche-1823-image391983699.htmlRM2DNMB5R–Saint Vincent de Paul preaching to the Court of Louis XIII on behalf of the Abandoned Children, painting by Paul Delaroche, 1823
Lorens Pasch the Younger, Ulrika Margaretha Keyser (1851-1898), married to Court Attorney Hans-Edvard Pettersson with her sister Beata Christina, painting, oil on canvas, Height, 65.5 cm (25.7 inches), Width, 82 cm (32.2 inches, Signed, 'E, Keyser, ' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lorens-pasch-the-younger-ulrika-margaretha-keyser-1851-1898-married-to-court-attorney-hans-edvard-pettersson-with-her-sister-beata-christina-painting-oil-on-canvas-height-655-cm-257-inches-width-82-cm-322-inches-signed-e-keyser-image261315656.htmlRMW53XP0–Lorens Pasch the Younger, Ulrika Margaretha Keyser (1851-1898), married to Court Attorney Hans-Edvard Pettersson with her sister Beata Christina, painting, oil on canvas, Height, 65.5 cm (25.7 inches), Width, 82 cm (32.2 inches, Signed, 'E, Keyser, '
Bushrod Washington. Portrait of the Associate Supreme Court Justice and nephew of George Washington, Bushrod Washington (1762-1829) by Chester Harding, oil on canvas, 1828 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bushrod-washington-portrait-of-the-associate-supreme-court-justice-and-nephew-of-george-washington-bushrod-washington-1762-1829-by-chester-harding-oil-on-canvas-1828-image548308883.htmlRM2PT1HG3–Bushrod Washington. Portrait of the Associate Supreme Court Justice and nephew of George Washington, Bushrod Washington (1762-1829) by Chester Harding, oil on canvas, 1828
Horace Vernet (1789-1863). French painter. Invalid Handing a Petition to Napoleon at the Parade in the Court of the Tuileries Palace, 1838. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-horace-vernet-1789-1863-french-painter-invalid-handing-a-petition-101875556.htmlRMFWMR8M–Horace Vernet (1789-1863). French painter. Invalid Handing a Petition to Napoleon at the Parade in the Court of the Tuileries Palace, 1838. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.
Brian London, Boxing British Heavyweight Boxer lays on the canvas at Earls Court after being knocked out by Cassius Clay / Muhammad Ali. 7th August 1966. *** Local Caption *** 00130425 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-brian-london-boxing-british-heavyweight-boxer-lays-on-the-canvas-at-82136837.htmlRMENHJAD–Brian London, Boxing British Heavyweight Boxer lays on the canvas at Earls Court after being knocked out by Cassius Clay / Muhammad Ali. 7th August 1966. *** Local Caption *** 00130425
Art inspired by The Republican Court, Lady Washington's Reception Day, Daniel Huntington, American, 1816-1906, Oil on canvas, 1861, 66 x 109 1/16 in., 167.6 x 277 cm, American Painting, colonial, dresses, Federalist, figures, Founding Fathers, hall, interior, painting, portrait, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-republican-court-lady-washingtons-reception-day-daniel-huntington-american-1816-1906-oil-on-canvas-1861-66-x-109-116-in-1676-x-277-cm-american-painting-colonial-dresses-federalist-figures-founding-fathers-hall-interior-painting-portrait-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568436.htmlRF2HKK46C–Art inspired by The Republican Court, Lady Washington's Reception Day, Daniel Huntington, American, 1816-1906, Oil on canvas, 1861, 66 x 109 1/16 in., 167.6 x 277 cm, American Painting, colonial, dresses, Federalist, figures, Founding Fathers, hall, interior, painting, portrait, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Elector Maximilian III Joseph (1727 - 1777) - a portrait According to the painting of the Munich painter to the court George Desmarées (1697 - 1776), depiction with armour and ermine, with Golden Fleece Order set with diamonds as well as House Knight's Order of St. George. Oil on canvas, doubled, in a gilt frame of earlier date, dimensions of the frame 72.5 x 53.5 cm. Good quality, possibly from the workshop of George Desmarées. Max III was a son of Emperor Charles VII, he focussed on the modernisation, the economic and artistic advancement in Bavaria , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elector-maximilian-iii-joseph-1727-1777-a-portrait-according-to-the-painting-of-the-munich-painter-to-the-court-george-desmares-1697-1776-depiction-with-armour-and-ermine-with-golden-fleece-order-set-with-diamonds-as-well-as-house-knights-order-of-st-george-oil-on-canvas-doubled-in-a-gilt-frame-of-earlier-date-dimensions-of-the-frame-725-x-535-cm-good-quality-possibly-from-the-workshop-of-george-desmares-max-iii-was-a-son-of-emperor-charles-vii-he-focussed-on-the-modernisation-the-economic-and-artistic-advancement-in-bavaria-artists-copyright-has-not-to-be-cleared-image247950003.htmlRMTBB2N7–Elector Maximilian III Joseph (1727 - 1777) - a portrait According to the painting of the Munich painter to the court George Desmarées (1697 - 1776), depiction with armour and ermine, with Golden Fleece Order set with diamonds as well as House Knight's Order of St. George. Oil on canvas, doubled, in a gilt frame of earlier date, dimensions of the frame 72.5 x 53.5 cm. Good quality, possibly from the workshop of George Desmarées. Max III was a son of Emperor Charles VII, he focussed on the modernisation, the economic and artistic advancement in Bavaria , Artist's Copyright has not to be cleared
Bathing of Court Ladies in the 18th Century *oil on canvas *90 x 115 cm *1888 290 François Flameng - Bathing of Court Ladies in the 18th Century, 1888 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bathing-of-court-ladies-in-the-18th-century-oil-on-canvas-90-x-115-cm-1888-290-franois-flameng-bathing-of-court-ladies-in-the-18th-century-1888-image211952917.htmlRMP8R831–Bathing of Court Ladies in the 18th Century *oil on canvas *90 x 115 cm *1888 290 François Flameng - Bathing of Court Ladies in the 18th Century, 1888
Queen Esther by Edwin Long (1879) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/queen-esther-by-edwin-long-1879-image462489825.htmlRF2HTC6DN–Queen Esther by Edwin Long (1879)
Winter, (oil on canvas) painted in 1573 by Arcimboldo, Giuseppe (1527-93) - Paris, Louvre. Giuseppe Arcimboldo of Milan created still life paintings that were also portraits. The composition of fruit or tables was arranged into human forms. The cycle of Four Seasons paintings he repeated many times with each season depicted as a person. These paintings were called 'fantasy' or 'invention' paintings and were popular at the Imperial court at Vienna and Prague. The artist created his representation of a season by combining individual, and realistically depicted fruits or flowers in an unusual wa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/winter-oil-on-canvas-painted-in-1573-by-arcimboldo-giuseppe-1527-93-paris-louvre-giuseppe-arcimboldo-of-milan-created-still-life-paintings-that-were-also-portraits-the-composition-of-fruit-or-tables-was-arranged-into-human-forms-the-cycle-of-four-seasons-paintings-he-repeated-many-times-with-each-season-depicted-as-a-person-these-paintings-were-called-fantasy-or-invention-paintings-and-were-popular-at-the-imperial-court-at-vienna-and-prague-the-artist-created-his-representation-of-a-season-by-combining-individual-and-realistically-depicted-fruits-or-flowers-in-an-unusual-wa-image624223766.htmlRM2Y7FRNX–Winter, (oil on canvas) painted in 1573 by Arcimboldo, Giuseppe (1527-93) - Paris, Louvre. Giuseppe Arcimboldo of Milan created still life paintings that were also portraits. The composition of fruit or tables was arranged into human forms. The cycle of Four Seasons paintings he repeated many times with each season depicted as a person. These paintings were called 'fantasy' or 'invention' paintings and were popular at the Imperial court at Vienna and Prague. The artist created his representation of a season by combining individual, and realistically depicted fruits or flowers in an unusual wa
Ollivier Michel Barthelemy French school Le The a l'anglaise servi dans le salon des Quatre-Glaces au palais du Temple a Paris en 1764 18th century Oil on canvas (53 x 68 cm) Versailles, chateaux de Versailles et de Trianon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ollivier-michel-barthelemy-french-school-le-the-a-langlaise-servi-133441218.htmlRMHN2NHP–Ollivier Michel Barthelemy French school Le The a l'anglaise servi dans le salon des Quatre-Glaces au palais du Temple a Paris en 1764 18th century Oil on canvas (53 x 68 cm) Versailles, chateaux de Versailles et de Trianon
'Chaucer at the Court of Edward III', oil on canvas painting by Ford Madox Brown, 1847-1851, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chaucer-at-the-court-of-edward-iii-oil-on-canvas-painting-by-ford-madox-brown-1847-1851-image222251552.htmlRMPWGC3C–'Chaucer at the Court of Edward III', oil on canvas painting by Ford Madox Brown, 1847-1851,
Diego Velazquez Prince Baltasar Carlos on horseback 1635 Prado Museum - Madrid Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-diego-velazquez-prince-baltasar-carlos-on-horseback-1635-prado-museum-49888798.htmlRMCW4HJP–Diego Velazquez Prince Baltasar Carlos on horseback 1635 Prado Museum - Madrid
Study for Mural for Appellate Court Building, New York; 'Statute Law', Helmet for Figure of 'Force'. Date: ca. 1899. oil on canvas. Museum: Smithsonian American Art Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-for-mural-for-appellate-court-building-new-york-statute-law-helmet-for-figure-of-force-date-ca-1899-oil-on-canvas-museum-smithsonian-american-art-museum-image554801030.htmlRM2R6HAAE–Study for Mural for Appellate Court Building, New York; 'Statute Law', Helmet for Figure of 'Force'. Date: ca. 1899. oil on canvas. Museum: Smithsonian American Art Museum.
The Tennis Court Oath on 20 June 1789. Artist: Couder, Auguste (1790-1873) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-tennis-court-oath-on-20-june-1789-artist-couder-auguste-1790-1873-74092797.htmlRME8F639–The Tennis Court Oath on 20 June 1789. Artist: Couder, Auguste (1790-1873)
JOHN COLLET OF BRISTOL oil on canvas by Joseph Highmore circle of in the Great Hall at Clevedon Hall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-john-collet-of-bristol-oil-on-canvas-by-joseph-highmore-circle-of-22683012.htmlRMB8W8BG–JOHN COLLET OF BRISTOL oil on canvas by Joseph Highmore circle of in the Great Hall at Clevedon Hall
'Chaucer at the Court of Edward III', oil on canvas painting by Ford Madox Brown, 1847-1851, Art Gallery of New South Wales Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chaucer-at-the-court-of-edward-iii-oil-on-canvas-painting-by-ford-146451331.htmlRMJE7C4K–'Chaucer at the Court of Edward III', oil on canvas painting by Ford Madox Brown, 1847-1851, Art Gallery of New South Wales
Egypt / Netherlands: ‘The Banquet of Cleopatra’. Oil on canvas painting by Gerard de Lairesse (11 September 1641 - June 1711), c. 1675-1680. Cleopatra VII (69-30 BCE) was the last pharaoh of ancient Egypt and last of the Ptolemaic dynasty. In this scene from her court in Alexandria, Cleopatra has bet her lover Mark Anthony that she could host the more expensive banquet. After he accepted the wager, Cleopatra removed one of her pearl earrings, dissolved it in vinegar, then drank it. She is in the process of removing her second earring when she is stopped by former Roman senator Lucius Plancus. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/egypt-netherlands-the-banquet-of-cleopatra-oil-on-canvas-painting-by-gerard-de-lairesse-11-september-1641-june-1711-c-1675-1680-cleopatra-vii-69-30-bce-was-the-last-pharaoh-of-ancient-egypt-and-last-of-the-ptolemaic-dynasty-in-this-scene-from-her-court-in-alexandria-cleopatra-has-bet-her-lover-mark-anthony-that-she-could-host-the-more-expensive-banquet-after-he-accepted-the-wager-cleopatra-removed-one-of-her-pearl-earrings-dissolved-it-in-vinegar-then-drank-it-she-is-in-the-process-of-removing-her-second-earring-when-she-is-stopped-by-former-roman-senator-lucius-plancus-image546787668.htmlRM2PNG970–Egypt / Netherlands: ‘The Banquet of Cleopatra’. Oil on canvas painting by Gerard de Lairesse (11 September 1641 - June 1711), c. 1675-1680. Cleopatra VII (69-30 BCE) was the last pharaoh of ancient Egypt and last of the Ptolemaic dynasty. In this scene from her court in Alexandria, Cleopatra has bet her lover Mark Anthony that she could host the more expensive banquet. After he accepted the wager, Cleopatra removed one of her pearl earrings, dissolved it in vinegar, then drank it. She is in the process of removing her second earring when she is stopped by former Roman senator Lucius Plancus.
Louis I, Prince of The Asturias, King of Spain', 1717. Artist: Michel-Ange Houasse. Michel Ange Houasse (1680-1730) was a French painter, most of whose career was spent at the court of Philip V of Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-i-prince-of-the-asturias-king-of-spain-1717-artist-michel-ange-houasse-michel-ange-houasse-1680-1730-was-a-french-painter-most-of-whose-career-was-spent-at-the-court-of-philip-v-of-spain-image377037478.htmlRM2CWBF46–Louis I, Prince of The Asturias, King of Spain', 1717. Artist: Michel-Ange Houasse. Michel Ange Houasse (1680-1730) was a French painter, most of whose career was spent at the court of Philip V of Spain.
Holy Roman Emperor Charles V (1500-1558) on horseback, equestrian portrait in oil on canvas by Anthony van Dyck, circa 1620 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/holy-roman-emperor-charles-v-1500-1558-on-horseback-equestrian-portrait-in-oil-on-canvas-by-anthony-van-dyck-circa-1620-image543755511.htmlRM2PGJ5KK–Holy Roman Emperor Charles V (1500-1558) on horseback, equestrian portrait in oil on canvas by Anthony van Dyck, circa 1620
