Cover with the crucifixion Stock Photos and Images
(1,310)See cover with the crucifixion stock video clipsQuick filters:
Cover with the crucifixion Stock Photos and Images
Panel of a Book Cover with the Crucifixion, Limoges 1200-25 France, French, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-of-a-book-cover-with-the-crucifixion-limoges-1200-25-france-french-image441791430.htmlRM2GJN9DA–Panel of a Book Cover with the Crucifixion, Limoges 1200-25 France, French,
Book Cover with Byzantine Icon of the Crucifixion, 1000 (ivory); before 1085 (setting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-book-cover-with-byzantine-icon-of-the-crucifixion-1000-ivory-before-162559752.htmlRMKCD6HC–Book Cover with Byzantine Icon of the Crucifixion, 1000 (ivory); before 1085 (setting
Art inspired by Book Cover with Byzantine Icon of the Crucifixion, 1000 (ivory); before 1085 (setting), Made in Constantinople (Ivory); Made in Jaca, Spain (Setting), Byzantine (ivory); Spanish (setting), Silver-gilt with pseudo-filigree, glass, crystal, and sapphire cabochons, ivory, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-book-cover-with-byzantine-icon-of-the-crucifixion-1000-ivory-before-1085-setting-made-in-constantinople-ivory-made-in-jaca-spain-setting-byzantine-ivory-spanish-setting-silver-gilt-with-pseudo-filigree-glass-crystal-and-sapphire-cabochons-ivory-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463032906.htmlRF2HW8Y5E–Art inspired by Book Cover with Byzantine Icon of the Crucifixion, 1000 (ivory); before 1085 (setting), Made in Constantinople (Ivory); Made in Jaca, Spain (Setting), Byzantine (ivory); Spanish (setting), Silver-gilt with pseudo-filigree, glass, crystal, and sapphire cabochons, ivory, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Front Cover of an Evangeliary with the Crucifixion. Dated 13th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-front-cover-of-an-evangeliary-with-the-crucifixion-dated-13th-century-76398004.htmlRMEC86C4–Front Cover of an Evangeliary with the Crucifixion. Dated 13th Century
Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD. This gilded with reli Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medieval-gilded-manuscript-cover-depicting-the-crucifixion-11th-century-from-the-treasury-of-the-cathedral-of-maastricht-ad-this-gilded-with-reli-image243291584.htmlRFT3PTW4–Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. AD. This gilded with reli
Trimming of Gospel cover. Silver, gilding, embossing. 17th c. Crucifixion. Georgia. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-trimming-of-gospel-cover-silver-gilding-embossing-17th-c-crucifixion-105187638.htmlRMG33KWA–Trimming of Gospel cover. Silver, gilding, embossing. 17th c. Crucifixion. Georgia. The State Hermitage Museum. Saint Petersburg. Russia.
Cathedral Church of Saint John the Divine in Morningside Heights Manhattan NYC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cathedral-church-of-saint-john-the-divine-in-morningside-heights-manhattan-nyc-image556780644.htmlRM2R9RFB0–Cathedral Church of Saint John the Divine in Morningside Heights Manhattan NYC
thick bible book for prayers. cover with the crucifixion of christ. flat vector illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thick-bible-book-for-prayers-cover-with-the-crucifixion-of-christ-flat-vector-illustration-image485625435.htmlRF2K6245F–thick bible book for prayers. cover with the crucifixion of christ. flat vector illustration.
Manuscript Cover with Crucifixion and Evangelist Symbols by unknown artist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-manuscript-cover-with-crucifixion-and-evangelist-symbols-by-unknown-30483510.htmlRMBNGJ0P–Manuscript Cover with Crucifixion and Evangelist Symbols by unknown artist
Evangeliaria of Echternach, cover binding of the 10th century book of the Gospels at Gotha, depicting the crucifixion. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-evangeliaria-of-echternach-cover-binding-of-the-10th-century-book-131473234.htmlRMHHW3CJ–Evangeliaria of Echternach, cover binding of the 10th century book of the Gospels at Gotha, depicting the crucifixion.
Plaque from a Book Cover with the Crucifixion, 1st half of 1200s. France, Limousin, Limoges, Gothic period, 13th century. Copper: gilded, engraved, chased; champlevé enamel; wood core; overall: 23.2 x 11.8 x 1.3 cm (9 1/8 x 4 5/8 x 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plaque-from-a-book-cover-with-the-crucifixion-1st-half-of-1200s-france-limousin-limoges-gothic-period-13th-century-copper-gilded-engraved-chased-champlev-enamel-wood-core-overall-232-x-118-x-13-cm-9-18-x-4-58-x-12-in-image448111773.htmlRM2H1173W–Plaque from a Book Cover with the Crucifixion, 1st half of 1200s. France, Limousin, Limoges, Gothic period, 13th century. Copper: gilded, engraved, chased; champlevé enamel; wood core; overall: 23.2 x 11.8 x 1.3 cm (9 1/8 x 4 5/8 x 1/2 in.).
Cover design, Le Mot, soldier on red cross, WW1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cover-design-le-mot-soldier-on-red-cross-ww1-image66153018.htmlRMDRHERP–Cover design, Le Mot, soldier on red cross, WW1
Plaque from a Book Cover with the Crucifixion, 1st half of 1200s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plaque-from-a-book-cover-with-the-crucifixion-1st-half-of-1200s-image330112630.htmlRM2A51X0P–Plaque from a Book Cover with the Crucifixion, 1st half of 1200s.
A color lithograph of a Spanish soldier in military uniform, this soldier wears full body armor covered in a cloth tunic, he is riding a horse that is also covered with an armor blanket, he is carrying a banner that is the Spanish land battle flag, it contains an image of the crucifixion and the Cross of Burgundy, 1525. From the New York Public Library. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-a-color-lithograph-of-a-spanish-soldier-in-military-uniform-this-soldier-165777561.htmlRMKHKPY5–A color lithograph of a Spanish soldier in military uniform, this soldier wears full body armor covered in a cloth tunic, he is riding a horse that is also covered with an armor blanket, he is carrying a banner that is the Spanish land battle flag, it contains an image of the crucifixion and the Cross of Burgundy, 1525. From the New York Public Library.
Vintage 1600s sketch of jesus christ crucifixion, india, asia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vintage-1600s-sketch-of-jesus-christ-crucifixion-india-asia-140753380.htmlRMJ4YTAC–Vintage 1600s sketch of jesus christ crucifixion, india, asia
two old religious books covers with crucifixions Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-two-old-religious-books-covers-with-crucifixions-36340782.htmlRFC33D12–two old religious books covers with crucifixions
Trimming of Gospel cover. Silver, gilding, embossing. 17th c. Crucifixion. Georgia. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trimming-of-gospel-cover-silver-gilding-embossing-17th-c-crucifixion-georgia-the-state-hermitage-museum-saint-petersburg-russia-image220227911.htmlRMPP86XF–Trimming of Gospel cover. Silver, gilding, embossing. 17th c. Crucifixion. Georgia. The State Hermitage Museum. Saint Petersburg. Russia.
Liturgical utensils of the Middle Ages, on the right an altar chandelier, on the upper left is a transportable altar, on the lower left is a richly ornamented book cover with an ivory carved crucifixion and precious stones, Germany, reproduction of an woodcut from the 19th century, 1885 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-liturgical-utensils-of-the-middle-ages-on-the-right-an-altar-chandelier-134916610.htmlRFHRDYEA–Liturgical utensils of the Middle Ages, on the right an altar chandelier, on the upper left is a transportable altar, on the lower left is a richly ornamented book cover with an ivory carved crucifixion and precious stones, Germany, reproduction of an woodcut from the 19th century, 1885
Front cover from a gospel codex in Darmstadt Museum with a crucifixion scene in ivory, 1000-1050, within an engraved silver border 1490-1510. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1879. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Joh. Klipphahn, and published by Heinrich Keller. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/front-cover-from-a-gospel-codex-in-darmstadt-museum-with-a-crucifixion-scene-in-ivory-1000-1050-within-an-engraved-silver-border-1490-1510-chromolithograph-from-hefner-altenecks-costumes-artworks-and-appliances-from-the-middle-ages-to-the-17th-century-frankfurt-1879-illustration-by-dr-jakob-heinrich-von-hefner-alteneck-lithographed-by-joh-klipphahn-and-published-by-heinrich-keller-hefner-alteneck-1811-1903-was-a-german-museum-curator-archaeologist-art-historian-illustrator-and-etcher-image331571545.htmlRM2A7CATW–Front cover from a gospel codex in Darmstadt Museum with a crucifixion scene in ivory, 1000-1050, within an engraved silver border 1490-1510. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1879. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Joh. Klipphahn, and published by Heinrich Keller. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Panel of a Book Cover with the Crucifixion, Limoges 1200-25 France, French, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-of-a-book-cover-with-the-crucifixion-limoges-1200-25-france-french-image441791403.htmlRM2GJN9CB–Panel of a Book Cover with the Crucifixion, Limoges 1200-25 France, French,
Book Cover Plaque with the Crucifixion, ca. 1190–1200 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-book-cover-plaque-with-the-crucifixion-ca-11901200-162443772.htmlRMKC7XK8–Book Cover Plaque with the Crucifixion, ca. 1190–1200
Art inspired by Book Cover Plaque with the Crucifixion, ca. 1190–1200, Made in Limoges, France, French, Copper: repoussé, engraved, chased, and gilt, Champlevé enamel, Overall: 9 1/4 x 4 1/4 x 5/16 in. (23.5 x 10.8 x 0.8 cm), Enamels-Champlevé, Besides the figures of the Virgin, Saint, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-book-cover-plaque-with-the-crucifixion-ca-11901200-made-in-limoges-france-french-copper-repouss-engraved-chased-and-gilt-champlev-enamel-overall-9-14-x-4-14-x-516-in-235-x-108-x-08-cm-enamels-champlev-besides-the-figures-of-the-virgin-saint-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463033601.htmlRF2HW9029–Art inspired by Book Cover Plaque with the Crucifixion, ca. 1190–1200, Made in Limoges, France, French, Copper: repoussé, engraved, chased, and gilt, Champlevé enamel, Overall: 9 1/4 x 4 1/4 x 5/16 in. (23.5 x 10.8 x 0.8 cm), Enamels-Champlevé, Besides the figures of the Virgin, Saint, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cover of a gospel book with a representation of the Crucifixion. A work showing influences of central European prototypes, likely to have been made in Wallachia or Transylvania by Goldsmith Nicholaos Vranianit, 1548. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cover-of-a-gospel-book-with-a-representation-of-the-crucifixion-a-57437689.htmlRMD9CEA1–Cover of a gospel book with a representation of the Crucifixion. A work showing influences of central European prototypes, likely to have been made in Wallachia or Transylvania by Goldsmith Nicholaos Vranianit, 1548.
Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. Louvre Museum Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-medieval-gilded-manuscript-cover-depicting-the-crucifixion-11th-century-137041189.htmlRFHXXNC5–Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. Louvre Museum Paris
Caucasus. Georgia. Trimming of Gospel cover. Silver, gilding, embossing. 17th c. Above, Crucifixion and Saints. Trimming of Gospel cover. Silver, gilding, embossing. 17th c. Below, Crucifixion. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-caucasus-georgia-trimming-of-gospel-cover-silver-gilding-embossing-105187639.htmlRMG33KWB–Caucasus. Georgia. Trimming of Gospel cover. Silver, gilding, embossing. 17th c. Above, Crucifixion and Saints. Trimming of Gospel cover. Silver, gilding, embossing. 17th c. Below, Crucifixion. The State Hermitage Museum. Saint Petersburg. Russia.
Gilt gold silver ornate bible cover case Slavonic Russia Russian Bulgarian Serbian Serbo Croatia Croat Apostle Slav slavia trea Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gilt-gold-silver-ornate-bible-cover-case-slavonic-russia-russian-bulgarian-image7096324.htmlRMA9PJT5–Gilt gold silver ornate bible cover case Slavonic Russia Russian Bulgarian Serbian Serbo Croatia Croat Apostle Slav slavia trea
thick bible book for prayers. cover with the crucifixion of christ. flat vector illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thick-bible-book-for-prayers-cover-with-the-crucifixion-of-christ-flat-vector-illustration-image461317650.htmlRF2HPERAA–thick bible book for prayers. cover with the crucifixion of christ. flat vector illustration.
Book Cover Plaque with the Crucifixion MET DP315588 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-book-cover-plaque-with-the-crucifixion-met-dp315588-170339253.htmlRMKW3HCN–Book Cover Plaque with the Crucifixion MET DP315588
religious art cover box boxes christian book red religious life exist existence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-religious-art-cover-box-boxes-christian-book-red-religious-life-exist-142284366.htmlRFJ7DH4E–religious art cover box boxes christian book red religious life exist existence
Ivory book cover of a gospeliaium with a relief of Christ on the cross, Anselm Schmitz, c. 1871 - In or Before 1876 photograph photographic support albumen print book-cover, binding. the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38). sculpture (+ relief sculpture) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ivory-book-cover-of-a-gospeliaium-with-a-relief-of-christ-on-the-cross-anselm-schmitz-c-1871-in-or-before-1876-photograph-photographic-support-albumen-print-book-cover-binding-the-crucifixion-of-christ-christs-death-on-the-cross-golgotha-matthew-2745-58-mark-1533-45-luke-2344-52-john-1925-38-sculpture-relief-sculpture-image591400740.htmlRM2WA4HK0–Ivory book cover of a gospeliaium with a relief of Christ on the cross, Anselm Schmitz, c. 1871 - In or Before 1876 photograph photographic support albumen print book-cover, binding. the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38). sculpture (+ relief sculpture)
Limoges enamel. A board from a book cover with a scene of the crucifixion of Christ. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/limoges-enamel-a-board-from-a-book-cover-with-a-scene-of-the-crucifixion-of-christ-image415860197.htmlRF2F4G1WW–Limoges enamel. A board from a book cover with a scene of the crucifixion of Christ.
Ivory crucifixion bible cover-medieval (16152814127). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ivory-crucifixion-bible-cover-medieval-16152814127-image367327691.htmlRM2C9H663–Ivory crucifixion bible cover-medieval (16152814127).
. Cover of the book 'The Jesus Mysteries' by Timothy Freke and Peter Gandy was first published in 1999, a colored econstruction of an alleged 2nd century amulet which depicts the crucifixion of Dionysus . User Big Brother 1984 on en.wikipedia 164 Dionysus Crucifixion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cover-of-the-book-the-jesus-mysteries-by-timothy-freke-and-peter-gandy-was-first-published-in-1999-a-colored-econstruction-of-an-alleged-2nd-century-amulet-which-depicts-the-crucifixion-of-dionysus-user-big-brother-1984-on-enwikipedia-164-dionysus-crucifixion-image188252704.htmlRMMX7J6T–. Cover of the book 'The Jesus Mysteries' by Timothy Freke and Peter Gandy was first published in 1999, a colored econstruction of an alleged 2nd century amulet which depicts the crucifixion of Dionysus . User Big Brother 1984 on en.wikipedia 164 Dionysus Crucifixion
London, UK. 30th March, 2018.The crowd takes cover from the rain - The Wintershall Players open-air re-enactment of 'The Passion of Jesus' on Good Friday in the rain in Trafalgar Square. It featured a cast of over 100 volunteers from in and around London. Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-30th-march-2018the-crowd-takes-cover-from-the-rain-the-wintershall-players-open-air-re-enactment-of-the-passion-of-jesus-on-good-friday-in-the-rain-in-trafalgar-square-it-featured-a-cast-of-over-100-volunteers-from-in-and-around-london-credit-guy-bellalamy-live-news-image178460285.htmlRMMA9FWH–London, UK. 30th March, 2018.The crowd takes cover from the rain - The Wintershall Players open-air re-enactment of 'The Passion of Jesus' on Good Friday in the rain in Trafalgar Square. It featured a cast of over 100 volunteers from in and around London. Credit: Guy Bell/Alamy Live News
Chalice cover. Research in ProgressChalice cover with a solid linen center and very deep border on all four sides with elaborate floral and foliated branches and symbols of the Crucifixion, including the cross, ladder, spear, and pillory. Chalice cover Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chalice-cover-research-in-progresschalice-cover-with-a-solid-linen-center-and-very-deep-border-on-all-four-sides-with-elaborate-floral-and-foliated-branches-and-symbols-of-the-crucifixion-including-the-cross-ladder-spear-and-pillory-chalice-cover-image352237899.htmlRM2BD1R0Y–Chalice cover. Research in ProgressChalice cover with a solid linen center and very deep border on all four sides with elaborate floral and foliated branches and symbols of the Crucifixion, including the cross, ladder, spear, and pillory. Chalice cover
Caucasus. Georgia. Trimming of Gospel cover. Silver, gilding, embossing. 17th c. Above, Crucifixion and Saints. Trimming of Gospel cover. Silver, gilding, embossing. 17th c. Below, Crucifixion. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caucasus-georgia-trimming-of-gospel-cover-silver-gilding-embossing-17th-c-above-crucifixion-and-saints-trimming-of-gospel-cover-silver-gilding-embossing-17th-c-below-crucifixion-the-state-hermitage-museum-saint-petersburg-russia-image220227930.htmlRMPP86Y6–Caucasus. Georgia. Trimming of Gospel cover. Silver, gilding, embossing. 17th c. Above, Crucifixion and Saints. Trimming of Gospel cover. Silver, gilding, embossing. 17th c. Below, Crucifixion. The State Hermitage Museum. Saint Petersburg. Russia.
Gustave Dore Crucifixion of Jesus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustave-dore-crucifixion-of-jesus-image627362365.htmlRF2YCJR2N–Gustave Dore Crucifixion of Jesus
hangman noose over an old book cover with a stack of coins, on a dark background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hangman-noose-over-an-old-book-cover-with-a-stack-of-coins-on-a-dark-background-image453347468.htmlRF2H9FN90–hangman noose over an old book cover with a stack of coins, on a dark background
The Loan Collection, South-Kensington, 1862. 'A magnificent missal, painted on vellum, with illuminated capitals, and whole leaves painted with illustrations from Scripture history, beautifully finished, 15th century. The cover is ornamented with black enamel scrolls on the borders and back, set with rubies and turquoises alternately, equidistant; on the sides are two large oval red cornelian intaglios of the Crucifixion, with St. Francis receiving the stigmata, and an altar of the Virgin and Child, on one side of which is St. Catherine, with palm-branch, sword, and wheel; on the other a male Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-loan-collection-south-kensington-1862-a-magnificent-missal-painted-on-vellum-with-illuminated-capitals-and-whole-leaves-painted-with-illustrations-from-scripture-history-beautifully-finished-15th-century-the-cover-is-ornamented-with-black-enamel-scrolls-on-the-borders-and-back-set-with-rubies-and-turquoises-alternately-equidistant-on-the-sides-are-two-large-oval-red-cornelian-intaglios-of-the-crucifixion-with-st-francis-receiving-the-stigmata-and-an-altar-of-the-virgin-and-child-on-one-side-of-which-is-st-catherine-with-palm-branch-sword-and-wheel-on-the-other-a-male-image599661390.htmlRM2WRGX66–The Loan Collection, South-Kensington, 1862. 'A magnificent missal, painted on vellum, with illuminated capitals, and whole leaves painted with illustrations from Scripture history, beautifully finished, 15th century. The cover is ornamented with black enamel scrolls on the borders and back, set with rubies and turquoises alternately, equidistant; on the sides are two large oval red cornelian intaglios of the Crucifixion, with St. Francis receiving the stigmata, and an altar of the Virgin and Child, on one side of which is St. Catherine, with palm-branch, sword, and wheel; on the other a male
Unknown (French), Book Cover: The Crucifixion, ca. 1200, champlevé enamel and gilding on copper, mounted on an oak core, Overall: 11 3/4 × 7 1/2 inches (29.8 × 19.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-french-book-cover-the-crucifixion-ca-1200-champlev-enamel-and-gilding-on-copper-mounted-on-an-oak-core-overall-11-34-7-12-inches-298-191-cm-image328731520.htmlRM2A2R0BC–Unknown (French), Book Cover: The Crucifixion, ca. 1200, champlevé enamel and gilding on copper, mounted on an oak core, Overall: 11 3/4 × 7 1/2 inches (29.8 × 19.1 cm
Art inspired by The Crucifixion, ca. 1100, Made in Conques, France, French, Gilded copper, cloisonné and champlevé enamel, Overall: 4 1/16 x 1/8 in. (10.3 x 0.3 cm), Enamels-Champlevé & Cloisonné, This medallion, probably from a book cover, can be securely attributed to the celebrated, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-crucifixion-ca-1100-made-in-conques-france-french-gilded-copper-cloisonn-and-champlev-enamel-overall-4-116-x-18-in-103-x-03-cm-enamels-champlev-cloisonn-this-medallion-probably-from-a-book-cover-can-be-securely-attributed-to-the-celebrated-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462841513.htmlRF2HW0721–Art inspired by The Crucifixion, ca. 1100, Made in Conques, France, French, Gilded copper, cloisonné and champlevé enamel, Overall: 4 1/16 x 1/8 in. (10.3 x 0.3 cm), Enamels-Champlevé & Cloisonné, This medallion, probably from a book cover, can be securely attributed to the celebrated, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cover of a gospel book with a representation of the Crucifixion. A work showing influences of central European prototypes, likely to have been made in Wallachia or Transylvania by Goldsmith Nicholaos Vranianit, 1548. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cover-of-a-gospel-book-with-a-representation-of-the-crucifixion-a-57437683.htmlRMD9CE9R–Cover of a gospel book with a representation of the Crucifixion. A work showing influences of central European prototypes, likely to have been made in Wallachia or Transylvania by Goldsmith Nicholaos Vranianit, 1548.
Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. Louvre Museum Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-medieval-gilded-manuscript-cover-depicting-the-crucifixion-11th-century-137041190.htmlRFHXXNC6–Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. Louvre Museum Paris
Old religious book cover with crucifixion and shadows Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-religious-book-cover-with-crucifixion-and-shadows-36340815.htmlRFC33D27–Old religious book cover with crucifixion and shadows
dresden saxony cross crucifixion Christ Christian execution ritual reenactment mountain high outdoor spectacle savior wooden cro Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-dresden-saxony-cross-crucifixion-christ-christian-execution-ritual-10671866.htmlRFA3504Y–dresden saxony cross crucifixion Christ Christian execution ritual reenactment mountain high outdoor spectacle savior wooden cro
thick bible book for prayers. cover with the crucifixion of christ. flat vector illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thick-bible-book-for-prayers-cover-with-the-crucifixion-of-christ-flat-vector-illustration-image470078370.htmlRF2J8NWN6–thick bible book for prayers. cover with the crucifixion of christ. flat vector illustration.
Book Cover with Byzantine Icon of the Crucifixion MET DT200225 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-book-cover-with-byzantine-icon-of-the-crucifixion-met-dt200225-170357528.htmlRMKW4CNC–Book Cover with Byzantine Icon of the Crucifixion MET DT200225
religious art cover box boxes christian book red religious life exist existence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-religious-art-cover-box-boxes-christian-book-red-religious-life-exist-142284367.htmlRFJ7DH4F–religious art cover box boxes christian book red religious life exist existence
Book Cover Plaque with the Crucifixion, French, ca. 1190-1200. Figures of the Virgin, Saint John, and angels, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-cover-plaque-with-the-crucifixion-french-ca-1190-1200-figures-of-the-virgin-saint-john-and-angels-image397486080.htmlRM2E2K1FC–Book Cover Plaque with the Crucifixion, French, ca. 1190-1200. Figures of the Virgin, Saint John, and angels,
Crown of thorns of Jesus on purple cover background. Easter and Christianity concept. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crown-of-thorns-of-jesus-on-purple-cover-background-easter-and-christianity-concept-image472576449.htmlRF2JCRM29–Crown of thorns of Jesus on purple cover background. Easter and Christianity concept.
Cover of a liturgical calendar with the Crucifixion, Wurzburg goldsmiths, 1573-1617 AD, silver, precious stones - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cover-of-a-liturgical-calendar-with-the-crucifixion-wurzburg-goldsmiths-1573-1617-ad-silver-precious-stones-image261208448.htmlRMW4Y214–Cover of a liturgical calendar with the Crucifixion, Wurzburg goldsmiths, 1573-1617 AD, silver, precious stones -
. Cover of the book 'The Jesus Mysteries' by Timothy Freke and Peter Gandy was first published in 1999, a colored econstruction of an alleged 2nd century amulet which depicts the crucifixion of Dionysus . User Big Brother 1984 on en.wikipedia 141 Dionysus Crucifixion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cover-of-the-book-the-jesus-mysteries-by-timothy-freke-and-peter-gandy-was-first-published-in-1999-a-colored-econstruction-of-an-alleged-2nd-century-amulet-which-depicts-the-crucifixion-of-dionysus-user-big-brother-1984-on-enwikipedia-141-dionysus-crucifixion-image188968167.htmlRMMYC6R3–. Cover of the book 'The Jesus Mysteries' by Timothy Freke and Peter Gandy was first published in 1999, a colored econstruction of an alleged 2nd century amulet which depicts the crucifixion of Dionysus . User Big Brother 1984 on en.wikipedia 141 Dionysus Crucifixion
London, UK. 30th March, 2018. The crowd takes cover from the rain - The Wintershall Players open-air re-enactment of 'The Passion of Jesus' on Good Friday in the rain in Trafalgar Square. It featured a cast of over 100 volunteers from in and around London. Credit: Guy Bell/Alamy Live News Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-30th-march-2018-the-crowd-takes-cover-from-the-rain-the-wintershall-players-open-air-re-enactment-of-the-passion-of-jesus-on-good-friday-in-the-rain-in-trafalgar-square-it-featured-a-cast-of-over-100-volunteers-from-in-and-around-london-credit-guy-bellalamy-live-news-credit-guy-bellalamy-live-news-image178459632.htmlRMMA9F28–London, UK. 30th March, 2018. The crowd takes cover from the rain - The Wintershall Players open-air re-enactment of 'The Passion of Jesus' on Good Friday in the rain in Trafalgar Square. It featured a cast of over 100 volunteers from in and around London. Credit: Guy Bell/Alamy Live News Credit: Guy Bell/Alamy Live News
Christian church vector logo. Blue colored crucifixion, open green book with cover and pages Religious educational symbol. Bible learning and teaching Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christian-church-vector-logo-blue-colored-crucifixion-open-green-book-with-cover-and-pages-religious-educational-symbol-bible-learning-and-teaching-image381465690.htmlRF2D4H7AJ–Christian church vector logo. Blue colored crucifixion, open green book with cover and pages Religious educational symbol. Bible learning and teaching
Book Cover Plaque with the Crucifixion. Culture: French. Dimensions: Overall: 9 1/4 x 4 1/4 x 5/16 in. (23.5 x 10.8 x 0.8 cm). Date: ca. 1190-1200. Besides the figures of the Virgin, Saint John, and angels, Adam can be seen rising from his tomb at the foot of the cross. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-cover-plaque-with-the-crucifixion-culture-french-dimensions-overall-9-14-x-4-14-x-516-in-235-x-108-x-08-cm-date-ca-1190-1200-besides-the-figures-of-the-virgin-saint-john-and-angels-adam-can-be-seen-rising-from-his-tomb-at-the-foot-of-the-cross-museum-metropolitan-museum-of-art-new-york-usa-image213108566.htmlRMPAKX46–Book Cover Plaque with the Crucifixion. Culture: French. Dimensions: Overall: 9 1/4 x 4 1/4 x 5/16 in. (23.5 x 10.8 x 0.8 cm). Date: ca. 1190-1200. Besides the figures of the Virgin, Saint John, and angels, Adam can be seen rising from his tomb at the foot of the cross. Museum: Metropolitan Museum of Art, New York, USA.
SMITH(1890) p203 PICTURE PF THE CRUCIFIXION Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-smith1890-p203-picture-pf-the-crucifixion-76567580.htmlRMECFXMC–SMITH(1890) p203 PICTURE PF THE CRUCIFIXION
Ivory book cover representing the crucifixion of Christ; Leaf or a book cover of the Carlovingian school. . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ivory-book-cover-representing-the-crucifixion-of-christ-leaf-or-a-book-cover-of-the-carlovingian-school-image433078981.htmlRM2G4GCJD–Ivory book cover representing the crucifixion of Christ; Leaf or a book cover of the Carlovingian school. .
Ivoren boekomslag voorstellend de kruisiging van Christus Leaf of a book-cover of the Carlovingian school (titel op object) Ivoren boekomslag voorstellend de kruisiging van ChristusLeaf of a book-cover of the Carloian school (titel op object) Object Type : foto bladzijde Objectnummer: RP-F-2001-7-243-3 Inscriptions / Merken: nummer, recto, gedrukt: ‘(Class V.) g.1.’opschrift, recto, gedrukt: ‘In the Bibliothèque Impérials, Paris, Representing the Crucifixion. Size 9.5 inches by 5.’ Manufacturer : fotograaf: J.A. Spencer (vermeld op object) Dating: ca. 1850 - in of voor 1856 Material: fotopapie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ivoren-boekomslag-voorstellend-de-kruisiging-van-christus-leaf-of-a-book-cover-of-the-carlovingian-school-titel-op-object-ivoren-boekomslag-voorstellend-de-kruisiging-van-christusleaf-of-a-book-cover-of-the-carloian-school-titel-op-object-object-type-foto-bladzijde-objectnummer-rp-f-2001-7-243-3-inscriptions-merken-nummer-recto-gedrukt-class-v-g1opschrift-recto-gedrukt-in-the-bibliothque-imprials-paris-representing-the-crucifixion-size-95-inches-by-5-manufacturer-fotograaf-ja-spencer-vermeld-op-object-dating-ca-1850-in-of-voor-1856-material-fotopapie-image348458100.htmlRM2B6WHT4–Ivoren boekomslag voorstellend de kruisiging van Christus Leaf of a book-cover of the Carlovingian school (titel op object) Ivoren boekomslag voorstellend de kruisiging van ChristusLeaf of a book-cover of the Carloian school (titel op object) Object Type : foto bladzijde Objectnummer: RP-F-2001-7-243-3 Inscriptions / Merken: nummer, recto, gedrukt: ‘(Class V.) g.1.’opschrift, recto, gedrukt: ‘In the Bibliothèque Impérials, Paris, Representing the Crucifixion. Size 9.5 inches by 5.’ Manufacturer : fotograaf: J.A. Spencer (vermeld op object) Dating: ca. 1850 - in of voor 1856 Material: fotopapie
Initial D with the crucifixion of St. Andrew, mid 15th c., Cover color on parchment, verso: Latin text fragment, page: 8.9 x 10.8 cm (largest mass) |, Picture: about 7.6 x 7.9 cm, Anonym, Oberrhein, 15. Jh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/initial-d-with-the-crucifixion-of-st-andrew-mid-15th-c-cover-color-on-parchment-verso-latin-text-fragment-page-89-x-108-cm-largest-mass-picture-about-76-x-79-cm-anonym-oberrhein-15-jh-image328709665.htmlRM2A2P0EW–Initial D with the crucifixion of St. Andrew, mid 15th c., Cover color on parchment, verso: Latin text fragment, page: 8.9 x 10.8 cm (largest mass) |, Picture: about 7.6 x 7.9 cm, Anonym, Oberrhein, 15. Jh
Art inspired by Book Cover, second quarter 14th century, French, Ivory, champlevé enamel, copper gilt on wood support, Overall: 10 x 7 3/8 x 1 5/16 in. (25.4 x 18.7 x 3.4 cm), Ivories, Ivory devotional diptychs were sometimes adapted to other purposes. Here, the right leaf of a diptych, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-book-cover-second-quarter-14th-century-french-ivory-champlev-enamel-copper-gilt-on-wood-support-overall-10-x-7-38-x-1-516-in-254-x-187-x-34-cm-ivories-ivory-devotional-diptychs-were-sometimes-adapted-to-other-purposes-here-the-right-leaf-of-a-diptych-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462830789.htmlRF2HTYNB1–Art inspired by Book Cover, second quarter 14th century, French, Ivory, champlevé enamel, copper gilt on wood support, Overall: 10 x 7 3/8 x 1 5/16 in. (25.4 x 18.7 x 3.4 cm), Ivories, Ivory devotional diptychs were sometimes adapted to other purposes. Here, the right leaf of a diptych, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cover of a gospel book with a representation of the Crucifixion. A work showing influences of central European prototypes, likely to have been made in Wallachia or Transylvania by Goldsmith Nicholaos Vranianit, 1548. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cover-of-a-gospel-book-with-a-representation-of-the-crucifixion-a-57437695.htmlRMD9CEA7–Cover of a gospel book with a representation of the Crucifixion. A work showing influences of central European prototypes, likely to have been made in Wallachia or Transylvania by Goldsmith Nicholaos Vranianit, 1548.
Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. Louvre Museum Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-medieval-gilded-manuscript-cover-depicting-the-crucifixion-11th-century-137041188.htmlRFHXXNC4–Medieval gilded manuscript cover depicting the Crucifixion. 11th century from the treasury of the Cathedral of Maastricht. Louvre Museum Paris
vintage religious book cover with crucifixion and butterfly Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vintage-religious-book-cover-with-crucifixion-and-butterfly-36340846.htmlRFC33D3A–vintage religious book cover with crucifixion and butterfly
silver cross Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-cross-image67037909.htmlRFDW1RF1–silver cross
The Wirksworth Stone late C7th/800 Anglo-Saxon coffin lid mounted on the N wall of the nave of St Mary's Church, Wirksworth, Derbyshire, England, UK. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-wirksworth-stone-late-c7th800-anglo-saxon-coffin-lid-mounted-on-the-n-wall-of-the-nave-of-st-marys-church-wirksworth-derbyshire-england-uk-image594911080.htmlRM2WFTF48–The Wirksworth Stone late C7th/800 Anglo-Saxon coffin lid mounted on the N wall of the nave of St Mary's Church, Wirksworth, Derbyshire, England, UK.
Book Cover Plaque with the Crucifixion MET sf17 190 785s1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-book-cover-plaque-with-the-crucifixion-met-sf17-190-785s1-170357691.htmlRMKW4CY7–Book Cover Plaque with the Crucifixion MET sf17 190 785s1
religious art cover box boxes christian book red religious life exist existence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-religious-art-cover-box-boxes-christian-book-red-religious-life-exist-142284368.htmlRFJ7DH4G–religious art cover box boxes christian book red religious life exist existence
Book cover with crucifixion, 19th century. Highly embellished upper board added in Germany in the nineteenth century, depicting an ivory Christ nailed to an engraved gilded cross. Cover for a Book of Hours made c1460-1470. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-cover-with-crucifixion-19th-century-highly-embellished-upper-board-added-in-germany-in-the-nineteenth-century-depicting-an-ivory-christ-nailed-to-an-engraved-gilded-cross-cover-for-a-book-of-hours-made-c1460-1470-image571914570.htmlRM2T6CXTA–Book cover with crucifixion, 19th century. Highly embellished upper board added in Germany in the nineteenth century, depicting an ivory Christ nailed to an engraved gilded cross. Cover for a Book of Hours made c1460-1470.
Christian prayer text with crown of thorns on purple cover background. Christianity concept. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christian-prayer-text-with-crown-of-thorns-on-purple-cover-background-christianity-concept-image474246108.htmlRF2JFFNN0–Christian prayer text with crown of thorns on purple cover background. Christianity concept.
Book cover with crucifixion plaque, Limoges, France, 1190-1215, copper-gilt and champleve enamel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-cover-with-crucifixion-plaque-limoges-france-1190-1215-copper-gilt-and-champleve-enamel-image631679083.htmlRM2YKKD37–Book cover with crucifixion plaque, Limoges, France, 1190-1215, copper-gilt and champleve enamel
. Cover of the book 'The Jesus Mysteries' by Timothy Freke and Peter Gandy was first published in 1999, a colored econstruction of an alleged 2nd century amulet which depicts the crucifixion of Dionysus . User Big Brother 1984 on en.wikipedia 164 Dionysus Crucifixion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cover-of-the-book-the-jesus-mysteries-by-timothy-freke-and-peter-gandy-was-first-published-in-1999-a-colored-econstruction-of-an-alleged-2nd-century-amulet-which-depicts-the-crucifixion-of-dionysus-user-big-brother-1984-on-enwikipedia-164-dionysus-crucifixion-image187730524.htmlRMMWBT5G–. Cover of the book 'The Jesus Mysteries' by Timothy Freke and Peter Gandy was first published in 1999, a colored econstruction of an alleged 2nd century amulet which depicts the crucifixion of Dionysus . User Big Brother 1984 on en.wikipedia 164 Dionysus Crucifixion
London, UK. 30th March, 2018. The crowd takes cover from the rain - The Wintershall Players open-air re-enactment of 'The Passion of Jesus' on Good Friday in the rain in Trafalgar Square. It featured a cast of over 100 volunteers from in and around London. Credit: Guy Bell/Alamy Live News Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-30th-march-2018-the-crowd-takes-cover-from-the-rain-the-wintershall-players-open-air-re-enactment-of-the-passion-of-jesus-on-good-friday-in-the-rain-in-trafalgar-square-it-featured-a-cast-of-over-100-volunteers-from-in-and-around-london-credit-guy-bellalamy-live-news-credit-guy-bellalamy-live-news-image178459639.htmlRMMA9F2F–London, UK. 30th March, 2018. The crowd takes cover from the rain - The Wintershall Players open-air re-enactment of 'The Passion of Jesus' on Good Friday in the rain in Trafalgar Square. It featured a cast of over 100 volunteers from in and around London. Credit: Guy Bell/Alamy Live News Credit: Guy Bell/Alamy Live News
Christian church vector logotype. Gold crucifixion, open blue book, cover, pages, 'I am Alpha and Omega' greek letters. Religious educational symbol t Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christian-church-vector-logotype-gold-crucifixion-open-blue-book-cover-pages-i-am-alpha-and-omega-greek-letters-religious-educational-symbol-t-image408293192.htmlRF2EM7A3M–Christian church vector logotype. Gold crucifixion, open blue book, cover, pages, 'I am Alpha and Omega' greek letters. Religious educational symbol t
Front cover from a gospel codex in Darmstadt Museum with a crucifixion scene in ivory, 1000-1050, within an engraved silver border 1490-1510. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1879. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Joh. Klipphahn, and published by Heinrich Keller. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/front-cover-from-a-gospel-codex-in-darmstadt-museum-with-a-crucifixion-scene-in-ivory-1000-1050-within-an-engraved-silver-border-1490-1510-chromolithograph-from-hefner-altenecks-costumes-artworks-and-appliances-from-the-middle-ages-to-the-17th-century-frankfurt-1879-illustration-by-dr-jakob-heinrich-von-hefner-alteneck-lithographed-by-joh-klipphahn-and-published-by-heinrich-keller-hefner-alteneck-1811-1903-was-a-german-museum-curator-archaeologist-art-historian-illustrator-and-etcher-image210529600.htmlRMP6ECJ8–Front cover from a gospel codex in Darmstadt Museum with a crucifixion scene in ivory, 1000-1050, within an engraved silver border 1490-1510. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1879. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Joh. Klipphahn, and published by Heinrich Keller. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
2014.07.19.184134 Fresco Crucifixion cloister Kloster Heiligkreuztal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-20140719184134-fresco-crucifixion-cloister-kloster-heiligkreuztal-146503130.htmlRMJE9P6J–2014.07.19.184134 Fresco Crucifixion cloister Kloster Heiligkreuztal
Anonym Initial D with crucifixion of Christ. Cover colors on the parchment, gold leaf ground around 1460 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anonym-initial-d-with-crucifixion-of-christ-cover-colors-on-the-parchment-gold-leaf-ground-around-1460-image572655095.htmlRM2T7JKBK–Anonym Initial D with crucifixion of Christ. Cover colors on the parchment, gold leaf ground around 1460
Warszawa 12.1987. Ewangeliarz Anastazji z drugiej po³owy XII wieku, przednia oprawa czerwiñskiego rekopisu przedstawia Ukrzy¿owanie. Pod krzy¿em stoj¹ Maria i Jan. U podstawy krzy¿a klêczy kobieta. Obok niej napis z jej imieniem: Anastasia, od którego kodeks wzi¹³ sw¹ nazwê. W zbiorach Biblioteki Narodowej. mw PAP/Tomasz Pra¿mowski Dok³adny dzieñ wydarzenia nieustalony. Warsaw December 1987. The Anastasia Gospel dating back to the second hald of the 12th century, the front cover of the manuscript from Czerwin presents the Crucifixion. At the cross standing: Mary and John. At the fo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/warszawa-121987-ewangeliarz-anastazji-z-drugiej-poowy-xii-wieku-przednia-oprawa-czerwiskiego-rekopisu-przedstawia-ukrzyowanie-pod-krzyem-stoj-maria-i-jan-u-podstawy-krzya-klczy-kobieta-obok-niej-napis-z-jej-imieniem-anastasia-od-ktrego-kodeks-wzi-sw-nazw-w-zbiorach-biblioteki-narodowej-mw-paptomasz-pramowski-dokadny-dzie-wydarzenia-nieustalony-warsaw-december-1987-the-anastasia-gospel-dating-back-to-the-second-hald-of-the-12th-century-the-front-cover-of-the-manuscript-from-czerwin-presents-the-crucifixion-at-the-cross-standing-mary-and-john-at-the-fo-image453905699.htmlRM2HAD59R–Warszawa 12.1987. Ewangeliarz Anastazji z drugiej po³owy XII wieku, przednia oprawa czerwiñskiego rekopisu przedstawia Ukrzy¿owanie. Pod krzy¿em stoj¹ Maria i Jan. U podstawy krzy¿a klêczy kobieta. Obok niej napis z jej imieniem: Anastasia, od którego kodeks wzi¹³ sw¹ nazwê. W zbiorach Biblioteki Narodowej. mw PAP/Tomasz Pra¿mowski Dok³adny dzieñ wydarzenia nieustalony. Warsaw December 1987. The Anastasia Gospel dating back to the second hald of the 12th century, the front cover of the manuscript from Czerwin presents the Crucifixion. At the cross standing: Mary and John. At the fo
Front cover of an Evangeliary with the Crucifixion, Front cover of a gospel book with the crucified Christ between Mary and John, Front cover of a gospel book of gilded copper and enamel champlevé. In the midfield, against a blue ground, the crucified Christ in relief between Mary and John with only the heads in relief. Above, on either side of the cross, the half figures of Michael and Gabriel. Tendrils in the margin, interspersed with the half figures of angels, crucified Christ with Mary and John on either side of the cross, Holy Red, the Archangel Michael (often in armor with sword Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/front-cover-of-an-evangeliary-with-the-crucifixion-front-cover-of-a-gospel-book-with-the-crucified-christ-between-mary-and-john-front-cover-of-a-gospel-book-of-gilded-copper-and-enamel-champlev-in-the-midfield-against-a-blue-ground-the-crucified-christ-in-relief-between-mary-and-john-with-only-the-heads-in-relief-above-on-either-side-of-the-cross-the-half-figures-of-michael-and-gabriel-tendrils-in-the-margin-interspersed-with-the-half-figures-of-angels-crucified-christ-with-mary-and-john-on-either-side-of-the-cross-holy-red-the-archangel-michael-often-in-armor-with-sword-image261331964.htmlRMW54KGC–Front cover of an Evangeliary with the Crucifixion, Front cover of a gospel book with the crucified Christ between Mary and John, Front cover of a gospel book of gilded copper and enamel champlevé. In the midfield, against a blue ground, the crucified Christ in relief between Mary and John with only the heads in relief. Above, on either side of the cross, the half figures of Michael and Gabriel. Tendrils in the margin, interspersed with the half figures of angels, crucified Christ with Mary and John on either side of the cross, Holy Red, the Archangel Michael (often in armor with sword
Ausstellung: Mainzer Domschatz 24.11.2022 Mainz Der Mainzer Domschatz wird in Mainzer Dom ausgestellt. l-r 14 I Buchdeckel mit Kreuzigung Christi Mainz, erstes Drittel 14. Jh. mit Festtags-Evangelistar Mainz, 990 und 15 I Buchdeckel mit Steinigung des hl. Stephanus Mainz, erstes Drittel 14. Jh. mit Epistolar Reichenau, 980. Mainz Mainz Rheinland-Pfalz Germany *** Exhibition Mainz Cathedral Treasure 24 11 2022 Mainz The Mainz Cathedral Treasure is exhibited in Mainz Cathedral l r 14 I Book cover with Crucifixion of Christ Mainz, first third 14th century with Festal Evangelistar Mainz, 990 and 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ausstellung-mainzer-domschatz-24112022-mainz-der-mainzer-domschatz-wird-in-mainzer-dom-ausgestellt-l-r-14-i-buchdeckel-mit-kreuzigung-christi-mainz-erstes-drittel-14-jh-mit-festtags-evangelistar-mainz-990-und-15-i-buchdeckel-mit-steinigung-des-hl-stephanus-mainz-erstes-drittel-14-jh-mit-epistolar-reichenau-980-mainz-mainz-rheinland-pfalz-germany-exhibition-mainz-cathedral-treasure-24-11-2022-mainz-the-mainz-cathedral-treasure-is-exhibited-in-mainz-cathedral-l-r-14-i-book-cover-with-crucifixion-of-christ-mainz-first-third-14th-century-with-festal-evangelistar-mainz-990-and-1-image592164513.htmlRM2WBBBTH–Ausstellung: Mainzer Domschatz 24.11.2022 Mainz Der Mainzer Domschatz wird in Mainzer Dom ausgestellt. l-r 14 I Buchdeckel mit Kreuzigung Christi Mainz, erstes Drittel 14. Jh. mit Festtags-Evangelistar Mainz, 990 und 15 I Buchdeckel mit Steinigung des hl. Stephanus Mainz, erstes Drittel 14. Jh. mit Epistolar Reichenau, 980. Mainz Mainz Rheinland-Pfalz Germany *** Exhibition Mainz Cathedral Treasure 24 11 2022 Mainz The Mainz Cathedral Treasure is exhibited in Mainz Cathedral l r 14 I Book cover with Crucifixion of Christ Mainz, first third 14th century with Festal Evangelistar Mainz, 990 and 1
Cover of a gospel book with a representation of the Crucifixion. A work showing influences of central European prototypes, likely to have been made in Wallachia or Transylvania by Goldsmith Nicholaos Vranianit, 1548. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cover-of-a-gospel-book-with-a-representation-of-the-crucifixion-a-57437678.htmlRMD9CE9J–Cover of a gospel book with a representation of the Crucifixion. A work showing influences of central European prototypes, likely to have been made in Wallachia or Transylvania by Goldsmith Nicholaos Vranianit, 1548.
Lifesize outdoor crucifix on sunny day Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lifesize-outdoor-crucifix-on-sunny-day-image435095317.htmlRF2G7T8ED–Lifesize outdoor crucifix on sunny day
Initial D with the crucifixion of St. Andrew, mid 15th c., Cover color on parchment, verso: Latin text fragment, page: 8.9 x 10.8 cm (largest mass) |, Picture: about 7.6 x 7.9 cm, Anonym, Oberrhein, 15. Jh., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/initial-d-with-the-crucifixion-of-st-andrew-mid-15th-c-cover-color-on-parchment-verso-latin-text-fragment-page-89-x-108-cm-largest-mass-picture-about-76-x-79-cm-anonym-oberrhein-15-jh-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349806078.htmlRF2B93166–Initial D with the crucifixion of St. Andrew, mid 15th c., Cover color on parchment, verso: Latin text fragment, page: 8.9 x 10.8 cm (largest mass) |, Picture: about 7.6 x 7.9 cm, Anonym, Oberrhein, 15. Jh., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
image of silver cross on leather cover Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-of-silver-cross-on-leather-cover-43433427.htmlRFCEJFNR–image of silver cross on leather cover
Holy Bible, open old testament book with crucifix, cover of open gospel and shining, vector Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/holy-bible-open-old-testament-book-with-crucifix-cover-of-open-gospel-and-shining-vector-image490499832.htmlRF2KE05F4–Holy Bible, open old testament book with crucifix, cover of open gospel and shining, vector
Book Cover with Byzantine Icon of the Crucifixion MET sf17 190 134s3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-book-cover-with-byzantine-icon-of-the-crucifixion-met-sf17-190-134s3-170357525.htmlRMKW4CN9–Book Cover with Byzantine Icon of the Crucifixion MET sf17 190 134s3
A worker from the Israel Antiquities Authority places a piece of the cover on a 2,000 year old ossuary at the Rockefeller Museum in Jerusalem, June 29, 2011. Israeli scholars said Wednesday they have confirmed the authenticity of the ancient ossuary bearing the name of the high priest Caiaphas of the New Testament. The ossuary bears an inscription with the name 'Miriam daughter of Yeshua son of Caiaphas, priest of Maaziah from Beth Imri.' The high priest Caiaphas is famous for his involvement in the trial and crucifixion of Jesus Christ. UPI/Debbie Hill Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-worker-from-the-israel-antiquities-authority-places-a-piece-of-the-cover-on-a-2000-year-old-ossuary-at-the-rockefeller-museum-in-jerusalem-june-29-2011-israeli-scholars-said-wednesday-they-have-confirmed-the-authenticity-of-the-ancient-ossuary-bearing-the-name-of-the-high-priest-caiaphas-of-the-new-testament-the-ossuary-bears-an-inscription-with-the-name-miriam-daughter-of-yeshua-son-of-caiaphas-priest-of-maaziah-from-beth-imri-the-high-priest-caiaphas-is-famous-for-his-involvement-in-the-trial-and-crucifixion-of-jesus-christ-upidebbie-hill-image257483864.htmlRMTXWB88–A worker from the Israel Antiquities Authority places a piece of the cover on a 2,000 year old ossuary at the Rockefeller Museum in Jerusalem, June 29, 2011. Israeli scholars said Wednesday they have confirmed the authenticity of the ancient ossuary bearing the name of the high priest Caiaphas of the New Testament. The ossuary bears an inscription with the name 'Miriam daughter of Yeshua son of Caiaphas, priest of Maaziah from Beth Imri.' The high priest Caiaphas is famous for his involvement in the trial and crucifixion of Jesus Christ. UPI/Debbie Hill
Book Cover (?) with Byzantine Icon of the Crucifixion, Byzantine (ivory); Spanish (setting), 1000 (ivory); late 11th century (setting). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-cover-with-byzantine-icon-of-the-crucifixion-byzantine-ivory-spanish-setting-1000-ivory-late-11th-century-setting-image382618571.htmlRM2D6DNTY–Book Cover (?) with Byzantine Icon of the Crucifixion, Byzantine (ivory); Spanish (setting), 1000 (ivory); late 11th century (setting).
Christian prayer text with crown of thorns on purple cover background. Easter and Christianity concept. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christian-prayer-text-with-crown-of-thorns-on-purple-cover-background-easter-and-christianity-concept-image472576505.htmlRF2JCRM49–Christian prayer text with crown of thorns on purple cover background. Easter and Christianity concept.
Jesus of Nazareth on the Cross, Schrotblatt, Germany, 15th century. Messias, Religion, old print. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jesus-of-nazareth-on-the-cross-schrotblatt-germany-15th-century-messias-religion-old-print-image328415328.htmlRF2A28H2T–Jesus of Nazareth on the Cross, Schrotblatt, Germany, 15th century. Messias, Religion, old print.
. English: Cover of Christian III:s Bible, the first complete translation of the Bible to Danish. A large tree divides the image between events from the Old Testament and the New Testament. On the left side, Old Testament, you can see Moses on Mount Sinai receiving the tablets of testimony from God. Also visible is the Fall of man and a coffin, as a symbol of death. The leaves of the tree are dry while on the right side (New Testament) the leaves are fresh, symbolizing the work of Christ. Also on the right side is the crucifixion. At the foot of the cross is John the Baptist and a Jewish rabbi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-cover-of-christian-iiis-bible-the-first-complete-translation-of-the-bible-to-danish-a-large-tree-divides-the-image-between-events-from-the-old-testament-and-the-new-testament-on-the-left-side-old-testament-you-can-see-moses-on-mount-sinai-receiving-the-tablets-of-testimony-from-god-also-visible-is-the-fall-of-man-and-a-coffin-as-a-symbol-of-death-the-leaves-of-the-tree-are-dry-while-on-the-right-side-new-testament-the-leaves-are-fresh-symbolizing-the-work-of-christ-also-on-the-right-side-is-the-crucifixion-at-the-foot-of-the-cross-is-john-the-baptist-and-a-jewish-rabbi-image184914785.htmlRMMMRGKD–. English: Cover of Christian III:s Bible, the first complete translation of the Bible to Danish. A large tree divides the image between events from the Old Testament and the New Testament. On the left side, Old Testament, you can see Moses on Mount Sinai receiving the tablets of testimony from God. Also visible is the Fall of man and a coffin, as a symbol of death. The leaves of the tree are dry while on the right side (New Testament) the leaves are fresh, symbolizing the work of Christ. Also on the right side is the crucifixion. At the foot of the cross is John the Baptist and a Jewish rabbi
London, UK. 30th March, 2018. The crowd takes cover from the rain - The Wintershall Players open-air re-enactment of 'The Passion of Jesus' on Good Friday in the rain in Trafalgar Square. It featured a cast of over 100 volunteers from in and around London. Credit: Guy Bell/Alamy Live News Credit: Guy Bell/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-30th-march-2018-the-crowd-takes-cover-from-the-rain-the-wintershall-players-open-air-re-enactment-of-the-passion-of-jesus-on-good-friday-in-the-rain-in-trafalgar-square-it-featured-a-cast-of-over-100-volunteers-from-in-and-around-london-credit-guy-bellalamy-live-news-credit-guy-bellalamy-live-news-image178459633.htmlRMMA9F29–London, UK. 30th March, 2018. The crowd takes cover from the rain - The Wintershall Players open-air re-enactment of 'The Passion of Jesus' on Good Friday in the rain in Trafalgar Square. It featured a cast of over 100 volunteers from in and around London. Credit: Guy Bell/Alamy Live News Credit: Guy Bell/Alamy Live News
A vector illustration of brown crown of thorns. Jesus crown. Spines, briars, prickles. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-vector-illustration-of-brown-crown-of-thorns-jesus-crown-spines-briars-prickles-image214378537.htmlRFPCNP09–A vector illustration of brown crown of thorns. Jesus crown. Spines, briars, prickles.
Book Cover with Byzantine Icon of the Crucifixion. Culture: Byzantine (ivory); Spanish (setting). Dimensions: Overall: 10 3/8 x 8 5/8 x 1 in. (26.4 x 21.9 x 2.5 cm). Date: 1000 (ivory); before 1085 (setting). Byzantine ivories were highly prized in western Europe, where they survived in church treasuries or were incorporated into deluxe book bindings. The ivory from the panel on the left originally formed the center of a Byzantine three-paneled icon. It may have been one of the many gifts to the Nunnery of Santa Cruz de la Serós, which was founded by Queen Felicia (d. 1085), wife of Sancho V Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-cover-with-byzantine-icon-of-the-crucifixion-culture-byzantine-ivory-spanish-setting-dimensions-overall-10-38-x-8-58-x-1-in-264-x-219-x-25-cm-date-1000-ivory-before-1085-setting-byzantine-ivories-were-highly-prized-in-western-europe-where-they-survived-in-church-treasuries-or-were-incorporated-into-deluxe-book-bindings-the-ivory-from-the-panel-on-the-left-originally-formed-the-center-of-a-byzantine-three-paneled-icon-it-may-have-been-one-of-the-many-gifts-to-the-nunnery-of-santa-cruz-de-la-sers-which-was-founded-by-queen-felicia-d-1085-wife-of-sancho-v-image213208975.htmlRMPATE67–Book Cover with Byzantine Icon of the Crucifixion. Culture: Byzantine (ivory); Spanish (setting). Dimensions: Overall: 10 3/8 x 8 5/8 x 1 in. (26.4 x 21.9 x 2.5 cm). Date: 1000 (ivory); before 1085 (setting). Byzantine ivories were highly prized in western Europe, where they survived in church treasuries or were incorporated into deluxe book bindings. The ivory from the panel on the left originally formed the center of a Byzantine three-paneled icon. It may have been one of the many gifts to the Nunnery of Santa Cruz de la Serós, which was founded by Queen Felicia (d. 1085), wife of Sancho V
2014.07.19.184114 Fresco Crucifixion cloister Kloster Heiligkreuztal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-20140719184114-fresco-crucifixion-cloister-kloster-heiligkreuztal-146503129.htmlRMJE9P6H–2014.07.19.184114 Fresco Crucifixion cloister Kloster Heiligkreuztal
Book Cover second quarter 14th century French Ivory devotional diptychs were sometimes adapted to other purposes. Here, the right leaf of a diptych with the Crucifixion has been incorporated into a book cover.. Book Cover 464699 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-cover-second-quarter-14th-century-french-ivory-devotional-diptychs-were-sometimes-adapted-to-other-purposes-here-the-right-leaf-of-a-diptych-with-the-crucifixion-has-been-incorporated-into-a-book-cover-book-cover-464699-image458188497.htmlRM2HHC82W–Book Cover second quarter 14th century French Ivory devotional diptychs were sometimes adapted to other purposes. Here, the right leaf of a diptych with the Crucifixion has been incorporated into a book cover.. Book Cover 464699
Wooden Christian cross decorated with INRI sign and purple cloth for Lent. Isolated design in cartoon style. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wooden-christian-cross-decorated-with-inri-sign-and-purple-cloth-for-lent-isolated-design-in-cartoon-style-image544735041.htmlRF2PJ6R2W–Wooden Christian cross decorated with INRI sign and purple cloth for Lent. Isolated design in cartoon style.
Cover for: Revue bimestrielle pour l'art appliqué (1897), no. 11/12, Crucifixion surmounted by six heads of apostles, print maker: anonymous, after design by: Johan Thorn Prikker, printer: H. Kleinmann & Co, Haarlem, Mar-1897, paper, height 352 mm × width 272 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cover-for-revue-bimestrielle-pour-lart-appliqu-1897-no-1112-crucifixion-surmounted-by-six-heads-of-apostles-print-maker-anonymous-after-design-by-johan-thorn-prikker-printer-h-kleinmann-co-haarlem-mar-1897-paper-height-352-mm-width-272-mm-print-image599484820.htmlRM2WR8W04–Cover for: Revue bimestrielle pour l'art appliqué (1897), no. 11/12, Crucifixion surmounted by six heads of apostles, print maker: anonymous, after design by: Johan Thorn Prikker, printer: H. Kleinmann & Co, Haarlem, Mar-1897, paper, height 352 mm × width 272 mm, print
Male Costa's Hummingbird (Calypte costae) perched on graythorn (Ziziphus obtusifolia), Tucson Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/male-costas-hummingbird-calypte-costae-perched-on-graythorn-ziziphus-obtusifolia-tucson-image223285330.htmlRMPY7EM2–Male Costa's Hummingbird (Calypte costae) perched on graythorn (Ziziphus obtusifolia), Tucson
Close up of Common Passion flower. (Passiflora caerulea), Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/close-up-of-common-passion-flower-passiflora-caerulea-image362133801.htmlRM2C14HA1–Close up of Common Passion flower. (Passiflora caerulea),
Line of steel storage bins in fiel with clear blue sky in behine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/line-of-steel-storage-bins-in-fiel-with-clear-blue-sky-in-behine-image434222476.htmlRF2G6CF5G–Line of steel storage bins in fiel with clear blue sky in behine
