Cream laid paper hi-res stock photography and images

Wall Fountain, Graphite, gray wash Support: cream laid paper, Rome, Italy, Italy, 1775, architecture, Drawing Stock Photo

RM2DME9CG–Wall Fountain, Graphite, gray wash Support: cream laid paper, Rome, Italy, Italy, 1775, architecture, Drawing

Inspired by Tween the Gloaming and the Mirk, When the Kye Come Home, Mary Nimmo Moran, American, 1842-1899, Etching on cream laid paper, 1883, Sheet: 13 9/16 x 17 13/16 in., 34.4 x 45.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK4EM1–Inspired by Tween the Gloaming and the Mirk, When the Kye Come Home, Mary Nimmo Moran, American, 1842-1899, Etching on cream laid paper, 1883, Sheet: 13 9/16 x 17 13/16 in., 34.4 x 45.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Elisabetta Sirani, Young Woman Writing or Drawing, drawing in red chalk on cream laid paper, 1658-1665 Stock Photo

RM2JRAFM6–Elisabetta Sirani, Young Woman Writing or Drawing, drawing in red chalk on cream laid paper, 1658-1665

The Love of Helen and Paris. Pen and brown ink, brush and brown wash on cream laid paper. Date: 1813-18. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photo

RM2R6EWAN–The Love of Helen and Paris. Pen and brown ink, brush and brown wash on cream laid paper. Date: 1813-18. Museum: Cooper Hewitt, Smithsonian Design Museum.

Ballet at the Paris Opéra by Edgar Degas (1834-1917), pastel over monotype on cream laid paper, c.1877 Stock Photo

RM2A7TDXC–Ballet at the Paris Opéra by Edgar Degas (1834-1917), pastel over monotype on cream laid paper, c.1877

. Portrait of Caspar Olevian, gouache and watercolor on cream laid paper mounted on laid paper. . 1566. German School Casparus Oleviaianus 1566 Stock Photo

RMMMTXAT–. Portrait of Caspar Olevian, gouache and watercolor on cream laid paper mounted on laid paper. . 1566. German School Casparus Oleviaianus 1566

RM2D4MFW9–Etching on cream laid paper

Edgar Degas, French, 1834-1917, Three ballet dancers, c. 1878-80, Monotype on cream laid paper Stock Photo

RM2B0GFHN–Edgar Degas, French, 1834-1917, Three ballet dancers, c. 1878-80, Monotype on cream laid paper

Inspired by Annual Exhibition by Silver Mine Group of Artists, Addison T. Millar, American, 1860-1913, Etching on cream laid paper, n.d., Image: 5 1/8 x 5 1/4 in., 13 x 13.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK57R4–Inspired by Annual Exhibition by Silver Mine Group of Artists, Addison T. Millar, American, 1860-1913, Etching on cream laid paper, n.d., Image: 5 1/8 x 5 1/4 in., 13 x 13.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Plan and elevation of spiral staircases. Details on lower portion of the design. Graphite, pen and black ink, brush and grey watercolor on cream laid paper. Date: January 2, 1883. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photo

RM2R6F3EG–Plan and elevation of spiral staircases. Details on lower portion of the design. Graphite, pen and black ink, brush and grey watercolor on cream laid paper. Date: January 2, 1883. Museum: Cooper Hewitt, Smithsonian Design Museum.

Portrait of Joseph Barrell. Portrait of Joseph Barrell, about 1767, pastel on cream laid paper, 23 3/8 x 18 1/8 in. (59.4 x 46 cm), Worcester Art Museum. circa 1767. 743 JosephBarrell ca1767 byJSCopley WorcesterArtMuseum Stock Photo

RMMP8HWJ–Portrait of Joseph Barrell. Portrait of Joseph Barrell, about 1767, pastel on cream laid paper, 23 3/8 x 18 1/8 in. (59.4 x 46 cm), Worcester Art Museum. circa 1767. 743 JosephBarrell ca1767 byJSCopley WorcesterArtMuseum

Etching and drypoint on cream laid paper Stock Photo

RM2D4MEP0–Etching and drypoint on cream laid paper

Landscape with Little Bridge, n.d., Gillis Neyts, Flemish, 1623-87, Flanders, Etching on cream laid paper Stock Photo

RM2A2J9F4–Landscape with Little Bridge, n.d., Gillis Neyts, Flemish, 1623-87, Flanders, Etching on cream laid paper

Art inspired by Landscape with Ruins, 18th century, Pen and brown ink on cream laid paper, 6-11/16 x 9-7/8 in. (17 x 25.1 cm), Drawings, Anonymous, Italian, Venetian, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW59AN–Art inspired by Landscape with Ruins, 18th century, Pen and brown ink on cream laid paper, 6-11/16 x 9-7/8 in. (17 x 25.1 cm), Drawings, Anonymous, Italian, Venetian, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The twin ichthyocentaurs Bythos and Aphros, from from Greek mythology. Date: ca. 1800. Pen and brown ink, brush and brown wash on cream laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photo

RM2R6EH1Y–The twin ichthyocentaurs Bythos and Aphros, from from Greek mythology. Date: ca. 1800. Pen and brown ink, brush and brown wash on cream laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

N/A. English: Current Location: British Library, Ashley Collection Catalogue Number: Ashley B1417 Paper: one of ruled cream laid paper Dimensions of document: 22 x 17.2 cm . 1848. Dante Gabriel Rossetti 154 Autumn Song, Dante Gabriel Rossetti Stock Photo

RMP5CHHB–N/A. English: Current Location: British Library, Ashley Collection Catalogue Number: Ashley B1417 Paper: one of ruled cream laid paper Dimensions of document: 22 x 17.2 cm . 1848. Dante Gabriel Rossetti 154 Autumn Song, Dante Gabriel Rossetti

Etching in brown on cream laid paper Stock Photo

RM2D4MDRN–Etching in brown on cream laid paper

Design for Desk Set, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing Stock Photo

RM2DN4F3F–Design for Desk Set, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing

Art inspired by Soldier Stabbing a Woman, 17th century, Red chalk on cream laid paper, 3-3/16 x 4-7/16 in. (8.15 x 11.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW59H0–Art inspired by Soldier Stabbing a Woman, 17th century, Red chalk on cream laid paper, 3-3/16 x 4-7/16 in. (8.15 x 11.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Design for double curved staircase with blue balustrade. Elevation at top and plan below. Graphite, pen and black ink, brush and blue, grey watercolor on cream laid paper. Date: February 13, 1883. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photo

RM2R6EYCF–Design for double curved staircase with blue balustrade. Elevation at top and plan below. Graphite, pen and black ink, brush and blue, grey watercolor on cream laid paper. Date: February 13, 1883. Museum: Cooper Hewitt, Smithsonian Design Museum.

. English: Frans Breydel - Procession of maskers with floats, Pen and brown ink and brush and gray wash over black chalk on cream laid paper, 44.9 x 40.1 cm, Museum of Fine Arts Boston . 18th century. Frans Breydel Frans Breydel - Procession of maskers with floats Stock Photo

RMMMXN4T–. English: Frans Breydel - Procession of maskers with floats, Pen and brown ink and brush and gray wash over black chalk on cream laid paper, 44.9 x 40.1 cm, Museum of Fine Arts Boston . 18th century. Frans Breydel Frans Breydel - Procession of maskers with floats

Transfer lithograph in black on cream laid paper Stock Photo

RM2D4MFCE–Transfer lithograph in black on cream laid paper

Ceres, 1752, Jan Wandelaar, Dutch, 1690-1759, Holland, Red chalk on cream laid paper, 305 x 247 mm Stock Photo

RM2A2JH47–Ceres, 1752, Jan Wandelaar, Dutch, 1690-1759, Holland, Red chalk on cream laid paper, 305 x 247 mm

Art inspired by Tween the Gloaming and the Mirk, When the Kye Come Home, Mary Nimmo Moran, American, 1842-1899, Etching on cream laid paper, 1883, Sheet: 13 9/16 x 17 13/16 in., 34.4 x 45.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKJY2W–Art inspired by Tween the Gloaming and the Mirk, When the Kye Come Home, Mary Nimmo Moran, American, 1842-1899, Etching on cream laid paper, 1883, Sheet: 13 9/16 x 17 13/16 in., 34.4 x 45.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

A dragon and another fantastic animal are on the boat. Writing is indicated in the escutcheon. Date: 1734. Pen and brush and black ink, wash, graphite on cream laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photo

RM2R6F031–A dragon and another fantastic animal are on the boat. Writing is indicated in the escutcheon. Date: 1734. Pen and brush and black ink, wash, graphite on cream laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

37.1636 André-Henri Dargelas (French, 1828-1906). 'Boys Playing Marbles,' ca. 1860. graphite on slightly textured, moderately thick, cream laid paper. Walters Art Museum (37.1636): Acquired by William T. Walters. André-Henri Dargelas - Boys Playing Marbles - Walters 371636 Stock Photo

RMMMPG51–37.1636 André-Henri Dargelas (French, 1828-1906). 'Boys Playing Marbles,' ca. 1860. graphite on slightly textured, moderately thick, cream laid paper. Walters Art Museum (37.1636): Acquired by William T. Walters. André-Henri Dargelas - Boys Playing Marbles - Walters 371636

Etching in black ink on cream laid paper Stock Photo

RM2D4METB–Etching in black ink on cream laid paper

The English Jesuit, Print made by Matthew Darly, active 1754–1778, 1771, Etching on medium, slightly textured, cream laid paper Stock Photo

RM2DJ69B4–The English Jesuit, Print made by Matthew Darly, active 1754–1778, 1771, Etching on medium, slightly textured, cream laid paper

Art inspired by Annual Exhibition by Silver Mine Group of Artists, Addison T. Millar, American, 1860-1913, Etching on cream laid paper, n.d., Image: 5 1/8 x 5 1/4 in., 13 x 13.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKKAKG–Art inspired by Annual Exhibition by Silver Mine Group of Artists, Addison T. Millar, American, 1860-1913, Etching on cream laid paper, n.d., Image: 5 1/8 x 5 1/4 in., 13 x 13.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The twin ichthyocentaurs Bythos and Aphros, from from Greek mythology. Date: ca. 1800. Pen and brown ink, brush and sepia wash on cream laid paper on a secondary support. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photo

RM2R6F0K2–The twin ichthyocentaurs Bythos and Aphros, from from Greek mythology. Date: ca. 1800. Pen and brown ink, brush and sepia wash on cream laid paper on a secondary support. Museum: Cooper Hewitt, Smithsonian Design Museum.

37.1226 Honoré Daumier (French, 1808-1879). 'The Third Class Carriage,' 1864. watercolor, ink wash and charcoal on slightly textured, moderately thick, cream laid paper. Walters Art Museum (37.1226): Commissioned by William T. Walters, 1864. Honoré Daumier - The Third Class Carriage - Walters 371226 Stock Photo

RMMN05FH–37.1226 Honoré Daumier (French, 1808-1879). 'The Third Class Carriage,' 1864. watercolor, ink wash and charcoal on slightly textured, moderately thick, cream laid paper. Walters Art Museum (37.1226): Commissioned by William T. Walters, 1864. Honoré Daumier - The Third Class Carriage - Walters 371226

Etching and drypoint with foul biting on cream laid paper Stock Photo

RM2D4MFD2–Etching and drypoint with foul biting on cream laid paper

The Polling, after William Hogarth, 1697–1764, British, 1766, Etching and line engraving on medium, slightly textured, cream laid paper Stock Photo

RM2DJ6AAT–The Polling, after William Hogarth, 1697–1764, British, 1766, Etching and line engraving on medium, slightly textured, cream laid paper

Art inspired by Crucifixion, also called Christ, January–March 1894, Woodcut on heavy, cream laid paper, Image: 13 3/4 × 5 3/4 in. (35 × 14.6 cm), Prints, Émile Bernard (French, Lille 1868–1941 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6DFJ–Art inspired by Crucifixion, also called Christ, January–March 1894, Woodcut on heavy, cream laid paper, Image: 13 3/4 × 5 3/4 in. (35 × 14.6 cm), Prints, Émile Bernard (French, Lille 1868–1941 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2R6EFNC–The twin ichthyocentaurs Bythos and Aphros, from from Greek mythology. Date: ca. 1800. Pen and brown ink, brush and sepia wash on cream laid paper, on a secondary support. Museum: Cooper Hewitt, Smithsonian Design Museum.

37.1595 André-Henri Dargelas (French, 1828-1906). 'School Children in a Storm,' 1828-1906. graphite on slightly textured, moderately-thick, cream laid paper. Walters Art Museum (37.1595): Acquired by William T. Walters. André-Henri Dargelas - School Children in a Storm - Walters 371595 Stock Photo

RMMMPG57–37.1595 André-Henri Dargelas (French, 1828-1906). 'School Children in a Storm,' 1828-1906. graphite on slightly textured, moderately-thick, cream laid paper. Walters Art Museum (37.1595): Acquired by William T. Walters. André-Henri Dargelas - School Children in a Storm - Walters 371595

RM2D4MFHJ–Transfer lithograph in black on cream laid paper

The Chorus, after William Hogarth, 1697–1764, British, 1768, Etching and line engraving on medium, slightly textured, cream laid paper Stock Photo

RM2DJ6AM3–The Chorus, after William Hogarth, 1697–1764, British, 1768, Etching and line engraving on medium, slightly textured, cream laid paper

Art inspired by The Agony in the Garden, 1600–1800, Red chalk, pen and brown ink, brush and brown wash on cream laid paper, 14 x 10-15/16 in. (35.5 x 27.8 cm), Drawings, Anonymous, Italian, 17th or 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW542A–Art inspired by The Agony in the Garden, 1600–1800, Red chalk, pen and brown ink, brush and brown wash on cream laid paper, 14 x 10-15/16 in. (35.5 x 27.8 cm), Drawings, Anonymous, Italian, 17th or 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2R6EYM9–The twin ichthyocentaurs Bythos and Aphros, from from Greek mythology. Date: ca. 1800. Pen and brown ink, brush and sepia wash on cream laid paper, on a secondary support. Museum: Cooper Hewitt, Smithsonian Design Museum.

37.1407 André-Henri Dargelas (French, 1828-1906). 'Children Going to Church,' 1828-1906. graphite with watercolor details and gouache on moderately textured, moderately thick, cream laid paper. Walters Art Museum (37.1407): Acquired by William T. Walters, 1870 (?). André-Henri Dargelas - Children Going to Church - Walters 371407 Stock Photo

RMMMPG53–37.1407 André-Henri Dargelas (French, 1828-1906). 'Children Going to Church,' 1828-1906. graphite with watercolor details and gouache on moderately textured, moderately thick, cream laid paper. Walters Art Museum (37.1407): Acquired by William T. Walters, 1870 (?). André-Henri Dargelas - Children Going to Church - Walters 371407

RM2D4MEB5–Etching in black ink on cream laid paper

Design for Oak Umbrella Stand, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing Stock Photo

RM2DN0Y70–Design for Oak Umbrella Stand, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing

Art inspired by Design for a Decorated Panel of a Carriage, 18th century, Pen and brown ink, brush and gray wash, on cream laid paper, 4 x 4-13/16 in. (10.1 x 12.3 cm), Anonymous, Italian, first half of the 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW59BA–Art inspired by Design for a Decorated Panel of a Carriage, 18th century, Pen and brown ink, brush and gray wash, on cream laid paper, 4 x 4-13/16 in. (10.1 x 12.3 cm), Anonymous, Italian, first half of the 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Horse and Rider. Dated: c. 1878. Dimensions: overall: 46.7 x 33 cm (18 3/8 x 13 in.). Medium: oiled black chalk on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: EDGAR DEGAS. Stock Photo

RMR2W0BP–Horse and Rider. Dated: c. 1878. Dimensions: overall: 46.7 x 33 cm (18 3/8 x 13 in.). Medium: oiled black chalk on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: EDGAR DEGAS.

N/A. English: Man Clinging to a Rock by Charles Le Brun, red chalk on cream laid paper, 17½ x 11 5/16 in. (44.45 cm x 28.73 cm), Crocker Art Museum . Charles Le Brun 243 Man Clinging to a Rock by Charles Le Brun, red chalk Stock Photo

RMP5RC23–N/A. English: Man Clinging to a Rock by Charles Le Brun, red chalk on cream laid paper, 17½ x 11 5/16 in. (44.45 cm x 28.73 cm), Crocker Art Museum . Charles Le Brun 243 Man Clinging to a Rock by Charles Le Brun, red chalk

Etching and drypoint in black ink on cream laid paper Stock Photo

RM2D4MFR7–Etching and drypoint in black ink on cream laid paper

Design for Table with Newspaper Rack, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing Stock Photo

RM2DMX4GM–Design for Table with Newspaper Rack, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing

Art inspired by Various Designs for Parts of a Carriage, 18th century, Pen and brown ink, brush and gray wash, on cream laid paper, 6-3/4 x 8 in. (17.2 x 20.3 cm), Anonymous, Italian, first half of the 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW59BM–Art inspired by Various Designs for Parts of a Carriage, 18th century, Pen and brown ink, brush and gray wash, on cream laid paper, 6-3/4 x 8 in. (17.2 x 20.3 cm), Anonymous, Italian, first half of the 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Assumption of the Virgin. Dated: c. 1667. Dimensions: sheet: 19.4 x 15.4 cm (7 5/8 x 6 1/16 in.). Medium: red chalk on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Baldassare Franceschini. Stock Photo

RMPM4A3T–The Assumption of the Virgin. Dated: c. 1667. Dimensions: sheet: 19.4 x 15.4 cm (7 5/8 x 6 1/16 in.). Medium: red chalk on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Baldassare Franceschini.

Léon Bonvin (French, 1834-1866). 'Vase of Heather,' 1863. watercolor with gum heightening an white heightening, iron gall ink and pen, on slightly textured, moderately-thick, cream laid paper. Walters Art Museum (37.1528): Commissioned by William T. Walters, 1863 (?). 37.1528 836 Léon Bonvin - Vase of Heather - Walters 371528 Stock Photo

RMMP9T95–Léon Bonvin (French, 1834-1866). 'Vase of Heather,' 1863. watercolor with gum heightening an white heightening, iron gall ink and pen, on slightly textured, moderately-thick, cream laid paper. Walters Art Museum (37.1528): Commissioned by William T. Walters, 1863 (?). 37.1528 836 Léon Bonvin - Vase of Heather - Walters 371528

Etching with drypoint in black ink on cream laid paper Stock Photo

RM2D4MEX6–Etching with drypoint in black ink on cream laid paper

Designs for Summer Dining Chairs, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing Stock Photo

RM2DN6GBN–Designs for Summer Dining Chairs, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing

Art inspired by Design for a Cartouche, 18th century, Brush and pink, yellow, and mauve wash, over graphite, on cream laid paper, 16-5/8 x 12-3/8 in. (42.3 x 31.4 cm), Drawings, Anonymous, Italian, first half of the 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5A0D–Art inspired by Design for a Cartouche, 18th century, Brush and pink, yellow, and mauve wash, over graphite, on cream laid paper, 16-5/8 x 12-3/8 in. (42.3 x 31.4 cm), Drawings, Anonymous, Italian, first half of the 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Flight into Egypt. Dated: c. 1664. Dimensions: sheet: 42.4 x 28.5 cm (16 11/16 x 11 1/4 in.). Medium: black and red chalk on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Baldassare Franceschini. Stock Photo

RMPKNDCE–The Flight into Egypt. Dated: c. 1664. Dimensions: sheet: 42.4 x 28.5 cm (16 11/16 x 11 1/4 in.). Medium: black and red chalk on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Baldassare Franceschini.

Léon Bonvin (French, 1834-1866). 'Basket of Asters,' 1863. watercolor, with white heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream laid paper. Walters Art Museum (37.1508): Commissioned by William T. Walters, 1863 (?). 37.1508 836 Léon Bonvin - Basket of Asters - Walters 371508 Stock Photo

RMMP9T56–Léon Bonvin (French, 1834-1866). 'Basket of Asters,' 1863. watercolor, with white heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream laid paper. Walters Art Museum (37.1508): Commissioned by William T. Walters, 1863 (?). 37.1508 836 Léon Bonvin - Basket of Asters - Walters 371508

RM2D4MF2P–Etching and drypoint in black ink on cream laid paper

Design for Desk Organizer with Stationery, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing Stock Photo

RM2DMXEKN–Design for Desk Organizer with Stationery, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing

Art inspired by Christ Surrounded by Angels, 18th century, Pen and brown ink, brush and gray wash, over black chalk, on cream laid paper, 10-3/16 x 7-1/16 in. (25.8 x 18 cm), Drawings, Anonymous, Italian, Venetian, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW59B4–Art inspired by Christ Surrounded by Angels, 18th century, Pen and brown ink, brush and gray wash, over black chalk, on cream laid paper, 10-3/16 x 7-1/16 in. (25.8 x 18 cm), Drawings, Anonymous, Italian, Venetian, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Erminia. Dated: c. 1648. Dimensions: sheet: 20.8 x 15.3 cm (8 3/16 x 6 in.), octagonal (all four corners cut). Medium: red chalk on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Francesco Barbieri, called Guercino. Stock Photo

RMPKR138–Erminia. Dated: c. 1648. Dimensions: sheet: 20.8 x 15.3 cm (8 3/16 x 6 in.), octagonal (all four corners cut). Medium: red chalk on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Francesco Barbieri, called Guercino.

Léon Bonvin (French, 1834-1866). 'Goblet with Forget-me-nots,' 1863. watercolor with gum heightening, gouache details, iron gall ink and pen on slightly textured, moderately thick, cream laid paper. Walters Art Museum (37.1655): Acquired by William T. Walters, 1863 (?). 37.1655 836 Léon Bonvin - Goblet with Forget-me-nots - Walters 371655 Stock Photo

RMMP9T60–Léon Bonvin (French, 1834-1866). 'Goblet with Forget-me-nots,' 1863. watercolor with gum heightening, gouache details, iron gall ink and pen on slightly textured, moderately thick, cream laid paper. Walters Art Museum (37.1655): Acquired by William T. Walters, 1863 (?). 37.1655 836 Léon Bonvin - Goblet with Forget-me-nots - Walters 371655

RM2D4MFET–Etching with drypoint in black ink on cream laid paper

Project for Painted Medallions, Felice Giani, Italian, 1758–1823, Pen and brown ink on cream laid paper, 1810–20, Drawing Stock Photo

RM2DMHETE–Project for Painted Medallions, Felice Giani, Italian, 1758–1823, Pen and brown ink on cream laid paper, 1810–20, Drawing

Art inspired by Landscape with a Pond, ca. 1850, Black ink and gray wash on cream laid paper, 5 5/16 x 6 15/16 in. (13.5 x 17.6 cm), Drawings, Théodore Rousseau (French, Paris 1812–1867 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYDBP–Art inspired by Landscape with a Pond, ca. 1850, Black ink and gray wash on cream laid paper, 5 5/16 x 6 15/16 in. (13.5 x 17.6 cm), Drawings, Théodore Rousseau (French, Paris 1812–1867 Barbizon, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Italian Comedians Taking Their Bows. Dated: c. 1718. Dimensions: overall: 17.8 x 18.5 cm (7 x 7 5/16 in.). Medium: red chalk and graphite on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: ANTOINE WATTEAU. Stock Photo

RMR38PM2–Italian Comedians Taking Their Bows. Dated: c. 1718. Dimensions: overall: 17.8 x 18.5 cm (7 x 7 5/16 in.). Medium: red chalk and graphite on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: ANTOINE WATTEAU.

N/A. English: Studies of Human Bones by Jan Steven van Calcar, red chalk, incised, on cream laid paper, 11½ x 7 3/8 in. (29.21 cm x 18.73 cm), Crocker Art Museum . Jan Steven van Calcar 263 Studies of Human Bones by Jan Steven van Calcar, red chalk Stock Photo

RMP5RDT9–N/A. English: Studies of Human Bones by Jan Steven van Calcar, red chalk, incised, on cream laid paper, 11½ x 7 3/8 in. (29.21 cm x 18.73 cm), Crocker Art Museum . Jan Steven van Calcar 263 Studies of Human Bones by Jan Steven van Calcar, red chalk

Etching with foul biting in black ink on cream laid paper Stock Photo

RM2D4MFW4–Etching with foul biting in black ink on cream laid paper

Allegory of the Glory of the Dauphin, 1680, Antoine Coypel, French, 1661-1722, France, Etching on cream laid paper, 296 × 219 mm Stock Photo

RM2A2KWE8–Allegory of the Glory of the Dauphin, 1680, Antoine Coypel, French, 1661-1722, France, Etching on cream laid paper, 296 × 219 mm

Art inspired by Cap Nègre, 1909, Charcoal and watercolor with charcoal border on cream laid paper, 10 3/16 x 16 9/16 in. (25.9 x 42 cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYD7E–Art inspired by Cap Nègre, 1909, Charcoal and watercolor with charcoal border on cream laid paper, 10 3/16 x 16 9/16 in. (25.9 x 42 cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

A Wayside Shrine Carved into a Rocky Tor. Dated: 1821. Dimensions: overall: 25.8 x 36.1 cm (10 3/16 x 14 3/16 in.). Medium: graphite on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: FRIEDRICH PHILIPP REINHOLD. Stock Photo

RMR35E10–A Wayside Shrine Carved into a Rocky Tor. Dated: 1821. Dimensions: overall: 25.8 x 36.1 cm (10 3/16 x 14 3/16 in.). Medium: graphite on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: FRIEDRICH PHILIPP REINHOLD.

Léon Bonvin (French, 1834-1866). 'Vase of Flowers,' 19th century. watercolor with gum heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream laid paper. Walters Art Museum (37.1522): Commisssioned by William T. Walters, 1862 (?). 37.1522 836 Léon Bonvin - Vase of Flowers - Walters 371522 Stock Photo

RMMP9T8D–Léon Bonvin (French, 1834-1866). 'Vase of Flowers,' 19th century. watercolor with gum heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream laid paper. Walters Art Museum (37.1522): Commisssioned by William T. Walters, 1862 (?). 37.1522 836 Léon Bonvin - Vase of Flowers - Walters 371522

RM2D4MFYW–Etching with foul biting in black ink on cream laid paper

Study, 1839/42, Achille Devéria, French, 1800-1857, France, Black crayon on cream laid paper, 211 × 264 mm Stock Photo

RM2A2KFR2–Study, 1839/42, Achille Devéria, French, 1800-1857, France, Black crayon on cream laid paper, 211 × 264 mm

Art inspired by The Denial of St. Peter, 1620–38, Pen and black and brown ink and brown wash on cream laid paper, sheet: 5 x 6 3/8 in. (12.7 x 16.2 cm), Drawings, Rudolf Meyer (Swiss, Zurich 1605–1638 Zurich, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXG8W–Art inspired by The Denial of St. Peter, 1620–38, Pen and black and brown ink and brown wash on cream laid paper, sheet: 5 x 6 3/8 in. (12.7 x 16.2 cm), Drawings, Rudolf Meyer (Swiss, Zurich 1605–1638 Zurich, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Amboise. David Young Cameron; Scottish, 1865-1945. Date: 1903. Dimensions: 267 x 153 mm (plate); 335 x 195 mm (sheet). Etching on cream laid paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA. Stock Photo

RM2YJGFW4–Amboise. David Young Cameron; Scottish, 1865-1945. Date: 1903. Dimensions: 267 x 153 mm (plate); 335 x 195 mm (sheet). Etching on cream laid paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA.

Léon Bonvin (French, 1834-1866). 'Goblet with Violets,' 1863. watercolor with gum heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream laid paper. Walters Art Museum (37.1656): Commissioned by William T. Walters, 1863 (?). 37.1656 836 Léon Bonvin - Goblet with Violets - Walters 371656 (2) Stock Photo

RMMP9T6D–Léon Bonvin (French, 1834-1866). 'Goblet with Violets,' 1863. watercolor with gum heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream laid paper. Walters Art Museum (37.1656): Commissioned by William T. Walters, 1863 (?). 37.1656 836 Léon Bonvin - Goblet with Violets - Walters 371656 (2)

RM2D4MFD7–Etching with foul biting in black ink on cream laid paper

Landscape with Village, 1720, Unknown Artist, Netherlandish, 18th century, Netherlands, Black chalk on cream laid paper, 91 x 315 mm Stock Photo

RM2A2KH1T–Landscape with Village, 1720, Unknown Artist, Netherlandish, 18th century, Netherlands, Black chalk on cream laid paper, 91 x 315 mm

Art inspired by Landscape with a House near a Bridge over a River, n.d., Pen and ink on cream laid paper, sheet: 7 5/8 x 11 5/8 in. (19.4 x 29.5 cm), Drawings, Albert Meyeringh (Dutch, 1645–1714, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5XYJ–Art inspired by Landscape with a House near a Bridge over a River, n.d., Pen and ink on cream laid paper, sheet: 7 5/8 x 11 5/8 in. (19.4 x 29.5 cm), Drawings, Albert Meyeringh (Dutch, 1645–1714, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Holy Family. Dated: 1754/1762. Dimensions: sheet: 22.3 x 19.2 cm (8 3/4 x 7 9/16 in.). Medium: pen and brown ink with gray-brown wash on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo. Stock Photo

RMPM97D8–The Holy Family. Dated: 1754/1762. Dimensions: sheet: 22.3 x 19.2 cm (8 3/4 x 7 9/16 in.). Medium: pen and brown ink with gray-brown wash on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

Léon Bonvin (French, 1834-1866). 'Vase of Wild Flowers,' 1863. watercolor with gum heightening and white heightening, iron gall ink and pen, on slightly textured, moderately-thick, cream laid paper. Walters Art Museum (37.1527): Commissioned by William T. Walters, 1863 (?). 37.1527 836 Léon Bonvin - Vase of Wild Flowers - Walters 371527 Stock Photo

RMMP9T97–Léon Bonvin (French, 1834-1866). 'Vase of Wild Flowers,' 1863. watercolor with gum heightening and white heightening, iron gall ink and pen, on slightly textured, moderately-thick, cream laid paper. Walters Art Museum (37.1527): Commissioned by William T. Walters, 1863 (?). 37.1527 836 Léon Bonvin - Vase of Wild Flowers - Walters 371527

RM2D4MEFT–Etching with foul biting in black ink on cream laid paper

Mercury and Argus, 1642/48, Simone Cantarini, Italian, 1612-1648, Italy, Etching on cream laid paper, 257 x 299 mm Stock Photo

RM2A2K4B9–Mercury and Argus, 1642/48, Simone Cantarini, Italian, 1612-1648, Italy, Etching on cream laid paper, 257 x 299 mm

Art inspired by Holy Family, 17th century, Red chalk on cream laid paper with stylus-incised lines. Ruled framing outline in red chalk, 7-11/16 x 6 in. (19.5 x 15.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW598F–Art inspired by Holy Family, 17th century, Red chalk on cream laid paper with stylus-incised lines. Ruled framing outline in red chalk, 7-11/16 x 6 in. (19.5 x 15.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Longitudinal cross-section of a theater (in shades of rose and gray), showing an auditorium composed of five tiers of boxes (34 boxes on each tier) and the stage. Arched entryway at left. Date: 1788. Pen and black ink, brush and gray wash, watercolor, graphite on cream laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photo

RM2R6EKW4–Longitudinal cross-section of a theater (in shades of rose and gray), showing an auditorium composed of five tiers of boxes (34 boxes on each tier) and the stage. Arched entryway at left. Date: 1788. Pen and black ink, brush and gray wash, watercolor, graphite on cream laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

RMMP9T66–Léon Bonvin (French, 1834-1866). 'Goblet with Violets,' 1863. watercolor with gum heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream laid paper. Walters Art Museum (37.1656): Commissioned by William T. Walters, 1863 (?). 37.1656 836 Léon Bonvin - Goblet with Violets - Walters 371656

Etching and drypoint in black on cream laid paper (discolored to tan) Stock Photo

RM2D4MFTY–Etching and drypoint in black on cream laid paper (discolored to tan)

View at Étretat, c. 1827, Paul Huet, French, 1803-1869, France, Watercolor on cream laid paper, 137 × 224 mm Stock Photo

RM2A2KK4X–View at Étretat, c. 1827, Paul Huet, French, 1803-1869, France, Watercolor on cream laid paper, 137 × 224 mm

Art inspired by Cartouche with a Mask, 18th century, Pen and brown ink, brush and green-gray wash, over black chalk, on cream laid paper, 3-13/16 x 5-3/8 in. (9.7 x 13.6 cm), Drawings, Anonymous, Italian, Venetian, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW59AX–Art inspired by Cartouche with a Mask, 18th century, Pen and brown ink, brush and green-gray wash, over black chalk, on cream laid paper, 3-13/16 x 5-3/8 in. (9.7 x 13.6 cm), Drawings, Anonymous, Italian, Venetian, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

An Italian Walled Town Seen through Trees. Dated: c. 1724. Dimensions: overall: 18.5 x 30.8 cm (7 5/16 x 12 1/8 in.). Medium: red chalk on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Francois Le Moyne. Stock Photo

RMRFCY20–An Italian Walled Town Seen through Trees. Dated: c. 1724. Dimensions: overall: 18.5 x 30.8 cm (7 5/16 x 12 1/8 in.). Medium: red chalk on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Francois Le Moyne.

Léon Bonvin (French, 1834-1866). 'Still Life: Basket of Grapes, Walnuts, and Knife,' 1863. watercolor with gum heightening, iron gall ink and pen, on slightly textured, moderately-thick, cream laid paper. Walters Art Museum (37.1529): Acquired by William T. Walters. 37.1529 836 Léon Bonvin - Still Life - Basket of Grapes, Walnuts, and Knife - Walters 371529 Stock Photo

RMMP9T6Y–Léon Bonvin (French, 1834-1866). 'Still Life: Basket of Grapes, Walnuts, and Knife,' 1863. watercolor with gum heightening, iron gall ink and pen, on slightly textured, moderately-thick, cream laid paper. Walters Art Museum (37.1529): Acquired by William T. Walters. 37.1529 836 Léon Bonvin - Still Life - Basket of Grapes, Walnuts, and Knife - Walters 371529

'Aquatint soft varnish (''vernis mou'') and drypoint on cream laid paper' Stock Photo

RM2D4MF34–'Aquatint soft varnish (''vernis mou'') and drypoint on cream laid paper'

John Fletcher, Print made by George Vertue, 1684–1756, British, 1729, Line engraving on medium, slightly textured, cream laid paper Stock Photo

RM2DJ676C–John Fletcher, Print made by George Vertue, 1684–1756, British, 1729, Line engraving on medium, slightly textured, cream laid paper

Art inspired by Design for a Carriage, 18th century, Pen and brown ink, brush and brown wash, over traces of black chalk, on cream laid paper, 3-3/4 x 5-7/8 in. (9.6 x 14.9 cm), Anonymous, Italian, first half of the 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW59CK–Art inspired by Design for a Carriage, 18th century, Pen and brown ink, brush and brown wash, over traces of black chalk, on cream laid paper, 3-3/4 x 5-7/8 in. (9.6 x 14.9 cm), Anonymous, Italian, first half of the 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Gargoyles, Stirling Castle. David Young Cameron; Scottish, 1865-1945. Date: 1898. Dimensions: 291 x 174 mm (plate); 405 x 250 mm (sheet). Etching on cream laid paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA. Stock Photo

RM2YJGF7R–The Gargoyles, Stirling Castle. David Young Cameron; Scottish, 1865-1945. Date: 1898. Dimensions: 291 x 174 mm (plate); 405 x 250 mm (sheet). Etching on cream laid paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA.

Léon Bonvin (French, 1834-1866). 'Thistle Bush with Farm,' 1863. watercolor with white heightening and gum heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream laid paper. Walters Art Museum (37.1647): Acquired by William T. Walters. 37.1647 836 Léon Bonvin - Thistle Bush with Farm - Walters 371647 Stock Photo

RMMP9T86–Léon Bonvin (French, 1834-1866). 'Thistle Bush with Farm,' 1863. watercolor with white heightening and gum heightening, iron gall ink and pen, over graphite underdrawing on slightly textured, moderately thick, cream laid paper. Walters Art Museum (37.1647): Acquired by William T. Walters. 37.1647 836 Léon Bonvin - Thistle Bush with Farm - Walters 371647

RM2D4MEJA–Etching with foul biting in black ink on cream laid paper

Cardinal Wolsey, Print made by Jacobus Houbraken, 1698–1780, Dutch, 1738, Line engraving on medium, slightly textured, cream laid paper Stock Photo

RM2DJ6708–Cardinal Wolsey, Print made by Jacobus Houbraken, 1698–1780, Dutch, 1738, Line engraving on medium, slightly textured, cream laid paper

Art inspired by Head of Apollo in Glory, late 18th–early 19th century, Pen and brown ink over graphite on cream laid paper, sheet: 2 15/16 x 5 3/4 in. (7.4 x 14.6 cm), Anonymous, British, late 18th to early 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6P0B–Art inspired by Head of Apollo in Glory, late 18th–early 19th century, Pen and brown ink over graphite on cream laid paper, sheet: 2 15/16 x 5 3/4 in. (7.4 x 14.6 cm), Anonymous, British, late 18th to early 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Unicorn, Stirling. David Young Cameron; Scottish, 1865-1945. Date: 1891. Dimensions: 200 x 77 mm (image/plate); 215 x 85 mm (sheet). Etching on cream laid paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA. Stock Photo

RM2YJGF7C–The Unicorn, Stirling. David Young Cameron; Scottish, 1865-1945. Date: 1891. Dimensions: 200 x 77 mm (image/plate); 215 x 85 mm (sheet). Etching on cream laid paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA.

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